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This programme contains some strong language | 0:00:02 | 0:00:03 | |
He has lied to you about everything. | 0:00:03 | 0:00:05 | |
I was never involved in ordering executions. | 0:00:05 | 0:00:07 | |
Alex came rushing back from work at lunchtime today. | 0:00:07 | 0:00:11 | |
I don't think he knows. Do you think he does? | 0:00:11 | 0:00:13 | |
It's dynamite. Everything is there. | 0:00:14 | 0:00:17 | |
The people that turned down the chance | 0:00:17 | 0:00:20 | |
of getting rid of Hitler in 1938. | 0:00:20 | 0:00:22 | |
-Are you going to make this all public? -Yes. | 0:00:22 | 0:00:25 | |
At a Foreign Office dinner they're giving in my honour. | 0:00:25 | 0:00:28 | |
You going to change everything? People spouting poetry. | 0:00:28 | 0:00:32 | |
-I'm getting married. -Married? -Yes! | 0:00:32 | 0:00:34 | |
We haven't told anybody so far. | 0:00:34 | 0:00:36 | |
I dropped by to say hello, | 0:00:36 | 0:00:38 | |
and I also thought that it was time to tell the world | 0:00:38 | 0:00:40 | |
about how we're giving Nazis a night out, | 0:00:40 | 0:00:43 | |
and lovely new lives if we think they're worth it. | 0:00:43 | 0:00:45 | |
'I'm pretty sure people would be very interested to hear about that.' | 0:00:45 | 0:00:49 | |
LOUD CHATTER | 0:00:50 | 0:00:53 | |
And now, we have the chance to hear some music. | 0:00:56 | 0:01:00 | |
A world premiere, in fact! | 0:01:00 | 0:01:02 | |
Mr Callum Ferguson is going to play his latest composition. Callum? | 0:01:02 | 0:01:08 | |
APPLAUSE | 0:01:08 | 0:01:11 | |
I have never been so terrified. | 0:01:15 | 0:01:17 | |
Fighting in Normandy was nothing compared to this! | 0:01:19 | 0:01:22 | |
SOULFUL MUSIC STARTS | 0:01:28 | 0:01:32 | |
DOOR SLAMS | 0:02:33 | 0:02:35 | |
Sorry. | 0:02:38 | 0:02:39 | |
No need to apologise. I am rather in the way. | 0:02:39 | 0:02:43 | |
I might have guessed that'd happen! | 0:02:43 | 0:02:45 | |
That's my brother playing! | 0:02:45 | 0:02:47 | |
You can tell from up here? | 0:02:47 | 0:02:49 | |
Yes, I know that tune. | 0:02:49 | 0:02:50 | |
Callum always tries out his new pieces on me, since we were little. | 0:02:50 | 0:02:55 | |
Ah, so you're the policeman's brother? | 0:02:55 | 0:02:57 | |
I'm very interested to meet you. | 0:02:57 | 0:02:59 | |
Yes, I'm Victor, and I guess you're the perfume lady? | 0:02:59 | 0:03:03 | |
I am, yes. | 0:03:03 | 0:03:04 | |
Very definitely the perfume lady. | 0:03:04 | 0:03:07 | |
Well, I won't stop, though. | 0:03:07 | 0:03:08 | |
Can't you? Even for a moment? | 0:03:08 | 0:03:11 | |
No, there are people looking for me, and I have much to do. | 0:03:11 | 0:03:14 | |
And what's more, I've just realised something. | 0:03:14 | 0:03:18 | |
What have you realised? | 0:03:18 | 0:03:20 | |
How everybody is moving on. | 0:03:20 | 0:03:21 | |
And that's just how it's going to be now. | 0:03:22 | 0:03:25 | |
Yes. | 0:03:25 | 0:03:26 | |
Yes, I'm not sure where I fit in at all, really. | 0:03:26 | 0:03:31 | |
Well, if it's any comfort, that makes two of us. | 0:03:31 | 0:03:35 | |
Me sitting here on the landing, too nervous to go downstairs. | 0:03:36 | 0:03:40 | |
And me charging about. | 0:03:40 | 0:03:42 | |
I'm sorry. | 0:03:45 | 0:03:46 | |
MUSIC ENDS | 0:03:54 | 0:03:57 | |
APPLAUSE | 0:03:57 | 0:04:00 | |
I take it all back. This man has a use after all! | 0:04:11 | 0:04:15 | |
LAUGHTER | 0:04:15 | 0:04:16 | |
And the other thing I take back, | 0:04:16 | 0:04:18 | |
I thought tonight was going to be a disaster! | 0:04:18 | 0:04:21 | |
But it hasn't been that at all, has it? | 0:04:21 | 0:04:24 | |
It's dangerously close to being a success! | 0:04:24 | 0:04:27 | |
FAST MUSIC STARTS UP | 0:04:29 | 0:04:32 | |
WOMAN GASPS | 0:05:38 | 0:05:40 | |
Mr Ferguson? | 0:05:51 | 0:05:53 | |
Are you dining with us this evening? | 0:05:54 | 0:05:56 | |
Yes. Yes, I am. I think I'll have the soup. | 0:05:56 | 0:05:59 | |
And then the pork served with some boiled potatoes and cabbage. | 0:05:59 | 0:06:03 | |
-Can you do the special cabbage? -Mr Ferguson... | 0:06:03 | 0:06:06 | |
No, I will have the special cabbage! | 0:06:07 | 0:06:11 | |
Is that all right?! | 0:06:11 | 0:06:12 | |
Impertinent. | 0:06:12 | 0:06:14 | |
Mr Ferguson! | 0:06:14 | 0:06:15 | |
Mr Ferguson? | 0:06:24 | 0:06:25 | |
I really must insist. You must see the doctor. | 0:06:25 | 0:06:29 | |
For the sake of the other guests, I must insist. | 0:06:29 | 0:06:31 | |
Excuse me, please. | 0:06:31 | 0:06:32 | |
Please leave us, thank you. | 0:06:34 | 0:06:35 | |
What's the matter, Victor? | 0:06:43 | 0:06:44 | |
You shouldn't be here. | 0:06:48 | 0:06:49 | |
You're missing your evening. | 0:06:51 | 0:06:52 | |
Don't worry, they can manage without me. | 0:06:54 | 0:06:56 | |
I'm not sure... | 0:06:58 | 0:06:59 | |
I'm not sure I can manage, though, not tonight... | 0:06:59 | 0:07:03 | |
Not any more. | 0:07:04 | 0:07:06 | |
I don't want to cry all over you again. | 0:07:14 | 0:07:17 | |
ECHOING VOICES | 0:07:29 | 0:07:32 | |
It's always a much better view like that. | 0:07:43 | 0:07:45 | |
So you say each time. | 0:07:45 | 0:07:47 | |
Really? How many times have you been this week? | 0:07:47 | 0:07:50 | |
I've been almost every day this week. | 0:07:50 | 0:07:52 | |
I've been almost every day for the last six weeks, actually! | 0:07:52 | 0:07:54 | |
What dedication! | 0:07:54 | 0:07:55 | |
It's been a bit of a blur with all the pills. | 0:07:55 | 0:07:59 | |
Aren't you neglecting the German, then? | 0:07:59 | 0:08:01 | |
No, no, his work's nearly there. | 0:08:01 | 0:08:02 | |
You look fantastically smart today! | 0:08:02 | 0:08:05 | |
Do you always look like this when you visit the loony ward? | 0:08:05 | 0:08:08 | |
You're not in a loony ward, you're in a psychiatric ward, | 0:08:08 | 0:08:11 | |
and you're going to be able to leave soon. | 0:08:11 | 0:08:13 | |
I'm locked up, Callum. | 0:08:13 | 0:08:15 | |
But at least I've not got electrodes poking out of my head, | 0:08:15 | 0:08:17 | |
thanks to you, and I'm grateful. | 0:08:17 | 0:08:19 | |
Today, my mind is just wonderfully clear. | 0:08:19 | 0:08:23 | |
That's good because I have a surprise for you today. | 0:08:23 | 0:08:25 | |
-I brought some visitors. -Visitors? -Yeah. | 0:08:25 | 0:08:28 | |
Hello, Victor. You look so much better! | 0:08:28 | 0:08:32 | |
Very good to see you, Victor. | 0:08:32 | 0:08:34 | |
I brought you some chocolate. | 0:08:34 | 0:08:35 | |
