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I checked his German records and there is no evidence of war crimes. | 0:00:02 | 0:00:04 | |
The German's getting married, it's not right. | 0:00:04 | 0:00:06 | |
You've gone around boasting you will tell the world about | 0:00:06 | 0:00:10 | |
what's happening to the ex-Nazis who are helping us. | 0:00:10 | 0:00:12 | |
You mustn't do that, Victor. | 0:00:12 | 0:00:14 | |
It will destroy your brother, | 0:00:14 | 0:00:17 | |
even endanger his life. | 0:00:17 | 0:00:19 | |
'I found some evidence.' | 0:00:19 | 0:00:21 | |
The real evidence. Now, you must read it. | 0:00:21 | 0:00:23 | |
Did somebody attack him? | 0:00:23 | 0:00:25 | |
What happened, Callum? | 0:00:25 | 0:00:27 | |
Eight different witness statements. | 0:00:27 | 0:00:29 | |
All identifying you. | 0:00:29 | 0:00:32 | |
He blames the Secret Service for me being like this | 0:00:32 | 0:00:35 | |
and may try to take certain actions because of that. | 0:00:35 | 0:00:38 | |
So this whole plan, you just wanted to get hold of the file. | 0:00:40 | 0:00:43 | |
To cover up my tracks, yes. | 0:00:43 | 0:00:45 | |
Well, don't worry yourself so much, Harold. | 0:00:45 | 0:00:47 | |
That still leaves me. I can do something. | 0:00:47 | 0:00:50 | |
CHILDREN SHOUTING | 0:01:05 | 0:01:07 | |
You're it! | 0:01:20 | 0:01:21 | |
You didn't realise this wedding was in fact a military parade, did you? | 0:01:53 | 0:01:57 | |
It's ridiculous, isn't it? | 0:01:57 | 0:01:59 | |
And this is only the start of it, apparently! | 0:01:59 | 0:02:02 | |
It is ridiculous. | 0:02:02 | 0:02:03 | |
I'm going to see what I can do to change things by tomorrow, | 0:02:03 | 0:02:05 | |
but I'm not hopeful. | 0:02:05 | 0:02:07 | |
Your boss arranged all this. | 0:02:07 | 0:02:08 | |
Well, of course. | 0:02:08 | 0:02:10 | |
They're using the wedding as a chance for some good propaganda | 0:02:10 | 0:02:12 | |
for them - to say that we're still very much in | 0:02:12 | 0:02:15 | |
the race to break the sound barrier. | 0:02:15 | 0:02:17 | |
They want to make Dieter a bit famous. | 0:02:17 | 0:02:19 | |
Well, all I can say is, | 0:02:19 | 0:02:21 | |
even the Soviets might be a little shy about doing something like this! | 0:02:21 | 0:02:25 | |
I thought this was supposed to be a small wedding. | 0:02:25 | 0:02:28 | |
How is Anna going to manage all of this? | 0:02:28 | 0:02:32 | |
What's the matter with you, Callum? | 0:02:32 | 0:02:34 | |
I'm absolutely fine. | 0:02:34 | 0:02:35 | |
It must have been all the speeches I had to listen to at Harold's do. | 0:02:35 | 0:02:39 | |
And what about YOUR speech? | 0:02:39 | 0:02:41 | |
You're a sort of best man, aren't you? | 0:02:41 | 0:02:43 | |
Or is somebody from the base doing it? | 0:02:43 | 0:02:45 | |
No, no, I'm the nearest thing there is to a best man. | 0:02:45 | 0:02:48 | |
I think my contribution may surprise everyone. | 0:02:49 | 0:02:52 | |
So you've got out of bed. | 0:02:57 | 0:02:59 | |
Yes, that is allowed. I'm not chained to it, you know. | 0:02:59 | 0:03:03 | |
Anyway, I've been rehearsing for my interrogation, when I have | 0:03:03 | 0:03:06 | |
to show them how normal I am. | 0:03:06 | 0:03:07 | |
So you're really on the mend, are you, Victor? | 0:03:07 | 0:03:10 | |
I am. And what about you? | 0:03:10 | 0:03:12 | |
What's that supposed to mean? | 0:03:12 | 0:03:13 | |
You know perfectly well. You're going to behave yourself, are you? | 0:03:13 | 0:03:17 | |
What, at the wedding? Of course I am! | 0:03:17 | 0:03:19 | |
So there are no schemes? No hatching of plots? | 0:03:19 | 0:03:22 | |
I shall be the perfect guest... | 0:03:23 | 0:03:25 | |
You can go. We don't need you. Thank you. | 0:03:34 | 0:03:38 | |
Are you sure, Miss Griffiths? | 0:03:38 | 0:03:39 | |
I'm perfectly sure. Can you leave the park completely, please? | 0:03:39 | 0:03:44 | |
She's not really leaving? | 0:03:46 | 0:03:48 | |
Yes, she is. | 0:03:48 | 0:03:50 | |
You say there's nobody working for you here | 0:03:53 | 0:03:55 | |
but I feel these people...some of them are looking at me. | 0:03:55 | 0:03:59 | |
You think it's the toffee apple? Because it's so special? | 0:03:59 | 0:04:02 | |
We can solve that. | 0:04:02 | 0:04:04 | |
But maybe that isn't that at all. | 0:04:04 | 0:04:05 | |
Do you think they know what you did? | 0:04:08 | 0:04:09 | |
Some of them are looking at you because they know all | 0:04:09 | 0:04:11 | |
the things you did? | 0:04:11 | 0:04:13 | |
Is that what you're wondering? | 0:04:13 | 0:04:14 | |
I'm not thinking anything like that. | 0:04:14 | 0:04:16 | |
These people know nothing about either of us. | 0:04:16 | 0:04:19 | |
Of course not, how could they? | 0:04:19 | 0:04:21 | |
BELL TOLLS | 0:04:25 | 0:04:27 | |
Why did you bring me here? | 0:04:29 | 0:04:30 | |
You didn't want people staring at you. | 0:04:32 | 0:04:34 | |
You brought me here so you could say to me, | 0:04:34 | 0:04:37 | |
"You did this, your Air Force." | 0:04:37 | 0:04:39 | |
No, that's not the reason. | 0:04:39 | 0:04:40 | |
I brought you here because it's peaceful. | 0:04:40 | 0:04:42 | |
We could have gone to a church which wasn't ruined...a normal church. | 0:04:42 | 0:04:47 | |
What would you have done in a normal church, Birgit? Light candles? | 0:04:47 | 0:04:50 | |
Ask to speak to God? | 0:04:52 | 0:04:53 | |
Be an interesting conversation, wouldn't it? | 0:04:53 | 0:04:56 | |
Do you really think he wants to hear from you, Birgit? | 0:04:56 | 0:04:59 | |
Why don't you go? | 0:05:07 | 0:05:09 | |
Go on - there's nothing to stop you. It's not a trick. | 0:05:09 | 0:05:13 | |
Of course, maybe the Russians will pick you up by the end of the day, | 0:05:14 | 0:05:18 | |
or maybe it'll be sooner. | 0:05:18 | 0:05:19 | |
Perhaps we'll take bets on it back at the office. | 0:05:20 | 0:05:24 | |
You tortured friends of mine, | 0:05:29 | 0:05:32 | |
and of course you saw them die. | 0:05:32 | 0:05:35 | |
I have no interest in what happens to you now, | 0:05:35 | 0:05:38 | |
none at all. | 0:05:38 | 0:05:39 | |
You had your chance and you didn't take it. | 0:05:41 | 0:05:43 | |
You pretended to think about giving evidence at the trial, | 0:05:43 | 0:05:46 | |
to consider it, but you were never going to do it, were you? | 0:05:46 | 0:05:49 | |
So now you are on your own, Birgit, and you should go. | 0:05:49 | 0:05:54 | |
I advise you to take this opportunity for all sorts of | 0:05:54 | 0:05:57 | |
reasons but especially because I will enjoy thinking about | 0:05:57 | 0:06:01 | |
what the Russians will do to you when they get you. | 0:06:01 | 0:06:06 | |
Surely there must be somewhere you can go where they won't find you? | 0:06:06 | 0:06:10 | |
Why don't you put it to the test? | 0:06:10 | 0:06:12 | |
You're going to have to go, anyway. | 0:06:16 | 0:06:18 | |
