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This programme contains strong language and scenes of a sexual nature. | 0:00:02 | 0:00:05 | |
Are you guys minted off these internships, or what? | 0:00:05 | 0:00:07 | |
-What sort of work do you do there? -Coffees and photocopying. | 0:00:07 | 0:00:10 | |
People are going to say stupid things about Fay. | 0:00:10 | 0:00:12 | |
But if you knew her, you knew Fay was strong. | 0:00:12 | 0:00:14 | |
Are you one of them? | 0:00:14 | 0:00:16 | |
You've offered me your advice, so I'm taking it. | 0:00:19 | 0:00:22 | |
That is Lukas Steiner. | 0:00:23 | 0:00:25 | |
Steiner was Fay's catch. | 0:00:25 | 0:00:27 | |
-So, they're competing for her job? -You're not like them! | 0:00:27 | 0:00:30 | |
Did anyone tell you what happened to Fay? | 0:00:30 | 0:00:32 | |
-Get her the fuck out of here. -Who did this? | 0:00:32 | 0:00:34 | |
-They were my friends. -But you fell out? | 0:00:34 | 0:00:36 | |
Because of what you did? | 0:00:36 | 0:00:38 | |
Why did you come tonight? | 0:00:38 | 0:00:39 | |
-I want in. -So, you're in. | 0:00:39 | 0:00:42 | |
-What? -You heard me. | 0:00:42 | 0:00:44 | |
# You, you | 0:00:45 | 0:00:48 | |
# You give me hopes again And now I have no choice | 0:00:48 | 0:00:51 | |
# But to follow | 0:00:53 | 0:00:54 | |
# I'm sinking faster | 0:00:54 | 0:00:57 | |
# I'm sinking faster, yeah | 0:00:57 | 0:01:00 | |
# I'm sinking faster into the deep. # | 0:01:00 | 0:01:05 | |
Uh-huh. OK. | 0:01:51 | 0:01:53 | |
Yeah. | 0:01:54 | 0:01:56 | |
She's here with me now. | 0:01:56 | 0:01:57 | |
Yeah, the new intern. | 0:01:58 | 0:02:00 | |
No problem. | 0:02:02 | 0:02:03 | |
Sorry, if you could just take a seat? | 0:02:04 | 0:02:06 | |
Oh, wait. This was couriered in for you this morning. | 0:02:08 | 0:02:11 | |
Thanks. | 0:02:11 | 0:02:12 | |
Holly. | 0:02:16 | 0:02:18 | |
So, your first week's just about getting to know the company | 0:02:18 | 0:02:20 | |
and what the different departments do. | 0:02:20 | 0:02:22 | |
After that, you'll be placed where we think you're best suited. | 0:02:22 | 0:02:24 | |
Now, the boss lives up there. | 0:02:24 | 0:02:26 | |
So, you're going to see the bigger clients go up | 0:02:26 | 0:02:28 | |
and the employees attached to their accounts, but apart from that, | 0:02:28 | 0:02:30 | |
-it's out of bounds, OK? -Sure. -Right. | 0:02:30 | 0:02:33 | |
Can I just leave you to it from here? | 0:02:33 | 0:02:35 | |
I've got a seriously fucking busy morning ahead. | 0:02:35 | 0:02:38 | |
-Yeah, of course. -Fantastic. | 0:02:38 | 0:02:40 | |
Oh, Holly. | 0:02:42 | 0:02:44 | |
Bonne chance. | 0:02:44 | 0:02:46 | |
Well, fuck me! | 0:03:22 | 0:03:24 | |
-McStay! -Who? | 0:03:24 | 0:03:25 | |
You can bugger off, I'm busy now. | 0:03:25 | 0:03:27 | |
Come on, then. | 0:03:28 | 0:03:30 | |
So, you'll need to set up your work e-mail | 0:03:30 | 0:03:32 | |
and then go through the ridiculous Health and Safety videos. | 0:03:32 | 0:03:36 | |
Come find me when you're done, yeah? | 0:03:36 | 0:03:37 | |
-Are you missing lectures? -It depends how late I need to stay. | 0:03:39 | 0:03:43 | |
Let Jude know. She'll talk to your professors | 0:03:43 | 0:03:45 | |
and get the heat taken off, OK? | 0:03:45 | 0:03:46 | |
OK. | 0:03:46 | 0:03:48 | |
Are you one of them? What's your name? | 0:04:22 | 0:04:24 | |
PHONE RINGS | 0:04:47 | 0:04:49 | |
Hello? | 0:04:52 | 0:04:53 | |
-RORY: -'Stalking me at work?' | 0:04:53 | 0:04:55 | |
'You could have just called me, you know.' | 0:04:56 | 0:04:59 | |
Where are you? | 0:04:59 | 0:05:01 | |
'It's perfect.' | 0:05:01 | 0:05:02 | |
