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CLOCK CHIMES | 0:00:02 | 0:00:03 | |
This programme contains some strong language and some scenes of a sexual nature. | 0:00:03 | 0:00:07 | |
I don't think anyone's watching the building. | 0:00:09 | 0:00:11 | |
Not yet, anyway. | 0:00:11 | 0:00:13 | |
Not yet, no! | 0:00:13 | 0:00:14 | |
Better keep away from the window, though, just in case. | 0:00:14 | 0:00:17 | |
Do you think you can sleep? | 0:00:17 | 0:00:18 | |
I don't know. | 0:00:18 | 0:00:20 | |
Usually, I can sleep anywhere, but tonight, I'm not sure. | 0:00:20 | 0:00:23 | |
Ah, so you're not as calm as you look. Thank God for that. | 0:00:23 | 0:00:26 | |
You were beginning to make me nervous! | 0:00:26 | 0:00:28 | |
Where are you going? | 0:00:28 | 0:00:30 | |
I'm going to try and find something to eat. | 0:00:30 | 0:00:32 | |
And I've got to work out a way of getting you out of the country. | 0:00:32 | 0:00:35 | |
'I'm going to make you the new number band in Britain, naturally.' | 0:00:42 | 0:00:46 | |
'Mr Masterson asked if I would clear this up. | 0:00:46 | 0:00:49 | |
What a mess. | 0:00:49 | 0:00:51 | |
'I was so clumsy last night. | 0:00:51 | 0:00:52 | |
Goodness knows what people must think. | 0:00:52 | 0:00:54 | |
Mr Masterson's having a picnic. You really must join us. | 0:00:54 | 0:00:57 | |
Is anybody sitting here? | 0:00:57 | 0:00:59 | |
No, by all means. | 0:00:59 | 0:01:01 | |
I'm very ambitious, Louis. So should you be. | 0:01:01 | 0:01:04 | |
Do you think I'm not? | 0:01:04 | 0:01:05 | |
She's incredible, isn't she? Do you think she'll ever like me? | 0:01:05 | 0:01:08 | |
I need to find something to really impress her. | 0:01:08 | 0:01:11 | |
'Mr Holt is a British Citizen.' | 0:01:11 | 0:01:13 | |
'The deadline cannot be extended. | 0:01:13 | 0:01:15 | |
'Nor is there any other process of appeal.' | 0:01:15 | 0:01:18 | |
That important telephone call is taking place as we speak. | 0:01:18 | 0:01:20 | |
I do hope you will be here to entertain your future King. | 0:01:22 | 0:01:25 | |
APPLAUSE | 0:01:25 | 0:01:27 | |
JAZZ MUSIC PLAYS | 0:01:36 | 0:01:39 | |
When do we get the cake, Mummy? | 0:02:13 | 0:02:15 | |
It must be time for the cake! | 0:02:15 | 0:02:17 | |
Where is the cake?! Where is the cake?! | 0:02:17 | 0:02:22 | |
Listen to the funny music. | 0:02:22 | 0:02:24 | |
It's a very nice cake, Mummy, | 0:02:33 | 0:02:35 | |
but why haven't the band got those black and white faces? | 0:02:35 | 0:02:39 | |
You said they would have black and white faces. | 0:02:39 | 0:02:43 | |
Louis! | 0:02:48 | 0:02:49 | |
-What are you doing here? -I've got some business with Mr Schlesinger. | 0:02:49 | 0:02:53 | |
Anyway, that's not much of a greeting, Louis. | 0:02:53 | 0:02:55 | |
-You're the last person I want to see. -Why, what have I done? | 0:02:55 | 0:02:57 | |
That's exactly the point, Stanley, you've done nothing! | 0:02:57 | 0:03:00 | |
Remind me of what I was meant to be doing? | 0:03:00 | 0:03:01 | |
Don't try that, you know perfectly well. | 0:03:01 | 0:03:03 | |
We are without a manager. I'm having to do that myself! | 0:03:03 | 0:03:06 | |
And we're playing children's birthday parties. | 0:03:06 | 0:03:08 | |
You're still the top featured band in this hotel. | 0:03:08 | 0:03:10 | |
And no-one's going to get deported while you're here. | 0:03:10 | 0:03:13 | |
We've not been on the wireless, we haven't made a record yet. | 0:03:13 | 0:03:15 | |
I seem to remember somebody boasting they could make us | 0:03:15 | 0:03:18 | |
-the number one band in Britain. -And I will. | 0:03:18 | 0:03:20 | |
I haven't changed my mind about that. These things take time. | 0:03:20 | 0:03:23 | |
I thought that's what you believed in, Louis, things taking time! | 0:03:23 | 0:03:27 | |
Mind you, I quite like seeing you a bit impatient. | 0:03:28 | 0:03:30 | |
Oh, you do, do you? | 0:03:30 | 0:03:31 | |
Oh, I'd better not, not after what happened to Wesley. | 0:03:31 | 0:03:34 | |
Yes, and that's the most serious, of course. | 0:03:34 | 0:03:36 | |
-I still don't know what really went on. -How do you mean? | 0:03:36 | 0:03:39 | |
You know exactly what I mean! | 0:03:39 | 0:03:40 | |
I don't know why he was thrown out of the country. | 0:03:40 | 0:03:42 | |
Mr Donaldson told me he was handling everything, he lied to me. | 0:03:42 | 0:03:45 | |
That's a serious charge, Louis. | 0:03:45 | 0:03:47 | |
Do you want the opportunity to say it to his face? | 0:03:47 | 0:03:50 | |
So you wanted to see me, Mr Lester? | 0:03:58 | 0:04:00 | |
Yes, I did, very much. | 0:04:00 | 0:04:02 | |
The bar is closed but perhaps I can use my influence, | 0:04:02 | 0:04:06 | |
since it is almost the legal hour, and get you a glass of wine? | 0:04:06 | 0:04:10 | |
No, thank you, I don't need anything. | 0:04:10 | 0:04:12 | |
Except to know if I lied to you? | 0:04:12 | 0:04:13 | |
Whether I ever really tried to stop your friend from being deported? | 0:04:13 | 0:04:16 | |
-You'd like to know that, wouldn't you? -I would, yes. | 0:04:16 | 0:04:19 | |
Sometimes one overstates what one can do, | 0:04:19 | 0:04:23 | |
maybe out of arrogance or a desire to please. | 0:04:23 | 0:04:26 | |
It's a terrible thing to suddenly be thrown out of the country. | 0:04:28 | 0:04:31 | |
It is, yes, and I don't know what happened to him. | 0:04:31 | 0:04:33 | |
I probably never will. | 0:04:33 | 0:04:35 | |
And now you have no manager | 0:04:35 | 0:04:37 | |
and you're stuck playing in this old place. | 0:04:37 | 0:04:39 | |
It's good to have a regular job, of course. | 0:04:39 | 0:04:41 | |
I thought that after the Prince of Wales heard us play, | 0:04:41 | 0:04:43 | |
-and all that excitement... -You were going to be making records? | 0:04:43 | 0:04:46 | |
You were going to be on the wireless? | 0:04:46 | 0:04:49 | |
Yes, I did think that. | 0:04:49 | 0:04:50 | |
The trouble is, Mr Lester, | 0:04:50 | 0:04:52 | |
the people in charge of these places are quite unbelievably conservative. | 0:04:52 | 0:04:56 | |
Sir John Reith, for instance, at the BBC, detests jazz music. | 0:04:56 | 0:05:00 | |
So it's never going to happen, then. | 0:05:00 | 0:05:02 | |
Mr Lester, I'm a man of leisure who is addicted to the new, | 0:05:02 | 0:05:07 | |
whose chief excitement in life is spotting and encouraging new talent. | 0:05:07 | 0:05:11 | |
I do want to help you. Will you let me do that? | 0:05:11 | 0:05:15 | |
It depends in what way. | 0:05:15 | 0:05:17 | |
I've actually come with a request right now. | 0:05:17 | 0:05:19 | |
Lady Cremone, | 0:05:21 | 0:05:22 | |
an old friend of mine, would like you to play at a funeral. | 0:05:22 | 0:05:25 | |
To play at a funeral? And that's going to help us? | 0:05:25 | 0:05:27 | |
-Yes. -Whose funeral is it? | 0:05:27 | 0:05:30 | |
Her estate manager. | 0:05:30 | 0:05:31 | |
She is a very interesting woman, Lavinia, | 0:05:31 | 0:05:33 | |
we tend to get excited about the same things. | 0:05:33 | 0:05:35 | |
She's become a bit of a recluse recently. | 0:05:35 | 0:05:38 | |
She lives in an appalling remote spot! | 0:05:38 | 0:05:40 | |
You will be staying in her house, but that's no guarantee that | 0:05:40 | 0:05:44 | |
you will get to meet her. | 0:05:44 | 0:05:46 | |
But if you do, Mr Lester, | 0:05:46 | 0:05:47 | |
she is someone who knows even more important people than I do. | 0:05:47 | 0:05:52 | |
Stanley will be going to the funeral to try to get to meet her. | 0:05:53 | 0:05:57 | |
And so will Sarah. | 0:05:57 | 0:05:58 | |
DRUMS BEAT | 0:06:02 | 0:06:05 | |
CHILDREN LAUGH | 0:06:07 | 0:06:08 | |
SLOW JAZZ MUSIC STARTS | 0:06:11 | 0:06:13 | |
# Lord, lead me on | 0:06:37 | 0:06:44 | |
# Lord, lead me on | 0:06:46 | 0:06:53 | |
# Guide me on my final journey | 0:06:53 | 0:07:01 | |
-# Lead me on. -Lord, lead me on... # | 0:07:02 | 0:07:08 | |
Oh, Mr Lester, I want to thank you, from the bottom of my heart, | 0:07:13 | 0:07:18 | |
