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This programme contains some strong language and some scenes of a sexual nature | 0:00:02 | 0:00:10 | |
Louis?! | 0:01:42 | 0:01:43 | |
Hello, Stanley. | 0:01:43 | 0:01:45 | |
What on earth are you doing here? | 0:01:46 | 0:01:48 | |
I needed somewhere to come to. Naturally, I thought of you. | 0:01:48 | 0:01:51 | |
You might have given me a little warning. | 0:01:51 | 0:01:53 | |
You've cut your hand. | 0:01:57 | 0:01:59 | |
You noticed. I had a little trouble getting here. | 0:01:59 | 0:02:02 | |
-Anybody follow you? -I don't think so. | 0:02:02 | 0:02:04 | |
I need you to get me out of the country, Stanley. | 0:02:05 | 0:02:08 | |
You can trust Rosie. | 0:02:14 | 0:02:15 | |
I know. That's a fine bandage. | 0:02:15 | 0:02:18 | |
I just cut up a pillow case... It's all I could find in the bedroom. | 0:02:20 | 0:02:24 | |
Still sleeping at work, I see. | 0:02:24 | 0:02:26 | |
Sometimes, course. | 0:02:26 | 0:02:28 | |
That'll do for now, but you ought to see a doctor. | 0:02:29 | 0:02:33 | |
Thank you, and yes, I will see a doctor, | 0:02:33 | 0:02:35 | |
as soon as I've got out of the country. | 0:02:35 | 0:02:37 | |
Stay there a moment, Louis, I just want to make sure of something. | 0:02:40 | 0:02:44 | |
PHONE CHIMES | 0:02:50 | 0:02:52 | |
STANLEY: 'Yes, I will. No, I'll be in till then. | 0:03:01 | 0:03:04 | |
'No, it's better if I do it. | 0:03:04 | 0:03:06 | |
'I will.' | 0:03:06 | 0:03:09 | |
I've only got one clean glass, so... | 0:03:12 | 0:03:15 | |
..I'll have the bottle. | 0:03:19 | 0:03:21 | |
We need a plan, don't we, Louis? | 0:03:26 | 0:03:28 | |
We do, yes. | 0:03:28 | 0:03:29 | |
We can't have you being caught. | 0:03:29 | 0:03:31 | |
-That's not going to happen. -I hope not. | 0:03:31 | 0:03:34 | |
You got any idea what we should do? | 0:03:40 | 0:03:42 | |
Not yet, no. | 0:03:43 | 0:03:44 | |
Well, we're pretty sure nobody knows you're here, | 0:03:44 | 0:03:47 | |
and we want to keep it that way, don't we? | 0:03:47 | 0:03:49 | |
So we should play the loudest record we've got, shouldn't we?! | 0:03:49 | 0:03:52 | |
Help us think, stop us being heard. | 0:03:52 | 0:03:54 | |
It has to be one of yours, doesn't it? | 0:03:54 | 0:03:57 | |
This seems appropriate. | 0:03:59 | 0:04:01 | |
JAZZ MUSIC PLAYS | 0:04:03 | 0:04:05 | |
Hmm, good choice. | 0:04:05 | 0:04:07 | |
You have to go, Stanley. | 0:04:35 | 0:04:36 | |
Any minute, any minute now, just got to finish this first. | 0:04:36 | 0:04:39 | |
Mick! Up here, Mick! | 0:04:39 | 0:04:40 | |
You'll never do it, unless you go now. | 0:04:40 | 0:04:44 | |
-She's finished with those pages. -Almost finished with those pages. | 0:04:44 | 0:04:47 | |
-And you can take these, too. -Ah! No, he can't! | 0:04:47 | 0:04:49 | |
I have to re-type everything, | 0:04:49 | 0:04:51 | |
Stanley, because you go at such a rate. | 0:04:51 | 0:04:53 | |
She thinks I make mistakes, Mick! I never make mistakes. | 0:04:53 | 0:04:56 | |
You have to go! | 0:04:56 | 0:04:57 | |
You've got to get to the Olympia, the Cafe Royal and the Apollo, | 0:04:57 | 0:05:00 | |
and there's that little club in Lyle Lane you want to fit in too. | 0:05:00 | 0:05:03 | |
The only important one. | 0:05:03 | 0:05:04 | |
You have to run, Stanley! | 0:05:04 | 0:05:07 | |
JAZZ MUSIC PLAYS | 0:05:21 | 0:05:23 | |
MUSIC STOPS, APPLAUSE | 0:05:28 | 0:05:31 | |
Good evening, hope you had a nice time. | 0:05:40 | 0:05:42 | |
Lovely to see you again. Hope you enjoyed yourself. | 0:05:42 | 0:05:45 | |
Good evening, gentlemen. | 0:05:45 | 0:05:47 | |
'Night. | 0:05:47 | 0:05:49 | |
Good night, ladies, very nice to see you again. | 0:05:49 | 0:05:52 | |
Good night, gentlemen. Terrific, aren't they? | 0:05:52 | 0:05:55 | |
Oh, that's a tremendous sound, Deirdre, they were sensational. | 0:05:58 | 0:06:01 | |
Don't you dare, Stanley - you've just arrived! You missed them! | 0:06:01 | 0:06:05 | |
I missed them?! They've finished? What? That's impossible! | 0:06:05 | 0:06:09 | |
-I heard enough to be interested. -You liar! Where are you going? | 0:06:12 | 0:06:15 | |
Well, I'm going to go and see them, aren't I? | 0:06:15 | 0:06:18 | |
They'll know you missed it! | 0:06:18 | 0:06:19 | |
But you think they're terrific, don't you? | 0:06:19 | 0:06:21 | |
I think they are very exciting, yes. And unusual too. | 0:06:21 | 0:06:26 | |
That's good enough for me then. | 0:06:26 | 0:06:28 | |
Gentlemen! | 0:06:33 | 0:06:35 | |
Gentlemen! | 0:06:37 | 0:06:38 | |
Forgive the intrusion, gentlemen, I couldn't stop myself. | 0:06:38 | 0:06:42 | |
I just had to tell you that was terrific, absolutely terrific. | 0:06:42 | 0:06:46 | |
And you are? | 0:06:46 | 0:06:47 | |
Stanley Mitchell, of Music Express. | 0:06:47 | 0:06:49 | |
Yes, that was a very exciting evening, tremendous. | 0:06:49 | 0:06:52 | |
And unusual. | 0:06:52 | 0:06:54 | |
We didn't see you in there - where were you sitting? | 0:06:54 | 0:06:56 | |
Oh, well, I have a habit of slipping into places unnoticed. | 0:06:56 | 0:06:59 | |
So you're a critic, then? | 0:06:59 | 0:07:00 | |
I write profiles, features and reviews. | 0:07:00 | 0:07:02 | |
So, what were we playing when you, when you slipped in? | 0:07:02 | 0:07:06 | |
Oh, it was a lovely little number... | 0:07:06 | 0:07:08 | |
No, I didn't catch its name. | 0:07:09 | 0:07:11 | |
I'm looking for a band to play the Imperial Hotel next Friday night. | 0:07:11 | 0:07:14 | |
I wouldn't be about to recommend you for that job | 0:07:14 | 0:07:16 | |
if I hadn't heard you, would I? | 0:07:16 | 0:07:18 | |
No, we're out of town next Friday night, on tour. | 0:07:18 | 0:07:21 | |
On tour? Really? Where are you going? | 0:07:21 | 0:07:24 | |
We are on tour. | 0:07:24 | 0:07:26 | |
And even if it were possible to change that, the Imperial? | 0:07:26 | 0:07:29 | |
That old place! Oh, they want a coloured band, huh? | 0:07:29 | 0:07:33 | |
LAUGHTER | 0:07:33 | 0:07:35 | |
Who do I give this to? | 0:07:37 | 0:07:39 | |
You give it to me. | 0:07:39 | 0:07:41 | |
Right. | 0:07:41 | 0:07:42 | |
Remember, I know what you are getting to play here | 0:07:46 | 0:07:49 | |
and I know what they pay at the Imperial. | 0:07:49 | 0:07:51 | |
And you give it to him. | 0:07:53 | 0:07:55 | |
Oh. | 0:07:55 | 0:07:56 | |
Louis leads the band and writes the music. | 0:07:56 | 0:07:58 | |
I deal with everything else that comes up - | 0:07:58 | 0:08:00 | |
and I mean everything else. | 0:08:00 | 0:08:02 | |
And you'll get a free meal as well! | 0:08:03 | 0:08:06 | |
We'll let you know. | 0:08:07 | 0:08:08 | |
Oh, and you'll need full evening dress of course. | 0:08:08 | 0:08:11 | |
I can arrange a very good rate if you'd like me to. | 0:08:11 | 0:08:14 | |
Hold it there! | 0:08:52 | 0:08:54 | |
We're the Louis Lester Band. | 0:08:54 | 0:08:56 | |
We're looking for our dressing rooms. | 0:08:58 | 0:09:00 | |
The Louis Lester Band? | 0:09:00 | 0:09:01 | |
Yes, I was warned you were coming. Musicians booked for one night | 0:09:01 | 0:09:05 | |
only normally wait in that room up there next to the telephone. | 0:09:05 | 0:09:07 | |
By all means, help yourselves, gentlemen, | 0:09:18 | 0:09:21 | |
the soup should still be reasonably warm. | 0:09:21 | 0:09:23 | |
THEY TUNE THEIR INSTRUMENTS | 0:09:29 | 0:09:31 | |
HE WHISTLES | 0:09:35 | 0:09:36 | |
Can you hear that? | 0:09:37 | 0:09:39 | |
That is the hot sound of the Jack Paynton Orchestra, | 0:09:39 | 0:09:44 | |
the most over-booked band ever. | 0:09:44 | 0:09:47 | |
You'll be going on after the dullest music in London - shouldn't be | 0:09:47 | 0:09:50 | |
too difficult to wake them up! | 0:09:50 | 0:09:52 | |
I've got a bad feeling about tonight. | 0:09:52 | 0:09:55 | |
Ah, absolutely not! | 0:09:55 | 0:09:57 | |
Here, look at this. | 0:09:57 | 0:09:58 | |
You're in here already! One of my top tips of the week. | 0:09:58 | 0:10:01 | |
Near the bottom of the page. | 0:10:01 | 0:10:03 | |
Right, this is where I leave you, best of luck. | 0:10:07 | 0:10:11 | |
They've never had a coloured band here before, have they? | 0:10:11 | 0:10:14 | |
Oh, it's better than that... | 0:10:14 | 0:10:15 | |
I don't think they've ever heard jazz music before! | 0:10:15 | 0:10:18 | |
THEY PLAY JAZZ | 0:10:29 | 0:10:31 | |
Goodness knows why Mr Schlesinger let you do this, Stanley. | 0:10:52 | 0:10:56 | |
He let me do it because of them. Look at them, Harry, | 0:10:56 | 0:11:00 | |
look at your clientele! | 0:11:00 | 0:11:01 | |
Something's got to change. | 0:11:04 | 0:11:06 | |
Good evening, Mr Donaldson. | 0:11:08 | 0:11:10 | |
-Hello, Stanley. -Mr Luscombe. | 0:11:10 | 0:11:12 | |
Hello. | 0:11:12 | 0:11:13 | |
Miss Sarah, Pamela. Thank you one and all for coming. | 0:11:13 | 0:11:15 | |
I read your column, Stanley, and you see, here I am. | 0:11:15 | 0:11:18 | |
It's tremendous somebody believes what I write! | 0:11:18 | 0:11:20 | |
I shall be very interested to hear your opinion, Mr Donaldson. | 0:11:20 | 0:11:22 | |
I hope I shall have an opinion, Stanley. | 0:11:22 | 0:11:25 | |
SONG FINISHES | 0:11:44 | 0:11:46 | |
THEY CONTINUE TO PLAY | 0:11:49 | 0:11:51 | |
Mr Mitchell. | 0:12:02 | 0:12:04 | |
Pleasure. | 0:12:04 | 0:12:05 | |
Hello, I'm Julian! Everybody decent? | 0:12:26 | 0:12:28 | |
Can we come in? | 0:12:28 | 0:12:30 | |
Course. | 0:12:30 | 0:12:32 | |
This is Pamela, my sister, and her friend, Sarah. | 0:12:34 | 0:12:38 | |
And this is Mr Donaldson, he's a connoisseur of your kind of music. | 0:12:38 | 0:12:43 | |
A great authority, in fact! | 0:12:43 | 0:12:45 | |
That was terrific music to dance to, thank you! | 0:12:45 | 0:12:49 | |
Well, thank you for dancing. I thought nobody was going to. | 0:12:49 | 0:12:52 | |
Don't be silly, it was the least we could do, gentlemen. | 0:12:52 | 0:12:55 | |
It was divine. | 0:12:55 | 0:12:56 | |
Well, I think it was probably the most disastrous booking | 0:12:56 | 0:12:59 | |
we've ever had. | 0:12:59 | 0:13:01 | |
No, gentlemen. The audience maybe were a little surprised. | 0:13:01 | 0:13:04 | |
They couldn't believe their eyes! | 0:13:04 | 0:13:07 | |
But I thought you were excellent. No, I did. | 0:13:07 | 0:13:09 | |
Sometimes my friend Stanley here exaggerates, | 0:13:09 | 0:13:12 | |
but in your case I don't think he is. | 0:13:12 | 0:13:14 | |
TRUMPET BLASTS | 0:13:14 | 0:13:17 | |
TITTERS | 0:13:17 | 0:13:19 | |
I do as it happens have one piece of advice. | 0:13:22 | 0:13:25 | |
Get yourself a singer. | 0:13:25 | 0:13:26 | |
A singer? | 0:13:27 | 0:13:28 | |
Yes, I think it might make all the difference to your chances. | 0:13:28 | 0:13:31 | |
Just a thought, gentlemen, merely a notion - | 0:13:31 | 0:13:34 | |
I don't want to interfere, naturally. | 0:13:34 | 0:13:37 | |
I will of course spread the word. | 0:13:37 | 0:13:40 | |
Talking of which, d'you want to come and watch me write my review? | 0:13:41 | 0:13:45 | |
Do you let a lot of bands watch you write your reviews? | 0:13:51 | 0:13:54 | |
Absolutely not. | 0:13:54 | 0:13:55 | |
-I wouldn't let most musicians come anywhere near this office. -So why us? | 0:13:55 | 0:13:59 | |
Cos you're different. | 0:13:59 | 0:14:00 | |
