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This programme contains strong language | 0:00:02 | 0:00:07 | |
'The Army thinks they run everything, don't they? | 0:00:07 | 0:00:10 | |
'You conspired to remove a German counterintelligence officer | 0:00:10 | 0:00:12 | |
'who was about to reveal information about the Russians. | 0:00:12 | 0:00:15 | |
'This can never happen again.' | 0:00:15 | 0:00:16 | |
I have something you want and you are, I think, | 0:00:16 | 0:00:19 | |
trying to find out if I really do have it. Here. | 0:00:19 | 0:00:22 | |
I don't want to fall in love with you. | 0:00:22 | 0:00:24 | |
I have to do everything I can not to. | 0:00:24 | 0:00:27 | |
Not to love you. | 0:00:27 | 0:00:28 | |
'My brother's throwing out all those files in his office, | 0:00:28 | 0:00:31 | |
'and I thought you might want them. | 0:00:31 | 0:00:32 | |
'I thought we could go along and grab them.' | 0:00:32 | 0:00:34 | |
In December of '38, a very neatly dressed German diplomat | 0:00:34 | 0:00:38 | |
came to visit the Foreign Office. | 0:00:38 | 0:00:39 | |
He's carrying a message from the German military. | 0:00:39 | 0:00:42 | |
They would launch a military coup against Hitler, | 0:00:42 | 0:00:45 | |
but they just wanted one guarantee. | 0:00:45 | 0:00:47 | |
They needed us to say, publicly, | 0:00:47 | 0:00:49 | |
we would go to war with Germany if Hitler invaded Czechoslovakia. | 0:00:49 | 0:00:54 | |
And the whole war could've been avoided. | 0:00:54 | 0:00:56 | |
Victor? You're still here?! | 0:01:57 | 0:01:59 | |
Yes. I'm sorry, I just got so involved, I got lost in these. | 0:01:59 | 0:02:03 | |
And all sorts of thoughts have been tumbling about. | 0:02:03 | 0:02:07 | |
-My own experiences... -Of course. | 0:02:07 | 0:02:10 | |
I don't know why, because this is all about the Germans. | 0:02:10 | 0:02:14 | |
But, sometimes, | 0:02:14 | 0:02:15 | |
things come rushing back. | 0:02:15 | 0:02:18 | |
Yes, they must. I understand. | 0:02:18 | 0:02:20 | |
I do realise you went through a great deal in the war and... | 0:02:20 | 0:02:23 | |
No, no, we don't need to talk about it. I'm just...checking... | 0:02:23 | 0:02:27 | |
Can't really tell?! | 0:02:29 | 0:02:31 | |
I've made such a terrible mess here, | 0:02:33 | 0:02:35 | |
but the good news is this room | 0:02:35 | 0:02:37 | |
wasn't at all tidy in the first place! | 0:02:37 | 0:02:40 | |
-I hope you don't mind me saying that? -No, you're probably right, | 0:02:40 | 0:02:43 | |
I spend so little time here. | 0:02:43 | 0:02:45 | |
With your permission, I'm going to take some of these files home - | 0:02:45 | 0:02:48 | |
quite a lot, in fact - | 0:02:48 | 0:02:50 | |
because they'll never ever find them in my room. | 0:02:50 | 0:02:53 | |
It's so busy here now. | 0:02:53 | 0:02:55 | |
-All due to us, of course! -And now, we have a surprise for you, Callum. | 0:02:55 | 0:02:58 | |
We're opening all of this up again. | 0:03:03 | 0:03:05 | |
-They shut it as soon as the war ended. -God, I love this place! | 0:03:05 | 0:03:10 | |
I can escape from all my colleagues here, | 0:03:10 | 0:03:13 | |
and from anybody sent to watch me. | 0:03:13 | 0:03:15 | |
We both escape here! | 0:03:15 | 0:03:17 | |
We're going to test the engine right here. | 0:03:17 | 0:03:20 | |
Yes, and after the test has gone well, | 0:03:20 | 0:03:23 | |
we're going to get all the senior people here. | 0:03:23 | 0:03:25 | |
What, all the top brass coming here! | 0:03:25 | 0:03:27 | |
That's a marvellous idea! | 0:03:27 | 0:03:29 | |
You can book me the best seats in the house! | 0:03:29 | 0:03:32 | |
CHATTER | 0:03:32 | 0:03:34 | |
-This all looks tremendous. -Thank you. -Can I have a word? | 0:03:42 | 0:03:45 | |
About the other night, everything's been taken care of. | 0:03:47 | 0:03:51 | |
-Completely. -Completely? | 0:03:52 | 0:03:54 | |
Yes, completely. | 0:03:55 | 0:03:58 | |
Come on, you two. Why shouldn't you be part of it? | 0:03:58 | 0:04:01 | |
Ah! So, I managed to coax you back! | 0:04:17 | 0:04:21 | |
I didn't need much coaxing. | 0:04:21 | 0:04:23 | |
A fashion show - I wasn't going to miss that. | 0:04:23 | 0:04:26 | |
It's so wonderful to be home. | 0:04:26 | 0:04:28 | |
And it's wonderful to see you, my dear. | 0:04:28 | 0:04:30 | |
What are you working on, or is it secret? | 0:04:30 | 0:04:33 | |
It is secret, but I haven't written it yet. | 0:04:33 | 0:04:37 | |
It's to help me find out something, | 0:04:37 | 0:04:39 | |
but I don't want to get anybody into trouble. | 0:04:39 | 0:04:41 | |
They can't hold the show now, surely?! | 0:04:44 | 0:04:46 | |
My fingers may freeze to the piano, but we'll do our best. | 0:04:47 | 0:04:51 | |
BAND PLAYS LOUNGE JAZZ | 0:04:51 | 0:04:53 | |
I realise how cold you all are. | 0:04:57 | 0:04:59 | |
Today of all days, the heating has decided to break down, | 0:04:59 | 0:05:02 | |
but we're going to fix it, I promise you. | 0:05:02 | 0:05:04 | |
We're not going to let some bloody boiler defeat us! | 0:05:04 | 0:05:07 | |
Now, of course, I'm going to take this off. | 0:05:07 | 0:05:09 | |
I won't be putting it back on again until after the show. | 0:05:09 | 0:05:11 | |
No, please don't, miss. I hope you don't mind me saying this, | 0:05:11 | 0:05:15 | |
but it's important that we can all see you. | 0:05:15 | 0:05:18 | |
It'll help us get through it. | 0:05:18 | 0:05:19 | |
Ah, there you are! | 0:05:22 | 0:05:24 | |
I've brought something for you. | 0:05:24 | 0:05:26 | |
It's a version of the letter we talked about. See what you think. | 0:05:26 | 0:05:29 | |
-Don't send it. -Of course not, thank you. | 0:05:29 | 0:05:32 | |
Harold, you're not so interested in fashion | 0:05:32 | 0:05:34 | |
I couldn't steal you for a moment could I? | 0:05:34 | 0:05:36 | |
I just want to introduce you to someone - | 0:05:36 | 0:05:38 | |
it's the perfume lady, the one with the secret. | 0:05:38 | 0:05:41 | |
KNOCK AT DOOR | 0:05:41 | 0:05:42 | |
DOOR OPENS | 0:05:42 | 0:05:43 | |
Here we are, Frau Bellinghausen, I've a tea companion for you. | 0:05:43 | 0:05:46 | |
Have you indeed? Somebody who doesn't mind missing the show? | 0:05:46 | 0:05:50 | |
Oh, I'd much rather be here. Harold Lindsay-Jones. | 0:05:50 | 0:05:53 | |
HE HUMS TO HIMSELF | 0:05:54 | 0:05:57 | |
You're a friend of Captain Ferguson? | 0:06:05 | 0:06:07 | |
I am. There are two brothers, both exceptional people in a way. | 0:06:07 | 0:06:12 | |
Callum must be a very exciting person to do business with? | 0:06:12 | 0:06:16 | |
-Am I doing business with him? -I believe you are about to, yes. | 0:06:16 | 0:06:20 | |
I hope you're not too clever, Mr Lindsay-Jones, | 0:06:20 | 0:06:23 | |
for me to have tea with. | 0:06:23 | 0:06:24 | |
BUZZ OF CONVERSATION | 0:06:24 | 0:06:28 | |
It's even colder out here, honey. | 0:06:33 | 0:06:35 | |
Go back inside. | 0:06:35 | 0:06:37 | |
ALL MURMUR AND SHIVER | 0:06:37 | 0:06:40 | |
This is crazy, it's freezing. | 0:06:43 | 0:06:45 | |
I'm going to get the heating working myself. | 0:06:45 | 0:06:47 | |
VENTS HISS | 0:06:54 | 0:06:56 | |
CLANKING | 0:06:56 | 0:06:58 | |
BAND PLAYS SWING MUSIC | 0:06:58 | 0:07:01 | |
So, they really are having a fashion show down there? | 0:07:11 | 0:07:13 | |
How strange that seems at the moment. | 0:07:13 | 0:07:15 | |
Yes! | 0:07:15 | 0:07:17 | |
But a bit of colour, a bit of fun - | 0:07:17 | 0:07:20 | |
how much people need that. | 0:07:20 | 0:07:23 | |
It must break your heart what has happened to this city. | 0:07:23 | 0:07:27 | |
Seeing it after such a time? | 0:07:27 | 0:07:29 | |
I can't bear to look at it. | 0:07:29 | 0:07:31 | |
The devastation, the horrible wrecked buildings. | 0:07:31 | 0:07:35 | |
We both, I'm sure, remember how it was before the first war. | 0:07:35 | 0:07:38 | |