I wonder how far you'll get. | 0:06:20 | 0:06:21 | |
Don't go. | 0:06:24 | 0:06:25 | |
We thought this would be a good place. No chance of Dieter | 0:06:29 | 0:06:33 | |
coming in here by mistake and seeing the dress. | 0:06:33 | 0:06:35 | |
Yes, because that would mean a whole life of bad luck, wouldn't it? | 0:06:35 | 0:06:39 | |
Doesn't it look good? | 0:06:39 | 0:06:41 | |
It does look good, doesn't it? | 0:06:41 | 0:06:43 | |
Of course, Anna, it looks amazing! | 0:06:43 | 0:06:45 | |
You look like a film star preparing for the wedding of the year. | 0:06:45 | 0:06:49 | |
Hello, stranger. | 0:07:04 | 0:07:06 | |
Hello, Callum. | 0:07:06 | 0:07:07 | |
I was just making sure the coast was clear, | 0:07:07 | 0:07:09 | |
that there was no Dieter around | 0:07:09 | 0:07:11 | |
when Anna comes back to her room, so he doesn't see her dress. | 0:07:11 | 0:07:14 | |
Well, he's not hiding in here. | 0:07:14 | 0:07:16 | |
You need to be armed for the wedding, do you? | 0:07:16 | 0:07:19 | |
I'm always armed. | 0:07:19 | 0:07:21 | |
-Didn't you know that? -I didn't. | 0:07:22 | 0:07:24 | |
You expect the Russians to jump out of the wedding cake and grab | 0:07:24 | 0:07:26 | |
the groom, do you? Whisk him off? | 0:07:26 | 0:07:28 | |
It's not very likely, no. | 0:07:28 | 0:07:31 | |
But I'm always prepared for anything, Julia. | 0:07:31 | 0:07:34 | |
Right. | 0:07:34 | 0:07:35 | |
It's funny being back here. | 0:07:37 | 0:07:39 | |
My career's not going too badly at the moment, since you were | 0:07:39 | 0:07:41 | |
kind enough to ask. | 0:07:41 | 0:07:43 | |
I'm going to play the Nurse in Romeo And Juliet. | 0:07:43 | 0:07:46 | |
I'm going to make her an exceptionally young nurse! | 0:07:46 | 0:07:49 | |
And your career, Callum? | 0:07:51 | 0:07:54 | |
What about it? | 0:07:54 | 0:07:55 | |
You're going to leave the Army very soon, aren't you? | 0:07:55 | 0:07:58 | |
How is everything working out for you? | 0:07:58 | 0:08:00 | |
I'm about to find out. | 0:08:02 | 0:08:03 | |
This is a dangerous development, me venturing down the passage with you. | 0:08:16 | 0:08:21 | |
It's not necessary. | 0:08:21 | 0:08:22 | |
CHILDREN'S VOICES OUTSIDE | 0:08:25 | 0:08:27 | |
My goodness! What have you done? | 0:08:30 | 0:08:33 | |
Come through here! | 0:08:33 | 0:08:34 | |
Callum! | 0:08:39 | 0:08:41 | |
I thought you shouldn't miss out on the wedding. | 0:08:41 | 0:08:43 | |
Harold mentioned that you had a meal on the stairs and listened to | 0:08:43 | 0:08:46 | |
the music, so I thought I would go one better, | 0:08:46 | 0:08:49 | |
and provide you with your own private banquet... | 0:08:49 | 0:08:52 | |
..since you refuse to come down. | 0:08:53 | 0:08:56 | |
I have never met your German scientist. | 0:08:56 | 0:08:59 | |
How could I possibly come to his wedding? | 0:08:59 | 0:09:01 | |
Well, precisely. Now you can feast like the rest of us. | 0:09:01 | 0:09:04 | |
You can be as greedy as you like and no-one will see! | 0:09:04 | 0:09:08 | |
I do not plan to be greedy, Callum, whether people can see or not. | 0:09:08 | 0:09:12 | |
But thank you for the extremely generous gesture. | 0:09:13 | 0:09:16 | |
Have you used these rooms yourself for any reason? | 0:09:18 | 0:09:21 | |
Well, on occasion. | 0:09:21 | 0:09:25 | |
Why do you ask? | 0:09:25 | 0:09:26 | |
No reason. | 0:09:26 | 0:09:27 | |
Perhaps I shouldn't pry further. | 0:09:29 | 0:09:30 | |
It was in fact being used by a top Nazi. The Secret Service had | 0:09:32 | 0:09:36 | |
him holed up in here, while he pretended to be dying. | 0:09:36 | 0:09:38 | |
Did they, indeed? | 0:09:38 | 0:09:39 | |
I wish you hadn't told me that. | 0:09:39 | 0:09:41 | |
Now I will feel his presence all around while I'm tucking in. | 0:09:41 | 0:09:45 | |
No, you won't. | 0:09:45 | 0:09:46 | |
Here it is, the formula. | 0:09:48 | 0:09:52 | |
What you've been waiting for. | 0:09:52 | 0:09:54 | |
I never thought I'd agree to this | 0:09:54 | 0:09:57 | |
but they sent the right policeman. | 0:09:57 | 0:09:59 | |
And so it's yours. | 0:09:59 | 0:10:00 | |
Thank you. | 0:10:02 | 0:10:04 | |
Aren't you going to open it? See what the formula is? | 0:10:04 | 0:10:07 | |
No, no, no, I don't need to. It's not for me. | 0:10:07 | 0:10:10 | |
-Goodbye. -Goodbye? What do you mean "goodbye"? | 0:10:13 | 0:10:16 | |
I mean...au revoir, sorry. | 0:10:16 | 0:10:20 | |
ORGAN PLAYS | 0:10:23 | 0:10:24 | |
QUIET HUM OF CONVERSATION | 0:10:24 | 0:10:26 | |
Hello, gentlemen! | 0:10:41 | 0:10:43 | |
Hello. Mr Ferguson. Please, take a seat. | 0:10:43 | 0:10:46 | |
Now, before we begin... | 0:10:48 | 0:10:49 | |
We began as soon as I came through the door, didn't we? | 0:10:49 | 0:10:53 | |
You were all watching to see how normal my entrance was, | 0:10:53 | 0:10:56 | |
but that's OK. I... Everything I do, I realise is being measured on | 0:10:56 | 0:11:00 | |
a thermometer - the bonkers thermometer. I quite understand. | 0:11:00 | 0:11:03 | |
I rehearsed how to come into the room, anyway. | 0:11:05 | 0:11:07 | |
Thank you, Mr Ferguson, I'm glad you say that you understand. | 0:11:07 | 0:11:10 | |
Now, we've just got a few questions concerning the state of | 0:11:10 | 0:11:14 | |
your health and the state of your mind. | 0:11:14 | 0:11:16 | |
OK, well, I'm ready for all of it. | 0:11:16 | 0:11:19 | |
Callum... | 0:11:25 | 0:11:26 | |
Before we start, I do want to say... | 0:11:35 | 0:11:38 | |
of course, I've been through | 0:11:38 | 0:11:40 | |
a very difficult phase, my moods have been very hard to | 0:11:40 | 0:11:43 | |
predict, I know, and often they've become quite extreme. | 0:11:43 | 0:11:46 | |
But I feel now much more stable, much more normal... | 0:11:46 | 0:11:51 | |
..and I'll steal no more cars, I promise, | 0:11:52 | 0:11:55 | |
even though I do seem to have a great facility for it. | 0:11:55 | 0:11:58 | |
Thank you, Mr Ferguson. That's very clear. | 0:11:58 | 0:12:02 | |
ORGAN PLAYS | 0:12:02 | 0:12:03 | |
'I understand that you are sleeping much better, Mr Ferguson?' | 0:12:34 | 0:12:37 | |
Indeed. I've had oceans of sleep recently, | 0:12:37 | 0:12:40 | |
and some very vivid dreams. | 0:12:40 | 0:12:42 | |
Some extremely sexual, amazingly realistic! | 0:12:43 | 0:12:46 | |
But I'm not alone in doing that, am I? | 0:12:48 | 0:12:50 | |
In the presence of God, Father, Son and Holy Ghost, | 0:12:50 | 0:12:55 | |
we have come together to witness the marriage of Dieter and Anna, | 0:12:55 | 0:13:00 | |
and to pray for God's blessing on them, to share their joy, | 0:13:00 | 0:13:04 | |
and to celebrate their love. | 0:13:04 | 0:13:06 | |
Is everything all right? | 0:13:06 | 0:13:08 | |
Yes, my dear. I always get emotional at weddings, | 0:13:08 | 0:13:12 | |
and for some reason it gets worse. | 0:13:12 | 0:13:14 | |
..lawfully marry, to declare it now. | 0:13:14 | 0:13:17 | |
