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This programme contains very strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:05 | |
We need time and privacy to come to terms | 0:00:05 | 0:00:06 | |
with losing two family members. | 0:00:06 | 0:00:07 | |
Someone's sending me things. The police have got it wrong. | 0:00:07 | 0:00:09 | |
I am the police. | 0:00:09 | 0:00:10 | |
Tell me you didn't know. | 0:00:10 | 0:00:12 | |
-What do I do? -I'll deal with it. | 0:00:12 | 0:00:15 | |
Steiner is the criminal. A fucking murderer, George. | 0:00:15 | 0:00:17 | |
-Why don't you believe me? -Get off me! | 0:00:17 | 0:00:20 | |
One... | 0:00:20 | 0:00:21 | |
two... | 0:00:21 | 0:00:22 | |
three. | 0:00:22 | 0:00:24 | |
Why do you do it? | 0:00:24 | 0:00:25 | |
Why do you find the bad people? | 0:00:26 | 0:00:27 | |
Cos I'm like them. | 0:00:27 | 0:00:29 | |
The others should know what being Alistair's "top girl" really means. | 0:00:29 | 0:00:34 | |
Maybe I can warn people. | 0:00:34 | 0:00:36 | |
Get out. | 0:00:36 | 0:00:38 | |
Get out before you're me. | 0:00:38 | 0:00:40 | |
# You | 0:00:42 | 0:00:44 | |
# You hear me hoot again and now I have no choice | 0:00:44 | 0:00:48 | |
# But to follow | 0:00:49 | 0:00:51 | |
# I'm sinking faster | 0:00:51 | 0:00:54 | |
# I'm sinking faster, yeah | 0:00:54 | 0:00:56 | |
# I'm sinking faster into the deep. # | 0:00:56 | 0:01:02 | |
-DISTORTED: -'Maybe I can warn people. | 0:01:06 | 0:01:09 | |
'Maybe I can do this one thing. | 0:01:12 | 0:01:14 | |
'Get out. | 0:01:19 | 0:01:20 | |
'Get out before you're me.' | 0:01:21 | 0:01:22 | |
I've had enough. | 0:01:25 | 0:01:27 | |
I'm tired. | 0:01:27 | 0:01:29 | |
I just want everything... | 0:01:29 | 0:01:30 | |
to stop. | 0:01:30 | 0:01:31 | |
SCANNER BEEPS | 0:02:26 | 0:02:29 | |
SCANNER BEEPS | 0:02:32 | 0:02:33 | |
SCANNER BEEPS | 0:02:37 | 0:02:39 | |
Hey, Layla. | 0:02:47 | 0:02:48 | |
Er, my pass is on the blink. Can you buzz me through? | 0:02:48 | 0:02:50 | |
Someone will be right down. | 0:02:50 | 0:02:51 | |
It's fine, I'm due in today. | 0:02:51 | 0:02:53 | |
Someone's just coming, if you just take a seat... | 0:02:53 | 0:02:55 | |
-Buzz me through, Layla. -I can't, Holly. -Fuck! | 0:02:55 | 0:02:58 | |
Holly... | 0:03:04 | 0:03:06 | |
-Am I fired? -Just come and sit down over here. -Am I? | 0:03:06 | 0:03:09 | |
I mean, did you really think you'd be kept on | 0:03:09 | 0:03:11 | |
after the way you behaved? | 0:03:11 | 0:03:12 | |
This is the fucking Gestapo. | 0:03:12 | 0:03:14 | |
Lower your voice. | 0:03:14 | 0:03:16 | |
No. | 0:03:16 | 0:03:18 | |
You're out. | 0:03:18 | 0:03:20 | |
OK? Show a little self-respect and don't cause a scene. | 0:03:20 | 0:03:22 | |
Get Rory down here now. | 0:03:22 | 0:03:24 | |
I'm going to keep talking, Charlie. | 0:03:24 | 0:03:26 | |
I'm going to keep going and I really don't think you want me to do that. | 0:03:26 | 0:03:30 | |
-Charlie? -I'm fired. | 0:03:30 | 0:03:31 | |
-Get her to calm down. -Back off. | 0:03:31 | 0:03:34 | |
Come here. | 0:03:34 | 0:03:35 | |
You need to get her straight, mate. | 0:03:36 | 0:03:38 | |
Fuck you, Charlie. | 0:03:38 | 0:03:39 | |
-Rory... -Keep walking. -Stop. | 0:03:43 | 0:03:45 | |
What are you doing? Hm? | 0:03:45 | 0:03:47 | |
You promised me you were going to keep a hold of yourself. | 0:03:47 | 0:03:49 | |
It's too late. | 0:03:49 | 0:03:51 | |
Well, it is now, yeah. | 0:03:51 | 0:03:52 | |
Do you understand? | 0:03:52 | 0:03:54 | |
Every time you make a scene, you jeopardise everything. | 0:03:54 | 0:03:56 | |
No, it's worse, you don't understand. | 0:03:56 | 0:03:58 | |
-It's fucking worse! -What? | 0:03:58 | 0:04:00 | |
He sent me something else. | 0:04:01 | 0:04:03 | |
Tell me. | 0:04:06 | 0:04:07 | |
'Get out. | 0:04:10 | 0:04:12 | |
'Get out before you're me.' | 0:04:14 | 0:04:15 | |
I didn't know. | 0:04:20 | 0:04:21 | |
I thought this was all about money. | 0:04:27 | 0:04:28 | |
Money is just what makes them believe they can do this. | 0:04:28 | 0:04:32 | |
How quickly will they arrest them? | 0:04:34 | 0:04:36 | |
Rory! | 0:04:38 | 0:04:40 | |
