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How long have you and Georgia known each other? | 0:00:03 | 0:00:05 | |
Forever. | 0:00:05 | 0:00:07 | |
Professor McDermid. | 0:00:07 | 0:00:08 | |
She is the reason why people take this module. | 0:00:08 | 0:00:10 | |
The Solasta Women's Initiative was set up by myself | 0:00:10 | 0:00:14 | |
and my brother Alistair McDermid. | 0:00:14 | 0:00:16 | |
What, are you guys minted off these internships or what? | 0:00:16 | 0:00:19 | |
THEY LAUGH | 0:00:19 | 0:00:20 | |
What sort of work do you do there? | 0:00:20 | 0:00:22 | |
Coffees and photocopying. | 0:00:22 | 0:00:24 | |
CHEERING | 0:00:24 | 0:00:25 | |
We're not all like that. I swear. | 0:00:25 | 0:00:28 | |
This programme contains very strong language | 0:00:28 | 0:00:31 | |
-You don't even know them. -You're being a jealous bitch. | 0:00:31 | 0:00:34 | |
Where's Georgia? | 0:00:34 | 0:00:37 | |
It's not her. | 0:00:37 | 0:00:38 | |
You don't get it. | 0:00:38 | 0:00:39 | |
What? | 0:00:39 | 0:00:40 | |
CRASH THEY SCREAM | 0:00:40 | 0:00:42 | |
But you will. | 0:00:43 | 0:00:45 | |
# You, you have me hooked again | 0:00:45 | 0:00:48 | |
# And now I have no choice | 0:00:48 | 0:00:52 | |
# But to follow | 0:00:52 | 0:00:54 | |
# I'm sinking faster | 0:00:54 | 0:00:56 | |
# I'm sinking faster, yeah | 0:00:56 | 0:00:59 | |
# I'm sinking faster into the deep. # | 0:00:59 | 0:01:06 | |
This programme contains some scenes which some viewers may find upsetting | 0:01:06 | 0:01:15 | |
This programme contains some scenes of a sexual nature | 0:01:15 | 0:01:24 | |
INDISTINCT CONVERSATION | 0:01:24 | 0:01:26 | |
RINGING | 0:01:52 | 0:01:54 | |
'Hey, it's Georgia. Leave a message. Bye.' | 0:01:54 | 0:01:57 | |
RINGING | 0:01:59 | 0:02:00 | |
'Hey, it's Georgia. Leave a message. Bye.' | 0:02:00 | 0:02:03 | |
-Hi. -Hi. | 0:02:32 | 0:02:34 | |
-Sorry for hassling you. I know things are... -What is it? | 0:02:35 | 0:02:39 | |
Georgia's been gone for two days. | 0:02:41 | 0:02:43 | |
I'm really worried about her. Have you spoken to her at all? | 0:02:43 | 0:02:46 | |
Not today. She not speaking to you? | 0:02:46 | 0:02:48 | |
I'm worried, that's all. | 0:02:48 | 0:02:50 | |
-Is she inside? -I don't know. | 0:02:51 | 0:02:52 | |
-You don't know? -I think I'm done with this now, Holly. | 0:02:52 | 0:02:54 | |
I'm sorry. Can I just come in for a minute and speak to the other girls? | 0:02:54 | 0:02:59 | |
Hey, Holly. | 0:02:59 | 0:03:00 | |
Louise. Just stay. | 0:03:03 | 0:03:04 | |
Can you let me in? | 0:03:04 | 0:03:06 | |
-I've got a tutorial. -Louise. | 0:03:06 | 0:03:08 | |
-This is a really bad time for us. -I know. | 0:03:10 | 0:03:13 | |
I just need to know where Georgia is. | 0:03:13 | 0:03:16 | |
I'm sorry. | 0:03:16 | 0:03:17 | |
Holly, wait. | 0:03:23 | 0:03:24 | |
-She's not inside. -OK. | 0:03:27 | 0:03:30 | |
But she was. She just left. | 0:03:30 | 0:03:32 | |
And no-one thought to just let me know? | 0:03:32 | 0:03:34 | |
I figured she'd call you. | 0:03:34 | 0:03:36 | |
You're really not our priority right now. | 0:03:36 | 0:03:38 | |
I just want to know if Georgia's OK. | 0:03:38 | 0:03:40 | |
She's fine. | 0:03:40 | 0:03:41 | |
-We'll be fine. -Rachel... | 0:03:44 | 0:03:45 | |
..tell me what happened. | 0:03:48 | 0:03:50 | |
What happened to Fay? | 0:03:50 | 0:03:51 | |
Leave us alone, Holly. | 0:03:53 | 0:03:55 | |
LOUD MUFFLED MUSIC | 0:04:03 | 0:04:05 | |