Please ask about my brother. | 0:13:19 | 0:13:21 | |
My brother is the most important thing we need to talk about. | 0:13:22 | 0:13:25 | |
My brother has had the most extraordinary time serving | 0:13:25 | 0:13:29 | |
this country...far more than me. | 0:13:29 | 0:13:31 | |
He saw some of the worst fighting on D-Day, | 0:13:31 | 0:13:34 | |
and then became an integral part of T-Force, grabbing important | 0:13:34 | 0:13:37 | |
German scientists before anybody else could get to them, | 0:13:37 | 0:13:40 | |
and then befriending some of them, | 0:13:40 | 0:13:42 | |
making them work brilliantly for us! | 0:13:42 | 0:13:44 | |
He's taken on those bungling idiots from the Secret Service | 0:13:44 | 0:13:47 | |
and stopped them wrecking everything. | 0:13:47 | 0:13:49 | |
Heavenly Father, by your blessing, may these rings be, to Dieter | 0:13:57 | 0:14:02 | |
and Anna, a symbol of unending love and faithfulness. | 0:14:02 | 0:14:06 | |
Now, I know that my problems are not entirely due to the war, | 0:14:07 | 0:14:11 | |
but Callum's are. | 0:14:11 | 0:14:13 | |
And he is fuelled - that's the right word - | 0:14:14 | 0:14:17 | |
he is fuelled, like the jet planes that he loves so much, | 0:14:17 | 0:14:21 | |
by this tremendous desire to do what's best for this country. | 0:14:21 | 0:14:25 | |
But now he's like a missile himself. | 0:14:25 | 0:14:27 | |
Because he has seen crimes ignored, crimes committed by these people, | 0:14:28 | 0:14:33 | |
these ex-Nazis who are now our closest friends. | 0:14:33 | 0:14:36 | |
And he tried to reconcile these things - what's best for | 0:14:36 | 0:14:39 | |
the country and for justice to be done...but it's breaking down now! | 0:14:39 | 0:14:43 | |
And you have to realise this - it has reached a breaking point! | 0:14:43 | 0:14:47 | |
'Now, I have a talent for piecing things together,' | 0:14:59 | 0:15:02 | |
putting books in the right order, for sorting out lost property - | 0:15:02 | 0:15:05 | |
I have pieced this together. | 0:15:05 | 0:15:07 | |
You have to listen! | 0:15:08 | 0:15:09 | |
HUM OF CONVERSATION | 0:15:13 | 0:15:14 | |
It was a lovely service, wasn't it? It all went very smoothly. | 0:15:31 | 0:15:35 | |
It's not over yet. | 0:15:36 | 0:15:38 | |
Captain Ferguson. Prepared as always. | 0:15:48 | 0:15:52 | |
Are you all right? | 0:16:06 | 0:16:07 | |
Of course I'm all right. | 0:16:09 | 0:16:11 | |
Are you all right? | 0:16:11 | 0:16:13 | |
We'll see. | 0:16:13 | 0:16:14 | |
I know you don't think I'm an idiot. | 0:16:15 | 0:16:18 | |
I don't think you're an idiot, no, Alex. | 0:16:18 | 0:16:20 | |
So of course I realise you and Rachel have become great friends, | 0:16:20 | 0:16:23 | |
especially since I've been away. | 0:16:23 | 0:16:25 | |
We are great friends, yes. | 0:16:25 | 0:16:27 | |
Great, great friends. | 0:16:27 | 0:16:29 | |
You may wonder what I think about that. | 0:16:29 | 0:16:32 | |
Perhaps you don't wonder? | 0:16:33 | 0:16:35 | |
This is hardly the time, Alex. | 0:16:35 | 0:16:36 | |
This isn't the time, no. | 0:16:36 | 0:16:38 | |
But maybe we won't have another opportunity in a hurry. | 0:16:38 | 0:16:40 | |
She was in grief, of course, when I first met her, | 0:16:46 | 0:16:48 | |
her husband dying so suddenly. | 0:16:48 | 0:16:51 | |
I adored her. | 0:16:51 | 0:16:52 | |
But we clearly had nothing in common, | 0:16:52 | 0:16:54 | |
that was obvious to you, I know... | 0:16:54 | 0:16:55 | |
This is a wedding, Alex. | 0:16:55 | 0:16:57 | |
Yes, I know it's a wedding, Callum! | 0:16:57 | 0:16:59 | |
I'm telling the truth, aren't I? | 0:17:08 | 0:17:10 | |
About what? | 0:17:10 | 0:17:11 | |
That it was obvious that we were two people who shouldn't be together. | 0:17:11 | 0:17:14 | |
But I didn't want her to leave so much - not yet, | 0:17:14 | 0:17:18 | |
not after just a few months. | 0:17:18 | 0:17:20 | |
I didn't want the shame, what people would say, | 0:17:20 | 0:17:23 | |
especially after my cushy war in Washington. How it would look. | 0:17:23 | 0:17:28 | |
It is a terrible reason, isn't it? But, in a way, understandable? | 0:17:29 | 0:17:33 | |
We're not the only marriage like that. | 0:17:35 | 0:17:36 | |
I've got to get back in there... | 0:17:36 | 0:17:38 | |
You see, I so wanted her to be happy, so that she would stay. | 0:17:38 | 0:17:41 | |
And she is happy spending time with you. | 0:17:41 | 0:17:43 | |
And I know she's never going to leave me for you, Callum, | 0:17:43 | 0:17:46 | |
and goodness knows what might happen soon? | 0:17:46 | 0:17:48 | |
I mean, we could be all blown to smithereens in a few months, | 0:17:48 | 0:17:50 | |
if the Russians manage to get the Bomb, couldn't we?! | 0:17:50 | 0:17:52 | |
That's possible, yes. | 0:17:52 | 0:17:54 | |
You're not planning on changing anything, are you, Callum? | 0:17:54 | 0:17:57 | |
I just want you to know, and please take notice of this... | 0:17:58 | 0:18:02 | |
..you don't need to. | 0:18:04 | 0:18:05 | |
If she's happy... | 0:18:06 | 0:18:08 | |
..I'm happy. | 0:18:10 | 0:18:11 | |
So that makes three of us. | 0:18:14 | 0:18:16 | |
Excuse me. | 0:18:19 | 0:18:20 | |
HUM OF CONVERSATION | 0:18:23 | 0:18:24 | |
Sir? Aren't you meant to be at the high table, sir, with the bride and groom? | 0:18:35 | 0:18:39 | |
I'm just going to perch here a moment, run through my speech. | 0:18:39 | 0:18:42 | |
INAUDIBLE | 0:18:45 | 0:18:46 | |
It's like having a wedding at the Pentagon! | 0:18:51 | 0:18:55 | |
I hope it's not all over the papers tomorrow. | 0:18:55 | 0:18:58 | |
Are there any reporters in the room? | 0:18:58 | 0:19:00 | |
We really ought to smell them out, don't you think? | 0:19:00 | 0:19:04 | |
I brought them this wedding gift. | 0:19:08 | 0:19:10 | |
It's an edition of German fairy stories. | 0:19:10 | 0:19:13 | |
It's very old, from the 18th century. | 0:19:13 | 0:19:16 | |
I'm sure they'll love that. Both of them will. | 0:19:16 | 0:19:19 | |
Will you excuse me, my dear? | 0:19:21 | 0:19:23 | |
I'll be back shortly. | 0:19:25 | 0:19:26 | |
KNOCK ON DOOR | 0:19:33 | 0:19:34 | |
Sir. | 0:19:37 | 0:19:38 | |
Ah, there you are. | 0:19:40 | 0:19:42 | |
Mr Lindsay-Jones! | 0:19:42 | 0:19:43 | |
It took a little detective work to find you. | 0:19:43 | 0:19:46 | |
I hope you don't mind my intruding? | 0:19:46 | 0:19:48 | |
Not at all! | 0:19:48 | 0:19:49 | |
I feel distinctly odd having a banquet all on my own. | 0:19:49 | 0:19:53 | |
Please come and share some of this with me. | 0:19:53 | 0:19:55 | |
No, no, no, I'm not here to take your food. | 0:19:55 | 0:19:58 | |
Well, at least you must have some of this. | 0:19:58 | 0:20:00 | |
Now you're here, I can drink something - | 0:20:00 | 0:20:04 | |
one can't really drink happily on one's own. | 0:20:04 | 0:20:06 | |
But I don't want you to miss any of the banquet. | 0:20:06 | 0:20:09 | |
