Episode 1 Dancing on the Edge


Episode 1

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This programme contains some strong language and some scenes of a sexual nature

0:00:020:00:10

Louis?!

0:01:420:01:43

Hello, Stanley.

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What on earth are you doing here?

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I needed somewhere to come to. Naturally, I thought of you.

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You might have given me a little warning.

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You've cut your hand.

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You noticed. I had a little trouble getting here.

0:01:590:02:02

-Anybody follow you?

-I don't think so.

0:02:020:02:04

I need you to get me out of the country, Stanley.

0:02:050:02:08

You can trust Rosie.

0:02:140:02:15

I know. That's a fine bandage.

0:02:150:02:18

I just cut up a pillow case... It's all I could find in the bedroom.

0:02:200:02:24

Still sleeping at work, I see.

0:02:240:02:26

Sometimes, course.

0:02:260:02:28

That'll do for now, but you ought to see a doctor.

0:02:290:02:33

Thank you, and yes, I will see a doctor,

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as soon as I've got out of the country.

0:02:350:02:37

Stay there a moment, Louis, I just want to make sure of something.

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PHONE CHIMES

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STANLEY: 'Yes, I will. No, I'll be in till then.

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'No, it's better if I do it.

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'I will.'

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I've only got one clean glass, so...

0:03:120:03:15

..I'll have the bottle.

0:03:190:03:21

We need a plan, don't we, Louis?

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We do, yes.

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We can't have you being caught.

0:03:290:03:31

-That's not going to happen.

-I hope not.

0:03:310:03:34

You got any idea what we should do?

0:03:400:03:42

Not yet, no.

0:03:430:03:44

Well, we're pretty sure nobody knows you're here,

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and we want to keep it that way, don't we?

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So we should play the loudest record we've got, shouldn't we?!

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Help us think, stop us being heard.

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It has to be one of yours, doesn't it?

0:03:540:03:57

This seems appropriate.

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JAZZ MUSIC PLAYS

0:04:030:04:05

Hmm, good choice.

0:04:050:04:07

You have to go, Stanley.

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Any minute, any minute now, just got to finish this first.

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Mick! Up here, Mick!

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You'll never do it, unless you go now.

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-She's finished with those pages.

-Almost finished with those pages.

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-And you can take these, too.

-Ah! No, he can't!

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I have to re-type everything,

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Stanley, because you go at such a rate.

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She thinks I make mistakes, Mick! I never make mistakes.

0:04:530:04:56

You have to go!

0:04:560:04:57

You've got to get to the Olympia, the Cafe Royal and the Apollo,

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and there's that little club in Lyle Lane you want to fit in too.

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The only important one.

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You have to run, Stanley!

0:05:040:05:07

JAZZ MUSIC PLAYS

0:05:210:05:23

MUSIC STOPS, APPLAUSE

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Good evening, hope you had a nice time.

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Lovely to see you again. Hope you enjoyed yourself.

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Good evening, gentlemen.

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'Night.

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Good night, ladies, very nice to see you again.

0:05:490:05:52

Good night, gentlemen. Terrific, aren't they?

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Oh, that's a tremendous sound, Deirdre, they were sensational.

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Don't you dare, Stanley - you've just arrived! You missed them!

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I missed them?! They've finished? What? That's impossible!

0:06:050:06:09

-I heard enough to be interested.

-You liar! Where are you going?

0:06:120:06:15

Well, I'm going to go and see them, aren't I?

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They'll know you missed it!

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But you think they're terrific, don't you?

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I think they are very exciting, yes. And unusual too.

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That's good enough for me then.

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Gentlemen!

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Gentlemen!

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Forgive the intrusion, gentlemen, I couldn't stop myself.

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I just had to tell you that was terrific, absolutely terrific.

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And you are?

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Stanley Mitchell, of Music Express.

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Yes, that was a very exciting evening, tremendous.

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And unusual.

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We didn't see you in there - where were you sitting?

0:06:540:06:56

Oh, well, I have a habit of slipping into places unnoticed.

0:06:560:06:59

So you're a critic, then?

0:06:590:07:00

I write profiles, features and reviews.

0:07:000:07:02

So, what were we playing when you, when you slipped in?

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Oh, it was a lovely little number...

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No, I didn't catch its name.

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I'm looking for a band to play the Imperial Hotel next Friday night.

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I wouldn't be about to recommend you for that job

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if I hadn't heard you, would I?

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No, we're out of town next Friday night, on tour.

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On tour? Really? Where are you going?

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We are on tour.

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And even if it were possible to change that, the Imperial?

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That old place! Oh, they want a coloured band, huh?

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LAUGHTER

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Who do I give this to?

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You give it to me.

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Right.

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Remember, I know what you are getting to play here

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and I know what they pay at the Imperial.

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And you give it to him.

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Oh.

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Louis leads the band and writes the music.

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I deal with everything else that comes up -

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and I mean everything else.

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And you'll get a free meal as well!

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We'll let you know.

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Oh, and you'll need full evening dress of course.

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I can arrange a very good rate if you'd like me to.

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Hold it there!

0:08:520:08:54

We're the Louis Lester Band.

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We're looking for our dressing rooms.

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The Louis Lester Band?

0:09:000:09:01

Yes, I was warned you were coming. Musicians booked for one night

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only normally wait in that room up there next to the telephone.

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By all means, help yourselves, gentlemen,

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the soup should still be reasonably warm.

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THEY TUNE THEIR INSTRUMENTS

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HE WHISTLES

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Can you hear that?

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That is the hot sound of the Jack Paynton Orchestra,

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the most over-booked band ever.

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You'll be going on after the dullest music in London - shouldn't be

0:09:470:09:50

too difficult to wake them up!

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I've got a bad feeling about tonight.

0:09:520:09:55

Ah, absolutely not!

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Here, look at this.

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You're in here already! One of my top tips of the week.

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Near the bottom of the page.

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Right, this is where I leave you, best of luck.

0:10:070:10:11

They've never had a coloured band here before, have they?

0:10:110:10:14

Oh, it's better than that...

0:10:140:10:15

I don't think they've ever heard jazz music before!

0:10:150:10:18

THEY PLAY JAZZ

0:10:290:10:31

Goodness knows why Mr Schlesinger let you do this, Stanley.

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He let me do it because of them. Look at them, Harry,

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look at your clientele!

0:11:000:11:01

Something's got to change.

0:11:040:11:06

Good evening, Mr Donaldson.

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-Hello, Stanley.

-Mr Luscombe.

0:11:100:11:12

Hello.

0:11:120:11:13

Miss Sarah, Pamela. Thank you one and all for coming.

0:11:130:11:15

I read your column, Stanley, and you see, here I am.

0:11:150:11:18

It's tremendous somebody believes what I write!

0:11:180:11:20

I shall be very interested to hear your opinion, Mr Donaldson.

0:11:200:11:22

I hope I shall have an opinion, Stanley.

0:11:220:11:25

SONG FINISHES

0:11:440:11:46

THEY CONTINUE TO PLAY

0:11:490:11:51

Mr Mitchell.

0:12:020:12:04

Pleasure.

0:12:040:12:05

Hello, I'm Julian! Everybody decent?

0:12:260:12:28

Can we come in?

0:12:280:12:30

Course.

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This is Pamela, my sister, and her friend, Sarah.

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And this is Mr Donaldson, he's a connoisseur of your kind of music.

0:12:380:12:43

A great authority, in fact!

0:12:430:12:45

That was terrific music to dance to, thank you!

0:12:450:12:49

Well, thank you for dancing. I thought nobody was going to.

0:12:490:12:52

Don't be silly, it was the least we could do, gentlemen.

0:12:520:12:55

It was divine.

0:12:550:12:56

Well, I think it was probably the most disastrous booking

0:12:560:12:59

we've ever had.

0:12:590:13:01

No, gentlemen. The audience maybe were a little surprised.

0:13:010:13:04

They couldn't believe their eyes!

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But I thought you were excellent. No, I did.

0:13:070:13:09

Sometimes my friend Stanley here exaggerates,

0:13:090:13:12

but in your case I don't think he is.

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TRUMPET BLASTS

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TITTERS

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I do as it happens have one piece of advice.

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Get yourself a singer.

0:13:250:13:26

A singer?

0:13:270:13:28

Yes, I think it might make all the difference to your chances.

0:13:280:13:31

Just a thought, gentlemen, merely a notion -

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I don't want to interfere, naturally.

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I will of course spread the word.

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Talking of which, d'you want to come and watch me write my review?

0:13:410:13:45

Do you let a lot of bands watch you write your reviews?

0:13:510:13:54

Absolutely not.

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-I wouldn't let most musicians come anywhere near this office.

-So why us?

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Cos you're different.

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Cos you're not Jack Paynton, for one thing!

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And because I've been given the job of making the Imperial

0:14:040:14:07

a little more fashionable, which is the sort of challenge I like.

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So my reasons are purely selfish, naturally.

0:14:100:14:13

So how many people read your magazine? Cos I never have.

0:14:130:14:17

More than you might think, and we're growing.

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If you're asking me, "Does it matter what I write?"

0:14:190:14:22

I think it probably does!

0:14:220:14:24

Ah, forgive me, I have to finish this as well,

0:14:250:14:28

I always do two things at once.

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Come and have a look and see what you think so far.

0:14:310:14:34

"The atmosphere was simply electric as the Louis Lester Band took

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"to the stage in the old ballroom at the Imperial Hotel."

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"Electric"? They hated us! That wasn't electric!

0:14:450:14:49

It was for me. And that's what matters.

0:14:490:14:51

"One of our first ever home-grown coloured bands shook the room

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"with their intensity, and showed that this kind of music could

0:14:540:14:57

"appeal to a much larger audience than it presently enjoys."

0:14:570:15:00

You are home grown. That's right, isn't it?

0:15:000:15:03

-Yes, in a way, I was born here.

-Yes, and so was I.

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But he's lost his birth certificate!

0:15:040:15:06

Somewhere it's gone missing. I've got to find it some day!

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I was born in Cardiff, but my father,

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he took us to Chicago when I was four years old.

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Ah, you're from the Midwest, Wesley?

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Yes - until I had to leave in a hurry!

0:15:190:15:22

We met in a club in Harlem.

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I was there for five days without a break, watching every act.

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We didn't leave the club.