'I can see you from my desk.' | 0:05:04 | 0:05:06 | |
Gross. | 0:05:06 | 0:05:08 | |
-Office clothes really suit you. -I look like someone's mother. | 0:05:08 | 0:05:11 | |
No mother I know. | 0:05:14 | 0:05:15 | |
When do you do lunch? | 0:05:16 | 0:05:18 | |
-Rory? -Rory? | 0:05:18 | 0:05:20 | |
This way, please. | 0:05:27 | 0:05:28 | |
What were the police here for? | 0:05:41 | 0:05:43 | |
James Buxton. Apparently, his family can't get hold of him. | 0:05:43 | 0:05:46 | |
He's missing? | 0:05:46 | 0:05:47 | |
-This isn't like other internships, is it? -Nope. | 0:05:50 | 0:05:53 | |
Are you clever? Not top-of your-sixth-form clever, | 0:05:56 | 0:05:59 | |
I mean, properly clever? | 0:05:59 | 0:06:01 | |
Probably not like you, Louise. | 0:06:02 | 0:06:04 | |
Well, I'm not so good at the other stuff. There. | 0:06:05 | 0:06:09 | |
Hate me less now? | 0:06:09 | 0:06:10 | |
-Other stuff? -Relationship management. | 0:06:10 | 0:06:13 | |
I've always wanted to be on the Steiner account. | 0:06:14 | 0:06:17 | |
Just never been given the chance. | 0:06:17 | 0:06:19 | |
Slacking off already, girls? | 0:06:19 | 0:06:20 | |
-Just giving Holly the run-through. -Good to see you, Holly. | 0:06:20 | 0:06:23 | |
-Feeling all right? -Yeah, I think so. | 0:06:23 | 0:06:26 | |
Sorry about the fundraiser. | 0:06:26 | 0:06:28 | |
Oh, God, don't worry. We've all been there, believe me. | 0:06:28 | 0:06:31 | |
-Is Steiner in today? -Yep. On my way to him now. | 0:06:31 | 0:06:33 | |
-I'm free... -We're fine, thanks, Louise. | 0:06:33 | 0:06:35 | |
He's probably just... | 0:06:39 | 0:06:41 | |
I don't know what's a test and what isn't with him. | 0:06:41 | 0:06:43 | |
LAUGHTER | 0:07:34 | 0:07:37 | |
-KNOCKING -Come in, Elizabeth. | 0:07:56 | 0:07:58 | |
Come in! | 0:08:00 | 0:08:01 | |
Hello. | 0:08:06 | 0:08:07 | |
What are you writing? | 0:08:16 | 0:08:18 | |
Documenting your betrayal. | 0:08:18 | 0:08:20 | |
What? | 0:08:20 | 0:08:22 | |
I told you that information in good faith. | 0:08:22 | 0:08:24 | |
About the girls? | 0:08:24 | 0:08:25 | |
Elizabeth, that's not how I got in. | 0:08:27 | 0:08:30 | |
Don't think you could argue it didn't give you an advantage. | 0:08:30 | 0:08:33 | |
OK. Fine. | 0:08:33 | 0:08:35 | |
I'm sorry. You can still try for it. | 0:08:35 | 0:08:37 | |
No, thanks, I've actually started | 0:08:39 | 0:08:40 | |
to doubt their commitment to student welfare. | 0:08:40 | 0:08:42 | |
I think that's probably smart. | 0:08:42 | 0:08:45 | |
-So, why are you doing it? -It's complicated. | 0:08:45 | 0:08:47 | |
Actually complicated or just something | 0:08:47 | 0:08:49 | |
you don't want to talk to me about? | 0:08:49 | 0:08:51 | |
I need to figure out what's going on. | 0:08:51 | 0:08:52 | |
What Georgia's doing. No-one's even talking about Fay. | 0:08:52 | 0:08:56 | |
I'm guessing they're probably embarrassed | 0:08:57 | 0:08:59 | |
by their lack of provisions for intern stress. | 0:08:59 | 0:09:01 | |
You don't get it. | 0:09:01 | 0:09:02 | |
You know, it's weird. I hear that a lot. | 0:09:04 | 0:09:06 | |
But I tend to be right. | 0:09:06 | 0:09:07 | |
I actually tend to be pretty on the money. | 0:09:07 | 0:09:09 | |
All right. | 0:09:09 | 0:09:11 | |
What, you're glad you got in cos you think it's cool | 0:09:11 | 0:09:13 | |
and you want to be cool and cos it drives you round the twist | 0:09:13 | 0:09:16 | |
that they thought Georgia was cooler than you? | 0:09:16 | 0:09:19 | |
Think what you like, Elizabeth. | 0:09:19 | 0:09:20 | |
I will. | 0:09:20 | 0:09:21 | |
I'm sorry, OK? | 0:09:23 | 0:09:24 | |
