Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:05 | |
and scenes which some viewers may find upsetting | 0:00:05 | 0:00:08 | |
You have to put things right. Because of what you did. | 0:00:08 | 0:00:11 | |
-I want to talk about what's really happening. -Which is? | 0:00:11 | 0:00:14 | |
About your being raped. | 0:00:14 | 0:00:15 | |
-Just leave me alone. -Stop trying to save her. | 0:00:15 | 0:00:18 | |
I don't know how to do that. | 0:00:18 | 0:00:20 | |
-You're here with me. -Why haven't the police arrested him yet? | 0:00:20 | 0:00:23 | |
-He's protected. -By who? | 0:00:23 | 0:00:24 | |
Businesspeople, politicians, the police... | 0:00:24 | 0:00:26 | |
DS Tom Gillespie. | 0:00:26 | 0:00:28 | |
I'm Rory's handler. | 0:00:28 | 0:00:30 | |
You belong to Alistair. | 0:00:30 | 0:00:31 | |
I let him know about the police investigation. | 0:00:31 | 0:00:34 | |
I'm worried about her. She could be in actual danger. | 0:00:34 | 0:00:36 | |
Maybe she likes it. | 0:00:36 | 0:00:38 | |
STRUGGLING | 0:00:38 | 0:00:39 | |
You could have just left it alone! | 0:00:39 | 0:00:41 | |
THUMP | 0:00:41 | 0:00:43 | |
# You | 0:00:45 | 0:00:47 | |
# You have me hooked again and now I have no choice | 0:00:47 | 0:00:52 | |
# But to follow | 0:00:52 | 0:00:54 | |
# I'm sinking faster | 0:00:54 | 0:00:57 | |
# I'm sinking faster, yeah | 0:00:57 | 0:00:59 | |
# I'm sinking faster into the deep... # | 0:00:59 | 0:01:05 | |
Stop it! | 0:01:36 | 0:01:37 | |
SHE GASPS | 0:01:40 | 0:01:42 | |
SHE SCREAMS | 0:01:50 | 0:01:52 | |
We need to go. | 0:02:04 | 0:02:07 | |
Holly. It's OK. | 0:02:07 | 0:02:09 | |
WATER RUNNING | 0:02:19 | 0:02:22 | |
SHE SOBS | 0:02:35 | 0:02:37 | |
DISTANT CONVERSATION | 0:02:56 | 0:02:58 | |
PHONE RINGING | 0:03:21 | 0:03:23 | |
PHONE VIBRATES | 0:03:23 | 0:03:25 | |
VIBRATING STOPS | 0:03:34 | 0:03:37 | |
Are you ready to talk? | 0:03:39 | 0:03:41 | |
I can't take it - not knowing what's in your head. | 0:03:47 | 0:03:50 | |
You kept going. | 0:03:52 | 0:03:54 | |
You kept hitting him. | 0:03:58 | 0:04:00 | |
You weren't breathing. | 0:04:02 | 0:04:04 | |
And he wasn't going to stop. | 0:04:04 | 0:04:06 | |
I had to make him stop. | 0:04:06 | 0:04:09 | |
I made a choice. For you. | 0:04:10 | 0:04:13 | |
I think you'd have done the same. | 0:04:13 | 0:04:15 | |
I know you would. | 0:04:18 | 0:04:19 | |
Someone will find him. | 0:04:21 | 0:04:23 | |
I know. | 0:04:26 | 0:04:27 | |
So we need to go to the police. | 0:04:30 | 0:04:32 | |
We need to tell them what happened. | 0:04:34 | 0:04:36 | |
I don't think that's a good idea. | 0:04:38 | 0:04:41 | |
But if that's what you want... | 0:04:41 | 0:04:43 | |
What other choice have we got? | 0:04:45 | 0:04:46 | |
Then we need to be ready for what's coming. | 0:04:48 | 0:04:51 | |
I'll go to prison. You will, too. | 0:04:51 | 0:04:54 | |
-We'll explain what happened. -Rory worked for the police. | 0:04:54 | 0:04:57 | |
You think they're just going to take our word for it? | 0:04:57 | 0:04:59 | |
-He told me what he did to James. -He's dead, Holly. | 0:04:59 | 0:05:01 | |
I'm sorry. | 0:05:06 | 0:05:07 | |
We need someone to help us. | 0:05:14 | 0:05:16 | |
It's just us now. | 0:05:19 | 0:05:20 | |
Till we can work out what to do. | 0:05:22 | 0:05:24 | |
If we can prove it... | 0:05:35 | 0:05:37 | |
..what Alistair did, what Rory did, then... | 0:05:38 | 0:05:40 | |
..maybe we can make them believe us. | 0:05:42 | 0:05:44 | |
Maybe. | 0:05:45 | 0:05:46 | |
This doesn't feel real. | 0:05:50 | 0:05:51 | |
It's good to see you, Ruth, in spite of all this. | 0:05:58 | 0:06:02 | |