Cos you're not Jack Paynton, for one thing! | 0:14:01 | 0:14:04 | |
And because I've been given the job of making the Imperial | 0:14:04 | 0:14:07 | |
a little more fashionable, which is the sort of challenge I like. | 0:14:07 | 0:14:10 | |
So my reasons are purely selfish, naturally. | 0:14:10 | 0:14:13 | |
So how many people read your magazine? Cos I never have. | 0:14:13 | 0:14:17 | |
More than you might think, and we're growing. | 0:14:17 | 0:14:19 | |
If you're asking me, "Does it matter what I write?" | 0:14:19 | 0:14:22 | |
I think it probably does! | 0:14:22 | 0:14:24 | |
Ah, forgive me, I have to finish this as well, | 0:14:25 | 0:14:28 | |
I always do two things at once. | 0:14:28 | 0:14:30 | |
Come and have a look and see what you think so far. | 0:14:31 | 0:14:34 | |
"The atmosphere was simply electric as the Louis Lester Band took | 0:14:39 | 0:14:42 | |
"to the stage in the old ballroom at the Imperial Hotel." | 0:14:42 | 0:14:45 | |
"Electric"? They hated us! That wasn't electric! | 0:14:45 | 0:14:49 | |
It was for me. And that's what matters. | 0:14:49 | 0:14:51 | |
"One of our first ever home-grown coloured bands shook the room | 0:14:51 | 0:14:54 | |
"with their intensity, and showed that this kind of music could | 0:14:54 | 0:14:57 | |
"appeal to a much larger audience than it presently enjoys." | 0:14:57 | 0:15:00 | |
You are home grown. That's right, isn't it? | 0:15:00 | 0:15:03 | |
-Yes, in a way, I was born here. -Yes, and so was I. | 0:15:03 | 0:15:04 | |
But he's lost his birth certificate! | 0:15:04 | 0:15:06 | |
Somewhere it's gone missing. I've got to find it some day! | 0:15:06 | 0:15:09 | |
I was born in Cardiff, but my father, | 0:15:11 | 0:15:14 | |
he took us to Chicago when I was four years old. | 0:15:14 | 0:15:17 | |
Ah, you're from the Midwest, Wesley? | 0:15:17 | 0:15:19 | |
Yes - until I had to leave in a hurry! | 0:15:19 | 0:15:22 | |
We met in a club in Harlem. | 0:15:23 | 0:15:25 | |
I was there for five days without a break, watching every act. | 0:15:25 | 0:15:28 | |
We didn't leave the club. | 0:15:28 | 0:15:30 | |
I was on shore leave, I was working in the Merchant Navy on a liner, | 0:15:30 | 0:15:34 | |
the Aurora. I told Wesley to come to England and see | 0:15:34 | 0:15:36 | |
if we could make something happen in the clubs in London. | 0:15:36 | 0:15:39 | |
Most of the band have worked on the ships one time - sailors, or cooks. | 0:15:39 | 0:15:42 | |
Or stowaways! | 0:15:42 | 0:15:43 | |
All of us have to report every week to the Alien Registration Office - | 0:15:43 | 0:15:48 | |
except Louis, of course, cos he's got the right documents. | 0:15:48 | 0:15:50 | |
Hang on, you have to do that every week? | 0:15:50 | 0:15:52 | |
Every week, yes. | 0:15:52 | 0:15:54 | |
To get a work permit, they only give them to you week by week. | 0:15:54 | 0:15:57 | |
Of course, if we had a regular booking at the Imperial, | 0:15:57 | 0:16:01 | |
that might help. | 0:16:01 | 0:16:02 | |
Well, I'd better finish my review, hadn't I? | 0:16:04 | 0:16:06 | |
What is this? | 0:16:12 | 0:16:13 | |
Oh, I need to finish the speech bubbles for our strip cartoon, | 0:16:13 | 0:16:16 | |
Farquhar and Tonk. | 0:16:16 | 0:16:17 | |
Albert draws it, and he can't finish it until I've done the bubbles. | 0:16:17 | 0:16:20 | |
It's one of the most important things we've got. | 0:16:20 | 0:16:22 | |
Farquhar's an inquisitive aristocrat, and Tonk is his valet who | 0:16:22 | 0:16:25 | |
happens to come from outer space, and together they have adventures. | 0:16:25 | 0:16:29 | |
Now, we need a big finish here for the review. | 0:16:29 | 0:16:32 | |
What I really should say is... | 0:16:32 | 0:16:35 | |
..get yourself a singer, Louis. | 0:16:37 | 0:16:38 | |
WOMAN SINGING | 0:16:51 | 0:16:54 | |
# ..That's what the old folk say | 0:16:54 | 0:16:57 | |
# All around is down and dreary | 0:16:57 | 0:17:01 | |
# Everywhere I go | 0:17:01 | 0:17:03 | |
# Still looking for the old plantation | 0:17:03 | 0:17:06 | |
# That's what the old folk say! # | 0:17:06 | 0:17:10 | |
Thank you. | 0:17:11 | 0:17:13 | |
I know, I know, we're not having any of this terrible West End singing. | 0:17:15 | 0:17:20 | |
# When the sun refuse to shine | 0:17:20 | 0:17:23 | |
# When the sun refuse to shine | 0:17:24 | 0:17:28 | |
# I would like to be in that number... # | 0:17:28 | 0:17:32 | |
# Just a closer walk with thee | 0:17:32 | 0:17:38 | |
# Grant me, Jesus... # | 0:17:38 | 0:17:41 | |
She looked like she should be able to sing. | 0:17:41 | 0:17:43 | |
Until she opened her mouth. Thank you. | 0:17:43 | 0:17:46 | |
You've got to go. | 0:17:46 | 0:17:48 | |
Everybody, it's time to go. | 0:17:48 | 0:17:51 | |
It's the day they have to report. | 0:17:51 | 0:17:53 | |
Oh, there's plenty of time. | 0:17:53 | 0:17:55 | |
She's, she's waiting for her friend to arrive, | 0:17:55 | 0:17:58 | |
she won't sing till then. | 0:17:58 | 0:18:00 | |
Go, Wesley, go! | 0:18:00 | 0:18:01 | |
You've got to get to Woburn Square, it's nearly four o'clock! | 0:18:01 | 0:18:04 | |
I think the old man was best. | 0:18:04 | 0:18:05 | |
We probably should go for the oldest singer we can find! | 0:18:05 | 0:18:09 | |
Run, Wesley! | 0:18:09 | 0:18:10 | |
They like to cut it as fine as they can. | 0:18:13 | 0:18:15 | |
I can sing now. | 0:18:21 | 0:18:23 | |
# In sunny Roseland | 0:18:23 | 0:18:27 | |
# Where summer breezes are playing | 0:18:27 | 0:18:33 | |
# Where the honey bees are a-Maying | 0:18:33 | 0:18:41 | |
# There, all the roses are swaying | 0:18:42 | 0:18:50 | |
# Somewhere in Roseland | 0:18:51 | 0:18:57 | |
# Beside a beautiful rose. # | 0:18:57 | 0:19:05 | |
She's got the better voice, I know. | 0:19:07 | 0:19:10 | |
It's both of us or nothing. | 0:19:10 | 0:19:13 | |
Both of you? | 0:19:13 | 0:19:14 | |
I don't think that will be a problem. | 0:19:17 | 0:19:19 | |
What are you thinking? | 0:19:21 | 0:19:22 | |
I'm thinking about... | 0:19:24 | 0:19:25 | |
PHONE RINGS, WOMAN GIGGLES | 0:19:25 | 0:19:28 | |
There's nobody here to answer that, Stanley. | 0:19:31 | 0:19:33 | |
PHONE CONTINUES TO RING | 0:19:39 | 0:19:41 | |
Somebody really wants you, Stanley, and they're not going to give up. | 0:19:44 | 0:19:48 | |
Music Express. | 0:19:54 | 0:19:56 | |
Oh, you ARE still at work, Stanley. | 0:19:56 | 0:19:58 | |
Mr Donaldson! Yes, yes, I'm still at work. | 0:19:58 | 0:20:02 | |
One of those nights you sleep there, is it? | 0:20:02 | 0:20:05 | |
-That seems to be the case, yes. -'I need your help, Stanley.' | 0:20:05 | 0:20:08 | |
But of course. | 0:20:08 | 0:20:09 | |
I'm having a lunch party in five days' time. | 0:20:09 | 0:20:11 | |
'Am I invited?' | 0:20:11 | 0:20:12 | |
You could be. It depends if you can help me. | 0:20:12 | 0:20:15 | |
I have a very important - | 0:20:15 | 0:20:17 | |
and I mean extremely important - guest coming who loves jazz music. | 0:20:17 | 0:20:20 | |
-Who is it? -'I can't tell you that.' | 0:20:20 | 0:20:22 | |
I had booked Leslie Thompson but now he's ill, and they've had to cancel. | 0:20:22 | 0:20:26 | |
'I don't quite know what to do, Stanley.' | 0:20:26 | 0:20:29 | |
Well, this is perfect timing, Mr Donaldson - | 0:20:29 | 0:20:31 | |
the band you saw the other day at the Imperial, | 0:20:31 | 0:20:33 | |
they've taken your advice, | 0:20:33 | 0:20:35 | |
they've hired a fabulous singer - two, in fact. | 0:20:35 | 0:20:37 | |
-Are they your top recommendation, Stanley? -Yes. | 0:20:37 | 0:20:40 | |
It would be extraordinarily embarrassing if it went wrong. | 0:20:40 | 0:20:42 | |
They won't disappoint you, Mr Donaldson. | 0:20:42 | 0:20:44 | |
-You're certain, Stanley? -Am I certain? Absolutely. | 0:20:44 | 0:20:49 | |
CLATTERING AND SHOUTING | 0:20:49 | 0:20:50 | |
It's five in the morning. | 0:20:58 | 0:21:00 | |
What the hell d'you want to do this for at five in the morning? | 0:21:00 | 0:21:02 | |
And you, stand over there, stand over there. | 0:21:02 | 0:21:05 | |
SHOUTING | 0:21:05 | 0:21:07 | |
You didn't report, did you? You didn't report! | 0:21:07 | 0:21:10 | |
It was shut! | 0:21:11 | 0:21:12 | |
-Huh? -They were shut early! I swear to you. | 0:21:12 | 0:21:15 | |
I told you not to leave it to the last minute. | 0:21:15 | 0:21:17 | |
I see you're dressed and ready to go. Come on, then! | 0:21:17 | 0:21:19 | |
-I am a British citizen. -Ha, since when? | 0:21:19 | 0:21:21 | |
Since I was born here. | 0:21:21 | 0:21:22 | |
This is not looking good. | 0:21:28 | 0:21:30 | |
Are you gentlemen the musicians? | 0:21:33 | 0:21:36 | |
That's us. | 0:21:36 | 0:21:38 | |
Do you have a spokesman? | 0:21:38 | 0:21:39 | |
That'll be me. | 0:21:39 | 0:21:40 | |
Could you please follow me? | 0:21:40 | 0:21:42 | |
I don't require that, Mr Lester. | 0:21:47 | 0:21:49 | |
I know you have an English birth certificate. | 0:21:49 | 0:21:52 | |
Under the terms of the work permits granted to | 0:21:52 | 0:21:55 | |
the performers in your band, they have to report every week. | 0:21:55 | 0:21:58 | |
This week, that did not happen. | 0:21:58 | 0:21:59 | |
It's the first time they've ever missed a week. | 0:21:59 | 0:22:01 | |
If we allow that to be an excuse, the system would quickly fall apart, | 0:22:01 | 0:22:05 | |
would it not? If people could choose the week they wanted to report. | 0:22:05 | 0:22:08 | |
What do they need to do? | 0:22:08 | 0:22:10 | |
Normally we require proof in writing that they have | 0:22:10 | 0:22:13 | |
employment as musicians for the following week before we can | 0:22:13 | 0:22:16 | |
issue a permit, but because there has been this transgression | 0:22:16 | 0:22:20 | |
of the rules, I now require written proof of three weeks' employment. | 0:22:20 | 0:22:24 | |
Proof of three weeks' employment? | 0:22:24 | 0:22:26 | |
If I don't receive that by the end of this working day, your colleagues | 0:22:26 | 0:22:29 | |
will be detained in custody pending possible deportation. | 0:22:29 | 0:22:32 | |
If you don't think you can produce that, Mr Lester, | 0:22:33 | 0:22:35 | |
it would save us all time if you told me now. | 0:22:35 | 0:22:37 | |
I will be able to produce that. | 0:22:37 | 0:22:39 | |
Today, we close at 5.15. | 0:22:39 | 0:22:42 | |
It's getting late, Louis. | 0:22:49 | 0:22:51 | |
Don't worry. | 0:22:51 | 0:22:53 | |
Don't worry?! | 0:22:54 | 0:22:55 | |
Nobody's safe - I better find my damn birth certificate! | 0:22:59 | 0:23:02 | |
-Yes, you had. -Because I do not want to go back to the US. | 0:23:02 | 0:23:05 | |
No, sir, that could not happen. | 0:23:05 | 0:23:08 | |
Shall I tell her the truth? | 0:23:08 | 0:23:10 | |
Wesley... | 0:23:10 | 0:23:11 | |
Missy... Had a little trouble in Chicago, lies were told. | 0:23:11 | 0:23:16 | |
Don't be stupid, Wesley - stop this. | 0:23:16 | 0:23:18 | |
You don't think she'd want to hear that | 0:23:19 | 0:23:22 | |
I was accused of sleeping with a white woman? | 0:23:22 | 0:23:24 | |
And that the white woman's husband said that I raped his wife | 0:23:24 | 0:23:27 | |
and that carries the death penalty in Chicago? | 0:23:27 | 0:23:31 | |
Because I think she might be very interested. | 0:23:31 | 0:23:34 | |