-Really good dark chocolate, don't ask me how I got it! -Thank you. | 0:08:35 | 0:08:38 | |
This can't be all for me, you looking like this? | 0:08:38 | 0:08:41 | |
Well, it's not entirely for you, I'll admit. | 0:08:41 | 0:08:43 | |
We're going to a rather formal cricket match to watch Alex play. | 0:08:43 | 0:08:46 | |
The Foreign Office versus the Home Office. | 0:08:46 | 0:08:48 | |
That explains it. I thought you were going to a wedding! | 0:08:48 | 0:08:50 | |
Talking of weddings, have you heard the news? | 0:08:50 | 0:08:53 | |
The German is getting married! | 0:08:53 | 0:08:55 | |
He's getting married?! | 0:08:55 | 0:08:57 | |
Yes, he's marrying the young waitress from the hotel, Anna. | 0:08:57 | 0:09:01 | |
Isn't that amazing?! | 0:09:01 | 0:09:03 | |
We're going to the engagement party very soon. | 0:09:03 | 0:09:06 | |
LIGHT APPLAUSE | 0:09:10 | 0:09:13 | |
-Ah, Rupert. Good afternoon. -It's going well? | 0:09:15 | 0:09:17 | |
Yes, very well. | 0:09:17 | 0:09:19 | |
-Good afternoon, sir. -Good luck. | 0:09:19 | 0:09:21 | |
The chief. | 0:09:22 | 0:09:24 | |
I have to say, you're very calm for someone's who's about to go in. | 0:09:26 | 0:09:30 | |
I'm totally calm, yes. | 0:09:30 | 0:09:32 | |
Altogether, in fact. | 0:09:32 | 0:09:33 | |
It makes such a difference she's happy. | 0:09:35 | 0:09:37 | |
I had no idea what an avalanche of work was going to hit me at the FO, | 0:09:37 | 0:09:41 | |
all these worries about if the Russians get the bomb, | 0:09:41 | 0:09:43 | |
and whether we should strike at them first. | 0:09:43 | 0:09:45 | |
I'm so pleased her evenings of music and poetry | 0:09:45 | 0:09:48 | |
have proved such a success. | 0:09:48 | 0:09:49 | |
It was your idea, Alex. | 0:09:50 | 0:09:52 | |
For her to do more at the hotel. | 0:09:52 | 0:09:54 | |
It was, but you've encouraged her. | 0:09:54 | 0:09:57 | |
And for that I'm grateful. | 0:09:58 | 0:10:00 | |
Looks like you're in. | 0:10:06 | 0:10:07 | |
So he's off! | 0:10:11 | 0:10:13 | |
Talking of bombs going off, | 0:10:13 | 0:10:15 | |
I've been given a date for my party. | 0:10:15 | 0:10:17 | |
My dinner at the FO. | 0:10:17 | 0:10:19 | |
Oh, at last. That's terrific. | 0:10:19 | 0:10:22 | |
It's only just occurred to me | 0:10:22 | 0:10:23 | |
- I don't know why I didn't think of it before - | 0:10:23 | 0:10:25 | |
but Alex - he's not involved, is he? | 0:10:25 | 0:10:29 | |
No. No, not Alex. | 0:10:29 | 0:10:31 | |
But there are people here who were very involved. | 0:10:31 | 0:10:34 | |
INAUDIBLE | 0:10:35 | 0:10:37 | |
APPLAUSE | 0:10:38 | 0:10:39 | |
I knew he'd be good! | 0:10:42 | 0:10:44 | |
The German is getting married. | 0:10:46 | 0:10:48 | |
The German is getting married. The German is getting married. | 0:10:48 | 0:10:53 | |
What is it, Victor? Don't you start working yourself up. | 0:10:53 | 0:10:56 | |
The German is getting married. It's not right. | 0:10:56 | 0:10:59 | |
It's not right that he's getting married. It's not right. | 0:10:59 | 0:11:02 | |
The German is getting married. | 0:11:02 | 0:11:04 | |
That's the way, Lombard! | 0:11:06 | 0:11:08 | |
Good show, Alex. | 0:11:09 | 0:11:10 | |
It's amazing. I think he's going to score 100 runs. | 0:11:10 | 0:11:14 | |
I hope he's not trying to prove something to us, | 0:11:14 | 0:11:16 | |
because he knows I can't play cricket. | 0:11:16 | 0:11:18 | |
So there IS something you can't do! | 0:11:18 | 0:11:20 | |
Alex is going back to Washington for a few weeks on Saturday. | 0:11:23 | 0:11:26 | |
He is? | 0:11:26 | 0:11:27 | |
You know, he is definitely batting as if he knows something about us. | 0:11:29 | 0:11:33 | |
He doesn't know. I'd be able to tell if he did. | 0:11:33 | 0:11:35 | |
Good shot. | 0:11:37 | 0:11:38 | |
I thought maybe we could go away somewhere. | 0:11:38 | 0:11:41 | |
-As a last sort of... -Last? Why last? | 0:11:41 | 0:11:44 | |
Because if we don't stop, he will find out, | 0:11:44 | 0:11:46 | |
and I don't want that, not at all. CALLUM SCOFFS | 0:11:46 | 0:11:49 | |
Don't argue with me, Callum. | 0:11:49 | 0:11:51 | |
Very soon, you and I will have to start new lives, | 0:11:51 | 0:11:53 | |
very different to this. | 0:11:53 | 0:11:54 | |
We can't keep putting it off. | 0:11:56 | 0:11:58 | |
Now, Victor, it is way past bedtime. | 0:12:04 | 0:12:08 | |
-Time for you... -The German is getting married. | 0:12:08 | 0:12:11 | |
Victor! | 0:12:16 | 0:12:18 | |
Really! | 0:12:18 | 0:12:19 | |
I'm sorry. | 0:12:22 | 0:12:24 | |
I shouldn't have done that. | 0:12:25 | 0:12:27 | |
I am so very sorry. | 0:12:28 | 0:12:30 | |
You've got a picture up of the bastard, I see. | 0:12:35 | 0:12:38 | |
Captain Ferguson! Yes, I have. | 0:12:38 | 0:12:41 | |
I like to have photographs of all my targets. | 0:12:41 | 0:12:43 | |
So how is your drinking companion? | 0:12:43 | 0:12:45 | |
The torturer? | 0:12:46 | 0:12:48 | |
She's still very quiet. | 0:12:48 | 0:12:50 | |
Sometimes, it seems I'm making progress, but I'm not really. | 0:12:50 | 0:12:53 | |
Maybe it's because I can't stop myself | 0:12:53 | 0:12:55 | |
thinking about what she's done. | 0:12:55 | 0:12:57 | |
Time is running out. The trial is very soon. | 0:12:58 | 0:13:01 | |
Have you thought about taking her home for a meal? | 0:13:01 | 0:13:04 | |
No, I haven't thought about that, surprisingly! | 0:13:04 | 0:13:08 | |
It's not a good idea. Cooking is not my strong suit. | 0:13:08 | 0:13:10 | |
She's not going to be thinking about your cooking. | 0:13:10 | 0:13:13 | |
Well, anyway, it's just a thought. | 0:13:13 | 0:13:14 | |
Are you OK? Why are you wearing gloves? | 0:13:29 | 0:13:32 | |
Because they won't let us wear anything with our pyjamas, | 0:13:32 | 0:13:35 | |
unless we say we're cold. | 0:13:35 | 0:13:37 | |
Of course, I'm boiling now! | 0:13:37 | 0:13:39 | |
I know where they keep the clothes hidden, though. | 0:13:39 | 0:13:42 | |
Victor, the German is having his party this evening | 0:13:42 | 0:13:45 | |
to celebrate his engagement to Anna, | 0:13:45 | 0:13:47 | |
-and I am going to have to go. -No. | 0:13:47 | 0:13:49 | |
So I want you to know... | 0:13:49 | 0:13:50 | |
It's not right, Callum, that he should have a lovely new life. | 0:13:50 | 0:13:53 | |
I want you to know that I've now had his records checked in Germany, | 0:13:53 | 0:13:57 | |
and there is no evidence of war crimes. | 0:13:57 | 0:13:58 | |
Well, they haven't looked. You haven't looked. | 0:13:58 | 0:14:02 | |
You must stop worrying about this, Victor. | 0:14:02 | 0:14:04 | |