for coming all this way and playing for Charlie. | 0:07:18 | 0:07:22 | |
We're delighted to be here, ma'am. | 0:07:22 | 0:07:24 | |
He would be so thrilled - he is so thrilled. | 0:07:24 | 0:07:27 | |
He had all the latest gramophone records sent over from America. | 0:07:27 | 0:07:31 | |
Yes, he did. | 0:07:31 | 0:07:33 | |
There's one in his coffin now, there is! | 0:07:33 | 0:07:36 | |
You will come and play for everybody later? | 0:07:36 | 0:07:39 | |
Please, I...I know they would so like that. | 0:07:39 | 0:07:42 | |
Oh, do say yes! | 0:07:42 | 0:07:43 | |
JAZZ MUSIC PLAYS | 0:07:43 | 0:07:45 | |
Do I dare? | 0:07:50 | 0:07:52 | |
Dare what? | 0:07:52 | 0:07:53 | |
Do I dare run over there? | 0:07:54 | 0:07:56 | |
I don't know what's stopping you, Stanley. | 0:07:56 | 0:07:58 | |
You're right. | 0:07:58 | 0:08:00 | |
Your Ladyship, forgive me, I just wanted to introduce myself. | 0:08:13 | 0:08:17 | |
I'm Stanley Mitchell. I'm friends with the musicians. | 0:08:17 | 0:08:21 | |
Are you a journalist? | 0:08:21 | 0:08:23 | |
Blimey, is it that obvious, is it? Yes. Yes, I am. | 0:08:23 | 0:08:26 | |
I have nothing against journalists, I just never talk to them, | 0:08:26 | 0:08:29 | |
-and certainly not at funerals. -Of course. | 0:08:29 | 0:08:31 | |
I understand that, but, actually, we might bump into each other | 0:08:31 | 0:08:34 | |
later on today because you're kindly allowing the band to | 0:08:34 | 0:08:37 | |
stay on your estate, and well, um, I've always wanted to meet you. | 0:08:37 | 0:08:42 | |
And just in case we run into each other later on, | 0:08:42 | 0:08:44 | |
I just thought I'd say hello. | 0:08:44 | 0:08:46 | |
And now you've done it, and at considerable length. | 0:08:46 | 0:08:49 | |
Oh, er, I don't expect it will mean anything to you, | 0:08:49 | 0:08:52 | |
but I'm deputy editor and chief writer for Music Express. | 0:08:52 | 0:08:56 | |
Are you, Mr Mitchell? How very interesting. | 0:08:57 | 0:09:01 | |
Why don't you come for tea at 4pm? | 0:09:02 | 0:09:04 | |
You and the band leader, Mr Lester. | 0:09:04 | 0:09:07 | |
Did she invite me too, do you think? To tea? | 0:09:17 | 0:09:20 | |
Of course! You know her, anyway. | 0:09:20 | 0:09:23 | |
I don't know her. | 0:09:23 | 0:09:25 | |
I photographed her once in London, and she didn't like that very much. | 0:09:25 | 0:09:29 | |
Here goes! | 0:09:33 | 0:09:35 | |
This was the perfect funeral for Charlie. | 0:09:44 | 0:09:47 | |
I know there is the view that your kind of music can only appeal | 0:09:47 | 0:09:50 | |
to a very small audience, but we saw just now in the village | 0:09:50 | 0:09:54 | |
how all sorts of people can respond. | 0:09:54 | 0:09:57 | |
You're absolutely right, your Ladyship. | 0:09:57 | 0:09:59 | |
I'm sure you're wondering if I know anything about music, | 0:09:59 | 0:10:02 | |
your music, someone of my age. | 0:10:02 | 0:10:04 | |
I wasn't wondering that. | 0:10:04 | 0:10:05 | |
Mr Mitchell, if you would be so kind. | 0:10:05 | 0:10:07 | |
Over there, on the second shelf, can you see the red binders? | 0:10:10 | 0:10:13 | |
Blimey! I don't believe it! | 0:10:22 | 0:10:25 | |
Bound copies of Music Express! | 0:10:25 | 0:10:29 | |
I've never seen that in somebody else's house before! | 0:10:30 | 0:10:32 | |
Of course not. I don't suppose anyone else would be mad enough. | 0:10:32 | 0:10:35 | |
I know what I'm about to say is very stupid. | 0:10:35 | 0:10:38 | |
Well, what is it, Mr Mitchell? | 0:10:38 | 0:10:40 | |
You wouldn't...you wouldn't, would you, let me interview you? Now? | 0:10:40 | 0:10:44 | |
I've always wanted to interview you. | 0:10:44 | 0:10:45 | |
Well, that would depend on the quality of the questions. | 0:10:45 | 0:10:48 | |
Sarah, Louis, you want to go | 0:10:50 | 0:10:51 | |
and have a look at the garden, don't you? | 0:10:51 | 0:10:54 | |
THEY GIGGLE | 0:10:55 | 0:10:58 | |
Stanley! He's incorrigible. He's such a rogue! | 0:10:58 | 0:11:01 | |
-Don't change your mind. -I think I've already changed my mind. | 0:11:03 | 0:11:06 | |
No, no, you can't. | 0:11:06 | 0:11:07 | |
I hate talking about myself, I always have. | 0:11:07 | 0:11:10 | |
I am going to say, "Is it true?" | 0:11:10 | 0:11:12 | |
And you're going to agree, or rather | 0:11:12 | 0:11:14 | |
if you'd be so kind as to agree, or not. | 0:11:14 | 0:11:17 | |
And I'm going to see how many I get away with before you stop me. | 0:11:17 | 0:11:21 | |
Now, is it true Noel Coward sends you all of his plays | 0:11:21 | 0:11:27 | |
to read before he puts them on? | 0:11:27 | 0:11:29 | |
Yes. | 0:11:29 | 0:11:30 | |
Is it true that you told MGM to sign Greta Garbo | 0:11:30 | 0:11:34 | |
after you saw her in a Swedish film? | 0:11:34 | 0:11:36 | |
Well, when I was living in America, I spent time both in New York | 0:11:36 | 0:11:40 | |
and Los Angeles, and so I met all sorts of people. | 0:11:40 | 0:11:44 | |
Some of them were in the film business, | 0:11:44 | 0:11:45 | |
and sometimes they asked for my opinion. | 0:11:45 | 0:11:47 | |
I'm going to say that's true, then. | 0:11:47 | 0:11:49 | |
This must be the memorial garden for her sons. | 0:11:53 | 0:11:56 | |
All three of her sons were killed in the war. | 0:11:58 | 0:12:01 | |
All three? That's terrible. | 0:12:01 | 0:12:04 | |
Yes, how do you get over something like that? | 0:12:04 | 0:12:07 | |
Are your parents still alive, Louis? | 0:12:08 | 0:12:11 | |
No, they're not. | 0:12:11 | 0:12:13 | |
My father did fight in the war, but he didn't die in it. | 0:12:13 | 0:12:16 | |
Yes, there were coloured soldiers, Sarah! | 0:12:16 | 0:12:19 | |
I'm sorry. I didn't mean to look so surprised, I've just never | 0:12:19 | 0:12:22 | |
heard of that before, but of course there must've been. | 0:12:22 | 0:12:26 | |
Yes. He survived the war, my dad, | 0:12:26 | 0:12:29 | |
but both my parents died in the flu epidemic. | 0:12:29 | 0:12:32 | |
It happened very quickly. | 0:12:32 | 0:12:34 | |
What did you do? | 0:12:34 | 0:12:36 | |
That's when I started travelling, went to all sorts of places. | 0:12:36 | 0:12:40 | |
I spent time in Paris playing in bars, time in New York, | 0:12:40 | 0:12:44 | |
and a lot of time on the ocean liners, as you know. | 0:12:44 | 0:12:47 | |
So you've seen more of the world than I have? | 0:12:47 | 0:12:49 | |
Yes. | 0:12:49 | 0:12:50 | |
Is it true that you've been trying very hard to get different | 0:12:51 | 0:12:55 | |
things played on the wireless, a more exciting repertoire? | 0:12:55 | 0:12:58 | |
Especially jazz music? | 0:12:58 | 0:12:59 | |
But I've been extremely unsuccessful so far. | 0:12:59 | 0:13:03 | |
Now, Mr Mitchell, this has got to stop, | 0:13:03 | 0:13:06 | |
it's been oddly enjoyable, but that's quite enough. | 0:13:06 | 0:13:09 | |
Just one more, please! | 0:13:09 | 0:13:11 | |
Is it true that famous artists have trekked across the world | 0:13:11 | 0:13:14 | |
to see you, just turned up on your doorstep? | 0:13:14 | 0:13:17 | |
-That is not true. -Are you sure? | 0:13:17 | 0:13:19 | |
That is not true, Mr Mitchell. Now shall we...? | 0:13:19 | 0:13:21 | |
But is it possible somebody could come here, almost by accident, | 0:13:21 | 0:13:24 | |
who was extraordinary? And then you want to see them properly? | 0:13:24 | 0:13:27 | |
-You mean The Louis Lester Band? -And of course the singer Jessie. | 0:13:27 | 0:13:30 | |
Ah, that young girl? | 0:13:30 | 0:13:31 | |
Yes, I saw her sing at the funeral. | 0:13:31 | 0:13:33 | |
Yes, but you were an awfully long way away! | 0:13:33 | 0:13:36 | |
Can she sing again for you in the morning? | 0:13:36 | 0:13:38 | |
SHE SHIVERS | 0:13:44 | 0:13:46 | |
You too? Oh, my God, it's freezing, isn't it? | 0:14:08 | 0:14:11 | |
So cold! We just had to have some tea. | 0:14:11 | 0:14:14 | |
Yes, I don't think I've been this cold in my life. | 0:14:14 | 0:14:16 | |
Perfect. | 0:14:21 | 0:14:22 | |
Right, I'm going to go back with this, | 0:14:23 | 0:14:26 | |
see if I can make it through the night! Cheerio. | 0:14:26 | 0:14:29 | |