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I was on shore leave, I was working in the Merchant Navy on a liner,

0:15:300:15:34

the Aurora. I told Wesley to come to England and see

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if we could make something happen in the clubs in London.

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Most of the band have worked on the ships one time - sailors, or cooks.

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Or stowaways!

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All of us have to report every week to the Alien Registration Office -

0:15:430:15:48

except Louis, of course, cos he's got the right documents.

0:15:480:15:50

Hang on, you have to do that every week?

0:15:500:15:52

Every week, yes.

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To get a work permit, they only give them to you week by week.

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Of course, if we had a regular booking at the Imperial,

0:15:570:16:01

that might help.

0:16:010:16:02

Well, I'd better finish my review, hadn't I?

0:16:040:16:06

What is this?

0:16:120:16:13

Oh, I need to finish the speech bubbles for our strip cartoon,

0:16:130:16:16

Farquhar and Tonk.

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Albert draws it, and he can't finish it until I've done the bubbles.

0:16:170:16:20

It's one of the most important things we've got.

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Farquhar's an inquisitive aristocrat, and Tonk is his valet who

0:16:220:16:25

happens to come from outer space, and together they have adventures.

0:16:250:16:29

Now, we need a big finish here for the review.

0:16:290:16:32

What I really should say is...

0:16:320:16:35

..get yourself a singer, Louis.

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WOMAN SINGING

0:16:510:16:54

# ..That's what the old folk say

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# All around is down and dreary

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# Everywhere I go

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# Still looking for the old plantation

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# That's what the old folk say! #

0:17:060:17:10

Thank you.

0:17:110:17:13

I know, I know, we're not having any of this terrible West End singing.

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# When the sun refuse to shine

0:17:200:17:23

# When the sun refuse to shine

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# I would like to be in that number... #

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# Just a closer walk with thee

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# Grant me, Jesus... #

0:17:380:17:41

She looked like she should be able to sing.

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Until she opened her mouth. Thank you.

0:17:430:17:46

You've got to go.

0:17:460:17:48

Everybody, it's time to go.

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It's the day they have to report.

0:17:510:17:53

Oh, there's plenty of time.

0:17:530:17:55

She's, she's waiting for her friend to arrive,

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she won't sing till then.

0:17:580:18:00

Go, Wesley, go!

0:18:000:18:01

You've got to get to Woburn Square, it's nearly four o'clock!

0:18:010:18:04

I think the old man was best.

0:18:040:18:05

We probably should go for the oldest singer we can find!

0:18:050:18:09

Run, Wesley!

0:18:090:18:10

They like to cut it as fine as they can.

0:18:130:18:15

I can sing now.

0:18:210:18:23

# In sunny Roseland

0:18:230:18:27

# Where summer breezes are playing

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# Where the honey bees are a-Maying

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# There, all the roses are swaying

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# Somewhere in Roseland

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# Beside a beautiful rose. #

0:18:570:19:05

She's got the better voice, I know.

0:19:070:19:10

It's both of us or nothing.

0:19:100:19:13

Both of you?

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I don't think that will be a problem.

0:19:170:19:19

What are you thinking?

0:19:210:19:22

I'm thinking about...

0:19:240:19:25

PHONE RINGS, WOMAN GIGGLES

0:19:250:19:28

There's nobody here to answer that, Stanley.

0:19:310:19:33

PHONE CONTINUES TO RING

0:19:390:19:41

Somebody really wants you, Stanley, and they're not going to give up.

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Music Express.

0:19:540:19:56

Oh, you ARE still at work, Stanley.

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Mr Donaldson! Yes, yes, I'm still at work.

0:19:580:20:02

One of those nights you sleep there, is it?

0:20:020:20:05

-That seems to be the case, yes.

-'I need your help, Stanley.'

0:20:050:20:08

But of course.

0:20:080:20:09

I'm having a lunch party in five days' time.

0:20:090:20:11

'Am I invited?'

0:20:110:20:12

You could be. It depends if you can help me.

0:20:120:20:15

I have a very important -

0:20:150:20:17

and I mean extremely important - guest coming who loves jazz music.

0:20:170:20:20

-Who is it?

-'I can't tell you that.'

0:20:200:20:22

I had booked Leslie Thompson but now he's ill, and they've had to cancel.

0:20:220:20:26

'I don't quite know what to do, Stanley.'

0:20:260:20:29

Well, this is perfect timing, Mr Donaldson -

0:20:290:20:31

the band you saw the other day at the Imperial,

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they've taken your advice,

0:20:330:20:35

they've hired a fabulous singer - two, in fact.

0:20:350:20:37

-Are they your top recommendation, Stanley?

-Yes.

0:20:370:20:40

It would be extraordinarily embarrassing if it went wrong.

0:20:400:20:42

They won't disappoint you, Mr Donaldson.

0:20:420:20:44

-You're certain, Stanley?

-Am I certain? Absolutely.

0:20:440:20:49

CLATTERING AND SHOUTING

0:20:490:20:50

It's five in the morning.

0:20:580:21:00

What the hell d'you want to do this for at five in the morning?

0:21:000:21:02

And you, stand over there, stand over there.

0:21:020:21:05

SHOUTING

0:21:050:21:07

You didn't report, did you? You didn't report!

0:21:070:21:10

It was shut!

0:21:110:21:12

-Huh?

-They were shut early! I swear to you.

0:21:120:21:15

I told you not to leave it to the last minute.

0:21:150:21:17

I see you're dressed and ready to go. Come on, then!

0:21:170:21:19

-I am a British citizen.

-Ha, since when?

0:21:190:21:21

Since I was born here.

0:21:210:21:22

This is not looking good.

0:21:280:21:30

Are you gentlemen the musicians?

0:21:330:21:36

That's us.

0:21:360:21:38

Do you have a spokesman?

0:21:380:21:39

That'll be me.

0:21:390:21:40

Could you please follow me?

0:21:400:21:42

I don't require that, Mr Lester.

0:21:470:21:49

I know you have an English birth certificate.

0:21:490:21:52

Under the terms of the work permits granted to

0:21:520:21:55

the performers in your band, they have to report every week.

0:21:550:21:58

This week, that did not happen.

0:21:580:21:59

It's the first time they've ever missed a week.

0:21:590:22:01

If we allow that to be an excuse, the system would quickly fall apart,

0:22:010:22:05

would it not? If people could choose the week they wanted to report.

0:22:050:22:08

What do they need to do?

0:22:080:22:10

Normally we require proof in writing that they have

0:22:100:22:13

employment as musicians for the following week before we can

0:22:130:22:16

issue a permit, but because there has been this transgression

0:22:160:22:20

of the rules, I now require written proof of three weeks' employment.

0:22:200:22:24

Proof of three weeks' employment?

0:22:240:22:26

If I don't receive that by the end of this working day, your colleagues

0:22:260:22:29

will be detained in custody pending possible deportation.

0:22:290:22:32

If you don't think you can produce that, Mr Lester,

0:22:330:22:35

it would save us all time if you told me now.

0:22:350:22:37

I will be able to produce that.

0:22:370:22:39

Today, we close at 5.15.

0:22:390:22:42

It's getting late, Louis.

0:22:490:22:51

Don't worry.

0:22:510:22:53

Don't worry?!

0:22:540:22:55

Nobody's safe - I better find my damn birth certificate!

0:22:590:23:02

-Yes, you had.

-Because I do not want to go back to the US.

0:23:020:23:05

No, sir, that could not happen.

0:23:050:23:08

Shall I tell her the truth?

0:23:080:23:10

Wesley...

0:23:100:23:11

Missy... Had a little trouble in Chicago, lies were told.

0:23:110:23:16

Don't be stupid, Wesley - stop this.

0:23:160:23:18

You don't think she'd want to hear that

0:23:190:23:22

I was accused of sleeping with a white woman?

0:23:220:23:24

And that the white woman's husband said that I raped his wife

0:23:240:23:27

and that carries the death penalty in Chicago?

0:23:270:23:31

Because I think she might be very interested.

0:23:310:23:34

Missy, I was born here,

0:23:360:23:39

so that makes me English - Welsh, in fact!

0:23:390:23:42

So, gentlemen, I have here a four-week booking, in writing,

0:23:500:23:55

from the Imperial, for their inspection.

0:23:550:23:57

Four weeks?

0:23:570:23:59

Told you I'd fix it.

0:23:590:24:00

Why was it that easy?

0:24:010:24:02

Who said it was easy?

0:24:020:24:04

It certainly was not, you don't know Mr Schlesinger!

0:24:040:24:07

Thank you.

0:24:070:24:08

THEY SHOUT OVER EACH OTHER

0:24:080:24:10

Yes!

0:24:100:24:11

There's a nice little extra -

0:24:180:24:20

Mr Donaldson's having a garden party, with a special guest

0:24:200:24:23

of honour, whose identity is being kept secret even from me.

0:24:230:24:27

A secret guest? Who is it?

0:24:270:24:30

Clark Gable?

0:24:300:24:32

What a garden! Does it belong to just one house?

0:24:550:24:57

There you are! Exactly on time. Good.

0:25:000:25:03

Of course.

0:25:030:25:04

Enjoy yourselves out here, start playing in about 45 minutes.

0:25:050:25:08

Is the mystery guest of honour here yet?

0:25:080:25:09

When you start playing, if he likes you, you may get to see him.

0:25:090:25:13

# When I dream of you

0:25:130:25:16

# Dream the whole night through

0:25:200:25:25

# I awake and softly whisper

0:25:260:25:33

# I'm quite in love with you

0:25:330:25:38

# When I dream of you

0:25:400:25:45

# Dream the whole night through

0:25:470:25:53

# When I dream of you-u-u-u. #

0:25:560:26:06

# Truckin' along and I'm happy to see you

0:26:170:26:20

# Ain't right or wrong if I do or I don't

0:26:200:26:23

# I'm holding on for a dance at the Voodoo

0:26:230:26:25

# Crazy in the mood for love

0:26:250:26:27

# Never say you won't be leaving

0:26:270:26:31

# You can buy me time and teasing

0:26:310:26:33

# You can show me ways of pleasing

0:26:330:26:36

# Crazy in the mood for love

0:26:360:26:38

# Crazy in love and I'm looking to make it

0:26:380:26:41

# This is a chance and I'm going to take it

0:26:410:26:43

# Diamonds are hot but who cares if you fake it?

0:26:430:26:46

# Crazy in the mood for love

0:26:460:26:48

# Never say you won't be leaving

0:26:480:26:51

# You can buy me time and teasing

0:26:510:26:54

# I can show you ways of pleasing

0:26:540:26:56

# Crazy in the mood for love

0:26:560:26:58

# Crazy in love, crazy in love

0:26:580:27:01

# Crazy in the mood for love! #

0:27:010:27:03

He wants to meet you.

