Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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This programme contains strong language, some scenes which some | 0:00:02 | 0:00:06 | |
viewers may find upsetting and some scenes of a sexual nature. | 0:00:06 | 0:00:10 | |
You don't get it. But you will. | 0:00:10 | 0:00:13 | |
I need to figure out what's going on. | 0:00:13 | 0:00:15 | |
I've always wanted to be on the Steiner account. | 0:00:15 | 0:00:17 | |
I'm not so good at the other stuff. | 0:00:17 | 0:00:19 | |
Stuff's happening for me, Holly. Don't fucking ruin it, OK? | 0:00:21 | 0:00:25 | |
Try to have fun. This is your time too, remember. | 0:00:28 | 0:00:31 | |
Do interns do all your customer checks? | 0:00:31 | 0:00:34 | |
-Sometimes. -So technically you could fake that report. | 0:00:34 | 0:00:37 | |
She was committing fraud on your watch, making thousands. | 0:00:37 | 0:00:40 | |
You're right. But for herself, Holly, not for me. | 0:00:40 | 0:00:43 | |
-And James Buxton? -He was doing it with her. | 0:00:43 | 0:00:47 | |
# You | 0:00:47 | 0:00:49 | |
# You hear me hoot again and now I have no choice | 0:00:49 | 0:00:54 | |
# But to follow | 0:00:54 | 0:00:56 | |
# I'm sinking faster | 0:00:56 | 0:00:59 | |
# I'm sinking faster | 0:00:59 | 0:01:02 | |
# I'm sinking faster into the deep... # | 0:01:02 | 0:01:04 | |
-I'm sleeping. -It's morning. | 0:01:20 | 0:01:24 | |
Middle of the night. | 0:01:24 | 0:01:25 | |
I've got a lecture. | 0:01:27 | 0:01:29 | |
-DOOR OPENS -Morning! | 0:01:36 | 0:01:40 | |
Jesus! | 0:01:40 | 0:01:42 | |
Off you pop! | 0:01:42 | 0:01:44 | |
That's it. Shower time. | 0:01:44 | 0:01:46 | |
Mmm. Chill, darling. I'm spoken for. | 0:01:52 | 0:01:55 | |
There's a boy in our house. | 0:01:55 | 0:01:58 | |
And he's pretty. | 0:01:58 | 0:02:00 | |
-Lily. -We're going to be late. | 0:02:02 | 0:02:05 | |
-You're dressed. -I'm naked. | 0:02:05 | 0:02:07 | |
You ginormous whore! | 0:02:07 | 0:02:08 | |
MAN: Excuse me. Sorry. | 0:02:12 | 0:02:14 | |
-I've got a meeting I need to prep for. -Wing it, babe. | 0:02:18 | 0:02:20 | |
Honestly, that is what I do. | 0:02:20 | 0:02:22 | |
Where is everyone going? | 0:02:24 | 0:02:25 | |
What is going on? | 0:02:29 | 0:02:31 | |
Rachel. | 0:02:32 | 0:02:34 | |
Something's happened. | 0:02:36 | 0:02:39 | |
Come on. I think it's about James. | 0:02:39 | 0:02:41 | |
Jude. | 0:02:48 | 0:02:50 | |
Solasta interns deigned to come to lectures? | 0:03:05 | 0:03:07 | |
I'm good, thanks, Elizabeth. How are you? | 0:03:07 | 0:03:10 | |
-What did you get on your first essay? -I haven't picked it up yet. | 0:03:10 | 0:03:13 | |
I actually know your student number, so I can tell you if you like. | 0:03:15 | 0:03:18 | |
You did quite well. | 0:03:18 | 0:03:20 | |
Although the marks were low across the board. | 0:03:20 | 0:03:23 | |
-You memorised my student number? -WOMAN: -Stop talking, please. | 0:03:23 | 0:03:26 | |
You two! | 0:03:28 | 0:03:29 | |
Good. Let's begin, shall we? | 0:03:33 | 0:03:35 | |
I have no doubt that you have all been scrabbling with sticky fingers | 0:03:37 | 0:03:41 | |
to log on for your essay results | 0:03:41 | 0:03:43 | |
and I have no doubt that most of you will be disappointed. | 0:03:43 | 0:03:47 | |
I have never read such a banal set of first-year essays. | 0:03:47 | 0:03:50 | |
-Why is she so moody? -Shush! | 0:03:50 | 0:03:51 | |
You need to have a talk with yourselves. | 0:03:51 | 0:03:54 | |
Since you so clearly need a kick up the backside, | 0:03:54 | 0:03:58 | |
I'm throwing a little extra test your way. | 0:03:58 | 0:04:00 | |
Because life will fuck you like that. | 0:04:00 | 0:04:03 | |
Over the course of the next week you will all be required | 0:04:03 | 0:04:05 | |
to come to my office to complete a ten-minute oral. | 0:04:05 | 0:04:08 | |
A list of questions is available on the portal, | 0:04:08 | 0:04:11 | |
along with the randomly selected times of your test. | 0:04:11 | 0:04:14 | |