Oh, yes, how beautiful it was. | 0:07:38 | 0:07:42 | |
Nobody ever believes me when I say London was truly beautiful. | 0:07:43 | 0:07:48 | |
In autumn especially. | 0:07:48 | 0:07:50 | |
Yes. | 0:07:50 | 0:07:51 | |
So incredibly lovely in autumn. | 0:07:53 | 0:07:55 | |
And now, I hardly recognise it. | 0:07:57 | 0:08:01 | |
Great clothes, aren't they! | 0:08:02 | 0:08:04 | |
A bit of excitement, a bit of fun. We all need that, don't we?! | 0:08:04 | 0:08:09 | |
Been miserable for too long. | 0:08:09 | 0:08:11 | |
Come on, everybody! | 0:08:11 | 0:08:13 | |
BAND PLAYS BOOGIE WOOGIE | 0:08:13 | 0:08:16 | |
HE GRUNTS | 0:08:17 | 0:08:19 | |
HE GROANS, CLANKING | 0:08:23 | 0:08:25 | |
STEAM HISSES | 0:08:25 | 0:08:27 | |
FLASH FLARES | 0:08:55 | 0:08:57 | |
Bravo! | 0:09:04 | 0:09:06 | |
CHEERING AND APPLAUSE | 0:09:11 | 0:09:15 | |
CLOCK TICKS | 0:09:20 | 0:09:22 | |
BANGING, SHE GASPS | 0:09:34 | 0:09:36 | |
You have GOT to see this. | 0:09:41 | 0:09:42 | |
CORK POPS, CHATTER | 0:09:42 | 0:09:45 | |
-I have to tell Callum. -Not right away, Victor. | 0:09:53 | 0:09:55 | |
That's not the best thing to do, not before we've... | 0:09:55 | 0:09:58 | |
No, no. I have got to tell him! | 0:09:58 | 0:09:59 | |
CHATTERING AND LAUGHTER | 0:10:01 | 0:10:05 | |
THEY LAUGH | 0:10:05 | 0:10:09 | |
THEY CHATTER AND SQUEAL | 0:10:17 | 0:10:20 | |
Victor, what are you doing here? You're not supposed to be here. | 0:10:20 | 0:10:24 | |
-You've been lied to. -I couldn't stop him doing this. | 0:10:24 | 0:10:26 | |
Look, look, read it! | 0:10:26 | 0:10:28 | |
Your German worked with V-2 rockets. | 0:10:28 | 0:10:31 | |
He worked with slave labour. | 0:10:31 | 0:10:33 | |
He was in charge. Many people died! | 0:10:33 | 0:10:35 | |
People were executed! | 0:10:35 | 0:10:37 | |
He has lied to you all the time about everything. | 0:10:37 | 0:10:40 | |
I don't believe you. | 0:10:40 | 0:10:41 | |
I don't care what this says, I don't believe you! | 0:10:41 | 0:10:44 | |
No! You don't want to believe it! | 0:10:44 | 0:10:45 | |
You always have to do this, don't you, Victor? | 0:10:45 | 0:10:47 | |
You always have to bring chaos wherever you go. | 0:10:47 | 0:10:49 | |
You just can't stop yourself, can you?! | 0:10:49 | 0:10:51 | |
You're not going to this time. I'm not going to let you do that! | 0:10:51 | 0:10:54 | |
OTHERS LAUGH | 0:10:54 | 0:10:56 | |
HE MUTTERS TO HIMSELF | 0:11:19 | 0:11:21 | |
HE MUTTERS ANGRILY | 0:11:23 | 0:11:25 | |
(The fucking truth, if that's what you wanted...!) | 0:11:25 | 0:11:29 | |
HE MUTTERS UNDER HIS BREATH | 0:11:29 | 0:11:33 | |
-Victor! -I have a message from your brother. He says, "Go home." | 0:11:33 | 0:11:37 | |
-Yes, well, I'm not going home. -Look, come with me, Victor. | 0:11:37 | 0:11:40 | |
We'll go somewhere quiet and I promise you we'll find out | 0:11:40 | 0:11:43 | |
what Callum plans to do about what's in those files. | 0:11:43 | 0:11:45 | |
I'll make sure he leaves the hotel. | 0:11:45 | 0:11:47 | |
Captain Ferguson wants to know how you got hold of the file. | 0:11:47 | 0:11:49 | |
We pulled it out of the rubbish. | 0:11:49 | 0:11:51 | |
Yes, we stuck our hands right into the shit and grabbed them. | 0:11:51 | 0:11:55 | |
Not just one, we got 'em all..! | 0:11:55 | 0:11:57 | |
Don't worry. They're perfectly safe. They are all in my flat. | 0:11:57 | 0:12:00 | |
Attention! | 0:12:00 | 0:12:02 | |
Come on, everybody! | 0:12:02 | 0:12:03 | |
There is a surprise waiting for you downstairs..! | 0:12:03 | 0:12:06 | |
I don't know what I feel about this surprise, but you better come. | 0:12:06 | 0:12:09 | |
Come on, come on! You know you're curious. | 0:12:09 | 0:12:12 | |
MURMURING | 0:12:12 | 0:12:14 | |
You were at Peenemuende. | 0:12:20 | 0:12:22 | |
And you were at Nordhausen. | 0:12:22 | 0:12:25 | |
I was, yes. | 0:12:25 | 0:12:26 | |
And you worked on the V-2 rocket programme at the Mittelwerk plant. | 0:12:26 | 0:12:30 | |
You lied to me. | 0:12:32 | 0:12:33 | |
I didn't tell the truth, no. | 0:12:33 | 0:12:35 | |
I could say, of course, that I didn't lie to you, Callum, | 0:12:37 | 0:12:40 | |
because you've never asked me about what I did in the war. | 0:12:40 | 0:12:43 | |
It was Miss Griffiths. If I had told the truth then, | 0:12:43 | 0:12:45 | |
I knew there was a good chance of being arrested, | 0:12:45 | 0:12:48 | |
of being separated from my daughter, maybe even not seeing her again. | 0:12:48 | 0:12:51 | |
-So, of course, I denied it. -And? -And that is it. | 0:12:51 | 0:12:54 | |
The statement from a witness here, Callum, is not true. | 0:12:54 | 0:12:57 | |
It's not true about me anyway. | 0:12:57 | 0:12:59 | |
CHATTER | 0:12:59 | 0:13:01 | |
Who knows where it came from, but what a present! | 0:13:11 | 0:13:14 | |
It's going to put me out of a job. | 0:13:14 | 0:13:16 | |
I won't to be able to compete with you, honey, will I?! | 0:13:16 | 0:13:19 | |
You were aware of the conditions of the work force? | 0:13:19 | 0:13:22 | |
The slave labour from Buchenwald Concentration Camp? | 0:13:22 | 0:13:25 | |
The executions of those accused of sabotage, the beatings, | 0:13:25 | 0:13:28 | |
the hangings? People starving to death? | 0:13:28 | 0:13:30 | |
Of course some of these things went on. | 0:13:30 | 0:13:33 | |
The conditions were appalling. | 0:13:33 | 0:13:35 | |
I'm not going to sit here and deny that, | 0:13:36 | 0:13:39 | |
but I was never involved in ordering executions | 0:13:39 | 0:13:43 | |
or ever witnessed any, or knew anyone who was carrying them out. | 0:13:43 | 0:13:46 | |
And that is the truth. | 0:13:46 | 0:13:48 | |
Then, why were you named in this statement then from a witness? | 0:13:48 | 0:13:51 | |
That you ordered some executions? | 0:13:51 | 0:13:53 | |
I was very well known in Germany by then, | 0:13:54 | 0:13:57 | |
famous as the jet-plane man, | 0:13:57 | 0:14:00 | |
just like Wernher Von Braun was the rocket man. | 0:14:00 | 0:14:02 | |
Everybody working on that site knew about us. | 0:14:02 | 0:14:05 | |
So, people assumed that everything that happened | 0:14:05 | 0:14:08 | |
was done in our name - was what we wanted. | 0:14:08 | 0:14:10 | |
But I say again this was not true in my case. | 0:14:10 | 0:14:13 | |
I was, in fact, at Nordhausen for only three months, | 0:14:13 | 0:14:16 | |
I was working in an office on the edge of the site, | 0:14:16 | 0:14:18 | |
and I did not order anybody to be killed. I absolutely did not. | 0:14:18 | 0:14:22 | |
BUZZER SOUNDS | 0:14:23 | 0:14:25 | |
I think somebody wants you. | 0:14:29 | 0:14:31 | |
Go and deal with it, Ringwood. | 0:14:31 | 0:14:33 | |
I realise you don't believe me. | 0:14:37 | 0:14:39 | |
It doesn't matter what I believe. | 0:14:39 | 0:14:41 | |
The Government will protect you from any danger of prosecution. | 0:14:41 | 0:14:44 | |
So, YOU don't believe me? | 0:14:44 | 0:14:46 | |
Did I say that? BUZZER SOUNDS URGENTLY | 0:14:46 | 0:14:49 | |
Go and be with your daughter. | 0:14:49 | 0:14:51 | |
Frau Bellinghausen? | 0:14:55 | 0:14:57 | |
So, where is my normal policeman? | 0:14:57 | 0:14:59 | |
Captain Ferguson is extraordinarily busy at the moment. | 0:14:59 | 0:15:02 | |
"Extraordinarily busy"? | 0:15:02 | 0:15:04 | |
I've not known him be that before. | 0:15:04 | 0:15:06 | |
So, my business will have to wait? | 0:15:06 | 0:15:08 | |
Just right at this moment, it has to wait. | 0:15:08 | 0:15:11 | |
You can tell him I want to make progress now. | 0:15:11 | 0:15:13 | |
That might encourage him to find the time for me. | 0:15:15 | 0:15:17 | |
DANCE MUSIC PLAYS | 0:15:17 | 0:15:20 | |
You can't just stand there, Callum! | 0:15:26 | 0:15:28 | |
You've got to dance! | 0:15:28 | 0:15:30 | |
You see how unnecessary my music is?! Look at this! | 0:15:33 | 0:15:38 | |
I wish you hadn't told them they were here. | 0:15:51 | 0:15:54 | |