0:27:150:27:17

Who's he?

0:27:170:27:18

Prince George! Fourth son of the King.

0:27:180:27:20

-The son of the King!

-What do we call him?

0:27:200:27:23

Your Royal Highness.

0:27:230:27:25

And you don't speak until you're spoken to.

0:27:260:27:28

Come here, come here, please.

0:27:280:27:31

You must tell us all about yourselves.

0:27:370:27:38

Where on earth did you learn to sing like that?

0:27:380:27:40

Well, Jessie's always been able to sing,

0:27:400:27:44

ever since she was tiny at school.

0:27:440:27:46

Yes, since school.

0:27:460:27:48

Since you were tiny at school, is that right?

0:27:480:27:50

Eat like royalty.

0:27:560:27:57

Your band are clearly absolutely starving.

0:27:570:28:00

I like the look of your Mr Lester. It's quite surprising, really.

0:28:010:28:05

He seems an educated man, doesn't he? The way he conducts himself.

0:28:050:28:11

Unlike me, you mean?! Yes, he's a... He's quite a character.

0:28:110:28:16

I couldn't take your picture out in the garden, could I?

0:28:180:28:21

And any other member of the band who would like to...?

0:28:210:28:23

Now the sun's come out, I'd like to do some portrait shots.

0:28:230:28:26

Of course. But I... I couldn't stop them eating right now.

0:28:260:28:30

I'll come.

0:28:300:28:31

It's not just the Prince that's here today, you know.

0:28:340:28:37

Some people say he's one of the richest men in the world.

0:28:390:28:42

From the US, managed not to lose everything in the crash -

0:28:420:28:46

in fact, he even made money while it was happening.

0:28:460:28:50

I'm working for him at the moment - just helping out,

0:28:530:28:56

but he says he might have something bigger for me.

0:28:560:28:59

I must try to talk to him.

0:28:590:29:01

Go on, sing something for me now, a little song, just,

0:29:020:29:05

just right here.

0:29:050:29:06

You want her to sing now, your Royal Highness?

0:29:060:29:09

-Sing what?

-Anything, anything you like. Sit here.

0:29:090:29:12

# Lord, lead me on

0:29:210:29:25

# Lord, lead me on

0:29:250:29:29

# Lead me across the river

0:29:310:29:36

# Lead me on... #

0:29:370:29:41

So, Stanley, you really do have an eye for talent.

0:29:440:29:48

Of course I do, don't you read the magazine?

0:29:480:29:50

I read Music Express every week, as it happens.

0:29:500:29:52

You do? Didn't know you were so keen on music.

0:29:520:29:55

I'm interested in all sorts of things, Stanley,

0:29:550:29:58

not just clothes and men.

0:29:580:30:00

I read your magazine from cover to cover.

0:30:000:30:02

And it all seems to be written by you.

0:30:020:30:05

Most of it. Yes.

0:30:050:30:08

Even the diary of the chorus girl in the West End show!

0:30:080:30:11

Well, that was sort of a collaboration.

0:30:110:30:14

Don't you have an editor who orders you around?

0:30:140:30:16

I do have an editor, yes, Mr Wax, but he seems to like what I do.

0:30:160:30:20

You know, you always surprise me, Stanley.

0:30:200:30:23

Well, that's good.

0:30:230:30:24

-That is good, isn't it?

-Yes. I like daring people.

0:30:260:30:29

# ..The path ahead... #

0:30:290:30:33

What a pity you can't write about this.

0:30:330:30:36

The Royal Prince and a jazz band, what a story that would make!

0:30:360:30:41

But even you can't do that.

0:30:410:30:43

Stanley told me about your trouble with the immigration authorities.

0:30:460:30:50

Yes, well, the rules are very strict, especially

0:30:520:30:55

if you've worked on the ships.

0:30:550:30:57

Some of them even get followed sometimes,

0:30:570:30:59

people checking to see if they really are employed as musicians.

0:30:590:31:02

Followed, in the street? Really?

0:31:020:31:04

Not many people realise that goes on, but it's quite a regime,

0:31:040:31:08

the Alien Registration Office.

0:31:080:31:10

Well, my father's Russian and he gets some strange looks sometimes,

0:31:100:31:14

people thinking he might be a Soviet spy!

0:31:140:31:18

So maybe I understand more than you think.

0:31:180:31:21

Maybe I see a bit more of the world than Pamela.

0:31:230:31:26

She's my friend, but I work for her, really.

0:31:270:31:30

I choose her clothes, I design some of them, which means I actually

0:31:300:31:33

have to go into shops, warehouses, even, looking for materials.

0:31:330:31:37

I'm sure you've guessed, but I'm no aristocrat, Louis.

0:31:390:31:42

I'm not sure I had guessed that, no.

0:31:430:31:46

Thank you, Joe. You're next, Louis.

0:31:460:31:49

The band must play again. Prince George has requested it!

0:31:510:31:55

-I love your music.

-Thank you.

0:31:580:32:00

I hope you don't mind me saying that. I love your band!

0:32:000:32:04

I'm, I'm hopeless!

0:32:110:32:13

Is it hopeless? I, I really think it is hopeless, isn't it?!

0:32:130:32:16

Of course not, your Royal Highness!

0:32:160:32:18

# Feel the heat of the city beat

0:32:290:32:32

# Feel the thing of the swing

0:32:340:32:36

# Tapping our feet where the night hawks meet

0:32:370:32:42

# I can't help it It's got a grip on me

0:32:420:32:45

# Rent is due and cash is tight... #

0:32:470:32:49

A little more full tonight. Not bad at all.

0:32:490:32:53

It's been building all week.

0:32:530:32:55

I knew I was right to tell them to get a singer.

0:32:550:32:57

# Hear the blare of the thoroughfare... #

0:32:590:33:03

THEY CHATTER EXCITEDLY

0:33:030:33:07

THEY TALK OVER EACH OTHER

0:33:280:33:31

Come and look at this.

0:33:360:33:37

SQUEALING

0:33:370:33:39

Lamb chops!

0:33:430:33:45

Meat for the first time!

0:33:460:33:49

We must be doing something right then!

0:33:490:33:52

They never gave us this wine before. Maybe this

0:34:160:34:18

Mr Schlesinger, or whatever he's called, is beginning to like us.

0:34:180:34:23

Louis, sorry to butt in like this. Could you come with me for a moment?

0:34:250:34:30

I need your help.

0:34:300:34:32

No, no, no, it's very kind, but I just need Louis.

0:34:340:34:38

Thank God you were still here!

0:34:420:34:43

Mr Masterson has asked me to do something.

0:34:430:34:46

This is Mr Masterson's suite, he gave me the key,

0:34:490:34:51

I have it somewhere. Yes. He's left the hotel.

0:34:510:34:55

Now, Louis, if you feel you are unable to help,

0:34:590:35:03

you must say so at once, and of course I'll understand...

0:35:030:35:06

but if you do feel able to help, I'll be so terribly grateful.

0:35:060:35:09

What happened here?

0:35:240:35:26

I don't know... He said it would be like this.

0:35:260:35:28

I don't know what he's been doing.

0:35:280:35:30

WOMAN SIGHS

0:35:310:35:33

WOMAN MOANS

0:35:350:35:37

What a mess.

0:35:440:35:45

Hello.

0:35:470:35:49

Mr Masterson asked if I'd clear this up.

0:35:500:35:53

I didn't know it would be this bad, I mean, not quite as bad as this!

0:35:540:35:58

I know I shouldn't involve you, Louis,

0:35:590:36:00

but I can't do this on my own.

0:36:000:36:02

Please leave if you need to.

0:36:050:36:07

Mr Masterson will pay for the damage to the room, of course.

0:36:070:36:10

What do we need to do?

0:36:100:36:12

We need to get the girl out of the hotel.

0:36:120:36:14

If we use the kitchen entrance, if I get a taxi, and you take the girl?

0:36:140:36:18

-What's your name?

-Hannah.

0:36:190:36:21

-Are we there yet?

-Shh.

0:36:380:36:40

MAN: You! I'm talking to you.

0:36:400:36:42

Don't you run away from me. Come back here!

0:36:420:36:45

How dare you!

0:36:450:36:46

-..Get out of here.

-Shhh.

0:36:460:36:48

..The best thing you can do is own up to it.

0:36:480:36:50

Do you understand me? Do you understand?

0:36:520:36:54

-Get out of my sight.

-Are we there yet?

-Shh.

0:36:540:36:57

-SHE MOANS

-Shhh!

0:36:590:37:01

Still here, Mr Lester?

0:37:090:37:11

Yes... I'm leaving now.

0:37:110:37:13

I've been going through the music for tomorrow.

0:37:130:37:16

I see.

0:37:160:37:17

Well, I'll be writing a report for Mr Schlesinger, I think

0:37:170:37:20

he might be rather pleased with tonight.

0:37:200:37:22

Do we ever get to meet Mr Schlesinger?

0:37:230:37:26

That all depends, Mr Lester, that all depends. Good night.

0:37:260:37:32

Night.

0:37:320:37:34

Look, I think my car is coming.

0:37:480:37:50

There you are. Marvellous.

0:37:520:37:54

Thank you, Louis. Mr Masterson will be pleased.

0:38:030:38:07

I'm incredibly grateful! You're wonderful, my friend.

0:38:070:38:11

"I... say... Tonk...

0:38:180:38:20

PHONE RINGS

0:38:200:38:21

"What... a... party."

0:38:210:38:26

PHONE CONTINUES TO RING

0:38:290:38:32

Music Express? What can I do for you?

0:38:350:38:36

Stanley, it's Louis,

0:38:360:38:38

something strange just happened with Julian and Mr Masterson.

0:38:380:38:42

'There was a girl in Mr Masterson's suite at the hotel.'

0:38:420:38:45

She was in a bad way, the room was all smashed up too.

0:38:450:38:49

So they'd been having quite a party.

0:38:490:38:50

I helped Julian get her out of the hotel.