I know you wanted the internship. | 0:09:26 | 0:09:28 | |
Here. | 0:09:32 | 0:09:33 | |
Thanks. | 0:09:37 | 0:09:38 | |
It's French knitting. | 0:09:40 | 0:09:41 | |
Hello? | 0:10:09 | 0:10:10 | |
KNOCKING | 0:12:16 | 0:12:19 | |
Knock-knock. | 0:12:19 | 0:12:20 | |
Feels weird, right? | 0:12:23 | 0:12:24 | |
I didn't realise how shit my stuff is. | 0:12:25 | 0:12:27 | |
Don't worry. | 0:12:28 | 0:12:30 | |
This was Fay's room, wasn't it? | 0:12:31 | 0:12:33 | |
-It's just a room. -I know. | 0:12:37 | 0:12:39 | |
Seriously, forget it, OK? | 0:12:45 | 0:12:48 | |
OK. | 0:12:50 | 0:12:51 | |
Any advice for the newbie? | 0:12:55 | 0:12:57 | |
Just work your tits off all the time! | 0:12:57 | 0:13:00 | |
Don't borrow Phoebe's clothes. She'll cut you. | 0:13:00 | 0:13:03 | |
And don't sleep with Louise. | 0:13:03 | 0:13:05 | |
Straight girls having a go at gay makes her sad. | 0:13:05 | 0:13:08 | |
Understandable. | 0:13:08 | 0:13:09 | |
Keep your head. | 0:13:15 | 0:13:16 | |
Yeah. | 0:13:17 | 0:13:19 | |
I mean it. | 0:13:20 | 0:13:21 | |
Why did she do it? | 0:13:27 | 0:13:29 | |
I don't know. | 0:13:31 | 0:13:33 | |
Stupid bitch. | 0:13:33 | 0:13:35 | |
Best friends. They fuck you every time. | 0:13:44 | 0:13:47 | |
-Yours is particularly... -Yeah, isn't she? -Bless her. | 0:13:49 | 0:13:53 | |
I don't. I might kill her. | 0:13:54 | 0:13:57 | |
Jude comes on Mondays. | 0:14:04 | 0:14:06 | |
-To the house? -Yeah. | 0:14:06 | 0:14:08 | |
It's just dinner, mentoring stuff. | 0:14:08 | 0:14:10 | |
Come for a drink first. | 0:14:10 | 0:14:11 | |
Rachel? | 0:14:13 | 0:14:15 | |
I know we're not that close, | 0:14:17 | 0:14:19 | |
but I want you to know that I'm always here, | 0:14:19 | 0:14:21 | |
if you want to talk about... | 0:14:21 | 0:14:23 | |
About Fay, you know? | 0:14:25 | 0:14:27 | |
You'd have liked each other. | 0:14:27 | 0:14:29 | |
I'm sure we would. | 0:14:30 | 0:14:32 | |
She got it, like you. DOOR OPENS | 0:14:32 | 0:14:34 | |
-Huh? -I'm home! | 0:14:34 | 0:14:36 | |
Rachel? | 0:14:37 | 0:14:38 | |
Alistair thought James went his parents', but he didn't show. | 0:14:42 | 0:14:45 | |
-Where's Georgia? -She stayed with Charlie after work. | 0:14:47 | 0:14:50 | |
He told me he was going for drinks with the boys. | 0:14:50 | 0:14:52 | |
Clever little Georgia. | 0:14:52 | 0:14:54 | |
Oh, she's blatantly gate-crashed boys' night. | 0:14:54 | 0:14:56 | |
-So? -So, we weren't invited. | 0:14:56 | 0:14:59 | |
-Why not? -They think we're going to report them to HR | 0:14:59 | 0:15:01 | |
-for making a misogynist joke. -Bingo. | 0:15:01 | 0:15:03 | |
-What? They're scared of us? -Absolutely. | 0:15:03 | 0:15:06 | |
They're scared they get hauled up for sexual harassment, | 0:15:06 | 0:15:09 | |
or gender slurs, or mansplaining, | 0:15:09 | 0:15:11 | |
or whatever great injustice the internet mafia | 0:15:11 | 0:15:14 | |
has gone mad about this week. | 0:15:14 | 0:15:15 | |
-Those are real things, though. -Yes, they are. | 0:15:15 | 0:15:18 | |
But I think we're teaching women to expect them at every turn. | 0:15:18 | 0:15:21 | |
Class every man as a misogynist, | 0:15:21 | 0:15:23 | |
you just end up creating more actual misogynists. | 0:15:23 | 0:15:26 | |
Stay away from internet comment sections, Jude. Just a heads up. | 0:15:26 | 0:15:30 | |
Apologies for not being constantly offended enough | 0:15:30 | 0:15:32 | |
for today's feminist argument. | 0:15:32 | 0:15:34 | |
So, what is your argument? | 0:15:34 | 0:15:36 | |
How do you expect to be in the thick of things professionally | 0:15:36 | 0:15:39 | |