Missy, I was born here, | 0:23:36 | 0:23:39 | |
so that makes me English - Welsh, in fact! | 0:23:39 | 0:23:42 | |
So, gentlemen, I have here a four-week booking, in writing, | 0:23:50 | 0:23:55 | |
from the Imperial, for their inspection. | 0:23:55 | 0:23:57 | |
Four weeks? | 0:23:57 | 0:23:59 | |
Told you I'd fix it. | 0:23:59 | 0:24:00 | |
Why was it that easy? | 0:24:01 | 0:24:02 | |
Who said it was easy? | 0:24:02 | 0:24:04 | |
It certainly was not, you don't know Mr Schlesinger! | 0:24:04 | 0:24:07 | |
Thank you. | 0:24:07 | 0:24:08 | |
THEY SHOUT OVER EACH OTHER | 0:24:08 | 0:24:10 | |
Yes! | 0:24:10 | 0:24:11 | |
There's a nice little extra - | 0:24:18 | 0:24:20 | |
Mr Donaldson's having a garden party, with a special guest | 0:24:20 | 0:24:23 | |
of honour, whose identity is being kept secret even from me. | 0:24:23 | 0:24:27 | |
A secret guest? Who is it? | 0:24:27 | 0:24:30 | |
Clark Gable? | 0:24:30 | 0:24:32 | |
What a garden! Does it belong to just one house? | 0:24:55 | 0:24:57 | |
There you are! Exactly on time. Good. | 0:25:00 | 0:25:03 | |
Of course. | 0:25:03 | 0:25:04 | |
Enjoy yourselves out here, start playing in about 45 minutes. | 0:25:05 | 0:25:08 | |
Is the mystery guest of honour here yet? | 0:25:08 | 0:25:09 | |
When you start playing, if he likes you, you may get to see him. | 0:25:09 | 0:25:13 | |
# When I dream of you | 0:25:13 | 0:25:16 | |
# Dream the whole night through | 0:25:20 | 0:25:25 | |
# I awake and softly whisper | 0:25:26 | 0:25:33 | |
# I'm quite in love with you | 0:25:33 | 0:25:38 | |
# When I dream of you | 0:25:40 | 0:25:45 | |
# Dream the whole night through | 0:25:47 | 0:25:53 | |
# When I dream of you-u-u-u. # | 0:25:56 | 0:26:06 | |
# Truckin' along and I'm happy to see you | 0:26:17 | 0:26:20 | |
# Ain't right or wrong if I do or I don't | 0:26:20 | 0:26:23 | |
# I'm holding on for a dance at the Voodoo | 0:26:23 | 0:26:25 | |
# Crazy in the mood for love | 0:26:25 | 0:26:27 | |
# Never say you won't be leaving | 0:26:27 | 0:26:31 | |
# You can buy me time and teasing | 0:26:31 | 0:26:33 | |
# You can show me ways of pleasing | 0:26:33 | 0:26:36 | |
# Crazy in the mood for love | 0:26:36 | 0:26:38 | |
# Crazy in love and I'm looking to make it | 0:26:38 | 0:26:41 | |
# This is a chance and I'm going to take it | 0:26:41 | 0:26:43 | |
# Diamonds are hot but who cares if you fake it? | 0:26:43 | 0:26:46 | |
# Crazy in the mood for love | 0:26:46 | 0:26:48 | |
# Never say you won't be leaving | 0:26:48 | 0:26:51 | |
# You can buy me time and teasing | 0:26:51 | 0:26:54 | |
# I can show you ways of pleasing | 0:26:54 | 0:26:56 | |
# Crazy in the mood for love | 0:26:56 | 0:26:58 | |
# Crazy in love, crazy in love | 0:26:58 | 0:27:01 | |
# Crazy in the mood for love! # | 0:27:01 | 0:27:03 | |
He wants to meet you. | 0:27:15 | 0:27:17 | |
Who's he? | 0:27:17 | 0:27:18 | |
Prince George! Fourth son of the King. | 0:27:18 | 0:27:20 | |
-The son of the King! -What do we call him? | 0:27:20 | 0:27:23 | |
Your Royal Highness. | 0:27:23 | 0:27:25 | |
And you don't speak until you're spoken to. | 0:27:26 | 0:27:28 | |
Come here, come here, please. | 0:27:28 | 0:27:31 | |
You must tell us all about yourselves. | 0:27:37 | 0:27:38 | |
Where on earth did you learn to sing like that? | 0:27:38 | 0:27:40 | |
Well, Jessie's always been able to sing, | 0:27:40 | 0:27:44 | |
ever since she was tiny at school. | 0:27:44 | 0:27:46 | |
Yes, since school. | 0:27:46 | 0:27:48 | |
Since you were tiny at school, is that right? | 0:27:48 | 0:27:50 | |
Eat like royalty. | 0:27:56 | 0:27:57 | |
Your band are clearly absolutely starving. | 0:27:57 | 0:28:00 | |
I like the look of your Mr Lester. It's quite surprising, really. | 0:28:01 | 0:28:05 | |
He seems an educated man, doesn't he? The way he conducts himself. | 0:28:05 | 0:28:11 | |
Unlike me, you mean?! Yes, he's a... He's quite a character. | 0:28:11 | 0:28:16 | |
I couldn't take your picture out in the garden, could I? | 0:28:18 | 0:28:21 | |
And any other member of the band who would like to...? | 0:28:21 | 0:28:23 | |
Now the sun's come out, I'd like to do some portrait shots. | 0:28:23 | 0:28:26 | |
Of course. But I... I couldn't stop them eating right now. | 0:28:26 | 0:28:30 | |
I'll come. | 0:28:30 | 0:28:31 | |
It's not just the Prince that's here today, you know. | 0:28:34 | 0:28:37 | |
Some people say he's one of the richest men in the world. | 0:28:39 | 0:28:42 | |
From the US, managed not to lose everything in the crash - | 0:28:42 | 0:28:46 | |
in fact, he even made money while it was happening. | 0:28:46 | 0:28:50 | |
I'm working for him at the moment - just helping out, | 0:28:53 | 0:28:56 | |
but he says he might have something bigger for me. | 0:28:56 | 0:28:59 | |
I must try to talk to him. | 0:28:59 | 0:29:01 | |
Go on, sing something for me now, a little song, just, | 0:29:02 | 0:29:05 | |
just right here. | 0:29:05 | 0:29:06 | |
You want her to sing now, your Royal Highness? | 0:29:06 | 0:29:09 | |
-Sing what? -Anything, anything you like. Sit here. | 0:29:09 | 0:29:12 | |
# Lord, lead me on | 0:29:21 | 0:29:25 | |
# Lord, lead me on | 0:29:25 | 0:29:29 | |
# Lead me across the river | 0:29:31 | 0:29:36 | |
# Lead me on... # | 0:29:37 | 0:29:41 | |
So, Stanley, you really do have an eye for talent. | 0:29:44 | 0:29:48 | |
Of course I do, don't you read the magazine? | 0:29:48 | 0:29:50 | |
I read Music Express every week, as it happens. | 0:29:50 | 0:29:52 | |
You do? Didn't know you were so keen on music. | 0:29:52 | 0:29:55 | |
I'm interested in all sorts of things, Stanley, | 0:29:55 | 0:29:58 | |
not just clothes and men. | 0:29:58 | 0:30:00 | |
I read your magazine from cover to cover. | 0:30:00 | 0:30:02 | |
And it all seems to be written by you. | 0:30:02 | 0:30:05 | |
Most of it. Yes. | 0:30:05 | 0:30:08 | |
Even the diary of the chorus girl in the West End show! | 0:30:08 | 0:30:11 | |
Well, that was sort of a collaboration. | 0:30:11 | 0:30:14 | |
Don't you have an editor who orders you around? | 0:30:14 | 0:30:16 | |
I do have an editor, yes, Mr Wax, but he seems to like what I do. | 0:30:16 | 0:30:20 | |
You know, you always surprise me, Stanley. | 0:30:20 | 0:30:23 | |
Well, that's good. | 0:30:23 | 0:30:24 | |
-That is good, isn't it? -Yes. I like daring people. | 0:30:26 | 0:30:29 | |
# ..The path ahead... # | 0:30:29 | 0:30:33 | |
What a pity you can't write about this. | 0:30:33 | 0:30:36 | |
The Royal Prince and a jazz band, what a story that would make! | 0:30:36 | 0:30:41 | |
But even you can't do that. | 0:30:41 | 0:30:43 | |
Stanley told me about your trouble with the immigration authorities. | 0:30:46 | 0:30:50 | |
Yes, well, the rules are very strict, especially | 0:30:52 | 0:30:55 | |
if you've worked on the ships. | 0:30:55 | 0:30:57 | |
Some of them even get followed sometimes, | 0:30:57 | 0:30:59 | |
people checking to see if they really are employed as musicians. | 0:30:59 | 0:31:02 | |
Followed, in the street? Really? | 0:31:02 | 0:31:04 | |
Not many people realise that goes on, but it's quite a regime, | 0:31:04 | 0:31:08 | |
the Alien Registration Office. | 0:31:08 | 0:31:10 | |
Well, my father's Russian and he gets some strange looks sometimes, | 0:31:10 | 0:31:14 | |
people thinking he might be a Soviet spy! | 0:31:14 | 0:31:18 | |
So maybe I understand more than you think. | 0:31:18 | 0:31:21 | |
Maybe I see a bit more of the world than Pamela. | 0:31:23 | 0:31:26 | |
She's my friend, but I work for her, really. | 0:31:27 | 0:31:30 | |
I choose her clothes, I design some of them, which means I actually | 0:31:30 | 0:31:33 | |
have to go into shops, warehouses, even, looking for materials. | 0:31:33 | 0:31:37 | |
I'm sure you've guessed, but I'm no aristocrat, Louis. | 0:31:39 | 0:31:42 | |
I'm not sure I had guessed that, no. | 0:31:43 | 0:31:46 | |
Thank you, Joe. You're next, Louis. | 0:31:46 | 0:31:49 | |
The band must play again. Prince George has requested it! | 0:31:51 | 0:31:55 | |
-I love your music. -Thank you. | 0:31:58 | 0:32:00 | |
I hope you don't mind me saying that. I love your band! | 0:32:00 | 0:32:04 | |
I'm, I'm hopeless! | 0:32:11 | 0:32:13 | |
Is it hopeless? I, I really think it is hopeless, isn't it?! | 0:32:13 | 0:32:16 | |
Of course not, your Royal Highness! | 0:32:16 | 0:32:18 | |
# Feel the heat of the city beat | 0:32:29 | 0:32:32 | |
# Feel the thing of the swing | 0:32:34 | 0:32:36 | |
# Tapping our feet where the night hawks meet | 0:32:37 | 0:32:42 | |
# I can't help it It's got a grip on me | 0:32:42 | 0:32:45 | |
# Rent is due and cash is tight... # | 0:32:47 | 0:32:49 | |
A little more full tonight. Not bad at all. | 0:32:49 | 0:32:53 | |
It's been building all week. | 0:32:53 | 0:32:55 | |
I knew I was right to tell them to get a singer. | 0:32:55 | 0:32:57 | |
# Hear the blare of the thoroughfare... # | 0:32:59 | 0:33:03 | |
THEY CHATTER EXCITEDLY | 0:33:03 | 0:33:07 | |
THEY TALK OVER EACH OTHER | 0:33:28 | 0:33:31 | |
Come and look at this. | 0:33:36 | 0:33:37 | |
SQUEALING | 0:33:37 | 0:33:39 | |
Lamb chops! | 0:33:43 | 0:33:45 | |
Meat for the first time! | 0:33:46 | 0:33:49 | |
We must be doing something right then! | 0:33:49 | 0:33:52 | |
They never gave us this wine before. Maybe this | 0:34:16 | 0:34:18 | |
Mr Schlesinger, or whatever he's called, is beginning to like us. | 0:34:18 | 0:34:23 | |
Louis, sorry to butt in like this. Could you come with me for a moment? | 0:34:25 | 0:34:30 | |
I need your help. | 0:34:30 | 0:34:32 | |
No, no, no, it's very kind, but I just need Louis. | 0:34:34 | 0:34:38 | |
Thank God you were still here! | 0:34:42 | 0:34:43 | |
Mr Masterson has asked me to do something. | 0:34:43 | 0:34:46 | |
This is Mr Masterson's suite, he gave me the key, | 0:34:49 | 0:34:51 | |
I have it somewhere. Yes. He's left the hotel. | 0:34:51 | 0:34:55 | |
Now, Louis, if you feel you are unable to help, | 0:34:59 | 0:35:03 | |
you must say so at once, and of course I'll understand... | 0:35:03 | 0:35:06 | |
but if you do feel able to help, I'll be so terribly grateful. | 0:35:06 | 0:35:09 | |
What happened here? | 0:35:24 | 0:35:26 | |
I don't know... He said it would be like this. | 0:35:26 | 0:35:28 | |
I don't know what he's been doing. | 0:35:28 | 0:35:30 | |
WOMAN SIGHS | 0:35:31 | 0:35:33 | |
WOMAN MOANS | 0:35:35 | 0:35:37 | |
What a mess. | 0:35:44 | 0:35:45 | |
Hello. | 0:35:47 | 0:35:49 | |
Mr Masterson asked if I'd clear this up. | 0:35:50 | 0:35:53 | |
I didn't know it would be this bad, I mean, not quite as bad as this! | 0:35:54 | 0:35:58 | |
I know I shouldn't involve you, Louis, | 0:35:59 | 0:36:00 | |
but I can't do this on my own. | 0:36:00 | 0:36:02 | |
Please leave if you need to. | 0:36:05 | 0:36:07 | |
Mr Masterson will pay for the damage to the room, of course. | 0:36:07 | 0:36:10 | |
What do we need to do? | 0:36:10 | 0:36:12 | |
We need to get the girl out of the hotel. | 0:36:12 | 0:36:14 | |
If we use the kitchen entrance, if I get a taxi, and you take the girl? | 0:36:14 | 0:36:18 | |
-What's your name? -Hannah. | 0:36:19 | 0:36:21 | |
-Are we there yet? -Shh. | 0:36:38 | 0:36:40 | |