You understand why you're here? | 0:06:03 | 0:06:05 | |
Of course. | 0:06:05 | 0:06:07 | |
The media, I could probably handle. | 0:06:07 | 0:06:10 | |
But the parents are calling in now. | 0:06:10 | 0:06:12 | |
Every kid with a conditional offer for next year. | 0:06:12 | 0:06:14 | |
-The department's in freefall. -The initiative was mine. | 0:06:14 | 0:06:17 | |
It existed outside Solasta. | 0:06:17 | 0:06:20 | |
And I was behind you, Jude, you know that. | 0:06:20 | 0:06:22 | |
I wanted the scheme to work. | 0:06:22 | 0:06:24 | |
I was fighting for those girls to realise their full potential. | 0:06:24 | 0:06:28 | |
But it didn't work out like that, though, did it? | 0:06:28 | 0:06:30 | |
The press are calling you a pimp for your brother. | 0:06:30 | 0:06:32 | |
I didn't know. | 0:06:35 | 0:06:37 | |
I know that, Jude, but maybe you SHOULD have. | 0:06:37 | 0:06:40 | |
This isn't just about what he's done, is it? | 0:06:41 | 0:06:44 | |
You were teaching those girls | 0:06:44 | 0:06:45 | |
something some of them were not equipped to understand. | 0:06:45 | 0:06:48 | |
I was teaching them to be pragmatic. | 0:06:48 | 0:06:50 | |
And it backfired. | 0:06:50 | 0:06:52 | |
Those girls got hurt. | 0:06:53 | 0:06:55 | |
-I want you to let me put this right. -Oh, for God's sake. | 0:06:57 | 0:07:00 | |
I am firing you, Jude. | 0:07:00 | 0:07:02 | |
All right. | 0:07:05 | 0:07:06 | |
FOOTSTEPS APPROACHING | 0:07:20 | 0:07:22 | |
Holly. | 0:07:26 | 0:07:28 | |
What are you doing? | 0:07:28 | 0:07:30 | |
-Going to Solasta. -Why? | 0:07:30 | 0:07:33 | |
If I can get to Alistair, I can get him to tell me what he did. | 0:07:33 | 0:07:36 | |
-What he made Rory do. -You can't leave me here. | 0:07:36 | 0:07:38 | |
You said. | 0:07:38 | 0:07:39 | |
You said this was the only way. | 0:07:39 | 0:07:41 | |
I can't... | 0:07:41 | 0:07:42 | |
I can't do it. I can't. | 0:07:42 | 0:07:44 | |
Don't make me do this whole thing by myself. I need you to help me. | 0:07:47 | 0:07:52 | |
Isn't your first exam today? | 0:07:55 | 0:07:57 | |
What? | 0:07:57 | 0:07:59 | |
Put some clothes on and go and take it. | 0:07:59 | 0:08:01 | |
It'll stop people coming looking for us. | 0:08:01 | 0:08:03 | |
Hey. | 0:08:06 | 0:08:08 | |
We said we'd be brave, didn't we? | 0:08:10 | 0:08:12 | |
-'Who is it?' -Elizabeth Smith. | 0:08:34 | 0:08:37 | |
I'm a student on your macroeconomics module. | 0:08:37 | 0:08:40 | |
'Not any more.' | 0:08:40 | 0:08:42 | |
That was very rude. | 0:08:47 | 0:08:49 | |
'What do you want?' | 0:08:49 | 0:08:50 | |
Your time. | 0:08:50 | 0:08:52 | |
I deserve it, too. | 0:08:53 | 0:08:55 | |
And I know things. | 0:08:57 | 0:08:58 | |
Things you should know. | 0:08:58 | 0:09:00 | |
DOOR RELEASE BUZZER SOUNDS | 0:09:03 | 0:09:05 | |
Well? | 0:09:13 | 0:09:15 | |
I should tell you I'm the one who put that video on in your lecture. | 0:09:16 | 0:09:19 | |
Do you want a sticker(?) | 0:09:19 | 0:09:21 | |
Didn't even work. | 0:09:23 | 0:09:24 | |
Nothing happened to Alistair. | 0:09:26 | 0:09:28 | |
And now Holly's gone with her. | 0:09:30 | 0:09:31 | |
With who? | 0:09:31 | 0:09:33 | |
I can tell you what you got in your Highers. | 0:09:45 | 0:09:47 | |
I can tell you the name of your first boyfriend. | 0:09:47 | 0:09:50 | |
I know your dad wished you were a boy. | 0:09:50 | 0:09:52 | |
I can't tell you anything about Rachel Maddox | 0:09:54 | 0:09:57 | |
before she came to this uni. | 0:09:57 | 0:09:59 | |
She doesn't exist. | 0:10:00 | 0:10:02 | |
Thought I knew her. | 0:10:05 | 0:10:06 | |
Been wrong about a lot this year. | 0:10:08 | 0:10:10 | |