Isn't it funny, a lady with such modern taste | 0:14:32 | 0:14:35 | |
and her house is this cold. | 0:14:35 | 0:14:37 | |
HE LAUGHS | 0:14:37 | 0:14:38 | |
And it creaks, too! | 0:14:38 | 0:14:40 | |
That's a bit warmer, isn't it? | 0:14:58 | 0:14:59 | |
HE CLEARS THROAT | 0:15:25 | 0:15:27 | |
I think she might be awake! | 0:15:27 | 0:15:29 | |
So best not to take any chances! Night-night. | 0:15:29 | 0:15:33 | |
We're not late, are we, your Ladyship? | 0:15:56 | 0:15:58 | |
No, no, any time during my breakfast will do. | 0:15:58 | 0:16:01 | |
So, my child, would you like to sing something for me? | 0:16:01 | 0:16:04 | |
I'll try, yes. | 0:16:04 | 0:16:05 | |
# Wind blows round the steeple | 0:16:14 | 0:16:18 | |
# Empty world and sleepy people | 0:16:18 | 0:16:22 | |
# I lie awake and listen | 0:16:22 | 0:16:25 | |
# For the midnight train a-whistlin'... # | 0:16:25 | 0:16:30 | |
What's the matter, child? | 0:16:36 | 0:16:38 | |
I don't think Jessie has ever seen an artichoke before. | 0:16:39 | 0:16:44 | |
Have you not, my dear? | 0:16:44 | 0:16:45 | |
Well, then you must have one, of course, at once! | 0:16:45 | 0:16:50 | |
CAMERA CLICKS | 0:16:50 | 0:16:51 | |
That's very good, your Ladyship, hold it like that. | 0:16:51 | 0:16:54 | |
Did she say anything about Jessie? | 0:16:56 | 0:16:58 | |
No. Not a thing. | 0:16:58 | 0:17:00 | |
Are there going to be many more of these? | 0:17:00 | 0:17:02 | |
I'm beginning to wonder why I agreed to it. | 0:17:02 | 0:17:04 | |
Just one or two more. | 0:17:04 | 0:17:06 | |
Have we done ourselves any good, do you think? | 0:17:06 | 0:17:08 | |
It's quite hard to tell. | 0:17:08 | 0:17:10 | |
I really don't know what she is doing on the cover. Lady Cremone! | 0:17:10 | 0:17:14 | |
Of course I've heard of her, I know who she is, | 0:17:14 | 0:17:17 | |
but she's not a bandleader, she's not a musician of any sort. | 0:17:17 | 0:17:20 | |
What on earth is she doing on the cover?! | 0:17:20 | 0:17:22 | |
You agreed to it, Mr Wax. | 0:17:22 | 0:17:24 | |
I don't believe I did, Stanley, you must have misheard me. | 0:17:24 | 0:17:27 | |
And yet again, there is an article on The Louis Lester band! | 0:17:27 | 0:17:31 | |
I've lost count of the number of articles you've done on them. | 0:17:31 | 0:17:33 | |
They are going to be the biggest band in Britain | 0:17:33 | 0:17:35 | |
and we will have helped create them. | 0:17:35 | 0:17:37 | |
There he goes again! He's always exaggerating. | 0:17:37 | 0:17:40 | |
Stanley, you make me laugh, with all your claims, you really do! | 0:17:40 | 0:17:44 | |
Do you think I'm exaggerating? | 0:17:47 | 0:17:49 | |
Maybe. Mr Wax is right, you often do. | 0:17:49 | 0:17:52 | |
You're still angry with me, Rosie, aren't you? | 0:17:52 | 0:17:55 | |
No, I know what to expect from you, Stanley. | 0:17:56 | 0:17:59 | |
After all, I've seen enough of it over the last two years, | 0:17:59 | 0:18:02 | |
quite enough. | 0:18:02 | 0:18:03 | |
-You're not quitting, are you? -Of course not. | 0:18:03 | 0:18:05 | |
I know this magazine is going to really grow, | 0:18:05 | 0:18:07 | |
and soon you won't be able to write it all yourself, | 0:18:07 | 0:18:10 | |
you'll be looking round for another writer. | 0:18:10 | 0:18:13 | |
And there'll be one right here in this office. Won't there? | 0:18:13 | 0:18:17 | |
And so there will, Rosie. | 0:18:17 | 0:18:19 | |
There you are! | 0:18:19 | 0:18:20 | |
I just dropped by to give you this. These are for you, Jessie. | 0:18:23 | 0:18:27 | |
Oh, thank you, Mr Luscombe, they're beautiful. | 0:18:27 | 0:18:32 | |
And these are for you. | 0:18:32 | 0:18:35 | |
-For me? -Yes, I meant to get them the same size. | 0:18:35 | 0:18:38 | |
No, don't worry about that, they're lovely. | 0:18:38 | 0:18:40 | |
Look at this room! | 0:18:40 | 0:18:42 | |
No, I won't come in, thank you, but this room isn't nearly good enough. | 0:18:42 | 0:18:46 | |
-We love this room! -Oh, it's the best room I've ever slept in. | 0:18:46 | 0:18:49 | |
No, no I'd like to arrange something better for you both, | 0:18:49 | 0:18:51 | |
I can do it easily! | 0:18:51 | 0:18:53 | |
No, no, please don't. We're really happy here. | 0:18:53 | 0:18:55 | |
Please don't, Mr Luscombe! | 0:18:55 | 0:18:57 | |
Oh, well, if you don't want me to, then I won't. | 0:18:57 | 0:18:59 | |
Soon of course, you'll be staying in the biggest suites | 0:18:59 | 0:19:02 | |
in the most fashionable hotels all across the world! | 0:19:02 | 0:19:05 | |
That's not going to happen, Mr Luscombe! | 0:19:05 | 0:19:07 | |
Oh yes, and people are going to be crossing the Atlantic just to | 0:19:07 | 0:19:10 | |
attend one of your concerts. And they'll wait for nights | 0:19:10 | 0:19:13 | |
in the street, just to get a glance of you as you drive away in a car. | 0:19:13 | 0:19:15 | |
You mustn't do this, Mr Luscombe. | 0:19:15 | 0:19:18 | |
And when you go abroad, even to the most faraway places, | 0:19:18 | 0:19:21 | |
people will come running out of their houses into the street | 0:19:21 | 0:19:24 | |
calling your name and blowing kisses! | 0:19:24 | 0:19:26 | |
Julian! > | 0:19:26 | 0:19:28 | |
I can't believe it, he's found me, even up here. | 0:19:28 | 0:19:31 | |
Julian! | 0:19:31 | 0:19:33 | |
It's my employer. | 0:19:36 | 0:19:37 | |
Julian! | 0:19:37 | 0:19:39 | |
Excuse me. | 0:19:41 | 0:19:42 | |
You have to go? | 0:19:42 | 0:19:44 | |
"The audience are crying out for a more exciting choice | 0:19:51 | 0:19:54 | |
"of music on the wireless, and this has to be delivered now! | 0:19:54 | 0:19:56 | |
"At the moment, they are being fed a tired | 0:19:56 | 0:19:58 | |
"and familiar diet, the same bands every night of the week!" | 0:19:58 | 0:20:01 | |
-What do you think so far, Mick? -Quite strong stuff, Mr Mitchell. | 0:20:01 | 0:20:04 | |
Damn right. "Listeners will soon be switching off in droves | 0:20:04 | 0:20:06 | |
"or hunting to find more exciting sounds, | 0:20:06 | 0:20:08 | |
"readily available from rival stations abroad." | 0:20:08 | 0:20:11 | |
Oh, it's you! | 0:20:13 | 0:20:15 | |
Oh, it's me, yes. | 0:20:15 | 0:20:16 | |
Give this to Rosie. | 0:20:16 | 0:20:17 | |
Tell her to take a look at it and see if she approves. | 0:20:17 | 0:20:20 | |
Sorry, you took me by surprise. | 0:20:20 | 0:20:22 | |
Don't worry, most people don't say, "Oh, it's you" when they see me, | 0:20:22 | 0:20:25 | |
so I suppose you can. | 0:20:25 | 0:20:27 | |
-I'm just a little behind, is all. -I'm interrupting, forgive me. | 0:20:27 | 0:20:30 | |
No, you're not. I'm always behind. and er, well, I always catch up. | 0:20:30 | 0:20:34 | |
I'm very glad to see you. | 0:20:34 | 0:20:36 | |
I'm glad to see you too, Stanley. | 0:20:36 | 0:20:38 | |
Please. | 0:20:38 | 0:20:40 | |
I think about you, every week, when I read your magazine. | 0:20:40 | 0:20:43 | |
You think about me just once a week? Is that all? | 0:20:43 | 0:20:45 | |
-Yes, but that's quite good, isn't it? -Hmm. | 0:20:45 | 0:20:49 | |
I know you think I'm not really interested in your magazine. | 0:20:49 | 0:20:53 | |
Did I ever say that? | 0:20:53 | 0:20:55 | |
No, but you think it. | 0:20:55 | 0:20:56 | |
I have noticed a few things. It's changing, isn't it? | 0:20:56 | 0:21:00 | |
It's getting more political. | 0:21:00 | 0:21:01 | |
I wouldn't go that far, I still have to get everything past Wax! | 0:21:01 | 0:21:04 | |
But you're sneaking more and more things in. | 0:21:04 | 0:21:06 | |
Like...Farquhar and Tonk running a soup kitchen! | 0:21:06 | 0:21:12 | |
That's right. We managed to get that past Mr Wax. | 0:21:12 | 0:21:15 | |
You'll laugh, but as it happens, I know what it's like to be hungry. | 0:21:15 | 0:21:20 | |
You do? | 0:21:20 | 0:21:21 | |
You don't have to look quite so serious, Stanley! | 0:21:21 | 0:21:24 | |
I starved myself for ten days a couple of years ago. | 0:21:24 | 0:21:27 | |
I could say it was to try and understand what it's like to | 0:21:27 | 0:21:29 | |