MOANING | 0:04:11 | 0:04:12 | |
George? | 0:04:13 | 0:04:15 | |
What the fuck are you doing in here? | 0:04:19 | 0:04:21 | |
-Georgia wouldn't mind. -Get the fuck out! | 0:04:23 | 0:04:25 | |
-Sorry. -Get out! | 0:04:26 | 0:04:30 | |
Sorry! | 0:04:30 | 0:04:31 | |
SHE SOBS | 0:04:32 | 0:04:33 | |
Elizabeth, I know you're out there. | 0:04:44 | 0:04:46 | |
I wrote down their full descriptions... | 0:04:50 | 0:04:53 | |
and I can report them to student support. | 0:04:53 | 0:04:55 | |
Where is she, Elizabeth? | 0:04:56 | 0:04:58 | |
Why won't she tell me what's going on? | 0:04:59 | 0:05:02 | |
Sometimes... | 0:05:04 | 0:05:06 | |
..you think people are your friend | 0:05:07 | 0:05:10 | |
-and it turns out they're not. -That's not it. | 0:05:10 | 0:05:12 | |
Have you called her mum? | 0:05:13 | 0:05:15 | |
She's not worried. | 0:05:15 | 0:05:17 | |
She's done this before? | 0:05:18 | 0:05:20 | |
Never without me. | 0:05:22 | 0:05:24 | |
DISTANT CHILDREN'S VOICES | 0:05:24 | 0:05:26 | |
THEY LAUGH | 0:05:28 | 0:05:30 | |
Something's up. | 0:06:30 | 0:06:32 | |
Stop it. | 0:07:07 | 0:07:08 | |
So, you were there when she jumped? | 0:07:15 | 0:07:17 | |
Fuck me, Holly. | 0:07:19 | 0:07:20 | |
Can you imagine being that determined that you'd do that? | 0:07:23 | 0:07:28 | |
Terrifying. | 0:07:29 | 0:07:30 | |
That and Georgia ghosting me, it just... | 0:07:32 | 0:07:34 | |
So, she's there now with that crowd? | 0:07:37 | 0:07:40 | |
-Apparently. -You haven't seen her or spoken to her? | 0:07:40 | 0:07:43 | |
No, I told you. | 0:07:43 | 0:07:45 | |
Sorry, I was just trying to... | 0:07:45 | 0:07:47 | |
You need to think about something else. | 0:07:55 | 0:07:58 | |
That or drink more. One of those. | 0:07:58 | 0:08:00 | |
Thanks. | 0:08:09 | 0:08:10 | |
George? | 0:08:39 | 0:08:40 | |
I'll wait. | 0:08:44 | 0:08:45 | |
I was going to call you. | 0:08:46 | 0:08:49 | |
Are you OK? | 0:08:49 | 0:08:50 | |
Yeah. I'm fine, babe. | 0:08:50 | 0:08:52 | |
Where have you been? | 0:08:52 | 0:08:54 | |
Around. | 0:08:54 | 0:08:56 | |
With those girls? | 0:08:56 | 0:08:58 | |
Yeah. | 0:08:58 | 0:08:59 | |
What's going on? | 0:09:01 | 0:09:02 | |
They've offered me a room in the house... | 0:09:04 | 0:09:07 | |
so I'm taking it. | 0:09:07 | 0:09:08 | |
-Look, this isn't... -Fay just killed herself. | 0:09:10 | 0:09:13 | |
You didn't even know her, Holly. | 0:09:13 | 0:09:15 | |
Neither did you. | 0:09:15 | 0:09:16 | |
I get that you're upset, OK? | 0:09:17 | 0:09:19 | |
What happened the night you called me? | 0:09:19 | 0:09:22 | |
-You were scared, something was wrong. -I was pissed. | 0:09:22 | 0:09:24 | |
-I know you. -And? | 0:09:25 | 0:09:27 | |
You're lying. | 0:09:27 | 0:09:28 | |
Something happened to you and I want to know why you called me. | 0:09:28 | 0:09:31 | |
I fucked up. OK? | 0:09:31 | 0:09:33 | |
We went out and I got off my head again. | 0:09:34 | 0:09:36 | |
-That's all. -Come in and tell me. | 0:09:36 | 0:09:39 | |
I don't want to. | 0:09:39 | 0:09:41 | |
Do you understand me? | 0:09:41 | 0:09:42 | |
I'll call you. | 0:09:49 | 0:09:50 | |
Don't shut me out. | 0:09:52 | 0:09:54 | |
I'm not. | 0:09:54 | 0:09:55 | |
DISTANT CHILDREN'S LAUGHTER | 0:10:10 | 0:10:12 | |
Who did these? | 0:10:19 | 0:10:21 | |
They were my friends. | 0:10:21 | 0:10:24 | |
But you fell out? | 0:10:24 | 0:10:26 | |
Because of what you did? | 0:10:26 | 0:10:28 | |