These investigations take months, Holly. | 0:04:40 | 0:04:43 | |
If the police and the FCA can get everything lined up, | 0:04:43 | 0:04:45 | |
they will take him down forever. He'll go to prison. | 0:04:45 | 0:04:48 | |
They are raping her. | 0:04:48 | 0:04:49 | |
-She doesn't say that. -She doesn't have to. | 0:04:50 | 0:04:52 | |
I'm not saying it's not horrific, but she doesn't resist. | 0:04:52 | 0:04:55 | |
What is wrong with you?! | 0:04:55 | 0:04:57 | |
I am trying to get you to be clever. | 0:04:57 | 0:04:59 | |
Do you know that after your last conversation with Alistair and Jude, | 0:05:00 | 0:05:03 | |
Solasta's accounts the police were watching just disappeared? | 0:05:03 | 0:05:07 | |
That was evidence that YOU made disappear. | 0:05:07 | 0:05:10 | |
Steiner's investments are already being tidied up. | 0:05:10 | 0:05:13 | |
You could destroy the whole case, Holly. | 0:05:13 | 0:05:17 | |
Fay's dead. | 0:05:17 | 0:05:18 | |
It's a rich man's word against a dead girl's. | 0:05:18 | 0:05:22 | |
Who do you think is going to win that one? | 0:05:22 | 0:05:23 | |
I need to get Georgia out. | 0:05:23 | 0:05:25 | |
He's hurting her. | 0:05:28 | 0:05:29 | |
She's... She's... | 0:05:31 | 0:05:32 | |
SHE SOBS | 0:05:32 | 0:05:34 | |
I know. | 0:05:36 | 0:05:37 | |
Look, I've got it downloaded. | 0:05:43 | 0:05:44 | |
I'm going to take it in. | 0:05:46 | 0:05:47 | |
I need you to delete it from your e-mails. | 0:05:57 | 0:05:59 | |
-Why? -It's dangerous, Holly. | 0:06:01 | 0:06:03 | |
I don't want anything to lead back to you, understand? | 0:06:05 | 0:06:08 | |
Let me take care of it. | 0:06:09 | 0:06:10 | |
Did you make any copies? | 0:06:25 | 0:06:26 | |
No. | 0:06:27 | 0:06:29 | |
Knock-knock. | 0:07:11 | 0:07:13 | |
Sleep-Eze? | 0:07:27 | 0:07:28 | |
How many did you take? | 0:07:32 | 0:07:34 | |
You're silly. | 0:07:40 | 0:07:41 | |
You need to get up. | 0:07:42 | 0:07:43 | |
I've got the day off. | 0:07:44 | 0:07:46 | |
Jude wants to see you. | 0:07:46 | 0:07:48 | |
I don't work for Jude. | 0:07:48 | 0:07:50 | |
Come on, I'll help you. | 0:07:50 | 0:07:51 | |
I'm not going, Phoebe. | 0:07:56 | 0:07:58 | |
Come on. | 0:08:03 | 0:08:04 | |
Here we go. Arms up. | 0:08:05 | 0:08:07 | |
DOOR OPENS | 0:08:15 | 0:08:17 | |
I don't think that's your job, Jude. | 0:08:21 | 0:08:23 | |
Do you want to give me a hand? | 0:08:25 | 0:08:26 | |
It's definitely not my job. | 0:08:26 | 0:08:28 | |
Fair enough. | 0:08:28 | 0:08:29 | |
I was wanting to check in with you about the other night. | 0:08:33 | 0:08:37 | |
I'm OK. | 0:08:37 | 0:08:38 | |
I hear you did a fantastic job with Steiner. | 0:08:44 | 0:08:47 | |
Well done for keeping your head. | 0:08:47 | 0:08:49 | |
Not sure I would've managed all those investment protocols. | 0:08:49 | 0:08:52 | |
Yeah, well... | 0:08:52 | 0:08:53 | |
it's the other stuff I'm good at. | 0:08:53 | 0:08:55 | |
Other stuff? | 0:08:55 | 0:08:57 | |
Mm. | 0:08:57 | 0:08:58 | |
You mean the corporate entertainment? | 0:08:58 | 0:09:00 | |
Yeah. | 0:09:02 | 0:09:03 | |
"Entertainment." | 0:09:03 | 0:09:05 | |
It's like you said. | 0:09:07 | 0:09:08 | |
Once you get over yourself, it doesn't need to be a huge deal. | 0:09:09 | 0:09:13 | |
-What -I -said? | 0:09:15 | 0:09:16 | |
What you taught me. | 0:09:16 | 0:09:17 | |
Use what you've got. Like the men do. | 0:09:17 | 0:09:20 | |
I get it now. | 0:09:22 | 0:09:24 | |
Steiner was... | 0:09:25 | 0:09:27 | |
It messed with my head for a bit, but I'm good now. | 0:09:27 | 0:09:30 | |
Holly will never get that. | 0:09:30 | 0:09:32 | |
She's not ambitious. | 0:09:32 | 0:09:34 | |
Jude. | 0:09:39 | 0:09:40 | |
Ouchie. | 0:09:43 | 0:09:44 | |
'He wasn't like them. | 0:09:49 | 0:09:50 | |
'He made me feel maybe I wasn't either. | 0:09:50 | 0:09:53 | |
'I think I could've taken it if it was just me. | 0:09:53 | 0:09:57 | |
'And James...' | 0:09:57 | 0:09:58 | |
SHE PRESSES A KEY | 0:09:58 | 0:10:00 | |
'Maybe I can warn people. | 0:10:17 | 0:10:19 | |
'Maybe I can do this one thing. | 0:10:19 | 0:10:22 | |
SHE PRESSES A KEY | 0:10:22 | 0:10:23 | |
Where is this place? | 0:10:30 | 0:10:31 | |