I "borrowed" one of the cakes | 0:14:12 | 0:14:13 | |
they've made for the party this evening. | 0:14:13 | 0:14:16 | |
It's not too early for cake today, is it? | 0:14:17 | 0:14:20 | |
Well, looking at that, I think I can certainly make an exception. | 0:14:20 | 0:14:23 | |
Now, let's see what an RAF cake tastes like. | 0:14:23 | 0:14:27 | |
Mm. | 0:14:32 | 0:14:33 | |
Tell me, Mr Lindsay-Jones, why are you helping the policeman? | 0:14:33 | 0:14:36 | |
Because I like him. | 0:14:38 | 0:14:39 | |
And because he did me a very big favour. | 0:14:40 | 0:14:42 | |
Yes. I see. | 0:14:42 | 0:14:44 | |
Because of the war, we all have to conceal our real reasons, don't we? | 0:14:44 | 0:14:48 | |
-Just in case. -That's very true. | 0:14:48 | 0:14:50 | |
True of me, anyway. | 0:14:53 | 0:14:54 | |
MAN SPLUTTERS | 0:14:57 | 0:15:00 | |
Kate, quickly! | 0:15:04 | 0:15:06 | |
Fetch help! | 0:15:10 | 0:15:11 | |
MAN GROANS AND SHOUTS | 0:15:11 | 0:15:13 | |
CLATTERING | 0:15:23 | 0:15:25 | |
TRUMPET PLAYS | 0:16:06 | 0:16:08 | |
KNOCK AT DOOR | 0:16:16 | 0:16:18 | |
I'll be right outside in the car, Miss Griffiths, with the driver, | 0:16:25 | 0:16:28 | |
all the time, in case you need me. | 0:16:28 | 0:16:30 | |
CORK POPS | 0:16:50 | 0:16:52 | |
GLASSES CLINK | 0:16:52 | 0:16:53 | |
Been waiting for me, Bella? | 0:17:08 | 0:17:09 | |
It's lucky Mrs Tooley keeps the spare key in the same place. | 0:17:09 | 0:17:13 | |
-DOG GROWLS -Shh. | 0:17:13 | 0:17:16 | |
-DOG WHIMPERS -Shh. | 0:17:16 | 0:17:17 | |
You look at me all the time. | 0:17:24 | 0:17:26 | |
Those little looks. | 0:17:27 | 0:17:28 | |
Do I? | 0:17:29 | 0:17:31 | |
I'm sorry. | 0:17:32 | 0:17:33 | |
What if I did that to you? | 0:17:33 | 0:17:35 | |
You're quite right. Forgive me. | 0:17:35 | 0:17:38 | |
The food is good. Let's just eat the food. | 0:17:42 | 0:17:45 | |
Your dad has surprised us all, honey. | 0:17:54 | 0:17:56 | |
And I think it's wonderful. | 0:17:57 | 0:17:59 | |
Everybody coming together. | 0:18:00 | 0:18:03 | |
That's the way it should be. | 0:18:05 | 0:18:07 | |
INAUDIBLE | 0:18:16 | 0:18:17 | |
Tomorrow, we'll go? | 0:18:18 | 0:18:20 | |
Yes, we will. | 0:18:20 | 0:18:22 | |
KNOCK AT DOOR | 0:18:28 | 0:18:30 | |
Government? Best come in, sir. | 0:18:30 | 0:18:33 | |
-Thank you. -May I take your hat? | 0:18:33 | 0:18:35 | |
No, no, that's quite all right, thank you. | 0:18:35 | 0:18:37 | |
I thought Mr Ferguson was meant to be in hospital, but now he's here. | 0:18:37 | 0:18:40 | |
Nobody called me. | 0:18:40 | 0:18:42 | |
Victor? | 0:18:53 | 0:18:55 | |
I'm Geoffrey Salter. I'm a colleague of your brother's. | 0:18:58 | 0:19:01 | |
Mr Salter. | 0:19:03 | 0:19:04 | |
Ah, yes, he doesn't like you. | 0:19:05 | 0:19:09 | |
I'm sure that's true. | 0:19:09 | 0:19:10 | |
On the other hand, I am surprisingly fond of your brother. | 0:19:11 | 0:19:15 | |
And that is why I'm here. | 0:19:15 | 0:19:17 | |
You're here because you like my brother? | 0:19:18 | 0:19:21 | |
I don't think so. | 0:19:22 | 0:19:24 | |
I know a lot about your brother. | 0:19:25 | 0:19:27 | |
Everything there is to know, in fact. | 0:19:27 | 0:19:29 | |
And whatever else you say about him, he is a patriot. | 0:19:29 | 0:19:34 | |
That is why I like him, and that is why I am here. | 0:19:34 | 0:19:37 | |
You will have to explain that to me. | 0:19:38 | 0:19:40 | |
You've taken some files that don't belong to you, Victor, | 0:19:40 | 0:19:44 | |
which Miss Griffiths now has. | 0:19:44 | 0:19:46 | |
You have also escaped from the psychiatric ward, | 0:19:46 | 0:19:49 | |
where you were being held for your own safety. | 0:19:49 | 0:19:52 | |
Yes. | 0:19:54 | 0:19:56 | |
Yes, I am surprised that they haven't come to look for me yet. | 0:19:56 | 0:19:59 | |
-Unless you... -No. | 0:19:59 | 0:20:01 | |
No, that's not my business. | 0:20:03 | 0:20:05 | |
In fact, I want to give you the chance to consider | 0:20:06 | 0:20:08 | |
what I have to say all on your own. | 0:20:08 | 0:20:11 | |
Victor, you have gone round boasting you will tell the world | 0:20:13 | 0:20:17 | |
about what's happening to the ex-Nazis who are helping us, | 0:20:17 | 0:20:21 | |
how we're giving them new identities. | 0:20:21 | 0:20:24 | |
You mustn't do that, Victor, any more, | 0:20:27 | 0:20:32 | |
ever again. | 0:20:32 | 0:20:33 | |
It will make all our lives more difficult. | 0:20:35 | 0:20:37 | |
But shall I tell you what it really means? | 0:20:39 | 0:20:42 | |
It will destroy your brother, his career, his prospects, | 0:20:42 | 0:20:47 | |
even endanger his life, | 0:20:47 | 0:20:49 | |
for failing to control you. | 0:20:49 | 0:20:52 | |
And if that happens... | 0:20:54 | 0:20:56 | |
..there will be only one person to blame. | 0:20:58 | 0:21:00 | |
-I couldn't...? -Yes? | 0:21:03 | 0:21:06 | |
I couldn't stay a little longer? | 0:21:06 | 0:21:07 | |
Not for the night, of course, | 0:21:09 | 0:21:11 | |
but just sit here, for a moment longer? | 0:21:11 | 0:21:13 | |
Of course. | 0:21:15 | 0:21:16 | |
It is so kind of you to walk me to the bus stop, Mrs Tooley. | 0:21:33 | 0:21:37 | |
I'm going to miss your dog, you know. | 0:21:38 | 0:21:40 | |
I'm going back to the hospital, I promise. | 0:21:41 | 0:21:44 | |
And once I'm on the bus, I'll be OK. | 0:21:44 | 0:21:46 | |
INAUDIBLE CONVERSATION | 0:21:46 | 0:21:47 | |
Mr Ferguson! | 0:21:50 | 0:21:52 | |
What are doing here, Mr Ferguson? Your brother's not here. | 0:21:52 | 0:21:55 | |
And no, I don't know where he's gone. | 0:21:55 | 0:21:57 | |
Morning, gentlemen! | 0:22:06 | 0:22:08 | |
Tell me, who's the worst tipper amongst all the people you drive? | 0:22:08 | 0:22:11 | |
CHAUFFEURS CHUCKLE | 0:22:11 | 0:22:12 | |
-The blue one! -Yeah. | 0:22:14 | 0:22:15 | |
That's about right, yeah. | 0:22:17 | 0:22:19 | |
ENGINE STARTS | 0:22:27 | 0:22:28 | |
-Oi! Oi! -Oi! -Come back here! | 0:22:31 | 0:22:33 | |
We'd like a double room for one night, please. | 0:22:56 | 0:22:59 | |
CLOCK CHIMES | 0:23:09 | 0:23:13 | |
They seem to hate us! | 0:23:26 | 0:23:28 | |
They sense danger. | 0:23:28 | 0:23:29 | |
And love. | 0:23:31 | 0:23:33 | |
You signed your real name. | 0:23:40 | 0:23:42 | |
I had to. I might get called by somebody from the base. | 0:23:43 | 0:23:48 | |
No, you're not taking any calls here. | 0:23:48 | 0:23:51 | |
None at all. | 0:23:51 | 0:23:52 | |
It's bad enough that you've chosen a hotel so close to the base. | 0:23:52 | 0:23:56 | |
You've got to let your work go for a moment, Cal. | 0:23:56 | 0:24:00 | |