Would you like a hot Vimto? | 0:10:35 | 0:10:37 | |
This is the time they select, I suppose. | 0:10:39 | 0:10:42 | |
Not usually quite this early | 0:10:42 | 0:10:43 | |
but it wouldn't be completely out of the question. | 0:10:43 | 0:10:46 | |
What are you talking about? | 0:10:46 | 0:10:47 | |
The Solasta Women's Initiative. | 0:10:47 | 0:10:50 | |
They take in a new girl around this time and then | 0:10:50 | 0:10:53 | |
sometimes another couple later in the term. | 0:10:53 | 0:10:56 | |
Fay Brookstone was a no-brainer, obviously, | 0:10:57 | 0:10:59 | |
but Phoebe Parker-Fox didn't get taken until her second term. | 0:10:59 | 0:11:02 | |
How long have you been looking into all this stuff? | 0:11:02 | 0:11:05 | |
The Solasta Initiative, I mean. | 0:11:05 | 0:11:07 | |
I...heard about it during Highers. | 0:11:08 | 0:11:11 | |
Do you know about the girls? | 0:11:12 | 0:11:14 | |
Well, it's good to have an idea of what they're looking for. | 0:11:14 | 0:11:18 | |
Tell me. | 0:11:19 | 0:11:20 | |
Louise Taggart, 21. | 0:11:22 | 0:11:24 | |
She's from London, she got her maths A-level at 14, | 0:11:24 | 0:11:28 | |
got selected in her first term, obviously. | 0:11:28 | 0:11:30 | |
She works with the investment professionals in analysis, | 0:11:31 | 0:11:35 | |
with the high net worth individuals. | 0:11:35 | 0:11:38 | |
I like to call them Hinwis. | 0:11:38 | 0:11:40 | |
Why? | 0:11:40 | 0:11:41 | |
I find acronyms funny. | 0:11:41 | 0:11:43 | |
She's in her second year, | 0:11:46 | 0:11:48 | |
so I reckon she's going for a permanent Solasta position. | 0:11:48 | 0:11:51 | |
She writes software for fun. | 0:11:51 | 0:11:53 | |
Rachel Maddox, 20. | 0:11:55 | 0:11:56 | |
CAMERAS CLICK AND REPORTERS SHOUT | 0:11:57 | 0:11:59 | |
Moved around a lot, but she could be Scottish in a posh way. | 0:11:59 | 0:12:03 | |
She got selected last year, worked her way around the department | 0:12:04 | 0:12:07 | |
and then got chosen | 0:12:07 | 0:12:08 | |
as Alistair McDermid's executive assistant. | 0:12:08 | 0:12:11 | |
People say she's the one that got Mr McDermid back to work | 0:12:11 | 0:12:14 | |
after his wife died a year ago. | 0:12:14 | 0:12:16 | |
Phoebe Parker-Fox, 21. | 0:12:17 | 0:12:19 | |
Her dad's an earl of somewhere or another | 0:12:19 | 0:12:22 | |
and supposedly she interned in HR. | 0:12:22 | 0:12:25 | |
Getting selected means she's cleverer than she makes out | 0:12:25 | 0:12:28 | |
but I'm not sure how much HR-ing she actually does. | 0:12:28 | 0:12:31 | |
And Fay? | 0:12:33 | 0:12:34 | |
Fay Brookstone, 21. | 0:12:39 | 0:12:41 | |
Got the Solasta Internship in her first year and rose quickly. | 0:12:42 | 0:12:46 | |
They covered it in the paper. | 0:12:46 | 0:12:50 | |
Could you tell she was unhappy? | 0:12:50 | 0:12:51 | |
No, not at all. | 0:12:51 | 0:12:53 | |
She had a permanent position waiting when she graduated. | 0:12:54 | 0:12:57 | |
She was always smiling... | 0:13:00 | 0:13:01 | |
..in newspaper articles. | 0:13:03 | 0:13:05 | |
I put them on my wall. | 0:13:07 | 0:13:10 | |
I wanted to be like her. | 0:13:12 | 0:13:14 | |
INDISTINCT MUTED CONVERSATION | 0:13:32 | 0:13:34 | |
We're here to remember Fay | 0:14:17 | 0:14:18 | |
and give people an opportunity to share their memories of her. | 0:14:18 | 0:14:22 | |
I'd like to take a moment to thank Fay's work family at Solasta | 0:14:23 | 0:14:27 | |
who facilitated this event. | 0:14:27 | 0:14:28 | |