You know, don't you? | 0:10:32 | 0:10:34 | |
Please, Mo. | 0:10:36 | 0:10:37 | |
HE TALKS QUIETLY ON THE PHONE | 0:11:03 | 0:11:07 | |
Jude. | 0:11:15 | 0:11:16 | |
Hi, what are you doing down here? | 0:11:17 | 0:11:19 | |
Just...enjoying this beautiful city of mine. | 0:11:21 | 0:11:24 | |
You fancy a drink? | 0:11:24 | 0:11:26 | |
I actually came to ask you... to leave my brother alone | 0:11:26 | 0:11:30 | |
and to stay away from my girls. | 0:11:30 | 0:11:32 | |
Oh, really? | 0:11:32 | 0:11:33 | |
Yeah, well, maybe not ask, maybe just tell. | 0:11:33 | 0:11:36 | |
Wow. | 0:11:37 | 0:11:38 | |
You certainly know how to make a man feel special. | 0:11:38 | 0:11:41 | |
I know who you are, Florian. | 0:11:41 | 0:11:43 | |
I'm choosing to believe this is your idea of a joke, Jude. | 0:11:47 | 0:11:50 | |
It's not a very funny joke, is it? | 0:11:50 | 0:11:53 | |
Well, then you should be very, very careful. | 0:11:53 | 0:11:55 | |
My brother's always got himself into trouble. | 0:11:58 | 0:12:00 | |
He's careless. It's my job to look after him. | 0:12:00 | 0:12:03 | |
Alistair can look after himself. | 0:12:03 | 0:12:05 | |
He looks after himself very well indeed. | 0:12:05 | 0:12:07 | |
Take your money and get the fuck away from us. | 0:12:07 | 0:12:10 | |
You are a jumped up little cunt, aren't you? | 0:12:17 | 0:12:20 | |
That really the best you've got? | 0:12:22 | 0:12:24 | |
It was their place, Fay and James. | 0:13:02 | 0:13:06 | |
They told me to keep it a secret. | 0:13:06 | 0:13:08 | |
They used to leave each other messages in my car. | 0:13:11 | 0:13:14 | |
I kept it safe for them. | 0:13:18 | 0:13:19 | |
The only thing Alistair couldn't touch. | 0:13:21 | 0:13:24 | |
It's the only thing that's left. | 0:13:25 | 0:13:27 | |
She was happy. | 0:13:31 | 0:13:32 | |
James made her happy. | 0:13:34 | 0:13:35 | |
I think that's why she didn't kill herself here. | 0:13:38 | 0:13:40 | |
She didn't want him to find her. | 0:13:42 | 0:13:44 | |
I was so scared. | 0:13:50 | 0:13:51 | |
But then you were there. | 0:13:55 | 0:13:57 | |
I thought we had saved her. | 0:14:00 | 0:14:02 | |
I thought... | 0:14:03 | 0:14:05 | |
You did everything you could, Mo. | 0:14:13 | 0:14:15 | |
And she still died. | 0:14:18 | 0:14:20 | |
'They make you feel just like them. | 0:14:24 | 0:14:26 | |
'Just as bad, just as dirty.' | 0:14:26 | 0:14:28 | |
We need to go to the police. | 0:14:32 | 0:14:33 | |
I already have, sort of. | 0:14:34 | 0:14:37 | |
What do you mean? | 0:14:37 | 0:14:38 | |
They're investigating Alistair and Steiner for fraud. | 0:14:38 | 0:14:41 | |
They told you that? | 0:14:41 | 0:14:43 | |
But they didn't know what happened to Fay, so I... | 0:14:43 | 0:14:46 | |
I made sure that they'll see that. | 0:14:46 | 0:14:48 | |
-Did you make a statement? -No, it's not like that. | 0:14:48 | 0:14:51 | |
-Well, what did they say? -I can't explain it. | 0:14:51 | 0:14:53 | |
Holly, tell me the truth. | 0:14:53 | 0:14:55 | |
There's someone on the inside. | 0:15:01 | 0:15:04 | |
Inside Solasta? | 0:15:04 | 0:15:05 | |
Who? | 0:15:06 | 0:15:07 | |
Rory. | 0:15:10 | 0:15:11 | |
I knew there was something. | 0:15:13 | 0:15:15 | |
Oh, my God. | 0:15:15 | 0:15:16 | |
I know. | 0:15:18 | 0:15:19 | |
So they're already on Alistair? | 0:15:21 | 0:15:24 | |
We have to wait for them to pull the trigger on their case. | 0:15:24 | 0:15:26 | |
-For how long? -I don't know. | 0:15:26 | 0:15:29 | |
What about Georgia? | 0:15:30 | 0:15:31 | |
She wants nothing to do with me. | 0:15:31 | 0:15:33 | |
Rory's made me promise not to say anything, | 0:15:33 | 0:15:35 | |
I could destroy the whole investigation. | 0:15:35 | 0:15:38 | |
But it's Georgia. | 0:15:38 | 0:15:39 | |
SOMEONE SNEEZES | 0:15:41 | 0:15:42 | |
You're shit at snooping, Elizabeth. | 0:15:46 | 0:15:48 | |
I don't think standing outside your own bedroom | 0:15:50 | 0:15:53 | |
can be considered snooping. | 0:15:53 | 0:15:54 | |
DOOR CLOSES What did you hear? | 0:15:54 | 0:15:56 | |
That your boyfriend works for the police | 0:15:56 | 0:15:58 | |
and that you're thinking of ignoring his direct advice. | 0:15:58 | 0:16:01 | |