None of you are working at the level that I expect, | 0:04:16 | 0:04:18 | |
and that is going to change. | 0:04:18 | 0:04:21 | |
Am I clear? | 0:04:21 | 0:04:23 | |
SCATTERED AGREEMENT | 0:04:23 | 0:04:25 | |
-Will you turn it up? Will you turn the TV up? -Yeah, give us a sec. | 0:04:37 | 0:04:43 | |
TV: 'The discovery of the body of James Buxton comes just two weeks | 0:04:43 | 0:04:47 | |
'after the death of the Solasta intern Fay Brookstone.' | 0:04:47 | 0:04:50 | |
'I'd to make a short statement. | 0:04:50 | 0:04:52 | |
'It does appear that James Buxton and Fay Brookstone | 0:04:52 | 0:04:55 | |
'had stopped working in the interests of the company. | 0:04:55 | 0:04:59 | |
'It looks like they had been defrauding the clients of Solasta finance.' | 0:04:59 | 0:05:02 | |
But it happened on my watch and for that I would like to apologise. | 0:05:02 | 0:05:06 | |
'I am devastated that things had spun so far out of control for them. | 0:05:08 | 0:05:13 | |
'Right now we need time and privacy to come to terms with | 0:05:13 | 0:05:17 | |
'the shock of losing two family members, | 0:05:17 | 0:05:20 | |
'regardless of their actions as employees. Thank you.' | 0:05:20 | 0:05:24 | |
'Alistair McDermid, CEO of Solasta finance, addressing claims of fraud | 0:05:24 | 0:05:28 | |
'from within the company after the discovery last night | 0:05:28 | 0:05:31 | |
'of investment analyst James Buxton. | 0:05:31 | 0:05:34 | |
'The reports suggest that Mr Buxton took his own life...' | 0:05:35 | 0:05:38 | |
'You've reached Georgia Cunningham. | 0:05:40 | 0:05:43 | |
'I am unable to take your call right now...' | 0:05:43 | 0:05:45 | |
-'Hey, Holly.' -George. | 0:05:48 | 0:05:51 | |
-Hi. Yeah, it's me. Hi. -'What's up?' | 0:05:51 | 0:05:55 | |
Er... | 0:05:55 | 0:05:56 | |
I just... I just wanted to check in. | 0:05:56 | 0:05:59 | |
I don't know if anyone told you about... | 0:06:02 | 0:06:04 | |
'James Buxton?' | 0:06:04 | 0:06:06 | |
'Yeah, I heard.' | 0:06:07 | 0:06:09 | |
'It's really sad.' | 0:06:09 | 0:06:11 | |
-'Me and James were in too deep.' -Yeah. | 0:06:11 | 0:06:13 | |
'Money makes people idiots.' | 0:06:16 | 0:06:19 | |
-George.... -'Here's amazing.' | 0:06:20 | 0:06:22 | |
'The hotel they've got me in is insane.' | 0:06:24 | 0:06:26 | |
'You should see the bathroom.' | 0:06:27 | 0:06:29 | |
'The dinner last night had 11 courses.' | 0:06:30 | 0:06:32 | |
You're OK? You're enjoying it? | 0:06:35 | 0:06:38 | |
'Of course.' | 0:06:38 | 0:06:40 | |
'Why wouldn't I be?' | 0:06:40 | 0:06:43 | |
-That's good. -'Look, I've got to go.' | 0:06:43 | 0:06:46 | |
-'They're waiting for me.' -No, wait, just... | 0:06:46 | 0:06:49 | |
I miss you. | 0:06:55 | 0:06:57 | |
-'Busy times, babe.' -LINE GOES DEAD | 0:06:59 | 0:07:03 | |
Hey. | 0:07:14 | 0:07:16 | |
I tried calling. | 0:07:19 | 0:07:21 | |
-I'm sorry. -Hey... | 0:07:24 | 0:07:27 | |
I thought he would be OK. | 0:07:36 | 0:07:38 | |
I know. | 0:07:38 | 0:07:40 | |
I told him to go to his parents' house for a while. | 0:07:42 | 0:07:45 | |
Straighten his head. | 0:07:46 | 0:07:48 | |
He never went. | 0:07:48 | 0:07:49 | |
-Come inside. -No, I can't. | 0:07:54 | 0:07:55 | |
I just wanted to see you. | 0:08:00 | 0:08:03 | |
Don't judge us. It's a tequila kind of day. | 0:08:18 | 0:08:21 | |
Pour me a glass. | 0:08:21 | 0:08:23 | |
Good girl. | 0:08:23 | 0:08:25 | |
-What do we do? -What do you mean "do"? | 0:08:35 | 0:08:38 | |
There's nothing we can do. | 0:08:39 | 0:08:41 | |
It doesn't look good. | 0:08:41 | 0:08:42 | |
If there's an investigation, there will be a decrease in clients. | 0:08:42 | 0:08:45 | |
If they start letting people go, we're the easiest cut. | 0:08:45 | 0:08:48 | |
What the hell are you talking about? | 0:08:48 | 0:08:49 | |
-James is dead. -Good. -Hey. You don't mean that. | 0:08:51 | 0:08:54 | |
I refuse to care. | 0:08:54 | 0:08:56 | |
Fay changed after he got in her head. | 0:08:56 | 0:08:58 | |
You think all this is because of him? | 0:08:58 | 0:09:00 | |