Why on earth did you do that? | 0:15:54 | 0:15:56 | |
I had to. We stole them, Victor. | 0:15:56 | 0:15:58 | |
We didn't steal them! We rescued them! | 0:15:58 | 0:16:01 | |
It's their property though! | 0:16:01 | 0:16:03 | |
If any good is going to come of this, I have to cooperate with them. | 0:16:03 | 0:16:06 | |
My brother's not going to waste any time, | 0:16:06 | 0:16:08 | |
he's going to come after them tonight. | 0:16:08 | 0:16:11 | |
Not tonight. | 0:16:11 | 0:16:12 | |
He knows he doesn't need to do that. | 0:16:12 | 0:16:14 | |
CHRISTMAS CAROLS PLAY FAINTLY | 0:16:14 | 0:16:18 | |
Have you come to wish me a Happy Christmas, Ferguson?! | 0:16:18 | 0:16:21 | |
Quite the opposite sir. | 0:16:21 | 0:16:23 | |
I had no idea about any of this. | 0:16:23 | 0:16:26 | |
Otherwise, I would have told you, naturally. | 0:16:26 | 0:16:28 | |
Oh, I know that you would, sir. | 0:16:28 | 0:16:30 | |
Of course this makes no difference to his work for us. | 0:16:30 | 0:16:32 | |
He has to finish it. Do you want to stop now? | 0:16:32 | 0:16:35 | |
It would be a complete bloody nuisance if you did. | 0:16:35 | 0:16:37 | |
Is that why you've come to spoil my Christmas party? | 0:16:37 | 0:16:40 | |
-To tell me that? -No, that's not what I'm saying - not yet. | 0:16:40 | 0:16:43 | |
But we need to move him right now as a matter of urgency. | 0:16:43 | 0:16:46 | |
We can't run the risk of him bolting to the Americans | 0:16:46 | 0:16:49 | |
-because he thinks we don't believe him. -Do you believe him? -Maybe. | 0:16:49 | 0:16:53 | |
I'm not sure yet. We'll see. | 0:16:53 | 0:16:55 | |
He can live at the Research Facility. | 0:16:55 | 0:16:57 | |
We can keep him under constant surveillance easier there. | 0:16:57 | 0:17:00 | |
He'll have to have his daughter with him - | 0:17:00 | 0:17:03 | |
she'll need to be driven into London to school every morning... | 0:17:03 | 0:17:05 | |
This is Ferguson's plan, is it? | 0:17:05 | 0:17:07 | |
-Yes. And there's more. -More? | 0:17:07 | 0:17:10 | |
We need to run a check in Germany | 0:17:10 | 0:17:12 | |
-on what he really did during the war. -Why? | 0:17:12 | 0:17:15 | |
Because we should know the facts, shouldn't we, sir? | 0:17:15 | 0:17:18 | |
Something might happen, it's important that we know. | 0:17:18 | 0:17:21 | |
And we have two further problems - my brother and Miss Griffiths. | 0:17:21 | 0:17:24 | |
Oh, for fuck's sake! She's not still around, is she?! | 0:17:24 | 0:17:27 | |
I have a plan for that, too. | 0:17:27 | 0:17:29 | |
For both of them, in fact. | 0:17:30 | 0:17:32 | |
VEHICLES APPROACH | 0:17:33 | 0:17:36 | |
Army! Army! Army! | 0:17:36 | 0:17:38 | |
SHOUTING | 0:17:38 | 0:17:40 | |
-What on earth is it?! -We're authorised to search this house. | 0:17:40 | 0:17:42 | |
-I told you! -Who sent you? -CLATTERING, SHOUTING | 0:17:42 | 0:17:45 | |
Callum did, of course! Don't take them yet! | 0:17:45 | 0:17:48 | |
Not until my brother gets here. I'm telling you! | 0:17:48 | 0:17:51 | |
You don't need to do that! | 0:17:51 | 0:17:52 | |
For Christ's sake! Is that really necessary? | 0:17:52 | 0:17:54 | |
I'm going to get shot, am I, for fishing things out of the rubbish?! | 0:17:54 | 0:17:58 | |
All right, princess, what's our next selection? | 0:17:58 | 0:18:00 | |
One day, there'll be one of mine in there. | 0:18:03 | 0:18:06 | |
PERCUSSION PLAYS | 0:18:07 | 0:18:10 | |
I always knew that, sooner or later, I'd get arrested again, | 0:18:19 | 0:18:23 | |
but I didn't think it'd be by my own brother! | 0:18:23 | 0:18:26 | |
All right, let him go. Let him go! | 0:18:26 | 0:18:28 | |
Ah! | 0:18:28 | 0:18:29 | |
You've made things very difficult, Victor. | 0:18:29 | 0:18:33 | |
I want to see you at the hotel at three o'clock tomorrow afternoon - | 0:18:33 | 0:18:36 | |
-without fail. -That's an order, is it? | 0:18:36 | 0:18:39 | |
I'm not sure you can give me orders, can you? | 0:18:39 | 0:18:41 | |
Miss Griffiths, you have no more of our files in this house, have you? | 0:18:41 | 0:18:46 | |
-Or anywhere else for that matter? -I have not, no. | 0:18:46 | 0:18:49 | |
And I have to say, sending all these men to get them | 0:18:49 | 0:18:52 | |
is totally ridiculous! | 0:18:52 | 0:18:54 | |
What's going to happen to them now? | 0:18:56 | 0:18:58 | |
Captain Ferguson, I think it would be a good idea | 0:18:58 | 0:19:00 | |
-if we met to discuss what's happened. -That won't be necessary. | 0:19:00 | 0:19:04 | |
But you will be hearing from me. | 0:19:04 | 0:19:06 | |
I have a surprise for you. | 0:19:06 | 0:19:08 | |
She has been allowed to keep all the clothes from the fashion show. | 0:19:22 | 0:19:25 | |
You have so much luggage, Lotte! | 0:19:25 | 0:19:28 | |
It's like a princess arriving! | 0:19:28 | 0:19:30 | |
This is where it's going to happen, Lotte! | 0:19:36 | 0:19:39 | |
We're going to test the engine and break the sound barrier! | 0:19:39 | 0:19:43 | |
If we're allowed to get that far. | 0:19:43 | 0:19:45 | |
We will get that far. | 0:19:45 | 0:19:47 | |
Ooh! | 0:19:47 | 0:19:49 | |
Darling! | 0:19:55 | 0:19:56 | |
I ran! Out of the office, into a taxi, up the stairs! | 0:19:56 | 0:20:01 | |
Suddenly, I had an hour or so to spare. | 0:20:01 | 0:20:03 | |
I saw a chance to see you in daylight for once. | 0:20:03 | 0:20:06 | |
That's a lovely surprise. | 0:20:06 | 0:20:08 | |
It's madness, isn't it, that I have so little time at the moment? | 0:20:08 | 0:20:11 | |
It is mad, yes. | 0:20:11 | 0:20:12 | |
And I just wanted to make sure that you were OK, that you were happy? | 0:20:12 | 0:20:16 | |
-That I was happy? -Yes. | 0:20:16 | 0:20:19 | |
Of course I'm happy. | 0:20:20 | 0:20:22 | |
Are you? Good. | 0:20:22 | 0:20:25 | |
I was so proud of you at the fashion show and everything. | 0:20:25 | 0:20:28 | |
You must do more. | 0:20:28 | 0:20:30 | |
You went behind my back and you stole the files. | 0:20:34 | 0:20:37 | |
They weren't yours any more. You threw them away. | 0:20:37 | 0:20:39 | |
I was ordered to do that. | 0:20:39 | 0:20:41 | |
Well, you don't usually do everything you're ordered to. | 0:20:41 | 0:20:44 | |
-Come with me. -Going to put me in chains? | 0:20:44 | 0:20:47 | |
In a way. | 0:20:47 | 0:20:48 | |
The hotel lost property. | 0:20:58 | 0:21:01 | |
Things left behind or things damaged during the war. | 0:21:01 | 0:21:04 | |
No-one's had a chance to sort it. | 0:21:04 | 0:21:06 | |
-So, that's what you're going to do. -Am I? | 0:21:06 | 0:21:10 | |
Yes. You see, everything's all muddled up. | 0:21:10 | 0:21:13 | |
You can start by putting together anything that belongs together. | 0:21:13 | 0:21:18 | |
That's what you're good at, Victor. You wanted a job here after all, | 0:21:18 | 0:21:22 | |
-and you're going to get paid. -Do I have a choice? | 0:21:22 | 0:21:25 | |
You have no choice, no. I have to somehow stop them locking you up. | 0:21:25 | 0:21:29 | |
This way, I can keep a close eye on you. | 0:21:29 | 0:21:32 | |
-When do I start? -Now. | 0:21:32 | 0:21:34 | |
Right, I have an appointment to go to... | 0:21:34 | 0:21:37 | |
..but I will be back. | 0:21:39 | 0:21:41 | |
DOOR SLAMS | 0:21:42 | 0:21:44 | |
Am I in the right place? | 0:21:48 | 0:21:50 | |
You're in the perfect place. | 0:21:50 | 0:21:52 | |
By the Nazi's suite - how more romantic could you get? | 0:21:52 | 0:21:56 | |
Oh, well, I have a surprise for you. | 0:21:56 | 0:21:58 | |
Goodness. | 0:22:03 | 0:22:05 | |
That is an improvement! | 0:22:07 | 0:22:09 | |
Did you get your staff to do it? | 0:22:12 | 0:22:14 | |
No, believe it or not, I did it all myself. | 0:22:16 | 0:22:19 | |
Well, most of it, anyway. | 0:22:19 | 0:22:20 | |
Now, it's our own private withdrawing room. | 0:22:21 | 0:22:26 | |
Sir! | 0:22:28 | 0:22:29 | |