be really hungry, but actually, I was just trying to | 0:21:29 | 0:21:33 | |
shock my parents, who are quite the dullest people in England. | 0:21:33 | 0:21:36 | |
Don't say anything to that, Stanley! | 0:21:37 | 0:21:38 | |
Probably best I don't say anything, no. | 0:21:38 | 0:21:40 | |
So you can put me in this cartoon, | 0:21:40 | 0:21:42 | |
looking like a skeleton, mad eyes popping out, | 0:21:42 | 0:21:45 | |
dressed in a ball gown with a coronet on my head! | 0:21:45 | 0:21:47 | |
You think I'd do that? | 0:21:47 | 0:21:48 | |
Yes, Stanley, I really think you would. | 0:21:48 | 0:21:52 | |
There's a telephone call for you, Mr Mitchell. | 0:21:54 | 0:21:57 | |
Yes, I'm coming. | 0:21:57 | 0:21:59 | |
Hello? | 0:22:01 | 0:22:03 | |
I'm on the cover of your magazine, Mr Mitchell. | 0:22:03 | 0:22:05 | |
You never said you were going to do that! | 0:22:05 | 0:22:07 | |
It was too good an opportunity to miss. I hope you don't mind. | 0:22:07 | 0:22:09 | |
Well, it's an extraordinary thing to do. | 0:22:09 | 0:22:12 | |
'I'm not a performer, who wants to see what I look like?' | 0:22:12 | 0:22:14 | |
-More people than you think. -I should be furious with you. | 0:22:14 | 0:22:18 | |
'In fact, I am furious with you, but that's not why I'm ringing you. | 0:22:18 | 0:22:21 | |
'I have another reason, something a little more interesting.' | 0:22:21 | 0:22:25 | |
I've had a notion, Mr Mitchell. | 0:22:25 | 0:22:27 | |
HE HUMS | 0:22:27 | 0:22:29 | |
Hello, Louis. | 0:22:31 | 0:22:32 | |
You're not going to like what I am about to say to you at all. | 0:22:35 | 0:22:38 | |
Same as most days, then. | 0:22:38 | 0:22:39 | |
You've got to go back to that basement club where we first met. | 0:22:39 | 0:22:42 | |
Says who? | 0:22:42 | 0:22:44 | |
Says me. You're going to play the most important session of your life. | 0:22:44 | 0:22:48 | |
Deirdre, you look magnificent! | 0:22:56 | 0:22:58 | |
Thank you, Stanley, I don't often get a chance to dress up like this. | 0:22:58 | 0:23:02 | |
I hate to say this, Deirdre, but you need to clean this place. | 0:23:03 | 0:23:06 | |
It's been cleaned! What do you think I've been doing? | 0:23:06 | 0:23:09 | |
We're not leaving anything to chance. | 0:23:09 | 0:23:11 | |
Mr Lester! Mr Masterson needs to see you. | 0:23:13 | 0:23:17 | |
I can't see him tonight, Harry, it's our night off, | 0:23:17 | 0:23:19 | |
we have a booking elsewhere. | 0:23:19 | 0:23:21 | |
Mr Masterson indicated it was rather urgent. | 0:23:21 | 0:23:24 | |
Come in, Mr Lester. Come in. | 0:23:24 | 0:23:26 | |
You've been here before, of course. | 0:23:28 | 0:23:30 | |
I have, yes. | 0:23:30 | 0:23:32 | |
I like this suite. There are even bigger suites in the hotel | 0:23:32 | 0:23:35 | |
but I'm fond of this one. | 0:23:35 | 0:23:37 | |
When you've seen as many hotel rooms as I have, | 0:23:37 | 0:23:39 | |
you get a feeling for one that fits. | 0:23:39 | 0:23:41 | |
Yes, you may have heard about my interest in gold, Mr Lester, | 0:23:42 | 0:23:47 | |
keeping it close. | 0:23:47 | 0:23:49 | |
You can think you've covered every possible eventuality, | 0:23:49 | 0:23:52 | |
how things can go wrong, but you never have. | 0:23:52 | 0:23:55 | |
There will always be something that comes up from behind | 0:23:55 | 0:23:58 | |
and tries to destroy everything one's created, | 0:23:58 | 0:24:01 | |
no matter how powerful one's position appears to be. | 0:24:01 | 0:24:05 | |
So one has to be prepared. | 0:24:05 | 0:24:08 | |
I like to know I can fight back. | 0:24:08 | 0:24:10 | |
Mr Masterson, I have an urgent engagement tonight, | 0:24:12 | 0:24:15 | |
-so if we could.... -Julian will be at the club tonight, won't he? | 0:24:15 | 0:24:18 | |
I don't know who's going to be there, | 0:24:18 | 0:24:20 | |
we've not been given the guest list. | 0:24:20 | 0:24:21 | |
Would you just tell Julian not to worry, | 0:24:21 | 0:24:24 | |
I've completely taken care of it. | 0:24:24 | 0:24:27 | |
And would you give him this? | 0:24:27 | 0:24:29 | |
You will remember, won't you? | 0:24:31 | 0:24:33 | |
I will, yes. I really must go. | 0:24:34 | 0:24:37 | |
If you were wondering... | 0:24:37 | 0:24:38 | |
I wasn't wondering. | 0:24:38 | 0:24:39 | |
It's a little debt I've taken care of. | 0:24:39 | 0:24:42 | |
You will tell him that and give him the envelope? | 0:24:42 | 0:24:45 | |
TRAINS RATTLE | 0:24:45 | 0:24:48 | |
-Where the hell have you been? -Something came up. | 0:24:59 | 0:25:01 | |
Give me your coat. | 0:25:01 | 0:25:03 | |
Are you mad?! This is the one time you couldn't be late! | 0:25:03 | 0:25:05 | |
-Why, is it that full? -Louis, Louis, let me look at you. | 0:25:05 | 0:25:08 | |
Your Royal Highness, I'm so sorry I'm so late. | 0:25:22 | 0:25:25 | |
Something happened and I... | 0:25:25 | 0:25:27 | |
Please, Mr Lester, you're here now and that's what matters. | 0:25:27 | 0:25:30 | |
You nearly disrupted the whole plan, Louis. | 0:25:30 | 0:25:32 | |
It's the most delightful plan. | 0:25:32 | 0:25:34 | |
PIANO MUSIC STARTS | 0:25:38 | 0:25:40 | |
No, no, no, what are you doing? | 0:25:40 | 0:25:42 | |
Has no-one told him? We're not starting yet. | 0:25:42 | 0:25:44 | |
We need to be brisk. You took so long eating your pudding. | 0:25:46 | 0:25:48 | |
I've never been to a club like this, | 0:25:48 | 0:25:50 | |
we usually send junior staff to these sort of places. | 0:25:50 | 0:25:52 | |
We don't even do that now. | 0:25:52 | 0:25:54 | |
-There you are! The last ones! Please hurry. -Hurry? | 0:25:55 | 0:25:57 | |
She's not going to stop us getting a drink, is she? | 0:25:57 | 0:26:00 | |
Bar's closed. | 0:26:00 | 0:26:01 | |
Maybe you've met His Royal Highness Prince George before? | 0:26:05 | 0:26:09 | |
This is Mr Boxley from His Master's Voice recording company, | 0:26:11 | 0:26:14 | |
and Mr Hardiman from the BBC. | 0:26:14 | 0:26:16 | |
Your Royal Highness, please accept our apologies. | 0:26:19 | 0:26:23 | |
I am most dreadfully sorry for being so late, we'd no idea... | 0:26:23 | 0:26:26 | |
No idea at all! No! | 0:26:26 | 0:26:28 | |
Lady Cremone didn't warn us. Please accept my abject apologies. | 0:26:28 | 0:26:32 | |
I, I didn't have an inkling. | 0:26:32 | 0:26:34 | |
Not an inkling, no! | 0:26:34 | 0:26:35 | |
It's very rude to be late! I'm never late! | 0:26:35 | 0:26:37 | |
HEAVY RAIN FALLS | 0:26:37 | 0:26:39 | |
-And now it's raining! -Let me apologise again, sir. | 0:26:39 | 0:26:41 | |
No, no, please, why don't we stop all these apologies | 0:26:41 | 0:26:44 | |
and listen to the music? | 0:26:44 | 0:26:45 | |
That's why we're here, isn't it? | 0:26:45 | 0:26:47 | |
Don't let the rain put you off! | 0:26:49 | 0:26:51 | |
# My man's gone away | 0:26:51 | 0:26:54 | |
# Left me feeling blue | 0:26:54 | 0:26:58 | |
# No good trying to chase him | 0:26:58 | 0:27:02 | |
# Cos he's run straight back to you | 0:27:02 | 0:27:05 | |
# Says he doesn't love you | 0:27:05 | 0:27:08 | |
# Though he sticks through thick and thin | 0:27:08 | 0:27:11 | |
# It's bad luck for the likes of me | 0:27:11 | 0:27:16 | |
# Because I don't wear his ring | 0:27:16 | 0:27:22 | |
MUSIC CONTINUES, MUFFLED | 0:27:22 | 0:27:24 | |
# I don't know why I love him | 0:27:24 | 0:27:27 | |
# I should quit and start again | 0:27:27 | 0:27:31 | |
# But there's an arrow through my heart | 0:27:31 | 0:27:34 | |
# Says he ain't like other men | 0:27:34 | 0:27:38 | |
# I got those lovelorn blues | 0:27:38 | 0:27:46 | |
# I got those lovelorn blues. # | 0:27:46 | 0:27:56 | |
MUSIC STARTS AGAIN | 0:28:09 | 0:28:11 | |
# Drinking alone and I'm happy to see you | 0:28:13 | 0:28:16 | |
# Ain't right or wrong if I do or I don't | 0:28:16 | 0:28:18 | |
# I'm holdin' on for a dance at the Voodoo | 0:28:18 | 0:28:21 | |
# Crazy in the mood for love | 0:28:21 | 0:28:23 | |
# Never say you won't be leaving | 0:28:23 | 0:28:25 | |
# You can buy me time and teasing | 0:28:25 | 0:28:28 | |
# You can show me ways of pleasing | 0:28:28 | 0:28:31 | |
# Crazy in the mood for love | 0:28:31 | 0:28:33 | |
# Crazy in love and I'm not going to make it | 0:28:33 | 0:28:36 | |
# This is a chance and I'm going to take it | 0:28:36 | 0:28:39 | |
SHE EXHALES | 0:28:39 | 0:28:40 | |
