Episode 2 Dancing on the Edge


Episode 2

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CLOCK CHIMES

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This programme contains some strong language and some scenes of a sexual nature.

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I don't think anyone's watching the building.

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Not yet, anyway.

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Not yet, no!

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Better keep away from the window, though, just in case.

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Do you think you can sleep?

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I don't know.

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Usually, I can sleep anywhere, but tonight, I'm not sure.

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Ah, so you're not as calm as you look. Thank God for that.

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You were beginning to make me nervous!

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Where are you going?

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I'm going to try and find something to eat.

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And I've got to work out a way of getting you out of the country.

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'I'm going to make you the new number band in Britain, naturally.'

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'Mr Masterson asked if I would clear this up.

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What a mess.

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'I was so clumsy last night.

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Goodness knows what people must think.

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Mr Masterson's having a picnic. You really must join us.

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Is anybody sitting here?

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No, by all means.

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I'm very ambitious, Louis. So should you be.

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Do you think I'm not?

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She's incredible, isn't she? Do you think she'll ever like me?

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I need to find something to really impress her.

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'Mr Holt is a British Citizen.'

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'The deadline cannot be extended.

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'Nor is there any other process of appeal.'

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That important telephone call is taking place as we speak.

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I do hope you will be here to entertain your future King.

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APPLAUSE

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JAZZ MUSIC PLAYS

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When do we get the cake, Mummy?

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It must be time for the cake!

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Where is the cake?! Where is the cake?!

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Listen to the funny music.

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It's a very nice cake, Mummy,

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but why haven't the band got those black and white faces?

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You said they would have black and white faces.

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Louis!

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-What are you doing here?

-I've got some business with Mr Schlesinger.

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Anyway, that's not much of a greeting, Louis.

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-You're the last person I want to see.

-Why, what have I done?

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That's exactly the point, Stanley, you've done nothing!

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Remind me of what I was meant to be doing?

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Don't try that, you know perfectly well.

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We are without a manager. I'm having to do that myself!

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And we're playing children's birthday parties.

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You're still the top featured band in this hotel.

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And no-one's going to get deported while you're here.

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We've not been on the wireless, we haven't made a record yet.

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I seem to remember somebody boasting they could make us

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-the number one band in Britain.

-And I will.

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I haven't changed my mind about that. These things take time.

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I thought that's what you believed in, Louis, things taking time!

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Mind you, I quite like seeing you a bit impatient.

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Oh, you do, do you?

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Oh, I'd better not, not after what happened to Wesley.

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Yes, and that's the most serious, of course.

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-I still don't know what really went on.

-How do you mean?

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You know exactly what I mean!

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I don't know why he was thrown out of the country.

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Mr Donaldson told me he was handling everything, he lied to me.

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That's a serious charge, Louis.

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Do you want the opportunity to say it to his face?

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So you wanted to see me, Mr Lester?

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Yes, I did, very much.

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The bar is closed but perhaps I can use my influence,

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since it is almost the legal hour, and get you a glass of wine?

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No, thank you, I don't need anything.

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Except to know if I lied to you?

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Whether I ever really tried to stop your friend from being deported?

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-You'd like to know that, wouldn't you?

-I would, yes.

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Sometimes one overstates what one can do,

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maybe out of arrogance or a desire to please.

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It's a terrible thing to suddenly be thrown out of the country.

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It is, yes, and I don't know what happened to him.

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I probably never will.

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And now you have no manager

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and you're stuck playing in this old place.

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It's good to have a regular job, of course.

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I thought that after the Prince of Wales heard us play,

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-and all that excitement...

-You were going to be making records?

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You were going to be on the wireless?

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Yes, I did think that.

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The trouble is, Mr Lester,

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the people in charge of these places are quite unbelievably conservative.

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Sir John Reith, for instance, at the BBC, detests jazz music.

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So it's never going to happen, then.

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Mr Lester, I'm a man of leisure who is addicted to the new,

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whose chief excitement in life is spotting and encouraging new talent.

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I do want to help you. Will you let me do that?

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It depends in what way.

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I've actually come with a request right now.

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Lady Cremone,

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an old friend of mine, would like you to play at a funeral.

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To play at a funeral? And that's going to help us?

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-Yes.

-Whose funeral is it?

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Her estate manager.

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She is a very interesting woman, Lavinia,

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we tend to get excited about the same things.

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She's become a bit of a recluse recently.

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She lives in an appalling remote spot!

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You will be staying in her house, but that's no guarantee that

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you will get to meet her.

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But if you do, Mr Lester,

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she is someone who knows even more important people than I do.

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Stanley will be going to the funeral to try to get to meet her.

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And so will Sarah.

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DRUMS BEAT

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CHILDREN LAUGH

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SLOW JAZZ MUSIC STARTS

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# Lord, lead me on

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# Lord, lead me on

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# Guide me on my final journey

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-# Lead me on.

-Lord, lead me on... #

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Oh, Mr Lester, I want to thank you, from the bottom of my heart,

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for coming all this way and playing for Charlie.

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We're delighted to be here, ma'am.

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He would be so thrilled - he is so thrilled.

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He had all the latest gramophone records sent over from America.

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Yes, he did.

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There's one in his coffin now, there is!

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You will come and play for everybody later?

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Please, I...I know they would so like that.

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Oh, do say yes!

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JAZZ MUSIC PLAYS

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Do I dare?

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Dare what?

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Do I dare run over there?

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I don't know what's stopping you, Stanley.

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You're right.

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Your Ladyship, forgive me, I just wanted to introduce myself.

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I'm Stanley Mitchell. I'm friends with the musicians.

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Are you a journalist?

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Blimey, is it that obvious, is it? Yes. Yes, I am.

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I have nothing against journalists, I just never talk to them,

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-and certainly not at funerals.

-Of course.

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I understand that, but, actually, we might bump into each other

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later on today because you're kindly allowing the band to

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stay on your estate, and well, um, I've always wanted to meet you.

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And just in case we run into each other later on,

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I just thought I'd say hello.

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And now you've done it, and at considerable length.

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Oh, er, I don't expect it will mean anything to you,

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but I'm deputy editor and chief writer for Music Express.

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Are you, Mr Mitchell? How very interesting.

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Why don't you come for tea at 4pm?

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You and the band leader, Mr Lester.

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Did she invite me too, do you think? To tea?

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Of course! You know her, anyway.

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I don't know her.

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I photographed her once in London, and she didn't like that very much.

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Here goes!

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This was the perfect funeral for Charlie.

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I know there is the view that your kind of music can only appeal

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to a very small audience, but we saw just now in the village

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how all sorts of people can respond.

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You're absolutely right, your Ladyship.

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I'm sure you're wondering if I know anything about music,

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your music, someone of my age.