-I'm so sorry, sir. -Yes, Ringwood? | 0:22:31 | 0:22:34 | |
-It's her again. -Of course, it is. It's always her. | 0:22:34 | 0:22:37 | |
I'm so sorry. I won't be a moment. | 0:22:38 | 0:22:41 | |
Mrs Lombard here was having a look at some of the suites in the hotel. | 0:22:41 | 0:22:45 | |
She has friends coming over from America very shortly. | 0:22:45 | 0:22:48 | |
Please, take all the time you want. | 0:22:50 | 0:22:52 | |
You have been extremely neglectful, Mr Ferguson. | 0:22:59 | 0:23:02 | |
I have, and I apologise. | 0:23:02 | 0:23:04 | |
You're not going to make an excuse? | 0:23:04 | 0:23:06 | |
No. I have a very good excuse, but I won't trouble you with it. | 0:23:06 | 0:23:10 | |
That's a good decision. | 0:23:10 | 0:23:12 | |
You did arrange a very satisfactory tea companion | 0:23:12 | 0:23:15 | |
for me I have to admit, | 0:23:15 | 0:23:16 | |
so I forgive you. | 0:23:16 | 0:23:18 | |
Now, the moment has come, I think, | 0:23:18 | 0:23:21 | |
when we have to explore whether you and I can really do business. | 0:23:21 | 0:23:25 | |
We can't put it off any more. | 0:23:25 | 0:23:28 | |
You are absolutely right, and we must do that. | 0:23:28 | 0:23:31 | |
But not today, unfortunately. | 0:23:31 | 0:23:33 | |
You're too busy again?! | 0:23:33 | 0:23:35 | |
Today, yes. I am. | 0:23:35 | 0:23:37 | |
Well, we will have many days of negotiation, | 0:23:37 | 0:23:40 | |
so I was not intending to start today. | 0:23:40 | 0:23:44 | |
But I suggest you get LESS busy again very quickly. | 0:23:44 | 0:23:48 | |
And I will. I couldn't borrow two of those, could I? | 0:23:48 | 0:23:52 | |
This is a very lovely smell. | 0:23:54 | 0:23:56 | |
-Good. -Thank you. | 0:23:56 | 0:23:59 | |
The only problem is he saw us here, your Mr Ringwood. | 0:24:02 | 0:24:05 | |
Now, the whole hotel will know about us, | 0:24:05 | 0:24:08 | |
and our private withdrawing room. | 0:24:08 | 0:24:11 | |
No, they won't. | 0:24:12 | 0:24:13 | |
And besides, everybody here believes exactly what I tell them. | 0:24:15 | 0:24:19 | |
That's not true. | 0:24:22 | 0:24:24 | |
Well, I don't for a start. | 0:24:25 | 0:24:27 | |
For a few weeks, at least... | 0:24:28 | 0:24:31 | |
we can have everything we want. | 0:24:31 | 0:24:32 | |
Can we? | 0:24:41 | 0:24:43 | |
Alex came rushing back from work at lunchtime today - | 0:24:43 | 0:24:46 | |
it's the first time he's done that. | 0:24:46 | 0:24:48 | |
I don't think he knows, though. | 0:24:49 | 0:24:51 | |
Do you think he does? | 0:24:52 | 0:24:54 | |
I'm not sure. | 0:24:54 | 0:24:55 | |
The funny thing is he keeps encouraging me to do more here. | 0:24:58 | 0:25:01 | |
Well, then, you must. | 0:25:02 | 0:25:04 | |
I bet... | 0:25:09 | 0:25:10 | |
we get interrupted. | 0:25:10 | 0:25:12 | |
Nobody's listening this time? | 0:25:37 | 0:25:39 | |
Absolutely not. | 0:25:39 | 0:25:41 | |
Victor? | 0:25:53 | 0:25:55 | |
Victor?! | 0:25:56 | 0:25:58 | |
HE GROANS | 0:25:58 | 0:25:59 | |
Victor! | 0:26:01 | 0:26:02 | |
Don't panic! I'm still here. | 0:26:02 | 0:26:05 | |
You haven't made much of a start. | 0:26:05 | 0:26:08 | |
Look, you can go now. | 0:26:08 | 0:26:09 | |
Are you really going to keep me caged up in here every day? | 0:26:09 | 0:26:12 | |
-You're not caged. -What if I don't turn up one morning? | 0:26:12 | 0:26:15 | |
Well, you will, because you know this is a good idea. | 0:26:15 | 0:26:18 | |
This way everything can work, Victor, | 0:26:18 | 0:26:20 | |
including me finding out about Dieter and I can keep you informed. | 0:26:20 | 0:26:25 | |
You bet you will. | 0:26:25 | 0:26:26 | |
Are you going to help that funny chap Harold | 0:26:26 | 0:26:29 | |
find his secret file, by the way? | 0:26:29 | 0:26:31 | |
I am, as it happens. | 0:26:31 | 0:26:33 | |
And I've worked out how to do it. | 0:26:33 | 0:26:35 | |
Tell me. | 0:26:35 | 0:26:36 | |
I'm going to use Dieter's name, it's obvious, | 0:26:36 | 0:26:39 | |
it gives me access to everything. | 0:26:39 | 0:26:41 | |
I'm not going to waste time writing some stupid letter, | 0:26:41 | 0:26:44 | |
-I'm just going to go straight to the Foreign Office... -No! No! | 0:26:44 | 0:26:47 | |
Yes, I'm going to say Dieter told me | 0:26:47 | 0:26:48 | |
he first came to England before the war to discuss | 0:26:48 | 0:26:51 | |
cooperating on a commercial jetliner. | 0:26:51 | 0:26:53 | |
And because of the political ramifications, | 0:26:53 | 0:26:55 | |
there was a meeting at the Foreign Office about it... | 0:26:55 | 0:26:58 | |
No, no, don't! Don't do it, Callum! | 0:26:58 | 0:27:00 | |
And, of course, it happened the same week as the meeting Harold | 0:27:00 | 0:27:03 | |
is interested in, but I can't be sure of the exact day - | 0:27:03 | 0:27:06 | |
so I'm going to say I need to see all the files for that week. | 0:27:06 | 0:27:10 | |
No, no, no... It is madness, | 0:27:10 | 0:27:12 | |
OK. They will trace it straight back to you! | 0:27:12 | 0:27:15 | |
What? A man from T-Force asking about aeroplanes, | 0:27:15 | 0:27:18 | |
they couldn't be less interested in that. | 0:27:18 | 0:27:20 | |
You think you can get away with absolutely anything | 0:27:20 | 0:27:23 | |
at the moment, don't you? | 0:27:23 | 0:27:25 | |
I think I can make Dieter finish his work, certainly. | 0:27:25 | 0:27:28 | |
And I can help Harold expose the bastards | 0:27:28 | 0:27:30 | |
that missed such a golden chance, | 0:27:30 | 0:27:32 | |
and, of course, I can keep you out of jail. | 0:27:32 | 0:27:35 | |
I think I can do that, yes. | 0:27:36 | 0:27:38 | |
My contact over there says he's refusing to speak to anyone at all. | 0:27:40 | 0:27:44 | |
But at least he's still in prison. | 0:27:45 | 0:27:47 | |
And not looking that happy about it. | 0:27:48 | 0:27:50 | |
Yes, but unless we can get some witnesses to give evidence | 0:27:50 | 0:27:53 | |
at his trial, he may well get off. | 0:27:53 | 0:27:55 | |
And, of course, most of the witnesses are dead. | 0:27:55 | 0:27:58 | |
-Is this a present, Callum? -In a way, yes. | 0:27:58 | 0:28:02 | |
Feminine scent. A little unusual for a gift, perhaps, | 0:28:02 | 0:28:05 | |
but very kind! | 0:28:05 | 0:28:07 | |
I like Victor's library. | 0:28:07 | 0:28:09 | |
Especially the stained glass! | 0:28:09 | 0:28:11 | |
He has definitely a gift for organisation. | 0:28:11 | 0:28:15 | |
Your brother is a talent. | 0:28:15 | 0:28:17 | |
If only he could find a way to use it that makes him happy. | 0:28:17 | 0:28:20 | |
I know. I would like to propose a deal to you, Harold. | 0:28:20 | 0:28:25 | |
A deal? That sounds intriguing. | 0:28:25 | 0:28:27 | |
I will get your top-secret file for you. | 0:28:27 | 0:28:30 | |
How? With the letter I suggested? | 0:28:30 | 0:28:32 | |
We still need to find a way to protect you in that case. | 0:28:32 | 0:28:35 | |
Don't worry, I think I know how to do it. | 0:28:35 | 0:28:37 | |
-But you must discuss it with me, first. -Of course. | 0:28:37 | 0:28:41 | |
And in exchange for me getting it, | 0:28:41 | 0:28:43 | |
I need you to spend time with the perfume lady. | 0:28:43 | 0:28:45 | |
Ah... | 0:28:45 | 0:28:47 | |
I wasn't expecting that! | 0:28:47 | 0:28:49 | |
Distract her, keep her occupied. | 0:28:49 | 0:28:51 | |
And if, by any chance, | 0:28:51 | 0:28:52 | |
you manage to get the formula out of her for this bloody scent. | 0:28:52 | 0:28:56 | |
That would save me an awful lot of work. | 0:28:56 | 0:28:59 | |
KEYS CLACK | 0:28:59 | 0:29:01 | |
VEHICLES APPROACH | 0:29:01 | 0:29:02 | |
< COMMOTION | 0:29:05 | 0:29:07 | |
< Start unloading! | 0:29:08 | 0:29:10 | |
Which one of you is, Miss Griffiths? | 0:29:20 | 0:29:22 | |
That's me. | 0:29:22 | 0:29:23 | |
That certainly is a surprise. | 0:29:29 | 0:29:31 | |
Good Lord! | 0:29:31 | 0:29:33 | |
Captain Ferguson has arranged for us to stay in this office | 0:29:33 | 0:29:36 | |