MAN: You! I'm talking to you. | 0:36:40 | 0:36:42 | |
Don't you run away from me. Come back here! | 0:36:42 | 0:36:45 | |
How dare you! | 0:36:45 | 0:36:46 | |
-..Get out of here. -Shhh. | 0:36:46 | 0:36:48 | |
..The best thing you can do is own up to it. | 0:36:48 | 0:36:50 | |
Do you understand me? Do you understand? | 0:36:52 | 0:36:54 | |
-Get out of my sight. -Are we there yet? -Shh. | 0:36:54 | 0:36:57 | |
-SHE MOANS -Shhh! | 0:36:59 | 0:37:01 | |
Still here, Mr Lester? | 0:37:09 | 0:37:11 | |
Yes... I'm leaving now. | 0:37:11 | 0:37:13 | |
I've been going through the music for tomorrow. | 0:37:13 | 0:37:16 | |
I see. | 0:37:16 | 0:37:17 | |
Well, I'll be writing a report for Mr Schlesinger, I think | 0:37:17 | 0:37:20 | |
he might be rather pleased with tonight. | 0:37:20 | 0:37:22 | |
Do we ever get to meet Mr Schlesinger? | 0:37:23 | 0:37:26 | |
That all depends, Mr Lester, that all depends. Good night. | 0:37:26 | 0:37:32 | |
Night. | 0:37:32 | 0:37:34 | |
Look, I think my car is coming. | 0:37:48 | 0:37:50 | |
There you are. Marvellous. | 0:37:52 | 0:37:54 | |
Thank you, Louis. Mr Masterson will be pleased. | 0:38:03 | 0:38:07 | |
I'm incredibly grateful! You're wonderful, my friend. | 0:38:07 | 0:38:11 | |
"I... say... Tonk... | 0:38:18 | 0:38:20 | |
PHONE RINGS | 0:38:20 | 0:38:21 | |
"What... a... party." | 0:38:21 | 0:38:26 | |
PHONE CONTINUES TO RING | 0:38:29 | 0:38:32 | |
Music Express? What can I do for you? | 0:38:35 | 0:38:36 | |
Stanley, it's Louis, | 0:38:36 | 0:38:38 | |
something strange just happened with Julian and Mr Masterson. | 0:38:38 | 0:38:42 | |
'There was a girl in Mr Masterson's suite at the hotel.' | 0:38:42 | 0:38:45 | |
She was in a bad way, the room was all smashed up too. | 0:38:45 | 0:38:49 | |
So they'd been having quite a party. | 0:38:49 | 0:38:50 | |
I helped Julian get her out of the hotel. | 0:38:50 | 0:38:52 | |
Where was Mr Masterson when you were doing this? | 0:38:52 | 0:38:55 | |
I don't know. I didn't see him. He asked Julian to clear up for him. | 0:38:55 | 0:38:58 | |
People like that always CAN vanish when they want to, can't they?! | 0:38:58 | 0:39:01 | |
Stanley... I don't know if I should've helped. | 0:39:01 | 0:39:03 | |
-'I mean, the girl, she was...' -You worried about her? | 0:39:03 | 0:39:06 | |
'Yes, I am.' | 0:39:06 | 0:39:07 | |
Well, if you're worried about her, Louis, we'll have to find her. | 0:39:09 | 0:39:13 | |
Mr Julian knows you're here, he'll be with you in a moment. | 0:39:16 | 0:39:20 | |
One day, Louis, you'll have a house like this! | 0:39:21 | 0:39:24 | |
Of course! As a matter of interest, how do you see that happening? | 0:39:24 | 0:39:29 | |
Well, it won't be long before your records are available in every | 0:39:29 | 0:39:32 | |
store in the land. | 0:39:32 | 0:39:33 | |
That'll be good, considering we haven't made a single one yet. | 0:39:33 | 0:39:36 | |
I'll be just walking down the street | 0:39:36 | 0:39:38 | |
and your music will be coming out of every other window. | 0:39:38 | 0:39:41 | |
And when I turn up to see you, when you've got a house like this... | 0:39:41 | 0:39:44 | |
-You'll be shown straight to the tradesman's entrance! -Naturally, yes! | 0:39:44 | 0:39:48 | |
Stanley! Louis! | 0:39:48 | 0:39:49 | |
It's wonderful to see you. | 0:39:50 | 0:39:52 | |
There you are! What a lovely way to start the day. | 0:39:52 | 0:39:55 | |
Start? It's nearly two o'clock, Pamela! | 0:39:55 | 0:39:58 | |
Oh, it's as early as that, is it? I thought it was later! | 0:39:58 | 0:40:02 | |
It's wicked, I know, but I've only just got up. | 0:40:02 | 0:40:04 | |
What a strange evening last night was. | 0:40:05 | 0:40:07 | |
Louis was absolutely wonderful, has he told you? | 0:40:07 | 0:40:12 | |
He has. We were just wondering what happened to the girl. | 0:40:12 | 0:40:16 | |
She's here. | 0:40:16 | 0:40:17 | |
With her gigantic bruises. | 0:40:17 | 0:40:20 | |
I was so clumsy last night, and so utterly drunk, | 0:40:20 | 0:40:23 | |
I just kept falling over. | 0:40:23 | 0:40:25 | |
Goodness knows what people must think! | 0:40:25 | 0:40:27 | |
I'm enormously grateful to you, and so is Mr Masterson. | 0:40:28 | 0:40:32 | |
Oh, yes, Mr Masterson's having a picnic, you really must join us. | 0:40:32 | 0:40:37 | |
Yes, he'd love you to join him - in fact the whole band, | 0:40:37 | 0:40:40 | |
if they're available - to be his guests. | 0:40:40 | 0:40:42 | |
It's his way of saying a huge thank you. | 0:40:42 | 0:40:44 | |
The whole band? Really? They're all invited? | 0:40:44 | 0:40:48 | |
Well, whoever wants to come... They might enjoy it. | 0:40:48 | 0:40:50 | |
He plans them very carefully. | 0:40:50 | 0:40:53 | |
I shan't be there myself, sadly. My parents are coming to town. | 0:40:53 | 0:40:57 | |
Oh, you must come, please say you will. | 0:40:57 | 0:40:59 | |
It'll make his picnic so much more jolly! | 0:40:59 | 0:41:01 | |
And you'll come, Stanley, won't you? | 0:41:01 | 0:41:03 | |
Ah, I'm invited too, am I? | 0:41:03 | 0:41:06 | |
Of course. I'm inviting you. | 0:41:06 | 0:41:08 | |
Mr Masterson tends to picnic on a grand scale. | 0:41:08 | 0:41:12 | |
It's not something you would forgive yourself for missing. | 0:41:12 | 0:41:14 | |
On a grand scale? Does that mean a lot of Rolls-Royces | 0:41:14 | 0:41:17 | |
setting off for a mystery destination that only he knows? | 0:41:17 | 0:41:20 | |
You're nearly right. | 0:41:20 | 0:41:21 | |
There's going to be some interesting transport, | 0:41:21 | 0:41:23 | |
but it's not a line of Rolls-Royces. | 0:41:23 | 0:41:26 | |
This is amazing. | 0:41:30 | 0:41:31 | |
Our own private train! | 0:41:33 | 0:41:34 | |
I didn't think I'd have a compartment to myself! | 0:41:37 | 0:41:39 | |
We really are his guests. | 0:41:39 | 0:41:41 | |
Don't have to sing for our supper. | 0:41:41 | 0:41:43 | |
Not unless we want to. | 0:41:43 | 0:41:45 | |
Well, you don't, Stanley! | 0:41:45 | 0:41:47 | |
What's your compartment like? | 0:41:47 | 0:41:49 | |
Oh, you know, velvet cushions, bowl of chocolates. | 0:41:49 | 0:41:51 | |
A bowl of chocolates? Not sure I've got that. | 0:41:51 | 0:41:54 | |
Come in, gentlemen. Soup is being served. | 0:42:18 | 0:42:20 | |
And we're all absolutely starving! | 0:42:20 | 0:42:22 | |
-Is anybody sitting here? -No, by all means. | 0:42:25 | 0:42:28 | |
Sit down! We're going to be waited on! | 0:42:33 | 0:42:37 | |
Nobody knows where we're going? | 0:42:42 | 0:42:45 | |
Nobody, no. | 0:42:45 | 0:42:46 | |
Do you really think that can be true? | 0:42:48 | 0:42:50 | |
Yes, he likes his mystery picnics. | 0:42:50 | 0:42:54 | |
Is it easy, Mr Masterson, to hire a private train? | 0:42:57 | 0:43:01 | |
Quite, once you know who to ask. | 0:43:01 | 0:43:04 | |
But you have to tell someone the exact route you are going to take? | 0:43:04 | 0:43:08 | |
You must have to do that, surely? | 0:43:08 | 0:43:10 | |
What makes you think that? | 0:43:10 | 0:43:12 | |
# My man's gone away | 0:43:17 | 0:43:22 | |
# Left me feeling blue | 0:43:22 | 0:43:25 | |
# No good trying to chase him | 0:43:27 | 0:43:30 | |
# Cos he's run straight back to you... # | 0:43:30 | 0:43:34 | |
I think what you've done, Mr Lester, is truly extraordinary. | 0:43:34 | 0:43:38 | |
What I've done? What is that, Mr Donaldson? | 0:43:38 | 0:43:42 | |
How you've made this band from nothing. | 0:43:42 | 0:43:44 | |
How he's made it? | 0:43:44 | 0:43:46 | |
I'm very intrigued by how you've managed to meld it all | 0:43:46 | 0:43:49 | |
together in a very sophisticated way, if you don't mind me saying so. | 0:43:49 | 0:43:53 | |
You've taken the best of what you've heard from America, | 0:43:53 | 0:43:55 | |
and made it your own. How did you learn to do that? | 0:43:55 | 0:43:58 | |
I'm sorry, that sounded much too patronising. | 0:43:58 | 0:44:02 | |
I think it was my experience on the ocean liners that helped me so much. | 0:44:02 | 0:44:06 | |
And when you were playing on those liners and people were | 0:44:06 | 0:44:08 | |
dancing in front of you, did they ever say things to you? | 0:44:08 | 0:44:11 | |
-Say things? -When you were on a big ship together, | 0:44:11 | 0:44:14 | |
-with all those people... -Rich people! | 0:44:14 | 0:44:17 | |
Yes, you must have bumped into them when you weren't playing, | 0:44:17 | 0:44:21 | |
like when you were coming off stage. | 0:44:21 | 0:44:23 | |
Did you have to put up with them being rather horrible? | 0:44:23 | 0:44:26 | |
You must have had to deal with a lot of prejudiced people. | 0:44:26 | 0:44:29 | |
Of course, yes. | 0:44:29 | 0:44:30 | |
And you never know where it's going to come from either. | 0:44:30 | 0:44:33 | |
Sometimes it's the people you don't expect. | 0:44:33 | 0:44:36 | |
I remember bumping into a table when I was coming off the stage | 0:44:36 | 0:44:39 | |
at one of the crossings, and the couple nearest to me - | 0:44:39 | 0:44:42 | |
and the lady, she was covered in jewels, but she was very young and | 0:44:42 | 0:44:46 | |
charming looking - and both of them, this couple, started wiping their | 0:44:46 | 0:44:51 | |
cutlery with their napkins, even though I wasn't anywhere | 0:44:51 | 0:44:55 | |
near them. They changed them a few minutes later too - just to be sure! | 0:44:55 | 0:45:00 | |
Oh, that's very revealing, wiping their cutlery. | 0:45:00 | 0:45:04 | |
You should do that to them next time! | 0:45:04 | 0:45:07 | |
When certain people walk really close to your table, | 0:45:07 | 0:45:09 | |
you should start cleaning your fork, see how they react to that! | 0:45:09 | 0:45:14 | |
There is so much ignorance, isn't there? | 0:45:14 | 0:45:16 | |
And you're right, Mr Lester, sometimes it's those who seem | 0:45:16 | 0:45:19 | |
to be the most educated, turn out to be quite the most ignorant, | 0:45:19 | 0:45:23 | |
the most prejudiced. | 0:45:23 | 0:45:25 | |
But then, we don't know what's going to happen next, do we? | 0:45:26 | 0:45:29 | |
Maybe things ARE about to change. | 0:45:29 | 0:45:31 | |
Despite all the hardship there is, I feel - and I hope I'm not being | 0:45:32 | 0:45:36 | |
too optimistic, Mr Lester but I do feel that anything is possible now. | 0:45:36 | 0:45:41 | |
WOMEN SINGING IN NEARBY COMPARTMENT | 0:45:44 | 0:45:48 | |
Oh. I'm sorry, I've got the wrong compartment, Mr Masterson. | 0:45:56 | 0:46:00 | |
Do forgive me. | 0:46:00 | 0:46:02 | |
Gold.... | 0:46:02 | 0:46:04 | |
Gold is the safest thing at the moment. | 0:46:04 | 0:46:07 | |
I like to have some with me at all times, | 0:46:07 | 0:46:09 | |
so I know if something happens I will still have a roof over my head. | 0:46:09 | 0:46:14 | |
KNOCK ON DOOR | 0:46:21 | 0:46:22 | |
There you are. | 0:46:26 | 0:46:27 | |
You're not writing about this before it's even happened, are you? | 0:46:27 | 0:46:30 | |
Before what's even happened? | 0:46:30 | 0:46:32 | |
I love trains, don't you? | 0:46:36 | 0:46:38 | |
Absolutely. | 0:46:38 | 0:46:39 | |
Please, go on working. | 0:46:41 | 0:46:43 | |
I like to see that. | 0:46:43 | 0:46:44 | |
I so rarely watch anybody work. | 0:46:45 | 0:46:47 | |
I'm not putting you off, am I? | 0:46:59 | 0:47:01 | |