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I wasn't wondering that.

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Mr Mitchell, if you would be so kind.

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Over there, on the second shelf, can you see the red binders?

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Blimey! I don't believe it!

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Bound copies of Music Express!

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I've never seen that in somebody else's house before!

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Of course not. I don't suppose anyone else would be mad enough.

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I know what I'm about to say is very stupid.

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Well, what is it, Mr Mitchell?

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You wouldn't...you wouldn't, would you, let me interview you? Now?

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I've always wanted to interview you.

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Well, that would depend on the quality of the questions.

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Sarah, Louis, you want to go

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and have a look at the garden, don't you?

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THEY GIGGLE

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Stanley! He's incorrigible. He's such a rogue!

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-Don't change your mind.

-I think I've already changed my mind.

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No, no, you can't.

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I hate talking about myself, I always have.

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I am going to say, "Is it true?"

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And you're going to agree, or rather

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if you'd be so kind as to agree, or not.

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And I'm going to see how many I get away with before you stop me.

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Now, is it true Noel Coward sends you all of his plays

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to read before he puts them on?

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Yes.

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Is it true that you told MGM to sign Greta Garbo

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after you saw her in a Swedish film?

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Well, when I was living in America, I spent time both in New York

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and Los Angeles, and so I met all sorts of people.

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Some of them were in the film business,

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and sometimes they asked for my opinion.

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I'm going to say that's true, then.

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This must be the memorial garden for her sons.

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All three of her sons were killed in the war.

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All three? That's terrible.

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Yes, how do you get over something like that?

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Are your parents still alive, Louis?

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No, they're not.

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My father did fight in the war, but he didn't die in it.

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Yes, there were coloured soldiers, Sarah!

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I'm sorry. I didn't mean to look so surprised, I've just never

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heard of that before, but of course there must've been.

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Yes. He survived the war, my dad,

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but both my parents died in the flu epidemic.

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It happened very quickly.

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What did you do?

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That's when I started travelling, went to all sorts of places.

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I spent time in Paris playing in bars, time in New York,

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and a lot of time on the ocean liners, as you know.

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So you've seen more of the world than I have?

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Yes.

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Is it true that you've been trying very hard to get different

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things played on the wireless, a more exciting repertoire?

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Especially jazz music?

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But I've been extremely unsuccessful so far.

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Now, Mr Mitchell, this has got to stop,

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it's been oddly enjoyable, but that's quite enough.

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Just one more, please!

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Is it true that famous artists have trekked across the world

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to see you, just turned up on your doorstep?

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-That is not true.

-Are you sure?

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That is not true, Mr Mitchell. Now shall we...?

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But is it possible somebody could come here, almost by accident,

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who was extraordinary? And then you want to see them properly?

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-You mean The Louis Lester Band?

-And of course the singer Jessie.

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Ah, that young girl?

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Yes, I saw her sing at the funeral.

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Yes, but you were an awfully long way away!

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Can she sing again for you in the morning?

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SHE SHIVERS

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You too? Oh, my God, it's freezing, isn't it?

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So cold! We just had to have some tea.

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Yes, I don't think I've been this cold in my life.

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Perfect.

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Right, I'm going to go back with this,

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see if I can make it through the night! Cheerio.

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Isn't it funny, a lady with such modern taste

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and her house is this cold.

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HE LAUGHS

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And it creaks, too!

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That's a bit warmer, isn't it?

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HE CLEARS THROAT

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I think she might be awake!

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So best not to take any chances! Night-night.

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We're not late, are we, your Ladyship?

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No, no, any time during my breakfast will do.

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So, my child, would you like to sing something for me?

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I'll try, yes.

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# Wind blows round the steeple

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# Empty world and sleepy people

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# I lie awake and listen

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# For the midnight train a-whistlin'... #

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What's the matter, child?

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I don't think Jessie has ever seen an artichoke before.

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Have you not, my dear?

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Well, then you must have one, of course, at once!

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CAMERA CLICKS

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That's very good, your Ladyship, hold it like that.

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Did she say anything about Jessie?

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No. Not a thing.

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Are there going to be many more of these?

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I'm beginning to wonder why I agreed to it.

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Just one or two more.

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Have we done ourselves any good, do you think?

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It's quite hard to tell.

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I really don't know what she is doing on the cover. Lady Cremone!

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Of course I've heard of her, I know who she is,

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but she's not a bandleader, she's not a musician of any sort.

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What on earth is she doing on the cover?!

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You agreed to it, Mr Wax.

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I don't believe I did, Stanley, you must have misheard me.

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And yet again, there is an article on The Louis Lester band!

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I've lost count of the number of articles you've done on them.

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They are going to be the biggest band in Britain

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and we will have helped create them.

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There he goes again! He's always exaggerating.

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Stanley, you make me laugh, with all your claims, you really do!

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Do you think I'm exaggerating?

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Maybe. Mr Wax is right, you often do.

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You're still angry with me, Rosie, aren't you?

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No, I know what to expect from you, Stanley.

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After all, I've seen enough of it over the last two years,

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quite enough.

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-You're not quitting, are you?

-Of course not.

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I know this magazine is going to really grow,

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and soon you won't be able to write it all yourself,

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you'll be looking round for another writer.

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And there'll be one right here in this office. Won't there?

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And so there will, Rosie.

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There you are!

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I just dropped by to give you this. These are for you, Jessie.

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Oh, thank you, Mr Luscombe, they're beautiful.

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And these are for you.

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-For me?

-Yes, I meant to get them the same size.

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No, don't worry about that, they're lovely.

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Look at this room!

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No, I won't come in, thank you, but this room isn't nearly good enough.

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-We love this room!

-Oh, it's the best room I've ever slept in.

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No, no I'd like to arrange something better for you both,

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I can do it easily!

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No, no, please don't. We're really happy here.

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Please don't, Mr Luscombe!

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Oh, well, if you don't want me to, then I won't.

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Soon of course, you'll be staying in the biggest suites

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in the most fashionable hotels all across the world!

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That's not going to happen, Mr Luscombe!

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Oh yes, and people are going to be crossing the Atlantic just to

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attend one of your concerts. And they'll wait for nights

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in the street, just to get a glance of you as you drive away in a car.

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You mustn't do this, Mr Luscombe.

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And when you go abroad, even to the most faraway places,

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people will come running out of their houses into the street

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calling your name and blowing kisses!

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Julian! >

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I can't believe it, he's found me, even up here.

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Julian!

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It's my employer.

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Julian!

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Excuse me.

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You have to go?

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"The audience are crying out for a more exciting choice

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"of music on the wireless, and this has to be delivered now!

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"At the moment, they are being fed a tired

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"and familiar diet, the same bands every night of the week!"