Who else is that fucking stupid? It was blatantly his fault. | 0:09:00 | 0:09:03 | |
How did they get so deep in shit? | 0:09:03 | 0:09:05 | |
It is Steiner, right? | 0:09:05 | 0:09:07 | |
George is out there with him now. | 0:09:07 | 0:09:09 | |
-Don't worry about George. -We don't know what she's doing. | 0:09:09 | 0:09:12 | |
Georgia is window-dressing. | 0:09:12 | 0:09:14 | |
Steiner's last pretty girl ended up dead, Phoebe. | 0:09:14 | 0:09:18 | |
-But whatever. -Yes, because she was stealing, Holly. | 0:09:18 | 0:09:21 | |
So long as George is playing the game right, | 0:09:21 | 0:09:23 | |
and keeping her hands out of the till, you can stop worrying. | 0:09:23 | 0:09:26 | |
Louise? Tell me you can hear how insane this is? | 0:09:26 | 0:09:29 | |
-Where do you think you're going? -I'm going to get my girlfriend round | 0:09:31 | 0:09:35 | |
and pretend none of this exists. Is that allowed? | 0:09:35 | 0:09:37 | |
-Can I have one hour? -We need to prep for Georgia's party. | 0:09:38 | 0:09:42 | |
Why the fuck are we having a party? | 0:09:43 | 0:09:45 | |
Why do you keep making everyone's shit harder? | 0:09:45 | 0:09:48 | |
Tell me I'm wrong. | 0:09:51 | 0:09:53 | |
You're part of this world too. | 0:09:59 | 0:10:02 | |
'The number you have dialled has not been recognised. Please try again.' | 0:11:03 | 0:11:07 | |
-I've reviewed the questions. -OK. | 0:11:29 | 0:11:33 | |
I think our best bet is to start with the lecture material | 0:11:33 | 0:11:36 | |
and then try to formulate some of our own opinions on recent developments. | 0:11:36 | 0:11:40 | |
That way we can quiz each other and practise for it. | 0:11:40 | 0:11:43 | |
Hey. | 0:11:46 | 0:11:48 | |
I don't care about the oral exam. | 0:11:48 | 0:11:50 | |
Well, you should. Because we said we'd work together, | 0:11:50 | 0:11:53 | |
so you'd be letting me down too. | 0:11:53 | 0:11:55 | |
What book is that? | 0:12:02 | 0:12:04 | |
-What? -What book is the reference for? | 0:12:04 | 0:12:07 | |
It's not one from my list. | 0:12:07 | 0:12:09 | |
Tell me you understand the Library of Congress classification system. | 0:12:09 | 0:12:13 | |
-Not every thing is done by Dewey, you know. -No - show me. | 0:12:13 | 0:12:16 | |
OK, that's novellas, | 0:12:16 | 0:12:18 | |
that's shelf 56, | 0:12:18 | 0:12:20 | |
and that's the first three letters of the author's surname. | 0:12:20 | 0:12:23 | |
That's 11 favours you now owe me, Holly. | 0:12:27 | 0:12:30 | |
-'Who is that? -That is Lukas Steiner.' | 0:13:32 | 0:13:36 | |
'So Solasta manages his money?' | 0:13:36 | 0:13:38 | |
'He is richer than Bono and everyone wants his cash.' | 0:13:38 | 0:13:42 | |
'Relationship management. | 0:13:44 | 0:13:45 | |
'I've always wanted to be on the Steiner account.' | 0:13:45 | 0:13:48 | |
'Is James on the Steiner team?' | 0:13:52 | 0:13:55 | |
-'Steiner account, yeah. -Does he know what happened?' | 0:13:55 | 0:13:58 | |
What's going on? You sounded funny on the phone. | 0:14:47 | 0:14:50 | |
I'm fine. | 0:14:50 | 0:14:52 | |
OK, so, what are you doing down here? | 0:14:52 | 0:14:55 | |
It's where they found his car. | 0:14:55 | 0:14:56 | |
-I know. -Must be where he went into the water. | 0:14:56 | 0:15:00 | |
-Let me give you a lift back to my place. -Whatever. | 0:15:00 | 0:15:04 | |
-Holly, wait, what's going on? -Nothing. | 0:15:04 | 0:15:07 | |
Holly! | 0:15:07 | 0:15:08 | |
-Just leave it. -Please tell me. let me help. -You can't help. | 0:15:08 | 0:15:12 | |
You're one of them. | 0:15:15 | 0:15:17 | |
What?! | 0:15:17 | 0:15:18 | |
You kissed me and you... | 0:15:19 | 0:15:22 | |
You make me believe that there's something happening between us. | 0:15:23 | 0:15:27 | |
-Something real. -There is. | 0:15:27 | 0:15:29 | |
I don't know you. | 0:15:29 | 0:15:32 | |
We don't know each other at all. | 0:15:32 | 0:15:34 | |
What? Holly... Look, just listen to me. | 0:15:34 | 0:15:36 | |
-Just tell me what is going on. -I don't think James killed himself. | 0:15:36 | 0:15:40 | |
I'm not mad. | 0:15:42 | 0:15:44 | |