Oh, I won't miss the banquet, and no-one will miss me. | 0:20:09 | 0:20:12 | |
Why do you say that? Who won't miss you? | 0:20:12 | 0:20:16 | |
The policeman? | 0:20:16 | 0:20:17 | |
Yes. I have disappointed him. | 0:20:17 | 0:20:20 | |
I'm sure that's not possible. | 0:20:20 | 0:20:22 | |
Yes. I have disappointed him deeply. | 0:20:22 | 0:20:24 | |
Downstairs he could barely look at me. It makes one feel like | 0:20:26 | 0:20:30 | |
a rejected parent, which is absurd, of course, | 0:20:30 | 0:20:33 | |
because I'm nothing like a father to him. | 0:20:33 | 0:20:36 | |
But I'm not ashamed to say I have grown extremely fond of him. | 0:20:37 | 0:20:40 | |
And his brother also, of course. | 0:20:40 | 0:20:42 | |
I so much wanted to live up to expectations. | 0:20:45 | 0:20:47 | |
I owe it not just to Callum, but to the memory of my family. | 0:20:50 | 0:20:54 | |
Why is not possible to be as brave as one wants... | 0:20:56 | 0:20:59 | |
just at the moment one needs it most? | 0:20:59 | 0:21:01 | |
It's funny you should say that, | 0:21:02 | 0:21:04 | |
because I've asked myself that so much recently. | 0:21:04 | 0:21:07 | |
Could I have been braver? | 0:21:09 | 0:21:11 | |
Could I have been stronger? | 0:21:11 | 0:21:14 | |
I'm sorry. | 0:21:15 | 0:21:18 | |
I'm successfully ruining your meal! | 0:21:18 | 0:21:20 | |
You're doing no such thing. | 0:21:21 | 0:21:23 | |
So, this is an early warning...very soon the dessert will be served, | 0:21:24 | 0:21:28 | |
and we will be beginning the speeches quite quickly after that. | 0:21:28 | 0:21:32 | |
So, for those of you coming up here, | 0:21:32 | 0:21:34 | |
your ordeal isn't far off now. | 0:21:34 | 0:21:36 | |
I hope everybody is aware of their duties. | 0:21:36 | 0:21:39 | |
LAUGHTER | 0:21:39 | 0:21:40 | |
I know whatever you did or didn't do, | 0:21:46 | 0:21:52 | |
it can never be as serious as what I did or didn't do. | 0:21:52 | 0:21:56 | |
I did nothing, Harold. | 0:21:58 | 0:21:59 | |
When people were disappearing, | 0:22:01 | 0:22:03 | |
people who had worked for us for years... | 0:22:03 | 0:22:05 | |
Suddenly, they were taken away. | 0:22:07 | 0:22:10 | |
My husband had been dead for some time by then, | 0:22:11 | 0:22:15 | |
I was head of the family business, a woman of consequence, | 0:22:15 | 0:22:19 | |
a big local employer... | 0:22:19 | 0:22:20 | |
..living in a house which, of course, always smelt beautiful. | 0:22:22 | 0:22:26 | |
I can imagine. | 0:22:26 | 0:22:28 | |
I hated the regime... | 0:22:29 | 0:22:31 | |
..but, like so many others, I turned away. | 0:22:32 | 0:22:35 | |
I drew the curtains in my house. | 0:22:39 | 0:22:42 | |
I told myself I was a foreigner, | 0:22:43 | 0:22:47 | |
I couldn't criticise somebody else's country. | 0:22:47 | 0:22:50 | |
These horrors one hears about, | 0:22:52 | 0:22:56 | |
they must be exaggerated. | 0:22:56 | 0:22:58 | |
And it's just a phase that will pass, surely. | 0:22:59 | 0:23:02 | |
How can I make a difference, anyway? | 0:23:03 | 0:23:05 | |
But, of course, so many other people were saying exactly the same thing. | 0:23:07 | 0:23:13 | |
I looked away. | 0:23:19 | 0:23:20 | |
I looked away. | 0:23:23 | 0:23:24 | |
HUM OF CONVERSATION | 0:23:27 | 0:23:28 | |
Callum! | 0:24:01 | 0:24:02 | |
Where are you going? | 0:24:05 | 0:24:06 | |
Where am I going? I'm just getting ready... | 0:24:06 | 0:24:09 | |
for my speech. | 0:24:09 | 0:24:10 | |
Right. I just wanted a moment... | 0:24:10 | 0:24:13 | |
To see if your message had worked? | 0:24:13 | 0:24:15 | |
What message? | 0:24:15 | 0:24:16 | |
Come with me. | 0:24:19 | 0:24:20 | |
Did you send Alex to come and see me? | 0:24:26 | 0:24:28 | |
To give me that message? | 0:24:28 | 0:24:30 | |
What are you talking about? What message? | 0:24:30 | 0:24:31 | |
Asking me not to disrupt the convenient arrangement that | 0:24:31 | 0:24:35 | |
makes everybody so happy? | 0:24:35 | 0:24:36 | |
That you're both so relaxed about! | 0:24:36 | 0:24:38 | |
You think I'm mad? I would never send Alex with a message like that. | 0:24:38 | 0:24:41 | |
I wouldn't send him with any kind of message! | 0:24:41 | 0:24:43 | |
You really think that's something I would do? | 0:24:43 | 0:24:45 | |
It's a kind of rich person's game, isn't it, | 0:24:45 | 0:24:47 | |
having a marriage where everything is so completely open? | 0:24:47 | 0:24:50 | |
Don't you dare talk to me like that! | 0:24:50 | 0:24:52 | |
Don't you dare try to reduce what we've had to that. | 0:24:52 | 0:24:56 | |
What we've felt for each other! | 0:24:56 | 0:24:58 | |
What I've felt for you. | 0:24:58 | 0:24:59 | |
What's happened, Callum? | 0:25:01 | 0:25:02 | |
Why on earth do you think you can talk to me like that? | 0:25:02 | 0:25:05 | |
Because you sent Alex to give me that message. | 0:25:05 | 0:25:07 | |
'So, attention everybody!' | 0:25:07 | 0:25:09 | |
Yes, we have reached the moment I warned you about. | 0:25:11 | 0:25:14 | |
Oh, blimey! | 0:25:16 | 0:25:17 | |
That's a terrifying sight! | 0:25:17 | 0:25:18 | |
Seeing all these senior officers staring at me. | 0:25:18 | 0:25:21 | |
I'm being almost blinded by all these medals! | 0:25:21 | 0:25:24 | |
Now, before we get to the really important business, | 0:25:24 | 0:25:29 | |
let's get the purely trivial out of the way, which is, of course, | 0:25:29 | 0:25:33 | |
what is our current status on the famous engine? | 0:25:33 | 0:25:37 | |
Sorry, I was joking! | 0:25:40 | 0:25:42 | |
MURMUR OF LAUGHTER | 0:25:42 | 0:25:44 | |
The latest news is, I'm delighted to say, | 0:25:44 | 0:25:47 | |
is that it will take just a couple more weeks of Dieter's work, | 0:25:47 | 0:25:51 | |
his brilliant work, after he's had a few days' honeymoon, of course! | 0:25:51 | 0:25:56 | |
And then we will be ready to show it to you again. And this time | 0:25:56 | 0:26:01 | |
we will be triumphant! | 0:26:01 | 0:26:04 | |
You're not planning something, are you, Callum? | 0:26:12 | 0:26:14 | |
Like what? | 0:26:14 | 0:26:15 | |
I was in fact planning my speech until I was interrupted. | 0:26:15 | 0:26:18 | |
I know how close you are to your brother, of course I do. | 0:26:18 | 0:26:20 | |
And I know how angry you are about what happened and that you want | 0:26:20 | 0:26:23 | |
to do something about it, but I care about you, Callum, I really care. | 0:26:23 | 0:26:26 | |
I don't want you to do anything that will... | 0:26:26 | 0:26:28 | |
You think I'd be crazy enough to do something at a wedding banquet? | 0:26:28 | 0:26:31 | |
What on earth would that be? | 0:26:31 | 0:26:32 | |
I don't know. | 0:26:32 | 0:26:34 | |
I just know you want to do something that'll hurt them. | 0:26:34 | 0:26:36 | |
There are lots of ways of doing that. | 0:26:36 | 0:26:38 | |
So you are planning on doing something? | 0:26:38 | 0:26:40 | |
Callum, please... | 0:26:42 | 0:26:43 | |