Come on, then, you tell me. | 0:10:12 | 0:10:14 | |
What's she doing? | 0:10:14 | 0:10:16 | |
Rachel won't leave Holly alone. | 0:10:16 | 0:10:17 | |
I know she makes Holly...do things she wouldn't normally do. | 0:10:18 | 0:10:22 | |
Rachel side-stepped me to get Georgia onto the scheme, not Holly. | 0:10:27 | 0:10:32 | |
Where Georgia goes, Holly will follow. | 0:10:34 | 0:10:36 | |
Look, Holly's been getting messages. | 0:10:38 | 0:10:41 | |
It's how she got the corruption stuff in Fay's video. | 0:10:42 | 0:10:47 | |
But when Rachel saw it, she wasn't surprised. | 0:10:49 | 0:10:52 | |
It's like she knew. | 0:10:53 | 0:10:54 | |
Like she'd already seen it. | 0:10:56 | 0:10:58 | |
ELEVATOR PINGS | 0:11:02 | 0:11:04 | |
Where have you been? | 0:11:10 | 0:11:12 | |
Bit of drama and everyone goes AWOL. It's pathetic. | 0:11:12 | 0:11:15 | |
Don't lump me in with everyone else. | 0:11:15 | 0:11:17 | |
-It's offensive. -Yeah, well, I appreciate it. -You should. | 0:11:17 | 0:11:20 | |
I saved your skin with Fay, didn't I? | 0:11:20 | 0:11:23 | |
Why you bringing that up? | 0:11:23 | 0:11:25 | |
It's relevant, isn't it? | 0:11:25 | 0:11:27 | |
Well, only if you allow yourself to be whipped up | 0:11:28 | 0:11:31 | |
by a couple of mad bitches with a vendetta. | 0:11:31 | 0:11:33 | |
I think we're way beyond "a couple of mad bitches". | 0:11:33 | 0:11:36 | |
What's wrong with you? | 0:11:38 | 0:11:39 | |
It's been nice. | 0:11:46 | 0:11:49 | |
I liked helping you. | 0:11:49 | 0:11:51 | |
What the fuck, Rach? I don't have time for this shit right now. | 0:11:57 | 0:11:59 | |
Holly's got it all. | 0:12:01 | 0:12:02 | |
Steiner, the fraud, the accounts. | 0:12:02 | 0:12:06 | |
She worked it all out. Just like Fay. | 0:12:06 | 0:12:09 | |
Is this a joke, or...? | 0:12:11 | 0:12:13 | |
Don't worry. I can help you. | 0:12:13 | 0:12:15 | |
But I need you to do something for me. | 0:12:16 | 0:12:19 | |
Aww. This is precious. | 0:12:19 | 0:12:22 | |
Are you actually attempting to threaten me here? | 0:12:24 | 0:12:26 | |
-Not at all. -I suggest you stop. | 0:12:26 | 0:12:29 | |
You see, I don't care about your stupid little friend | 0:12:30 | 0:12:35 | |
and what she thinks she knows, | 0:12:35 | 0:12:37 | |
and I certainly don't care that you woke up this morning | 0:12:37 | 0:12:39 | |
and lost your fucking mind. | 0:12:39 | 0:12:41 | |
There's a flat, Alistair. | 0:12:41 | 0:12:43 | |
Belonged to Fay and James. | 0:12:44 | 0:12:46 | |
No-one knew about it. | 0:12:46 | 0:12:48 | |
It's full of things about you. | 0:12:50 | 0:12:53 | |
All their hard work. | 0:12:53 | 0:12:55 | |
Does seem a bit weird, doesn't it, | 0:12:57 | 0:13:00 | |
them both being dead? | 0:13:00 | 0:13:02 | |
I can give you the address. | 0:13:03 | 0:13:04 | |
Give you a chance to go and sort a few things out. | 0:13:04 | 0:13:08 | |
Or I could give that address to the police, | 0:13:08 | 0:13:10 | |
let them decide what to do with it. | 0:13:10 | 0:13:12 | |
Why are you doing this? | 0:13:12 | 0:13:14 | |
Because you stopped being useful. | 0:13:14 | 0:13:16 | |
And I got bored. | 0:13:20 | 0:13:22 | |
I swear to God, if this gets out... | 0:13:22 | 0:13:26 | |
Come on. You don't do this part, remember? | 0:13:26 | 0:13:28 | |
That was what Rory was for. | 0:13:28 | 0:13:30 | |
Oh, and he left. | 0:13:30 | 0:13:33 | |
So no protection from the police investigation either. | 0:13:33 | 0:13:36 | |
What do you want? | 0:13:38 | 0:13:39 | |
You should probably leave Edinburgh. | 0:13:39 | 0:13:42 | |
There's nothing I can do about the fraud investigation. | 0:13:42 | 0:13:45 | |