She's seen it. | 0:16:01 | 0:16:02 | |
We were friends long before you came along, Rachel Maddox. | 0:16:03 | 0:16:06 | |
We can still fix this, even if we wait for Rory. | 0:16:08 | 0:16:11 | |
What are you doing? | 0:16:12 | 0:16:14 | |
-Georgia, hi, darling, it's me. -'Hey, Rach.' | 0:16:15 | 0:16:18 | |
Alistair wants to know if you can meet for lunch at two? | 0:16:18 | 0:16:21 | |
'Today?' | 0:16:21 | 0:16:23 | |
Yeah, today. Today at two. | 0:16:23 | 0:16:25 | |
'Where?' | 0:16:25 | 0:16:27 | |
Usual place. | 0:16:27 | 0:16:28 | |
'OK.' | 0:16:28 | 0:16:30 | |
OK, perfect. I'll send a car. | 0:16:30 | 0:16:31 | |
'Thanks.' | 0:16:31 | 0:16:32 | |
See you later, bye. | 0:16:32 | 0:16:33 | |
"The usual place"? | 0:16:35 | 0:16:37 | |
They've been meeting up a lot outside of work. | 0:16:40 | 0:16:43 | |
You bitch. | 0:16:54 | 0:16:55 | |
I had no choice. | 0:16:57 | 0:16:58 | |
What do you want? | 0:16:59 | 0:17:00 | |
I, um... | 0:17:05 | 0:17:06 | |
I want to talk about what's really happening. | 0:17:08 | 0:17:11 | |
Which is? | 0:17:14 | 0:17:15 | |
That you were raped. | 0:17:15 | 0:17:16 | |
That you're being raped. | 0:17:18 | 0:17:20 | |
I think I get to decide if I was raped, Holly. | 0:17:23 | 0:17:26 | |
You're constructing a story around what's happening. | 0:17:28 | 0:17:31 | |
No, it's what I decide it is. | 0:17:31 | 0:17:33 | |
OK? | 0:17:33 | 0:17:35 | |
It's my choice. | 0:17:35 | 0:17:36 | |
It will eat you up, Georgia. | 0:17:36 | 0:17:38 | |
Yeah, well... | 0:17:41 | 0:17:42 | |
..we all have things to keep inside, Holly. | 0:17:44 | 0:17:46 | |
Secrets. | 0:17:47 | 0:17:48 | |
Have you forgotten about the little dead girl? | 0:17:51 | 0:17:54 | |
Did you think I didn't hear | 0:18:01 | 0:18:02 | |
what the kids at school were saying about you? | 0:18:02 | 0:18:06 | |
They said you were evil, Holly. | 0:18:06 | 0:18:09 | |
Rotten inside. A monster. | 0:18:09 | 0:18:11 | |
That's how I felt. | 0:18:11 | 0:18:12 | |
And I never made you explain. | 0:18:12 | 0:18:14 | |
Because I loved you. | 0:18:18 | 0:18:19 | |
Because we were best mates. | 0:18:20 | 0:18:22 | |
You saved me. | 0:18:23 | 0:18:24 | |
But we still love each other, Georgia... | 0:18:28 | 0:18:30 | |
Then do this for me. Just... | 0:18:33 | 0:18:36 | |
leave it alone, just leave me alone. | 0:18:36 | 0:18:38 | |
I can't. | 0:18:38 | 0:18:39 | |
Then it's broken. | 0:18:43 | 0:18:45 | |
This is broken. | 0:18:45 | 0:18:47 | |
And I'll make you stop. | 0:18:49 | 0:18:51 | |
I was a kid. | 0:18:53 | 0:18:55 | |
But it was my fault. | 0:18:55 | 0:18:56 | |
This is not your fault. | 0:18:59 | 0:19:01 | |
WHISPERED: Come back. | 0:19:27 | 0:19:28 | |
Come back. Come back. | 0:19:30 | 0:19:34 | |
Come back. Come back. | 0:19:43 | 0:19:47 | |
I'm sorry. | 0:19:47 | 0:19:48 | |
I'm sorry. | 0:19:50 | 0:19:52 | |
Maybe you need to let her go. | 0:19:57 | 0:19:59 | |
Stop trying to save her. | 0:19:59 | 0:20:00 | |
I don't know how to do that. | 0:20:02 | 0:20:04 | |
You're doing it. | 0:20:05 | 0:20:07 | |
You're here with me. | 0:20:07 | 0:20:08 | |
This is bigger than Georgia. | 0:20:10 | 0:20:11 | |
-We can fix it. -How? | 0:20:15 | 0:20:17 | |
Tell the truth. | 0:20:19 | 0:20:20 | |
-Welcome to Solasta. -Nope. | 0:20:31 | 0:20:34 | |
No. | 0:20:34 | 0:20:35 | |
Maybe? | 0:20:35 | 0:20:37 | |
Oh, God, absolutely not. | 0:20:38 | 0:20:40 | |
Nice to see your judgment remains entirely appearance based. | 0:20:41 | 0:20:44 | |
Not at all, I'm a fantastic judge of character. | 0:20:44 | 0:20:47 | |
What did you think of me when you first met me? | 0:20:47 | 0:20:50 | |
I thought... | 0:20:51 | 0:20:53 | |
"Wow. | 0:20:53 | 0:20:54 | |
"What a special snowflake." | 0:20:54 | 0:20:56 | |
They look young. | 0:20:59 | 0:21:00 | |
They look younger than before, don't they? | 0:21:02 | 0:21:04 | |
They really should serve booze at these things. | 0:21:04 | 0:21:06 | |
I was 17 when I came to this open day, | 0:21:06 | 0:21:09 | |
listened to you talk... | 0:21:09 | 0:21:10 | |
..made Edinburgh my first choice that same night. | 0:21:11 | 0:21:15 | |
And here we are. | 0:21:15 | 0:21:16 | |