for a few more months. Why has he done that? | 0:29:36 | 0:29:39 | |
I sent a telegram. | 0:29:44 | 0:29:47 | |
Captain Ferguson, T-Force. | 0:29:47 | 0:29:50 | |
I believe I'm expected. | 0:29:50 | 0:29:51 | |
I've requested to see some files from a particular week in 1938. | 0:29:51 | 0:29:56 | |
It's a rather urgent matter for those of us who love aeroplanes. | 0:29:56 | 0:30:00 | |
Callum gave me this bottle of perfume... | 0:30:01 | 0:30:03 | |
-Oh, one of them was for you, was it? -It is a delightful smell. | 0:30:03 | 0:30:07 | |
It is. Do you want to know what's in it..? How it's made? | 0:30:07 | 0:30:11 | |
I would be fascinated to hear. | 0:30:11 | 0:30:13 | |
I'm certain you would! | 0:30:13 | 0:30:15 | |
Why don't you try to guess. | 0:30:15 | 0:30:18 | |
Orange possibly..? | 0:30:22 | 0:30:24 | |
Peach..? | 0:30:24 | 0:30:25 | |
No, no, no! | 0:30:25 | 0:30:27 | |
No peach or orange. | 0:30:27 | 0:30:29 | |
Let me give you a little help. | 0:30:29 | 0:30:31 | |
Eau de cologne, for instance, contains, amongst other things, | 0:30:31 | 0:30:36 | |
lemon, tangerine, lime, | 0:30:36 | 0:30:39 | |
grapefruit, lavender, rosemary, jasmine, and tobacco. | 0:30:39 | 0:30:46 | |
None of those are in there. | 0:30:48 | 0:30:50 | |
You know, it's sad Captain Ferguson sent you to do his work for him. | 0:30:51 | 0:30:56 | |
We will have to keep jam jars on our desks at all times clearly. | 0:31:14 | 0:31:18 | |
So, why do you think we've been sent these now? | 0:31:18 | 0:31:20 | |
To keep us occupied, I guess. | 0:31:22 | 0:31:24 | |
-To get us off their backs. -Exactly. | 0:31:24 | 0:31:26 | |
And no doubt they've sifted through them for anything | 0:31:26 | 0:31:29 | |
-that might get in the way of their work. -Yes. | 0:31:29 | 0:31:32 | |
Maybe they've removed everything of interest. | 0:31:32 | 0:31:35 | |
But you never know. | 0:31:36 | 0:31:38 | |
Unfortunately, it doesn't seem to be here. | 0:32:01 | 0:32:05 | |
But the meeting definitely did take place on this week. | 0:32:06 | 0:32:09 | |
-I couldn't have a look at Saturday's file, could I? -Saturday? | 0:32:09 | 0:32:12 | |
There are very few meetings ever held here on a Saturday. | 0:32:12 | 0:32:15 | |
Please. It is rather important. | 0:32:15 | 0:32:18 | |
Don't worry. I won't go anywhere. | 0:32:18 | 0:32:21 | |
-Any luck? -There were no meetings on that Saturday. | 0:33:00 | 0:33:03 | |
So, what is going to happen here? | 0:33:03 | 0:33:05 | |
You're going to change everything? | 0:33:05 | 0:33:08 | |
People spouting poetry?! | 0:33:08 | 0:33:10 | |
Hopefully, not "spouting". | 0:33:10 | 0:33:11 | |
But I thought I could try something different here once a week. | 0:33:11 | 0:33:16 | |
Take a risk! And you'll be part of it, Eva, please? | 0:33:16 | 0:33:21 | |
I will. | 0:33:23 | 0:33:25 | |
Good. | 0:33:25 | 0:33:26 | |
But they'll be fighting for the exit, | 0:33:26 | 0:33:28 | |
-there'll be a stampede to get out of here, you know? -Almost certainly. | 0:33:28 | 0:33:33 | |
Hello, Victor. | 0:33:41 | 0:33:43 | |
I'd heard you were sorting this stuff out. | 0:33:43 | 0:33:45 | |
-You all right? -Yes. | 0:33:49 | 0:33:51 | |
I'm honoured to have a visitor here - especially you. | 0:33:52 | 0:33:55 | |
I rarely see anyone. | 0:33:55 | 0:33:57 | |
I was told there was an old chandelier somewhere here | 0:33:58 | 0:34:01 | |
and I just wanted to take a look at it. | 0:34:01 | 0:34:03 | |
I'm planning a sort of gala event in the basement. | 0:34:03 | 0:34:07 | |
It's over there. | 0:34:09 | 0:34:11 | |
It is rather beautiful. | 0:34:11 | 0:34:13 | |
Mmm. | 0:34:13 | 0:34:14 | |
You sure you're all right? | 0:34:15 | 0:34:17 | |
It must be really difficult being down here on your own. | 0:34:17 | 0:34:20 | |
No, no, I can do this job. | 0:34:20 | 0:34:23 | |
It's sometimes I...have these memories, | 0:34:23 | 0:34:27 | |
when it comes back, the fighting. | 0:34:27 | 0:34:30 | |
I'm sure everybody has them, it's nothing special. | 0:34:32 | 0:34:35 | |
But I was caught up in the merry show at Monte Cassino, | 0:34:35 | 0:34:38 | |
which was quite a battle. And, sometimes, it... | 0:34:38 | 0:34:41 | |
Nothing. | 0:34:47 | 0:34:48 | |
It's gone for the moment! | 0:34:50 | 0:34:52 | |
-Callum has them, too, you know? -Does he? | 0:34:52 | 0:34:55 | |
I'm sure he'll tell you one day. And so will I. | 0:34:55 | 0:34:58 | |
But, right now, I have this VITAL job to do, as you can see. | 0:34:58 | 0:35:02 | |
Extraordinary. | 0:35:05 | 0:35:07 | |
It's all here, yes. | 0:35:07 | 0:35:10 | |
The plan to overthrow Hitler before the war. | 0:35:10 | 0:35:12 | |
-Did you read it? -I didn't no. | 0:35:13 | 0:35:16 | |
I wanted to, I just didn't think I should until... | 0:35:16 | 0:35:19 | |
Quite right. Thank you. | 0:35:19 | 0:35:20 | |
And you really got it just by strolling into the Foreign Office | 0:35:20 | 0:35:24 | |
with that ridiculous story about aeroplanes? | 0:35:24 | 0:35:27 | |
I wish you hadn't done that! | 0:35:27 | 0:35:29 | |
I told you to wait, didn't I? | 0:35:29 | 0:35:30 | |
I told you to wait and to discuss it with me. | 0:35:30 | 0:35:33 | |
And you promised to do that. | 0:35:33 | 0:35:35 | |
I saw a chance to get it and so I decided to do it. | 0:35:35 | 0:35:38 | |
You shouldn't have done that, Callum! | 0:35:38 | 0:35:40 | |
That was completely irresponsible and reckless! | 0:35:40 | 0:35:44 | |
And stupid! Why on earth did you do it?! | 0:35:44 | 0:35:47 | |
You wanted the file and so I got it for you. | 0:35:47 | 0:35:50 | |
I don't know why you're so angry. | 0:35:50 | 0:35:52 | |
I mean, it's my neck on the line, not yours?! | 0:35:52 | 0:35:54 | |
Exactly, and that's what worries me! | 0:35:54 | 0:35:56 | |
I can't bear to think of the appalling trouble | 0:35:56 | 0:35:58 | |
you could get into because of this! | 0:35:58 | 0:36:01 | |
I couldn't forgive myself! | 0:36:01 | 0:36:03 | |
That is not going to happen, Harold. | 0:36:03 | 0:36:06 | |
I'm absolutely certain. | 0:36:06 | 0:36:08 | |
I never thought... | 0:36:22 | 0:36:24 | |
You'd ever see me on my hands and knees painting?! | 0:36:26 | 0:36:29 | |
Exactly. I could have sent someone to do that for you. | 0:36:29 | 0:36:32 | |
Would that be somebody from the Army or the hotel? | 0:36:32 | 0:36:34 | |
Or do you run both now? | 0:36:34 | 0:36:36 | |
I can paint a backdrop myself, for Christ's sake. | 0:36:36 | 0:36:40 | |
PHONE RINGS | 0:36:40 | 0:36:42 | |
Which may or may not change, depending upon how I feel. | 0:36:43 | 0:36:46 | |
-Don't look at me, it's going to be for you. -All right. | 0:36:49 | 0:36:53 | |
No, it won't. Well, it can't be. | 0:36:53 | 0:36:55 | |
-It always is, Callum. -Oh, it won't be! | 0:36:55 | 0:36:58 | |
Hello. | 0:37:00 | 0:37:02 | |
'I have a call for Captain Ferguson.' | 0:37:02 | 0:37:04 | |
Captain Ferguson, I've found somebody I want | 0:37:04 | 0:37:06 | |
in the files you gave me. | 0:37:06 | 0:37:08 | |
-Oh, good! I'm glad they were of use. -'Yes, they were.' | 0:37:08 | 0:37:12 | |
And thank you. | 0:37:12 | 0:37:14 | |
She's called Birgit Mentz. She worked with Kleinow. | 0:37:14 | 0:37:17 | |
They interrogated many of our agents together | 0:37:17 | 0:37:20 | |
and tortured them before they were executed. | 0:37:20 | 0:37:24 | |
She's, therefore, a crucial witness. | 0:37:24 | 0:37:26 | |
You're holding her at a place in Colchester. | 0:37:26 | 0:37:29 | |
No, no, no, no. That's not us. That'll be MI19. | 0:37:29 | 0:37:32 | |
So, there's nothing you can do, then? | 0:37:32 | 0:37:34 | |
'Did I say that? How about this?' | 0:37:34 | 0:37:36 | |
I get her brought to London so that you can take a look at her. | 0:37:36 | 0:37:39 | |
-Will they let you do that? -'If she's proving not much use to anybody...' | 0:37:39 | 0:37:43 | |