You most certainly are. | 0:47:01 | 0:47:03 | |
Well, try not to be. | 0:47:03 | 0:47:04 | |
I'm sure you overcome most distractions, Stanley. | 0:47:04 | 0:47:07 | |
Usually that's true. | 0:47:07 | 0:47:09 | |
You don't think I can be serious, do you, Stanley? | 0:47:09 | 0:47:12 | |
About anything. | 0:47:12 | 0:47:14 | |
Go on, lie. Why not? | 0:47:14 | 0:47:17 | |
Of course you can. | 0:47:17 | 0:47:18 | |
Thank you. | 0:47:19 | 0:47:21 | |
Is this some of that strange cartoon you have in your magazine? | 0:47:29 | 0:47:33 | |
Mm-hm. | 0:47:33 | 0:47:34 | |
Farquhar and Tonk? | 0:47:36 | 0:47:38 | |
I rather like that. They went on an ocean liner last week, | 0:47:38 | 0:47:41 | |
didn't they, and met a jazz band? | 0:47:41 | 0:47:43 | |
So, Mr Lester's having an effect on your strip cartoon, Stanley. | 0:47:45 | 0:47:48 | |
I grab material from wherever I can, I'm afraid. Always have done. | 0:47:50 | 0:47:54 | |
So we might find ourselves in it soon? | 0:47:54 | 0:47:57 | |
I might be there. | 0:47:57 | 0:47:58 | |
You might. | 0:47:58 | 0:48:00 | |
You could send your Farquhar and Tonk anywhere you like in the world. | 0:48:00 | 0:48:04 | |
Just like that. | 0:48:04 | 0:48:05 | |
To the moon, even. | 0:48:06 | 0:48:09 | |
And we could all follow them there. | 0:48:09 | 0:48:10 | |
I could do that. | 0:48:10 | 0:48:12 | |
If I wanted. | 0:48:13 | 0:48:15 | |
And what's stopping you? | 0:48:16 | 0:48:18 | |
Might be fun. | 0:48:21 | 0:48:23 | |
PIANO NOTES TINKLE | 0:48:28 | 0:48:31 | |
-You don't have to play now, you know. -You want me to stop? | 0:48:33 | 0:48:37 | |
No, of course not. You were invited as a guest, weren't you? | 0:48:37 | 0:48:41 | |
You don't need to play for your supper. | 0:48:41 | 0:48:44 | |
Are you saying they didn't expect any music? | 0:48:44 | 0:48:46 | |
-Well, maybe a little, yes. -HE CHUCKLES | 0:48:46 | 0:48:48 | |
Of course they did. | 0:48:48 | 0:48:50 | |
And more than a little. | 0:48:50 | 0:48:52 | |
HE HUMS TUNE | 0:48:52 | 0:48:55 | |
LOUIS LAUGHS | 0:48:55 | 0:48:57 | |
CARRIAGE RATTLES | 0:48:57 | 0:48:59 | |
The train's moving. | 0:49:15 | 0:49:17 | |
You have to stop just because the train's moving? | 0:49:17 | 0:49:19 | |
It's lucky, isn't it? | 0:49:23 | 0:49:26 | |
Now we don't need to worry about all the noise we're going to make. | 0:49:26 | 0:49:29 | |
Yes. | 0:49:29 | 0:49:31 | |
Yes. | 0:49:31 | 0:49:32 | |
It's just that I have no idea where we're going. | 0:49:33 | 0:49:36 | |
What does it matter? | 0:49:36 | 0:49:38 | |
I think it's marvellous not knowing. | 0:49:38 | 0:49:40 | |
REVEILLE SOUNDS | 0:49:59 | 0:50:03 | |
Are we in the middle of nowhere, Stanley? | 0:50:07 | 0:50:10 | |
TRUMPET PLAYING CONTINUES | 0:50:10 | 0:50:12 | |
Looks like it, yes. | 0:50:14 | 0:50:16 | |
Splendid. I can't imagine a better place to be. | 0:50:16 | 0:50:19 | |
You must excuse my idea of how to picnic, | 0:50:28 | 0:50:30 | |
but I've invented my own version since I do feel the cold | 0:50:30 | 0:50:33 | |
whenever I'm outside. | 0:50:33 | 0:50:35 | |
So I always picnic indoors. Always. | 0:50:35 | 0:50:38 | |
But I make sure the view is constantly changing, | 0:50:38 | 0:50:41 | |
that's why picnicking on a train is such a good idea. | 0:50:41 | 0:50:44 | |
Mr Masterson would like you all to know, | 0:50:44 | 0:50:47 | |
in case you're wondering where we're going - there is no destination. | 0:50:47 | 0:50:51 | |
-No destination? > -No. | 0:50:51 | 0:50:53 | |
We'll have lunches in the woods and candle-lit dinners by the sea. | 0:50:53 | 0:50:58 | |
But we'll be on the train the whole time. | 0:50:58 | 0:51:01 | |
And maybe we never get back to town. | 0:51:01 | 0:51:03 | |
Yes, let's all live on the train! | 0:51:03 | 0:51:05 | |
I'm going to risk getting frozen and go outside, if that's not forbidden. | 0:51:07 | 0:51:12 | |
Yes, yes, that's allowed. | 0:51:12 | 0:51:14 | |
I'd really like to do that portrait we never had time to do, | 0:51:15 | 0:51:18 | |
if you could spare a moment? | 0:51:18 | 0:51:20 | |
Here? | 0:51:26 | 0:51:27 | |
Is this all right? | 0:51:33 | 0:51:35 | |
It's good, yes. | 0:51:36 | 0:51:37 | |
I know you think there's something wrong with all of this, | 0:51:37 | 0:51:40 | |
with Mr Masterson's hospitality. | 0:51:40 | 0:51:43 | |
Did I say anything? | 0:51:43 | 0:51:44 | |
You didn't have to. | 0:51:44 | 0:51:46 | |
But maybe he really means it. | 0:51:46 | 0:51:48 | |
It's not just a rich man's whim. | 0:51:48 | 0:51:51 | |
Then he won't move on to something else next week? | 0:51:51 | 0:51:53 | |
No, I don't think so. | 0:51:54 | 0:51:56 | |
He really loves your music. | 0:51:56 | 0:51:58 | |
Really? | 0:51:58 | 0:52:00 | |
He does? | 0:52:00 | 0:52:01 | |
He looks a funny old bird, I know, | 0:52:01 | 0:52:03 | |
but he goes to nearly every party. Never goes to bed. | 0:52:03 | 0:52:06 | |
He likes to watch the young people. | 0:52:08 | 0:52:10 | |
Not just watching. | 0:52:10 | 0:52:12 | |
Pamela told me about Hannah. | 0:52:14 | 0:52:17 | |
I wouldn't want to be alone with him, certainly. | 0:52:18 | 0:52:21 | |
She adores him, apparently. | 0:52:21 | 0:52:23 | |
People's private lives... | 0:52:24 | 0:52:27 | |
One never really knows what goes on, does one? | 0:52:27 | 0:52:29 | |
I know this is my second plate but I may never have a breakfast | 0:52:30 | 0:52:34 | |
like this again in my whole life, so I'm going to keep eating. | 0:52:34 | 0:52:37 | |
Yes, we could all be in the gutter tomorrow. | 0:52:37 | 0:52:39 | |
Please don't say that. Of course you won't. | 0:52:39 | 0:52:42 | |
But that could happen quite easily, couldn't it, Mr Donaldson? | 0:52:42 | 0:52:46 | |
I'm sure that won't happen, no, Mr Holt, | 0:52:46 | 0:52:49 | |
-not after you've made such a start. -I'm glad you think that, | 0:52:49 | 0:52:52 | |
but there is a way to make very sure that it doesn't happen, isn't there? | 0:52:52 | 0:52:55 | |
What's that, then? | 0:52:55 | 0:52:57 | |
By having a proper contract | 0:52:57 | 0:52:59 | |
and not a week-by-week arrangement. | 0:52:59 | 0:53:01 | |
I'm sure in time that will happen. | 0:53:01 | 0:53:04 | |
These things tend to evolve naturally. | 0:53:04 | 0:53:06 | |
They evolve naturally, do they? Well, um... | 0:53:06 | 0:53:10 | |
..I agree. | 0:53:12 | 0:53:13 | |
And since we only have two weeks left of our booking at the Imperial, | 0:53:13 | 0:53:17 | |
I think it would be natural, | 0:53:17 | 0:53:19 | |
very natural in fact, to ask Mr Schlesinger for a six-month | 0:53:19 | 0:53:22 | |
contract so we become the regular band at the Imperial. | 0:53:22 | 0:53:26 | |
Six months? Nobody gets six months. | 0:53:26 | 0:53:28 | |
Jack Paynton doesn't get six months, Wally Dix doesn't get six months! | 0:53:28 | 0:53:33 | |
We get a six-month contract or we're going to offer our services to the Savoy. | 0:53:33 | 0:53:37 | |
Mr Masterson! | 0:53:41 | 0:53:42 | |
Just wondered how you were doing. | 0:53:42 | 0:53:44 | |
Come out here and have your picture taken. | 0:53:44 | 0:53:46 | |
In fact, can everyone come out and I'll take their picture? | 0:53:46 | 0:53:49 | |
Tell everyone to come out. | 0:53:49 | 0:53:51 | |
Come on, everybody, to the front of the train. Hurry up. | 0:53:53 | 0:53:57 | |
The light's great out here. | 0:53:57 | 0:53:58 | |
Just all gather round! | 0:54:01 | 0:54:03 | |
I wonder what he's been up to during breakfast. | 0:54:07 | 0:54:10 | |
I ought to remember it's not wise to leave Wesley on his own. | 0:54:11 | 0:54:14 | |
OK. | 0:54:14 | 0:54:16 | |
THEY LAUGH | 0:54:16 | 0:54:18 | |
A three-month contract is my final offer. | 0:54:40 | 0:54:42 | |
Six. | 0:54:43 | 0:54:45 | |
Six months is out of the question. | 0:54:45 | 0:54:47 | |
Three months or I find another band to take your place. | 0:54:47 | 0:54:50 | |
Six months. | 0:54:50 | 0:54:52 | |
I won't do business like this, young man. | 0:54:52 | 0:54:55 | |
Come here to meet you, as you asked, something I've rarely done | 0:54:55 | 0:54:59 | |
for any other band, and three months is my final offer. | 0:54:59 | 0:55:02 | |
And, Mr Holt, it is in fact a very good offer. | 0:55:02 | 0:55:05 | |
My advice would be to consider it very carefully. | 0:55:05 | 0:55:07 | |
Six months or we go to the Savoy, Mr Schlesinger. | 0:55:07 | 0:55:11 | |
Well, the Savoy won't take you. I'll tell you that now. | 0:55:11 | 0:55:14 | |
You won't find things nearly as easy out there as you think. | 0:55:14 | 0:55:18 | |
Four months. | 0:55:18 | 0:55:19 | |
-Louis! -No. | 0:55:19 | 0:55:21 | |
Four months or we will go elsewhere. | 0:55:21 | 0:55:24 | |
Four months? | 0:55:26 | 0:55:27 | |
I may be able just to consider four months. | 0:55:28 | 0:55:33 | |
And our accommodation, of course. | 0:55:35 | 0:55:37 | |
What about your accommodation? | 0:55:37 | 0:55:38 | |
I think, Wesley, that can be negotiated separately. | 0:55:38 | 0:55:41 | |
We're going to need new accommodation | 0:55:41 | 0:55:44 | |
-and that goes without saying. -And where might that be? | 0:55:44 | 0:55:47 | |
At the Imperial, of course. | 0:55:47 | 0:55:49 | |
Come on, it's this way! | 0:55:49 | 0:55:51 | |
That's right, keep going. | 0:55:54 | 0:55:55 | |
Come on, all the way up! | 0:55:57 | 0:55:59 | |
So, these are the rooms usually given over to performers. | 0:56:01 | 0:56:05 | |
Accommodation can only be provided for four weeks. | 0:56:05 | 0:56:08 | |
We shall be reviewing the situation after that. | 0:56:08 | 0:56:10 | |
I will call out your room numbers and hand you your keys, but first | 0:56:10 | 0:56:13 | |
I would like you to pay particular attention to the rules of the hotel. | 0:56:13 | 0:56:17 | |
You may under no circumstances use the main entrance | 0:56:17 | 0:56:20 | |
or the main lobby at any time, nor may you go into any of the lounges, | 0:56:20 | 0:56:24 | |
dining rooms or bars, unless of course you are performing there. | 0:56:24 | 0:56:28 | |
And you may not entertain guests of any kind - | 0:56:28 | 0:56:30 | |
I repeat, of any kind - in your rooms. | 0:56:30 | 0:56:34 | |
Is that understood? | 0:56:35 | 0:56:37 | |
-Oh... -THEY GIGGLE | 0:56:39 | 0:56:41 | |
Our own room in a hotel! | 0:56:41 | 0:56:43 | |
Well, I never thought that would happen. | 0:56:43 | 0:56:45 | |
And just think of the meals. Hot meals every day! | 0:56:45 | 0:56:48 | |
Yes! I've been hungry ever since I can remember, I really think I have. | 0:56:48 | 0:56:51 | |
But not any more. All being well, that is. | 0:56:51 | 0:56:55 | |
Tonight I think we should look fabulous, really fabulous. | 0:56:56 | 0:56:59 | |
Yes. To make sure they don't change their mind! | 0:56:59 | 0:57:02 | |
(Suit them, they must be hosting.) | 0:57:15 | 0:57:17 | |
CHATTERING | 0:57:17 | 0:57:21 | |
CHATTER STOPS | 0:57:31 | 0:57:35 | |
Hm! | 0:57:45 | 0:57:46 | |
JAZZ MUSIC BEGINS | 0:57:46 | 0:57:48 | |
She's incredible, isn't she? | 0:57:48 | 0:57:50 | |
I can't take my eyes off her. | 0:57:50 | 0:57:52 | |
We had noticed, Julian. | 0:57:52 | 0:57:54 | |
Sarah helped them choose their new clothes, you know. | 0:57:54 | 0:57:57 | |
Mr Donaldson paid for them. She looks good, doesn't she? | 0:57:57 | 0:58:00 | |