So far so good. I think my hands are shaking. | 0:28:40 | 0:28:44 | |
I've never seen you nervous before, Stanley. | 0:28:44 | 0:28:46 | |
Well, it is a fairly unusual audience, Deirdre. | 0:28:46 | 0:28:49 | |
# I can show you ways of pleasing | 0:28:49 | 0:28:51 | |
# Crazy in the mood for love | 0:28:51 | 0:28:54 | |
-# Crazy in love! -Crazy in love! | 0:28:54 | 0:28:57 | |
# Crazy in the mood for love. # | 0:28:57 | 0:28:59 | |
Marvellous, absolutely marvellous! | 0:29:03 | 0:29:06 | |
Wouldn't you agree, Mr Boxley and Mr Hardiman? | 0:29:06 | 0:29:10 | |
Yes, Your Royal Highness. | 0:29:10 | 0:29:12 | |
And you, Mr Hardiman, just right for the wireless, is it not? | 0:29:12 | 0:29:16 | |
CROWD CHATTER | 0:29:20 | 0:29:22 | |
Lavinia, I think that could be counted as a triumph! | 0:29:25 | 0:29:29 | |
Let's hope so. Poor little chickens, they look so mortified still. | 0:29:29 | 0:29:34 | |
It's just like one of your cartoons come to life, isn't it, Stanley? | 0:29:36 | 0:29:40 | |
Except it's a little sexier. | 0:29:40 | 0:29:42 | |
You sang wonderfully, my dear. | 0:29:47 | 0:29:51 | |
All those important people and they were so close! | 0:29:51 | 0:29:54 | |
Well, I'm not used to crowds either, so I am holding on tight! | 0:29:54 | 0:29:59 | |
THEY LAUGH | 0:30:00 | 0:30:02 | |
Ah, Mr Lester. It's been nice to talk to you. | 0:30:04 | 0:30:07 | |
Your Royal Highness? | 0:30:10 | 0:30:12 | |
Mr Lester, we must get to know each other a little better. | 0:30:12 | 0:30:15 | |
That would be an honour, Your Royal Highness. | 0:30:15 | 0:30:18 | |
Do you mean that? | 0:30:18 | 0:30:19 | |
Of course I do, sir. | 0:30:20 | 0:30:22 | |
Well, I wonder when we can do this? | 0:30:22 | 0:30:24 | |
I'm going to be here a little while longer yet, | 0:30:24 | 0:30:27 | |
but then maybe we can move on to some other place of entertainment? | 0:30:27 | 0:30:31 | |
Or whatever takes one's fancy? | 0:30:31 | 0:30:34 | |
HE SNORTS Look at those poor fellows! | 0:30:36 | 0:30:39 | |
Shall we put them out of their misery? | 0:30:39 | 0:30:41 | |
They cannot leave until I do, that's protocol, | 0:30:41 | 0:30:43 | |
but I think we've tortured them long enough. Mr Boxley! Mr Hardiman! | 0:30:43 | 0:30:46 | |
You really don't need to be here a moment longer than you want to be. | 0:30:46 | 0:30:49 | |
Oh no, Your Royal Highness, we're enjoying ourselves greatly. | 0:30:49 | 0:30:52 | |
We've no wish to leave. | 0:30:52 | 0:30:53 | |
Yes, but I know you want to make telephone calls in private | 0:30:53 | 0:30:56 | |
to your superiors about tonight. | 0:30:56 | 0:30:58 | |
Shan't be a moment. | 0:31:00 | 0:31:02 | |
You go too, go now. I'll grab another taxi. | 0:31:07 | 0:31:09 | |
It's best to slip away before the Prince gets, uh...too interested. | 0:31:09 | 0:31:12 | |
That's unless, of course, you want that, Louis. | 0:31:12 | 0:31:15 | |
Let's go to the hotel. | 0:31:15 | 0:31:16 | |
Oh, God, no, he'll probably follow you there. | 0:31:16 | 0:31:19 | |
Hang on, here's the keys to Music Express. | 0:31:19 | 0:31:21 | |
There's nobody there. | 0:31:21 | 0:31:22 | |
It's the one place in London he won't think to follow you. | 0:31:22 | 0:31:26 | |
Look at them! They won't be able to sleep for a week because of tonight, | 0:31:34 | 0:31:37 | |
the embarrassment of it all, they're going to wake up screaming! | 0:31:37 | 0:31:40 | |
I hope so! | 0:31:40 | 0:31:41 | |
You know, Mr Hardiman has to introduce the bands sometimes | 0:31:41 | 0:31:44 | |
on the wireless himself. It'd be so funny if he had to do that for you! | 0:31:44 | 0:31:48 | |
I forgot Julian! I forgot to give him the message! | 0:31:48 | 0:31:50 | |
-What about Julian? -I have to do this. I said I would. | 0:31:50 | 0:31:53 | |
I won't be a moment! | 0:31:53 | 0:31:54 | |
Julian, I have a message for you from Mr Masterson. | 0:32:06 | 0:32:09 | |
Do you? When did he give it to you? | 0:32:09 | 0:32:10 | |
Tonight. He says everything is taken care of. | 0:32:10 | 0:32:13 | |
-I think that's what he said. -He did, did he? | 0:32:13 | 0:32:15 | |
HE EXHALES AND LAUGHS | 0:32:20 | 0:32:21 | |
You got...you got soaked for me! | 0:32:21 | 0:32:24 | |
My heartfelt thanks, Louis, my dear friend! | 0:32:24 | 0:32:26 | |
All is right with the world. | 0:32:26 | 0:32:28 | |
I knew it would be, but sometimes you never know! | 0:32:28 | 0:32:31 | |
HE LAUGHS | 0:32:31 | 0:32:32 | |
HEAVY RAIN FALLS | 0:32:32 | 0:32:34 | |
Everything all right? | 0:32:36 | 0:32:38 | |
Yes, let's go, let's go now! | 0:32:38 | 0:32:41 | |
Yes, before they come after us! The Prince and his courtiers. | 0:32:41 | 0:32:45 | |
CROWD CHATTERS | 0:32:45 | 0:32:47 | |
This is exciting. I've never been allowed in Stanley's domain before. | 0:32:50 | 0:32:55 | |
There's some terrific photographs in here. | 0:32:57 | 0:33:00 | |
Everything that's ever interested Stanley is right here. | 0:33:00 | 0:33:03 | |
This room is like being inside his brain. | 0:33:03 | 0:33:05 | |
A toothbrush! | 0:33:06 | 0:33:08 | |
And a vest! | 0:33:12 | 0:33:14 | |
Yes, I think this is the nearest Stanley gets to a home. | 0:33:14 | 0:33:17 | |
I don't think he has a proper house or flat at all. | 0:33:17 | 0:33:20 | |
He sleeps here or at his mother's, or he doesn't sleep at all. | 0:33:20 | 0:33:24 | |
And he's got my photos up! | 0:33:24 | 0:33:26 | |
He asked me for some big copies, but I thought | 0:33:26 | 0:33:29 | |
he was just being polite. I didn't realise they'd be on display! | 0:33:29 | 0:33:32 | |
You know, they slept together on the train, Pamela and Stanley! | 0:33:34 | 0:33:39 | |
They didn't? I didn't know that. Are you sure? | 0:33:39 | 0:33:42 | |
Yes, but I don't know what's happened since. | 0:33:42 | 0:33:45 | |
You couldn't get two more different people, could you? | 0:33:45 | 0:33:48 | |
And here are all the others, about to play havoc with the band. | 0:33:48 | 0:33:52 | |
Don't say that. I told you, it's all real, their enthusiasm. | 0:33:52 | 0:33:56 | |
They absolutely love your music. | 0:33:58 | 0:33:59 | |
And so do I. | 0:34:02 | 0:34:03 | |
HEAVY RAIN FALLS | 0:34:05 | 0:34:06 | |
What on earth is that? | 0:34:06 | 0:34:08 | |
-It could be another earthquake! -HE LAUGHS | 0:34:08 | 0:34:10 | |
Don't laugh, there was an earthquake in London last year. | 0:34:10 | 0:34:13 | |
It was quite bad, actually! | 0:34:13 | 0:34:14 | |
What an incredible storm. | 0:34:20 | 0:34:22 | |
We have to go out in that! | 0:34:44 | 0:34:45 | |
THEY LAUGH | 0:34:45 | 0:34:47 | |
We can't let the chance go, we'd never forgive ourselves! Come on! | 0:34:47 | 0:34:51 | |
Whoa. It feels amazing! Come on, everybody! | 0:34:53 | 0:34:57 | |
THEY SQUEAL AND LAUGH | 0:34:57 | 0:35:01 | |
My dear brother, always so quiet and well behaved! | 0:35:01 | 0:35:04 | |
Come on, Your Royal Highness! You must come too! | 0:35:04 | 0:35:07 | |
Yes, come on! Please, come, come! | 0:35:07 | 0:35:10 | |
Why not? He's right! | 0:35:10 | 0:35:11 | |
It's not the sort of thing one gets the chance to do every day! | 0:35:11 | 0:35:15 | |
There you are. Royalty in a hailstorm! | 0:35:15 | 0:35:18 | |
It's amazing being here tonight, isn't it?! | 0:35:18 | 0:35:21 | |
Come on, Arthur, you're next! | 0:35:21 | 0:35:23 | |
Last chance to be young. | 0:35:23 | 0:35:25 | |
TRUMPET PLAYS | 0:35:26 | 0:35:29 | |
What's the matter? | 0:35:47 | 0:35:49 | |
It's just a little strange being watched by all of them. | 0:35:50 | 0:35:55 | |
Well, I could take them all down. | 0:35:55 | 0:35:57 | |
No, you don't, they're my photographs, remember! | 0:35:57 | 0:36:01 | |
On second thoughts, I can easily cope with them. | 0:36:02 | 0:36:06 | |