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-What do you think so far, Mick?

-Quite strong stuff, Mr Mitchell.

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Damn right. "Listeners will soon be switching off in droves

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"or hunting to find more exciting sounds,

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"readily available from rival stations abroad."

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Oh, it's you!

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Oh, it's me, yes.

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Give this to Rosie.

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Tell her to take a look at it and see if she approves.

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Sorry, you took me by surprise.

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Don't worry, most people don't say, "Oh, it's you" when they see me,

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so I suppose you can.

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-I'm just a little behind, is all.

-I'm interrupting, forgive me.

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No, you're not. I'm always behind. and er, well, I always catch up.

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I'm very glad to see you.

0:20:340:20:36

I'm glad to see you too, Stanley.

0:20:360:20:38

Please.

0:20:380:20:40

I think about you, every week, when I read your magazine.

0:20:400:20:43

You think about me just once a week? Is that all?

0:20:430:20:45

-Yes, but that's quite good, isn't it?

-Hmm.

0:20:450:20:49

I know you think I'm not really interested in your magazine.

0:20:490:20:53

Did I ever say that?

0:20:530:20:55

No, but you think it.

0:20:550:20:56

I have noticed a few things. It's changing, isn't it?

0:20:560:21:00

It's getting more political.

0:21:000:21:01

I wouldn't go that far, I still have to get everything past Wax!

0:21:010:21:04

But you're sneaking more and more things in.

0:21:040:21:06

Like...Farquhar and Tonk running a soup kitchen!

0:21:060:21:12

That's right. We managed to get that past Mr Wax.

0:21:120:21:15

You'll laugh, but as it happens, I know what it's like to be hungry.

0:21:150:21:20

You do?

0:21:200:21:21

You don't have to look quite so serious, Stanley!

0:21:210:21:24

I starved myself for ten days a couple of years ago.

0:21:240:21:27

I could say it was to try and understand what it's like to

0:21:270:21:29

be really hungry, but actually, I was just trying to

0:21:290:21:33

shock my parents, who are quite the dullest people in England.

0:21:330:21:36

Don't say anything to that, Stanley!

0:21:370:21:38

Probably best I don't say anything, no.

0:21:380:21:40

So you can put me in this cartoon,

0:21:400:21:42

looking like a skeleton, mad eyes popping out,

0:21:420:21:45

dressed in a ball gown with a coronet on my head!

0:21:450:21:47

You think I'd do that?

0:21:470:21:48

Yes, Stanley, I really think you would.

0:21:480:21:52

There's a telephone call for you, Mr Mitchell.

0:21:540:21:57

Yes, I'm coming.

0:21:570:21:59

Hello?

0:22:010:22:03

I'm on the cover of your magazine, Mr Mitchell.

0:22:030:22:05

You never said you were going to do that!

0:22:050:22:07

It was too good an opportunity to miss. I hope you don't mind.

0:22:070:22:09

Well, it's an extraordinary thing to do.

0:22:090:22:12

'I'm not a performer, who wants to see what I look like?'

0:22:120:22:14

-More people than you think.

-I should be furious with you.

0:22:140:22:18

'In fact, I am furious with you, but that's not why I'm ringing you.

0:22:180:22:21

'I have another reason, something a little more interesting.'

0:22:210:22:25

I've had a notion, Mr Mitchell.

0:22:250:22:27

HE HUMS

0:22:270:22:29

Hello, Louis.

0:22:310:22:32

You're not going to like what I am about to say to you at all.

0:22:350:22:38

Same as most days, then.

0:22:380:22:39

You've got to go back to that basement club where we first met.

0:22:390:22:42

Says who?

0:22:420:22:44

Says me. You're going to play the most important session of your life.

0:22:440:22:48

Deirdre, you look magnificent!

0:22:560:22:58

Thank you, Stanley, I don't often get a chance to dress up like this.

0:22:580:23:02

I hate to say this, Deirdre, but you need to clean this place.

0:23:030:23:06

It's been cleaned! What do you think I've been doing?

0:23:060:23:09

We're not leaving anything to chance.

0:23:090:23:11

Mr Lester! Mr Masterson needs to see you.

0:23:130:23:17

I can't see him tonight, Harry, it's our night off,

0:23:170:23:19

we have a booking elsewhere.

0:23:190:23:21

Mr Masterson indicated it was rather urgent.

0:23:210:23:24

Come in, Mr Lester. Come in.

0:23:240:23:26

You've been here before, of course.

0:23:280:23:30

I have, yes.

0:23:300:23:32

I like this suite. There are even bigger suites in the hotel

0:23:320:23:35

but I'm fond of this one.

0:23:350:23:37

When you've seen as many hotel rooms as I have,

0:23:370:23:39

you get a feeling for one that fits.

0:23:390:23:41

Yes, you may have heard about my interest in gold, Mr Lester,

0:23:420:23:47

keeping it close.

0:23:470:23:49

You can think you've covered every possible eventuality,

0:23:490:23:52

how things can go wrong, but you never have.

0:23:520:23:55

There will always be something that comes up from behind

0:23:550:23:58

and tries to destroy everything one's created,

0:23:580:24:01

no matter how powerful one's position appears to be.

0:24:010:24:05

So one has to be prepared.

0:24:050:24:08

I like to know I can fight back.

0:24:080:24:10

Mr Masterson, I have an urgent engagement tonight,

0:24:120:24:15

-so if we could....

-Julian will be at the club tonight, won't he?

0:24:150:24:18

I don't know who's going to be there,

0:24:180:24:20

we've not been given the guest list.

0:24:200:24:21

Would you just tell Julian not to worry,

0:24:210:24:24

I've completely taken care of it.

0:24:240:24:27

And would you give him this?

0:24:270:24:29

You will remember, won't you?

0:24:310:24:33

I will, yes. I really must go.

0:24:340:24:37

If you were wondering...

0:24:370:24:38

I wasn't wondering.

0:24:380:24:39

It's a little debt I've taken care of.

0:24:390:24:42

You will tell him that and give him the envelope?

0:24:420:24:45

TRAINS RATTLE

0:24:450:24:48

-Where the hell have you been?

-Something came up.

0:24:590:25:01

Give me your coat.

0:25:010:25:03

Are you mad?! This is the one time you couldn't be late!

0:25:030:25:05

-Why, is it that full?

-Louis, Louis, let me look at you.

0:25:050:25:08

Your Royal Highness, I'm so sorry I'm so late.

0:25:220:25:25

Something happened and I...

0:25:250:25:27

Please, Mr Lester, you're here now and that's what matters.

0:25:270:25:30

You nearly disrupted the whole plan, Louis.

0:25:300:25:32

It's the most delightful plan.