# Remember all those bad times | 0:58:00 | 0:58:05 | |
# You told me that you'd never leave her... # | 0:58:05 | 0:58:08 | |
Do you think she'll ever like me? | 0:58:08 | 0:58:10 | |
# Sending me those love lines you were happy to deceive her... # | 0:58:10 | 0:58:16 | |
I need to find something to really impress her. | 0:58:17 | 0:58:20 | |
# Now you're here to stay | 0:58:20 | 0:58:24 | |
# I promise we'll have good times | 0:58:24 | 0:58:27 | |
# You'll whisper that you'll never leave me | 0:58:27 | 0:58:32 | |
# Send me all those love lines... # | 0:58:32 | 0:58:34 | |
You're always late, Stanley. | 0:58:34 | 0:58:37 | |
I still have a magazine to write, remember? | 0:58:37 | 0:58:39 | |
# Now you're here to stay always. # | 0:58:39 | 0:58:45 | |
This is terrific. Look at their faces! | 0:58:45 | 0:58:49 | |
Yes. | 0:58:49 | 0:58:50 | |
The dear old hotel doesn't know what's hit it. | 0:58:50 | 0:58:53 | |
That's so true! | 0:58:53 | 0:58:55 | |
Stanley, you know the Freemasons have temples in this hotel? | 0:58:55 | 0:58:59 | |
They don't?! | 0:58:59 | 0:59:00 | |
Oh, yes, in the basement. I wonder what they'd think of this. | 0:59:00 | 0:59:04 | |
Talking of strangely dressed people, my mum wants to meet Louis. | 0:59:04 | 0:59:09 | |
Really, Stanley? That's very charming. How come? | 0:59:09 | 0:59:12 | |
Because she likes the sound of him. | 0:59:12 | 0:59:14 | |
# Send me all those love lines | 0:59:14 | 0:59:17 | |
# Now you're here to stay | 0:59:17 | 0:59:21 | |
# Now you're here to stay always | 0:59:21 | 0:59:28 | |
# Now you're here to stay always... # | 0:59:28 | 0:59:31 | |
Hello, Mum. | 0:59:31 | 0:59:33 | |
-Hello. -This is Louis. | 0:59:33 | 0:59:35 | |
Hello. | 0:59:35 | 0:59:37 | |
Come in. | 0:59:38 | 0:59:39 | |
The food is to your liking, is it? | 0:59:39 | 0:59:42 | |
Not going to disagree with your digestion? | 0:59:42 | 0:59:45 | |
It's all right, Mum. Louis eats everything. | 0:59:45 | 0:59:47 | |
It's delicious, Mrs Mitchell. | 0:59:47 | 0:59:49 | |
Oh, I quite forgot the lemonade! | 0:59:50 | 0:59:53 | |
No, no, you stay there. I must get the lemonade, I made it specially. | 0:59:53 | 0:59:58 | |
-You didn't tell her? -Tell her what? | 1:00:01 | 1:00:03 | |
That you were bringing a black man to the house? | 1:00:03 | 1:00:05 | |
Of course not. It's good for her to have a surprise. | 1:00:05 | 1:00:08 | |
I thought you'd said you told her all about our music? | 1:00:08 | 1:00:10 | |
I did, but she thinks all dance bands are white. | 1:00:10 | 1:00:13 | |
I hope to hear your music, Mr Lester. | 1:00:13 | 1:00:15 | |
-I would be very interested in doing that. -Well... | 1:00:15 | 1:00:19 | |
I'm going to try and persuade Louis and the band to come and play | 1:00:19 | 1:00:22 | |
in the garden here one Sunday afternoon. | 1:00:22 | 1:00:25 | |
Well, maybe not in the garden. | 1:00:25 | 1:00:27 | |
The neighbours might not like that, not on a Sunday. | 1:00:27 | 1:00:31 | |
Who knows, we might get the whole street dancing. | 1:00:31 | 1:00:34 | |
HE CHUCKLES | 1:00:35 | 1:00:37 | |
Always keep a bottle hidden away for when I drop by. | 1:00:37 | 1:00:39 | |
Me mum doesn't approve of liquor, bless her. | 1:00:39 | 1:00:42 | |
Now, there's only one glass... | 1:00:42 | 1:00:45 | |
..so I'll have the bottle. | 1:00:46 | 1:00:48 | |
Some of these records are really old, | 1:00:49 | 1:00:51 | |
-are they the first ones you ever bought? -Some of them, yes. | 1:00:51 | 1:00:54 | |
Snoop away, by all means. | 1:00:54 | 1:00:56 | |
It's always a good idea to see people's childhood bedrooms - | 1:00:56 | 1:00:59 | |
you can tell a lot from them. | 1:00:59 | 1:01:01 | |
Probably started a magazine at school, didn't you? | 1:01:01 | 1:01:03 | |
Course I did. | 1:01:03 | 1:01:04 | |
Wrote and performed music there as well, formed my own little band | 1:01:04 | 1:01:07 | |
and then gave it rave reviews in the magazine I'd started. | 1:01:07 | 1:01:10 | |
You were in a hurry, even then. | 1:01:10 | 1:01:12 | |
Oh, yes, yes, yes, I've always been in a hurry. | 1:01:12 | 1:01:14 | |
You have to have a lot going on, so at least something has a chance of working. | 1:01:14 | 1:01:17 | |
At the moment, as well as writing most of the magazine, | 1:01:17 | 1:01:21 | |
I'm working on a movie scenario about King Arthur, | 1:01:21 | 1:01:23 | |
an Edgar Wallace sort of thriller for the theatre, | 1:01:23 | 1:01:25 | |
I'm trying to get Farquhar and Tonk turned into an animated cartoon for the cinema | 1:01:25 | 1:01:29 | |
or else a series on the wireless, and I want to make Music Express | 1:01:29 | 1:01:33 | |
the top-selling music magazine in the country. | 1:01:33 | 1:01:36 | |
I want to beat Melody Maker. | 1:01:36 | 1:01:37 | |
That's not enough, Stanley(!) | 1:01:37 | 1:01:40 | |
-That's not enough(!) -You're right, it isn't. | 1:01:40 | 1:01:43 | |
And, of course, I'm going to make you the number one band in Britain, naturally. | 1:01:43 | 1:01:47 | |
I'm very ambitious, Louis. | 1:01:47 | 1:01:50 | |
So should you be. | 1:01:50 | 1:01:51 | |
You think I'm not? | 1:01:51 | 1:01:53 | |
I don't know yet. | 1:01:53 | 1:01:54 | |
Maybe underneath that calm exterior of yours, | 1:01:54 | 1:01:58 | |
you're more ambitious than you seem. | 1:01:58 | 1:02:00 | |
I want to reach a really big audience, of course, | 1:02:00 | 1:02:03 | |
but I think some things are meant to take time. | 1:02:03 | 1:02:06 | |
Mmm. | 1:02:06 | 1:02:08 | |
Speaking of which... | 1:02:08 | 1:02:10 | |
Wesley your permanent manager? | 1:02:10 | 1:02:12 | |
Why? | 1:02:12 | 1:02:13 | |
-Just wondered. -Yes. | 1:02:13 | 1:02:15 | |
Definitely. | 1:02:15 | 1:02:17 | |
He argues a lot, I know, but he's very effective. | 1:02:18 | 1:02:21 | |
GIGGLING | 1:02:23 | 1:02:25 | |
-What are you doing? -I just met a friend. | 1:02:25 | 1:02:28 | |
Joe's out tonight, so we will not be interrupted. | 1:02:28 | 1:02:31 | |
-It's perfect. -It's against the rules. | 1:02:33 | 1:02:35 | |
I think you'll find not too many people keep to those rules, Carla. | 1:02:35 | 1:02:38 | |
Don't worry. Just remember who got you here. | 1:02:38 | 1:02:41 | |
Ah, those musicians at the Imperial Hotel... | 1:02:50 | 1:02:53 | |
A four-month booking now? | 1:02:53 | 1:02:55 | |
We just need to check if that includes all of them. | 1:02:58 | 1:03:00 | |
I feel we need proof of that. | 1:03:00 | 1:03:02 | |
-I never make mistakes, Harry, as you know. -No, sir, you do not. | 1:03:02 | 1:03:07 | |
Very occasionally I take risks, and they pay off. | 1:03:07 | 1:03:10 | |
They do, sir. Very much so. | 1:03:10 | 1:03:12 | |
But maybe I've made a bad mistake with this Louis Lester Band. | 1:03:12 | 1:03:15 | |
Their kind of music is, as we know, not to everyone's taste. | 1:03:15 | 1:03:19 | |
Not to everybody's taste, no, sir. This is true. | 1:03:20 | 1:03:24 | |
Business is still picking up, is it? | 1:03:24 | 1:03:26 | |
In the main dining room, yes, sir. At the moment. | 1:03:26 | 1:03:29 | |
Have there been any serious complaints? | 1:03:29 | 1:03:32 | |
There have been a number of complaints, of course. | 1:03:32 | 1:03:35 | |
Not always from where one might expect. | 1:03:35 | 1:03:38 | |
What's this about, Harry? | 1:03:38 | 1:03:40 | |
RINGS DOORBELL | 1:03:49 | 1:03:51 | |
There you are. I thought you might not come. | 1:03:55 | 1:03:58 | |
Why did you think that? | 1:03:58 | 1:03:59 | |
Because I invited you completely out of the blue. | 1:03:59 | 1:04:02 | |
Well, I heard there were some rather good photographs of me here. | 1:04:02 | 1:04:05 | |
We don't actually know that yet, how good the photographs are. | 1:04:05 | 1:04:09 | |
What do you mean? | 1:04:09 | 1:04:11 | |
Because I haven't developed them. | 1:04:11 | 1:04:13 | |
I thought you'd like to see it happen. | 1:04:14 | 1:04:16 | |
Yes, I've never seen this before. | 1:04:16 | 1:04:19 | |
Never? | 1:04:19 | 1:04:21 | |
No. In fact, I've not had many photographs taken of me at all. | 1:04:21 | 1:04:24 | |
Maybe...once before. | 1:04:24 | 1:04:27 | |
Well, that will soon change, I expect. | 1:04:27 | 1:04:29 | |
-HE CHUCKLES -You sound like Stanley. | 1:04:29 | 1:04:32 | |
Well, Stanley's a bit of a rogue but he's not always wrong. | 1:04:32 | 1:04:36 | |
And your father doesn't mind you having these chemicals in the house? | 1:04:36 | 1:04:39 | |
Oh, no. No, he quite likes the idea of his daughter being artistic. | 1:04:39 | 1:04:44 | |
He's Russian, remember? | 1:04:44 | 1:04:46 | |
Who's this? | 1:04:48 | 1:04:49 | |
Oh, that's Lady Cremone. She's an interesting lady, | 1:04:49 | 1:04:53 | |
but she's a recluse. | 1:04:53 | 1:04:55 | |
She has an apartment at the Imperial but she never, ever uses it. | 1:04:55 | 1:04:59 | |
What do you think? | 1:05:05 | 1:05:07 | |
I like it. | 1:05:08 | 1:05:10 | |
He really is spooky, isn't he? | 1:05:38 | 1:05:40 | |
Yes, he is. | 1:05:40 | 1:05:42 | |
-< MAN: -Sarah? | 1:05:46 | 1:05:48 | |
Sarah, are you there? | 1:05:48 | 1:05:50 | |
Sarah? | 1:05:50 | 1:05:52 | |
Hello, Daddy. I was just showing Mr Lester my photographs | 1:05:53 | 1:05:56 | |
in the darkroom. Louis, this is my father. | 1:05:56 | 1:05:59 | |
Delighted to meet you, sir. | 1:05:59 | 1:06:01 | |
Mr Lester is the band leader I was talking to you about. | 1:06:01 | 1:06:04 | |
Good afternoon. I had no idea you had a guest, Sarah. | 1:06:04 | 1:06:09 | |
No idea at all. | 1:06:09 | 1:06:11 | |
If I'd known, I would have hurried home an hour earlier. | 1:06:11 | 1:06:15 | |
# Wind blows round the steeple | 1:06:15 | 1:06:19 | |
# Empty world and sleepy people | 1:06:19 | 1:06:23 | |
# I lie awake and... # | 1:06:23 | 1:06:25 | |
I lie awake and whisper! Carla, come on, we rehearsed this for two hours. | 1:06:25 | 1:06:29 | |
Hang on, one second. Wesley.... | 1:06:29 | 1:06:31 | |
Yes. | 1:06:33 | 1:06:36 | |
Yes, everything seems in the right place. | 1:06:36 | 1:06:38 | |
Not bad at all, Stanley. | 1:06:40 | 1:06:42 | |
Just remember, | 1:06:42 | 1:06:43 | |
give enough space to the West End shows and you can't go wrong. | 1:06:43 | 1:06:47 | |
Don't work too late tonight, will you? | 1:06:49 | 1:06:51 | |
And are you working late tonight? | 1:06:52 | 1:06:55 | |
Not tonight, Rosie, I don't think I am. | 1:06:56 | 1:06:59 | |
Have to be elsewhere, lots happening. | 1:06:59 | 1:07:01 | |
I'm sure there is, Stanley, yes. | 1:07:02 | 1:07:04 | |
It's a bloody site better than "not bad". | 1:07:06 | 1:07:08 | |
Julian. | 1:07:22 | 1:07:23 | |
Hello, my dear friend, sorry to interrupt so rudely. | 1:07:23 | 1:07:26 | |
But do you know what that is? | 1:07:26 | 1:07:29 | |
Don't know, what is it? | 1:07:30 | 1:07:31 | |
Go on, have a guess. | 1:07:31 | 1:07:33 | |
A little shovel for somebody's town garden. | 1:07:37 | 1:07:39 | |
Couldn't be more wrong. | 1:07:39 | 1:07:42 | |
I am now a Master Mason. | 1:07:42 | 1:07:44 | |
-I've been lifted to a new category. -Well, congratulations, Julian. | 1:07:44 | 1:07:47 | |
-Thank you, my dear friend. -I didn't know you were a Mason. | 1:07:47 | 1:07:50 | |
I'm going along to the temples tonight, as it happens, | 1:07:50 | 1:07:52 | |