I expect they will. | 0:37:43 | 0:37:45 | |
Fraulein Mentz. | 0:37:54 | 0:37:56 | |
I'm Kathy Griffiths. | 0:37:56 | 0:37:58 | |
I realise you've only been here in London for a few hours, | 0:37:58 | 0:38:02 | |
but they're treating you all right, are they? | 0:38:02 | 0:38:05 | |
I would try to say it in German, but I know that you speak good English. | 0:38:05 | 0:38:09 | |
I've come to see you, because I have a proposition to put to you. | 0:38:09 | 0:38:14 | |
Lotte! | 0:38:25 | 0:38:27 | |
Not sure you should be here. This is a restricted area now. | 0:38:27 | 0:38:30 | |
But I'm sure we can make an exception for you. | 0:38:30 | 0:38:33 | |
Come on! I'll show you round. | 0:38:33 | 0:38:35 | |
It's changed a lot, hasn't it? | 0:38:35 | 0:38:37 | |
Of course, you know your father's a genius. | 0:38:39 | 0:38:43 | |
Who's a genius? | 0:38:43 | 0:38:44 | |
You...are a genius. | 0:38:44 | 0:38:46 | |
He knows it, of course, | 0:38:46 | 0:38:47 | |
but he likes to have it said at least once a day. | 0:38:47 | 0:38:50 | |
-MUSIC PLAYS -At least! Come, Lotte. | 0:38:50 | 0:38:53 | |
HE SPEAKS IN GERMAN | 0:38:53 | 0:38:55 | |
DOOR OPENS | 0:38:55 | 0:38:57 | |
How did that go? | 0:39:01 | 0:39:02 | |
Not well. She wouldn't talk to me or even look at me, really. | 0:39:02 | 0:39:06 | |
Thank you for getting her here, though. | 0:39:06 | 0:39:09 | |
There's no need to keep thanking me. | 0:39:09 | 0:39:11 | |
You won't get anything out of her locked up in this place, | 0:39:15 | 0:39:18 | |
she's not going to agree to give evidence like this. | 0:39:18 | 0:39:20 | |
You have to get to know her. | 0:39:20 | 0:39:22 | |
-Take her for a night out. -Take her out?! | 0:39:22 | 0:39:25 | |
Yes, for a drink, | 0:39:25 | 0:39:27 | |
a night on the town. | 0:39:27 | 0:39:29 | |
That's a ridiculous idea! | 0:39:29 | 0:39:31 | |
It'd be a total disaster. | 0:39:31 | 0:39:33 | |
You have to take a chance. | 0:39:33 | 0:39:35 | |
Is this what I do or not? | 0:39:35 | 0:39:37 | |
What if I lost her? What if she ran away? | 0:39:37 | 0:39:40 | |
Bring her to the hotel. And buy her some new clothes. | 0:39:40 | 0:39:43 | |
MUFFLED MUSIC PLAYING | 0:39:43 | 0:39:45 | |
DOOR OPENS | 0:39:52 | 0:39:53 | |
I brought you a drink. | 0:39:58 | 0:40:00 | |
-Thanks. Feeling guilty, are you? -About what? | 0:40:00 | 0:40:03 | |
Keeping me guarded like this. | 0:40:03 | 0:40:05 | |
Punishing me for finding the file about Dieter. | 0:40:05 | 0:40:07 | |
I'm not punishing you, Victor, | 0:40:07 | 0:40:09 | |
and it seems like it's going rather well. | 0:40:09 | 0:40:11 | |
I'm working for you, really, since you're running the hotel now. | 0:40:11 | 0:40:14 | |
By the way, I've given the files | 0:40:14 | 0:40:15 | |
that you pulled out of the rubbish back to Miss Griffiths. | 0:40:15 | 0:40:18 | |
Turns out they're proving rather useful. | 0:40:18 | 0:40:20 | |
Seems what you did paid off, after all. | 0:40:20 | 0:40:23 | |
DOOR CLOSES | 0:40:23 | 0:40:25 | |
Good evening, Kathy. | 0:40:29 | 0:40:31 | |
You looking forward to this? | 0:40:31 | 0:40:33 | |
Not exactly. | 0:40:33 | 0:40:35 | |
It feels very strange, taking her out. | 0:40:35 | 0:40:38 | |
I thought it might. So, Julia here is kindly going to lend a hand. | 0:40:38 | 0:40:42 | |
Hello. It's bloody freezing, isn't it?! I shouldn't be wearing this. | 0:40:42 | 0:40:46 | |
As always! | 0:40:46 | 0:40:47 | |
I thought it might be easier with the two of you, not just you alone. | 0:40:49 | 0:40:52 | |
But, you see, you're not going to be here? Even in the beginning? | 0:40:52 | 0:40:55 | |
No, I can't. I have an engagement. | 0:40:55 | 0:40:58 | |
Don't worry, Julia here's been thoroughly briefed. | 0:40:58 | 0:41:01 | |
Besides, you'll get on much better without me. | 0:41:01 | 0:41:04 | |
Well, thank you for being here. | 0:41:10 | 0:41:12 | |
-God knows what's going to happen...! -Yes, well, we'll just plunge in. | 0:41:13 | 0:41:17 | |
I'm not sure there's a good way of doing this. | 0:41:17 | 0:41:19 | |
Callum seems to think I have a talent for entertaining Nazis. | 0:41:19 | 0:41:23 | |
SHE CHUCKLES | 0:41:23 | 0:41:25 | |
Here she is. | 0:41:25 | 0:41:27 | |
Welcome to the Connington Hotel, Fraulein Mentz, | 0:41:32 | 0:41:35 | |
where, nowadays, everybody has a good time. | 0:41:35 | 0:41:38 | |
They've got the heating on full blast | 0:41:40 | 0:41:42 | |
and it's making no difference at all! | 0:41:42 | 0:41:45 | |
I'm so glad you agreed to this meal. | 0:41:45 | 0:41:47 | |
Of course, I'd agree. | 0:41:47 | 0:41:48 | |
I must apologise for my extraordinary outburst. | 0:41:48 | 0:41:51 | |
-You managed to take me completely by surprise. -No, no, no. | 0:41:51 | 0:41:54 | |
I'm sorry, it's just my favourite way of working, | 0:41:54 | 0:41:57 | |
always seems to get me results. | 0:41:57 | 0:41:59 | |
So... | 0:41:59 | 0:42:02 | |
It was really useful, was it, the document? | 0:42:02 | 0:42:05 | |
It's dynamite. | 0:42:05 | 0:42:07 | |
Everything is there. The people that turned down the chance, | 0:42:07 | 0:42:11 | |
or, at least, the very real possibility | 0:42:11 | 0:42:14 | |
of getting rid of Hitler in 1938. | 0:42:14 | 0:42:16 | |
If that military coup had actually happened... | 0:42:16 | 0:42:18 | |
There might not have been a war. | 0:42:18 | 0:42:20 | |
Exactly. | 0:42:20 | 0:42:22 | |
They're all named - those that were present at that crucial meeting | 0:42:22 | 0:42:26 | |
and the evidence they were given. | 0:42:26 | 0:42:28 | |
It absolutely confirms that these German generals | 0:42:28 | 0:42:31 | |
who were going to launch the coup - | 0:42:31 | 0:42:33 | |
the only thing they wanted was for us to announce | 0:42:33 | 0:42:36 | |
that we'd definitely go to war if Hitler invaded Czechoslovakia, | 0:42:36 | 0:42:40 | |
that's all they required to trigger the coup. | 0:42:40 | 0:42:43 | |
Because they felt the German people | 0:42:43 | 0:42:45 | |
had no appetite for war at that moment - | 0:42:45 | 0:42:47 | |
and, therefore, they could justify their action. | 0:42:47 | 0:42:50 | |
So, are you going to make this all public? | 0:42:50 | 0:42:53 | |
Yes, but how I do it | 0:42:53 | 0:42:55 | |
needs very careful thought. | 0:42:55 | 0:42:57 | |
The best chance I have, I think, is at a Foreign Office dinner | 0:42:57 | 0:43:01 | |
they're giving in my honour, if I can reveal it suddenly, | 0:43:01 | 0:43:05 | |
in a seemingly spontaneous way in my speech, | 0:43:05 | 0:43:08 | |
then the information could have come | 0:43:08 | 0:43:10 | |
-from any number of people, couldn't it? -Yes! | 0:43:10 | 0:43:13 | |
And I have a journalist friend I trust, | 0:43:13 | 0:43:15 | |
who I will make sure is there that night to hear it. | 0:43:15 | 0:43:18 | |
I love the idea of shaming those responsible, | 0:43:18 | 0:43:20 | |
putting a bomb under them, | 0:43:20 | 0:43:22 | |
not letting the guilty men get away with it! | 0:43:22 | 0:43:25 | |
You could cause a sensation, Harold. | 0:43:25 | 0:43:27 | |
A sensation would be good, even a small one. | 0:43:29 | 0:43:33 | |
I'm pretty sure I've never caused one before. | 0:43:33 | 0:43:35 | |
Do you like the movies Fraulein Mentz? | 0:43:35 | 0:43:38 | |
A little. | 0:43:38 | 0:43:39 | |
I haven't been to one in a long time, of course. | 0:43:41 | 0:43:44 | |
-Well, we should try and do something about that. -I'm in the movies! | 0:43:44 | 0:43:47 | |
Well after a fashion, I've just did my first one. | 0:43:47 | 0:43:50 | |
I had my own dressing room. Very thin walls. | 0:43:50 | 0:43:54 | |
I could hear everything the actress did next door, | 0:43:54 | 0:43:57 | |
including having sex very loudly | 0:43:57 | 0:44:00 | |
during nearly every lunch break! | 0:44:00 | 0:44:02 | |
Made me quite jealous. | 0:44:02 | 0:44:04 | |