You're like one of your machines, those engines, that can never be... | 0:24:00 | 0:24:03 | |
-That can't be stopped? -Mm. | 0:24:03 | 0:24:04 | |
I'm Captain Ferguson's brother. | 0:24:22 | 0:24:24 | |
I need to see him. I need to see him now! | 0:24:26 | 0:24:28 | |
We haven't see him today. He's not here. | 0:24:28 | 0:24:31 | |
Well, then, get Mr Dieter Koehler. It's extremely urgent. | 0:24:31 | 0:24:35 | |
BOTH LAUGHING BED CREAKS | 0:24:35 | 0:24:37 | |
God, it makes a noise! They'll all be listening. | 0:24:37 | 0:24:40 | |
There'll be a queue in the passage! | 0:24:40 | 0:24:42 | |
BOTH LAUGHING | 0:24:48 | 0:24:49 | |
It's so noisy! | 0:24:52 | 0:24:54 | |
I need my brother. I've got something to tell him. | 0:25:06 | 0:25:09 | |
I don't have an address for where he is. | 0:25:09 | 0:25:11 | |
Well, you must be able to contact him in some way. | 0:25:11 | 0:25:15 | |
In case there's an emergency. You must! | 0:25:15 | 0:25:18 | |
I have just a telephone number. | 0:25:18 | 0:25:20 | |
-WOMAN: -Mr Ferguson, a telephone call. | 0:25:30 | 0:25:32 | |
You're not going to answer that? | 0:25:33 | 0:25:35 | |
Callum! | 0:25:37 | 0:25:38 | |
Come on. Come on! | 0:25:43 | 0:25:45 | |
Come on. | 0:25:45 | 0:25:47 | |
Come on. | 0:25:47 | 0:25:48 | |
Thank you. | 0:25:52 | 0:25:53 | |
-'Hello?' -Cal! Cal, there you are. | 0:25:53 | 0:25:56 | |
I need to say something to you. | 0:25:57 | 0:25:59 | |
Victor, what is it? Where are you? | 0:25:59 | 0:26:00 | |
'Are you at the hospital?' | 0:26:00 | 0:26:02 | |
No, I couldn't stay, there was this nurse, and I did something wrong. | 0:26:02 | 0:26:05 | |
Anyway, I've done worse things. Bad things. | 0:26:05 | 0:26:09 | |
I know I shouldn't have said what I did about your work, | 0:26:10 | 0:26:13 | |
so you must forgive me. | 0:26:13 | 0:26:15 | |
Victor, what is this? Where are you? | 0:26:15 | 0:26:17 | |
I found some evidence. The real evidence now. | 0:26:17 | 0:26:21 | |
You must read it. It was all true, about Dieter, what I said! | 0:26:21 | 0:26:25 | |
'And I knew it was, but anyway, that doesn't matter now...' | 0:26:25 | 0:26:27 | |
Victor, you must tell me exactly where you are. | 0:26:27 | 0:26:30 | |
All right? I'll come and find you. | 0:26:30 | 0:26:31 | |
No, no, no. They came to see me. No, they wouldn't like that. | 0:26:31 | 0:26:36 | |
Cal, I know that I have done the wrong thing, OK? | 0:26:36 | 0:26:39 | |
And I am not worth it. I'm really not.... | 0:26:39 | 0:26:42 | |
I'm not worth destroying everything for you. | 0:26:42 | 0:26:45 | |
Who came to see you? | 0:26:45 | 0:26:47 | |
If they've threatened you, I will kill them. | 0:26:47 | 0:26:49 | |
I will fucking kill them. Now, where are you?! | 0:26:49 | 0:26:52 | |
'Somewhere with a pond. Little Rooting,' | 0:26:52 | 0:26:54 | |
or Great Rooting, Tiny Rooting, I... | 0:26:54 | 0:26:57 | |
I stole a blue Rolls, Cal. If you're going to steal a car, | 0:26:57 | 0:27:01 | |
it's the car to steal, don't you think? | 0:27:01 | 0:27:03 | |
It's a great car! Erm... | 0:27:03 | 0:27:05 | |
'I have to go now, Cal, there are people watching.' | 0:27:05 | 0:27:08 | |
No, no, no, no, no, Victor, you don't move, you stay there. | 0:27:08 | 0:27:10 | |
'Whatever you do, all right, you don't move. I'm coming to get you.' | 0:27:10 | 0:27:14 | |
Better you don't, Cal. I don't need you to come. | 0:27:14 | 0:27:18 | |
All right, I AM coming to get you. | 0:27:18 | 0:27:20 | |
You have to stay exactly where you are. | 0:27:20 | 0:27:23 | |
'Victor? Victor? | 0:27:23 | 0:27:25 | |
'Victor!' | 0:27:27 | 0:27:29 | |
-I'll come with you, Cal. -Just stay there! | 0:27:35 | 0:27:37 | |
Victor! | 0:28:25 | 0:28:26 | |
Victor! | 0:28:33 | 0:28:35 | |
Victor! Oh, God, no, please. No, Victor! Please, no! | 0:28:50 | 0:28:55 | |
Can you hear me? | 0:29:00 | 0:29:01 | |
Can you hear me? Victor! | 0:29:01 | 0:29:04 | |
Come on, in you go. That's it, Victor, that's it. | 0:29:14 | 0:29:17 | |
WHIRRING | 0:29:49 | 0:29:51 | |
How is he? | 0:30:18 | 0:30:20 | |
-How is he now? -I'm waiting to hear. | 0:30:20 | 0:30:22 | |
Did somebody attack him? What happened, Callum? | 0:30:26 | 0:30:29 | |
I think I know exactly what happened. | 0:30:30 | 0:30:32 | |
Forgive me. | 0:31:02 | 0:31:03 | |
No... | 0:31:03 | 0:31:05 | |
No, there's nothing to forgive you for. | 0:31:07 | 0:31:09 | |
I made such a mess of it. | 0:31:09 | 0:31:11 | |
I bungled it. | 0:31:13 | 0:31:14 | |
Trying to cut one's own throat - not the best way. | 0:31:16 | 0:31:19 | |
Well, luckily, probably not. | 0:31:20 | 0:31:22 | |
But you were driven to it. They threatened you. | 0:31:22 | 0:31:25 | |
But don't worry - I will take care of it, | 0:31:25 | 0:31:28 | |
in a way that they will not forget. | 0:31:28 | 0:31:30 | |
How are you, Victor? Can you hear me? | 0:31:56 | 0:31:59 | |
ENGINE WHIRS | 0:32:08 | 0:32:09 | |
WHIRRING INTENSIFIES | 0:32:22 | 0:32:24 | |
INDISTINCT SHOUTS | 0:32:39 | 0:32:40 | |
Stop it! Stop it! | 0:32:40 | 0:32:43 | |
It should not be vibrating like that. Stop it! | 0:32:44 | 0:32:48 | |
I'm sorry, gentlemen. This should not be happening. | 0:32:48 | 0:32:51 | |
It'll just take a little adjustment. | 0:32:59 | 0:33:01 | |
We need to rebalance the components. | 0:33:01 | 0:33:03 | |
That is all it will take. Really, I promise, I promise. | 0:33:03 | 0:33:06 | |
You won't be seeing them again. | 0:33:12 | 0:33:14 | |
They've been reassigned to some godforsaken place in Germany. | 0:33:14 | 0:33:17 | |
So, don't worry about them, worry about this, Ferguson - | 0:33:17 | 0:33:20 | |
the engine's not ready. | 0:33:20 | 0:33:22 | |
-I saw that, sir. -It's very simple - | 0:33:22 | 0:33:25 | |
if we fall behind the Americans and the Russians, | 0:33:25 | 0:33:28 | |
if we can't fly as fast, we lose the next war. | 0:33:28 | 0:33:31 | |
Victor, my dear boy. | 0:33:46 | 0:33:48 | |
How are you feeling? | 0:33:51 | 0:33:52 | |
I brought these because I got it into my head that | 0:33:53 | 0:33:56 | |
something really colourful would be best. | 0:33:56 | 0:33:58 | |
What I really want is another huge bar of chocolate. | 0:34:02 | 0:34:07 | |
I can't believe that just happened. In front of all of them. | 0:34:13 | 0:34:16 | |
We will take it apart and see why it's happening, | 0:34:16 | 0:34:19 | |
and then stop it happening. | 0:34:19 | 0:34:21 | |
We are able to do this, Rita. | 0:34:21 | 0:34:23 | |
We're still going to beat the Americans. | 0:34:23 | 0:34:26 | |