-I know you are not mad. -Someone is sending me things. | 0:15:44 | 0:15:48 | |
-What? -From James's e-mail, from his phone. | 0:15:48 | 0:15:50 | |
But he is dead, Rory. | 0:15:50 | 0:15:52 | |
-I need to tell the police. -No, just... | 0:15:52 | 0:15:54 | |
-Just wait. -The police have got this wrong. | 0:15:55 | 0:15:58 | |
They don't understand what is going on. | 0:15:58 | 0:15:59 | |
-Yes, they do. -How the fuck do you know? | 0:15:59 | 0:16:02 | |
Because I am the police. | 0:16:07 | 0:16:11 | |
What? What?! | 0:16:13 | 0:16:16 | |
You better start explaining pretty fucking quickly. | 0:16:38 | 0:16:40 | |
Tom, just hear me out for a minute, all right? | 0:16:40 | 0:16:43 | |
I don't even know what I'm doing down here. | 0:16:43 | 0:16:45 | |
I should be upstairs telling the team | 0:16:45 | 0:16:47 | |
that our informant has completely fucked us. | 0:16:47 | 0:16:50 | |
She worked me out. She interns at Solasta. | 0:16:50 | 0:16:53 | |
She has information she will not give me without verification. | 0:16:53 | 0:16:55 | |
Then get her in. Set up a debrief. | 0:16:55 | 0:16:57 | |
Don't drive me in a car and jeopardise my job. | 0:16:57 | 0:17:00 | |
We need this, Tom. We've been stalled for months. | 0:17:00 | 0:17:03 | |
-Yeah, and whose fault is that? -I am doing my best. | 0:17:03 | 0:17:05 | |
You're not the one there risking your fucking skin. | 0:17:05 | 0:17:10 | |
Look, let me keep trying. | 0:17:12 | 0:17:14 | |
You can trust her. We want the same things. | 0:17:14 | 0:17:17 | |
Please. | 0:17:20 | 0:17:21 | |
I'm Rory's handler. | 0:17:31 | 0:17:32 | |
She can't say or do anything. | 0:17:35 | 0:17:36 | |
Understand? | 0:17:38 | 0:17:40 | |
I'm sorry. | 0:17:46 | 0:17:47 | |
The police have been watching Solasta for two years. | 0:17:56 | 0:17:59 | |
I don't understand. | 0:18:01 | 0:18:02 | |
They came to me when I was still working in the City, | 0:18:02 | 0:18:05 | |
made a proposition. | 0:18:05 | 0:18:07 | |
I was flattered. It started off so small, | 0:18:07 | 0:18:10 | |
just passing on things here and there. | 0:18:10 | 0:18:12 | |
But Steiner changed all that. | 0:18:12 | 0:18:15 | |
The man is evil. | 0:18:15 | 0:18:16 | |
He's been exploiting people all over the world. | 0:18:16 | 0:18:19 | |
If you knew that, then why wouldn't you get Fay and James out? | 0:18:20 | 0:18:23 | |
Because if you move too soon, the whole thing comes down. | 0:18:23 | 0:18:26 | |
Don't you think Alistair knows how to cover his tracks? | 0:18:27 | 0:18:30 | |
This goes beyond me, you, James and Fay. | 0:18:31 | 0:18:34 | |
This is international. | 0:18:34 | 0:18:35 | |
But we have a chance. We have a chance to get them all. | 0:18:35 | 0:18:38 | |
You've been lying to me this whole time. | 0:18:40 | 0:18:42 | |
This whole thing, everyone is a liar. | 0:18:45 | 0:18:47 | |
Holly, Holly. | 0:18:47 | 0:18:50 | |
Holly, listen to me. | 0:18:50 | 0:18:53 | |
No, no. Listen to me. | 0:18:53 | 0:18:54 | |
It's still me. | 0:18:56 | 0:18:59 | |
It's still me. | 0:18:59 | 0:19:02 | |
I need you. I need you. | 0:19:09 | 0:19:11 | |
Steiner's real name is Florian Helmlinger. | 0:20:30 | 0:20:34 | |
He's a monster. | 0:20:34 | 0:20:35 | |
-I know. -Alistair has been cleaning his money for him. | 0:20:35 | 0:20:38 | |
Hiding it, investing it. Legitimising him. | 0:20:40 | 0:20:42 | |
Every single transaction, it's all here. | 0:20:44 | 0:20:46 | |
-I need your phone. -Why? | 0:20:52 | 0:20:55 | |
We need to trace whoever is sending you this stuff. | 0:20:56 | 0:20:59 | |
Thank you. | 0:21:03 | 0:21:05 | |
Georgia is back tonight from Vienna with Steiner. | 0:21:06 | 0:21:09 | |
Just give me a few days, please. | 0:21:09 | 0:21:12 | |
And then what? | 0:21:12 | 0:21:13 | |
If we wait and the police move in on Solasta | 0:21:14 | 0:21:16 | |
-then she'll go down with them. -I don't think so. | 0:21:16 | 0:21:19 | |
-That is not good enough. -But you are doing the right thing. | 0:21:21 | 0:21:25 | |
You have helped. | 0:21:25 | 0:21:27 | |