Awful, isn't it? But I admit it! | 0:44:05 | 0:44:07 | |
During the war, I had so many lovers. | 0:44:07 | 0:44:10 | |
Much harder now, of course. | 0:44:10 | 0:44:12 | |
Come on, Mr Ferguson, you've no business in there. | 0:44:22 | 0:44:24 | |
Marvellous, aren't they? | 0:44:30 | 0:44:32 | |
Thank God seafood isn't rationed! | 0:44:32 | 0:44:34 | |
And, of course, you have every excuse | 0:44:34 | 0:44:37 | |
to gorge yourself tonight. The plan. | 0:44:37 | 0:44:39 | |
But, you know, I would never do | 0:44:39 | 0:44:41 | |
anything that would endanger you in any way. | 0:44:41 | 0:44:44 | |
Of course, I know that. | 0:44:44 | 0:44:45 | |
I hope it's obvious. I've grown very fond of you and your brother. | 0:44:45 | 0:44:49 | |
You both have such energy - | 0:44:49 | 0:44:52 | |
-and anger, too, of course. -Well, rage more like! | 0:44:52 | 0:44:55 | |
Hopefully not rage. That can get one into serious trouble. | 0:44:55 | 0:44:59 | |
You know the strange thing about me, Callum, | 0:44:59 | 0:45:02 | |
and I would never say this to anyone else | 0:45:02 | 0:45:04 | |
because it can be misinterpreted, | 0:45:04 | 0:45:07 | |
but I have a great capacity for love, | 0:45:07 | 0:45:09 | |
for parental love in particular. | 0:45:09 | 0:45:12 | |
-If one is allowed to say that about one's self. -Of course one is. | 0:45:12 | 0:45:16 | |
I have no children, as you know, but there is Lucy, thank goodness, | 0:45:16 | 0:45:20 | |
my brother's child. He and his wife were killed in the war. | 0:45:20 | 0:45:23 | |
We came off very badly as a family. | 0:45:23 | 0:45:26 | |
My wife, too, of course. | 0:45:26 | 0:45:28 | |
Three deaths. | 0:45:28 | 0:45:30 | |
So... | 0:45:30 | 0:45:32 | |
I have this talent for loving people | 0:45:32 | 0:45:36 | |
and the need to use it. | 0:45:36 | 0:45:39 | |
I've never told anybody that. | 0:45:40 | 0:45:42 | |
I'm glad you've told me. | 0:45:44 | 0:45:46 | |
Men betray us, don't they? | 0:45:46 | 0:45:47 | |
Do they? | 0:45:48 | 0:45:50 | |
-Always. -They do, and they get away with it nearly every time, | 0:45:50 | 0:45:54 | |
because they think we're not going to do anything about it. | 0:45:54 | 0:45:57 | |
Something will always stop us. But it doesn't need to. | 0:45:57 | 0:46:01 | |
I have to go now. | 0:46:04 | 0:46:06 | |
Well, that was a bit clumsy, wasn't it? | 0:46:12 | 0:46:14 | |
I was a bit loud. I didn't really get her to say anything at all. | 0:46:14 | 0:46:18 | |
No, you did brilliantly, thank you. | 0:46:18 | 0:46:20 | |
Well, it's good preparation for me, at least. | 0:46:22 | 0:46:24 | |
I'm going on tour tomorrow up North, | 0:46:24 | 0:46:27 | |
to do a funny old play called Daggers Drawn. | 0:46:27 | 0:46:30 | |
I play a murderess! | 0:46:30 | 0:46:32 | |
THEY LAUGH | 0:46:32 | 0:46:34 | |
My God, fog now? | 0:46:34 | 0:46:36 | |
Ice and fog - what more can they throw at us tonight?! | 0:46:36 | 0:46:38 | |
-We'll never get a cab, Callum. -TRAFFIC BUSTLE, SHOUTING | 0:46:38 | 0:46:41 | |
Oh, yes, we will. You're forgetting how competitive I am. | 0:46:41 | 0:46:45 | |
Come on, let's get ahead of this lot! | 0:46:45 | 0:46:47 | |
TRAFFIC BUSTLE | 0:46:47 | 0:46:49 | |
HAROLD GROANS | 0:46:58 | 0:47:00 | |
Harold? | 0:47:00 | 0:47:02 | |
Harold! Harold! What's happened? | 0:47:02 | 0:47:05 | |
-Get me home. -What's happened?! | 0:47:05 | 0:47:07 | |
Taxi! | 0:47:08 | 0:47:09 | |
Can you move, Harold? | 0:47:09 | 0:47:11 | |
Taxi! Taxi! | 0:47:13 | 0:47:15 | |
HAROLD GROANS | 0:47:15 | 0:47:18 | |
Stop! Stop! | 0:47:18 | 0:47:20 | |
Get the hell out of the way, I'm booked, mate. | 0:47:20 | 0:47:23 | |
No, you're fucking not. This is an emergency! | 0:47:23 | 0:47:25 | |
Can you move? Harold! | 0:47:28 | 0:47:30 | |
Nod if you can move. | 0:47:30 | 0:47:32 | |
Up we go, that's it. | 0:47:32 | 0:47:34 | |
HE GASPS FOR AIR To the hospital! | 0:47:34 | 0:47:36 | |
Just take me home. It's the oysters. Bloody oysters! | 0:47:36 | 0:47:39 | |
HE BREATHES CALMLY | 0:47:41 | 0:47:43 | |
I thought you were dying, Harold. | 0:47:44 | 0:47:47 | |
That you'd had a heart attack. | 0:47:47 | 0:47:49 | |
Or the Intelligence Service | 0:47:50 | 0:47:53 | |
had poisoned you because of your plan. | 0:47:53 | 0:47:55 | |
You would think that. | 0:47:55 | 0:47:58 | |
It's because you're one of them. | 0:47:58 | 0:48:00 | |
It was the oysters. | 0:48:02 | 0:48:03 | |
I overindulged massively. | 0:48:04 | 0:48:07 | |
Thank you... | 0:48:09 | 0:48:10 | |
..for being so good to me. | 0:48:12 | 0:48:13 | |
Don't be stupid. | 0:48:13 | 0:48:15 | |
I promise I'm not going to conk out yet, not a bit of it! | 0:48:15 | 0:48:19 | |
I've got so much to do. | 0:48:21 | 0:48:23 | |
Both of us have. | 0:48:24 | 0:48:26 | |
So, we're getting closer to the big day as you can see. | 0:48:26 | 0:48:30 | |
First, we do a test for ourselves, of course. | 0:48:30 | 0:48:33 | |
Well, we've been getting close for quite a while now. | 0:48:33 | 0:48:35 | |
What are we talking about? When can we see something? | 0:48:35 | 0:48:39 | |
A few weeks. A couple of months? | 0:48:39 | 0:48:41 | |
A couple of months?! | 0:48:41 | 0:48:43 | |
-You're getting impatient now, Callum, are you? -A little, yes! | 0:48:43 | 0:48:47 | |
I need results as much as anybody. | 0:48:47 | 0:48:49 | |
Yes, of course. | 0:48:49 | 0:48:51 | |
And now I have something else very special to tell you, Callum. | 0:48:51 | 0:48:54 | |
Before I tell you, I need to know something. | 0:49:00 | 0:49:03 | |
Callum, do you believe me? | 0:49:03 | 0:49:06 | |
About my work at Nordhausen? | 0:49:06 | 0:49:08 | |
I'm doing my best to believe you. | 0:49:08 | 0:49:10 | |
I hope you check the facts in any way you can. | 0:49:10 | 0:49:13 | |
We are - in Germany. | 0:49:13 | 0:49:15 | |
But I haven't received any information back yet. | 0:49:16 | 0:49:18 | |
Then hurry them up. | 0:49:18 | 0:49:20 | |
The reason it's so important you believe me | 0:49:20 | 0:49:22 | |
is I like to think we're almost friends. | 0:49:22 | 0:49:24 | |
If there is such a thing as "almost friends"? | 0:49:26 | 0:49:30 | |
Well, I'm not sure that there is. | 0:49:30 | 0:49:32 | |
but it doesn't matter. | 0:49:32 | 0:49:34 | |
We are friends. | 0:49:34 | 0:49:36 | |
Good. | 0:49:36 | 0:49:37 | |
So, I can tell you. | 0:49:38 | 0:49:40 | |
Nobody must know this. | 0:49:40 | 0:49:42 | |
It's a total secret. | 0:49:42 | 0:49:43 | |
-But I'm getting married. -Married?! -Yes, married! | 0:49:45 | 0:49:49 | |
We haven't told anybody so far. Not even Lotte knows yet! | 0:49:49 | 0:49:53 | |
I knew you two liked each other, but marriage?! | 0:49:54 | 0:49:57 | |
-That is a surprise, Dieter... -Oh, no! Excuse me, Callum, not her! | 0:49:57 | 0:50:02 | |
I'm not marrying her - as much as I like her. | 0:50:02 | 0:50:04 | |
Well, then, who the hell are you marrying, Dieter?! | 0:50:04 | 0:50:07 | |
Doesn't she look enchanting? | 0:50:09 | 0:50:10 | |
-She does. -My friend, another thing I haven't told anybody, | 0:50:12 | 0:50:17 | |
except her, of course, | 0:50:17 | 0:50:19 | |
I love her so much. | 0:50:21 | 0:50:23 | |
It's the most amazing feeling. | 0:50:23 | 0:50:26 | |
It's still a secret, of course, I will tell Lotte nearer the time. | 0:50:26 | 0:50:30 | |
Oh, come to help, you two? | 0:50:35 | 0:50:37 | |
Not before time. We open in two hours! | 0:50:37 | 0:50:41 | |
The big question is, will anybody show up? | 0:50:42 | 0:50:45 | |
HUM OF CONVERSATION | 0:50:59 | 0:51:01 | |
So, I want to welcome you all here... | 0:51:08 | 0:51:11 | |
DRUMROLL PLAYS | 0:51:11 | 0:51:14 | |
Thank you! I've never made a speech after a drumroll before. | 0:51:14 | 0:51:17 | |
I've hardly ever made a speech at all. | 0:51:17 | 0:51:19 | |