Alistair! | 0:21:46 | 0:21:48 | |
We need to start. | 0:21:51 | 0:21:52 | |
Welcome, everyone. | 0:22:12 | 0:22:14 | |
I just want to say a few words | 0:22:16 | 0:22:17 | |
before I get Professor McDermid up here | 0:22:17 | 0:22:20 | |
to give you a better idea of what we do. | 0:22:20 | 0:22:22 | |
This is the fourth year of the Solasta Women's Initiative. | 0:22:24 | 0:22:27 | |
It was created for a very simple reason. | 0:22:28 | 0:22:31 | |
My business benefits from a female workforce, | 0:22:33 | 0:22:35 | |
but somehow something makes that a little bit more difficult to achieve | 0:22:35 | 0:22:39 | |
than it should be. | 0:22:39 | 0:22:41 | |
If Solasta can play even a small role in correcting that imbalance, | 0:22:41 | 0:22:46 | |
then I'm over the moon. | 0:22:46 | 0:22:47 | |
I mean, some of the most exciting people working for me | 0:22:47 | 0:22:50 | |
came directly from this initiative, so... | 0:22:50 | 0:22:53 | |
I look forward to seeing some of your faces in the future. | 0:22:53 | 0:22:56 | |
Professor? | 0:22:56 | 0:22:57 | |
JUDE: Thank you all so much for coming. | 0:23:02 | 0:23:05 | |
It is fantastic to see so many of you already engaging | 0:23:05 | 0:23:09 | |
with the importance of making the most of your time at university. | 0:23:09 | 0:23:12 | |
-You are nice. -I would like to start... -You are brave. | 0:23:12 | 0:23:14 | |
..by giving you an idea | 0:23:14 | 0:23:16 | |
of what Solasta Women's Initiative aims to do. | 0:23:16 | 0:23:19 | |
SHE PRESSES A KEY | 0:23:21 | 0:23:23 | |
And... | 0:23:28 | 0:23:29 | |
SHE PRESSES A KEY | 0:23:35 | 0:23:36 | |
Excuse me, just one sec... | 0:23:39 | 0:23:41 | |
'Alistair is clever. | 0:23:41 | 0:23:43 | |
'Like always, he was one step ahead. | 0:23:43 | 0:23:45 | |
'Once he knew what we were planning to do, he acted fast. | 0:23:45 | 0:23:49 | |
'Just like that... | 0:23:49 | 0:23:50 | |
'the whole thing comes back to me and James. | 0:23:50 | 0:23:54 | |
-'Every deal, every short cut...' -(What the fuck is this?!) | 0:23:54 | 0:23:56 | |
'..every illegal, disgusting, greedy act | 0:23:56 | 0:23:59 | |
'is now in my name and in James'. | 0:23:59 | 0:24:00 | |
'Jude McDermid offers a bespoke service for us girls. | 0:24:02 | 0:24:06 | |
'Our talents are tested so we can be placed into the right department. | 0:24:06 | 0:24:10 | |
'But there's an extra test for you if you're after client management. | 0:24:10 | 0:24:14 | |
'That's the special one.' | 0:24:14 | 0:24:16 | |
ALISTAIR TALKS QUIETLY | 0:24:16 | 0:24:18 | |
'But the others should know... | 0:24:18 | 0:24:20 | |
'The others should know what being Alistair's "top girl" really means. | 0:24:22 | 0:24:26 | |
'How they make you feel just like them... | 0:24:26 | 0:24:29 | |
-AUDIENCE GASPS -'..just as bad, just as dirty.' | 0:24:29 | 0:24:31 | |
CHATTER AND FOOTSTEPS | 0:24:35 | 0:24:39 | |
We did it. | 0:25:19 | 0:25:21 | |
It's everywhere. God, it's already everywhere. | 0:25:21 | 0:25:23 | |
Guys... | 0:25:23 | 0:25:24 | |
-ALISTAIR: -I'm going to limit this to the facts. | 0:25:31 | 0:25:34 | |
I have never sexually assaulted a woman who works for me or otherwise. | 0:25:34 | 0:25:38 | |
I know who I am, as do my family, friends and colleagues, | 0:25:38 | 0:25:41 | |
and it's not the man that's been suggested. | 0:25:41 | 0:25:43 | |
The police have reviewed the facts and come to the same conclusion. | 0:25:43 | 0:25:46 | |
I would ask the media... | 0:25:46 | 0:25:48 | |
DOOR OPENS | 0:25:53 | 0:25:55 | |
DOOR CLOSES | 0:25:58 | 0:26:00 | |
FOOTSTEPS | 0:26:01 | 0:26:03 | |
My solicitor said it would be best to come here. | 0:26:12 | 0:26:15 | |
HE SIGHS | 0:26:17 | 0:26:18 | |
Are you going to say anything? | 0:26:24 | 0:26:26 | |
I spent my life thinking the best of you. | 0:26:28 | 0:26:30 | |
Jude... | 0:26:32 | 0:26:34 | |
You made a fool of me. | 0:26:34 | 0:26:35 | |
You made me believe that you were good. | 0:26:38 | 0:26:41 | |
Nothing's changed. | 0:26:43 | 0:26:45 | |
"Nothing's changed"?! You're a fucking rapist! | 0:26:45 | 0:26:48 | |
I had consensual sex. | 0:26:48 | 0:26:51 | |