That's on its way regardless. | 0:13:45 | 0:13:47 | |
I'm taking the beach house. | 0:13:50 | 0:13:52 | |
I always liked it there. | 0:13:52 | 0:13:55 | |
Don't go back. OK? | 0:13:55 | 0:13:57 | |
Oh, yeah - | 0:13:58 | 0:13:59 | |
Fay's flat keys. | 0:13:59 | 0:14:01 | |
Bye, boss. | 0:14:04 | 0:14:06 | |
CHAIR SCRAPES | 0:14:31 | 0:14:32 | |
Eyes on your papers, please. | 0:15:27 | 0:15:29 | |
INDISTINCT CHATTERING | 0:15:43 | 0:15:47 | |
-Holly, I need to talk to you. -No. | 0:15:51 | 0:15:53 | |
These messages that you've been getting, | 0:15:53 | 0:15:55 | |
you know who's sending them? | 0:15:55 | 0:15:57 | |
None of that matters any more. | 0:15:57 | 0:15:58 | |
Whatever you are doing, you have to stop. | 0:15:58 | 0:16:01 | |
Where's Rachel? | 0:16:01 | 0:16:03 | |
I'm fine, Jude. I'm all right. | 0:16:03 | 0:16:05 | |
SHE CRIES | 0:16:24 | 0:16:26 | |
PHONE RINGS | 0:16:46 | 0:16:48 | |
-DS Gillespie. -'Hello.' | 0:16:48 | 0:16:50 | |
You need to come. I don't know what to do. | 0:16:50 | 0:16:53 | |
Wait, slow down. | 0:16:53 | 0:16:54 | |
INDISTINCT | 0:16:54 | 0:16:57 | |
Tell me your name. | 0:16:57 | 0:16:58 | |
SHE CRIES | 0:16:58 | 0:17:00 | |
What's the address? | 0:17:00 | 0:17:02 | |
-'..apartment by The Shore.' -Uh-huh. | 0:17:02 | 0:17:05 | |
SHE EXHALES | 0:17:09 | 0:17:11 | |
Hello...? | 0:17:16 | 0:17:17 | |
Oh, fuck! | 0:18:12 | 0:18:14 | |
Oh, no! | 0:18:18 | 0:18:21 | |
Fuck, fuck, fuck! | 0:18:21 | 0:18:23 | |
Oh, Jesus! | 0:18:23 | 0:18:25 | |
I don't know what happened. | 0:18:29 | 0:18:30 | |
Stay where you are, McDermid. | 0:18:30 | 0:18:32 | |
I was sent here. | 0:18:32 | 0:18:34 | |
I didn't touch him. | 0:18:34 | 0:18:35 | |
Who are you? | 0:18:43 | 0:18:45 | |
Did you come back for these... or to clear up? | 0:18:45 | 0:18:48 | |
I didn't do this. | 0:18:49 | 0:18:51 | |
You've bought your way out of every single charge | 0:18:52 | 0:18:54 | |
I've come close to getting you on for two years. | 0:18:54 | 0:18:57 | |
Not any more, you arrogant prick. It's over. | 0:18:57 | 0:18:59 | |
No, no, no. Listen to me. | 0:18:59 | 0:19:01 | |
I was sent here by a woman called Rachel Maddox. | 0:19:01 | 0:19:03 | |
She set me up. She's fucking mental. | 0:19:03 | 0:19:05 | |
-No, you found out Rory was with us. -No. | 0:19:05 | 0:19:08 | |
Did you think killing him was going to make everything go away? | 0:19:08 | 0:19:10 | |
-Just listen to me for a... -Shut up! Stop talking! | 0:19:10 | 0:19:12 | |
What's YOUR name? | 0:19:22 | 0:19:23 | |
Mm? | 0:19:23 | 0:19:25 | |
Fuck you. | 0:19:28 | 0:19:29 | |
Where you going? | 0:19:33 | 0:19:35 | |
Move. | 0:19:37 | 0:19:38 | |
Move! | 0:19:40 | 0:19:42 | |
You fucking... | 0:19:44 | 0:19:46 | |
HE SCREAMS | 0:19:46 | 0:19:47 | |
I need a unit. | 0:19:51 | 0:19:53 | |
'Go ahead.' | 0:19:53 | 0:19:54 | |
24 Tyrell Street. Flat 5/1. | 0:19:54 | 0:19:57 | |
POLICE RADIO CHATTER | 0:19:57 | 0:19:58 | |
Move it. | 0:19:58 | 0:19:59 | |
-Hey. -Hey, babe. | 0:20:06 | 0:20:08 | |
Thank God you're here. | 0:20:08 | 0:20:10 | |
Everyone in there's so fucking miserable. | 0:20:10 | 0:20:12 | |
What are you making? | 0:20:15 | 0:20:16 | |
I want a blue cocktail. | 0:20:16 | 0:20:18 | |
I don't know what makes one of those, but I'm having one. | 0:20:18 | 0:20:20 | |
-Are you in? -Sure. | 0:20:22 | 0:20:24 | |
I'll be back in a sec. | 0:20:24 | 0:20:26 | |
CHATTERING | 0:20:26 | 0:20:28 | |
Sorry. Came as quickly as I could. | 0:20:28 | 0:20:31 | |
Babe, you look rough. | 0:20:31 | 0:20:33 | |
We don't know what to do with her. She's not packed. | 0:20:33 | 0:20:36 | |