Is that how you want it? | 0:34:34 | 0:34:35 | |
Yes, thank you. | 0:34:35 | 0:34:37 | |
With so many buildings destroyed round here, the sun is so bright! | 0:34:37 | 0:34:41 | |
Too bright, sometimes. Now, tell me - is he better? | 0:34:41 | 0:34:45 | |
Is the brother better? | 0:34:45 | 0:34:46 | |
It's hard to tell yet. A little, yes. | 0:34:46 | 0:34:48 | |
And they're keeping a watch on him, so he doesn't try to do it again? | 0:34:48 | 0:34:52 | |
I'm sure they are. | 0:34:52 | 0:34:53 | |
Callum is seeing to everything. He always does. | 0:34:53 | 0:34:55 | |
That boy must not be left alone. | 0:34:55 | 0:34:57 | |
He won't be. | 0:34:57 | 0:34:59 | |
Ah, the two women together! | 0:34:59 | 0:35:01 | |
Yes, you've managed to introduce us, Victor. | 0:35:02 | 0:35:04 | |
I brought you something. | 0:35:04 | 0:35:06 | |
Two things, actually. | 0:35:06 | 0:35:08 | |
It took a lot of coupons, but here's another, rather smaller, | 0:35:08 | 0:35:11 | |
bar of chocolate. | 0:35:11 | 0:35:12 | |
Some milk chocolate. At last! | 0:35:12 | 0:35:15 | |
Not that the other one isn't nice, but... | 0:35:15 | 0:35:17 | |
I thought this might interest you too. | 0:35:17 | 0:35:19 | |
It's rather silly, but I brought it anyway. | 0:35:19 | 0:35:21 | |
It's all the beetles that crawled out of the files you found. | 0:35:21 | 0:35:24 | |
That's terrific. | 0:35:24 | 0:35:25 | |
Blimey, that's a lot! | 0:35:27 | 0:35:28 | |
You're right, it really appeals to me, even if they are all dead. | 0:35:29 | 0:35:33 | |
VICTOR LAUGHS | 0:35:33 | 0:35:34 | |
They'll probably take it away, though. | 0:35:34 | 0:35:37 | |
And, Victor, I am determined to get a result with Fraulein Mentz, | 0:35:37 | 0:35:40 | |
who I found out about because of the files. | 0:35:40 | 0:35:43 | |
So, are you in love with Callum? | 0:35:46 | 0:35:48 | |
And is he in love with you? | 0:35:48 | 0:35:50 | |
Victor! | 0:35:50 | 0:35:51 | |
Excuse me. I have to get back to work. | 0:35:51 | 0:35:53 | |
Oh, no, don't go, please! | 0:35:53 | 0:35:54 | |
No, no, it's a long journey. I ought to go. | 0:35:54 | 0:35:57 | |
But I'll be back again, very soon. | 0:35:57 | 0:35:59 | |
She's run away just because I asked a perfectly sensible question. | 0:36:01 | 0:36:04 | |
You made her run away. | 0:36:04 | 0:36:06 | |
So aren't you going to give me an answer? | 0:36:06 | 0:36:07 | |
Why do you even ask? | 0:36:07 | 0:36:09 | |
Because I know my brother. | 0:36:09 | 0:36:10 | |
This is not the place, Victor. | 0:36:11 | 0:36:13 | |
That's a very disappointing reply. I thought we were friends. | 0:36:13 | 0:36:16 | |
We are friends. | 0:36:16 | 0:36:17 | |
Well, whether you are or you aren't in love with each other, | 0:36:17 | 0:36:21 | |
you must promise me that you'll keep a close eye on him. | 0:36:21 | 0:36:24 | |
He blames the Secret Service for me being like this, | 0:36:24 | 0:36:27 | |
and he may try to take certain actions because of that. | 0:36:27 | 0:36:31 | |
What kind of actions? | 0:36:31 | 0:36:33 | |
You must remember the war messed him up just as much as it did me. | 0:36:33 | 0:36:36 | |
-Maybe more. -Who's messed up? | 0:36:36 | 0:36:38 | |
Me, of course. It's always me! | 0:36:38 | 0:36:42 | |
So, what was he saying to you? | 0:36:42 | 0:36:43 | |
That you're as much scarred by the war as he is. | 0:36:43 | 0:36:46 | |
-Well, that's rubbish. -Is it? | 0:36:46 | 0:36:47 | |
You've never talked to me about it. | 0:36:48 | 0:36:51 | |
About the fighting in Normandy, everything that you went through | 0:36:51 | 0:36:54 | |
So? Who talks about the war? | 0:36:54 | 0:36:56 | |
Nobody does. Not to people that weren't there, anyway. | 0:36:56 | 0:36:59 | |
Remember, Victor is full of medication. | 0:36:59 | 0:37:01 | |
Not everything he says is to be taken literally. | 0:37:01 | 0:37:04 | |
Your brother has tried to take his own life, but everything is fine? | 0:37:04 | 0:37:07 | |
You're totally calm and relaxed, are you, Callum? | 0:37:07 | 0:37:10 | |
Is that what you're telling me? | 0:37:10 | 0:37:11 | |
I'm as calm as I have been for a long time, without a doubt. | 0:37:11 | 0:37:15 | |
Somebody has to be. | 0:37:16 | 0:37:18 | |
Don't believe Victor. | 0:37:20 | 0:37:21 | |
And as these are our last weeks together... | 0:37:22 | 0:37:25 | |
..well, then, you won't have to worry about me any more, will you? | 0:37:27 | 0:37:30 | |
PIANO PLAYS SOFTLY | 0:37:33 | 0:37:35 | |
LOW MURMUR OF CONVERSATION | 0:37:35 | 0:37:36 | |
Would you like to follow me? This way, ladies. | 0:37:38 | 0:37:41 | |
I'm sorry I'm so very late. | 0:37:44 | 0:37:46 | |
Don't worry, you're very busy, I know, getting the engine ready. | 0:37:47 | 0:37:52 | |
-Yeah. -I took the liberty of ordering. | 0:37:52 | 0:37:55 | |
I thought we could see if the ice cream has improved here. | 0:37:55 | 0:37:58 | |
Excellent. What better way to take time off work than to have | 0:37:58 | 0:38:00 | |
a day in London, and eat an ice cream with you? | 0:38:00 | 0:38:03 | |
Yes. | 0:38:03 | 0:38:05 | |
Your ice cream, sir. And there's a little fresh fruit. | 0:38:05 | 0:38:09 | |
It's an extra on the side. | 0:38:09 | 0:38:11 | |
Some people like to mix it in with their vanilla ices. | 0:38:11 | 0:38:13 | |
There's no additional charge. | 0:38:13 | 0:38:14 | |
What a good idea! How did you think of that? | 0:38:14 | 0:38:17 | |
May I? | 0:38:20 | 0:38:21 | |
I think you'll find that THIS is the file. | 0:38:31 | 0:38:34 | |
Another of Victor's files? | 0:38:35 | 0:38:37 | |
Eight different witness statements. | 0:38:47 | 0:38:49 | |
All identifying you. | 0:38:50 | 0:38:54 | |
SOFT PIANO MUSIC PLAYS | 0:39:12 | 0:39:15 | |
You're going to tell me that | 0:39:19 | 0:39:20 | |
they're all a case of mistaken identity, are you? | 0:39:20 | 0:39:23 | |
No. | 0:39:23 | 0:39:24 | |
I'm not saying that. | 0:39:25 | 0:39:27 | |
People died. | 0:39:27 | 0:39:29 | |
There were acts of sabotage, | 0:39:31 | 0:39:33 | |
which were punishable by death, and I saw people executed, yes. | 0:39:33 | 0:39:37 | |
Did I encourage them to be carried out? Executed? | 0:39:37 | 0:39:41 | |
Well, I certainly didn't stop them. | 0:39:43 | 0:39:45 | |
It seems extraordinary thinking about this now, with ice cream, | 0:39:53 | 0:39:56 | |
and the ladies here. | 0:39:56 | 0:39:58 | |
What really went on... | 0:40:04 | 0:40:06 | |
People were hanging from hooks. | 0:40:13 | 0:40:15 | |
CREAKING | 0:40:15 | 0:40:16 | |
WHIMPERING | 0:40:16 | 0:40:17 | |