If anyone has anything they'd like to say, | 0:14:30 | 0:14:32 | |
please feel free to come forward. | 0:14:32 | 0:14:33 | |
Fay didn't like this sort of thing. | 0:14:43 | 0:14:45 | |
She'd have laughed about all of this. | 0:14:46 | 0:14:48 | |
She was one of the most impressive women I've ever met. | 0:14:52 | 0:14:54 | |
Basically taught me how to survive work and uni. | 0:14:55 | 0:14:58 | |
People are going to say stupid things about Fay | 0:15:00 | 0:15:02 | |
but if you knew her, you knew Fay was strong... | 0:15:02 | 0:15:06 | |
brave and clever. | 0:15:06 | 0:15:07 | |
-'What are you doing here? -I don't know.' | 0:15:11 | 0:15:13 | |
What did he say? | 0:15:13 | 0:15:15 | |
It doesn't matter any more. | 0:15:15 | 0:15:16 | |
Wait. | 0:15:26 | 0:15:27 | |
Are you one of them? | 0:15:29 | 0:15:30 | |
You look like one of them. | 0:15:31 | 0:15:32 | |
-What's your name? -Holly. | 0:15:34 | 0:15:36 | |
Holly, go and sit down. James, come outside. | 0:15:37 | 0:15:40 | |
-Fuck off! -Calm down, all right? | 0:15:40 | 0:15:42 | |
OK, you're just like all the others. What are you doing? | 0:15:43 | 0:15:46 | |
Go. | 0:15:46 | 0:15:48 | |
-Just calm down. -Get off me. Seriously. | 0:15:48 | 0:15:51 | |
'Fuck, you're green.' | 0:15:57 | 0:15:58 | |
I'm glad you came. | 0:16:07 | 0:16:09 | |
I wanted to pay my respects. | 0:16:09 | 0:16:11 | |
I was meaning to check in with you... | 0:16:11 | 0:16:13 | |
..about what happened. | 0:16:14 | 0:16:16 | |
I wish people would just say it. | 0:16:18 | 0:16:20 | |
We were both there. | 0:16:21 | 0:16:23 | |
She killed herself. | 0:16:23 | 0:16:24 | |
Fay killed herself because she was desperately unhappy | 0:16:25 | 0:16:29 | |
and we missed it. | 0:16:29 | 0:16:30 | |
I missed it. | 0:16:32 | 0:16:33 | |
-Georgia's a great girl. -I know that. | 0:16:37 | 0:16:40 | |
It's natural that you'd feel a little... | 0:16:41 | 0:16:44 | |
thrown by all this, a little jealous, maybe. | 0:16:44 | 0:16:48 | |
-I'm worried about her. -I get that, I really do. | 0:16:48 | 0:16:50 | |
I just think that you should let it go. | 0:16:50 | 0:16:53 | |
Try and engage with what you're feeling, with what YOU want. | 0:16:53 | 0:16:57 | |
I'm just trying to help. | 0:17:00 | 0:17:01 | |
I don't need your help, Professor McDermid... | 0:17:01 | 0:17:03 | |
..unless you want to write my essay for me. | 0:17:04 | 0:17:07 | |
It was Georgia's idea... | 0:17:13 | 0:17:16 | |
for us to come to the same uni. | 0:17:16 | 0:17:18 | |
And that's been tricky? | 0:17:18 | 0:17:20 | |
Not in the beginning. | 0:17:20 | 0:17:22 | |
What changed? | 0:17:22 | 0:17:23 | |
We met you. | 0:17:26 | 0:17:28 | |
SCREAMING AND LAUGHTER | 0:17:33 | 0:17:35 | |
You don't get it. | 0:17:59 | 0:18:01 | |
But you will. | 0:18:03 | 0:18:04 | |
You're perfect. | 0:18:07 | 0:18:09 | |
"I'm an intern. | 0:18:41 | 0:18:42 | |
"Coffees and photocopying." | 0:18:43 | 0:18:45 | |
What do you want, Holly? | 0:18:53 | 0:18:55 | |
KNOCKING ON DOOR | 0:18:55 | 0:18:56 | |
HARDER KNOCKING | 0:18:57 | 0:18:58 | |
Hey. | 0:19:06 | 0:19:07 | |
Hi. | 0:19:07 | 0:19:09 | |
You texted me? | 0:19:09 | 0:19:11 | |
-Wishing you didn't? -No, no, just embarrassed. Er... | 0:19:13 | 0:19:17 | |
-What's the occasion? -Huh? | 0:19:21 | 0:19:23 | |
You going out, or are you asking me over to fuck you? | 0:19:23 | 0:19:26 | |
I don't know. | 0:19:26 | 0:19:28 | |
My head's all over the place. | 0:19:29 | 0:19:31 | |