Yeah, and she's definitely taken something. | 0:20:36 | 0:20:38 | |
-I'll deal with it. -How? | 0:20:38 | 0:20:39 | |
She just needs to sober up. I'll put her to bed for a bit. | 0:20:40 | 0:20:43 | |
And then what? You guys have got to be out of here by the morning, | 0:20:43 | 0:20:46 | |
and she's not staying at mine. | 0:20:46 | 0:20:47 | |
-It's fine, honestly. -It's not fine, Rachel, none of it's fine. | 0:20:47 | 0:20:50 | |
-Are you going to come to Charlie's? -No. | 0:20:53 | 0:20:55 | |
Me and Holly are going to leave town for a few days. | 0:20:55 | 0:20:57 | |
And go where? | 0:20:57 | 0:20:59 | |
She just needs to get away from all of this. | 0:20:59 | 0:21:01 | |
New best buds, then. | 0:21:01 | 0:21:03 | |
-Is she OK? -Why do you care so much? | 0:21:03 | 0:21:06 | |
She's just destroyed everything. | 0:21:06 | 0:21:07 | |
Don't get pulled back into this shit. | 0:21:07 | 0:21:09 | |
Look, guys - we're done, all right? | 0:21:09 | 0:21:11 | |
Rachel, you're welcome at mine, but... | 0:21:11 | 0:21:13 | |
just don't bring her like that. OK? | 0:21:13 | 0:21:16 | |
Holly won't go with you, you know. | 0:21:19 | 0:21:21 | |
She won't leave her. | 0:21:21 | 0:21:23 | |
She will. | 0:21:27 | 0:21:29 | |
Come on, darling. Time to go. | 0:21:40 | 0:21:42 | |
-Where? -Alistair's. | 0:21:44 | 0:21:47 | |
-He's been asking for you. -Did you speak to him? | 0:21:47 | 0:21:50 | |
I've tried calling, but I couldn't get through. | 0:21:50 | 0:21:52 | |
I thought he was angry with me. | 0:21:52 | 0:21:54 | |
He's upset, but not with you. | 0:21:54 | 0:21:56 | |
He needs you. | 0:21:56 | 0:21:58 | |
You keep trying to help, but you just make things worse. | 0:22:36 | 0:22:39 | |
Tell me what to do. | 0:22:44 | 0:22:46 | |
I'm dead, Holly. I can't tell you anything. | 0:22:48 | 0:22:51 | |
There's something wrong with me. | 0:22:56 | 0:22:58 | |
People always get hurt. | 0:23:00 | 0:23:02 | |
Bit narcissistic, isn't it? | 0:23:02 | 0:23:04 | |
Rory, Georgia... | 0:23:05 | 0:23:08 | |
Lisa? | 0:23:08 | 0:23:09 | |
Is that really true? | 0:23:12 | 0:23:15 | |
I mean, you were a little girl, | 0:23:15 | 0:23:16 | |
you played a stupid prank that went wrong. | 0:23:16 | 0:23:19 | |
-Did you mean to hurt her? -No. | 0:23:19 | 0:23:21 | |
No. | 0:23:22 | 0:23:23 | |
You have to forgive yourself. | 0:23:26 | 0:23:27 | |
I can't. | 0:23:30 | 0:23:32 | |
Why not? She did. | 0:23:32 | 0:23:34 | |
Georgia. | 0:23:37 | 0:23:39 | |
Fay, wait. | 0:23:45 | 0:23:47 | |
I need you to tell me what to do. | 0:23:49 | 0:23:51 | |
You don't get it yet. | 0:23:54 | 0:23:56 | |
But you will. | 0:23:56 | 0:23:58 | |
You're perfect. | 0:24:00 | 0:24:02 | |
PHONE VIBRATES | 0:24:18 | 0:24:19 | |
-RACHEL: -'Holly.' | 0:24:30 | 0:24:32 | |
Where are you? | 0:24:32 | 0:24:33 | |
What's going on? | 0:24:33 | 0:24:35 | |
'Meet me in The Windsor. I'll be there in an hour.' | 0:24:35 | 0:24:38 | |
I can't stand it any more. | 0:24:38 | 0:24:40 | |
'It's OK. I'm on my way back. I'll explain everything.' | 0:24:40 | 0:24:44 | |
It's OK. | 0:25:23 | 0:25:25 | |
You're OK. | 0:25:25 | 0:25:27 | |
What's happening? | 0:25:27 | 0:25:29 | |
In a sec. I need to tell you something. | 0:25:29 | 0:25:32 | |
Sit down. | 0:25:34 | 0:25:36 | |
What did you feel? | 0:25:45 | 0:25:47 | |
When? | 0:25:47 | 0:25:49 | |
When I did it. | 0:25:49 | 0:25:51 | |
-When I killed Rory. -Stop it. | 0:25:51 | 0:25:53 | |
Did you feel it here? | 0:25:55 | 0:25:57 | |
Kind of like... a vibration, like... | 0:25:58 | 0:26:03 | |
the second before you come, you know. | 0:26:03 | 0:26:05 | |