Now, to the serious business, and the best man's speech, so, Callum! | 0:26:45 | 0:26:51 | |
Er, Callum, if you could come up here, please? | 0:26:51 | 0:26:55 | |
I promise you I didn't involve Alex. | 0:26:57 | 0:26:59 | |
I just want you to listen to me for one second. | 0:26:59 | 0:27:02 | |
These last few months, our time together, I have been so happy. | 0:27:02 | 0:27:07 | |
Alex's words exactly. | 0:27:08 | 0:27:09 | |
I don't care what he said. This is me speaking, | 0:27:09 | 0:27:12 | |
me here, and I want you to just listen to me. | 0:27:12 | 0:27:15 | |
All right, go on, I'm listening. | 0:27:15 | 0:27:17 | |
-Right. -What do you want to say? Come on, I'm late. | 0:27:17 | 0:27:19 | |
-Callum, when we're together... -When we're together, what? | 0:27:19 | 0:27:21 | |
For Christ's sake, would you stop hurrying me! I'm going to say this. | 0:27:21 | 0:27:25 | |
When we are together, it all seems, | 0:27:25 | 0:27:29 | |
the future seems, so much less frightening. | 0:27:29 | 0:27:32 | |
For me, anyway. | 0:27:34 | 0:27:35 | |
For you, too, I think. | 0:27:39 | 0:27:40 | |
So, what, don't do anything to mess it up? | 0:27:42 | 0:27:44 | |
Is that what you're trying to say? | 0:27:44 | 0:27:45 | |
Well, since no-one seems to know where the best man is... | 0:27:49 | 0:27:53 | |
I can't believe he's flunked it, by the way, | 0:27:53 | 0:27:56 | |
Callum never flunks anything. But we must move on. | 0:27:56 | 0:28:00 | |
So, Dieter, we'll come straight to you. | 0:28:00 | 0:28:02 | |
So, facing all of you right now - which is certainly | 0:28:09 | 0:28:14 | |
a truly impressive sight! | 0:28:14 | 0:28:15 | |
And seeing my beautiful wife sitting there, and my daughter, | 0:28:15 | 0:28:19 | |
looking such a tremendous young lady, it is really hard to | 0:28:19 | 0:28:23 | |
believe when we first arrived here, how frightened we were | 0:28:23 | 0:28:27 | |
and what a difference one helping of specially cooked cabbage made! | 0:28:27 | 0:28:31 | |
LAUGHTER | 0:28:31 | 0:28:32 | |
So, please, let me tell you the story of this very cabbage... | 0:28:32 | 0:28:36 | |
I'm so sorry, everyone! I'm late for my cue, I know. | 0:28:36 | 0:28:40 | |
Ah, the best man. I knew he wouldn't let us down! | 0:28:40 | 0:28:44 | |
Come on, please, come on. | 0:28:46 | 0:28:48 | |
So, I give way now, and I resume later. | 0:28:49 | 0:28:52 | |
No, no, no. No need to leave. We can do a duet. | 0:28:52 | 0:28:55 | |
It seems only fitting, we have been a partnership, after all. | 0:28:56 | 0:29:00 | |
Indeed, a partnership. | 0:29:00 | 0:29:01 | |
Putting the past behind, looking into the future, | 0:29:01 | 0:29:04 | |
and being ready for whatever the Russians have in store for us. | 0:29:04 | 0:29:07 | |
Absolutely. | 0:29:07 | 0:29:08 | |
Let us not let the past get in the way. What use would that be? | 0:29:08 | 0:29:13 | |
How counterproductive that would be, if we let what happened... | 0:29:15 | 0:29:21 | |
..haunt all of our actions. | 0:29:22 | 0:29:24 | |
Do you think he means that? | 0:29:24 | 0:29:26 | |
He ought to realise that he's out of a job - | 0:29:26 | 0:29:30 | |
he was told to make Dieter one of us, and he has! | 0:29:30 | 0:29:35 | |
Ah. | 0:29:49 | 0:29:50 | |
I've found it. My speech! | 0:29:50 | 0:29:52 | |
I too was going to start with the story about the cabbage. | 0:29:52 | 0:29:56 | |
LAUGHTER ECHOES | 0:29:56 | 0:29:57 | |
Can you come in here for a moment? | 0:30:01 | 0:30:03 | |
What's the verdict, then? | 0:30:04 | 0:30:05 | |
How normal am I? | 0:30:07 | 0:30:08 | |
We'll be ready for you in a moment, Mr Ferguson. | 0:30:08 | 0:30:10 | |
You ought to know by now, oughtn't you? | 0:30:10 | 0:30:12 | |
Blimey! You've had a long enough lunch break. | 0:30:12 | 0:30:14 | |
Making a day trip of it, are you? | 0:30:14 | 0:30:16 | |
Mr Ferguson, we will discuss our findings with you shortly. | 0:30:16 | 0:30:19 | |
Your findings? That does sound ominous. | 0:30:19 | 0:30:21 | |
But what about the other matter, my brother? | 0:30:21 | 0:30:24 | |
You must get somebody sent to him now, | 0:30:24 | 0:30:26 | |
or in the morning at the very latest. | 0:30:26 | 0:30:27 | |
One matter at a time, Mr Ferguson. | 0:30:27 | 0:30:30 | |
INAUDIBLE CONVERSATION | 0:30:47 | 0:30:49 | |
INDISTINCT CONVERSATION | 0:30:55 | 0:30:57 | |
Oi! | 0:31:16 | 0:31:17 | |
VEHICLE APPROACHES | 0:31:24 | 0:31:25 | |
Thank you so much for stopping. Very considerate. | 0:31:33 | 0:31:36 | |
Hello. | 0:31:37 | 0:31:38 | |
I need to get to London, | 0:31:38 | 0:31:40 | |
the middle of London in rather a hurry. They won't listen to me! | 0:31:40 | 0:31:43 | |
Have you got everything? | 0:31:47 | 0:31:48 | |
I have everything, yes, I think. | 0:31:48 | 0:31:50 | |
You're ready for the journey. then? | 0:31:50 | 0:31:52 | |
I am. Are you coming too? | 0:31:52 | 0:31:54 | |
-Yes, I am. -Why don't you go and wait for the car downstairs? | 0:31:54 | 0:31:59 | |
We'll be with you in a moment. | 0:31:59 | 0:32:00 | |
I don't know how you did it, Kathy. | 0:32:01 | 0:32:04 | |
Don't speak too soon. She may change her mind. | 0:32:04 | 0:32:07 | |
I wonder what she thinks about at night? | 0:32:07 | 0:32:09 | |
Does she see the faces of some of the people she tortured, | 0:32:09 | 0:32:12 | |
do you think? | 0:32:12 | 0:32:13 | |
I'm sure she doesn't. | 0:32:13 | 0:32:15 | |
I doubt she has any imagination at all... | 0:32:15 | 0:32:18 | |
or memories, really. | 0:32:18 | 0:32:20 | |
To be without memories... how is that possible? | 0:32:20 | 0:32:23 | |
Aha. An American car. | 0:32:31 | 0:32:32 | |
Don't worry. I'm not going to try to jump out of the car. | 0:32:39 | 0:32:42 | |
There's a radio. Maybe we should play some music. | 0:32:44 | 0:32:47 | |
LIVELY MUSIC | 0:32:47 | 0:32:48 | |
This music...it was what brought us together, wasn't it, really? | 0:33:06 | 0:33:11 | |
It was the music? | 0:33:11 | 0:33:13 | |
It was...partly, yes. | 0:33:13 | 0:33:16 | |
I want to thank you so very much for being here | 0:33:16 | 0:33:18 | |
and doing the speech, Callum. | 0:33:18 | 0:33:20 | |
I know it was difficult. Really. | 0:33:20 | 0:33:22 | |
I'm going to miss this place. | 0:33:30 | 0:33:32 | |
This is the last time I shall ever be here. | 0:33:32 | 0:33:34 | |
What do you mean? You love coming here! | 0:33:34 | 0:33:37 | |
It's being sold, because the Army and the Secret Service are | 0:33:37 | 0:33:40 | |
stopping using it. Somebody will probably knock it down. | 0:33:40 | 0:33:43 | |
I won't be back here, anyway. | 0:33:43 | 0:33:45 | |
You must go and dance, Lucy! | 0:33:46 | 0:33:48 | |
Go on. I'll be all right. | 0:33:48 | 0:33:50 | |
I must thank you so very much for this wonderful book you gave me. | 0:33:55 | 0:34:00 | |
So generous. These beautiful old fairy stories. | 0:34:00 | 0:34:03 | |