Oh, what is wrong with you? | 0:26:51 | 0:26:54 | |
Jude! I didn't rape her. | 0:26:54 | 0:26:57 | |
Why don't you believe me? You're my fucking sister! | 0:26:58 | 0:27:01 | |
And that means what? | 0:27:01 | 0:27:02 | |
You've bred this little tribe | 0:27:04 | 0:27:07 | |
of nasty, jumped-up, backstabbing little bitches. | 0:27:07 | 0:27:12 | |
Fay wanted to tell the truth about you and you... | 0:27:18 | 0:27:23 | |
made her believe she had no way out. | 0:27:23 | 0:27:25 | |
I can't be responsible for every mad impulse an unstable woman has. | 0:27:27 | 0:27:32 | |
Oh... | 0:27:33 | 0:27:34 | |
Rachel knew she was nuts, she warned me what Fay was planning. | 0:27:36 | 0:27:40 | |
You can't stop lying, can you? | 0:27:40 | 0:27:41 | |
-Jude. -Why don't you just stop? | 0:27:41 | 0:27:43 | |
Jude! Please. | 0:27:43 | 0:27:45 | |
Get...out. | 0:27:47 | 0:27:49 | |
I've fucked some girls, Jude. | 0:27:56 | 0:27:57 | |
You knew. | 0:27:59 | 0:28:00 | |
We were both getting what we wanted. | 0:28:02 | 0:28:04 | |
It was you, too, Jude. | 0:28:18 | 0:28:20 | |
You helped me build this. | 0:28:22 | 0:28:23 | |
'I know who I am, as do my family, friends and colleagues, | 0:28:29 | 0:28:32 | |
'and it's not the man that's been suggested. | 0:28:32 | 0:28:34 | |
'The police have reviewed the facts and come to the same conclusion. | 0:28:34 | 0:28:37 | |
'I would ask the media to attempt to do the same. | 0:28:37 | 0:28:40 | |
'A good story doesn't equal a true one. | 0:28:40 | 0:28:43 | |
-'Thank you.' -REPORTERS CLAMOUR | 0:28:43 | 0:28:45 | |
Nothing's happening. | 0:28:45 | 0:28:46 | |
'Alistair McDermid is a fantastic boss and a gentleman. | 0:28:47 | 0:28:51 | |
'These accusations are ridiculous. | 0:28:51 | 0:28:54 | |
'It's very easy to ruin a man's life with a simple lie. | 0:28:54 | 0:28:56 | |
'I'd like everyone to know that the man I know | 0:28:58 | 0:29:00 | |
'is not capable of what they're claiming. | 0:29:00 | 0:29:03 | |
'He helps women achieve. | 0:29:03 | 0:29:05 | |
'I think it's a shame that that immediately brings distrust | 0:29:06 | 0:29:09 | |
'and judgment down on you.' | 0:29:09 | 0:29:11 | |
It didn't work. | 0:29:12 | 0:29:13 | |
He's going to get away with it. They're not... | 0:29:14 | 0:29:17 | |
They're not going to do anything. | 0:29:17 | 0:29:19 | |
Holly. | 0:29:26 | 0:29:27 | |
I'm going back to halls, I just want to go to sleep. | 0:29:34 | 0:29:36 | |
Do you have any idea what you've done? | 0:29:36 | 0:29:38 | |
You can't go back to halls, OK? | 0:29:38 | 0:29:40 | |
Come on. | 0:29:41 | 0:29:42 | |
Where have you been? | 0:29:53 | 0:29:54 | |
Nowhere. | 0:29:55 | 0:29:57 | |
So are you going to tell us what this is about now Queen Bee is here? | 0:29:58 | 0:30:02 | |
We are shutting down the house. | 0:30:04 | 0:30:06 | |
SHE SCOFFS | 0:30:06 | 0:30:08 | |
Isn't that wonderful(?) | 0:30:08 | 0:30:09 | |
I'm sure you've all got a lot of questions, feel very betrayed. | 0:30:10 | 0:30:14 | |
I know I do. | 0:30:14 | 0:30:16 | |
Why would Fay do that? Try and set him up like that? | 0:30:16 | 0:30:19 | |
-You don't know what happened. -Well, I know she was messed up. | 0:30:19 | 0:30:21 | |
Yeah, and for what reason? | 0:30:21 | 0:30:23 | |
-She was... -Stop it. We're not doing this, | 0:30:23 | 0:30:24 | |
we're not sitting here and speculating. | 0:30:24 | 0:30:26 | |
I think it's exactly the time | 0:30:26 | 0:30:27 | |
to start asking a few questions, actually. | 0:30:27 | 0:30:29 | |
Seems to me Holly's the only one thinking clearly. | 0:30:29 | 0:30:31 | |
Holly's naive. | 0:30:31 | 0:30:33 | |
She doesn't understand any of this. | 0:30:33 | 0:30:34 | |
Thank you. | 0:30:34 | 0:30:35 | |
Fuck this. | 0:30:37 | 0:30:38 | |
Louise, wait. | 0:30:40 | 0:30:41 | |
Anything else? | 0:30:45 | 0:30:46 | |
We used to talk, you and me. | 0:31:05 | 0:31:07 | |
You use to tell me things. | 0:31:07 | 0:31:08 | |
Things change. | 0:31:08 | 0:31:10 | |
Yes, they did. | 0:31:10 | 0:31:12 | |
Suddenly you're just talking to my brother. | 0:31:12 | 0:31:14 | |
You mean doing the job you set me up for? | 0:31:14 | 0:31:16 | |