For God's sake, stop fussing. I will survive, don't worry! | 0:36:18 | 0:36:21 | |
Why don't you sing for us, Jessie? | 0:36:24 | 0:36:26 | |
Yes, that would warm us up! | 0:36:26 | 0:36:27 | |
Sing like this? | 0:36:27 | 0:36:29 | |
Yes, please. That would be nice. | 0:36:29 | 0:36:31 | |
Especially as Mr Lester has deserted us. | 0:36:31 | 0:36:34 | |
Well, of course, Your Royal Highness. | 0:36:34 | 0:36:37 | |
# There was a time | 0:36:40 | 0:36:42 | |
# I felt so low | 0:36:42 | 0:36:45 | |
# Each day was tough | 0:36:45 | 0:36:47 | |
# It scared me | 0:36:47 | 0:36:49 | |
# Dared not believe | 0:36:49 | 0:36:52 | |
# That I could live | 0:36:52 | 0:36:54 | |
# Life my way | 0:36:54 | 0:36:57 | |
# When I came to, my mind was clear | 0:36:58 | 0:37:03 | |
# Said my goodbyes and shed a tear | 0:37:03 | 0:37:07 | |
# Things will never be the same again | 0:37:07 | 0:37:13 | |
# My head up high | 0:37:13 | 0:37:15 | |
# I came to town | 0:37:15 | 0:37:18 | |
# And learned to love a little | 0:37:18 | 0:37:20 | |
# A little | 0:37:20 | 0:37:22 | |
# You showed me how to play the game | 0:37:22 | 0:37:26 | |
# That I succeed a little | 0:37:26 | 0:37:30 | |
# Now I can dream about us | 0:37:30 | 0:37:34 | |
# High as I can go | 0:37:34 | 0:37:38 | |
# I'm just on top of the world... # | 0:37:38 | 0:37:45 | |
Jessie! | 0:37:46 | 0:37:47 | |
It's in the shops now! Have you seen it? | 0:37:50 | 0:37:53 | |
And you bought so many of them, Mr Luscombe! | 0:37:56 | 0:37:59 | |
I just thought I'd help it along a little! | 0:37:59 | 0:38:01 | |
Not that it'll need it, of course. Now, will you come for a spin? | 0:38:01 | 0:38:07 | |
# I'm on top of the world | 0:38:07 | 0:38:10 | |
# I'm on top of the world | 0:38:10 | 0:38:13 | |
# I'm just on top of the world. # | 0:38:13 | 0:38:20 | |
ENGINE STOPS | 0:38:20 | 0:38:22 | |
# There was a time I felt so low | 0:38:24 | 0:38:28 | |
# Each day was tough... # | 0:38:28 | 0:38:30 | |
Don't laugh, | 0:38:30 | 0:38:32 | |
but I've being imagining for a long time playing your record | 0:38:32 | 0:38:35 | |
for the first time in this spot, with you sitting opposite me. | 0:38:35 | 0:38:39 | |
Why would I laugh? I'd never laugh at that. | 0:38:39 | 0:38:42 | |
Good. Then don't laugh at this either. You have to say yes! | 0:38:42 | 0:38:47 | |
That car is a present, I bought it for you. | 0:38:47 | 0:38:51 | |
Mr Luscombe! You didn't...? | 0:38:52 | 0:38:55 | |
But I can't drive! | 0:38:55 | 0:38:56 | |
I'll teach you. And Louis can use it too. | 0:38:56 | 0:38:59 | |
Say you'll keep it. Please, say yes. | 0:38:59 | 0:39:02 | |
Yes! | 0:39:04 | 0:39:06 | |
I like this edition. I had a feeling about this Louis Lester Band. | 0:39:06 | 0:39:10 | |
I always said put them on the cover, didn't I? | 0:39:10 | 0:39:13 | |
I knew they'd become a big news story. | 0:39:13 | 0:39:16 | |
HE CHUCKLES | 0:39:18 | 0:39:20 | |
And now coming directly from the Imperial Hotel London | 0:39:20 | 0:39:24 | |
for the first time ever on the wireless, | 0:39:24 | 0:39:28 | |
we are delighted to present the Louis Lester Band! | 0:39:28 | 0:39:32 | |
One, two, one, two, three, four. | 0:39:32 | 0:39:35 | |
BAND PLAYS | 0:39:35 | 0:39:38 | |
# All my life I've been somebody | 0:39:43 | 0:39:46 | |
# All fired up and not nobody | 0:39:46 | 0:39:48 | |
# Shout it loud, beat the crowd | 0:39:48 | 0:39:51 | |
# This girl's going far | 0:39:51 | 0:39:53 | |
# Blow, just blow | 0:39:53 | 0:39:55 | |
# Don't you know | 0:39:55 | 0:39:57 | |
# I'm gonna be a star | 0:39:57 | 0:39:59 | |
What do you think, Mum? You think she can sing? | 0:40:03 | 0:40:06 | |
Very nice, dear. They always manage to find such good new | 0:40:06 | 0:40:10 | |
singers on the wireless, don't they? | 0:40:10 | 0:40:12 | |
When they listen to me, they do! | 0:40:12 | 0:40:13 | |
I've tried everything to get this band on the wireless. | 0:40:13 | 0:40:16 | |
Of course, dear. But they do know best in the end, don't they? | 0:40:16 | 0:40:20 | |
# Now I realise you were just bluffing | 0:40:22 | 0:40:25 | |
# Strut my stuff, I don't say maybe | 0:40:25 | 0:40:27 | |
# Looks that kill | 0:40:27 | 0:40:28 | |
# He's not my baby | 0:40:28 | 0:40:30 | |
William, stay for this, she's such a good young singer. | 0:40:30 | 0:40:34 | |
Take a seat please, and listen. | 0:40:34 | 0:40:37 | |
MUSIC CONTINUES | 0:40:40 | 0:40:41 | |
# Shout it loud | 0:40:43 | 0:40:45 | |
# Head up, proud | 0:40:45 | 0:40:47 | |
# This girl's going far | 0:40:47 | 0:40:49 | |
# Blow, just blow | 0:40:49 | 0:40:50 | |
# Let it flow | 0:40:50 | 0:40:51 | |
# I'm gonna be a star! # | 0:40:51 | 0:40:54 | |
APPLAUSE | 0:40:54 | 0:40:56 | |
Bravo! | 0:41:05 | 0:41:06 | |
Bravo! | 0:41:10 | 0:41:12 | |
Ladies. Are you about to leave the hotel for the day? | 0:41:16 | 0:41:19 | |
Yes, Mr Schlesinger. | 0:41:19 | 0:41:21 | |
Well, if you wish to, and only if you wish it, | 0:41:21 | 0:41:24 | |
you may use the front entrance from now on. | 0:41:24 | 0:41:26 | |
-Miss Taylor! -Miss Taylor! | 0:41:29 | 0:41:32 | |
CROWD CLAMOUR | 0:41:32 | 0:41:34 | |
Can I have your autograph too, please, Miss Taylor? | 0:41:37 | 0:41:40 | |
Make it out to Julian. | 0:41:41 | 0:41:43 | |
I was jealous of all these people wanting your signature. | 0:41:43 | 0:41:46 | |
Didn't I tell you this would happen? | 0:41:46 | 0:41:48 | |
Now will you come to lunch with me? | 0:41:48 | 0:41:50 | |
And let's talk about movies and the possibilities for you there, | 0:41:50 | 0:41:52 | |
because I've been hearing some interesting things. | 0:41:52 | 0:41:55 | |
Mr Schlesinger? | 0:41:55 | 0:41:57 | |
Nathan. It's time you started calling me Nathan, Mr Lester. | 0:41:59 | 0:42:03 | |
Of course, and er, do call me Louis, Nathan. | 0:42:03 | 0:42:07 | |
I've just been reading another article about you, Louis. | 0:42:07 | 0:42:10 | |
This time in The Melody Maker. | 0:42:10 | 0:42:12 | |
-I'm going to lose count of how many there've been. -I'm not. | 0:42:12 | 0:42:16 | |
I have some good news for you. | 0:42:16 | 0:42:18 | |
You've received another Royal summons, from the Prince of Wales. | 0:42:18 | 0:42:23 | |
And it is a rather surprising invitation, Louis. | 0:42:23 | 0:42:25 | |
It is to play at an RAF dinner, | 0:42:25 | 0:42:27 | |
which he's attending in his role as Air Marshal. | 0:42:27 | 0:42:30 | |
He's a bit of a pilot, you know, bit of a flyer. | 0:42:30 | 0:42:33 | |
I just wish I could come. | 0:42:33 | 0:42:34 | |
Jessie! Excuse me! Jessie! | 0:42:35 | 0:42:38 | |
Jessie! | 0:42:38 | 0:42:40 | |
Interesting news. The Prince of Wales wants us to play again! | 0:42:40 | 0:42:44 | |
That's nice. | 0:42:44 | 0:42:45 | |
That's nice? That's all? | 0:42:45 | 0:42:48 | |
Yes, well, he liked us before, so he'll like us again, won't he? | 0:42:48 | 0:42:52 | |
Jessie! | 0:42:59 | 0:43:00 | |
Jessie, look! Something awful's happened. | 0:43:01 | 0:43:04 | |
I had this cleaned for the Prince of Wales tonight | 0:43:04 | 0:43:07 | |
but they've made a mark on it, and it won't come out! | 0:43:07 | 0:43:09 | |
I don't know what to do. I haven't got anything else good enough. | 0:43:09 | 0:43:12 | |
What's the matter with you? | 0:43:12 | 0:43:14 | |
I'm not feeling well. | 0:43:14 | 0:43:16 | |
I'm not going to be able to sing tonight. | 0:43:16 | 0:43:19 | |
What? You've got to! It's the Prince of Wales. You have to! | 0:43:19 | 0:43:23 | |
I can't. I'm not well. | 0:43:23 | 0:43:25 | |
You can do it instead. | 0:43:26 | 0:43:27 | |
You know you're able to, Carla. | 0:43:27 | 0:43:30 | |
Stanley, you are marvellously on time. | 0:43:34 | 0:43:36 | |
Of course I am, I'm so excited. | 0:43:36 | 0:43:39 | |
Excited by what, Stanley? | 0:43:39 | 0:43:42 | |
Well, at having tea with you, of course. | 0:43:42 | 0:43:44 | |
And seeing you here in London again. | 0:43:44 | 0:43:47 | |
I'm here to see the opening of a play I've put money into. | 0:43:47 | 0:43:51 | |