You can stop now. All of this can stop now. | 0:21:27 | 0:21:29 | |
-Not for her. -Holly, | 0:21:29 | 0:21:32 | |
you have to stop. | 0:21:32 | 0:21:34 | |
Promise me. | 0:21:36 | 0:21:38 | |
LOUNGE MUSIC PLAYS FROM WITHIN | 0:22:19 | 0:22:22 | |
-Have you met Charlie boy? -No. | 0:22:33 | 0:22:36 | |
You girls going to mingle or stand looking like an ad campaign? | 0:22:36 | 0:22:40 | |
We will. | 0:22:40 | 0:22:41 | |
-You OK, sweetheart? -Yeah. -I know things are hard. | 0:22:43 | 0:22:47 | |
-She's just tired. -No, she's upset. We all are. | 0:22:47 | 0:22:50 | |
So here's what we do. We pull our shit together, | 0:22:51 | 0:22:54 | |
we don't fall apart when something hard happens, OK? | 0:22:54 | 0:22:56 | |
You set the tone. Set the tone for Georgia. | 0:22:56 | 0:23:00 | |
Pom-poms or unicorns, do you reckon? | 0:23:00 | 0:23:02 | |
Look what the cat dragged in. | 0:23:05 | 0:23:07 | |
-Where are they, Ju? -You going to behave? | 0:23:07 | 0:23:09 | |
-Babes. -Why? | 0:23:09 | 0:23:11 | |
Me and you can't fake as well as these two. | 0:23:11 | 0:23:14 | |
Don't worry, Phoebs, I'm a good girl. | 0:23:14 | 0:23:16 | |
You look like shit. | 0:23:16 | 0:23:18 | |
THEY EXCHANGE GREETINGS | 0:23:22 | 0:23:25 | |
-Lukas, hello. -Welcome back, babe. | 0:23:25 | 0:23:29 | |
-Welcome home, George. -Come on, darling. | 0:23:36 | 0:23:40 | |
All right, McStay? | 0:24:00 | 0:24:03 | |
-Babe. Not here. -Babe, it's fine. | 0:24:04 | 0:24:09 | |
How was Vienna, Georgia? | 0:24:15 | 0:24:17 | |
Amazing. Do you fancy a pick-me-up, Professor? | 0:24:17 | 0:24:19 | |
Always feisty! | 0:24:20 | 0:24:23 | |
How long are you with us, Lukas? | 0:24:23 | 0:24:25 | |
Just a couple of things to firm up, | 0:24:25 | 0:24:27 | |
thought I would come back for some Scottish air. | 0:24:27 | 0:24:29 | |
-Have you spoken to Alistair? -I'm going there next, | 0:24:29 | 0:24:31 | |
just delivering the party girl. | 0:24:31 | 0:24:33 | |
They're talking shop. Yawn. Come on, darling. | 0:24:36 | 0:24:40 | |
Lou, grab a bottle. | 0:24:40 | 0:24:42 | |
Hey, gorgeous. | 0:24:57 | 0:24:59 | |
Miss me? | 0:25:02 | 0:25:04 | |
How was it? | 0:25:04 | 0:25:05 | |
You know...fine. | 0:25:05 | 0:25:08 | |
Long. | 0:25:10 | 0:25:11 | |
And Georgia? | 0:25:13 | 0:25:14 | |
She did well. | 0:25:16 | 0:25:18 | |
Did well at what, exactly? | 0:25:18 | 0:25:20 | |
She's been trained. | 0:25:22 | 0:25:24 | |
-There's lots to learn. -Charlie, tell me the fucking truth. | 0:25:25 | 0:25:28 | |
Well, ask her yourself, you daft bitch. | 0:25:28 | 0:25:30 | |
They're keeping her away from me. | 0:25:30 | 0:25:31 | |
Yeah, I'm starting to see why. | 0:25:31 | 0:25:32 | |
She's fucked up. | 0:25:37 | 0:25:38 | |
She's fucked up like Fay. You were there too. What were you doing? | 0:25:40 | 0:25:43 | |
I looked after her. | 0:25:43 | 0:25:44 | |
All right? | 0:25:45 | 0:25:48 | |
I did my best. | 0:25:48 | 0:25:50 | |
-Wait. -You're getting on my tits, McStay. | 0:25:50 | 0:25:52 | |
Hi, fuck-face. | 0:25:54 | 0:25:56 | |
What's got into you? | 0:26:15 | 0:26:17 | |
I missed you. | 0:26:19 | 0:26:21 | |
You're losing your edge, Charlie boy. | 0:26:22 | 0:26:25 | |
I'm so tired. | 0:26:28 | 0:26:30 | |
Don't be a pussy. | 0:26:33 | 0:26:35 | |
OK. Thank you. | 0:26:46 | 0:26:49 | |
Are you OK? | 0:27:05 | 0:27:07 | |
-You can't help me. -Try me. | 0:27:10 | 0:27:12 | |
MUSIC PLAYS OVER SCENE | 0:27:14 | 0:27:18 | |
Holly. | 0:27:44 | 0:27:45 | |
George. George. Listen to me. | 0:27:52 | 0:27:55 | |
-Guess we're going over here. -Take it easy, Holly! | 0:27:55 | 0:27:57 | |
-Let's leave. -What? -These people are bad, George. | 0:27:57 | 0:28:00 | |
You know it and I know you know it. | 0:28:00 | 0:28:02 | |
You told me you were going to stop with all this shit. | 0:28:02 | 0:28:05 | |
We can get on a bus. | 0:28:05 | 0:28:07 | |
We can be home in an hour. You don't have to do this. | 0:28:07 | 0:28:09 | |
You're ill. I'm gonna call your dad, you're fucking insane. | 0:28:09 | 0:28:13 | |