0:25:320:25:34

PIANO MUSIC STARTS

0:25:380:25:40

No, no, no, what are you doing?

0:25:400:25:42

Has no-one told him? We're not starting yet.

0:25:420:25:44

We need to be brisk. You took so long eating your pudding.

0:25:460:25:48

I've never been to a club like this,

0:25:480:25:50

we usually send junior staff to these sort of places.

0:25:500:25:52

We don't even do that now.

0:25:520:25:54

-There you are! The last ones! Please hurry.

-Hurry?

0:25:550:25:57

She's not going to stop us getting a drink, is she?

0:25:570:26:00

Bar's closed.

0:26:000:26:01

Maybe you've met His Royal Highness Prince George before?

0:26:050:26:09

This is Mr Boxley from His Master's Voice recording company,

0:26:110:26:14

and Mr Hardiman from the BBC.

0:26:140:26:16

Your Royal Highness, please accept our apologies.

0:26:190:26:23

I am most dreadfully sorry for being so late, we'd no idea...

0:26:230:26:26

No idea at all! No!

0:26:260:26:28

Lady Cremone didn't warn us. Please accept my abject apologies.

0:26:280:26:32

I, I didn't have an inkling.

0:26:320:26:34

Not an inkling, no!

0:26:340:26:35

It's very rude to be late! I'm never late!

0:26:350:26:37

HEAVY RAIN FALLS

0:26:370:26:39

-And now it's raining!

-Let me apologise again, sir.

0:26:390:26:41

No, no, please, why don't we stop all these apologies

0:26:410:26:44

and listen to the music?

0:26:440:26:45

That's why we're here, isn't it?

0:26:450:26:47

Don't let the rain put you off!

0:26:490:26:51

# My man's gone away

0:26:510:26:54

# Left me feeling blue

0:26:540:26:58

# No good trying to chase him

0:26:580:27:02

# Cos he's run straight back to you

0:27:020:27:05

# Says he doesn't love you

0:27:050:27:08

# Though he sticks through thick and thin

0:27:080:27:11

# It's bad luck for the likes of me

0:27:110:27:16

# Because I don't wear his ring

0:27:160:27:22

MUSIC CONTINUES, MUFFLED

0:27:220:27:24

# I don't know why I love him

0:27:240:27:27

# I should quit and start again

0:27:270:27:31

# But there's an arrow through my heart

0:27:310:27:34

# Says he ain't like other men

0:27:340:27:38

# I got those lovelorn blues

0:27:380:27:46

# I got those lovelorn blues. #

0:27:460:27:56

MUSIC STARTS AGAIN

0:28:090:28:11

# Drinking alone and I'm happy to see you

0:28:130:28:16

# Ain't right or wrong if I do or I don't

0:28:160:28:18

# I'm holdin' on for a dance at the Voodoo

0:28:180:28:21

# Crazy in the mood for love

0:28:210:28:23

# Never say you won't be leaving

0:28:230:28:25

# You can buy me time and teasing

0:28:250:28:28

# You can show me ways of pleasing

0:28:280:28:31

# Crazy in the mood for love

0:28:310:28:33

# Crazy in love and I'm not going to make it

0:28:330:28:36

# This is a chance and I'm going to take it

0:28:360:28:39

SHE EXHALES

0:28:390:28:40

So far so good. I think my hands are shaking.

0:28:400:28:44

I've never seen you nervous before, Stanley.

0:28:440:28:46

Well, it is a fairly unusual audience, Deirdre.

0:28:460:28:49

# I can show you ways of pleasing

0:28:490:28:51

# Crazy in the mood for love

0:28:510:28:54

-# Crazy in love!

-Crazy in love!

0:28:540:28:57

# Crazy in the mood for love. #

0:28:570:28:59

Marvellous, absolutely marvellous!

0:29:030:29:06

Wouldn't you agree, Mr Boxley and Mr Hardiman?

0:29:060:29:10

Yes, Your Royal Highness.

0:29:100:29:12

And you, Mr Hardiman, just right for the wireless, is it not?

0:29:120:29:16

CROWD CHATTER

0:29:200:29:22

Lavinia, I think that could be counted as a triumph!

0:29:250:29:29

Let's hope so. Poor little chickens, they look so mortified still.

0:29:290:29:34

It's just like one of your cartoons come to life, isn't it, Stanley?

0:29:360:29:40

Except it's a little sexier.

0:29:400:29:42

You sang wonderfully, my dear.

0:29:470:29:51

All those important people and they were so close!

0:29:510:29:54

Well, I'm not used to crowds either, so I am holding on tight!

0:29:540:29:59

THEY LAUGH

0:30:000:30:02

Ah, Mr Lester. It's been nice to talk to you.

0:30:040:30:07

Your Royal Highness?

0:30:100:30:12

Mr Lester, we must get to know each other a little better.

0:30:120:30:15

That would be an honour, Your Royal Highness.

0:30:150:30:18

Do you mean that?

0:30:180:30:19

Of course I do, sir.

0:30:200:30:22

Well, I wonder when we can do this?

0:30:220:30:24

I'm going to be here a little while longer yet,

0:30:240:30:27

but then maybe we can move on to some other place of entertainment?

0:30:270:30:31

Or whatever takes one's fancy?

0:30:310:30:34

HE SNORTS Look at those poor fellows!

0:30:360:30:39

Shall we put them out of their misery?

0:30:390:30:41

They cannot leave until I do, that's protocol,

0:30:410:30:43

but I think we've tortured them long enough. Mr Boxley! Mr Hardiman!

0:30:430:30:46

You really don't need to be here a moment longer than you want to be.

0:30:460:30:49

Oh no, Your Royal Highness, we're enjoying ourselves greatly.

0:30:490:30:52

We've no wish to leave.

0:30:520:30:53

Yes, but I know you want to make telephone calls in private

0:30:530:30:56

to your superiors about tonight.

0:30:560:30:58

Shan't be a moment.

0:31:000:31:02

You go too, go now. I'll grab another taxi.

0:31:070:31:09

It's best to slip away before the Prince gets, uh...too interested.

0:31:090:31:12

That's unless, of course, you want that, Louis.

0:31:120:31:15

Let's go to the hotel.

0:31:150:31:16

Oh, God, no, he'll probably follow you there.

0:31:160:31:19

Hang on, here's the keys to Music Express.

0:31:190:31:21

There's nobody there.

0:31:210:31:22

It's the one place in London he won't think to follow you.

0:31:220:31:26

Look at them! They won't be able to sleep for a week because of tonight,

0:31:340:31:37

the embarrassment of it all, they're going to wake up screaming!

0:31:370:31:40

I hope so!