if you're not there for the conversation? | 0:15:39 | 0:15:41 | |
Oh, come on. Georgia's not there talking about work. | 0:15:41 | 0:15:44 | |
She's probably in the toilets sucking someone's dick. | 0:15:44 | 0:15:48 | |
Someone like Charlie Lamont-Smith? | 0:15:48 | 0:15:50 | |
No. That's different. | 0:15:52 | 0:15:55 | |
-Busted! -Isn't... | 0:15:55 | 0:15:58 | |
I'm not criticising you, Phoebe, | 0:15:58 | 0:15:59 | |
I'm just pointing out that two consenting adults | 0:15:59 | 0:16:02 | |
who are working and sleeping together | 0:16:02 | 0:16:05 | |
can sometimes be a productive combination. | 0:16:05 | 0:16:07 | |
So... I forgot the day. | 0:16:09 | 0:16:11 | |
Don't worry, come. Sit. | 0:16:12 | 0:16:13 | |
You missed us cruelly intruding on Phoebe's love life. | 0:16:16 | 0:16:19 | |
Love life? She'd be lucky. | 0:16:19 | 0:16:22 | |
Pot? Kettle? Racist? | 0:16:22 | 0:16:25 | |
OK, so fuck 'em and then have a post-coital chat about the markets? | 0:16:27 | 0:16:31 | |
SHE WHIMPERS | 0:16:31 | 0:16:32 | |
Talk to them. Don't treat them like predators. | 0:16:32 | 0:16:36 | |
Then, if you feel like having sex with them, | 0:16:36 | 0:16:40 | |
that's entirely your own business... | 0:16:40 | 0:16:42 | |
DIALOGUE DROWNS OUT | 0:16:42 | 0:16:46 | |
SHE GASPS | 0:16:46 | 0:16:48 | |
SHE SOBS | 0:16:50 | 0:16:52 | |
You're not breathing out, you're not breathing out. I know. | 0:16:53 | 0:16:56 | |
It doesn't make sense, but you need to blow the air away, OK? | 0:16:56 | 0:16:59 | |
-You need to blow the air away. -OK! | 0:16:59 | 0:17:01 | |
SHE SOBS | 0:17:01 | 0:17:03 | |
Breathe with me, it's OK, it's OK. | 0:17:03 | 0:17:06 | |
Shh! Shh! | 0:17:06 | 0:17:07 | |
SHE PUFFS | 0:17:07 | 0:17:10 | |
Breathe with me. | 0:17:10 | 0:17:11 | |
SHE INHALES AND EXHALES | 0:17:11 | 0:17:16 | |
Shh. We're alone. | 0:17:16 | 0:17:18 | |
This will stop soon, OK? | 0:17:18 | 0:17:19 | |
We're alone and this will stop soon. | 0:17:23 | 0:17:25 | |
Not now. | 0:17:26 | 0:17:28 | |
This will stop soon. | 0:17:35 | 0:17:37 | |
This will stop soon. | 0:17:42 | 0:17:44 | |
OK. | 0:17:49 | 0:17:51 | |
George, what's happened? | 0:18:11 | 0:18:14 | |
I'm OK, I just... | 0:18:14 | 0:18:16 | |
Panic attack. Lame. | 0:18:16 | 0:18:19 | |
You got the Steiner account. | 0:18:21 | 0:18:23 | |
-Didn't you? -What? | 0:18:24 | 0:18:25 | |
Fay's spot, you got it. | 0:18:26 | 0:18:28 | |
Yeah. | 0:18:31 | 0:18:32 | |
Are you going to be a dick about it? | 0:18:34 | 0:18:36 | |
-George, this is... -Really amazing. I know. | 0:18:36 | 0:18:39 | |
-It's a big deal, but I think I'm ready. -Really? | 0:18:40 | 0:18:43 | |
I knew you'd be a dick about it. | 0:18:43 | 0:18:45 | |
-It's just... -Stuff's happening for me, Holly. | 0:18:46 | 0:18:49 | |
Don't you fucking ruin it, OK? | 0:18:51 | 0:18:52 | |
MUSIC PLAYS IN BACKGROUND: Running Up That Hill by Kate Bush | 0:19:04 | 0:19:08 | |
MOBILE BUZZES | 0:19:11 | 0:19:14 | |
# ..Know that it doesn't hurt me? | 0:19:32 | 0:19:36 | |
# Do you wanna hear about the deal that I'm making? | 0:19:36 | 0:19:40 | |
# You | 0:19:40 | 0:19:42 | |
# It's you and me | 0:19:44 | 0:19:48 | |
# And if I only could I'd make a deal with God | 0:19:48 | 0:19:52 | |
# And I'd get him to swap our places | 0:19:52 | 0:19:56 | |
# Be running up that road | 0:19:56 | 0:19:58 | |
# Be running up that hill | 0:19:58 | 0:20:00 | |
# Be running up that building... # | 0:20:00 | 0:20:03 | |
Hiya. You all right? | 0:20:03 | 0:20:05 | |
# See, if I only could, oh... # | 0:20:05 | 0:20:10 | |
She's in your head all the time, isn't she? | 0:20:10 | 0:20:12 | |