Sitting here, it is almost unimaginable | 0:40:22 | 0:40:24 | |
that it happened so recently. | 0:40:24 | 0:40:26 | |
I always knew you would find out in the end. | 0:40:28 | 0:40:31 | |
I thought it might be right in the beginning | 0:40:31 | 0:40:33 | |
- that is why I was so keen to get back to Germany - | 0:40:33 | 0:40:34 | |
and when you did ask... | 0:40:34 | 0:40:36 | |
..I just couldn't tell you. | 0:40:37 | 0:40:39 | |
But you and I, Callum... | 0:40:41 | 0:40:43 | |
..we have come so far in such a short time. | 0:40:44 | 0:40:47 | |
I'm not going to insult your intelligence by saying that | 0:40:49 | 0:40:51 | |
we are on the same side now, and that there is | 0:40:51 | 0:40:54 | |
a new enemy that we have to defeat together. | 0:40:54 | 0:40:57 | |
Except I've just said it. | 0:40:57 | 0:40:59 | |
Is everything all right, gentlemen? | 0:40:59 | 0:41:00 | |
Any teas or coffees to go with your ice creams? | 0:41:00 | 0:41:02 | |
No. Thank you, everything is fine. | 0:41:02 | 0:41:04 | |
I have no excuse. | 0:41:11 | 0:41:12 | |
Except to say, of course, that we were at war, | 0:41:14 | 0:41:16 | |
which is no excuse. | 0:41:16 | 0:41:18 | |
And the work was everything. | 0:41:19 | 0:41:21 | |
One is blinded. | 0:41:23 | 0:41:24 | |
What do we do now, Callum? | 0:41:26 | 0:41:28 | |
We were friends. | 0:41:28 | 0:41:30 | |
We are friends. | 0:41:30 | 0:41:31 | |
Yes, we are. | 0:41:31 | 0:41:32 | |
Right now, of course, my work is so very close, so what is your plan? | 0:41:33 | 0:41:38 | |
The Government will see to it that you can finish your work, | 0:41:38 | 0:41:42 | |
and that you're immune from prosecution. | 0:41:42 | 0:41:45 | |
But you are not saying anything, about what I've just told you? | 0:41:45 | 0:41:49 | |
No. | 0:41:51 | 0:41:53 | |
I hardly dare ask this, but are you still going to come to the wedding? | 0:41:53 | 0:41:57 | |
Absolutely. I've got a few very busy days ahead. | 0:41:58 | 0:42:03 | |
It's Harold's party at the Foreign Office, | 0:42:03 | 0:42:06 | |
and then your wedding at the end of the week. | 0:42:06 | 0:42:09 | |
That's two occasions I couldn't possibly miss. | 0:42:09 | 0:42:13 | |
Harold, you're all dressed up! | 0:42:21 | 0:42:22 | |
I am. Thank you for letting me do this. | 0:42:22 | 0:42:25 | |
Well, it's not going to be possible soon. They're moving out. | 0:42:25 | 0:42:28 | |
All being well, they've stopped using this for training. | 0:42:52 | 0:42:55 | |
Sniper training. | 0:42:55 | 0:42:56 | |
-SHOUTING: -Anybody up there? | 0:43:00 | 0:43:02 | |
Well, that's one way of getting rid of my nerves for tomorrow. | 0:43:02 | 0:43:06 | |
A bullet between the eyes! | 0:43:06 | 0:43:08 | |
How nervous are you? | 0:43:08 | 0:43:10 | |
Fairly terrified. | 0:43:10 | 0:43:11 | |
A room completely packed with people I know, | 0:43:12 | 0:43:14 | |
and I'll be attacking them all. | 0:43:14 | 0:43:16 | |
I came here to get some strength. | 0:43:17 | 0:43:18 | |
Well, we both might need some strength, in fact. | 0:43:19 | 0:43:22 | |
You as well? Why? What are you planning? | 0:43:22 | 0:43:25 | |
I can't tell you that. | 0:43:25 | 0:43:27 | |
This place is very important to me. Not just because it was | 0:43:27 | 0:43:30 | |
the last time I ever went to a party with my wife, but... | 0:43:30 | 0:43:33 | |
..I keep coming back here in my dreams. | 0:43:35 | 0:43:37 | |
Almost every night recently. | 0:43:40 | 0:43:42 | |
There was beauty. | 0:43:57 | 0:43:58 | |
And a terrible ignorance. | 0:44:04 | 0:44:06 | |
Our complacency seems so shocking now. | 0:44:07 | 0:44:09 | |
ENGINE REVS | 0:44:11 | 0:44:13 | |
And the extraordinary mistakes that nobody has owned up to. | 0:44:16 | 0:44:19 | |
Oh, I know! | 0:44:19 | 0:44:22 | |
Like letting the bloody jet engine go! | 0:44:22 | 0:44:25 | |
And I was there. You know, I was working on it before the war, | 0:44:25 | 0:44:28 | |
when Mr Whittle needed just £5 to renew his patent. | 0:44:28 | 0:44:32 | |
Just five pounds. | 0:44:33 | 0:44:35 | |
But he couldn't afford it, and the Government wouldn't give it to him, | 0:44:37 | 0:44:40 | |
wouldn't give him five fucking pounds, and we lost the jet engine! | 0:44:40 | 0:44:44 | |
What a p... What a price we paid for that! | 0:44:46 | 0:44:49 | |
It's unbelievable, the incompetent bastards, | 0:44:49 | 0:44:52 | |
just like your incompetent bastards | 0:44:52 | 0:44:54 | |
that failed to back the coup against Hitler, | 0:44:54 | 0:44:56 | |
that could have prevented the entire fucking war! | 0:44:56 | 0:44:59 | |
Well, their time has come. | 0:45:01 | 0:45:02 | |
We are their nemesis, Harold. | 0:45:05 | 0:45:08 | |
Let's hope so. | 0:45:08 | 0:45:09 | |
They've certainly gone unpunished so far. | 0:45:11 | 0:45:13 | |
And you'll manage fine tomorrow. | 0:45:15 | 0:45:17 | |
DOOR OPENS | 0:45:22 | 0:45:23 | |
So there you are! | 0:45:23 | 0:45:25 | |
Here I am, yes. | 0:45:25 | 0:45:26 | |
I've been neglectful, and I'm sorry. | 0:45:27 | 0:45:29 | |
Don't be stupid. Your brother has been very ill - | 0:45:29 | 0:45:32 | |
of course you've had better things to do. | 0:45:32 | 0:45:34 | |
I just wanted to know how he is. | 0:45:34 | 0:45:36 | |
He's getting better. | 0:45:36 | 0:45:38 | |
His wounds are healing, but he's lost a lot of blood. | 0:45:38 | 0:45:41 | |
What really happened to him? | 0:45:41 | 0:45:42 | |
Well, I'm not sure of the facts, | 0:45:43 | 0:45:46 | |
but whatever it was, it was caused by him being | 0:45:46 | 0:45:48 | |
put under terrible pressure by a member of the Secret Service. | 0:45:48 | 0:45:51 | |
Why would they do that? | 0:45:51 | 0:45:53 | |
I'm sorry, I'm asking a lot of questions. | 0:45:53 | 0:45:55 | |
No, that's OK. | 0:45:56 | 0:45:58 | |
Because he was proving a nuisance. | 0:45:59 | 0:46:02 | |
Of course, their actions have to be answered. | 0:46:03 | 0:46:06 | |
How? I'm sorry, I'm doing it again. | 0:46:06 | 0:46:08 | |
I don't know why I think I have a right to know, because I don't. | 0:46:10 | 0:46:13 | |
I only met him for a couple of minutes. | 0:46:13 | 0:46:15 | |
That's all Victor needs to make an impression. | 0:46:15 | 0:46:18 | |
I have a plan... | 0:46:19 | 0:46:20 | |
..but for the moment, it's... It's private. | 0:46:22 | 0:46:25 | |
Of course. Quite right. | 0:46:25 | 0:46:28 | |
I was going to suggest I gave you the formula today, | 0:46:29 | 0:46:34 | |
and sign the papers. But, clearly, this is not the right moment, | 0:46:34 | 0:46:38 | |
when you have so much on your mind. | 0:46:38 | 0:46:40 | |