0:38:500:38:52

Where was Mr Masterson when you were doing this?

0:38:520:38:55

I don't know. I didn't see him. He asked Julian to clear up for him.

0:38:550:38:58

People like that always CAN vanish when they want to, can't they?!

0:38:580:39:01

Stanley... I don't know if I should've helped.

0:39:010:39:03

-'I mean, the girl, she was...'

-You worried about her?

0:39:030:39:06

'Yes, I am.'

0:39:060:39:07

Well, if you're worried about her, Louis, we'll have to find her.

0:39:090:39:13

Mr Julian knows you're here, he'll be with you in a moment.

0:39:160:39:20

One day, Louis, you'll have a house like this!

0:39:210:39:24

Of course! As a matter of interest, how do you see that happening?

0:39:240:39:29

Well, it won't be long before your records are available in every

0:39:290:39:32

store in the land.

0:39:320:39:33

That'll be good, considering we haven't made a single one yet.

0:39:330:39:36

I'll be just walking down the street

0:39:360:39:38

and your music will be coming out of every other window.

0:39:380:39:41

And when I turn up to see you, when you've got a house like this...

0:39:410:39:44

-You'll be shown straight to the tradesman's entrance!

-Naturally, yes!

0:39:440:39:48

Stanley! Louis!

0:39:480:39:49

It's wonderful to see you.

0:39:500:39:52

There you are! What a lovely way to start the day.

0:39:520:39:55

Start? It's nearly two o'clock, Pamela!

0:39:550:39:58

Oh, it's as early as that, is it? I thought it was later!

0:39:580:40:02

It's wicked, I know, but I've only just got up.

0:40:020:40:04

What a strange evening last night was.

0:40:050:40:07

Louis was absolutely wonderful, has he told you?

0:40:070:40:12

He has. We were just wondering what happened to the girl.

0:40:120:40:16

She's here.

0:40:160:40:17

With her gigantic bruises.

0:40:170:40:20

I was so clumsy last night, and so utterly drunk,

0:40:200:40:23

I just kept falling over.

0:40:230:40:25

Goodness knows what people must think!

0:40:250:40:27

I'm enormously grateful to you, and so is Mr Masterson.

0:40:280:40:32

Oh, yes, Mr Masterson's having a picnic, you really must join us.

0:40:320:40:37

Yes, he'd love you to join him - in fact the whole band,

0:40:370:40:40

if they're available - to be his guests.

0:40:400:40:42

It's his way of saying a huge thank you.

0:40:420:40:44

The whole band? Really? They're all invited?

0:40:440:40:48

Well, whoever wants to come... They might enjoy it.

0:40:480:40:50

He plans them very carefully.

0:40:500:40:53

I shan't be there myself, sadly. My parents are coming to town.

0:40:530:40:57

Oh, you must come, please say you will.

0:40:570:40:59

It'll make his picnic so much more jolly!

0:40:590:41:01

And you'll come, Stanley, won't you?

0:41:010:41:03

Ah, I'm invited too, am I?

0:41:030:41:06

Of course. I'm inviting you.

0:41:060:41:08

Mr Masterson tends to picnic on a grand scale.

0:41:080:41:12

It's not something you would forgive yourself for missing.

0:41:120:41:14

On a grand scale? Does that mean a lot of Rolls-Royces

0:41:140:41:17

setting off for a mystery destination that only he knows?

0:41:170:41:20

You're nearly right.

0:41:200:41:21

There's going to be some interesting transport,

0:41:210:41:23

but it's not a line of Rolls-Royces.

0:41:230:41:26

This is amazing.

0:41:300:41:31

Our own private train!

0:41:330:41:34

I didn't think I'd have a compartment to myself!

0:41:370:41:39

We really are his guests.

0:41:390:41:41

Don't have to sing for our supper.

0:41:410:41:43

Not unless we want to.

0:41:430:41:45

Well, you don't, Stanley!

0:41:450:41:47

What's your compartment like?

0:41:470:41:49

Oh, you know, velvet cushions, bowl of chocolates.

0:41:490:41:51

A bowl of chocolates? Not sure I've got that.

0:41:510:41:54

Come in, gentlemen. Soup is being served.

0:42:180:42:20

And we're all absolutely starving!

0:42:200:42:22

-Is anybody sitting here?

-No, by all means.

0:42:250:42:28

Sit down! We're going to be waited on!

0:42:330:42:37

Nobody knows where we're going?

0:42:420:42:45

Nobody, no.

0:42:450:42:46

Do you really think that can be true?

0:42:480:42:50

Yes, he likes his mystery picnics.

0:42:500:42:54

Is it easy, Mr Masterson, to hire a private train?

0:42:570:43:01

Quite, once you know who to ask.

0:43:010:43:04

But you have to tell someone the exact route you are going to take?

0:43:040:43:08

You must have to do that, surely?

0:43:080:43:10

What makes you think that?

0:43:100:43:12

# My man's gone away

0:43:170:43:22

# Left me feeling blue

0:43:220:43:25

# No good trying to chase him

0:43:270:43:30

# Cos he's run straight back to you... #

0:43:300:43:34

I think what you've done, Mr Lester, is truly extraordinary.

0:43:340:43:38

What I've done? What is that, Mr Donaldson?

0:43:380:43:42

How you've made this band from nothing.

0:43:420:43:44

How he's made it?

0:43:440:43:46

I'm very intrigued by how you've managed to meld it all

0:43:460:43:49

together in a very sophisticated way, if you don't mind me saying so.

0:43:490:43:53

You've taken the best of what you've heard from America,

0:43:530:43:55

and made it your own. How did you learn to do that?

0:43:550:43:58

I'm sorry, that sounded much too patronising.

0:43:580:44:02

I think it was my experience on the ocean liners that helped me so much.

0:44:020:44:06

And when you were playing on those liners and people were

0:44:060:44:08

dancing in front of you, did they ever say things to you?

0:44:080:44:11

-Say things?

-When you were on a big ship together,

0:44:110:44:14

-with all those people...

-Rich people!

0:44:140:44:17

Yes, you must have bumped into them when you weren't playing,

0:44:170:44:21

like when you were coming off stage.

0:44:210:44:23

Did you have to put up with them being rather horrible?

0:44:230:44:26

You must have had to deal with a lot of prejudiced people.

0:44:260:44:29

Of course, yes.

0:44:290:44:30

And you never know where it's going to come from either.

0:44:300:44:33

Sometimes it's the people you don't expect.

0:44:330:44:36

I remember bumping into a table when I was coming off the stage

0:44:360:44:39

at one of the crossings, and the couple nearest to me -

0:44:390:44:42

and the lady, she was covered in jewels, but she was very young and

0:44:420:44:46

charming looking - and both of them, this couple, started wiping their

0:44:460:44:51

cutlery with their napkins, even though I wasn't anywhere

0:44:510:44:55

near them. They changed them a few minutes later too - just to be sure!

0:44:550:45:00

Oh, that's very revealing, wiping their cutlery.

0:45:000:45:04

You should do that to them next time!

0:45:040:45:07

When certain people walk really close to your table,

0:45:070:45:09

you should start cleaning your fork, see how they react to that!

0:45:090:45:14

There is so much ignorance, isn't there?

0:45:140:45:16

And you're right, Mr Lester, sometimes it's those who seem

0:45:160:45:19

to be the most educated, turn out to be quite the most ignorant,

0:45:190:45:23

the most prejudiced.

0:45:230:45:25

But then, we don't know what's going to happen next, do we?

0:45:260:45:29

Maybe things ARE about to change.

0:45:290:45:31

Despite all the hardship there is, I feel - and I hope I'm not being

0:45:320:45:36

too optimistic, Mr Lester but I do feel that anything is possible now.

0:45:360:45:41

WOMEN SINGING IN NEARBY COMPARTMENT

0:45:440:45:48

Oh. I'm sorry, I've got the wrong compartment, Mr Masterson.

0:45:560:46:00

Do forgive me.

0:46:000:46:02

Gold....

0:46:020:46:04

Gold is the safest thing at the moment.

0:46:040:46:07

I like to have some with me at all times,

0:46:070:46:09

so I know if something happens I will still have a roof over my head.

0:46:090:46:14

KNOCK ON DOOR

0:46:210:46:22

There you are.

0:46:260:46:27

You're not writing about this before it's even happened, are you?

0:46:270:46:30

Before what's even happened?

0:46:300:46:32

I love trains, don't you?

0:46:360:46:38

Absolutely.

0:46:380:46:39

Please, go on working.

0:46:410:46:43

I like to see that.

0:46:430:46:44

I so rarely watch anybody work.

0:46:450:46:47

I'm not putting you off, am I?

0:46:590:47:01

You most certainly are.

0:47:010:47:03

Well, try not to be.

0:47:030:47:04

I'm sure you overcome most distractions, Stanley.

0:47:040:47:07

Usually that's true.

0:47:070:47:09

You don't think I can be serious, do you, Stanley?

0:47:090:47:12

About anything.

0:47:120:47:14

Go on, lie. Why not?

0:47:140:47:17

Of course you can.

0:47:170:47:18

Thank you.

0:47:190:47:21

Is this some of that strange cartoon you have in your magazine?

0:47:290:47:33

Mm-hm.

0:47:330:47:34

Farquhar and Tonk?

0:47:360:47:38

I rather like that. They went on an ocean liner last week,

0:47:380:47:41

didn't they, and met a jazz band?

0:47:410:47:43

So, Mr Lester's having an effect on your strip cartoon, Stanley.

0:47:450:47:48

I grab material from wherever I can, I'm afraid. Always have done.

0:47:500:47:54

So we might find ourselves in it soon?

0:47:540:47:57

I might be there.

0:47:570:47:58

You might.

0:47:580:48:00

You could send your Farquhar and Tonk anywhere you like in the world.

0:48:000:48:04

Just like that.

0:48:040:48:05

To the moon, even.

0:48:060:48:09

And we could all follow them there.

0:48:090:48:10

I could do that.

0:48:100:48:12

If I wanted.

0:48:130:48:15

And what's stopping you?

0:48:160:48:18

Might be fun.

0:48:210:48:23

PIANO NOTES TINKLE

0:48:280:48:31

-You don't have to play now, you know.

-You want me to stop?

0:48:330:48:37

No, of course not. You were invited as a guest, weren't you?

0:48:370:48:41

You don't need to play for your supper.