Not all the time. | 0:20:14 | 0:20:15 | |
Try to have fun. This is your time too, remember? | 0:20:15 | 0:20:18 | |
TECHNO MUSIC PLAYS | 0:20:22 | 0:20:26 | |
SHE GIGGLES | 0:21:51 | 0:21:54 | |
-Hey! Come on! -Aw! -You've never kissed me like that! | 0:22:05 | 0:22:08 | |
-Charlie, don't start! -Sorry! -Making me jealous, boy! | 0:22:08 | 0:22:11 | |
-Sam, hi. -Hey. | 0:22:29 | 0:22:31 | |
Are you working here? | 0:22:31 | 0:22:33 | |
It appears so, yeah. | 0:22:33 | 0:22:35 | |
Are you going to order a drink or...? | 0:22:38 | 0:22:40 | |
Yeah, sorry. Erm... | 0:22:40 | 0:22:41 | |
Can I get two mescals, please? | 0:22:41 | 0:22:43 | |
-You got into character quickly. -Sorry? | 0:22:45 | 0:22:48 | |
Ordering banker drinks. | 0:22:48 | 0:22:50 | |
Am I? | 0:22:50 | 0:22:52 | |
Look like one, too. | 0:22:52 | 0:22:53 | |
I'm so sorry to offend you with my dress. | 0:22:53 | 0:22:55 | |
You're not like them. | 0:23:00 | 0:23:02 | |
-Do you know them? -I know you. | 0:23:02 | 0:23:04 | |
No, you don't. You fucked me once. It's not the same. | 0:23:04 | 0:23:08 | |
-Talking like them as well now. -Don't be a pussy. | 0:23:08 | 0:23:10 | |
Problem? | 0:23:13 | 0:23:14 | |
Trying to have a conversation, actually. | 0:23:16 | 0:23:18 | |
Who with? I thought you were getting me a glass of Prosecco. | 0:23:18 | 0:23:21 | |
Cos it's...your job? | 0:23:21 | 0:23:23 | |
To be fair, I should have seen it coming. | 0:23:25 | 0:23:27 | |
I know you fucked me to get one over on your best mate. | 0:23:27 | 0:23:30 | |
Being a brutal bitch is clearly something you already had down. | 0:23:30 | 0:23:33 | |
Sorry, Georgia. You need some new friends. | 0:23:33 | 0:23:35 | |
-George... -You and him? | 0:23:38 | 0:23:39 | |
You desperate bitch. | 0:23:40 | 0:23:42 | |
-I'm so sorry, I don't know what... -Cheer up, you two! | 0:23:42 | 0:23:45 | |
Stop wetting yourself, I don't care. | 0:23:45 | 0:23:47 | |
-It was a totally stupid thing to do. -Yeah, it was. | 0:23:47 | 0:23:50 | |
Skanky too, but whatever. | 0:23:50 | 0:23:52 | |
It's not the time for this shite anyway. | 0:23:52 | 0:23:54 | |
-I got it, by the way. -Got what? | 0:23:55 | 0:23:59 | |
I'm on the Steiner account. | 0:23:59 | 0:24:00 | |
You? | 0:24:00 | 0:24:02 | |
And Charlie boy. | 0:24:03 | 0:24:05 | |
We're going to Vienna on Friday. | 0:24:05 | 0:24:07 | |
-Amazing, right? -Fuck it, let's just have a shot. | 0:24:07 | 0:24:10 | |
Shut up, Charlie. You knew that spot was meant for Lou. | 0:24:10 | 0:24:13 | |
Lou... | 0:24:14 | 0:24:15 | |
Guys! | 0:24:24 | 0:24:26 | |
Speak for yourself! | 0:24:27 | 0:24:29 | |
Come on, Holly. | 0:24:29 | 0:24:31 | |
There's only four seats. Sorry. | 0:24:44 | 0:24:46 | |
-I'll go on your lap. -You can't, it's illegal. -Come on. | 0:24:46 | 0:24:49 | |
You won't mind... You won't mind? | 0:24:51 | 0:24:53 | |
Charlie, you look after your new sidekick. | 0:24:53 | 0:24:55 | |
ENGINE REVS | 0:24:55 | 0:24:57 | |
LAUGHTER | 0:25:38 | 0:25:40 | |
Maybe he wanted someone a bit more fun! | 0:25:41 | 0:25:44 | |
Yes! | 0:25:46 | 0:25:47 | |
Look at her fucking shapes. | 0:25:51 | 0:25:53 | |
You were in the cupboard with Charlie. | 0:25:53 | 0:25:55 | |
Yeah, whilst I was out there | 0:25:55 | 0:25:56 | |
asking about his stupid wife and kids and... | 0:25:56 | 0:25:59 | |
McStay! | 0:25:59 | 0:26:01 | |
Don't hover. Come in. | 0:26:01 | 0:26:02 | |
-Are you OK? -Yeah, you guys OK? | 0:26:04 | 0:26:07 | |
We are all right. Aren't we, Lou? | 0:26:07 | 0:26:09 | |
-Yeah. -I'm really sorry. I know you wanted that job. | 0:26:09 | 0:26:13 | |