But I just wanted to say a few words about the purpose of this evening | 0:51:19 | 0:51:23 | |
and I sincerely hope that it won't be the last one. | 0:51:23 | 0:51:26 | |
It is a mixture of music and poetry, | 0:51:26 | 0:51:28 | |
some of it old, a lot of it new. | 0:51:28 | 0:51:30 | |
It is, if you like, | 0:51:30 | 0:51:32 | |
like jazz and classical | 0:51:32 | 0:51:34 | |
all muddled up together. | 0:51:34 | 0:51:37 | |
There are no boundaries here, no categories. | 0:51:37 | 0:51:39 | |
But to make you feel at home, | 0:51:39 | 0:51:41 | |
we're going to start with the familiar. | 0:51:41 | 0:51:44 | |
So please, welcome the wonderful Eva and her musicians. | 0:51:44 | 0:51:49 | |
APPLAUSE | 0:51:49 | 0:51:52 | |
But with something new! | 0:51:54 | 0:51:56 | |
Hang on, everybody! | 0:51:56 | 0:51:58 | |
THEY PLAY FAST SWING MUSIC | 0:51:58 | 0:52:00 | |
Now I'm doing this | 0:52:23 | 0:52:24 | |
because I know how terrifying it is reading in public. | 0:52:24 | 0:52:28 | |
I am, in fact, terrified, | 0:52:28 | 0:52:30 | |
because I don't usually make a habit of doing this - performing. | 0:52:30 | 0:52:34 | |
But I know if I do it, however badly, | 0:52:34 | 0:52:38 | |
others of you will come up and read your poetry to us. | 0:52:38 | 0:52:41 | |
Now, I'm no poet myself, of course, | 0:52:41 | 0:52:43 | |
but I would like to read a poem by a fellow American, | 0:52:43 | 0:52:46 | |
Emily Dickinson, who is not nearly as well known in London | 0:52:46 | 0:52:49 | |
as she should be, in my opinion. | 0:52:49 | 0:52:51 | |
SHE CLEARS HER THROAT | 0:52:51 | 0:52:53 | |
I taste a liquor never brewed | 0:52:53 | 0:52:56 | |
From tankards scooped in pearl | 0:52:56 | 0:52:58 | |
Not all the vats upon the Rhine | 0:52:59 | 0:53:02 | |
Yield such an alcohol | 0:53:02 | 0:53:04 | |
Inebriate of air, am I | 0:53:05 | 0:53:08 | |
And debauchee of dew | 0:53:08 | 0:53:10 | |
Reeling, through endless summer days | 0:53:12 | 0:53:16 | |
From inns of molten blue. | 0:53:16 | 0:53:18 | |
Victor! | 0:53:30 | 0:53:31 | |
What are you doing here?! | 0:53:31 | 0:53:33 | |
That's not much of a greeting. I need to talk to you urgently. | 0:53:33 | 0:53:36 | |
Can you wait outside? | 0:53:37 | 0:53:39 | |
-Victor, I only have a second. -Yes, now, I have to tell you this, | 0:53:43 | 0:53:46 | |
because it is very important. | 0:53:46 | 0:53:48 | |
I've got some more files! I buried some in the garden. | 0:53:48 | 0:53:52 | |
-Buried some in the garden? -Yes, now, I've just dug them up, | 0:53:52 | 0:53:55 | |
so I haven't had a real chance to read them yet, | 0:53:55 | 0:53:57 | |
but I think there may be some really good new information there. | 0:53:57 | 0:54:00 | |
And I thought that we should go through them together. | 0:54:00 | 0:54:03 | |
Well, we're a team now, aren't we? And it works best together so... | 0:54:03 | 0:54:06 | |
Victor, I can't at the moment. | 0:54:06 | 0:54:08 | |
You're too busy for that? | 0:54:08 | 0:54:10 | |
You can't be! | 0:54:13 | 0:54:14 | |
I've made an important contact, | 0:54:14 | 0:54:16 | |
Callum helped me meet her. | 0:54:16 | 0:54:18 | |
She worked with Kleinow. I'm seeing if there's anything I can do | 0:54:18 | 0:54:22 | |
to get her to give evidence at his trial. | 0:54:22 | 0:54:24 | |
I'm spending some time with her. | 0:54:24 | 0:54:27 | |
I see. Taking her out in the evening, are you, for a few drinks? | 0:54:27 | 0:54:30 | |
Giving those Nazis a whale of a time(!) | 0:54:30 | 0:54:32 | |
Everybody's doing it now, aren't they? You and Callum... | 0:54:32 | 0:54:35 | |
Yes, I'm using his methods, because they might just work. | 0:54:35 | 0:54:37 | |
Listen, Victor, I really appreciate your wanting to help, | 0:54:37 | 0:54:40 | |
but I have everything I need right now. I must go. | 0:54:40 | 0:54:44 | |
So, you just don't want the files? | 0:54:44 | 0:54:46 | |
Yes, that's what you're saying? You're not interested?! | 0:54:46 | 0:54:49 | |
I'm not saying that, of course. But, Victor, I have to go. | 0:54:49 | 0:54:52 | |
I don't want any trouble, please. | 0:54:53 | 0:54:54 | |
-It's the last thing I need tonight. -So, I've become trouble now, have I? | 0:54:54 | 0:54:58 | |
-That's so easy to say about me, isn't it? -No, no. | 0:54:59 | 0:55:03 | |
Victor, I have to go. | 0:55:03 | 0:55:04 | |
The Winter Cottage. | 0:55:13 | 0:55:14 | |
Dead shore that lies beyond the cottage walls | 0:55:14 | 0:55:19 | |
Crunching under my feet in moonlight, scaly cold... | 0:55:19 | 0:55:24 | |
DOOR OPENS | 0:55:24 | 0:55:26 | |
I'm going to be very bold, Frau Bellinghausen. | 0:55:29 | 0:55:32 | |
Bold? Do you think that's a good idea? | 0:55:32 | 0:55:35 | |
Probably not, and this may be the last conversation we ever have, | 0:55:35 | 0:55:38 | |
but I'm going to suggest you leave this room tonight, | 0:55:38 | 0:55:41 | |
and sample a little of what's happening. | 0:55:41 | 0:55:44 | |
Go downstairs? | 0:55:44 | 0:55:46 | |
To see this event? | 0:55:46 | 0:55:47 | |
I couldn't possibly do that. | 0:55:47 | 0:55:49 | |
I find it so difficult to be with other people at the moment, | 0:55:49 | 0:55:52 | |
in a crowd of any sort. | 0:55:52 | 0:55:54 | |
You won't need to go downstairs. | 0:55:54 | 0:55:55 | |
You're almost there. | 0:55:57 | 0:55:58 | |
Goodness! | 0:56:00 | 0:56:02 | |
Is this for me? | 0:56:02 | 0:56:04 | |
Yes, I had it prepared this evening. | 0:56:04 | 0:56:07 | |
And now, for an aria by Handel, accompanied by Jack here, | 0:56:07 | 0:56:12 | |
who usually plays jazz trumpet as you've seen | 0:56:12 | 0:56:15 | |
and he has never done this before. | 0:56:15 | 0:56:17 | |
Two sides of music coming together. | 0:56:17 | 0:56:20 | |
SHE SINGS ARIA | 0:56:23 | 0:56:25 | |
SINGING NEARBY This is surprise. That's Handel! | 0:56:38 | 0:56:41 | |
A German in London. | 0:56:43 | 0:56:45 | |
And I was an Englishwoman in Germany. | 0:56:47 | 0:56:49 | |
TRUMPET ACCOMPANIES SINGING | 0:56:49 | 0:56:50 | |
Yes, the trumpet playing is marvellous, isn't it? | 0:56:50 | 0:56:54 | |
Yes. | 0:56:54 | 0:56:56 | |
Music is such a strong force, isn't it? | 0:56:56 | 0:56:58 | |
Provokes such thoughts inside one. | 0:56:59 | 0:57:02 | |
HE PLAYS, SINGING CONTINUES | 0:57:03 | 0:57:05 | |
Go! Go! Go down there, please. | 0:57:17 | 0:57:20 | |
Don't miss it all because of me. That would be ridiculous. | 0:57:20 | 0:57:23 | |
-I don't have to leave yet. -Please, I have my own waiter and everything. | 0:57:23 | 0:57:27 | |
What luxury! | 0:57:28 | 0:57:29 | |
CRASHING | 0:58:24 | 0:58:26 | |
Ah! | 0:58:26 | 0:58:28 | |
Just thought I'd drop by to say hello! | 0:58:28 | 0:58:31 | |
Mr Ferguson! Your brother is not here. | 0:58:31 | 0:58:33 | |
No, no, I can see that. | 0:58:33 | 0:58:34 | |
I thought I'd show you I can get back into this hotel | 0:58:34 | 0:58:37 | |
without anybody at all noticing. | 0:58:37 | 0:58:39 | |
I also thought that it was time to tell the world | 0:58:39 | 0:58:42 | |
about what's going on. | 0:58:42 | 0:58:44 | |
How we're giving Nazis a night out on the town | 0:58:44 | 0:58:47 | |
and lovely new lives if we think they're worth it. | 0:58:47 | 0:58:50 | |
I'm pretty sure people would be very interested | 0:58:52 | 0:58:54 | |
to hear about that, don't you? | 0:58:54 | 0:58:56 | |
-VICTOR, ON TAPE: -'I thought I'd show you I can get back into this hotel | 0:59:11 | 0:59:14 | |
without anybody at all noticing! | 0:59:14 | 0:59:15 | |
'I also thought that it was time to tell the world | 0:59:15 | 0:59:18 | |
'about what's going on. How we're giving Nazis a night out on the town | 0:59:18 | 0:59:21 | |
'and lovely new lives if we think they're worth it. | 0:59:21 | 0:59:23 | |
'I'm pretty sure people would be very interested | 0:59:23 | 0:59:25 | |
'to hear about that, don't you?' | 0:59:25 | 0:59:27 |