0:48:410:48:44

Are you saying they didn't expect any music?

0:48:440:48:46

-Well, maybe a little, yes.

-HE CHUCKLES

0:48:460:48:48

Of course they did.

0:48:480:48:50

And more than a little.

0:48:500:48:52

HE HUMS TUNE

0:48:520:48:55

LOUIS LAUGHS

0:48:550:48:57

CARRIAGE RATTLES

0:48:570:48:59

The train's moving.

0:49:150:49:17

You have to stop just because the train's moving?

0:49:170:49:19

It's lucky, isn't it?

0:49:230:49:26

Now we don't need to worry about all the noise we're going to make.

0:49:260:49:29

Yes.

0:49:290:49:31

Yes.

0:49:310:49:32

It's just that I have no idea where we're going.

0:49:330:49:36

What does it matter?

0:49:360:49:38

I think it's marvellous not knowing.

0:49:380:49:40

REVEILLE SOUNDS

0:49:590:50:03

Are we in the middle of nowhere, Stanley?

0:50:070:50:10

TRUMPET PLAYING CONTINUES

0:50:100:50:12

Looks like it, yes.

0:50:140:50:16

Splendid. I can't imagine a better place to be.

0:50:160:50:19

You must excuse my idea of how to picnic,

0:50:280:50:30

but I've invented my own version since I do feel the cold

0:50:300:50:33

whenever I'm outside.

0:50:330:50:35

So I always picnic indoors. Always.

0:50:350:50:38

But I make sure the view is constantly changing,

0:50:380:50:41

that's why picnicking on a train is such a good idea.

0:50:410:50:44

Mr Masterson would like you all to know,

0:50:440:50:47

in case you're wondering where we're going - there is no destination.

0:50:470:50:51

-No destination? >

-No.

0:50:510:50:53

We'll have lunches in the woods and candle-lit dinners by the sea.

0:50:530:50:58

But we'll be on the train the whole time.

0:50:580:51:01

And maybe we never get back to town.

0:51:010:51:03

Yes, let's all live on the train!

0:51:030:51:05

I'm going to risk getting frozen and go outside, if that's not forbidden.

0:51:070:51:12

Yes, yes, that's allowed.

0:51:120:51:14

I'd really like to do that portrait we never had time to do,

0:51:150:51:18

if you could spare a moment?

0:51:180:51:20

Here?

0:51:260:51:27

Is this all right?

0:51:330:51:35

It's good, yes.

0:51:360:51:37

I know you think there's something wrong with all of this,

0:51:370:51:40

with Mr Masterson's hospitality.

0:51:400:51:43

Did I say anything?

0:51:430:51:44

You didn't have to.

0:51:440:51:46

But maybe he really means it.

0:51:460:51:48

It's not just a rich man's whim.

0:51:480:51:51

Then he won't move on to something else next week?

0:51:510:51:53

No, I don't think so.

0:51:540:51:56

He really loves your music.

0:51:560:51:58

Really?

0:51:580:52:00

He does?

0:52:000:52:01

He looks a funny old bird, I know,

0:52:010:52:03

but he goes to nearly every party. Never goes to bed.

0:52:030:52:06

He likes to watch the young people.

0:52:080:52:10

Not just watching.

0:52:100:52:12

Pamela told me about Hannah.

0:52:140:52:17

I wouldn't want to be alone with him, certainly.

0:52:180:52:21

She adores him, apparently.

0:52:210:52:23

People's private lives...

0:52:240:52:27

One never really knows what goes on, does one?

0:52:270:52:29

I know this is my second plate but I may never have a breakfast

0:52:300:52:34

like this again in my whole life, so I'm going to keep eating.

0:52:340:52:37

Yes, we could all be in the gutter tomorrow.

0:52:370:52:39

Please don't say that. Of course you won't.

0:52:390:52:42

But that could happen quite easily, couldn't it, Mr Donaldson?

0:52:420:52:46

I'm sure that won't happen, no, Mr Holt,

0:52:460:52:49

-not after you've made such a start.

-I'm glad you think that,

0:52:490:52:52

but there is a way to make very sure that it doesn't happen, isn't there?

0:52:520:52:55

What's that, then?

0:52:550:52:57

By having a proper contract

0:52:570:52:59

and not a week-by-week arrangement.

0:52:590:53:01

I'm sure in time that will happen.

0:53:010:53:04

These things tend to evolve naturally.

0:53:040:53:06

They evolve naturally, do they? Well, um...

0:53:060:53:10

..I agree.

0:53:120:53:13

And since we only have two weeks left of our booking at the Imperial,

0:53:130:53:17

I think it would be natural,

0:53:170:53:19

very natural in fact, to ask Mr Schlesinger for a six-month

0:53:190:53:22

contract so we become the regular band at the Imperial.

0:53:220:53:26

Six months? Nobody gets six months.

0:53:260:53:28

Jack Paynton doesn't get six months, Wally Dix doesn't get six months!

0:53:280:53:33

We get a six-month contract or we're going to offer our services to the Savoy.

0:53:330:53:37

Mr Masterson!

0:53:410:53:42

Just wondered how you were doing.

0:53:420:53:44

Come out here and have your picture taken.

0:53:440:53:46

In fact, can everyone come out and I'll take their picture?

0:53:460:53:49

Tell everyone to come out.

0:53:490:53:51

Come on, everybody, to the front of the train. Hurry up.

0:53:530:53:57

The light's great out here.

0:53:570:53:58

Just all gather round!

0:54:010:54:03

I wonder what he's been up to during breakfast.

0:54:070:54:10

I ought to remember it's not wise to leave Wesley on his own.

0:54:110:54:14

OK.

0:54:140:54:16

THEY LAUGH

0:54:160:54:18

A three-month contract is my final offer.

0:54:400:54:42

Six.

0:54:430:54:45

Six months is out of the question.

0:54:450:54:47

Three months or I find another band to take your place.

0:54:470:54:50

Six months.

0:54:500:54:52

I won't do business like this, young man.

0:54:520:54:55

Come here to meet you, as you asked, something I've rarely done

0:54:550:54:59

for any other band, and three months is my final offer.

0:54:590:55:02

And, Mr Holt, it is in fact a very good offer.

0:55:020:55:05

My advice would be to consider it very carefully.

0:55:050:55:07

Six months or we go to the Savoy, Mr Schlesinger.

0:55:070:55:11

Well, the Savoy won't take you. I'll tell you that now.

0:55:110:55:14

You won't find things nearly as easy out there as you think.

0:55:140:55:18

Four months.

0:55:180:55:19

-Louis!

-No.

0:55:190:55:21

Four months or we will go elsewhere.

0:55:210:55:24

Four months?

0:55:260:55:27

I may be able just to consider four months.

0:55:280:55:33

And our accommodation, of course.

0:55:350:55:37

What about your accommodation?

0:55:370:55:38

I think, Wesley, that can be negotiated separately.

0:55:380:55:41

We're going to need new accommodation

0:55:410:55:44

-and that goes without saying.

-And where might that be?

0:55:440:55:47

At the Imperial, of course.

0:55:470:55:49

Come on, it's this way!

0:55:490:55:51

That's right, keep going.

0:55:540:55:55

Come on, all the way up!

0:55:570:55:59

So, these are the rooms usually given over to performers.

0:56:010:56:05

Accommodation can only be provided for four weeks.

0:56:050:56:08

We shall be reviewing the situation after that.

0:56:080:56:10

I will call out your room numbers and hand you your keys, but first

0:56:100:56:13

I would like you to pay particular attention to the rules of the hotel.

0:56:130:56:17

You may under no circumstances use the main entrance

0:56:170:56:20

or the main lobby at any time, nor may you go into any of the lounges,

0:56:200:56:24

dining rooms or bars, unless of course you are performing there.

0:56:240:56:28

And you may not entertain guests of any kind -

0:56:280:56:30

I repeat, of any kind - in your rooms.

0:56:300:56:34

Is that understood?

0:56:350:56:37

-Oh...

-THEY GIGGLE

0:56:390:56:41

Our own room in a hotel!

0:56:410:56:43

Well, I never thought that would happen.

0:56:430:56:45

And just think of the meals. Hot meals every day!

0:56:450:56:48

Yes! I've been hungry ever since I can remember, I really think I have.

0:56:480:56:51

But not any more. All being well, that is.

0:56:510:56:55

Tonight I think we should look fabulous, really fabulous.

0:56:560:56:59

Yes. To make sure they don't change their mind!

0:56:590:57:02

(Suit them, they must be hosting.)

0:57:150:57:17

CHATTERING

0:57:170:57:21

CHATTER STOPS

0:57:310:57:35

Hm!

0:57:450:57:46

JAZZ MUSIC BEGINS

0:57:460:57:48

She's incredible, isn't she?

0:57:480:57:50

I can't take my eyes off her.

0:57:500:57:52

We had noticed, Julian.

0:57:520:57:54

Sarah helped them choose their new clothes, you know.

0:57:540:57:57

Mr Donaldson paid for them. She looks good, doesn't she?

0:57:570:58:00

# Remember all those bad times

0:58:000:58:05

# You told me that you'd never leave her... #

0:58:050:58:08

Do you think she'll ever like me?

0:58:080:58:10

# Sending me those love lines you were happy to deceive her... #

0:58:100:58:16

I need to find something to really impress her.

0:58:170:58:20

# Now you're here to stay

0:58:200:58:24

# I promise we'll have good times

0:58:240:58:27

# You'll whisper that you'll never leave me

0:58:270:58:32

# Send me all those love lines... #

0:58:320:58:34

You're always late, Stanley.

0:58:340:58:37

I still have a magazine to write, remember?

0:58:370:58:39

# Now you're here to stay always. #

0:58:390:58:45

This is terrific. Look at their faces!

0:58:450:58:49

Yes.

0:58:490:58:50

The dear old hotel doesn't know what's hit it.

0:58:500:58:53

That's so true!

0:58:530:58:55

Stanley, you know the Freemasons have temples in this hotel?

0:58:550:58:59

They don't?!

0:58:590:59:00

Oh, yes, in the basement. I wonder what they'd think of this.

0:59:000:59:04

Talking of strangely dressed people, my mum wants to meet Louis.

0:59:040:59:09

Really, Stanley? That's very charming. How come?

0:59:090:59:12

Because she likes the sound of him.