It just doesn't make sense. I mean... | 0:26:13 | 0:26:15 | |
I can't believe that Charlie didn't tell me. | 0:26:15 | 0:26:17 | |
She's totally unqualified, I just don't get it. | 0:26:17 | 0:26:19 | |
We don't really know her, Lou. | 0:26:19 | 0:26:20 | |
Sorry. I know she's your best mate. | 0:26:21 | 0:26:24 | |
I don't know what we are right now. | 0:26:24 | 0:26:26 | |
She's different. | 0:26:26 | 0:26:28 | |
I don't get why Jude picked her. | 0:26:28 | 0:26:30 | |
Was Fay the first intern to work on that account? | 0:26:30 | 0:26:33 | |
She's the reason Solasta's still got the account. | 0:26:33 | 0:26:35 | |
Alistair couldn't get over it. | 0:26:35 | 0:26:37 | |
They came for that big bonus, do you remember? | 0:26:37 | 0:26:39 | |
She was so happy. | 0:26:41 | 0:26:42 | |
But that changed, right? | 0:26:43 | 0:26:44 | |
Was it something to do with James? | 0:26:50 | 0:26:52 | |
James? No. | 0:26:52 | 0:26:54 | |
They were friends. | 0:26:54 | 0:26:55 | |
I thought they were together. | 0:26:56 | 0:26:58 | |
-I mean, they fucked a couple of times, nothing major. -Are you sure? | 0:26:58 | 0:27:01 | |
She was our friend, Holly. | 0:27:01 | 0:27:03 | |
I know, but she obviously wasn't telling you guys | 0:27:03 | 0:27:05 | |
absolutely everything. | 0:27:05 | 0:27:06 | |
-I'm going to go to bed. -Yeah, I think we all should. | 0:27:06 | 0:27:09 | |
-I'm sorry, I... -Shh! | 0:27:09 | 0:27:10 | |
KEYS JANGLING DOOR CLOSING | 0:27:10 | 0:27:13 | |
Something's happening to you. | 0:27:27 | 0:27:28 | |
(Let go.) | 0:27:32 | 0:27:34 | |
I'm going to find out. | 0:27:35 | 0:27:36 | |
-'Fay. What are you doing here? -I don't know.' | 0:28:12 | 0:28:15 | |
-I told you to wait for me. What did he say? -It doesn't matter any more. | 0:28:15 | 0:28:19 | |
-Sorry, I was just... -Who the fuck are you? | 0:28:19 | 0:28:21 | |
It's OK, she's just a random. | 0:28:21 | 0:28:23 | |
So, you can go back down. | 0:28:23 | 0:28:25 | |
NOTIFICATION PLAYS | 0:28:31 | 0:28:33 | |
LAPTOP BEEPS | 0:28:36 | 0:28:38 | |
NOTIFICATION PLAYS | 0:28:54 | 0:28:56 | |
LAPTOP BEEPS | 0:28:59 | 0:29:01 | |
'The Solasta internship is an assured first step in your careers, | 0:29:15 | 0:29:19 | |
'and we make no bones about throwing candidates in at the deep end. | 0:29:19 | 0:29:23 | |
'We want Solasta interns to excel in this business, | 0:29:23 | 0:29:26 | |
'show their talents, and express themselves.' | 0:29:26 | 0:29:28 | |
-Hey. -Hey. | 0:29:54 | 0:29:56 | |
-Who are these guys? -Just a case study. | 0:29:56 | 0:29:59 | |
I always knew you were keen. | 0:30:01 | 0:30:03 | |
Do interns do Know Your Customer checks? | 0:30:04 | 0:30:07 | |
Sometimes. With supervision. | 0:30:07 | 0:30:10 | |
And those are to check that your client's kosher, right? | 0:30:10 | 0:30:13 | |
To check they're not dodgy or funding terrorists or whatever? | 0:30:13 | 0:30:16 | |
-Uh-huh. -So, technically... you could fake that report? | 0:30:16 | 0:30:21 | |
If a client was dodgy but you wanted them to be your client anyway? | 0:30:21 | 0:30:25 | |
I mean, it's technically possible... | 0:30:25 | 0:30:27 | |
And that client, the dodgy one, | 0:30:27 | 0:30:30 | |
they'd pay you, right? For covering for them. | 0:30:30 | 0:30:32 | |
-Who are we talking about here? -No-one. Hypothetical. | 0:30:32 | 0:30:35 | |
-I've heard of it. -It's easy money, right? | 0:30:37 | 0:30:40 | |
For the company. | 0:30:40 | 0:30:42 | |
Before you've even signed your client, | 0:30:42 | 0:30:43 | |
-you've collected a little bonus. -Maybe. But that would be fraud. | 0:30:43 | 0:30:47 | |
I don't know anyone who'd take that risk. | 0:30:48 | 0:30:50 | |