We're students, we're supposed to feel like that. | 0:19:31 | 0:19:34 | |
I feel a bit mental. | 0:19:34 | 0:19:35 | |
You're OK. | 0:19:37 | 0:19:38 | |
You're fine. | 0:19:38 | 0:19:40 | |
-You not feeling this? -No, no, go for it. | 0:19:48 | 0:19:51 | |
-Go for it? -I just mean... | 0:19:51 | 0:19:54 | |
I usually fuck people who aren't bored by the prospect. | 0:19:54 | 0:19:57 | |
Shit, I didn't mean it like that. | 0:19:57 | 0:19:58 | |
It's fine. It's fine. | 0:19:58 | 0:20:00 | |
KNOCKING ON DOOR | 0:20:00 | 0:20:01 | |
Another one. Do you not hear the buzzer | 0:20:06 | 0:20:08 | |
or do you just ignore it when you do? | 0:20:08 | 0:20:11 | |
She wasn't expecting me. | 0:20:11 | 0:20:13 | |
Sorry. Bit stupid I didn't text you, I know, | 0:20:20 | 0:20:22 | |
but I didn't have your number. | 0:20:22 | 0:20:23 | |
No, that's fine. That's totally fine. | 0:20:23 | 0:20:26 | |
I felt bad about earlier. | 0:20:26 | 0:20:29 | |
Must have all seemed a bit dramatic and... | 0:20:29 | 0:20:32 | |
-Hey, man. -Hey. | 0:20:33 | 0:20:34 | |
I just wanted to check in on you, | 0:20:38 | 0:20:40 | |
maybe see if you were free tonight. | 0:20:40 | 0:20:42 | |
Obviously I'm interrupting so I'm just going to fuck off. | 0:20:44 | 0:20:47 | |
Sorry. I... | 0:20:47 | 0:20:48 | |
Another time, yeah? | 0:20:49 | 0:20:51 | |
Who was that? | 0:20:57 | 0:20:59 | |
Rory. | 0:20:59 | 0:21:00 | |
-Cool. How'd you know him? -I don't. | 0:21:00 | 0:21:02 | |
So he just swung by? | 0:21:04 | 0:21:05 | |
Sweet. I'm going to head. | 0:21:07 | 0:21:09 | |
-Don't... -It's fine. It's just...weird now, you know? | 0:21:09 | 0:21:13 | |
-I didn't ask... -It's fine. It just... | 0:21:13 | 0:21:16 | |
shouldn't be this hard. It's cool. | 0:21:16 | 0:21:20 | |
DOOR OPENS | 0:21:38 | 0:21:39 | |
-He left? -Yeah. | 0:21:49 | 0:21:50 | |
-Awkward. -So bad. | 0:21:52 | 0:21:54 | |
Sorry, I didn't mean to cause any trouble. | 0:21:54 | 0:21:56 | |
No, no, it's fine. It's not like we're...you know. | 0:21:56 | 0:21:59 | |
-You're dressed up. -Yeah, I... | 0:22:03 | 0:22:06 | |
Come out with me. | 0:22:08 | 0:22:09 | |
Sorry. We're late. | 0:22:17 | 0:22:19 | |
For what exactly? | 0:22:19 | 0:22:21 | |
Katie McDermid's fundraiser. | 0:22:21 | 0:22:23 | |
Alistair's wife? | 0:22:23 | 0:22:24 | |
It's Edinburgh... We just drink from the free bar. | 0:22:24 | 0:22:28 | |
-Don't you like free booze? -I just can't keep up with you lot. | 0:22:29 | 0:22:34 | |
Today was... | 0:22:34 | 0:22:35 | |
I know. | 0:22:35 | 0:22:37 | |
Alistair thought about it. | 0:22:38 | 0:22:40 | |
It's been planned for months. | 0:22:40 | 0:22:42 | |
Too late to call it off. | 0:22:42 | 0:22:43 | |
Was everything OK? | 0:22:53 | 0:22:54 | |
With the guy in the church, I mean. | 0:22:55 | 0:22:57 | |
James? | 0:22:58 | 0:23:00 | |
Yeah, he's OK. | 0:23:00 | 0:23:02 | |
I...I saw him with Fay. | 0:23:02 | 0:23:05 | |
-At Charlie's party. -They were on the same team. | 0:23:05 | 0:23:08 | |
-Were they...? -Just needs a bit of time off work. | 0:23:08 | 0:23:12 | |
He'll be all right. | 0:23:12 | 0:23:13 | |
Wait, I... | 0:23:15 | 0:23:16 | |
Hi. | 0:23:21 | 0:23:22 | |
Hello. | 0:23:24 | 0:23:25 | |
You coming? | 0:23:28 | 0:23:29 | |
Firstly, thank you so much for coming. | 0:23:49 | 0:23:51 | |
I mean, let's not sugar-coat it - | 0:23:53 | 0:23:54 | |
I've got you here to shamelessly ask for your money. | 0:23:54 | 0:23:57 | |