-I know you felt it. -What are you saying? | 0:26:06 | 0:26:08 | |
It's over, Holly. | 0:26:10 | 0:26:12 | |
We made it. | 0:26:12 | 0:26:14 | |
Now it's only Georgia in the way, | 0:26:15 | 0:26:17 | |
just like Lisa was. | 0:26:17 | 0:26:19 | |
What do you want? | 0:26:23 | 0:26:25 | |
Come on, Holly. | 0:26:25 | 0:26:27 | |
You still don't remember? | 0:26:27 | 0:26:28 | |
Remember what? | 0:26:29 | 0:26:31 | |
I've been trying to remind you. | 0:26:31 | 0:26:33 | |
But it's OK. | 0:26:35 | 0:26:37 | |
I'll save you, like you saved me. | 0:26:37 | 0:26:39 | |
Let go. | 0:26:39 | 0:26:40 | |
Milly? | 0:27:08 | 0:27:10 | |
Yes! | 0:27:10 | 0:27:12 | |
'Holly!' | 0:27:13 | 0:27:15 | |
Holly! Milly! | 0:27:15 | 0:27:17 | |
She's going to stalk us. | 0:27:17 | 0:27:19 | |
She's so weird. | 0:27:19 | 0:27:21 | |
If she finds us, we get infected. | 0:27:21 | 0:27:23 | |
-We're going to have to live here... -Forever. | 0:27:23 | 0:27:26 | |
THEY LAUGH | 0:27:26 | 0:27:27 | |
You were so powerful. | 0:27:30 | 0:27:32 | |
You were the most powerful girl I'd ever known. | 0:27:34 | 0:27:36 | |
I was so scared of who I was. | 0:27:38 | 0:27:40 | |
You made it OK. | 0:27:41 | 0:27:43 | |
For the first time in my life | 0:27:45 | 0:27:46 | |
I knew there were other people like me, | 0:27:46 | 0:27:49 | |
because YOU were like me. | 0:27:49 | 0:27:51 | |
Have you forgotten? | 0:27:53 | 0:27:55 | |
That's so sad, Holly. | 0:27:55 | 0:27:56 | |
Lisa has to do it. | 0:27:57 | 0:28:00 | |
Yeah. | 0:28:00 | 0:28:02 | |
What are you doing? | 0:28:08 | 0:28:10 | |
I've been getting you to the right place. | 0:28:10 | 0:28:12 | |
'Get in. I like it when you're happy. | 0:28:15 | 0:28:17 | |
'You're here with me. | 0:28:19 | 0:28:21 | |
'Stop trying to say you're so powerful. | 0:28:21 | 0:28:24 | |
'I'm with you, Holly. Maybe you need to let her go. | 0:28:24 | 0:28:26 | |
'You're here at last.' | 0:28:26 | 0:28:28 | |
I tried to remind you with Fay, but...it didn't work. | 0:28:37 | 0:28:41 | |
We weren't together. | 0:28:41 | 0:28:43 | |
I think we need to be together when they die. | 0:28:43 | 0:28:45 | |
Sending you her stupid research and video was the long way round, | 0:28:47 | 0:28:51 | |
but...it worked. | 0:28:51 | 0:28:53 | |
Someone's sending me things. | 0:28:53 | 0:28:55 | |
These messages that you've been getting - | 0:28:55 | 0:28:57 | |
you know who sent them, don't you? | 0:28:57 | 0:28:58 | |
You get it now? | 0:28:58 | 0:29:00 | |
You killed her. | 0:29:02 | 0:29:04 | |
She was ready to go. | 0:29:06 | 0:29:07 | |
She did the first one herself. | 0:29:08 | 0:29:11 | |
I just...gave her a little push. | 0:29:11 | 0:29:13 | |
It's your turn now. | 0:29:17 | 0:29:18 | |
You need to let Georgia go. | 0:29:18 | 0:29:20 | |
It's OK to be scared. I'll help you. | 0:29:23 | 0:29:26 | |
It's just us now. | 0:29:28 | 0:29:30 | |
You understand? | 0:29:30 | 0:29:31 | |
Where's Georgia? | 0:29:33 | 0:29:34 | |
I'm only taking you if you're ready. | 0:29:35 | 0:29:38 | |
If you want to see her, come with me. | 0:29:38 | 0:29:40 | |
She's waiting for us. | 0:29:46 | 0:29:48 | |
Come on. | 0:29:50 | 0:29:52 | |
PHONE RINGS | 0:30:00 | 0:30:02 | |
'Jude.' | 0:30:13 | 0:30:14 | |
What do you want, Al? | 0:30:20 | 0:30:21 | |
Rory's dead. | 0:30:21 | 0:30:23 | |
'Murdered.' | 0:30:24 | 0:30:25 | |
They've arrested me for it. | 0:30:26 | 0:30:29 | |
JUDE MUMBLES | 0:30:29 | 0:30:30 | |
Did you do it? | 0:30:32 | 0:30:34 | |
Do you honestly think I'm capable of that? | 0:30:34 | 0:30:37 | |
She came to the office, she... | 0:30:37 | 0:30:40 | |