Who'd be willing to put themselves on the line like that. | 0:30:50 | 0:30:54 | |
Even if it came from above? | 0:30:54 | 0:30:55 | |
You've got a weird imagination, McStay. | 0:31:01 | 0:31:04 | |
-Just curious. -Just be careful. | 0:31:05 | 0:31:07 | |
It's a weird thing to say out loud. | 0:31:08 | 0:31:10 | |
Sorry. | 0:31:10 | 0:31:12 | |
I'll see you at home. | 0:31:13 | 0:31:14 | |
Jude? | 0:31:29 | 0:31:31 | |
-Oh, you're not dead, then? -Sorry? | 0:31:31 | 0:31:33 | |
You skipped my tutorial. | 0:31:33 | 0:31:35 | |
The girls said there was some leeway if you were doing an internship too. | 0:31:35 | 0:31:38 | |
So, you were at Solasta? | 0:31:38 | 0:31:40 | |
No. | 0:31:40 | 0:31:41 | |
What's going on? | 0:31:41 | 0:31:43 | |
I found something out. | 0:31:44 | 0:31:45 | |
-Right. -About Solasta and about Fay. | 0:31:47 | 0:31:49 | |
OK. | 0:31:50 | 0:31:52 | |
I think Fay was being made to do something weird with accounts. | 0:31:52 | 0:31:55 | |
Something that jeopardised her personally. | 0:31:55 | 0:31:57 | |
Fay had a lot more going on than just that job. | 0:31:57 | 0:32:00 | |
Bigger things than being made liable for fraud? | 0:32:00 | 0:32:03 | |
You've just started working. | 0:32:03 | 0:32:05 | |
It's finance, there might be a few tricks here and there. | 0:32:05 | 0:32:08 | |
-That's not what I mean. -Then, what do you mean? | 0:32:08 | 0:32:11 | |
-Get in the car. -Why? -Just get in! | 0:32:13 | 0:32:16 | |
Jude? | 0:32:28 | 0:32:30 | |
-Oh, hello. -Holly has something she'd like to talk to you about. | 0:32:33 | 0:32:37 | |
What? | 0:32:37 | 0:32:38 | |
Sit down. | 0:32:42 | 0:32:43 | |
Holly is convinced that someone made Fay commit fraud. | 0:32:48 | 0:32:54 | |
I'm sorry? You think she was doing what? | 0:32:54 | 0:32:56 | |
I think she was collecting money for doing it. | 0:32:56 | 0:32:58 | |
From clients who had something to conceal. | 0:32:59 | 0:33:02 | |
And I think she was doing it for you. | 0:33:02 | 0:33:04 | |
-Alistair? -What do you mean? | 0:33:07 | 0:33:09 | |
I'm new to this world, Mr McDermid. | 0:33:09 | 0:33:12 | |
But I watched someone who was so determined to die | 0:33:12 | 0:33:14 | |
that she tried to kill herself twice in one night. | 0:33:14 | 0:33:17 | |
Now, we can all bang on, like the press, | 0:33:17 | 0:33:19 | |
about how Fay was overworked and stressed, | 0:33:19 | 0:33:23 | |
but we both know Fay was scared. | 0:33:23 | 0:33:25 | |
The stakes were a lot higher than that. | 0:33:25 | 0:33:27 | |
Thank you, Holly. I think you may have said enough. | 0:33:27 | 0:33:30 | |
Did you know Fay? | 0:33:30 | 0:33:31 | |
Before, I mean. | 0:33:33 | 0:33:34 | |
No. | 0:33:36 | 0:33:37 | |
The things that have been said about her, they're not funeral platitudes. | 0:33:39 | 0:33:43 | |
She really was extraordinary. | 0:33:43 | 0:33:45 | |
You're right...about the accounts. | 0:33:51 | 0:33:53 | |
She was forging all new customer reports in return for money. | 0:33:54 | 0:33:57 | |
-What? -But you're wrong about the origin. | 0:33:57 | 0:33:59 | |
She was committing fraud on your watch. | 0:33:59 | 0:34:01 | |
Making thousands. | 0:34:01 | 0:34:03 | |
Yes, but for herself, Holly. | 0:34:03 | 0:34:05 | |
Not for me. She'd signed the reports off in my name. | 0:34:06 | 0:34:09 | |
-When did you find out? -Just after she died. | 0:34:13 | 0:34:16 | |
-I told the police. -Why didn't you tell me? | 0:34:16 | 0:34:19 | |
She made a crazy choice, Jude. | 0:34:19 | 0:34:21 | |
But we both know Fay was a talented girl. | 0:34:21 | 0:34:23 | |