0:31:400:31:41

You know, Mr Hardiman has to introduce the bands sometimes

0:31:410:31:44

on the wireless himself. It'd be so funny if he had to do that for you!

0:31:440:31:48

I forgot Julian! I forgot to give him the message!

0:31:480:31:50

-What about Julian?

-I have to do this. I said I would.

0:31:500:31:53

I won't be a moment!

0:31:530:31:54

Julian, I have a message for you from Mr Masterson.

0:32:060:32:09

Do you? When did he give it to you?

0:32:090:32:10

Tonight. He says everything is taken care of.

0:32:100:32:13

-I think that's what he said.

-He did, did he?

0:32:130:32:15

HE EXHALES AND LAUGHS

0:32:200:32:21

You got...you got soaked for me!

0:32:210:32:24

My heartfelt thanks, Louis, my dear friend!

0:32:240:32:26

All is right with the world.

0:32:260:32:28

I knew it would be, but sometimes you never know!

0:32:280:32:31

HE LAUGHS

0:32:310:32:32

HEAVY RAIN FALLS

0:32:320:32:34

Everything all right?

0:32:360:32:38

Yes, let's go, let's go now!

0:32:380:32:41

Yes, before they come after us! The Prince and his courtiers.

0:32:410:32:45

CROWD CHATTERS

0:32:450:32:47

This is exciting. I've never been allowed in Stanley's domain before.

0:32:500:32:55

There's some terrific photographs in here.

0:32:570:33:00

Everything that's ever interested Stanley is right here.

0:33:000:33:03

This room is like being inside his brain.

0:33:030:33:05

A toothbrush!

0:33:060:33:08

And a vest!

0:33:120:33:14

Yes, I think this is the nearest Stanley gets to a home.

0:33:140:33:17

I don't think he has a proper house or flat at all.

0:33:170:33:20

He sleeps here or at his mother's, or he doesn't sleep at all.

0:33:200:33:24

And he's got my photos up!

0:33:240:33:26

He asked me for some big copies, but I thought

0:33:260:33:29

he was just being polite. I didn't realise they'd be on display!

0:33:290:33:32

You know, they slept together on the train, Pamela and Stanley!

0:33:340:33:39

They didn't? I didn't know that. Are you sure?

0:33:390:33:42

Yes, but I don't know what's happened since.

0:33:420:33:45

You couldn't get two more different people, could you?

0:33:450:33:48

And here are all the others, about to play havoc with the band.

0:33:480:33:52

Don't say that. I told you, it's all real, their enthusiasm.

0:33:520:33:56

They absolutely love your music.

0:33:580:33:59

And so do I.

0:34:020:34:03

HEAVY RAIN FALLS

0:34:050:34:06

What on earth is that?

0:34:060:34:08

-It could be another earthquake!

-HE LAUGHS

0:34:080:34:10

Don't laugh, there was an earthquake in London last year.

0:34:100:34:13

It was quite bad, actually!

0:34:130:34:14

What an incredible storm.

0:34:200:34:22

We have to go out in that!

0:34:440:34:45

THEY LAUGH

0:34:450:34:47

We can't let the chance go, we'd never forgive ourselves! Come on!

0:34:470:34:51

Whoa. It feels amazing! Come on, everybody!

0:34:530:34:57

THEY SQUEAL AND LAUGH

0:34:570:35:01

My dear brother, always so quiet and well behaved!

0:35:010:35:04

Come on, Your Royal Highness! You must come too!

0:35:040:35:07

Yes, come on! Please, come, come!

0:35:070:35:10

Why not? He's right!

0:35:100:35:11

It's not the sort of thing one gets the chance to do every day!

0:35:110:35:15

There you are. Royalty in a hailstorm!

0:35:150:35:18

It's amazing being here tonight, isn't it?!

0:35:180:35:21

Come on, Arthur, you're next!

0:35:210:35:23

Last chance to be young.

0:35:230:35:25

TRUMPET PLAYS

0:35:260:35:29

What's the matter?

0:35:470:35:49

It's just a little strange being watched by all of them.

0:35:500:35:55

Well, I could take them all down.

0:35:550:35:57

No, you don't, they're my photographs, remember!

0:35:570:36:01

On second thoughts, I can easily cope with them.

0:36:020:36:06

For God's sake, stop fussing. I will survive, don't worry!

0:36:180:36:21

Why don't you sing for us, Jessie?

0:36:240:36:26

Yes, that would warm us up!

0:36:260:36:27

Sing like this?

0:36:270:36:29

Yes, please. That would be nice.

0:36:290:36:31

Especially as Mr Lester has deserted us.

0:36:310:36:34

Well, of course, Your Royal Highness.

0:36:340:36:37

# There was a time

0:36:400:36:42

# I felt so low

0:36:420:36:45

# Each day was tough

0:36:450:36:47

# It scared me

0:36:470:36:49

# Dared not believe

0:36:490:36:52

# That I could live

0:36:520:36:54

# Life my way

0:36:540:36:57

# When I came to, my mind was clear

0:36:580:37:03

# Said my goodbyes and shed a tear

0:37:030:37:07

# Things will never be the same again

0:37:070:37:13

# My head up high

0:37:130:37:15

# I came to town

0:37:150:37:18

# And learned to love a little

0:37:180:37:20

# A little

0:37:200:37:22

# You showed me how to play the game

0:37:220:37:26

# That I succeed a little

0:37:260:37:30

# Now I can dream about us

0:37:300:37:34

# High as I can go

0:37:340:37:38

# I'm just on top of the world... #

0:37:380:37:45

Jessie!

0:37:460:37:47

It's in the shops now! Have you seen it?

0:37:500:37:53

And you bought so many of them, Mr Luscombe!

0:37:560:37:59

I just thought I'd help it along a little!

0:37:590:38:01

Not that it'll need it, of course. Now, will you come for a spin?

0:38:010:38:07

# I'm on top of the world

0:38:070:38:10

# I'm on top of the world

0:38:100:38:13

# I'm just on top of the world. #

0:38:130:38:20

ENGINE STOPS

0:38:200:38:22

# There was a time I felt so low

0:38:240:38:28

# Each day was tough... #

0:38:280:38:30

Don't laugh,

0:38:300:38:32

but I've being imagining for a long time playing your record

0:38:320:38:35

for the first time in this spot, with you sitting opposite me.

0:38:350:38:39

Why would I laugh? I'd never laugh at that.

0:38:390:38:42

Good. Then don't laugh at this either. You have to say yes!

0:38:420:38:47

That car is a present, I bought it for you.

0:38:470:38:51

Mr Luscombe! You didn't...?

0:38:520:38:55

But I can't drive!

0:38:550:38:56

I'll teach you. And Louis can use it too.