Mr Masterson's accompanying me. | 0:43:51 | 0:43:53 | |
He's an interesting fellow, isn't he? | 0:43:53 | 0:43:55 | |
He is indeed. | 0:43:55 | 0:43:56 | |
And I thought I'd wish the band good luck for tonight, | 0:43:56 | 0:43:59 | |
for their evening with the Prince of Wales and the Royal Air Force! | 0:43:59 | 0:44:02 | |
What an extraordinary occasion that's going to be. | 0:44:02 | 0:44:04 | |
Talking of which, I've brought you | 0:44:04 | 0:44:06 | |
the Christmas edition of Music Express. Hot off the press. | 0:44:06 | 0:44:10 | |
Thank you very much for that. A perfect present. | 0:44:10 | 0:44:14 | |
It's tremendous what you've made happen, you know. | 0:44:14 | 0:44:17 | |
What I've made happen? | 0:44:17 | 0:44:18 | |
Yes. For the band, the success they're having. | 0:44:18 | 0:44:22 | |
Well, it really helped that everybody was | 0:44:22 | 0:44:24 | |
trapped in the club by the storm. | 0:44:24 | 0:44:26 | |
Yes, but you laid that on too, didn't you? | 0:44:26 | 0:44:28 | |
You can do anything! | 0:44:28 | 0:44:30 | |
You flatterer! | 0:44:30 | 0:44:31 | |
Of course, I think I had something to do with it too. | 0:44:31 | 0:44:33 | |
You most certainly have. | 0:44:33 | 0:44:35 | |
But I couldn't have done it without you. So, thank you. | 0:44:35 | 0:44:39 | |
I feel that my sons would have loved their music very much. | 0:44:40 | 0:44:44 | |
You know, Stanley, all my energy for seeking out new things, | 0:44:44 | 0:44:49 | |
for discovering the next new exciting voice... | 0:44:49 | 0:44:52 | |
..is still all about me dealing with grief, really. | 0:44:53 | 0:44:56 | |
Even after 15 years, it doesn't seem to be getting any less. | 0:44:56 | 0:44:59 | |
And obviously at Christmas... | 0:45:02 | 0:45:05 | |
One feels... | 0:45:09 | 0:45:10 | |
I'm sorry... | 0:45:13 | 0:45:14 | |
Thank you, my dear. | 0:45:16 | 0:45:18 | |
Lavinia. Here we all are to wish you a Happy Christmas. | 0:45:18 | 0:45:21 | |
And of course to wave the band off on their big day! | 0:45:21 | 0:45:24 | |
-What do you mean you can't sing? -I'm not well. | 0:45:24 | 0:45:27 | |
Carla can easily do all the songs instead of me. | 0:45:27 | 0:45:29 | |
They won't notice the difference. | 0:45:29 | 0:45:30 | |
Don't be ridiculous, of course they will. | 0:45:30 | 0:45:32 | |
This is for the Prince of Wales. | 0:45:32 | 0:45:34 | |
Well, I can't sing tonight. I have a fever. | 0:45:34 | 0:45:36 | |
I have to go to bed now. | 0:45:36 | 0:45:37 | |
Where do you think you're going? Jessie! | 0:45:37 | 0:45:40 | |
I haven't finished with you yet. Have you seen a doctor? | 0:45:40 | 0:45:43 | |
They've called a doctor for me. I have a temperature. | 0:45:43 | 0:45:45 | |
-If I find out... -Find out what? | 0:45:45 | 0:45:47 | |
-If I find out you're going out. -I'm not going out tonight! | 0:45:47 | 0:45:50 | |
Of course I'm not! | 0:45:50 | 0:45:51 | |
If you're going out with Mr Luscombe or anybody else... | 0:45:51 | 0:45:54 | |
I wouldn't do that! Why would I do that? | 0:45:54 | 0:45:55 | |
I'm ill, that's all it is! | 0:45:55 | 0:45:57 | |
Is it? You start getting a little attention | 0:45:57 | 0:45:59 | |
and then this happens! I'm really disappointed in you, Jessie. | 0:45:59 | 0:46:02 | |
You're disappointed in me? Because I'm ill?! | 0:46:02 | 0:46:04 | |
She is ill, Louis. I promise! | 0:46:04 | 0:46:07 | |
You better be, because if I discover that you left | 0:46:07 | 0:46:09 | |
the hotel for a single moment tonight, if I find that out, | 0:46:09 | 0:46:11 | |
you may not have a job with the band in the morning. | 0:46:11 | 0:46:13 | |
< Mr Lester! | 0:46:13 | 0:46:15 | |
Mr Donaldson and his party are downstairs. | 0:46:15 | 0:46:17 | |
And it's not that long now till the time of departure. | 0:46:17 | 0:46:20 | |
You won't find that I've left the hotel, or even left my room. | 0:46:20 | 0:46:22 | |
I promise you I won't, Louis! | 0:46:22 | 0:46:24 | |
Why don't you take our car to the air base? | 0:46:24 | 0:46:27 | |
Have a good spin in that, and all your anger will go away! | 0:46:27 | 0:46:30 | |
Good luck, Louis. I would give anything to be there too, | 0:46:36 | 0:46:40 | |
to take pictures of you playing to all those military types. | 0:46:40 | 0:46:43 | |
Yes, well, let's hope we get away with it without Jessie. | 0:46:43 | 0:46:46 | |
You will. | 0:46:46 | 0:46:48 | |
Hey, make sure you send our love to His Royal Highness. | 0:46:51 | 0:46:55 | |
I do hope they manage without Jessie. | 0:47:08 | 0:47:10 | |
Yes, it's a pity she can't go, isn't it? | 0:47:10 | 0:47:13 | |
I wondered where everybody was. Nobody seemed able to tell me. | 0:47:21 | 0:47:25 | |
I'm waiting for Lady Cremone. | 0:47:25 | 0:47:27 | |
And here she is. | 0:47:27 | 0:47:29 | |
I'm so sorry, Walter, to keep you waiting. | 0:47:29 | 0:47:31 | |
We have rather a lot of people to meet before the show tonight. | 0:47:31 | 0:47:35 | |
Off you go, Walter. You mustn't be late for all your meetings! | 0:47:35 | 0:47:38 | |
Are you still going to Paris, Julian? | 0:47:38 | 0:47:40 | |
I am, yes. I'm catching this evening's night train. | 0:47:40 | 0:47:44 | |
You will telephone me when you get there? | 0:47:44 | 0:47:47 | |
I don't know. I hope I'll have the time. | 0:47:47 | 0:47:50 | |
I'll only be gone for three days. | 0:47:51 | 0:47:52 | |
You won't even notice that I'm not here. | 0:47:52 | 0:47:55 | |
Did you give me the telephone number for the apartment in Paris? | 0:47:55 | 0:47:58 | |
I don't think that you did. | 0:47:58 | 0:48:00 | |
Go, Walter, go! | 0:48:00 | 0:48:02 | |
If it was a hotel, of course, I wouldn't need the number. | 0:48:02 | 0:48:04 | |
But it isn't and I don't have the address. | 0:48:04 | 0:48:07 | |
I'd like to take the number, if I may. | 0:48:07 | 0:48:09 | |
Don't be silly, Walter, you're being absurd. | 0:48:09 | 0:48:12 | |
Come on, you have to go! Off you go! | 0:48:12 | 0:48:15 | |
I must have that number! Give me the number! | 0:48:15 | 0:48:18 | |
I have to have it. | 0:48:22 | 0:48:24 | |
I'm sure Julian will telephone you. | 0:48:24 | 0:48:26 | |
I will get hold of the number myself and give it to you, Walter. | 0:48:26 | 0:48:30 | |
Julian's always so vague about these things, | 0:48:30 | 0:48:32 | |
and he's hopeless with numbers. | 0:48:32 | 0:48:34 | |
What a good plan. | 0:48:34 | 0:48:36 | |
See you in three days. | 0:48:41 | 0:48:43 | |
Long face! | 0:48:44 | 0:48:46 | |
He's always got such a long face. Sometimes it drives me mad. | 0:48:48 | 0:48:52 | |
When you're that rich, | 0:48:52 | 0:48:54 | |
why do you need to have such a long face all the time? | 0:48:54 | 0:48:57 | |
ENGINE ROARS | 0:48:57 | 0:48:59 | |
Musicians this way! Through here! | 0:49:19 | 0:49:22 | |
Better hurry, top brass will be arriving any moment. | 0:49:22 | 0:49:26 | |
I'm a little afraid, Louis. | 0:49:32 | 0:49:34 | |
You will be fine, Carla. | 0:49:34 | 0:49:37 | |
Well, the wireless has spread so fast, faster than anyone | 0:49:37 | 0:49:40 | |
could have imagined. I mean, millions more each year! | 0:49:40 | 0:49:43 | |
So what will the next thing be? | 0:49:43 | 0:49:45 | |
The next trend that will spread like wildfire? | 0:49:45 | 0:49:47 | |
Cinemas on trains! | 0:49:47 | 0:49:49 | |
Every train will have a cinema carriage, a movie while you move. | 0:49:49 | 0:49:54 | |
No, no, I think with cinema, it will be in the sky. | 0:49:54 | 0:49:57 | |
In the sky? | 0:49:57 | 0:49:58 | |
Yes, I went to a demonstration the other day, a little man, | 0:49:58 | 0:50:01 | |
I think he was called Grindle, he's going to project images onto | 0:50:01 | 0:50:04 | |
clouds, cinema in the sky at night hanging over the city. | 0:50:04 | 0:50:07 | |
Oh, that'd be fantastic! | 0:50:07 | 0:50:09 | |
Imagine Greta Garbo over the whole city. Her gigantic face! | 0:50:09 | 0:50:14 | |
Or Farquhar and Tonk in a cartoon | 0:50:14 | 0:50:15 | |
jumping about over the Houses of Parliament. | 0:50:15 | 0:50:18 | |