He said that you were doing more than just your job. | 0:31:18 | 0:31:21 | |
He said that you told him Fay and James | 0:31:22 | 0:31:25 | |
were going to expose him and Steiner, but that's... | 0:31:25 | 0:31:27 | |
That's a lie, isn't it? | 0:31:27 | 0:31:29 | |
Everyone had their game to play. | 0:31:31 | 0:31:33 | |
Rachel. | 0:31:34 | 0:31:36 | |
It's over, Jude. | 0:31:36 | 0:31:38 | |
Surely you can see that. | 0:31:38 | 0:31:39 | |
You couldn't keep up. Now things are happening without you. | 0:31:41 | 0:31:44 | |
I don't know you at all, do I? | 0:31:46 | 0:31:48 | |
What are you doing? | 0:31:53 | 0:31:55 | |
Bye, Professor. | 0:31:55 | 0:31:56 | |
Rory, talk to me. | 0:32:07 | 0:32:08 | |
Rory? | 0:32:10 | 0:32:11 | |
-What are you doing? -I'll go and get your stuff from halls later. | 0:32:13 | 0:32:16 | |
What? | 0:32:16 | 0:32:17 | |
-You need to leave. -I'm not going anywhere. | 0:32:17 | 0:32:19 | |
He's going to come for you now. Do you get that? | 0:32:19 | 0:32:22 | |
You played the wrong hand, it didn't work. | 0:32:22 | 0:32:24 | |
Somebody needed to act. | 0:32:24 | 0:32:26 | |
Why haven't the police arrested him yet? | 0:32:26 | 0:32:28 | |
You... You gave them everything, right? | 0:32:28 | 0:32:31 | |
-My phone? -Of course I did. | 0:32:31 | 0:32:33 | |
Then why is nothing happening? Why is he still walking around? | 0:32:33 | 0:32:36 | |
-LAUGHING: -I don't think you understand. | 0:32:36 | 0:32:38 | |
Fay and James had a place. Maybe there's stuff there, evidence. | 0:32:39 | 0:32:42 | |
-Maybe we can still go... -What-what place? -I didn't tell you. | 0:32:42 | 0:32:45 | |
It was their secret. | 0:32:45 | 0:32:47 | |
Where? | 0:32:47 | 0:32:49 | |
Tyrell Street, on the water. | 0:32:49 | 0:32:50 | |
-I-I can show you. -No. | 0:32:52 | 0:32:53 | |
It doesn't matter any more. | 0:32:56 | 0:32:57 | |
I thought maybe we could find something | 0:32:59 | 0:33:00 | |
that will prove that Alistair... | 0:33:00 | 0:33:02 | |
It won't matter. For fuck's sake, Holly, he's protected. | 0:33:02 | 0:33:05 | |
By who? | 0:33:05 | 0:33:06 | |
Businesspeople, politicians, the police. | 0:33:06 | 0:33:09 | |
He has friends everywhere. | 0:33:09 | 0:33:11 | |
You're insane, you... | 0:33:11 | 0:33:13 | |
You said that they were close to arresting him. | 0:33:13 | 0:33:15 | |
You're not making any sense. | 0:33:15 | 0:33:16 | |
He will fucking kill you, Holly! | 0:33:16 | 0:33:18 | |
Let me keep you safe. | 0:33:26 | 0:33:28 | |
Do you understand? | 0:33:31 | 0:33:32 | |
Do you understand? | 0:33:35 | 0:33:36 | |
I am going to go get your stuff from halls, wait for me here. | 0:33:43 | 0:33:48 | |
When I come back, we can go. | 0:33:48 | 0:33:49 | |
I love you. | 0:33:55 | 0:33:56 | |
'I need your phone. | 0:34:14 | 0:34:15 | |
'I need to trace where they're sending you this stuff.' | 0:34:15 | 0:34:18 | |
'You gave them everything, right?' | 0:34:18 | 0:34:19 | |
'Course I did.' | 0:34:19 | 0:34:20 | |
-Hi. -She's not here. | 0:35:49 | 0:35:51 | |
Do you know where she went? | 0:35:51 | 0:35:53 | |
No. | 0:35:53 | 0:35:54 | |
No worries. | 0:35:56 | 0:35:57 | |
I'm worried about her. | 0:36:01 | 0:36:03 | |
She shouldn't be out, right? | 0:36:04 | 0:36:06 | |
Holly's pretty good at taking care of herself. | 0:36:06 | 0:36:09 | |
She could be in actual danger. | 0:36:09 | 0:36:10 | |
Maybe she likes it. | 0:36:12 | 0:36:13 | |
PHONE RINGS | 0:36:16 | 0:36:18 | |
-Holly? -Rachel, I need you to help me. | 0:36:20 | 0:36:22 | |
OK, calm down. Where are you? | 0:36:22 | 0:36:24 | |
I'm at Rory's. | 0:36:24 | 0:36:25 | |
Everything is still here, he hasn't given anything to the police. | 0:36:25 | 0:36:28 | |
I don't even know if there IS an investigation. | 0:36:28 | 0:36:30 | |
I don't know who he is. | 0:36:30 | 0:36:32 | |
You need to get out. | 0:36:32 | 0:36:33 | |
I think... I think I know where he's gone. | 0:36:34 | 0:36:36 | |
They had a place, Fay and James. | 0:36:36 | 0:36:38 | |
Stay where you are. Don't go over. | 0:36:38 | 0:36:40 | |
I need to know. I need to know. | 0:36:40 | 0:36:42 | |
What are you doing here? | 0:38:01 | 0:38:03 | |