0:38:560:38:59

Say you'll keep it. Please, say yes.

0:38:590:39:02

Yes!

0:39:040:39:06

I like this edition. I had a feeling about this Louis Lester Band.

0:39:060:39:10

I always said put them on the cover, didn't I?

0:39:100:39:13

I knew they'd become a big news story.

0:39:130:39:16

HE CHUCKLES

0:39:180:39:20

And now coming directly from the Imperial Hotel London

0:39:200:39:24

for the first time ever on the wireless,

0:39:240:39:28

we are delighted to present the Louis Lester Band!

0:39:280:39:32

One, two, one, two, three, four.

0:39:320:39:35

BAND PLAYS

0:39:350:39:38

# All my life I've been somebody

0:39:430:39:46

# All fired up and not nobody

0:39:460:39:48

# Shout it loud, beat the crowd

0:39:480:39:51

# This girl's going far

0:39:510:39:53

# Blow, just blow

0:39:530:39:55

# Don't you know

0:39:550:39:57

# I'm gonna be a star

0:39:570:39:59

What do you think, Mum? You think she can sing?

0:40:030:40:06

Very nice, dear. They always manage to find such good new

0:40:060:40:10

singers on the wireless, don't they?

0:40:100:40:12

When they listen to me, they do!

0:40:120:40:13

I've tried everything to get this band on the wireless.

0:40:130:40:16

Of course, dear. But they do know best in the end, don't they?

0:40:160:40:20

# Now I realise you were just bluffing

0:40:220:40:25

# Strut my stuff, I don't say maybe

0:40:250:40:27

# Looks that kill

0:40:270:40:28

# He's not my baby

0:40:280:40:30

William, stay for this, she's such a good young singer.

0:40:300:40:34

Take a seat please, and listen.

0:40:340:40:37

MUSIC CONTINUES

0:40:400:40:41

# Shout it loud

0:40:430:40:45

# Head up, proud

0:40:450:40:47

# This girl's going far

0:40:470:40:49

# Blow, just blow

0:40:490:40:50

# Let it flow

0:40:500:40:51

# I'm gonna be a star! #

0:40:510:40:54

APPLAUSE

0:40:540:40:56

Bravo!

0:41:050:41:06

Bravo!

0:41:100:41:12

Ladies. Are you about to leave the hotel for the day?

0:41:160:41:19

Yes, Mr Schlesinger.

0:41:190:41:21

Well, if you wish to, and only if you wish it,

0:41:210:41:24

you may use the front entrance from now on.

0:41:240:41:26

-Miss Taylor!

-Miss Taylor!

0:41:290:41:32

CROWD CLAMOUR

0:41:320:41:34

Can I have your autograph too, please, Miss Taylor?

0:41:370:41:40

Make it out to Julian.

0:41:410:41:43

I was jealous of all these people wanting your signature.

0:41:430:41:46

Didn't I tell you this would happen?

0:41:460:41:48

Now will you come to lunch with me?

0:41:480:41:50

And let's talk about movies and the possibilities for you there,

0:41:500:41:52

because I've been hearing some interesting things.

0:41:520:41:55

Mr Schlesinger?

0:41:550:41:57

Nathan. It's time you started calling me Nathan, Mr Lester.

0:41:590:42:03

Of course, and er, do call me Louis, Nathan.

0:42:030:42:07

I've just been reading another article about you, Louis.

0:42:070:42:10

This time in The Melody Maker.

0:42:100:42:12

-I'm going to lose count of how many there've been.

-I'm not.

0:42:120:42:16

I have some good news for you.

0:42:160:42:18

You've received another Royal summons, from the Prince of Wales.

0:42:180:42:23

And it is a rather surprising invitation, Louis.

0:42:230:42:25

It is to play at an RAF dinner,

0:42:250:42:27

which he's attending in his role as Air Marshal.

0:42:270:42:30

He's a bit of a pilot, you know, bit of a flyer.

0:42:300:42:33

I just wish I could come.

0:42:330:42:34

Jessie! Excuse me! Jessie!

0:42:350:42:38

Jessie!

0:42:380:42:40

Interesting news. The Prince of Wales wants us to play again!

0:42:400:42:44

That's nice.

0:42:440:42:45

That's nice? That's all?

0:42:450:42:48

Yes, well, he liked us before, so he'll like us again, won't he?

0:42:480:42:52

Jessie!

0:42:590:43:00

Jessie, look! Something awful's happened.

0:43:010:43:04

I had this cleaned for the Prince of Wales tonight

0:43:040:43:07

but they've made a mark on it, and it won't come out!

0:43:070:43:09

I don't know what to do. I haven't got anything else good enough.

0:43:090:43:12

What's the matter with you?

0:43:120:43:14

I'm not feeling well.

0:43:140:43:16

I'm not going to be able to sing tonight.

0:43:160:43:19

What? You've got to! It's the Prince of Wales. You have to!

0:43:190:43:23

I can't. I'm not well.

0:43:230:43:25

You can do it instead.

0:43:260:43:27

You know you're able to, Carla.

0:43:270:43:30

Stanley, you are marvellously on time.

0:43:340:43:36

Of course I am, I'm so excited.

0:43:360:43:39

Excited by what, Stanley?

0:43:390:43:42

Well, at having tea with you, of course.

0:43:420:43:44

And seeing you here in London again.

0:43:440:43:47

I'm here to see the opening of a play I've put money into.

0:43:470:43:51

Mr Masterson's accompanying me.

0:43:510:43:53

He's an interesting fellow, isn't he?

0:43:530:43:55

He is indeed.

0:43:550:43:56

And I thought I'd wish the band good luck for tonight,

0:43:560:43:59

for their evening with the Prince of Wales and the Royal Air Force!

0:43:590:44:02

What an extraordinary occasion that's going to be.

0:44:020:44:04

Talking of which, I've brought you

0:44:040:44:06

the Christmas edition of Music Express. Hot off the press.

0:44:060:44:10

Thank you very much for that. A perfect present.

0:44:100:44:14

It's tremendous what you've made happen, you know.

0:44:140:44:17

What I've made happen?

0:44:170:44:18

Yes. For the band, the success they're having.

0:44:180:44:22

Well, it really helped that everybody was

0:44:220:44:24

trapped in the club by the storm.

0:44:240:44:26

Yes, but you laid that on too, didn't you?

0:44:260:44:28

You can do anything!

0:44:280:44:30

You flatterer!

0:44:300:44:31

Of course, I think I had something to do with it too.

0:44:310:44:33

You most certainly have.

0:44:330:44:35

But I couldn't have done it without you. So, thank you.

0:44:350:44:39

I feel that my sons would have loved their music very much.

0:44:400:44:44

You know, Stanley, all my energy for seeking out new things,

0:44:440:44:49

for discovering the next new exciting voice...