in the sub-basement of the Imperial, just as I told you. | 1:07:52 | 1:07:55 | |
And I was wondering, | 1:07:55 | 1:07:57 | |
knowing how you're interested in so many things, Stanley, | 1:07:57 | 1:08:00 | |
if you'd like to come along and watch me go in, in my full regalia. | 1:08:00 | 1:08:05 | |
I can't, can I? I thought it was highly secret. | 1:08:05 | 1:08:08 | |
DOOR OPENS | 1:08:08 | 1:08:09 | |
STANLEY CHUCKLES | 1:08:11 | 1:08:12 | |
Don't worry, I know you read my magazine from cover to cover, | 1:08:12 | 1:08:15 | |
there's no need to be bashful. | 1:08:15 | 1:08:16 | |
I won't be reading it much longer, it gets worse every week. | 1:08:16 | 1:08:19 | |
Your presence has been requested in the sub-basement. | 1:08:19 | 1:08:21 | |
I'm told it's a once-in-a-lifetime opportunity. | 1:08:21 | 1:08:24 | |
BELLS RING | 1:08:26 | 1:08:28 | |
What do you think? | 1:08:31 | 1:08:32 | |
LOUIS LAUGHS | 1:08:32 | 1:08:33 | |
You look tremendous, Julian. | 1:08:33 | 1:08:35 | |
You're not meant to be seen in those, are you? | 1:08:35 | 1:08:38 | |
No, I'm not. | 1:08:38 | 1:08:40 | |
Only by fellow Masons. | 1:08:40 | 1:08:41 | |
I just popped out of the special robing room. | 1:08:41 | 1:08:44 | |
We'll see if I get fined or something infinitely worse. | 1:08:44 | 1:08:47 | |
Now, follow me. | 1:08:47 | 1:08:49 | |
Come on. | 1:08:49 | 1:08:50 | |
BELLS RING | 1:08:50 | 1:08:54 | |
-Where are we going, Julian? -Sh! | 1:08:59 | 1:09:03 | |
Promise me you won't write about this, Stanley. | 1:09:03 | 1:09:05 | |
-Oh, I never promise that. -Promise. | 1:09:05 | 1:09:07 | |
And you, Louis, you won't tell anybody? | 1:09:08 | 1:09:11 | |
Whatever it is, I'll take it to my grave, I swear. | 1:09:11 | 1:09:14 | |
I'm trying to remember where it is. | 1:09:19 | 1:09:21 | |
A-ha! There it is. | 1:09:22 | 1:09:25 | |
Come and have a look at this. | 1:09:32 | 1:09:34 | |
Very few people get to see this ever. | 1:09:36 | 1:09:39 | |
It was made as a dare a few years ago. | 1:09:39 | 1:09:42 | |
And people have just forgotten that it's here. | 1:09:42 | 1:09:44 | |
That is wonderful. | 1:09:44 | 1:09:46 | |
There's dukes in there. | 1:09:46 | 1:09:47 | |
See if you can see the Duke of Bedford | 1:09:47 | 1:09:49 | |
or the Head of the Foreign Office. | 1:09:49 | 1:09:51 | |
-Huh! -There's no members of the Royal Family sadly, today. | 1:09:56 | 1:09:59 | |
BELLS RING | 1:09:59 | 1:10:01 | |
Now, I'm late, I should be in there. | 1:10:01 | 1:10:03 | |
And, er... | 1:10:06 | 1:10:07 | |
Remember, don't breathe a word to anyone, | 1:10:08 | 1:10:11 | |
otherwise we're all for it. | 1:10:11 | 1:10:13 | |
That's the best time I've ever had in a linen cupboard, you know. | 1:10:18 | 1:10:22 | |
If I succeed in making this place really fashionable, | 1:10:22 | 1:10:25 | |
they may decide they have to move on, | 1:10:25 | 1:10:27 | |
find a more sleepy hotel. | 1:10:27 | 1:10:29 | |
You gonna flush out the Masons, are you, Stanley? | 1:10:29 | 1:10:32 | |
Mr Schlesinger would like to see you, Mr Lester. | 1:10:32 | 1:10:35 | |
What about? | 1:10:35 | 1:10:37 | |
Not you, Stanley. I said Mr Lester. | 1:10:37 | 1:10:40 | |
I have received a message from the immigration authorities | 1:10:41 | 1:10:44 | |
that they require a letter from me, stating that Mr Wesley Holt | 1:10:44 | 1:10:48 | |
is essential to your performances as a band. | 1:10:48 | 1:10:52 | |
-I will not write that letter. -Then I'll have to write it. | 1:10:54 | 1:10:56 | |
You can write as many letters as you like, Mr Lester, | 1:10:56 | 1:10:59 | |
but unfortunately it is from me that they wish to hear. | 1:10:59 | 1:11:02 | |
And I know that Mr Holt's presence is not necessary | 1:11:02 | 1:11:05 | |
for the success of the band. | 1:11:05 | 1:11:07 | |
His presence is absolutely necessary, he's our manager. | 1:11:07 | 1:11:09 | |
-Without him, the band could easily break up. -You don't believe that. -I do believe that. | 1:11:09 | 1:11:13 | |
I intend to inform the authorities that in my view Mr Holt is | 1:11:13 | 1:11:17 | |
an undesirable, destructive personality, who is utterly | 1:11:17 | 1:11:21 | |
superfluous to the entertainment operation of this hotel. | 1:11:21 | 1:11:24 | |
That is not true. | 1:11:24 | 1:11:26 | |
PHONE RINGS | 1:11:26 | 1:11:30 | |
Mr Holt has stolen food on more than five occasions. | 1:11:33 | 1:11:37 | |
Food? That's ridiculous. What food has he stolen? | 1:11:37 | 1:11:39 | |
Various cakes and other desserts. | 1:11:40 | 1:11:43 | |
He has brought female companions back to his room. | 1:11:43 | 1:11:45 | |
And no musician at this hotel has ever done that before? | 1:11:45 | 1:11:48 | |
You can look me in the eye and tell me that, can you? | 1:11:48 | 1:11:50 | |
You wanted accommodation in this hotel. | 1:11:50 | 1:11:53 | |
I gave you that accommodation, and now your manager behaves like this. | 1:11:53 | 1:11:57 | |
Are you telling me that you are happy with that, Mr Lester? | 1:11:57 | 1:11:59 | |
I will inform him of these allegations. | 1:11:59 | 1:12:01 | |
They're not allegations! He was seen by members of staff! | 1:12:01 | 1:12:04 | |
And I will tell the other members of the band that there is an attempt | 1:12:04 | 1:12:07 | |
to prevent Mr Holt from working with us, and in the event of that | 1:12:07 | 1:12:10 | |
happening, we may very well be forced to move on to another hotel. | 1:12:10 | 1:12:13 | |
I met Harold Voight from the Cecil the other day. | 1:12:13 | 1:12:16 | |
He couldn't believe, could absolutely not believe, | 1:12:16 | 1:12:21 | |
that I had coloured musicians staying in this hotel. | 1:12:21 | 1:12:25 | |
Just down the road at the Savoy Theatre, | 1:12:25 | 1:12:27 | |
people are walking out of Othello even as we speak | 1:12:27 | 1:12:29 | |
because the coloured actor, what's his name, Robeson, is kissing | 1:12:29 | 1:12:34 | |
his Desdemona, and yet I give you four months' work in this hotel! | 1:12:34 | 1:12:39 | |
People are amazed at what I've done! | 1:12:39 | 1:12:41 | |
I wouldn't be so sure about getting another booking, Mr Lester. | 1:12:44 | 1:12:47 | |
Well, I am sure of one thing. | 1:12:47 | 1:12:49 | |
If Mr Holt is prevented from being here with us, | 1:12:49 | 1:12:51 | |
there is no possibility of us carrying on without him. | 1:12:51 | 1:12:54 | |
Isn't there? | 1:12:54 | 1:12:56 | |
Wesley. | 1:12:58 | 1:12:59 | |
I've been looking for you everywhere. Where you been? | 1:12:59 | 1:13:02 | |
-I had to see Schlesinger. -Oh, yes, he told me that! | 1:13:02 | 1:13:05 | |
Gentlemen, this passage is for management only. | 1:13:07 | 1:13:10 | |
I want to know what's going on, Louis. | 1:13:12 | 1:13:14 | |
The authorities want a letter saying you're needed here. | 1:13:14 | 1:13:16 | |
-But since you've behaved like an idiot, he won't write it. -I've been doing what?! | 1:13:16 | 1:13:19 | |
How you can be so stupid, Wesley? Stealing food, bringing women back. | 1:13:19 | 1:13:23 | |
Is that what he told you I'd done? | 1:13:23 | 1:13:25 | |
Right! I'm going to go and get to speak to him right now! | 1:13:25 | 1:13:28 | |
Wesley! | 1:13:28 | 1:13:29 | |
How dare he talk to you rather than talk to me! | 1:13:29 | 1:13:31 | |
I'm the manager of this band - if it's about me, | 1:13:31 | 1:13:33 | |
he'll talk to me, nobody else. No-one! | 1:13:33 | 1:13:35 | |
Wesley, just calm down for Christ's sake! | 1:13:35 | 1:13:37 | |
Just stop him, we'll find a room to do this. | 1:13:37 | 1:13:39 | |
-They don't think I'm necessary? -Nobody's saying you're not. | 1:13:39 | 1:13:42 | |
-I told him that, I told him just now. -I don't believe you! You're lying! -Wesley! | 1:13:42 | 1:13:47 | |
You'd be finished without me! Who's going to fight for you now, get things done? | 1:13:47 | 1:13:50 | |
-Who got you the contract, the rooms? -It was you, of course... | 1:13:50 | 1:13:53 | |
-Everybody knows what you do. -What, you think he's going to do it? | 1:13:53 | 1:13:56 | |
Let me tell you about these people - him, Mr Donaldson and the rest - | 1:13:56 | 1:13:59 | |
he'll drop you in a couple of weeks, move on to somebody else. | 1:13:59 | 1:14:02 | |
-He'll drop you so fast. -I know that. -Rubbish! -No, you don't know, Louis! | 1:14:02 | 1:14:05 | |
You think he'll make you famous, think he'll make you a star? | 1:14:05 | 1:14:08 | |
Put you on the front cover of his magazine? | 1:14:08 | 1:14:10 | |
And you think I'm the idiot here? You know nothing, Louis! | 1:14:10 | 1:14:12 | |
That's why I told Schlesinger you had to stay! | 1:14:12 | 1:14:15 | |
He can't stop me from working with you. I helped build this band, | 1:14:15 | 1:14:18 | |
it's as much my work as yours. Schlesinger! | 1:14:18 | 1:14:21 | |
Not in the lobby! | 1:14:21 | 1:14:22 | |
-Schlesinger! -Wesley, please! -Where the hell is Mr Schlesinger? | 1:14:22 | 1:14:25 | |
If you got your birth certificate, none of this would be happening. | 1:14:25 | 1:14:28 | |
When have I had time to do that? When have I been able to do that, | 1:14:28 | 1:14:31 | |
when I haven't been working for you? Come on, tell me, when?! | 1:14:31 | 1:14:34 | |
Night after night I have been working for you. | 1:14:34 | 1:14:36 | |
Go now and get it for Christ's sake. | 1:14:36 | 1:14:38 | |
Go down there, go to Wales, get the authorities to look up the records. | 1:14:38 | 1:14:41 | |
Is this is what it's about? A fucking birth certificate? | 1:14:41 | 1:14:43 | |
-Yes! -One fucking birth certificate?! -Yes! | 1:14:43 | 1:14:45 | |
One fucking piece of paper! | 1:14:45 | 1:14:47 | |
Don't do this in here, just shut your mouth! | 1:14:47 | 1:14:48 | |
So what if I can't find it? | 1:14:48 | 1:14:50 | |
What if there is no record? What then? | 1:14:50 | 1:14:51 | |
They'll send me back to the US, is that it? | 1:14:51 | 1:14:53 | |
-Nobody's talking about sending you back. -Oh, yes, they are! | 1:14:53 | 1:14:56 | |
That's what they want to do, what they WILL do. | 1:14:56 | 1:14:58 | |
They'll arrest me as soon as I get off the boat! | 1:14:58 | 1:15:00 | |
Calm down! That wouldn't happen. | 1:15:00 | 1:15:02 | |
Do you realise what they'll do to me? | 1:15:02 | 1:15:04 | |
They will try me. | 1:15:04 | 1:15:06 | |
They'll probably execute me! | 1:15:06 | 1:15:08 | |
-They will send me to the chair. They will! -Wesley... | 1:15:08 | 1:15:11 | |
And all because I stole a piece of cake? | 1:15:11 | 1:15:13 | |
Is that what Schlesinger wants, | 1:15:13 | 1:15:15 | |
all because of a fucking piece of cake? | 1:15:15 | 1:15:18 | |
-SOBBING: -I will never go back. Do you understand? | 1:15:19 | 1:15:22 | |
I cannot go back. | 1:15:22 | 1:15:25 | |
WOMAN SHRIEKS | 1:15:25 | 1:15:27 | |
Gentlemen. | 1:15:42 | 1:15:44 | |
And ladies, of course... | 1:15:44 | 1:15:46 | |
I thought I should inform you that Mr Holt is now in custody. | 1:15:46 | 1:15:50 | |
He's in prison? | 1:15:50 | 1:15:52 | |
He's being detained at the Alien Registration Office, | 1:15:52 | 1:15:55 | |
where the authorities are showing a keen interest in him. | 1:15:55 | 1:15:58 | |
I'll go down there first thing tomorrow. | 1:15:58 | 1:16:00 | |