0:59:120:59:14

# Send me all those love lines

0:59:140:59:17

# Now you're here to stay

0:59:170:59:21

# Now you're here to stay always

0:59:210:59:28

# Now you're here to stay always... #

0:59:280:59:31

Hello, Mum.

0:59:310:59:33

-Hello.

-This is Louis.

0:59:330:59:35

Hello.

0:59:350:59:37

Come in.

0:59:380:59:39

The food is to your liking, is it?

0:59:390:59:42

Not going to disagree with your digestion?

0:59:420:59:45

It's all right, Mum. Louis eats everything.

0:59:450:59:47

It's delicious, Mrs Mitchell.

0:59:470:59:49

Oh, I quite forgot the lemonade!

0:59:500:59:53

No, no, you stay there. I must get the lemonade, I made it specially.

0:59:530:59:58

-You didn't tell her?

-Tell her what?

1:00:011:00:03

That you were bringing a black man to the house?

1:00:031:00:05

Of course not. It's good for her to have a surprise.

1:00:051:00:08

I thought you'd said you told her all about our music?

1:00:081:00:10

I did, but she thinks all dance bands are white.

1:00:101:00:13

I hope to hear your music, Mr Lester.

1:00:131:00:15

-I would be very interested in doing that.

-Well...

1:00:151:00:19

I'm going to try and persuade Louis and the band to come and play

1:00:191:00:22

in the garden here one Sunday afternoon.

1:00:221:00:25

Well, maybe not in the garden.

1:00:251:00:27

The neighbours might not like that, not on a Sunday.

1:00:271:00:31

Who knows, we might get the whole street dancing.

1:00:311:00:34

HE CHUCKLES

1:00:351:00:37

Always keep a bottle hidden away for when I drop by.

1:00:371:00:39

Me mum doesn't approve of liquor, bless her.

1:00:391:00:42

Now, there's only one glass...

1:00:421:00:45

..so I'll have the bottle.

1:00:461:00:48

Some of these records are really old,

1:00:491:00:51

-are they the first ones you ever bought?

-Some of them, yes.

1:00:511:00:54

Snoop away, by all means.

1:00:541:00:56

It's always a good idea to see people's childhood bedrooms -

1:00:561:00:59

you can tell a lot from them.

1:00:591:01:01

Probably started a magazine at school, didn't you?

1:01:011:01:03

Course I did.

1:01:031:01:04

Wrote and performed music there as well, formed my own little band

1:01:041:01:07

and then gave it rave reviews in the magazine I'd started.

1:01:071:01:10

You were in a hurry, even then.

1:01:101:01:12

Oh, yes, yes, yes, I've always been in a hurry.

1:01:121:01:14

You have to have a lot going on, so at least something has a chance of working.

1:01:141:01:17

At the moment, as well as writing most of the magazine,

1:01:171:01:21

I'm working on a movie scenario about King Arthur,

1:01:211:01:23

an Edgar Wallace sort of thriller for the theatre,

1:01:231:01:25

I'm trying to get Farquhar and Tonk turned into an animated cartoon for the cinema

1:01:251:01:29

or else a series on the wireless, and I want to make Music Express

1:01:291:01:33

the top-selling music magazine in the country.

1:01:331:01:36

I want to beat Melody Maker.

1:01:361:01:37

That's not enough, Stanley(!)

1:01:371:01:40

-That's not enough(!)

-You're right, it isn't.

1:01:401:01:43

And, of course, I'm going to make you the number one band in Britain, naturally.

1:01:431:01:47

I'm very ambitious, Louis.

1:01:471:01:50

So should you be.

1:01:501:01:51

You think I'm not?

1:01:511:01:53

I don't know yet.

1:01:531:01:54

Maybe underneath that calm exterior of yours,

1:01:541:01:58

you're more ambitious than you seem.

1:01:581:02:00

I want to reach a really big audience, of course,

1:02:001:02:03

but I think some things are meant to take time.

1:02:031:02:06

Mmm.

1:02:061:02:08

Speaking of which...

1:02:081:02:10

Wesley your permanent manager?

1:02:101:02:12

Why?

1:02:121:02:13

-Just wondered.

-Yes.

1:02:131:02:15

Definitely.

1:02:151:02:17

He argues a lot, I know, but he's very effective.

1:02:181:02:21

GIGGLING

1:02:231:02:25

-What are you doing?

-I just met a friend.

1:02:251:02:28

Joe's out tonight, so we will not be interrupted.

1:02:281:02:31

-It's perfect.

-It's against the rules.

1:02:331:02:35

I think you'll find not too many people keep to those rules, Carla.

1:02:351:02:38

Don't worry. Just remember who got you here.

1:02:381:02:41

Ah, those musicians at the Imperial Hotel...

1:02:501:02:53

A four-month booking now?

1:02:531:02:55

We just need to check if that includes all of them.

1:02:581:03:00

I feel we need proof of that.

1:03:001:03:02

-I never make mistakes, Harry, as you know.

-No, sir, you do not.

1:03:021:03:07

Very occasionally I take risks, and they pay off.

1:03:071:03:10

They do, sir. Very much so.

1:03:101:03:12

But maybe I've made a bad mistake with this Louis Lester Band.

1:03:121:03:15

Their kind of music is, as we know, not to everyone's taste.

1:03:151:03:19

Not to everybody's taste, no, sir. This is true.

1:03:201:03:24

Business is still picking up, is it?

1:03:241:03:26

In the main dining room, yes, sir. At the moment.

1:03:261:03:29

Have there been any serious complaints?

1:03:291:03:32

There have been a number of complaints, of course.

1:03:321:03:35

Not always from where one might expect.

1:03:351:03:38

What's this about, Harry?

1:03:381:03:40

RINGS DOORBELL

1:03:491:03:51

There you are. I thought you might not come.

1:03:551:03:58

Why did you think that?

1:03:581:03:59

Because I invited you completely out of the blue.

1:03:591:04:02

Well, I heard there were some rather good photographs of me here.

1:04:021:04:05

We don't actually know that yet, how good the photographs are.

1:04:051:04:09

What do you mean?

1:04:091:04:11

Because I haven't developed them.

1:04:111:04:13

I thought you'd like to see it happen.

1:04:141:04:16

Yes, I've never seen this before.

1:04:161:04:19

Never?

1:04:191:04:21

No. In fact, I've not had many photographs taken of me at all.

1:04:211:04:24

Maybe...once before.

1:04:241:04:27

Well, that will soon change, I expect.

1:04:271:04:29

-HE CHUCKLES

-You sound like Stanley.

1:04:291:04:32

Well, Stanley's a bit of a rogue but he's not always wrong.

1:04:321:04:36

And your father doesn't mind you having these chemicals in the house?

1:04:361:04:39

Oh, no. No, he quite likes the idea of his daughter being artistic.

1:04:391:04:44

He's Russian, remember?

1:04:441:04:46

Who's this?

1:04:481:04:49

Oh, that's Lady Cremone. She's an interesting lady,

1:04:491:04:53

but she's a recluse.

1:04:531:04:55

She has an apartment at the Imperial but she never, ever uses it.

1:04:551:04:59

What do you think?

1:05:051:05:07

I like it.

1:05:081:05:10

He really is spooky, isn't he?

1:05:381:05:40

Yes, he is.

1:05:401:05:42

-< MAN:

-Sarah?

1:05:461:05:48

Sarah, are you there?

1:05:481:05:50

Sarah?

1:05:501:05:52

Hello, Daddy. I was just showing Mr Lester my photographs

1:05:531:05:56

in the darkroom. Louis, this is my father.

1:05:561:05:59

Delighted to meet you, sir.

1:05:591:06:01

Mr Lester is the band leader I was talking to you about.

1:06:011:06:04

Good afternoon. I had no idea you had a guest, Sarah.

1:06:041:06:09

No idea at all.

1:06:091:06:11

If I'd known, I would have hurried home an hour earlier.

1:06:111:06:15

# Wind blows round the steeple

1:06:151:06:19

# Empty world and sleepy people

1:06:191:06:23

# I lie awake and... #

1:06:231:06:25

I lie awake and whisper! Carla, come on, we rehearsed this for two hours.

1:06:251:06:29

Hang on, one second. Wesley....

1:06:291:06:31

Yes.

1:06:331:06:36

Yes, everything seems in the right place.

1:06:361:06:38

Not bad at all, Stanley.

1:06:401:06:42

Just remember,

1:06:421:06:43

give enough space to the West End shows and you can't go wrong.

1:06:431:06:47

Don't work too late tonight, will you?

1:06:491:06:51

And are you working late tonight?

1:06:521:06:55

Not tonight, Rosie, I don't think I am.

1:06:561:06:59

Have to be elsewhere, lots happening.

1:06:591:07:01

I'm sure there is, Stanley, yes.

1:07:021:07:04

It's a bloody site better than "not bad".

1:07:061:07:08

Julian.

1:07:221:07:23

Hello, my dear friend, sorry to interrupt so rudely.

1:07:231:07:26

But do you know what that is?

1:07:261:07:29

Don't know, what is it?

1:07:301:07:31

Go on, have a guess.

1:07:311:07:33

A little shovel for somebody's town garden.

1:07:371:07:39

Couldn't be more wrong.

1:07:391:07:42

I am now a Master Mason.

1:07:421:07:44

-I've been lifted to a new category.

-Well, congratulations, Julian.

1:07:441:07:47

-Thank you, my dear friend.

-I didn't know you were a Mason.

1:07:471:07:50

I'm going along to the temples tonight, as it happens,

1:07:501:07:52

in the sub-basement of the Imperial, just as I told you.

1:07:521:07:55

And I was wondering,

1:07:551:07:57

knowing how you're interested in so many things, Stanley,

1:07:571:08:00

if you'd like to come along and watch me go in, in my full regalia.

1:08:001:08:05

I can't, can I? I thought it was highly secret.

1:08:051:08:08

DOOR OPENS

1:08:081:08:09

STANLEY CHUCKLES

1:08:111:08:12

Don't worry, I know you read my magazine from cover to cover,

1:08:121:08:15

there's no need to be bashful.

1:08:151:08:16

I won't be reading it much longer, it gets worse every week.

1:08:161:08:19

Your presence has been requested in the sub-basement.

1:08:191:08:21

I'm told it's a once-in-a-lifetime opportunity.

1:08:211:08:24

BELLS RING

1:08:261:08:28

What do you think?