What are you doing? Don't do this, Holly. | 0:28:13 | 0:28:16 | |
You're not safe. > | 0:28:16 | 0:28:18 | |
Steiner is a criminal, a fucking murderer, George. | 0:28:18 | 0:28:20 | |
-Why don't you believe me? -Get off me. | 0:28:20 | 0:28:22 | |
Holly, you're ruining everyone's night. | 0:28:22 | 0:28:24 | |
Just SHUT THE FUCK UP, Phoebe. | 0:28:24 | 0:28:26 | |
I need you to listen to me. | 0:28:29 | 0:28:31 | |
She's mad. She totally fucking mad. | 0:28:31 | 0:28:35 | |
Georgia, we need to fucking go. Please, Georgia. | 0:28:41 | 0:28:44 | |
Get off me! | 0:28:44 | 0:28:45 | |
-Take her home. -Come on. | 0:28:50 | 0:28:52 | |
George. | 0:28:54 | 0:28:56 | |
Georgia, please. | 0:28:57 | 0:29:00 | |
Get out. | 0:29:00 | 0:29:01 | |
-Holly, wait. -Just leave me alone. | 0:29:10 | 0:29:13 | |
Please, I'm sorry. | 0:29:13 | 0:29:15 | |
Fuck. | 0:29:22 | 0:29:24 | |
Did you forget you don't live here any more? | 0:29:28 | 0:29:30 | |
Please can I come in? | 0:29:30 | 0:29:32 | |
OK. | 0:29:36 | 0:29:38 | |
I need to stay here tonight, OK? | 0:29:47 | 0:29:49 | |
-In my bed? -Yeah. | 0:29:51 | 0:29:52 | |
You could have just left them all alone. | 0:30:12 | 0:30:14 | |
You could have just been friends with me. | 0:30:16 | 0:30:19 | |
I know. | 0:30:19 | 0:30:21 | |
Why do you do it? | 0:30:24 | 0:30:26 | |
Why do you find the bad people? | 0:30:28 | 0:30:30 | |
Because I'm like them. | 0:30:34 | 0:30:37 | |
GIRLS LAUGH AND SCREAM | 0:30:40 | 0:30:44 | |
Who did these? | 0:30:52 | 0:30:55 | |
They were my friends. | 0:30:55 | 0:30:56 | |
-But you fell out? -We're not allowed to see each other any more. | 0:30:57 | 0:31:01 | |
Because of what you did? | 0:31:03 | 0:31:05 | |
Tell me what happened with the little girl. | 0:31:08 | 0:31:10 | |
'We had a gang. | 0:31:13 | 0:31:15 | |
'My pals and me. Will, Ellie, Sean and Millie. | 0:31:15 | 0:31:20 | |
'We played tricks and messed around in the village. | 0:31:22 | 0:31:25 | |
'It was fun, | 0:31:27 | 0:31:29 | |
-'but then...' -Holly! | 0:31:29 | 0:31:33 | |
Holly. Where are you? | 0:31:33 | 0:31:35 | |
'Sean's wee sister was called Lisa. | 0:31:35 | 0:31:37 | |
She ruins everything. | 0:31:38 | 0:31:40 | |
She loves you. | 0:31:40 | 0:31:43 | |
'I thought she was such a ninny.' | 0:31:43 | 0:31:45 | |
Sean, send your wee sister home. | 0:31:45 | 0:31:47 | |
She'll tell my mum we're down here. | 0:31:47 | 0:31:49 | |
No, I won't. | 0:31:49 | 0:31:51 | |
'Always following us, trying to join in.' | 0:31:51 | 0:31:53 | |
-'Annoying me.' -Wait! | 0:32:00 | 0:32:02 | |
Wait! Wait, guys! | 0:32:03 | 0:32:06 | |
'So I thought up a good trick.' | 0:32:08 | 0:32:10 | |
'It was the best one ever.' | 0:32:11 | 0:32:12 | |
'If she wanted to be in our gang she had to do something.' | 0:32:16 | 0:32:19 | |
'I never thought she would do it.' | 0:32:38 | 0:32:40 | |
One, two, three! | 0:32:43 | 0:32:45 | |
'But she did. She did.' | 0:32:45 | 0:32:47 | |
KNOCKING | 0:32:56 | 0:32:58 | |
KNOCKING | 0:33:08 | 0:33:10 | |
She wants you to stay away from the house for a bit. | 0:33:21 | 0:33:24 | |
Great. Message delivered. | 0:33:26 | 0:33:28 | |
Everyone is really upset. | 0:33:28 | 0:33:30 | |
Is that it? | 0:33:33 | 0:33:34 | |
You're not the only one who's scared. | 0:33:36 | 0:33:39 | |
I want to know what's going on. | 0:33:39 | 0:33:41 | |
I lost my best friend, too. | 0:33:45 | 0:33:47 | |
Just give me a minute. | 0:33:54 | 0:33:56 | |
I was watching Georgia tonight. | 0:34:02 | 0:34:04 | |
-She looked like... -Fay. | 0:34:04 | 0:34:06 | |
I know. | 0:34:07 | 0:34:09 | |
I let myself believe Alistair - that Fay was taking money. | 0:34:11 | 0:34:15 | |
It was easier to think that. | 0:34:16 | 0:34:19 | |
It's not the truth, is it? | 0:34:20 | 0:34:22 | |
Please, Holly, I need to know. | 0:34:25 | 0:34:27 | |
Alistair framed them. | 0:34:27 | 0:34:29 | |
Because they threatened to out who Steiner really is. | 0:34:31 | 0:34:34 | |