I have a little on my mind, yes. | 0:46:40 | 0:46:43 | |
HUM OF CONVERSATION | 0:46:43 | 0:46:44 | |
Callum, I'm here! | 0:46:54 | 0:46:56 | |
I made it back from Washington just in time. | 0:46:56 | 0:46:59 | |
I wasn't going to miss this - Harold being honoured. | 0:46:59 | 0:47:01 | |
-It's going to be a splendid night! -It is. | 0:47:01 | 0:47:04 | |
Oh, rare sighting of the chief. | 0:47:04 | 0:47:06 | |
-Do excuse me. -Of course. | 0:47:06 | 0:47:08 | |
So, he's back. | 0:47:12 | 0:47:15 | |
Yes. For quite a while, anyway. | 0:47:15 | 0:47:18 | |
So that really was our last time together? | 0:47:18 | 0:47:20 | |
Callum, I hardly think that this is the place. | 0:47:20 | 0:47:23 | |
It's fine. It doesn't matter anyway. | 0:47:24 | 0:47:27 | |
I have other plans. | 0:47:28 | 0:47:31 | |
What's that mean? | 0:47:31 | 0:47:33 | |
It means exactly that. | 0:47:33 | 0:47:34 | |
Just thought I'd fortify myself. Though, oddly enough, | 0:47:43 | 0:47:46 | |
I find I'm quite calm, and really rather excited. | 0:47:46 | 0:47:50 | |
My journalist friend. | 0:47:51 | 0:47:52 | |
Even he doesn't know what's coming. | 0:47:52 | 0:47:55 | |
I'm going to tell the truth about the coup against Hitler | 0:47:55 | 0:47:58 | |
that never happened, and they have no idea. | 0:47:58 | 0:48:01 | |
Well, remember, no oysters before the speech, Harold. | 0:48:02 | 0:48:05 | |
Oh, certainly not. | 0:48:05 | 0:48:06 | |
I will be oyster free. | 0:48:07 | 0:48:09 | |
Ladies and gentlemen, | 0:48:11 | 0:48:15 | |
it's long overdue, of course, that we're all gathered here | 0:48:15 | 0:48:18 | |
to honour Harold Lindsay-Jones and his many years of service, | 0:48:18 | 0:48:22 | |
but now that we are finally here, we're doing it in | 0:48:22 | 0:48:25 | |
exactly the way Harold wants, which is totally appropriate. | 0:48:25 | 0:48:29 | |
At his favourite place in the world, his beloved club, | 0:48:29 | 0:48:33 | |
and having the speeches before the dinner, | 0:48:33 | 0:48:35 | |
rather than after as is customary, | 0:48:35 | 0:48:38 | |
because Harold says he wanted all the suspense out of the way. | 0:48:38 | 0:48:41 | |
LAUGHTER | 0:48:41 | 0:48:43 | |
Now, of course, Harold was famous to all of us for knowing exactly | 0:48:43 | 0:48:46 | |
what people were thinking, even the most inscrutable | 0:48:46 | 0:48:49 | |
- the French, the Americans, above all, the Germans - | 0:48:49 | 0:48:52 | |
he invariably had an insight into other people's minds, | 0:48:52 | 0:48:56 | |
which makes tonight a little alarming. | 0:48:56 | 0:48:59 | |
Does he know what we're all thinking now? | 0:48:59 | 0:49:02 | |
LAUGHTER | 0:49:02 | 0:49:05 | |
Well, if he does, he will know that we're full of admiration, | 0:49:05 | 0:49:11 | |
and gratitude, and, of course, friendship. | 0:49:11 | 0:49:15 | |
So, now, Harold, I'm going to hand over to you. | 0:49:15 | 0:49:18 | |
APPLAUSE | 0:49:18 | 0:49:20 | |
-FEEDBACK -Ah, it's working, | 0:49:27 | 0:49:30 | |
so that's a very good start! | 0:49:30 | 0:49:32 | |
My friends, this is a very important moment for me, | 0:49:32 | 0:49:37 | |
in all sorts of ways, and you'll forgive me, because, | 0:49:37 | 0:49:42 | |
to help me through these nervous opening moments, | 0:49:42 | 0:49:45 | |
I've brought along a couple of props. | 0:49:45 | 0:49:48 | |
A golden box, with a couple of little stories in it, | 0:49:48 | 0:49:51 | |
and first out is this. | 0:49:51 | 0:49:55 | |
A scrap of paper. And what is it? | 0:49:55 | 0:49:58 | |
It's a film review, written by Winston Churchill, | 0:49:59 | 0:50:02 | |
of Mr Orson Welles' Citizen Kane, | 0:50:02 | 0:50:05 | |
and it is exceedingly short. But let me paint the picture. | 0:50:05 | 0:50:09 | |
-MUFFLED: -There was a film show, almost every night... | 0:50:09 | 0:50:13 | |
I'm sorry I'm so late. | 0:50:14 | 0:50:15 | |
I'm here for the gala dinner for Mr Lindsay-Jones. | 0:50:15 | 0:50:17 | |
Your name? | 0:50:17 | 0:50:18 | |
It's Lucy Lindsay-Jones. I'm his niece. | 0:50:18 | 0:50:21 | |
Please hurry. | 0:50:22 | 0:50:23 | |
Please, hurry! | 0:50:24 | 0:50:26 | |
Your name's not here. | 0:50:27 | 0:50:28 | |
What do you mean? It's got to be there. | 0:50:28 | 0:50:32 | |
I can't miss it. You've got to let me in. | 0:50:32 | 0:50:34 | |
Your name is not here, and, therefore, I cannot let you in. | 0:50:34 | 0:50:37 | |
"Rubbish, rubbish, bloody rubbish." | 0:50:37 | 0:50:40 | |
LAUGHTER AND APPLAUSE | 0:50:40 | 0:50:41 | |
Winston may have been no film critic, but what a man to work for! | 0:50:48 | 0:50:53 | |
-Hear, hear. -Glorious! | 0:50:53 | 0:50:55 | |
He would stomp along the corridors of Chequers at night, | 0:50:55 | 0:50:57 | |
yelling "This unnecessary war! This completely unnecessary war!' | 0:50:57 | 0:51:03 | |
But more of that in a moment. | 0:51:03 | 0:51:06 | |
And that brings me to my second exhibit - | 0:51:06 | 0:51:10 | |
this key. | 0:51:10 | 0:51:12 | |
Lord Halifax, our old boss - his private key. | 0:51:12 | 0:51:16 | |
Now, by the way, he's completely relaxed about me telling you this. | 0:51:17 | 0:51:21 | |
This key was given to him by the Queen, | 0:51:21 | 0:51:23 | |
to the garden at Buckingham Palace. | 0:51:23 | 0:51:25 | |
Miss! | 0:51:26 | 0:51:28 | |
This key opened a special door, | 0:51:28 | 0:51:29 | |
which let him use the lovely summer house whenever he wanted. | 0:51:29 | 0:51:33 | |
A place for him to retreat to in those terrifying days | 0:51:33 | 0:51:37 | |
after the invasion of Norway, | 0:51:37 | 0:51:39 | |
when we all thought he would become Prime Minister. | 0:51:39 | 0:51:43 | |
How did I end up with this key? | 0:51:43 | 0:51:45 | |
It was a gift from His Lordship, because it doesn't work any more. | 0:51:45 | 0:51:48 | |
LAUGHTER | 0:51:48 | 0:51:50 | |
A memento of that extraordinary time, when we were all | 0:51:50 | 0:51:54 | |
holding our breath to see who would become the next Prime Minister. | 0:51:54 | 0:51:57 | |
When so many of us at the Foreign Office, | 0:51:57 | 0:52:00 | |
myself included, I must admit, were saying "Don't let it be Churchill! | 0:52:00 | 0:52:04 | |
"Please, whatever happens, let it not be Winston," | 0:52:05 | 0:52:09 | |
until we got to know him. | 0:52:09 | 0:52:11 | |
Lucy, there you are. | 0:52:11 | 0:52:12 | |
-They won't let me in! -That's ridiculous. | 0:52:12 | 0:52:15 | |
Her uncle, who also happens to be her guardian, | 0:52:15 | 0:52:17 | |
is making a very important speech. She can't possibly miss that. | 0:52:17 | 0:52:20 | |