She threatened me. She was fucking insane. | 0:30:40 | 0:30:44 | |
She set me up. | 0:30:44 | 0:30:45 | |
Rachel. | 0:30:46 | 0:30:47 | |
I think Rachel killed Rory, Jude. | 0:30:49 | 0:30:53 | |
'You created her. | 0:30:53 | 0:30:55 | |
'She helped you to ruin people. | 0:30:55 | 0:30:57 | |
'What is she doing?' | 0:30:57 | 0:30:58 | |
'I swear, I don't know.' | 0:30:58 | 0:31:00 | |
'What does she want?' | 0:31:00 | 0:31:01 | |
'I don't know. | 0:31:01 | 0:31:03 | |
'My money, maybe.' | 0:31:03 | 0:31:05 | |
I've got no idea. | 0:31:05 | 0:31:07 | |
She took the keys to the beach house. | 0:31:07 | 0:31:09 | |
What?! | 0:31:09 | 0:31:10 | |
'Jude, please, please, please, just come down here. | 0:31:10 | 0:31:14 | |
'Come down here and tell me what you know.' | 0:31:14 | 0:31:17 | |
I didn't do this. | 0:31:17 | 0:31:19 | |
She's dangerous, Al. | 0:31:19 | 0:31:21 | |
So come and help me. Get down here and help me. | 0:31:21 | 0:31:24 | |
'Jude...' | 0:31:24 | 0:31:26 | |
DIAL TONE Jude? | 0:31:26 | 0:31:28 | |
What did you give her? She might have overdosed. | 0:31:35 | 0:31:39 | |
There you go again, still feeling responsible for her weakness. | 0:31:39 | 0:31:43 | |
That was the saddest part about seeing you again. | 0:31:45 | 0:31:48 | |
Seeing how unlike yourself she'd made you. | 0:31:48 | 0:31:52 | |
-You know the real me. -Yes. | 0:31:52 | 0:31:55 | |
Why are you here? | 0:31:55 | 0:31:57 | |
-I don't want you here. -Tell the truth. | 0:31:58 | 0:32:00 | |
You're ruining this for me. | 0:32:02 | 0:32:04 | |
You're jealous. You don't want me to be happy. | 0:32:05 | 0:32:08 | |
She's not like you, is she, Holly? | 0:32:08 | 0:32:10 | |
No. | 0:32:12 | 0:32:14 | |
She's a liability. Never able to take care of herself. | 0:32:14 | 0:32:17 | |
Always looking to you to sort things out. | 0:32:17 | 0:32:20 | |
You resent that, don't you? | 0:32:20 | 0:32:22 | |
Yes. | 0:32:25 | 0:32:27 | |
I hate you. | 0:32:27 | 0:32:29 | |
You're going to do it again. Just like last time. | 0:32:34 | 0:32:37 | |
You'll feel better afterwards, I promise. | 0:32:37 | 0:32:39 | |
'Hi, this is Holly's phone, I can't...' | 0:32:56 | 0:32:58 | |
'You've reached Georgia Cunningham. I'm unable...' | 0:33:00 | 0:33:04 | |
It's almost the same as home, isn't it? | 0:33:25 | 0:33:29 | |
It's beautiful, don't you think? | 0:33:29 | 0:33:32 | |
What's happening? | 0:33:32 | 0:33:35 | |
We can get it back. That feeling we have together. | 0:33:35 | 0:33:40 | |
When you're ready. | 0:33:42 | 0:33:44 | |
What are you doing? | 0:33:46 | 0:33:48 | |
Holly, what's she doing? | 0:33:48 | 0:33:51 | |
Just like before. | 0:33:52 | 0:33:53 | |
Make her stop. | 0:34:03 | 0:34:05 | |
It doesn't work like that any more, George. Look. | 0:34:05 | 0:34:07 | |
Go on, Holly, do it. Make me stop. | 0:34:08 | 0:34:13 | |
-No, Milly. -You see? | 0:34:13 | 0:34:15 | |
Turn around. | 0:34:18 | 0:34:20 | |
Turn around! | 0:34:21 | 0:34:23 | |
This is it. You're free, Holly. We're free. | 0:34:26 | 0:34:30 | |
THEY GASP FOR AIR | 0:35:57 | 0:35:59 | |
Swim, Georgia. Swim. | 0:36:03 | 0:36:05 | |
THEY PANT | 0:36:27 | 0:36:29 | |
Why did you do that? | 0:37:07 | 0:37:09 | |
You're going to stop now, Rachel. | 0:37:09 | 0:37:11 | |
-But you're like me. -Maybe once, but not any more. | 0:37:15 | 0:37:17 | |
Why do you love her? | 0:37:21 | 0:37:23 | |
Because she saved me. | 0:37:25 | 0:37:27 | |
Because she saved me from you. | 0:37:29 | 0:37:31 | |
(Do it.) | 0:38:24 | 0:38:26 | |
'They're sending me to live with my dad.' | 0:38:28 | 0:38:30 | |
Don't forget about me, OK? | 0:38:30 | 0:38:32 | |