LAUGHTER | 0:23:57 | 0:23:59 | |
I'm slightly less embarrassed | 0:23:59 | 0:24:00 | |
when I look around and recognise so many close friends of Katie's. | 0:24:00 | 0:24:04 | |
Most of you watched her pour her heart and soul | 0:24:05 | 0:24:08 | |
into the fight against breast cancer | 0:24:08 | 0:24:09 | |
and the charities that support women tackling this horrific disease... | 0:24:09 | 0:24:16 | |
every day. | 0:24:16 | 0:24:17 | |
We're here because it's just over a year | 0:24:19 | 0:24:23 | |
since my beautiful girl left us... | 0:24:23 | 0:24:24 | |
..and because she'd strike me down if I didn't carry on the work | 0:24:26 | 0:24:29 | |
that she so courageously undertook. | 0:24:29 | 0:24:32 | |
Even when she was ill... | 0:24:36 | 0:24:38 | |
..even when the days were very dark... | 0:24:41 | 0:24:43 | |
HE CLEARS THROAT | 0:24:51 | 0:24:53 | |
So... | 0:24:53 | 0:24:54 | |
..I hope you'll all dig deep tonight... | 0:24:56 | 0:24:58 | |
..for her | 0:24:59 | 0:25:01 | |
and everything she fought for. | 0:25:01 | 0:25:03 | |
Have a great night, everyone. Thank you. | 0:25:04 | 0:25:06 | |
(That was beautiful.) | 0:25:09 | 0:25:11 | |
-Are you OK? -I don't know what to do with myself. | 0:25:26 | 0:25:29 | |
It's a party. Drink, talk, repeat - right? | 0:25:30 | 0:25:33 | |
Must be nice to be a guy. | 0:25:33 | 0:25:35 | |
Relax. We can just hang out together. | 0:25:35 | 0:25:38 | |
OK. | 0:25:39 | 0:25:41 | |
Just pretend you're not surrounded by rich people, | 0:25:43 | 0:25:47 | |
and every single one of my colleagues. | 0:25:47 | 0:25:50 | |
Will do. | 0:25:50 | 0:25:51 | |
Hi! | 0:25:55 | 0:25:57 | |
-So you know the new girl, right? -Just a bit. | 0:26:01 | 0:26:04 | |
-Big night for them. -What do you mean? | 0:26:07 | 0:26:10 | |
-Chance to show the whole world they're spectacular. -What world? | 0:26:10 | 0:26:14 | |
Alistair's. | 0:26:14 | 0:26:17 | |
Do you want me to introduce you to the big boss? | 0:26:17 | 0:26:19 | |
In a minute. | 0:26:19 | 0:26:21 | |
Talk to me a second. | 0:26:24 | 0:26:26 | |
Oh, great, we're going straight in, I see. | 0:26:26 | 0:26:29 | |
Have I done something? | 0:26:29 | 0:26:31 | |
Will you just stop with all that shite? | 0:26:31 | 0:26:34 | |
Are you incapable of having a good time now? | 0:26:34 | 0:26:36 | |
Something really big is happening to you, we should talk about it. | 0:26:36 | 0:26:39 | |
Should we really, though? | 0:26:39 | 0:26:41 | |
Can we not just get on with our own shit? | 0:26:41 | 0:26:44 | |
It's not a big deal, OK? | 0:26:44 | 0:26:46 | |
It's weird. | 0:26:46 | 0:26:48 | |
They're weird. | 0:26:48 | 0:26:50 | |
You're being paranoid, you know that, right? | 0:26:50 | 0:26:53 | |
I really don't think I am. | 0:26:53 | 0:26:55 | |
You're scared of people. | 0:26:55 | 0:26:57 | |
It's like you're 11 again, | 0:26:57 | 0:26:59 | |
-convinced that everyone's going to turn out to be... -Don't. | 0:26:59 | 0:27:02 | |
You want to help me? | 0:27:08 | 0:27:10 | |
-With what? -Wingman me. | 0:27:10 | 0:27:12 | |
Talk me up. | 0:27:12 | 0:27:14 | |
For what? | 0:27:14 | 0:27:15 | |
They need to think I'm clever. | 0:27:16 | 0:27:18 | |
-You are clever. -Fuck off. | 0:27:22 | 0:27:25 | |
There's our target. | 0:27:28 | 0:27:29 | |
Louise is quick. | 0:27:31 | 0:27:33 | |
Tell me what you're doing. | 0:27:34 | 0:27:36 | |
Christ! Never mind. | 0:27:36 | 0:27:38 | |
There you are. | 0:27:43 | 0:27:45 | |