But if Fay didn't do anything wrong then why didn't she fight back? | 0:34:42 | 0:34:45 | |
Tell someone? Fay was brave, she was... | 0:34:45 | 0:34:49 | |
I don't think she wanted to die and... | 0:34:49 | 0:34:51 | |
don't think James killed himself. | 0:34:51 | 0:34:53 | |
I don't know if I can go there. | 0:34:56 | 0:34:58 | |
I don't know if I can think about what that means. | 0:34:59 | 0:35:01 | |
It is the truth, Rachel, you know it is the truth. | 0:35:01 | 0:35:04 | |
I'm scared. | 0:35:07 | 0:35:08 | |
Me too. | 0:35:11 | 0:35:12 | |
But I'm with you. | 0:35:14 | 0:35:16 | |
I'm with you, Holly. | 0:35:16 | 0:35:18 | |
What are you doing here? | 0:35:33 | 0:35:35 | |
I'm here for my oral exam. | 0:35:35 | 0:35:37 | |
I hardly think now is the time. | 0:35:38 | 0:35:39 | |
I was given an allocated slot for my exam. | 0:35:39 | 0:35:42 | |
I have prepared and I'm here to deliver it. | 0:35:42 | 0:35:44 | |
Fine. | 0:35:46 | 0:35:47 | |
Holly McStay, Introduction to Macroeconomics. | 0:35:53 | 0:35:56 | |
10:40am, October 31st. | 0:35:56 | 0:36:00 | |
Which topic have you prepared from my list? | 0:36:01 | 0:36:04 | |
I've chosen my own topic. | 0:36:05 | 0:36:06 | |
Go ahead. | 0:36:09 | 0:36:10 | |
Like many other high-net-worth individuals, | 0:36:15 | 0:36:18 | |
Florian Helmlinger was born into a family business. | 0:36:18 | 0:36:21 | |
He took his father's example and built on it, | 0:36:23 | 0:36:26 | |
expanding and diversifying until he was making money so fast | 0:36:26 | 0:36:29 | |
that he didn't know what to do with it. | 0:36:29 | 0:36:32 | |
Drugs, extortion, intimidation. | 0:36:35 | 0:36:38 | |
All very lucrative when you know what you're doing. | 0:36:38 | 0:36:43 | |
But Florian wanted more. | 0:36:43 | 0:36:45 | |
Florian wanted to hang out with the legitimate boys at the parties. | 0:36:45 | 0:36:49 | |
The bankers, | 0:36:51 | 0:36:52 | |
the entrepreneurs, | 0:36:52 | 0:36:54 | |
the media moguls. | 0:36:54 | 0:36:56 | |
So he needed someone to wash that lovely money | 0:36:56 | 0:37:01 | |
so it didn't stink of crime any more. | 0:37:01 | 0:37:03 | |
He made a new friend. | 0:37:05 | 0:37:06 | |
A friend with a bank. | 0:37:09 | 0:37:11 | |
A friend who didn't care how dirty the money was. | 0:37:11 | 0:37:15 | |
Someone who knew how to fake those all-important | 0:37:16 | 0:37:19 | |
"know your customer" checks, or, even better... | 0:37:19 | 0:37:22 | |
..make it seem like a silly little intern did. | 0:37:23 | 0:37:26 | |
So now all of that lovely money was squeaky-clean. | 0:37:30 | 0:37:34 | |
The man at the bank was happy | 0:37:35 | 0:37:36 | |
because he got to keep some of the money for his trouble. | 0:37:36 | 0:37:40 | |
And Florian Helmlinger was happy because all those big boys | 0:37:40 | 0:37:43 | |
didn't look down their noses at him any more. | 0:37:43 | 0:37:46 | |
He got legitimacy. | 0:37:49 | 0:37:51 | |
And the shiny new name | 0:37:53 | 0:37:55 | |
Lukas Steiner. | 0:37:55 | 0:37:57 | |
Stop. | 0:37:57 | 0:37:58 | |
Private banks don't care where their money comes from. | 0:38:01 | 0:38:04 | |
The journalist Roberto Saviano is quoted as saying | 0:38:05 | 0:38:08 | |
that it's because there aren't corpses on the streets. | 0:38:08 | 0:38:10 | |
I said stop. | 0:38:10 | 0:38:12 | |
He's wrong, isn't he, professor? | 0:38:16 | 0:38:18 | |
Sometimes there are corpses in the streets. | 0:38:20 | 0:38:23 | |
Sometimes there are corpses on top of cars. | 0:38:24 | 0:38:27 | |
Sometimes there are corpses on the banks of the Firth of Forth. | 0:38:28 | 0:38:31 | |
Al? | 0:38:49 | 0:38:51 | |
Al! | 0:38:52 | 0:38:54 | |
What are you doing here? | 0:38:54 | 0:38:55 | |
Come up here. | 0:38:56 | 0:38:58 | |
I'm just about to go to my bed. | 0:39:04 | 0:39:06 | |
What's the matter? | 0:39:09 | 0:39:11 | |
I need you to tell me about Steiner. | 0:39:15 | 0:39:18 | |
What? | 0:39:18 | 0:39:20 | |
Tell me that you didn't know that he's a criminal. | 0:39:20 | 0:39:23 | |
Jesus Christ, Jude. | 0:39:23 | 0:39:25 | |