0:44:490:44:52

..is still all about me dealing with grief, really.

0:44:530:44:56

Even after 15 years, it doesn't seem to be getting any less.

0:44:560:44:59

And obviously at Christmas...

0:45:020:45:05

One feels...

0:45:090:45:10

I'm sorry...

0:45:130:45:14

Thank you, my dear.

0:45:160:45:18

Lavinia. Here we all are to wish you a Happy Christmas.

0:45:180:45:21

And of course to wave the band off on their big day!

0:45:210:45:24

-What do you mean you can't sing?

-I'm not well.

0:45:240:45:27

Carla can easily do all the songs instead of me.

0:45:270:45:29

They won't notice the difference.

0:45:290:45:30

Don't be ridiculous, of course they will.

0:45:300:45:32

This is for the Prince of Wales.

0:45:320:45:34

Well, I can't sing tonight. I have a fever.

0:45:340:45:36

I have to go to bed now.

0:45:360:45:37

Where do you think you're going? Jessie!

0:45:370:45:40

I haven't finished with you yet. Have you seen a doctor?

0:45:400:45:43

They've called a doctor for me. I have a temperature.

0:45:430:45:45

-If I find out...

-Find out what?

0:45:450:45:47

-If I find out you're going out.

-I'm not going out tonight!

0:45:470:45:50

Of course I'm not!

0:45:500:45:51

If you're going out with Mr Luscombe or anybody else...

0:45:510:45:54

I wouldn't do that! Why would I do that?

0:45:540:45:55

I'm ill, that's all it is!

0:45:550:45:57

Is it? You start getting a little attention

0:45:570:45:59

and then this happens! I'm really disappointed in you, Jessie.

0:45:590:46:02

You're disappointed in me? Because I'm ill?!

0:46:020:46:04

She is ill, Louis. I promise!

0:46:040:46:07

You better be, because if I discover that you left

0:46:070:46:09

the hotel for a single moment tonight, if I find that out,

0:46:090:46:11

you may not have a job with the band in the morning.

0:46:110:46:13

< Mr Lester!

0:46:130:46:15

Mr Donaldson and his party are downstairs.

0:46:150:46:17

And it's not that long now till the time of departure.

0:46:170:46:20

You won't find that I've left the hotel, or even left my room.

0:46:200:46:22

I promise you I won't, Louis!

0:46:220:46:24

Why don't you take our car to the air base?

0:46:240:46:27

Have a good spin in that, and all your anger will go away!

0:46:270:46:30

Good luck, Louis. I would give anything to be there too,

0:46:360:46:40

to take pictures of you playing to all those military types.

0:46:400:46:43

Yes, well, let's hope we get away with it without Jessie.

0:46:430:46:46

You will.

0:46:460:46:48

Hey, make sure you send our love to His Royal Highness.

0:46:510:46:55

I do hope they manage without Jessie.

0:47:080:47:10

Yes, it's a pity she can't go, isn't it?

0:47:100:47:13

I wondered where everybody was. Nobody seemed able to tell me.

0:47:210:47:25

I'm waiting for Lady Cremone.

0:47:250:47:27

And here she is.

0:47:270:47:29

I'm so sorry, Walter, to keep you waiting.

0:47:290:47:31

We have rather a lot of people to meet before the show tonight.

0:47:310:47:35

Off you go, Walter. You mustn't be late for all your meetings!

0:47:350:47:38

Are you still going to Paris, Julian?

0:47:380:47:40

I am, yes. I'm catching this evening's night train.

0:47:400:47:44

You will telephone me when you get there?

0:47:440:47:47

I don't know. I hope I'll have the time.

0:47:470:47:50

I'll only be gone for three days.

0:47:510:47:52

You won't even notice that I'm not here.

0:47:520:47:55

Did you give me the telephone number for the apartment in Paris?

0:47:550:47:58

I don't think that you did.

0:47:580:48:00

Go, Walter, go!

0:48:000:48:02

If it was a hotel, of course, I wouldn't need the number.

0:48:020:48:04

But it isn't and I don't have the address.

0:48:040:48:07

I'd like to take the number, if I may.

0:48:070:48:09

Don't be silly, Walter, you're being absurd.

0:48:090:48:12

Come on, you have to go! Off you go!

0:48:120:48:15

I must have that number! Give me the number!

0:48:150:48:18

I have to have it.

0:48:220:48:24

I'm sure Julian will telephone you.

0:48:240:48:26

I will get hold of the number myself and give it to you, Walter.

0:48:260:48:30

Julian's always so vague about these things,

0:48:300:48:32

and he's hopeless with numbers.

0:48:320:48:34

What a good plan.

0:48:340:48:36

See you in three days.

0:48:410:48:43

Long face!

0:48:440:48:46

He's always got such a long face. Sometimes it drives me mad.

0:48:480:48:52

When you're that rich,

0:48:520:48:54

why do you need to have such a long face all the time?

0:48:540:48:57

ENGINE ROARS

0:48:570:48:59

Musicians this way! Through here!

0:49:190:49:22

Better hurry, top brass will be arriving any moment.

0:49:220:49:26

I'm a little afraid, Louis.

0:49:320:49:34

You will be fine, Carla.

0:49:340:49:37

Well, the wireless has spread so fast, faster than anyone

0:49:370:49:40

could have imagined. I mean, millions more each year!

0:49:400:49:43

So what will the next thing be?

0:49:430:49:45

The next trend that will spread like wildfire?

0:49:450:49:47

Cinemas on trains!

0:49:470:49:49

Every train will have a cinema carriage, a movie while you move.

0:49:490:49:54

No, no, I think with cinema, it will be in the sky.

0:49:540:49:57

In the sky?

0:49:570:49:58

Yes, I went to a demonstration the other day, a little man,

0:49:580:50:01

I think he was called Grindle, he's going to project images onto

0:50:010:50:04

clouds, cinema in the sky at night hanging over the city.

0:50:040:50:07

Oh, that'd be fantastic!

0:50:070:50:09

Imagine Greta Garbo over the whole city. Her gigantic face!

0:50:090:50:14

Or Farquhar and Tonk in a cartoon

0:50:140:50:15

jumping about over the Houses of Parliament.

0:50:150:50:18

But if you could do that, somebody could also have fascists

0:50:180:50:20

goose-stepping across the sky. That'd be pretty terrifying!

0:50:200:50:23

Clearly one would have to have a limit. You couldn't allow that!

0:50:230:50:26

-Who could stop them though?

-People would find a way.

0:50:260:50:29

But my point is, we have no idea what's coming next.

0:50:290:50:32

What time's your train, darling? You don't want to miss it.