Glad to meet you gentlemen at long last. | 1:16:00 | 1:16:03 | |
And ladies too, obviously. | 1:16:03 | 1:16:06 | |
Mr Lester, could you step out here for a moment? | 1:16:08 | 1:16:11 | |
I asked just Mr Lester to come out here, Stanley. | 1:16:16 | 1:16:20 | |
So you did. Now, what you got to tell us, Nathan? | 1:16:20 | 1:16:22 | |
I have received a message. | 1:16:22 | 1:16:23 | |
Another message from the Alien Registration Office? | 1:16:23 | 1:16:26 | |
Not exactly. | 1:16:26 | 1:16:27 | |
Not unless they're now running their operations from Buckingham Palace. | 1:16:27 | 1:16:31 | |
I've received a message that next Friday, | 1:16:31 | 1:16:34 | |
His Royal Highness the Prince of Wales will be coming to dine here | 1:16:34 | 1:16:39 | |
for the first time, | 1:16:39 | 1:16:41 | |
with the express purpose of listening to the Louis Lester Band. | 1:16:41 | 1:16:45 | |
His brother must have liked you, mustn't he? | 1:16:45 | 1:16:48 | |
I do hope you will be here, Mr Lester, | 1:16:48 | 1:16:51 | |
to entertain your future King. | 1:16:51 | 1:16:53 | |
Brought me a present, have you? | 1:17:04 | 1:17:05 | |
I've brought several presents, from me and the boys. | 1:17:05 | 1:17:08 | |
Some cigars and of course some cakes and eclairs. | 1:17:09 | 1:17:13 | |
I hope you stole those from the kitchen. | 1:17:13 | 1:17:15 | |
We're going to find that birth certificate in Cardiff. | 1:17:18 | 1:17:21 | |
Mr Donaldson is involved now and he has contacts at the Home Office. | 1:17:21 | 1:17:25 | |
Good. | 1:17:26 | 1:17:28 | |
That's good. | 1:17:28 | 1:17:29 | |
I know what you're thinking. | 1:17:34 | 1:17:36 | |
If I was so afraid about going back, why didn't I find it before? | 1:17:36 | 1:17:40 | |
I did mean to find it. | 1:17:40 | 1:17:42 | |
It does exist, you know. You've got to believe me. | 1:17:45 | 1:17:47 | |
I do believe you. | 1:17:48 | 1:17:50 | |
TYPEWRITER KEYS CLATTER | 1:17:50 | 1:17:52 | |
Mr Holt is a British citizen. He has a birth certificate | 1:17:52 | 1:17:55 | |
which is lost, but there must be a record of it in Cardiff. | 1:17:55 | 1:17:57 | |
We're going to produce that proof. | 1:17:57 | 1:17:59 | |
Produce it by next Friday, by 9 o'clock in the evening, | 1:17:59 | 1:18:02 | |
and naturally he will not be deported. | 1:18:02 | 1:18:03 | |
If he is a citizen, he has every right to stay here, of course. | 1:18:03 | 1:18:07 | |
-And if it takes longer? -It can't take longer. | 1:18:07 | 1:18:09 | |
The deadline cannot be extended, | 1:18:09 | 1:18:11 | |
nor is there any other process of appeal. | 1:18:11 | 1:18:14 | |
I won't discuss this matter in front of the press. | 1:18:15 | 1:18:18 | |
I'm not here as a member of the press, Nathan, | 1:18:18 | 1:18:20 | |
I'm here as the person who discovered the band. | 1:18:20 | 1:18:22 | |
I think maybe it would be best if I deal with this, Stanley. | 1:18:22 | 1:18:25 | |
I'll get old Nathan to drop the charges against Wesley. | 1:18:27 | 1:18:29 | |
And I am in touch with the authorities in Wales, they'll be | 1:18:29 | 1:18:32 | |
making a telephone call very shortly to the immigration authorities. | 1:18:32 | 1:18:36 | |
Don't worry, everything's in hand. | 1:18:36 | 1:18:38 | |
Are we ready, Stanley? | 1:18:57 | 1:18:59 | |
I think we're ready, Nathan. | 1:19:00 | 1:19:02 | |
You know what they say about the Prince. | 1:19:02 | 1:19:05 | |
What he likes today, the whole of London likes tomorrow. | 1:19:05 | 1:19:09 | |
Well, that was the plan, wasn't it, somehow, to get him here. | 1:19:09 | 1:19:12 | |
If it misfires, if he doesn't like them, | 1:19:12 | 1:19:16 | |
if he walks out, well, half the diners will leave as well of course! | 1:19:16 | 1:19:20 | |
MAN PLAYS TRUMPET | 1:19:20 | 1:19:22 | |
Joe. Joe, have you seen Louis? Has anybody seen Louis? | 1:19:24 | 1:19:27 | |
Go and have a look, would you? | 1:19:27 | 1:19:29 | |
HE SIGHS Musicians. | 1:19:30 | 1:19:33 | |
-Pamela. What are you doing back here? -I was looking for you. | 1:19:34 | 1:19:37 | |
-For me? Why? -I came to warn you. -Warn me? | 1:19:37 | 1:19:40 | |
The Prince may not come, just be prepared. | 1:19:41 | 1:19:44 | |
He always accepts five invitations for every night. | 1:19:44 | 1:19:47 | |
He may even get here and then change his mind | 1:19:47 | 1:19:50 | |
and leave at the last minute without even getting to the dining room. | 1:19:50 | 1:19:54 | |
Right. | 1:19:54 | 1:19:55 | |
I will be doing my best to stop that from happening, of course. | 1:19:56 | 1:20:00 | |
Stanley, I want this to go well for you. | 1:20:03 | 1:20:06 | |
So do I, I forced Mr Schlesinger to follow this plan. | 1:20:06 | 1:20:09 | |
I know. | 1:20:09 | 1:20:10 | |
I've been thinking about the picnic. | 1:20:14 | 1:20:17 | |
A lot. | 1:20:18 | 1:20:20 | |
More than I thought I would. | 1:20:20 | 1:20:22 | |
I'll take that as a compliment. | 1:20:23 | 1:20:25 | |
That was a compliment, wasn't it? | 1:20:28 | 1:20:30 | |
I believe it was. | 1:20:40 | 1:20:41 | |
There you are. | 1:20:49 | 1:20:50 | |
Just getting ready. Checking the order. | 1:20:51 | 1:20:54 | |
I came to wish you good luck. | 1:20:54 | 1:20:57 | |
But I know you don't need it. | 1:20:57 | 1:20:58 | |
Dear God, in a few minutes I'm going to be singing | 1:20:58 | 1:21:01 | |
to the Prince of Wales, son of the King. | 1:21:01 | 1:21:04 | |
Please forgive me for asking for help, but I do need help, | 1:21:04 | 1:21:08 | |
so please give it to me if you feel able | 1:21:08 | 1:21:10 | |
and let me sing in a way that will please him, and you of course, too. | 1:21:10 | 1:21:15 | |
Amen. | 1:21:15 | 1:21:16 | |
He's here. He's already in the building. | 1:21:19 | 1:21:21 | |
He's just arrived, yes. | 1:21:21 | 1:21:22 | |
Really looking forward to this, everyone. | 1:21:22 | 1:21:25 | |
I just thought you'd like to know that an important telephone call | 1:21:25 | 1:21:28 | |
is taking place as we speak. | 1:21:28 | 1:21:29 | |
HE BEGINS TO PLAY THE PIANO | 1:21:40 | 1:21:44 | |
What's the bastard doing? | 1:21:56 | 1:21:57 | |
He can't do that! | 1:22:00 | 1:22:01 | |
< David, really, David... | 1:22:06 | 1:22:08 | |
Ladies and gentlemen, you must forgive me, | 1:22:20 | 1:22:22 | |
I forgot to introduce our first number. | 1:22:22 | 1:22:24 | |
I don't usually do much talking from up here, but tonight being | 1:22:24 | 1:22:28 | |
such an important night, I thought I'd make an exception. | 1:22:28 | 1:22:31 | |
This is a new number for us, one that I've just written, | 1:22:31 | 1:22:34 | |
hot off the press. | 1:22:34 | 1:22:35 | |
It's called Dead of Night Express. | 1:22:35 | 1:22:37 | |
LIVELY JAZZ MUSIC STARTS UP | 1:22:37 | 1:22:41 | |
# All aboard | 1:22:45 | 1:22:48 | |
# Dead of Night Express | 1:22:48 | 1:22:51 | |
# Wind blows round the steeple | 1:23:03 | 1:23:06 | |
# Empty world and sleepy people | 1:23:06 | 1:23:09 | |
# I lie awake and listen | 1:23:09 | 1:23:12 | |
# For the midnight train a-whistling | 1:23:12 | 1:23:15 | |
# It's inviting, it's enticing | 1:23:19 | 1:23:22 | |
# The Dead of Night Express is exciting | 1:23:22 | 1:23:26 | |
# Getting closer on the midnight run My heart is a-pounding | 1:23:26 | 1:23:30 | |
# And a-pumping and a-thumping... # | 1:23:30 | 1:23:32 | |
# By the light of the torch I'm reading | 1:23:37 | 1:23:40 | |
# Of my runaway train stampeding | 1:23:40 | 1:23:44 | |
# Devil of a stoker at the furnace fire | 1:23:44 | 1:23:47 | |
# My night-time dreams and desire | 1:23:47 | 1:23:50 | |
# It's inviting, it's enticing | 1:23:50 | 1:23:53 | |
# The Dead of Night Express is exciting | 1:23:53 | 1:23:56 | |
# Burning cinders in the midnight sky | 1:23:56 | 1:23:59 | |
# My heart is a-pounding and a-pumping and a-thumping... # | 1:23:59 | 1:24:03 | |
Gorgeous little singer. | 1:24:17 | 1:24:19 | |
I do love this jazz sound, don't you? | 1:24:19 | 1:24:22 | |
He went to see Florence Mills 47 times. | 1:24:22 | 1:24:25 | |
It's possible she could be a very busy young woman. | 1:24:25 | 1:24:28 | |
# All aboard | 1:24:29 | 1:24:32 | |
# Dead of Night Express | 1:24:32 | 1:24:35 | |
# Dead of Night Express | 1:24:37 | 1:24:39 | |
# Dead of Night Express | 1:24:40 | 1:24:42 | |
# Dead of Night Express | 1:24:43 | 1:24:45 | |
# The Dead of Night Express. # | 1:24:46 | 1:24:50 | |
SILENCE | 1:24:50 | 1:24:52 | |
Bravo! | 1:25:00 | 1:25:02 | |
Bravo! | 1:25:06 | 1:25:08 | |
So we have left the station now, haven't we? | 1:25:08 | 1:25:10 | |
-WOMAN: -Yes! -We've left it right behind. Thank you, madam. | 1:25:10 | 1:25:13 | |
And now we've got to get you dancing | 1:25:13 | 1:25:15 | |
because that's why we're here, after all. | 1:25:15 | 1:25:17 | |
So here's another new number, which I hope you'll like. | 1:25:17 | 1:25:21 | |
It's called Dancing on the Moon. | 1:25:21 | 1:25:23 | |
UPBEAT JAZZ MUSIC STARTS UP | 1:25:26 | 1:25:29 | |
# Stars burnin' brighter I'm on an all-nighter | 1:25:32 | 1:25:35 | |
# Serenading to a tune | 1:25:35 | 1:25:38 | |
# A pop at the bull's eye and a celestial night sky | 1:25:38 | 1:25:42 | |
# I'm dancing on the moon | 1:25:42 | 1:25:44 | |
# I'm dreamin' of the big time | 1:25:45 | 1:25:47 | |
# A chance to dig a gold mine... # | 1:25:48 | 1:25:51 | |
Not bad, Stanley. Not bad. | 1:25:51 | 1:25:53 | |
# A diva singing swing time | 1:25:53 | 1:25:55 | |
# Life is a glass of champagne... # | 1:25:55 | 1:25:58 | |
It's time to leave, time to catch the bus. | 1:26:00 | 1:26:03 | |
There has been no telephone call, I am afraid, Mr Holt. | 1:26:04 | 1:26:07 | |
UP-TEMPO JAZZ MUSIC CONTINUES | 1:26:10 | 1:26:14 | |
At least it's not a police van. | 1:26:36 | 1:26:38 | |
ENGINE SPUTTERS | 1:26:46 | 1:26:48 | |
WOMAN SOBS | 1:26:51 | 1:26:54 | |
# I'm dreamin' of the big time | 1:27:20 | 1:27:23 | |
# A chance to dig a gold mine | 1:27:23 | 1:27:25 | |
# A diva singing swing time | 1:27:27 | 1:27:30 | |
# Life is a glass of champagne | 1:27:30 | 1:27:34 | |
# Hey diddle-diddle the cat and fiddle | 1:27:34 | 1:27:37 | |
# The dish ran away with the spoon | 1:27:37 | 1:27:39 | |
# I'm leading the race to jump out of space | 1:27:39 | 1:27:43 | |
# I'm dancing all over the moon. # | 1:27:43 | 1:27:47 | |
CHEERING | 1:27:47 | 1:27:50 | |
Wonderful. I love seeing the kitchens, love going backstage! | 1:28:02 | 1:28:07 | |
I can't express how much I enjoyed myself. I just can't express it. | 1:28:09 | 1:28:13 | |
-Can you, Georgie? -It was sublime. | 1:28:14 | 1:28:16 | |
It was. That is the word. Let me meet you all, by all means. | 1:28:16 | 1:28:20 | |
I must meet you all. | 1:28:20 | 1:28:22 | |
JAZZ MUSIC RESUMES | 1:28:24 | 1:28:28 | |
SHE GIGGLES | 1:28:33 | 1:28:35 | |
What are you doing, Stanley? | 1:28:43 | 1:28:45 | |
What do you think I'm doing? | 1:28:47 | 1:28:49 | |
I'm writing about the Princes and the jazz band. | 1:28:49 | 1:28:51 | |
I can do it now. It's happened in public. | 1:28:51 | 1:28:53 | |
You must come and see this. Everybody. | 1:28:54 | 1:28:57 | |
THEY PLAY RAMSHACKLE MUSIC | 1:29:05 | 1:29:09 | |
You see, I was right. | 1:29:24 | 1:29:26 | |
Anything is possible now. | 1:29:26 | 1:29:28 | |
Subtitles by Red Bee Media Ltd | 1:30:24 | 1:30:27 |