You never gave them the things I was sent. | 0:38:07 | 0:38:09 | |
The things I handed over to you. | 0:38:10 | 0:38:12 | |
-Whatever you're thinking, you've got it wrong. -Did you? | 0:38:12 | 0:38:15 | |
No. | 0:38:18 | 0:38:19 | |
The police aren't... | 0:38:23 | 0:38:24 | |
..coming for Alistair, are they? | 0:38:25 | 0:38:27 | |
I love you. | 0:38:29 | 0:38:30 | |
Don't do this. | 0:38:31 | 0:38:33 | |
I think I could've loved you, too. | 0:38:36 | 0:38:38 | |
So stop, we don't need to have this conversation. | 0:38:41 | 0:38:43 | |
-Too late. -No, no, no, it isn't. | 0:38:43 | 0:38:44 | |
We can go, we can go right now and we can start again. | 0:38:44 | 0:38:47 | |
You're going to tell me the truth. | 0:38:47 | 0:38:49 | |
You're going to tell me who you are. | 0:38:53 | 0:38:55 | |
You know the bits that matter, you know me. | 0:38:57 | 0:38:59 | |
You belong to Alistair. | 0:39:03 | 0:39:05 | |
Oh, my God. | 0:39:10 | 0:39:11 | |
Oh, my God. | 0:39:13 | 0:39:14 | |
I was trying to build a life for myself. | 0:39:14 | 0:39:16 | |
Th-the police weren't going to move. | 0:39:18 | 0:39:20 | |
Everyone around me was progressing, I just wanted... | 0:39:21 | 0:39:23 | |
You wanted in. | 0:39:23 | 0:39:25 | |
I just wanted something for myself, Holly. | 0:39:25 | 0:39:28 | |
Do you have any idea what that feels like? | 0:39:28 | 0:39:30 | |
I just wanted something for myself. | 0:39:30 | 0:39:32 | |
So you went to Alistair, you told him. | 0:39:32 | 0:39:34 | |
I let him know about the police investigation. | 0:39:34 | 0:39:37 | |
Let him know where they were looking. | 0:39:37 | 0:39:39 | |
And got what in return? | 0:39:39 | 0:39:40 | |
Money? | 0:39:44 | 0:39:45 | |
Oh, this is all about money? | 0:39:49 | 0:39:51 | |
I didn't know any of this was going to happen. | 0:39:53 | 0:39:55 | |
I didn't know Fay and James would... | 0:39:56 | 0:39:58 | |
James wouldn't stop. | 0:40:00 | 0:40:01 | |
After Fay died, he wanted revenge. | 0:40:03 | 0:40:06 | |
I tried to make him stop. | 0:40:07 | 0:40:10 | |
Hey, please believe me, I tried to make him stop. | 0:40:10 | 0:40:13 | |
Did you...? | 0:40:14 | 0:40:15 | |
Did you kill him, Rory? | 0:40:17 | 0:40:19 | |
He was going to bring the whole thing down, and me with it. | 0:40:24 | 0:40:27 | |
I didn't know who Alistair was, who he is, | 0:40:30 | 0:40:33 | |
I didn't know what he had done to Fay. | 0:40:33 | 0:40:36 | |
I never wanted to kill James. | 0:40:38 | 0:40:40 | |
It all happened so fast, like it hadn't happened, | 0:40:41 | 0:40:44 | |
like I'd made it up, like I was dreaming! | 0:40:44 | 0:40:47 | |
Fay didn't kill herself, did she? | 0:40:48 | 0:40:50 | |
You killed her, too. | 0:40:52 | 0:40:53 | |
No. | 0:40:54 | 0:40:55 | |
You're a liar. | 0:40:55 | 0:40:57 | |
No, Holly, you know me, you know me! | 0:40:57 | 0:40:59 | |
Please, hey? | 0:40:59 | 0:41:01 | |
We can get out of here, we can make for it. | 0:41:01 | 0:41:03 | |
No. | 0:41:03 | 0:41:04 | |
I-I... | 0:41:08 | 0:41:09 | |
HE BREATHES RAGGEDLY | 0:41:09 | 0:41:11 | |
I told you to stop, why couldn't you just stop? | 0:41:11 | 0:41:14 | |
-Let me go. -No. | 0:41:14 | 0:41:16 | |
I told you to wait in the flat, I told you to... | 0:41:16 | 0:41:18 | |
LET ME GO! | 0:41:18 | 0:41:19 | |
What are you going to do? | 0:41:31 | 0:41:32 | |
Hey, please, talk... Just talk to me, please. | 0:41:34 | 0:41:36 | |
Let me leave. | 0:41:38 | 0:41:39 | |
You can't. You CAN'T! | 0:41:44 | 0:41:47 | |
-Holly... -HELP ME! SOMEBODY! | 0:41:50 | 0:41:52 | |
No, Holly, please, shush! Shush! | 0:41:52 | 0:41:55 | |
MUFFLED SCREAMS | 0:41:55 | 0:41:58 | |
Shush! Please, shush! | 0:41:58 | 0:42:00 | |
MUFFLED: Help me! | 0:42:00 | 0:42:02 | |
Holly... | 0:42:02 | 0:42:03 | |
Shh... Please, shush! | 0:42:04 | 0:42:07 | |
-Stop it! -I told you to stop. | 0:42:07 | 0:42:09 | |
You could have just left it alone! | 0:42:12 | 0:42:14 | |
HEAVY, WET THUD | 0:42:27 | 0:42:28 | |
HOLLY COUGHS | 0:42:31 | 0:42:34 | |
RACHEL BREATHES HEAVILY | 0:42:34 | 0:42:36 | |
SHE GRUNTS WITH EFFORT | 0:42:43 | 0:42:44 | |
Stop it. | 0:42:48 | 0:42:49 | |
Stop it! | 0:42:55 | 0:42:57 |