-I'm glad you like it. -It must be priceless. | 0:34:03 | 0:34:06 | |
Priceless, no. Valuable! | 0:34:06 | 0:34:08 | |
I have a second volume just like it at home. | 0:34:08 | 0:34:10 | |
I couldn't decide which one to give you. | 0:34:10 | 0:34:12 | |
You chose the right one. Thank you. | 0:34:12 | 0:34:14 | |
Callum? I was just wondering... is he all right? | 0:34:16 | 0:34:19 | |
Absolutely. | 0:34:19 | 0:34:21 | |
Has anything happened between the two of you? A difference of opinion? | 0:34:21 | 0:34:25 | |
Not to do with the work? | 0:34:26 | 0:34:28 | |
Or anything else...? | 0:34:29 | 0:34:30 | |
No, I can assure you, there's nothing. | 0:34:30 | 0:34:32 | |
TRAIN RATTLES | 0:34:34 | 0:34:35 | |
TRAIN WHISTLE BLOWS | 0:34:38 | 0:34:40 | |
Hello Pete, still keeping this place warm, I see. | 0:34:41 | 0:34:44 | |
I knew you'd be back! | 0:34:44 | 0:34:46 | |
Well, it's the only place they won't think of looking for me. | 0:34:46 | 0:34:49 | |
I can't go back to the hotel, they'll be waiting for me. | 0:34:49 | 0:34:52 | |
I've only got a few hours to do anything, | 0:34:52 | 0:34:53 | |
and then it'll be too late. | 0:34:53 | 0:34:55 | |
This man is completely wrong about absolutely everything. | 0:35:04 | 0:35:07 | |
He thinks he can save the world if we all have a nuclear bomb! | 0:35:07 | 0:35:11 | |
None of us needs a bomb, do you hear?! | 0:35:11 | 0:35:14 | |
They're arguing about the future of the world. | 0:35:14 | 0:35:17 | |
So I can see. | 0:35:17 | 0:35:19 | |
It's not as simple as that - the Russians are very dangerous. | 0:35:19 | 0:35:23 | |
And if we say we're going to blow them up, | 0:35:23 | 0:35:25 | |
does that make them less dangerous? | 0:35:25 | 0:35:26 | |
I'm telling you, we are either going to blow ourselves up | 0:35:26 | 0:35:29 | |
or get rid of the Bomb completely. | 0:35:29 | 0:35:32 | |
There is no in between! | 0:35:32 | 0:35:33 | |
A future without the Bomb. | 0:35:33 | 0:35:35 | |
It's never going to happen. | 0:35:36 | 0:35:37 | |
Not when we've just invented it, no! But you never know. | 0:35:37 | 0:35:41 | |
Talking about the future... | 0:35:42 | 0:35:45 | |
I want to spend the rest of my life with you. | 0:35:45 | 0:35:47 | |
What? | 0:35:50 | 0:35:52 | |
You're not going to make me repeat it, are you? | 0:35:53 | 0:35:56 | |
Whatever happens...whether we all blow ourselves up, | 0:35:56 | 0:35:59 | |
or fight the Russians quite soon, or even in the morning... | 0:35:59 | 0:36:02 | |
or maybe we manage to avoid doing any of those things. | 0:36:02 | 0:36:05 | |
Whatever it is, I want to be with you when it happens. | 0:36:05 | 0:36:09 | |
I don't even know what I'm going to be doing next week, Rachel... | 0:36:12 | 0:36:16 | |
Let alone with the rest of your life, no. | 0:36:16 | 0:36:18 | |
But I want you to know... | 0:36:21 | 0:36:22 | |
..I think we should do that. | 0:36:24 | 0:36:25 | |
I can't put it more simply than that. | 0:36:28 | 0:36:30 | |
That's not them yet. | 0:36:40 | 0:36:42 | |
I thought doing it here was better than doing it at the port. | 0:36:42 | 0:36:45 | |
A little more private. | 0:36:45 | 0:36:47 | |
Thank you for thinking of that. | 0:36:47 | 0:36:48 | |
We were here with him, you know, in this very cafe, | 0:36:48 | 0:36:52 | |
-here with Kleinow. -Were you? | 0:36:52 | 0:36:54 | |
I have decided to do this. | 0:36:56 | 0:36:58 | |
I will give evidence at the trial. | 0:36:58 | 0:37:00 | |
You don't have to worry yourself. | 0:37:00 | 0:37:02 | |
I just need to... | 0:37:02 | 0:37:03 | |
No, that's fine. | 0:37:05 | 0:37:07 | |
You can go...on your own. | 0:37:07 | 0:37:10 | |
Thank you. | 0:37:10 | 0:37:11 | |
We've got to show we trust her. | 0:37:18 | 0:37:20 | |
Captain Ferguson? What he would have done? | 0:37:20 | 0:37:22 | |
I'm not sure he would have taken this risk! | 0:37:22 | 0:37:24 | |
Victor said he was worried about him. I must find out why. | 0:37:26 | 0:37:29 | |
Here they are. | 0:37:35 | 0:37:36 | |
..round the back. | 0:37:38 | 0:37:39 | |
Where's the party from London? | 0:37:39 | 0:37:41 | |
ENGINE REVS | 0:37:51 | 0:37:52 | |
This way, please, come with us. | 0:38:14 | 0:38:15 | |
We've done it! | 0:38:19 | 0:38:21 | |
ENGINE STARTS | 0:38:25 | 0:38:26 | |
HE PICKS OUT NOTES ON THE PIANO | 0:38:40 | 0:38:42 | |
You don't know whether to do it. | 0:38:42 | 0:38:44 | |
What? | 0:38:44 | 0:38:46 | |
Whatever it is you're thinking about...you don't know | 0:38:46 | 0:38:50 | |
whether to do it. | 0:38:50 | 0:38:51 | |
You can't always tell what I'm thinking. | 0:38:52 | 0:38:54 | |
Can't I? When have I ever been wrong? | 0:38:54 | 0:38:57 | |
I'm sure there have been times. | 0:38:58 | 0:39:00 | |
Besides, you're wrong about tonight - I have decided. | 0:39:01 | 0:39:05 | |
Right. Is that good? | 0:39:05 | 0:39:07 | |
Yes. | 0:39:09 | 0:39:11 | |
I'm going to try to go back to the US, see if they'll have me. | 0:39:11 | 0:39:15 | |
Maybe they won't let me back. | 0:39:15 | 0:39:17 | |
It won't be easy. | 0:39:17 | 0:39:19 | |
I used to have dreams once of having my own radio show. | 0:39:19 | 0:39:23 | |
The other night I thought, | 0:39:23 | 0:39:24 | |
"Why the hell should I give up on all of that?" | 0:39:24 | 0:39:27 | |
I ought to have the courage to give it a go. | 0:39:27 | 0:39:29 | |
You must, Eva. | 0:39:30 | 0:39:32 | |
I used to have all sorts of dreams when I was little, | 0:39:32 | 0:39:35 | |
I didn't know what the world was like back then. | 0:39:35 | 0:39:38 | |
How many people there are out there who want to stop you, | 0:39:38 | 0:39:42 | |
how difficult it is to make people think differently about anything, | 0:39:42 | 0:39:47 | |
even the most obvious things. | 0:39:47 | 0:39:50 | |
Like being allowed to sit in the same restaurant with them. | 0:39:51 | 0:39:55 | |
But, you know, there's no reason why we, in our tiny ways, | 0:39:56 | 0:39:59 | |
our...very tiny ways... | 0:39:59 | 0:40:02 | |
..can't try to change one bit of it. | 0:40:03 | 0:40:06 | |
What do you think? | 0:40:07 | 0:40:08 | |
That sounds a good idea, Eva. | 0:40:08 | 0:40:10 | |
Because we have a lot of energy to spare, don't we, you and me? | 0:40:10 | 0:40:15 | |
Why shouldn't we use it? Make some people angry with it? | 0:40:16 | 0:40:19 | |
I think you should. | 0:40:19 | 0:40:21 | |
And what about you? | 0:40:22 | 0:40:24 | |
Now that you're no longer a soldier, what will you do? | 0:40:24 | 0:40:28 | |
Well, who knows? | 0:40:30 | 0:40:32 | |
We'll see. | 0:40:32 | 0:40:33 | |
BELL TOLLS | 0:40:38 | 0:40:40 | |
BELL TOLLS LOUDER | 0:40:43 | 0:40:44 | |
It's morning. I'm late! | 0:40:47 | 0:40:50 | |
Don't worry yourself. I'm banished. | 0:40:56 | 0:41:00 | |
There's nothing I can do to you and your brother now. | 0:41:01 | 0:41:04 | |
I'm going somewhere horrible and very remote. | 0:41:04 | 0:41:10 | |