Maybe I gave her too much authority. | 0:34:24 | 0:34:27 | |
-And James Buxton? -He was doing it with her. | 0:34:27 | 0:34:30 | |
He may have even been the one to start it. | 0:34:30 | 0:34:32 | |
-I think that's why he's gone off-grid. -Jesus Christ. | 0:34:32 | 0:34:34 | |
I don't want this coming out. | 0:34:36 | 0:34:37 | |
I don't want people who don't get it, to feel confused about who she was. | 0:34:39 | 0:34:42 | |
Understand? | 0:34:42 | 0:34:44 | |
I'm sorry, I didn't realise. | 0:34:44 | 0:34:46 | |
No, it's all right. You're doing exactly what we ask you girls to do. | 0:34:46 | 0:34:49 | |
Think for yourself, look into things. | 0:34:49 | 0:34:52 | |
I was just worried about Georgia. | 0:34:54 | 0:34:56 | |
You don't need to be worried about Georgia, you know. | 0:34:56 | 0:34:59 | |
She's doing incredibly well. | 0:34:59 | 0:35:01 | |
Be pleased for her, OK? | 0:35:02 | 0:35:04 | |
Holly, I think maybe Jude and I need some time to talk. | 0:35:10 | 0:35:13 | |
-Yeah, of course. -I appreciate it, Holly. Your discretion. | 0:35:13 | 0:35:16 | |
Start talking. | 0:35:25 | 0:35:26 | |
-What are you doing here? -I could ask you the same question. | 0:35:43 | 0:35:46 | |
Trying to catch up, been a bit distracted the past few days. | 0:35:47 | 0:35:51 | |
You're worried about James? | 0:35:51 | 0:35:53 | |
Maybe he'll feel better with a bit of time off. | 0:35:53 | 0:35:56 | |
I just wish he'd pick up his phone. | 0:35:56 | 0:35:58 | |
Trust me, I know the feeling. | 0:35:58 | 0:36:00 | |
Ah! Fuck this. | 0:36:01 | 0:36:04 | |
It's Friday. | 0:36:04 | 0:36:05 | |
Are you here to get ahead of the curve or something? | 0:36:06 | 0:36:09 | |
Just needed to sort something out. | 0:36:09 | 0:36:11 | |
-It's done now. -What something? | 0:36:11 | 0:36:13 | |
Doesn't matter. Sorted. | 0:36:14 | 0:36:16 | |
-Vague, much? -I had a question, it was answered, that's it. | 0:36:17 | 0:36:20 | |
Mystery woman. That's fine. | 0:36:21 | 0:36:24 | |
It's kind of hot, actually. | 0:36:26 | 0:36:28 | |
Oh, I'm sorry! | 0:36:51 | 0:36:52 | |
It's OK. | 0:36:54 | 0:36:55 | |
-Is Georgia in? -She's in her room, I think. | 0:36:55 | 0:36:58 | |
I just need to... | 0:36:59 | 0:37:01 | |
I'll be right back. Have a drink with Rachel? | 0:37:01 | 0:37:03 | |
Sure. | 0:37:03 | 0:37:04 | |
You're seriously going to make him wait in the kitchen? | 0:37:10 | 0:37:12 | |
-Not for long. -Good. | 0:37:12 | 0:37:14 | |
I never knew someone who needs to get laid more than you. | 0:37:14 | 0:37:16 | |
I like it when you're happy. | 0:37:19 | 0:37:21 | |
I'm kind of busy. | 0:37:29 | 0:37:31 | |
-I can see that. -My flight leaves at nine. | 0:37:31 | 0:37:33 | |
I just wanted to come and tell you that I'm going to leave you alone. | 0:37:35 | 0:37:37 | |
Right. | 0:37:40 | 0:37:41 | |
And... | 0:37:43 | 0:37:44 | |
..I'm sorry for chasing you about. | 0:37:45 | 0:37:47 | |
I'm happy for you. | 0:37:47 | 0:37:48 | |
You're happy for me? | 0:37:50 | 0:37:52 | |
Trying to be. | 0:37:54 | 0:37:55 | |
I'm going to concentrate on myself, like you said, OK? | 0:38:00 | 0:38:03 | |
Good. | 0:38:03 | 0:38:05 | |
-That's good. -I guess we're just not that close any more. | 0:38:06 | 0:38:09 | |
Maybe that's OK. Maybe we need it. | 0:38:12 | 0:38:14 | |
Yeah, maybe. | 0:38:16 | 0:38:18 | |
I just... | 0:38:25 | 0:38:26 | |
I'm still me. | 0:38:29 | 0:38:31 | |
OK? | 0:38:32 | 0:38:33 | |
I'm still here. | 0:38:37 | 0:38:38 | |
RADIO CHATTER | 0:40:36 | 0:40:38 | |
SIRENS WAIL | 0:40:38 | 0:40:40 | |
'One male, mid-to-late 20s. ID reads as a Mr James Buxton.' | 0:41:00 | 0:41:04 |