I'm so sorry. | 0:38:32 | 0:38:34 | |
Milly, come on. | 0:38:34 | 0:38:36 | |
Who was that? | 0:38:38 | 0:38:39 | |
No-one. | 0:38:43 | 0:38:44 | |
'Holly!' | 0:38:44 | 0:38:45 | |
Holly! | 0:38:49 | 0:38:50 | |
SIRENS WAIL IN DISTANCE | 0:38:58 | 0:39:00 | |
SHE SOBS | 0:39:31 | 0:39:34 | |
MUSIC: Coming Back by Scenic Route To Alaska | 0:40:07 | 0:40:11 | |
I knew it. We're not even in the same tutorial group. | 0:40:30 | 0:40:34 | |
We live together, Elizabeth. | 0:40:34 | 0:40:36 | |
You're not going to miss me that much. | 0:40:36 | 0:40:38 | |
That's not what I meant, I meant for covering each other's absences. | 0:40:38 | 0:40:42 | |
When was your last absence? | 0:40:42 | 0:40:44 | |
Primary 2. | 0:40:44 | 0:40:46 | |
Wow. | 0:40:46 | 0:40:47 | |
I had the chickenpox. | 0:40:47 | 0:40:48 | |
Oh, are we still on for Strictly and hot Vimto party later? | 0:40:50 | 0:40:54 | |
I'm going to drink wine... | 0:40:54 | 0:40:56 | |
but yeah. | 0:40:56 | 0:40:57 | |
And do you think... THEY'LL be joining us? | 0:40:57 | 0:41:00 | |
You should go down and hang out with them, they're not that bad. | 0:41:01 | 0:41:04 | |
Yeah, well... | 0:41:04 | 0:41:06 | |
time will tell. | 0:41:06 | 0:41:08 | |
Right, I won't be long. | 0:41:08 | 0:41:09 | |
Adorable. | 0:41:12 | 0:41:15 | |
Are you guys going to get dressed today? | 0:41:15 | 0:41:17 | |
Job doesn't start till next week. | 0:41:17 | 0:41:19 | |
I'm leaning towards hottest kept woman as a career. | 0:41:19 | 0:41:22 | |
She just got accepted on to her master's. | 0:41:22 | 0:41:24 | |
Congrats. | 0:41:24 | 0:41:26 | |
Are you going out? | 0:41:26 | 0:41:27 | |
Yeah, I'm going to go meet my dad for lunch. | 0:41:27 | 0:41:29 | |
I'll be back in a bit. | 0:41:29 | 0:41:31 | |
Have fun. | 0:41:31 | 0:41:32 | |
Hey. | 0:41:39 | 0:41:40 | |
Hi. | 0:41:40 | 0:41:41 | |
Louise asked me over. | 0:41:43 | 0:41:45 | |
Yeah, of course. Come in. | 0:41:45 | 0:41:47 | |
I don't really know what I'm going to say to them. | 0:41:54 | 0:41:56 | |
It's hard for everyone right now. Don't worry. | 0:41:56 | 0:41:59 | |
Yeah. | 0:41:59 | 0:42:00 | |
How have you been? | 0:42:02 | 0:42:04 | |
OK. | 0:42:04 | 0:42:06 | |
It's good to get home for a bit. | 0:42:06 | 0:42:08 | |
I'm going to retake the term. | 0:42:08 | 0:42:11 | |
Cool. | 0:42:11 | 0:42:12 | |
Different course. | 0:42:13 | 0:42:15 | |
Good shout. | 0:42:15 | 0:42:16 | |
Were you just leaving? | 0:42:18 | 0:42:19 | |
Yeah, erm...I'm just going out for a bit, but I'll be back later on. | 0:42:19 | 0:42:23 | |
If you're hanging about, we... | 0:42:23 | 0:42:24 | |
Yeah, cool, we should... | 0:42:24 | 0:42:26 | |
-Yeah. -Yeah. | 0:42:26 | 0:42:27 | |
Hey, George. | 0:42:27 | 0:42:29 | |
-Hey. -Come up. | 0:42:29 | 0:42:31 | |
-Hi. -Hi. | 0:42:45 | 0:42:47 | |
How are you? | 0:42:47 | 0:42:49 | |
Good. Just moved into a new house. | 0:42:49 | 0:42:52 | |
First term down. | 0:42:52 | 0:42:53 | |
You? | 0:42:55 | 0:42:57 | |
I think it'll take a while. | 0:42:57 | 0:42:59 | |
Maybe it should. | 0:42:59 | 0:43:00 | |
Yeah. | 0:43:01 | 0:43:02 | |
I wish we'd had more time to talk. I want to tell you how sorry... | 0:43:05 | 0:43:08 | |
You don't need it, Jude. | 0:43:08 | 0:43:10 | |
I'm fine. We're... | 0:43:12 | 0:43:14 | |
We're all fine. | 0:43:14 | 0:43:15 | |
I'm going to... | 0:43:18 | 0:43:19 | |
You should come back to work, Professor. | 0:43:25 | 0:43:28 | |
DOOR RELEASE BUZZER SOUNDS | 0:43:44 | 0:43:46 | |
KEYS JANGLE | 0:43:48 | 0:43:50 | |
DOOR OPENS AND CLOSES | 0:43:51 | 0:43:54 | |
Hi. | 0:44:22 | 0:44:24 | |
Hi. | 0:44:27 | 0:44:29 |