But if you could do that, somebody could also have fascists | 0:50:18 | 0:50:20 | |
goose-stepping across the sky. That'd be pretty terrifying! | 0:50:20 | 0:50:23 | |
Clearly one would have to have a limit. You couldn't allow that! | 0:50:23 | 0:50:26 | |
-Who could stop them though? -People would find a way. | 0:50:26 | 0:50:29 | |
But my point is, we have no idea what's coming next. | 0:50:29 | 0:50:32 | |
What time's your train, darling? You don't want to miss it. | 0:50:32 | 0:50:34 | |
Er, no, I won't miss it, don't worry. | 0:50:34 | 0:50:37 | |
In you go! | 0:50:41 | 0:50:42 | |
Give 'em hell. | 0:50:42 | 0:50:44 | |
CROWD CHATTER LOUDLY | 0:50:46 | 0:50:48 | |
MUSIC STARTS | 0:50:50 | 0:50:52 | |
# Fog on a river | 0:50:54 | 0:50:58 | |
# Mist in my heart | 0:50:58 | 0:51:02 | |
# You're not near | 0:51:02 | 0:51:04 | |
# We're far apart | 0:51:04 | 0:51:08 | |
# I loved you then | 0:51:08 | 0:51:11 | |
# And I lost you | 0:51:11 | 0:51:13 | |
# Down river | 0:51:13 | 0:51:17 | |
# Four o'clock... # | 0:51:19 | 0:51:22 | |
Here she is. Doesn't she look beautiful? | 0:51:24 | 0:51:27 | |
I just thought I'd say hello. | 0:51:32 | 0:51:35 | |
That tree is so lovely. | 0:51:35 | 0:51:37 | |
Jessie, should you be out of bed? | 0:51:37 | 0:51:38 | |
I thought one drink might make me feel better. | 0:51:38 | 0:51:40 | |
Of course it will. Of course she's right. | 0:51:40 | 0:51:43 | |
You must be feeling very unwell to miss singing to the Prince of Wales? | 0:51:43 | 0:51:46 | |
I am. I don't feel well at all. | 0:51:46 | 0:51:49 | |
Your voice has gone, has it? | 0:51:49 | 0:51:50 | |
It's quite gone, when I sing. | 0:51:50 | 0:51:53 | |
Louis loves performing in front of royalty, | 0:51:53 | 0:51:55 | |
he can't have been very pleased. | 0:51:55 | 0:51:57 | |
He understood. | 0:51:57 | 0:51:58 | |
Well, let's hope Carla manages to bring it off. | 0:51:58 | 0:52:02 | |
# A memory | 0:52:02 | 0:52:06 | |
# A distant memory | 0:52:06 | 0:52:10 | |
# Floats away. # | 0:52:10 | 0:52:24 | |
Thank you. | 0:52:33 | 0:52:34 | |
We're very pleased and honoured to be here playing | 0:52:34 | 0:52:37 | |
to Your Royal Highness again, and to the Royal Air Force. | 0:52:37 | 0:52:41 | |
I've never been in an aeroplane myself, | 0:52:41 | 0:52:44 | |
but maybe that'll change after tonight. | 0:52:44 | 0:52:46 | |
AUDIENCE LAUGH | 0:52:46 | 0:52:49 | |
MUSIC STARTS | 0:52:49 | 0:52:50 | |
Would you like to dance? | 0:52:50 | 0:52:53 | |
# Stars burnin' brighter | 0:52:53 | 0:52:55 | |
# I'm on an all-nighter | 0:52:55 | 0:52:57 | |
# Serenading to a tune | 0:52:57 | 0:53:00 | |
# A pop at the bull's-eye | 0:53:00 | 0:53:02 | |
# In the celestial night sky | 0:53:02 | 0:53:04 | |
# I'm dancing on the moon | 0:53:04 | 0:53:06 | |
# I'm dreaming of the big time | 0:53:06 | 0:53:09 | |
# A chance to dig a gold mine... # | 0:53:09 | 0:53:12 | |
-Have another one. -Maybe that's enough, Julian. | 0:53:17 | 0:53:19 | |
Too much drink doesn't mix well with a fever. | 0:53:19 | 0:53:22 | |
Yes. I ought to go. That's best, isn't it? | 0:53:22 | 0:53:24 | |
I need a beautiful sleep and then everything will be all right. | 0:53:24 | 0:53:28 | |
I'll be back on my feet. | 0:53:28 | 0:53:29 | |
Let me see you to your room. | 0:53:29 | 0:53:31 | |
They didn't arrange this between them, did they? | 0:53:38 | 0:53:41 | |
She didn't miss the concert... | 0:53:41 | 0:53:43 | |
To be with my brother? I certainly hope not! | 0:53:43 | 0:53:46 | |
Isn't this magical? | 0:53:49 | 0:53:50 | |
It is. Magical! | 0:53:50 | 0:53:52 | |
So this Hollywood producer, where are we seeing him tonight? | 0:53:54 | 0:53:57 | |
He's upstairs. | 0:53:57 | 0:53:58 | |
Oh, he's in the hotel? | 0:53:58 | 0:54:01 | |
That's all right, then. | 0:54:01 | 0:54:03 | |
I don't need to break any rules. | 0:54:03 | 0:54:05 | |
SLOW MUSIC PLAYS | 0:54:05 | 0:54:07 | |
SONG ENDS | 0:54:12 | 0:54:15 | |
Another slow number, please. | 0:54:25 | 0:54:27 | |
I do find the slow ones the best, don't you? | 0:54:27 | 0:54:30 | |
MUSIC STARTS | 0:54:30 | 0:54:33 | |
She'll be in his bed tonight. | 0:54:39 | 0:54:41 | |
Of course she will. | 0:54:41 | 0:54:42 | |
It's what's expected. If you catch his eye, that's what has to happen. | 0:54:42 | 0:54:47 | |
Doesn't matter who you're married to! | 0:54:47 | 0:54:50 | |
Looks like your music's really helping. | 0:54:50 | 0:54:53 | |
I may have something to eat. | 0:55:10 | 0:55:12 | |
You'll miss your train, Julian! | 0:55:12 | 0:55:14 | |
Maybe that's for the best. It's meant to happen. | 0:55:15 | 0:55:19 | |
Disappoint my friends in Paris, make Walter even more angry. | 0:55:19 | 0:55:23 | |
Maybe I'm good for absolutely nothing. | 0:55:26 | 0:55:28 | |
Don't be ridiculous, go and get your train right now. | 0:55:28 | 0:55:32 | |
I'm gone. | 0:55:32 | 0:55:34 | |
Pamela, what's the matter, darling? | 0:55:45 | 0:55:48 | |
My little brother... | 0:55:51 | 0:55:53 | |
when he's like this.... | 0:55:53 | 0:55:55 | |
I'm sorry. | 0:55:55 | 0:55:57 | |
Excuse me. | 0:55:58 | 0:55:59 | |
I worry about him so much! He's so young, so young for his age. | 0:56:07 | 0:56:13 | |
I can't be there for him all the time, I just can't. | 0:56:13 | 0:56:16 | |
And when I'm not, I can't stop thinking... | 0:56:16 | 0:56:19 | |
He could be so brilliant if he wanted, do so much... | 0:56:19 | 0:56:24 | |
..but something always stops him. | 0:56:25 | 0:56:28 | |
He can look after himself, I'm sure. | 0:56:28 | 0:56:31 | |
I'm certain he can. | 0:56:31 | 0:56:33 | |
Do you think? | 0:56:35 | 0:56:37 | |
I do hope you're right, Stanley. | 0:56:37 | 0:56:39 | |
Please be right! | 0:56:40 | 0:56:42 | |
I know I'm right. He'll be fine. | 0:56:44 | 0:56:47 | |
Of course he will. | 0:56:48 | 0:56:50 | |
You want to take a bit home? | 0:56:55 | 0:56:56 | |
It's pretty disgusting cake. | 0:56:56 | 0:56:59 | |
Funny, our esteemed guests and their friends can't tell the difference. | 0:56:59 | 0:57:03 | |
I think it's lovely. | 0:57:03 | 0:57:05 | |
You can have a plane. Want a little aeroplane? | 0:57:05 | 0:57:08 | |
No, thanks. | 0:57:08 | 0:57:09 | |
The real ones aren't much bigger. | 0:57:09 | 0:57:11 | |
But it's all we've got to take on Germany or the French, | 0:57:11 | 0:57:14 | |
or whoever we fight next. | 0:57:14 | 0:57:16 | |
And everybody thinks they're absolutely marvellous. | 0:57:16 | 0:57:18 | |
-They're all we need! -They don't look like much. | 0:57:18 | 0:57:21 | |
They're fucking useless. | 0:57:22 | 0:57:24 | |
I think I need to go, if you don't mind? | 0:57:34 | 0:57:37 | |
I don't mind, Louis! You go. I'm so happy! | 0:57:37 | 0:57:40 | |
CHOIR SINGS "O COME ALL YE FAITHFUL" | 0:57:54 | 0:57:57 | |
If I wasn't so drunk, I'd go and join in, | 0:57:57 | 0:57:59 | |
the Imperial Christmas concert! Not to be missed, apparently, | 0:57:59 | 0:58:02 | |
all of the dowagers staying up really late for a singsong. | 0:58:02 | 0:58:05 | |
Oh yes, the Duchess of Northampton singing | 0:58:05 | 0:58:07 | |
Once in Royal David's City is an absolute highlight. | 0:58:07 | 0:58:10 | |
Does it every year! | 0:58:10 | 0:58:11 | |
Some things never change. | 0:58:11 | 0:58:13 | |
ENGINE ROARS | 0:58:15 | 0:58:16 | |
SINGING IN THE DISTANCE | 0:58:33 | 0:58:36 | |
Louis! I'm just off, my dear friend. Got to run. | 0:58:42 | 0:58:47 | |
Must have missed the train, but I'm still going to Paris! | 0:58:47 | 0:58:51 | |
We'll see each other soon. | 0:58:51 | 0:58:54 | |
Jessie? | 0:59:04 | 0:59:06 | |
Jessie... | 0:59:06 | 0:59:07 | |
Jessie? | 0:59:13 | 0:59:14 | |
WEAK MOANING | 0:59:22 | 0:59:24 | |
Jessie! | 0:59:39 | 0:59:40 | |
Help! | 0:59:42 | 0:59:44 | |
ALARM SOUNDS | 0:59:46 | 0:59:48 | |
Help! | 0:59:48 | 0:59:50 | |
Help! | 0:59:50 | 0:59:53 | |
An ambulance is coming. | 1:00:03 | 1:00:04 | |
Louis! | 1:00:16 | 1:00:17 | |
Subtitles by Red Bee Media Ltd | 1:00:58 | 1:01:01 |