Who is that? | 0:27:45 | 0:27:47 | |
That is Lucas Steiner. | 0:27:47 | 0:27:50 | |
He is richer than Bono. And everyone wants his cash. | 0:27:50 | 0:27:54 | |
So Solasta manages his money? | 0:27:55 | 0:27:57 | |
Yeah. | 0:27:58 | 0:27:59 | |
-Feels like a game. -Welcome to the real world. | 0:28:00 | 0:28:04 | |
Their friend just killed herself. | 0:28:06 | 0:28:09 | |
A Solasta intern and we're here drinking champagne and networking. | 0:28:09 | 0:28:13 | |
Steiner was Fay's catch. | 0:28:17 | 0:28:19 | |
She was on his relationship team. | 0:28:19 | 0:28:22 | |
She wouldn't have wanted that to be messed up. | 0:28:22 | 0:28:24 | |
So, they're competing for her job? | 0:28:26 | 0:28:29 | |
Well, yeah, if you want to be really brutal about it. | 0:28:29 | 0:28:32 | |
Is James on the Steiner team? | 0:28:32 | 0:28:34 | |
Do you always ask so many questions? | 0:28:37 | 0:28:39 | |
You just said Fay and James were on the same team. | 0:28:39 | 0:28:41 | |
-So... -Steiner account, yeah. | 0:28:41 | 0:28:43 | |
Does he know what happened? | 0:28:45 | 0:28:47 | |
-Holly... -Is James coming tonight? | 0:28:48 | 0:28:50 | |
You're a lot, you know that? | 0:28:50 | 0:28:54 | |
Drink, talk, repeat - right? | 0:28:54 | 0:28:57 | |
You need to work on your date conversation topics. | 0:28:57 | 0:28:59 | |
-This isn't a date. -Sure? | 0:28:59 | 0:29:02 | |
Totally. | 0:29:02 | 0:29:03 | |
-SHE MOANS -Oh, James! | 0:29:32 | 0:29:35 | |
SHE LAUGHS | 0:29:35 | 0:29:37 | |
-Sorry. -Don't expect me to stop! | 0:29:37 | 0:29:39 | |
THEY LAUGH Sorry. | 0:29:39 | 0:29:42 | |
Hello. | 0:29:53 | 0:29:55 | |
Interesting transcript girl. | 0:29:55 | 0:29:57 | |
-Holly. -Holly. | 0:29:57 | 0:29:59 | |
-Just caught me trying to escape my own party. -I wouldn't go in there. | 0:29:59 | 0:30:02 | |
It's, em, occupied. | 0:30:02 | 0:30:04 | |
Oh, well. | 0:30:07 | 0:30:08 | |
I'd be scandalised but this party is for my wife | 0:30:09 | 0:30:12 | |
and she loved that kind of thing. | 0:30:12 | 0:30:14 | |
Would have made her laugh. | 0:30:14 | 0:30:16 | |
She sounds like a great woman. | 0:30:17 | 0:30:19 | |
Yeah, she was. | 0:30:19 | 0:30:20 | |
Although this all makes it a bit, um... | 0:30:21 | 0:30:24 | |
Kind of makes it harder, doesn't it? | 0:30:24 | 0:30:27 | |
When everyone remembers them as some kind of a saint. | 0:30:27 | 0:30:30 | |
Make them not real any more. | 0:30:32 | 0:30:33 | |
The person you knew. | 0:30:34 | 0:30:37 | |
Yeah. Yeah, that's exactly it. | 0:30:37 | 0:30:43 | |
Everything all right? | 0:30:43 | 0:30:44 | |
Fine, fine. Someone's fucking in there, apparently. | 0:30:44 | 0:30:48 | |
Excellent. | 0:30:48 | 0:30:50 | |
Let's grab another drink. | 0:30:50 | 0:30:53 | |
GIRL LAUGHS HYSTERICALLY | 0:31:07 | 0:31:09 | |
Stop it, Phoebs. Fucking hell. Let me sort this out. | 0:31:09 | 0:31:12 | |
-Hello, Holly. -Hi. | 0:31:22 | 0:31:24 | |
Everything all right? | 0:31:26 | 0:31:27 | |
I was looking for Georgia. | 0:31:27 | 0:31:29 | |
As per. | 0:31:29 | 0:31:31 | |
-George? -I'm pissing. | 0:31:31 | 0:31:34 | |
Don't suppose you've got one of those going spare? | 0:31:39 | 0:31:41 | |
Be my guest, darling. | 0:31:44 | 0:31:46 | |
There's always some dickhead after you when you've got coke. | 0:32:00 | 0:32:04 | |
Promise not to follow you around all night. | 0:32:04 | 0:32:07 | |
-CHUCKLING -It's not like she paid for it. | 0:32:07 | 0:32:09 | |