1:08:311:08:32

LOUIS LAUGHS

1:08:321:08:33

You look tremendous, Julian.

1:08:331:08:35

You're not meant to be seen in those, are you?

1:08:351:08:38

No, I'm not.

1:08:381:08:40

Only by fellow Masons.

1:08:401:08:41

I just popped out of the special robing room.

1:08:411:08:44

We'll see if I get fined or something infinitely worse.

1:08:441:08:47

Now, follow me.

1:08:471:08:49

Come on.

1:08:491:08:50

BELLS RING

1:08:501:08:54

-Where are we going, Julian?

-Sh!

1:08:591:09:03

Promise me you won't write about this, Stanley.

1:09:031:09:05

-Oh, I never promise that.

-Promise.

1:09:051:09:07

And you, Louis, you won't tell anybody?

1:09:081:09:11

Whatever it is, I'll take it to my grave, I swear.

1:09:111:09:14

I'm trying to remember where it is.

1:09:191:09:21

A-ha! There it is.

1:09:221:09:25

Come and have a look at this.

1:09:321:09:34

Very few people get to see this ever.

1:09:361:09:39

It was made as a dare a few years ago.

1:09:391:09:42

And people have just forgotten that it's here.

1:09:421:09:44

That is wonderful.

1:09:441:09:46

There's dukes in there.

1:09:461:09:47

See if you can see the Duke of Bedford

1:09:471:09:49

or the Head of the Foreign Office.

1:09:491:09:51

-Huh!

-There's no members of the Royal Family sadly, today.

1:09:561:09:59

BELLS RING

1:09:591:10:01

Now, I'm late, I should be in there.

1:10:011:10:03

And, er...

1:10:061:10:07

Remember, don't breathe a word to anyone,

1:10:081:10:11

otherwise we're all for it.

1:10:111:10:13

That's the best time I've ever had in a linen cupboard, you know.

1:10:181:10:22

If I succeed in making this place really fashionable,

1:10:221:10:25

they may decide they have to move on,

1:10:251:10:27

find a more sleepy hotel.

1:10:271:10:29

You gonna flush out the Masons, are you, Stanley?

1:10:291:10:32

Mr Schlesinger would like to see you, Mr Lester.

1:10:321:10:35

What about?

1:10:351:10:37

Not you, Stanley. I said Mr Lester.

1:10:371:10:40

I have received a message from the immigration authorities

1:10:411:10:44

that they require a letter from me, stating that Mr Wesley Holt

1:10:441:10:48

is essential to your performances as a band.

1:10:481:10:52

-I will not write that letter.

-Then I'll have to write it.

1:10:541:10:56

You can write as many letters as you like, Mr Lester,

1:10:561:10:59

but unfortunately it is from me that they wish to hear.

1:10:591:11:02

And I know that Mr Holt's presence is not necessary

1:11:021:11:05

for the success of the band.

1:11:051:11:07

His presence is absolutely necessary, he's our manager.

1:11:071:11:09

-Without him, the band could easily break up.

-You don't believe that.

-I do believe that.

1:11:091:11:13

I intend to inform the authorities that in my view Mr Holt is

1:11:131:11:17

an undesirable, destructive personality, who is utterly

1:11:171:11:21

superfluous to the entertainment operation of this hotel.

1:11:211:11:24

That is not true.

1:11:241:11:26

PHONE RINGS

1:11:261:11:30

Mr Holt has stolen food on more than five occasions.

1:11:331:11:37

Food? That's ridiculous. What food has he stolen?

1:11:371:11:39

Various cakes and other desserts.

1:11:401:11:43

He has brought female companions back to his room.

1:11:431:11:45

And no musician at this hotel has ever done that before?

1:11:451:11:48

You can look me in the eye and tell me that, can you?

1:11:481:11:50

You wanted accommodation in this hotel.

1:11:501:11:53

I gave you that accommodation, and now your manager behaves like this.

1:11:531:11:57

Are you telling me that you are happy with that, Mr Lester?

1:11:571:11:59

I will inform him of these allegations.

1:11:591:12:01

They're not allegations! He was seen by members of staff!

1:12:011:12:04

And I will tell the other members of the band that there is an attempt

1:12:041:12:07

to prevent Mr Holt from working with us, and in the event of that

1:12:071:12:10

happening, we may very well be forced to move on to another hotel.

1:12:101:12:13

I met Harold Voight from the Cecil the other day.

1:12:131:12:16

He couldn't believe, could absolutely not believe,

1:12:161:12:21

that I had coloured musicians staying in this hotel.

1:12:211:12:25

Just down the road at the Savoy Theatre,

1:12:251:12:27

people are walking out of Othello even as we speak

1:12:271:12:29

because the coloured actor, what's his name, Robeson, is kissing

1:12:291:12:34

his Desdemona, and yet I give you four months' work in this hotel!

1:12:341:12:39

People are amazed at what I've done!

1:12:391:12:41

I wouldn't be so sure about getting another booking, Mr Lester.

1:12:441:12:47

Well, I am sure of one thing.

1:12:471:12:49

If Mr Holt is prevented from being here with us,

1:12:491:12:51

there is no possibility of us carrying on without him.

1:12:511:12:54

Isn't there?

1:12:541:12:56

Wesley.

1:12:581:12:59

I've been looking for you everywhere. Where you been?

1:12:591:13:02

-I had to see Schlesinger.

-Oh, yes, he told me that!

1:13:021:13:05

Gentlemen, this passage is for management only.

1:13:071:13:10

I want to know what's going on, Louis.

1:13:121:13:14

The authorities want a letter saying you're needed here.

1:13:141:13:16

-But since you've behaved like an idiot, he won't write it.

-I've been doing what?!

1:13:161:13:19

How you can be so stupid, Wesley? Stealing food, bringing women back.

1:13:191:13:23

Is that what he told you I'd done?

1:13:231:13:25

Right! I'm going to go and get to speak to him right now!

1:13:251:13:28

Wesley!

1:13:281:13:29

How dare he talk to you rather than talk to me!

1:13:291:13:31

I'm the manager of this band - if it's about me,

1:13:311:13:33

he'll talk to me, nobody else. No-one!

1:13:331:13:35

Wesley, just calm down for Christ's sake!

1:13:351:13:37

Just stop him, we'll find a room to do this.

1:13:371:13:39

-They don't think I'm necessary?

-Nobody's saying you're not.

1:13:391:13:42

-I told him that, I told him just now.

-I don't believe you! You're lying!

-Wesley!

1:13:421:13:47

You'd be finished without me! Who's going to fight for you now, get things done?

1:13:471:13:50

-Who got you the contract, the rooms?

-It was you, of course...

1:13:501:13:53

-Everybody knows what you do.

-What, you think he's going to do it?

1:13:531:13:56

Let me tell you about these people - him, Mr Donaldson and the rest -

1:13:561:13:59

he'll drop you in a couple of weeks, move on to somebody else.

1:13:591:14:02

-He'll drop you so fast.

-I know that.

-Rubbish!

-No, you don't know, Louis!

1:14:021:14:05

You think he'll make you famous, think he'll make you a star?

1:14:051:14:08

Put you on the front cover of his magazine?

1:14:081:14:10

And you think I'm the idiot here? You know nothing, Louis!

1:14:101:14:12

That's why I told Schlesinger you had to stay!

1:14:121:14:15

He can't stop me from working with you. I helped build this band,

1:14:151:14:18

it's as much my work as yours. Schlesinger!

1:14:181:14:21

Not in the lobby!

1:14:211:14:22

-Schlesinger!

-Wesley, please!

-Where the hell is Mr Schlesinger?

1:14:221:14:25

If you got your birth certificate, none of this would be happening.

1:14:251:14:28

When have I had time to do that? When have I been able to do that,

1:14:281:14:31

when I haven't been working for you? Come on, tell me, when?!

1:14:311:14:34

Night after night I have been working for you.

1:14:341:14:36

Go now and get it for Christ's sake.

1:14:361:14:38

Go down there, go to Wales, get the authorities to look up the records.

1:14:381:14:41

Is this is what it's about? A fucking birth certificate?

1:14:411:14:43

-Yes!

-One fucking birth certificate?!

-Yes!

1:14:431:14:45

One fucking piece of paper!

1:14:451:14:47

Don't do this in here, just shut your mouth!

1:14:471:14:48

So what if I can't find it?

1:14:481:14:50

What if there is no record? What then?

1:14:501:14:51

They'll send me back to the US, is that it?

1:14:511:14:53

-Nobody's talking about sending you back.

-Oh, yes, they are!

1:14:531:14:56

That's what they want to do, what they WILL do.

1:14:561:14:58

They'll arrest me as soon as I get off the boat!

1:14:581:15:00

Calm down! That wouldn't happen.

1:15:001:15:02

Do you realise what they'll do to me?

1:15:021:15:04

They will try me.

1:15:041:15:06

They'll probably execute me!

1:15:061:15:08

-They will send me to the chair. They will!

-Wesley...

1:15:081:15:11

And all because I stole a piece of cake?

1:15:111:15:13

Is that what Schlesinger wants,

1:15:131:15:15

all because of a fucking piece of cake?

1:15:151:15:18

-SOBBING:

-I will never go back. Do you understand?

1:15:191:15:22

I cannot go back.

1:15:221:15:25

WOMAN SHRIEKS

1:15:251:15:27

Gentlemen.

1:15:421:15:44

And ladies, of course...

1:15:441:15:46

I thought I should inform you that Mr Holt is now in custody.

1:15:461:15:50

He's in prison?

1:15:501:15:52

He's being detained at the Alien Registration Office,

1:15:521:15:55

where the authorities are showing a keen interest in him.

1:15:551:15:58

I'll go down there first thing tomorrow.

1:15:581:16:00

Glad to meet you gentlemen at long last.

1:16:001:16:03

And ladies too, obviously.

1:16:031:16:06

Mr Lester, could you step out here for a moment?

1:16:081:16:11

I asked just Mr Lester to come out here, Stanley.

1:16:161:16:20

So you did. Now, what you got to tell us, Nathan?

1:16:201:16:22

I have received a message.

1:16:221:16:23

Another message from the Alien Registration Office?

1:16:231:16:26

Not exactly.

1:16:261:16:27

Not unless they're now running their operations from Buckingham Palace.