Is this that McStay girl again? | 0:39:25 | 0:39:29 | |
You need to stop letting her wind you up. | 0:39:31 | 0:39:33 | |
Do you think I'm fucking stupid? | 0:39:33 | 0:39:35 | |
We needed his account, Jude. | 0:39:39 | 0:39:41 | |
-It kept us afloat. -Two young people have died. | 0:39:42 | 0:39:46 | |
They did that to themselves. | 0:39:46 | 0:39:48 | |
Did he threaten them? | 0:39:48 | 0:39:50 | |
-I don't know. -Fucking hell. | 0:39:53 | 0:39:55 | |
Look, I thought it was nothing. | 0:39:55 | 0:39:57 | |
By the time | 0:39:59 | 0:40:00 | |
I started to realise, it was too late and we'd... | 0:40:00 | 0:40:03 | |
It was just business. | 0:40:06 | 0:40:08 | |
Don't fucking touch me! | 0:40:08 | 0:40:09 | |
What do I do? | 0:40:16 | 0:40:18 | |
I'll deal with it. | 0:40:20 | 0:40:22 | |
I'm sorry. | 0:40:28 | 0:40:29 | |
DOOR SLAMS | 0:40:31 | 0:40:33 | |
DOOR OPENS | 0:40:51 | 0:40:53 | |
-Hi. -Hey. | 0:40:53 | 0:40:55 | |
I need to check my e-mail. | 0:41:02 | 0:41:04 | |
Help yourself. | 0:41:07 | 0:41:08 | |
Are you OK? | 0:41:14 | 0:41:16 | |
My name is Fay Brookstone. | 0:41:26 | 0:41:29 | |
I'm an intern for Solasta financing. | 0:41:29 | 0:41:32 | |
For the last year I've been helping one of their clients, | 0:41:32 | 0:41:35 | |
Lukas Steiner, hide millions of pounds in offshore accounts. | 0:41:35 | 0:41:39 | |
On the request of Alistair McDermott. | 0:41:39 | 0:41:42 | |
What's going on? | 0:41:42 | 0:41:45 | |
It's money Steiner made via arms, drugs, people, anything that paid. | 0:41:45 | 0:41:50 | |
Things didn't really change for me until I fell for James. | 0:41:50 | 0:41:54 | |
He wasn't like them. He made me think maybe I wasn't either. | 0:41:54 | 0:41:58 | |
That I didn't have to do it any more, but more than that... | 0:41:58 | 0:42:01 | |
..maybe we could stop them from doing it. | 0:42:02 | 0:42:05 | |
So we started to collect things, record things. | 0:42:06 | 0:42:09 | |
I had enough to bring down the whole fucking thing. | 0:42:09 | 0:42:12 | |
But Alistair is clever. | 0:42:12 | 0:42:15 | |
And, like always, he was one step ahead. | 0:42:15 | 0:42:17 | |
Once he knew what we were planning to do, he acted fast. | 0:42:17 | 0:42:21 | |
Just like that, | 0:42:21 | 0:42:23 | |
the whole thing comes back to me and James. | 0:42:23 | 0:42:25 | |
James made me think that I was better than that. | 0:42:27 | 0:42:30 | |
That I was stronger. | 0:42:30 | 0:42:32 | |
But he doesn't know everything. | 0:42:34 | 0:42:36 | |
He doesn't know what I've done. | 0:42:38 | 0:42:40 | |
Jude McDermid offers a bespoke service for us girls. | 0:42:43 | 0:42:47 | |
Our talents are tested so we can be placed into the right department. | 0:42:47 | 0:42:50 | |
But there's an extra test for you if you're after client management. | 0:42:50 | 0:42:54 | |
See, that's the special one. | 0:42:56 | 0:42:58 | |
I fucked it all up. | 0:43:03 | 0:43:04 | |
Just like always. | 0:43:06 | 0:43:07 | |
Now I've had enough. | 0:43:08 | 0:43:09 | |
I'm tired. | 0:43:12 | 0:43:14 | |
I want everything to stop. | 0:43:16 | 0:43:19 | |
But the others should know. | 0:43:24 | 0:43:26 | |
The others should know what being Alistair's top girl really means... | 0:43:28 | 0:43:32 | |
How they make you... | 0:43:33 | 0:43:34 | |
..compliant. | 0:43:36 | 0:43:37 | |
How they make you feel just like them, just as bad, just as dirty. | 0:43:38 | 0:43:43 | |
I never told you, James. | 0:43:47 | 0:43:49 | |
I'm so sorry. | 0:43:49 | 0:43:50 | |
I don't think even you could have loved me, knowing this, | 0:43:52 | 0:43:55 | |
but the others need to know. | 0:43:55 | 0:43:57 | |
Because he'll do it again. | 0:44:00 | 0:44:02 | |
That's the worst part. | 0:44:03 | 0:44:05 | |
I don't think I'm the first, and the idea of not being the last... | 0:44:07 | 0:44:10 | |
Maybe I can warn people. | 0:44:11 | 0:44:13 | |
Maybe I can do this one thing. | 0:44:13 | 0:44:15 | |
Get out. | 0:44:17 | 0:44:19 | |
Get out before you're me. | 0:44:21 | 0:44:23 |