I just wanted to show you, | 0:41:11 | 0:41:14 | |
that I could still find you... still capable of that. | 0:41:14 | 0:41:18 | |
I'm impressed. | 0:41:19 | 0:41:21 | |
So you'd remember me. | 0:41:21 | 0:41:23 | |
I'm surprised your brother hasn't come after me. | 0:41:23 | 0:41:26 | |
That's because you're not important enough. | 0:41:26 | 0:41:29 | |
He wants to hit them where it'll hurt much more. | 0:41:29 | 0:41:31 | |
KNOCK ON DOOR | 0:41:50 | 0:41:52 | |
LOUDER KNOCK | 0:41:52 | 0:41:54 | |
Who the hell is it? | 0:41:54 | 0:41:56 | |
-Room service. -Room service? | 0:41:56 | 0:41:58 | |
I didn't order any room service, and don't you know what time it is? | 0:41:58 | 0:42:02 | |
I do know what time it is, yes. It's 6.45. | 0:42:02 | 0:42:06 | |
I'm sorry about the subterfuge, I just wanted you to open the door. | 0:42:06 | 0:42:10 | |
What do you want? | 0:42:10 | 0:42:11 | |
Birgit Mentz has gone back to Germany. | 0:42:11 | 0:42:13 | |
She agreed to give evidence at the trial. | 0:42:13 | 0:42:15 | |
I wanted to tell you that and to thank you for your help. | 0:42:15 | 0:42:18 | |
And you had to do that first thing in the morning? | 0:42:18 | 0:42:20 | |
Yes, I was excited! | 0:42:20 | 0:42:23 | |
She'll get a much lower sentence, of course, | 0:42:26 | 0:42:28 | |
but what he did was much, much worse. | 0:42:28 | 0:42:31 | |
So many people died because of him, | 0:42:31 | 0:42:33 | |
and now he can't be slipped back into our Secret Service. | 0:42:33 | 0:42:37 | |
What's more, it'll help make sure we don't use torture. | 0:42:37 | 0:42:41 | |
It's a real achievement, I think, Callum, for both of us. | 0:42:41 | 0:42:44 | |
Right. Right! We should celebrate. | 0:42:44 | 0:42:48 | |
I think I've got an orange here somewhere. | 0:42:48 | 0:42:51 | |
I've been saving this for such a moment. | 0:42:52 | 0:42:55 | |
Ah! | 0:42:55 | 0:42:56 | |
It's not very fresh, is it? | 0:42:58 | 0:43:00 | |
It's worth its weight in gold. | 0:43:00 | 0:43:02 | |
I followed your instructions... and they worked. | 0:43:02 | 0:43:05 | |
Naturally. | 0:43:05 | 0:43:06 | |
You know what I've been thinking? | 0:43:07 | 0:43:09 | |
That I've been wrong about everything. | 0:43:11 | 0:43:14 | |
But you're never wrong, Callum, remember? | 0:43:14 | 0:43:17 | |
That's true, of course. | 0:43:17 | 0:43:19 | |
I was wrong... | 0:43:26 | 0:43:28 | |
..about not going after these people until we'd seen off the Russians. | 0:43:29 | 0:43:34 | |
That was a bad decision. | 0:43:34 | 0:43:36 | |
You were right. Those that are guilty of these crimes... | 0:43:36 | 0:43:40 | |
we should be pursuing them to the ends of the earth. | 0:43:40 | 0:43:43 | |
Well, we got one of them! | 0:43:46 | 0:43:47 | |
And I assure you I'm not stopping now. | 0:43:47 | 0:43:50 | |
We got Kleinow, Callum! | 0:43:51 | 0:43:53 | |
And Dieter got married. | 0:43:53 | 0:43:55 | |
Victor found some more evidence on him, you know. | 0:43:55 | 0:43:58 | |
Did he? About Dieter? | 0:43:58 | 0:44:02 | |
We were never going to be able to do anything about him, anyway. | 0:44:02 | 0:44:05 | |
In the end, he was just too important to people. | 0:44:06 | 0:44:09 | |
There will always be those who are untouchable, | 0:44:09 | 0:44:12 | |
terrible though that is. | 0:44:12 | 0:44:14 | |
But that doesn't take away from our victory. | 0:44:14 | 0:44:16 | |
-No... -No, it really doesn't, Callum. | 0:44:19 | 0:44:22 | |
And where are the happy couple now? | 0:44:25 | 0:44:26 | |
They're about to leave the hotel and go on their honeymoon. | 0:44:26 | 0:44:30 | |
I don't expect I'll ever set eyes on them again. | 0:44:30 | 0:44:34 | |
HE MUTTERS TO HIMSELF | 0:44:37 | 0:44:39 | |
DOORBELL | 0:44:44 | 0:44:46 | |
Victor? Are you all right? | 0:44:48 | 0:44:50 | |
Shouldn't you be in the hospital, Victor? | 0:44:50 | 0:44:52 | |
I need to speak with Mr Lindsay-Jones urgently! | 0:44:52 | 0:44:54 | |
Victor! This is an early time to call! | 0:44:54 | 0:44:56 | |
Fortunately, we're all up, because Lucy is going on holiday. | 0:44:56 | 0:44:59 | |
-I have something extremely important to tell you, Mr Lindsay-Jones... -Just a moment, Victor. | 0:44:59 | 0:45:03 | |
Your taxi's here. | 0:45:03 | 0:45:04 | |
Have a terrific time. | 0:45:05 | 0:45:07 | |
Lucy... What a marvellous young woman you're looking this morning. | 0:45:09 | 0:45:13 | |
DOOR SHUTS | 0:45:17 | 0:45:18 | |
So, Victor, you've managed to escape from hospital again, I see. | 0:45:20 | 0:45:24 | |
Yes. It's something I've got very good at. | 0:45:24 | 0:45:26 | |
But the brain doctors weren't listening to me, so... | 0:45:26 | 0:45:29 | |
Harold, you're the only person who can help now! | 0:45:31 | 0:45:34 | |
Help in what way, Victor? | 0:45:34 | 0:45:36 | |
My brother is going to try to do something | 0:45:37 | 0:45:39 | |
and I need you to stop him, because I don't think that I can. | 0:45:39 | 0:45:43 | |
What am I stopping him from doing? | 0:45:43 | 0:45:45 | |
You're not going to believe me because I'm standing | 0:45:45 | 0:45:47 | |
here in pyjamas looking absolutely ridiculous, but you've got | 0:45:47 | 0:45:50 | |
to listen... I'm not crazy, Harold, and certainly not about this. | 0:45:50 | 0:45:54 | |
I found some files that prove Dieter was involved in war crimes. | 0:45:54 | 0:46:01 | |
The execution of workers. | 0:46:01 | 0:46:03 | |
He was, was he? | 0:46:03 | 0:46:04 | |
I saw him and Callum together last night. | 0:46:05 | 0:46:07 | |
I thought something was going on, something was wrong. | 0:46:07 | 0:46:10 | |
Harold. | 0:46:10 | 0:46:11 | |
-Callum is going to assassinate him. -Victor... | 0:46:13 | 0:46:16 | |
I told you you wouldn't believe me! | 0:46:16 | 0:46:17 | |
But he is going to do it, OK, and then use his trial | 0:46:17 | 0:46:20 | |
as some big, hopeless gesture, | 0:46:20 | 0:46:22 | |
which, of course, will fail, just trying to tell the world... | 0:46:22 | 0:46:25 | |
Victor! | 0:46:25 | 0:46:26 | |
Even if this were true, and I'm willing to believe | 0:46:27 | 0:46:33 | |
it might just be true... | 0:46:33 | 0:46:35 | |
..how could I possibly do anything? | 0:46:36 | 0:46:38 | |
Well, you can! | 0:46:38 | 0:46:39 | |
Because you're the only person of authority Callum respects. | 0:46:39 | 0:46:42 | |
Not any more. I can assure you of that. | 0:46:42 | 0:46:43 | |
You've got to do something, Harold! It's only you that can! | 0:46:43 | 0:46:46 | |
Stopping Callum from doing anything is not easy, let alone... | 0:46:46 | 0:46:49 | |
PLEASE! | 0:46:49 | 0:46:51 | |
I know you want to help him because you care about him. | 0:46:51 | 0:46:53 | |
We both care about him so much. | 0:46:53 | 0:46:56 | |
Ah, Mr Ringwood. | 0:47:18 | 0:47:20 | |
If you could get me a taxi, please, to leave in ten minutes, precisely. | 0:47:20 | 0:47:23 | |