1:16:271:16:31

I've received a message that next Friday,

1:16:311:16:34

His Royal Highness the Prince of Wales will be coming to dine here

1:16:341:16:39

for the first time,

1:16:391:16:41

with the express purpose of listening to the Louis Lester Band.

1:16:411:16:45

His brother must have liked you, mustn't he?

1:16:451:16:48

I do hope you will be here, Mr Lester,

1:16:481:16:51

to entertain your future King.

1:16:511:16:53

Brought me a present, have you?

1:17:041:17:05

I've brought several presents, from me and the boys.

1:17:051:17:08

Some cigars and of course some cakes and eclairs.

1:17:091:17:13

I hope you stole those from the kitchen.

1:17:131:17:15

We're going to find that birth certificate in Cardiff.

1:17:181:17:21

Mr Donaldson is involved now and he has contacts at the Home Office.

1:17:211:17:25

Good.

1:17:261:17:28

That's good.

1:17:281:17:29

I know what you're thinking.

1:17:341:17:36

If I was so afraid about going back, why didn't I find it before?

1:17:361:17:40

I did mean to find it.

1:17:401:17:42

It does exist, you know. You've got to believe me.

1:17:451:17:47

I do believe you.

1:17:481:17:50

TYPEWRITER KEYS CLATTER

1:17:501:17:52

Mr Holt is a British citizen. He has a birth certificate

1:17:521:17:55

which is lost, but there must be a record of it in Cardiff.

1:17:551:17:57

We're going to produce that proof.

1:17:571:17:59

Produce it by next Friday, by 9 o'clock in the evening,

1:17:591:18:02

and naturally he will not be deported.

1:18:021:18:03

If he is a citizen, he has every right to stay here, of course.

1:18:031:18:07

-And if it takes longer?

-It can't take longer.

1:18:071:18:09

The deadline cannot be extended,

1:18:091:18:11

nor is there any other process of appeal.

1:18:111:18:14

I won't discuss this matter in front of the press.

1:18:151:18:18

I'm not here as a member of the press, Nathan,

1:18:181:18:20

I'm here as the person who discovered the band.

1:18:201:18:22

I think maybe it would be best if I deal with this, Stanley.

1:18:221:18:25

I'll get old Nathan to drop the charges against Wesley.

1:18:271:18:29

And I am in touch with the authorities in Wales, they'll be

1:18:291:18:32

making a telephone call very shortly to the immigration authorities.

1:18:321:18:36

Don't worry, everything's in hand.

1:18:361:18:38

Are we ready, Stanley?

1:18:571:18:59

I think we're ready, Nathan.

1:19:001:19:02

You know what they say about the Prince.

1:19:021:19:05

What he likes today, the whole of London likes tomorrow.

1:19:051:19:09

Well, that was the plan, wasn't it, somehow, to get him here.

1:19:091:19:12

If it misfires, if he doesn't like them,

1:19:121:19:16

if he walks out, well, half the diners will leave as well of course!

1:19:161:19:20

MAN PLAYS TRUMPET

1:19:201:19:22

Joe. Joe, have you seen Louis? Has anybody seen Louis?

1:19:241:19:27

Go and have a look, would you?

1:19:271:19:29

HE SIGHS Musicians.

1:19:301:19:33

-Pamela. What are you doing back here?

-I was looking for you.

1:19:341:19:37

-For me? Why?

-I came to warn you.

-Warn me?

1:19:371:19:40

The Prince may not come, just be prepared.

1:19:411:19:44

He always accepts five invitations for every night.

1:19:441:19:47

He may even get here and then change his mind

1:19:471:19:50

and leave at the last minute without even getting to the dining room.

1:19:501:19:54

Right.

1:19:541:19:55

I will be doing my best to stop that from happening, of course.

1:19:561:20:00

Stanley, I want this to go well for you.

1:20:031:20:06

So do I, I forced Mr Schlesinger to follow this plan.

1:20:061:20:09

I know.

1:20:091:20:10

I've been thinking about the picnic.

1:20:141:20:17

A lot.

1:20:181:20:20

More than I thought I would.

1:20:201:20:22

I'll take that as a compliment.

1:20:231:20:25

That was a compliment, wasn't it?

1:20:281:20:30

I believe it was.

1:20:401:20:41

There you are.

1:20:491:20:50

Just getting ready. Checking the order.

1:20:511:20:54

I came to wish you good luck.

1:20:541:20:57

But I know you don't need it.

1:20:571:20:58

Dear God, in a few minutes I'm going to be singing

1:20:581:21:01

to the Prince of Wales, son of the King.

1:21:011:21:04

Please forgive me for asking for help, but I do need help,

1:21:041:21:08

so please give it to me if you feel able

1:21:081:21:10

and let me sing in a way that will please him, and you of course, too.

1:21:101:21:15

Amen.

1:21:151:21:16

He's here. He's already in the building.

1:21:191:21:21

He's just arrived, yes.

1:21:211:21:22

Really looking forward to this, everyone.

1:21:221:21:25

I just thought you'd like to know that an important telephone call

1:21:251:21:28

is taking place as we speak.

1:21:281:21:29

HE BEGINS TO PLAY THE PIANO

1:21:401:21:44

What's the bastard doing?

1:21:561:21:57

He can't do that!

1:22:001:22:01

< David, really, David...

1:22:061:22:08

Ladies and gentlemen, you must forgive me,

1:22:201:22:22

I forgot to introduce our first number.

1:22:221:22:24

I don't usually do much talking from up here, but tonight being

1:22:241:22:28

such an important night, I thought I'd make an exception.

1:22:281:22:31

This is a new number for us, one that I've just written,

1:22:311:22:34

hot off the press.

1:22:341:22:35

It's called Dead of Night Express.

1:22:351:22:37

LIVELY JAZZ MUSIC STARTS UP

1:22:371:22:41

# All aboard

1:22:451:22:48

# Dead of Night Express

1:22:481:22:51

# Wind blows round the steeple

1:23:031:23:06

# Empty world and sleepy people

1:23:061:23:09

# I lie awake and listen

1:23:091:23:12

# For the midnight train a-whistling

1:23:121:23:15

# It's inviting, it's enticing

1:23:191:23:22

# The Dead of Night Express is exciting

1:23:221:23:26

# Getting closer on the midnight run My heart is a-pounding

1:23:261:23:30

# And a-pumping and a-thumping... #

1:23:301:23:32

# By the light of the torch I'm reading

1:23:371:23:40

# Of my runaway train stampeding

1:23:401:23:44

# Devil of a stoker at the furnace fire

1:23:441:23:47

# My night-time dreams and desire

1:23:471:23:50

# It's inviting, it's enticing

1:23:501:23:53

# The Dead of Night Express is exciting

1:23:531:23:56

# Burning cinders in the midnight sky

1:23:561:23:59

# My heart is a-pounding and a-pumping and a-thumping... #

1:23:591:24:03

Gorgeous little singer.

1:24:171:24:19

I do love this jazz sound, don't you?

1:24:191:24:22

He went to see Florence Mills 47 times.

1:24:221:24:25

It's possible she could be a very busy young woman.

1:24:251:24:28

# All aboard

1:24:291:24:32

# Dead of Night Express

1:24:321:24:35

# Dead of Night Express

1:24:371:24:39

# Dead of Night Express

1:24:401:24:42

# Dead of Night Express

1:24:431:24:45

# The Dead of Night Express. #

1:24:461:24:50

SILENCE

1:24:501:24:52

Bravo!

1:25:001:25:02

Bravo!

1:25:061:25:08

So we have left the station now, haven't we?

1:25:081:25:10

-WOMAN:

-Yes!

-We've left it right behind. Thank you, madam.

1:25:101:25:13

And now we've got to get you dancing

1:25:131:25:15

because that's why we're here, after all.

1:25:151:25:17

So here's another new number, which I hope you'll like.

1:25:171:25:21

It's called Dancing on the Moon.

1:25:211:25:23

UPBEAT JAZZ MUSIC STARTS UP

1:25:261:25:29

# Stars burnin' brighter I'm on an all-nighter

1:25:321:25:35

# Serenading to a tune

1:25:351:25:38

# A pop at the bull's eye and a celestial night sky

1:25:381:25:42

# I'm dancing on the moon

1:25:421:25:44

# I'm dreamin' of the big time

1:25:451:25:47

# A chance to dig a gold mine... #

1:25:481:25:51

Not bad, Stanley. Not bad.

1:25:511:25:53

# A diva singing swing time

1:25:531:25:55

# Life is a glass of champagne... #

1:25:551:25:58

It's time to leave, time to catch the bus.

1:26:001:26:03

There has been no telephone call, I am afraid, Mr Holt.

1:26:041:26:07

UP-TEMPO JAZZ MUSIC CONTINUES

1:26:101:26:14

At least it's not a police van.

1:26:361:26:38

ENGINE SPUTTERS

1:26:461:26:48

WOMAN SOBS

1:26:511:26:54

# I'm dreamin' of the big time

1:27:201:27:23

# A chance to dig a gold mine

1:27:231:27:25

# A diva singing swing time

1:27:271:27:30

# Life is a glass of champagne

1:27:301:27:34

# Hey diddle-diddle the cat and fiddle

1:27:341:27:37

# The dish ran away with the spoon

1:27:371:27:39

# I'm leading the race to jump out of space

1:27:391:27:43

# I'm dancing all over the moon. #

1:27:431:27:47

CHEERING

1:27:471:27:50

Wonderful. I love seeing the kitchens, love going backstage!

1:28:021:28:07

I can't express how much I enjoyed myself. I just can't express it.

1:28:091:28:13

-Can you, Georgie?

-It was sublime.

1:28:141:28:16

It was. That is the word. Let me meet you all, by all means.

1:28:161:28:20

I must meet you all.

1:28:201:28:22

JAZZ MUSIC RESUMES

1:28:241:28:28

SHE GIGGLES

1:28:331:28:35

What are you doing, Stanley?

1:28:431:28:45

What do you think I'm doing?

1:28:471:28:49

I'm writing about the Princes and the jazz band.

1:28:491:28:51

I can do it now. It's happened in public.

1:28:511:28:53

You must come and see this. Everybody.

1:28:541:28:57

THEY PLAY RAMSHACKLE MUSIC

1:29:051:29:09

You see, I was right.

1:29:241:29:26

Anything is possible now.

1:29:261:29:28

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1:30:241:30:27

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