Oh, I paid for it. | 0:32:09 | 0:32:11 | |
-Slut. -I'm really sorry about Fay. | 0:32:11 | 0:32:14 | |
I just wanted you guys to know. | 0:32:15 | 0:32:17 | |
Thank you, Holly. | 0:32:17 | 0:32:18 | |
How are you all doing? | 0:32:19 | 0:32:21 | |
We're OK. | 0:32:23 | 0:32:25 | |
Now you have to, like, work. | 0:32:25 | 0:32:28 | |
It's kind of our business. | 0:32:28 | 0:32:29 | |
Well, at least the coke's nice. | 0:32:31 | 0:32:34 | |
-Have another. -Phoebe... | 0:32:34 | 0:32:35 | |
Hey, girl. | 0:32:43 | 0:32:44 | |
Hey, girl. | 0:32:46 | 0:32:47 | |
-Ready? -Yeah. | 0:32:52 | 0:32:56 | |
Charlie, get me a drink. | 0:33:16 | 0:33:18 | |
-Hey, Mr Steiner, let's see if you can dance. -No, no... | 0:33:18 | 0:33:20 | |
-Come on! -No, thank you. | 0:33:35 | 0:33:38 | |
-Just, come on. -No, no, it's fine. | 0:33:42 | 0:33:45 | |
You're making a tit of yourself. | 0:33:45 | 0:33:47 | |
-You're a lightweight. -Do you have any idea what you're competing for? | 0:33:47 | 0:33:53 | |
You're not like them, can't you see that? | 0:33:53 | 0:33:56 | |
-Too far, I'm guessing? -Guys. | 0:33:56 | 0:33:59 | |
Did anyone tell you what happened to Fay Brookstone? | 0:34:03 | 0:34:05 | |
-Who's this girl? -Nobody. | 0:34:05 | 0:34:07 | |
-Let it go. -Aren't you thinking about her? | 0:34:07 | 0:34:10 | |
Like, what the fuck went wrong? | 0:34:12 | 0:34:14 | |
Right. I think it's about time you clear out, guys. | 0:34:14 | 0:34:16 | |
Lucas, what are we telling you? | 0:34:16 | 0:34:17 | |
Get off me, George. | 0:34:17 | 0:34:19 | |
Holly, let's go. | 0:34:25 | 0:34:27 | |
Right, I think it's home time. | 0:34:27 | 0:34:29 | |
Get her the fuck out of here. | 0:34:29 | 0:34:31 | |
I'm sorry. Come back. | 0:35:23 | 0:35:27 | |
Come back. | 0:35:27 | 0:35:29 | |
Come back. Come back. I'm sorry. | 0:35:35 | 0:35:39 | |
I'm sorry. | 0:35:42 | 0:35:43 | |
I don't think we saw the best of you tonight. | 0:36:35 | 0:36:38 | |
Are you talking about me offending the honoured guest | 0:36:38 | 0:36:41 | |
-or boking all over myself? -Both. | 0:36:41 | 0:36:44 | |
I'm not usually like that. | 0:36:46 | 0:36:47 | |
I don't lose control, ever. | 0:36:49 | 0:36:50 | |
-Why not? You're 19. -Because I decided. | 0:36:51 | 0:36:55 | |
A long time ago. | 0:36:57 | 0:36:59 | |
You can't live your life keeping control of everything. | 0:36:59 | 0:37:01 | |
-Why did you come tonight? -I don't know. | 0:37:04 | 0:37:07 | |
-I think it's because you're ambitious. -So? | 0:37:08 | 0:37:10 | |
This isn't about your friend any more, do you get that? | 0:37:12 | 0:37:16 | |
-I want in. -Ah-ha. | 0:37:24 | 0:37:26 | |
The truth. | 0:37:26 | 0:37:27 | |
Thank you. | 0:37:31 | 0:37:32 | |
So, you're in. | 0:37:36 | 0:37:37 | |
-What? -You heard me. | 0:37:38 | 0:37:41 | |
Come on, Holly. | 0:38:45 | 0:38:46 | |
Why do you want in? | 0:38:46 | 0:38:48 | |
I want to do something for myself. | 0:38:52 | 0:38:54 | |
-I need to. -You're already working it out. | 0:38:56 | 0:39:00 | |
-What? -Why I'm dead. | 0:39:00 | 0:39:03 | |
You can't resist. | 0:39:06 | 0:39:08 | |
You have to put things right. | 0:39:08 | 0:39:10 | |
Because of what you did. | 0:39:10 | 0:39:12 | |
Show me who you are, Holly McStay. | 0:39:18 | 0:39:21 | |
Where's the party? | 0:39:57 | 0:39:59 | |
Nowhere, I have to work the last bit. | 0:40:01 | 0:40:03 | |
All right. | 0:40:08 | 0:40:10 | |
-I'm still here for when you want to go. -OK. | 0:40:10 | 0:40:17 |