You will let her in immediately. | 0:52:20 | 0:52:22 | |
And that brings me to the heart of what I want to say. | 0:52:22 | 0:52:24 | |
We fought that "unnecessary war". | 0:52:27 | 0:52:28 | |
What did Churchill mean by that? | 0:52:30 | 0:52:33 | |
How was it "unnecessary"? | 0:52:33 | 0:52:35 | |
He meant, of course, there were opportunities, | 0:52:35 | 0:52:38 | |
in the events leading up to the war, | 0:52:38 | 0:52:40 | |
when different decisions could have been made. | 0:52:40 | 0:52:43 | |
When war itself might have been prevented. | 0:52:43 | 0:52:46 | |
And we all know there were moments like that. | 0:52:46 | 0:52:49 | |
Some better known than others. | 0:52:49 | 0:52:51 | |
Some still... | 0:52:52 | 0:52:54 | |
Some still to be uncovered. | 0:53:05 | 0:53:07 | |
But in the end, | 0:53:21 | 0:53:23 | |
we all did what we had to. | 0:53:23 | 0:53:26 | |
We went on a momentous and startling journey together, | 0:53:26 | 0:53:30 | |
terrifying, sometimes exhilarating, | 0:53:30 | 0:53:33 | |
sometimes tragic. | 0:53:33 | 0:53:34 | |
And I want to thank you all for your tremendous support | 0:53:37 | 0:53:40 | |
during that time, and for this marvellous dinner tonight. | 0:53:40 | 0:53:44 | |
Thank you to all of you. Thank you very much. | 0:53:45 | 0:53:49 | |
APPLAUSE | 0:53:49 | 0:53:52 | |
You're looking much better, Victor. | 0:54:25 | 0:54:28 | |
They've sent for some brain doctors, to interrogate me. | 0:54:28 | 0:54:31 | |
An inquisition! | 0:54:31 | 0:54:33 | |
And, if I pass, if they conclude I'm not a lunatic, | 0:54:33 | 0:54:36 | |
then I might be free to go soon. | 0:54:36 | 0:54:38 | |
Well, that's tremendous. | 0:54:39 | 0:54:40 | |
Well, if they don't lock me up for stealing the Rolls. | 0:54:40 | 0:54:43 | |
And how are you? | 0:54:43 | 0:54:45 | |
Have you got the girl in the green coat to agree to give evidence yet? | 0:54:45 | 0:54:48 | |
The Green Torturer? | 0:54:48 | 0:54:50 | |
No, not yet. | 0:54:51 | 0:54:53 | |
I've tried everything I can think of, | 0:54:53 | 0:54:55 | |
and everything Callum suggested as well. | 0:54:55 | 0:54:57 | |
Well, take her to your favourite place in the world. | 0:54:57 | 0:54:59 | |
Or in London, at any rate. Your special place. | 0:54:59 | 0:55:02 | |
-I don't have a favourite place. -Well, you ought to. | 0:55:04 | 0:55:07 | |
Mine's a bombed church called St Mildred's. | 0:55:07 | 0:55:10 | |
-I'll think about it. -Be even bolder than Callum, Kathy. | 0:55:12 | 0:55:15 | |
He is a genius, of course, at making the enemy feel at home, | 0:55:16 | 0:55:20 | |
but he's not nearly so good at looking after himself. | 0:55:20 | 0:55:23 | |
He thinks he's in control all the time, but he isn't. | 0:55:23 | 0:55:26 | |
I'm really quite worried about him. | 0:55:26 | 0:55:28 | |
The last person that needs worrying about is Callum! | 0:55:28 | 0:55:30 | |
Your brother's right - we underestimate chickens. | 0:55:54 | 0:55:56 | |
They can be quite formidable, when they choose. | 0:55:56 | 0:55:59 | |
To chicken out of something - that's an unfair expression. | 0:55:59 | 0:56:02 | |
Unfair on them. | 0:56:02 | 0:56:04 | |
I'm sure it is. | 0:56:04 | 0:56:05 | |
I am so very sorry, Callum. | 0:56:07 | 0:56:09 | |
You can do it again. | 0:56:09 | 0:56:10 | |
It doesn't have to be at your farewell party. | 0:56:11 | 0:56:13 | |
We could find an easier moment. | 0:56:13 | 0:56:15 | |
You didn't read this document, did you? | 0:56:15 | 0:56:17 | |
The one you "borrowed" from the Foreign Office. | 0:56:17 | 0:56:19 | |
The memo of that crucial meeting. | 0:56:19 | 0:56:21 | |
I didn't read it, no. | 0:56:21 | 0:56:22 | |
I just glanced at it. | 0:56:23 | 0:56:25 | |
Then you missed the most vital thing, then, didn't you? | 0:56:25 | 0:56:27 | |
I was going use it to put it under their eggs in the hut there, | 0:56:27 | 0:56:30 | |
but before I do, take a look at the top. | 0:56:30 | 0:56:33 | |
Where it says who was present at that meeting. | 0:56:34 | 0:56:36 | |
It was me that told them not to do anything. | 0:56:56 | 0:56:59 | |
It was my advice that meant we didn't back the coup against Hitler. | 0:56:59 | 0:57:02 | |
Not just me, of course, but I was, | 0:57:02 | 0:57:04 | |
"the man who knew what foreigners were thinking". | 0:57:04 | 0:57:07 | |
My contribution was crucial. | 0:57:07 | 0:57:09 | |
So this whole plan...? | 0:57:09 | 0:57:11 | |
You just wanted to get hold of the file... | 0:57:12 | 0:57:14 | |
To cover up my tracks, yes. | 0:57:14 | 0:57:16 | |
So people wouldn't know about the biggest mistake of my life. | 0:57:16 | 0:57:19 | |
That it was my advice that these senior, well-intentioned Germans | 0:57:19 | 0:57:24 | |
were not serious people. | 0:57:24 | 0:57:25 | |
Posterity would never know it was me. | 0:57:26 | 0:57:28 | |
That was my initial idea, Callum - to bury the truth. | 0:57:30 | 0:57:33 | |
I see. | 0:57:35 | 0:57:36 | |
Then... | 0:57:36 | 0:57:37 | |
..over the last few months, as I got to know you well, | 0:57:39 | 0:57:41 | |
you encouraged me, you made me bolder. | 0:57:41 | 0:57:44 | |
I decided I was going to make the whole thing public. | 0:57:45 | 0:57:48 | |
My contribution, the dramatic failure of the Foreign Office | 0:57:48 | 0:57:51 | |
to seize the chance, the whole story. | 0:57:51 | 0:57:54 | |
I really meant to. | 0:57:54 | 0:57:55 | |
I just wasn't brave enough. | 0:57:57 | 0:57:59 | |
And seeing Lucy there especially. | 0:58:02 | 0:58:04 | |
I thought she was away visiting friends. | 0:58:04 | 0:58:06 | |
I didn't expect her to come. | 0:58:06 | 0:58:08 | |
And all those faces looking at me. | 0:58:10 | 0:58:12 | |
I was afraid. | 0:58:16 | 0:58:17 | |
I hate to think what you must feel about me, Callum. | 0:58:20 | 0:58:24 | |
Don't worry yourself so much, Harold. | 0:58:24 | 0:58:26 | |
That still leaves me. | 0:58:28 | 0:58:29 | |
I can do something. | 0:58:30 | 0:58:31 | |
Ah, we're back staying here, my friend, and two days early! | 0:58:46 | 0:58:49 | |
But there's the rehearsal tomorrow, | 0:58:49 | 0:58:51 | |
and, of course, we wanted to make sure to be on time for the ceremony. | 0:58:51 | 0:58:54 | |
And to see the hotel again. | 0:58:54 | 0:58:56 | |
Yes, she's grown to love it here. | 0:58:56 | 0:58:58 | |
I promised she could play outside for once, on the bombsite. | 0:58:58 | 0:59:01 | |
Meanwhile, I'm continuing to work right up to the last minute. | 0:59:01 | 0:59:03 | |
Gentlemen. | 0:59:03 | 0:59:05 |