We're just going across the bombsite, I promised her one | 0:47:23 | 0:47:25 | |
last helping of toffee... | 0:47:25 | 0:47:26 | |
and then I have one more errand. | 0:47:26 | 0:47:28 | |
Of course, sir. I'll do that for you. | 0:47:28 | 0:47:30 | |
And congratulations, sir, to you both. | 0:47:30 | 0:47:33 | |
Don't I look the perfect English gentleman today? | 0:47:33 | 0:47:35 | |
THEY LAUGH | 0:47:35 | 0:47:37 | |
CHILDREN LAUGH AND SHOUT | 0:47:47 | 0:47:49 | |
INDISTINCT CONVERSATION | 0:47:56 | 0:47:58 | |
I want to play with some friends. | 0:48:02 | 0:48:04 | |
Since days, she's begging me for the toffee apples | 0:48:04 | 0:48:07 | |
and now she wants to go over there. | 0:48:07 | 0:48:09 | |
-Don't be long. -I won't be long, darling. | 0:48:47 | 0:48:49 | |
I promise. | 0:48:49 | 0:48:51 | |
Cal! | 0:49:10 | 0:49:11 | |
Cal! | 0:49:14 | 0:49:15 | |
Cal! | 0:49:17 | 0:49:18 | |
Cal! | 0:49:23 | 0:49:24 | |
What are you doing with that? | 0:49:30 | 0:49:32 | |
You shouldn't be here. What are you doing here, Victor?! | 0:49:32 | 0:49:35 | |
Looking after you. | 0:49:35 | 0:49:37 | |
No, you're not. No, you're not going to. | 0:49:38 | 0:49:41 | |
You're not going to. | 0:49:42 | 0:49:44 | |
You shouldn't be here, Victor! | 0:49:49 | 0:49:50 | |
DOORBELL | 0:50:07 | 0:50:08 | |
DOOR OPENS | 0:50:12 | 0:50:13 | |
Here I am, Mr Lindsay-Jones. I got your message. | 0:50:13 | 0:50:16 | |
Come in, come in. I have it just here. | 0:50:16 | 0:50:20 | |
This is the other book of fairy tales I told you about. | 0:50:22 | 0:50:26 | |
And I thought I should give it to you, too. | 0:50:26 | 0:50:28 | |
They belong together. You must have it. | 0:50:28 | 0:50:31 | |
This is extremely kind and far too generous. | 0:50:31 | 0:50:33 | |
No, no, it's a gesture, just a small gesture. | 0:50:33 | 0:50:36 | |
But I need to ask a favour of you in return now that you are here. | 0:50:36 | 0:50:40 | |
Mrs Gorton and my maid both happen to be out, | 0:50:40 | 0:50:42 | |
and I need to feed the chickens. | 0:50:42 | 0:50:44 | |
Would you mind coming into the garden to help me hold the gate? | 0:50:44 | 0:50:46 | |
-Otherwise they might escape! -Of course. | 0:50:46 | 0:50:48 | |
CHICKENS CLUCK | 0:50:48 | 0:50:50 | |
Please, come in too, it's better that way. | 0:50:58 | 0:51:01 | |
My neighbours will be very pleased when I finally get rid of these. | 0:51:01 | 0:51:05 | |
Which I mean to do pretty soon. | 0:51:05 | 0:51:06 | |
But let me show you what I keep here. | 0:51:06 | 0:51:08 | |
Some secret Foreign Office documents for them to lay their eggs on. | 0:51:11 | 0:51:15 | |
What a good use for them! | 0:51:15 | 0:51:16 | |
And this... | 0:51:17 | 0:51:18 | |
I use it to shoot rats. | 0:51:19 | 0:51:21 | |
So it's loaded? | 0:51:23 | 0:51:24 | |
Yes. | 0:51:24 | 0:51:25 | |
I can't think of anything else to do. | 0:51:30 | 0:51:32 | |
I have no idea what else there is. | 0:51:34 | 0:51:37 | |
It's because I care for him. | 0:51:37 | 0:51:39 | |
I love Callum, like a son. | 0:51:41 | 0:51:42 | |
A stupid thing to think, I know. | 0:51:45 | 0:51:47 | |
CHICKENS SQUAWK | 0:51:49 | 0:51:50 | |
HE KNOCKS | 0:53:28 | 0:53:29 | |
There you are, Victor. | 0:53:32 | 0:53:33 | |
You're late. | 0:53:41 | 0:53:43 | |
Yes, I'm always late. | 0:53:43 | 0:53:45 | |
And I'm the last one to leave, as you can see. | 0:53:45 | 0:53:48 | |
I've received this letter | 0:54:02 | 0:54:06 | |
from Harold. | 0:54:06 | 0:54:07 | |
So he's alive? | 0:54:07 | 0:54:09 | |
All the press and everyone said him vanishing completely like that | 0:54:09 | 0:54:12 | |
must mean he'd killed himself. | 0:54:12 | 0:54:14 | |
Does it say where he is? | 0:54:14 | 0:54:15 | |
Not so we can find him, no. | 0:54:15 | 0:54:17 | |
Most of the letter is to me, | 0:54:19 | 0:54:21 | |
but there is this passage which he says, | 0:54:21 | 0:54:25 | |
"Please show this to the boys," so, of course. | 0:54:25 | 0:54:30 | |
-HAROLD: -'I'm somewhere in France. I think it is better I'm not too | 0:54:34 | 0:54:38 | |
'exact...and I will post this many miles away from where I am. | 0:54:38 | 0:54:43 | |
'I'm trying to be like Victor, | 0:54:44 | 0:54:46 | |
'and sort this library I'm sitting in out. | 0:54:46 | 0:54:48 | |
'The nice gentleman that is in charge is allowing me to have a go. | 0:54:50 | 0:54:54 | |
'All the books are in chaos after the war, in completely the wrong | 0:54:54 | 0:54:58 | |
'order, but I'm not nearly as good at it as Victor is. | 0:54:58 | 0:55:01 | |
'Maybe they will find me here, and I will never get to see either | 0:55:03 | 0:55:07 | |
'of you again. In fact, | 0:55:07 | 0:55:10 | |
'I'm expecting one of those Secret Service men | 0:55:10 | 0:55:12 | |
'to come through the door at any time. | 0:55:12 | 0:55:14 | |
'I would also appreciate it, if you didn't tell Lucy yet. | 0:55:16 | 0:55:19 | |
'Soon I will find the words to tell her myself about what happened. | 0:55:21 | 0:55:24 | |
'I just wanted you to know what I did was a desperate act | 0:55:26 | 0:55:30 | |
'and, of course, a very imperfect act...leaving such a trail of | 0:55:30 | 0:55:36 | |
'mess and grief, a little girl without a father, and all the rest. | 0:55:36 | 0:55:40 | |
'But it was the only thing I could do. | 0:55:42 | 0:55:44 | |
'It was an act of love.' | 0:55:49 | 0:55:50 | |
He was so wrong to blame himself for what happened, | 0:55:55 | 0:55:58 | |
what he thought he should have done before the war. | 0:55:58 | 0:56:01 | |
How could it all be his fault? | 0:56:03 | 0:56:05 | |
A good man. | 0:56:08 | 0:56:09 | |
I miss him terribly. | 0:56:11 | 0:56:14 | |
Yes... | 0:56:15 | 0:56:17 | |
I got an invitation from Callum. Last day of the hotel. | 0:56:33 | 0:56:37 | |
We're going down to look at the ballroom, | 0:56:43 | 0:56:46 | |
since it's the last day of the hotel - see it before it | 0:56:46 | 0:56:51 | |
gets knocked down. | 0:56:51 | 0:56:53 | |
And I thought I might suggest something revolutionary - | 0:56:53 | 0:56:56 | |
that you come down with us. | 0:56:56 | 0:56:58 | |
Look who's here! | 0:57:17 | 0:57:18 | |
Well, I wasn't going to miss this! I brought you something. | 0:57:21 | 0:57:24 | |
It's a picture of Kleinow... | 0:57:25 | 0:57:28 | |
having just been sentenced to spend the rest of his life in jail. | 0:57:28 | 0:57:30 | |
Thank you. I'll put it on my mantelpiece. | 0:57:32 | 0:57:35 | |
You're going to come downstairs, aren't you? Have some drinks. | 0:57:36 | 0:57:39 | |
There's no food, but Callum is going to play his new piece. | 0:57:39 | 0:57:44 | |
It's not bad. I've heard it already. | 0:57:44 | 0:57:47 | |
Wait - not bad? The new piece? | 0:57:55 | 0:57:59 | |
Is that all? | 0:58:00 | 0:58:01 | |
No. | 0:58:03 | 0:58:04 | |
I love it. | 0:58:05 | 0:58:06 | |
PIANO PLAYS | 0:58:09 | 0:58:10 |