0:50:320:50:34

Er, no, I won't miss it, don't worry.

0:50:340:50:37

In you go!

0:50:410:50:42

Give 'em hell.

0:50:420:50:44

CROWD CHATTER LOUDLY

0:50:460:50:48

MUSIC STARTS

0:50:500:50:52

# Fog on a river

0:50:540:50:58

# Mist in my heart

0:50:580:51:02

# You're not near

0:51:020:51:04

# We're far apart

0:51:040:51:08

# I loved you then

0:51:080:51:11

# And I lost you

0:51:110:51:13

# Down river

0:51:130:51:17

# Four o'clock... #

0:51:190:51:22

Here she is. Doesn't she look beautiful?

0:51:240:51:27

I just thought I'd say hello.

0:51:320:51:35

That tree is so lovely.

0:51:350:51:37

Jessie, should you be out of bed?

0:51:370:51:38

I thought one drink might make me feel better.

0:51:380:51:40

Of course it will. Of course she's right.

0:51:400:51:43

You must be feeling very unwell to miss singing to the Prince of Wales?

0:51:430:51:46

I am. I don't feel well at all.

0:51:460:51:49

Your voice has gone, has it?

0:51:490:51:50

It's quite gone, when I sing.

0:51:500:51:53

Louis loves performing in front of royalty,

0:51:530:51:55

he can't have been very pleased.

0:51:550:51:57

He understood.

0:51:570:51:58

Well, let's hope Carla manages to bring it off.

0:51:580:52:02

# A memory

0:52:020:52:06

# A distant memory

0:52:060:52:10

# Floats away. #

0:52:100:52:24

Thank you.

0:52:330:52:34

We're very pleased and honoured to be here playing

0:52:340:52:37

to Your Royal Highness again, and to the Royal Air Force.

0:52:370:52:41

I've never been in an aeroplane myself,

0:52:410:52:44

but maybe that'll change after tonight.

0:52:440:52:46

AUDIENCE LAUGH

0:52:460:52:49

MUSIC STARTS

0:52:490:52:50

Would you like to dance?

0:52:500:52:53

# Stars burnin' brighter

0:52:530:52:55

# I'm on an all-nighter

0:52:550:52:57

# Serenading to a tune

0:52:570:53:00

# A pop at the bull's-eye

0:53:000:53:02

# In the celestial night sky

0:53:020:53:04

# I'm dancing on the moon

0:53:040:53:06

# I'm dreaming of the big time

0:53:060:53:09

# A chance to dig a gold mine... #

0:53:090:53:12

-Have another one.

-Maybe that's enough, Julian.

0:53:170:53:19

Too much drink doesn't mix well with a fever.

0:53:190:53:22

Yes. I ought to go. That's best, isn't it?

0:53:220:53:24

I need a beautiful sleep and then everything will be all right.

0:53:240:53:28

I'll be back on my feet.

0:53:280:53:29

Let me see you to your room.

0:53:290:53:31

They didn't arrange this between them, did they?

0:53:380:53:41

She didn't miss the concert...

0:53:410:53:43

To be with my brother? I certainly hope not!

0:53:430:53:46

Isn't this magical?

0:53:490:53:50

It is. Magical!

0:53:500:53:52

So this Hollywood producer, where are we seeing him tonight?

0:53:540:53:57

He's upstairs.

0:53:570:53:58

Oh, he's in the hotel?

0:53:580:54:01

That's all right, then.

0:54:010:54:03

I don't need to break any rules.

0:54:030:54:05

SLOW MUSIC PLAYS

0:54:050:54:07

SONG ENDS

0:54:120:54:15

Another slow number, please.

0:54:250:54:27

I do find the slow ones the best, don't you?

0:54:270:54:30

MUSIC STARTS

0:54:300:54:33

She'll be in his bed tonight.

0:54:390:54:41

Of course she will.

0:54:410:54:42

It's what's expected. If you catch his eye, that's what has to happen.

0:54:420:54:47

Doesn't matter who you're married to!

0:54:470:54:50

Looks like your music's really helping.

0:54:500:54:53

I may have something to eat.

0:55:100:55:12

You'll miss your train, Julian!

0:55:120:55:14

Maybe that's for the best. It's meant to happen.

0:55:150:55:19

Disappoint my friends in Paris, make Walter even more angry.

0:55:190:55:23

Maybe I'm good for absolutely nothing.

0:55:260:55:28

Don't be ridiculous, go and get your train right now.

0:55:280:55:32

I'm gone.

0:55:320:55:34

Pamela, what's the matter, darling?

0:55:450:55:48

My little brother...

0:55:510:55:53

when he's like this....

0:55:530:55:55

I'm sorry.

0:55:550:55:57

Excuse me.

0:55:580:55:59

I worry about him so much! He's so young, so young for his age.

0:56:070:56:13

I can't be there for him all the time, I just can't.

0:56:130:56:16

And when I'm not, I can't stop thinking...

0:56:160:56:19

He could be so brilliant if he wanted, do so much...

0:56:190:56:24

..but something always stops him.

0:56:250:56:28

He can look after himself, I'm sure.

0:56:280:56:31

I'm certain he can.

0:56:310:56:33

Do you think?

0:56:350:56:37

I do hope you're right, Stanley.

0:56:370:56:39

Please be right!

0:56:400:56:42

I know I'm right. He'll be fine.

0:56:440:56:47

Of course he will.

0:56:480:56:50

You want to take a bit home?

0:56:550:56:56

It's pretty disgusting cake.

0:56:560:56:59

Funny, our esteemed guests and their friends can't tell the difference.

0:56:590:57:03

I think it's lovely.

0:57:030:57:05

You can have a plane. Want a little aeroplane?

0:57:050:57:08

No, thanks.

0:57:080:57:09

The real ones aren't much bigger.

0:57:090:57:11

But it's all we've got to take on Germany or the French,

0:57:110:57:14

or whoever we fight next.

0:57:140:57:16

And everybody thinks they're absolutely marvellous.

0:57:160:57:18

-They're all we need!

-They don't look like much.

0:57:180:57:21

They're fucking useless.

0:57:220:57:24

I think I need to go, if you don't mind?

0:57:340:57:37

I don't mind, Louis! You go. I'm so happy!

0:57:370:57:40

CHOIR SINGS "O COME ALL YE FAITHFUL"

0:57:540:57:57

If I wasn't so drunk, I'd go and join in,

0:57:570:57:59

the Imperial Christmas concert! Not to be missed, apparently,

0:57:590:58:02

all of the dowagers staying up really late for a singsong.

0:58:020:58:05

Oh yes, the Duchess of Northampton singing

0:58:050:58:07

Once in Royal David's City is an absolute highlight.

0:58:070:58:10

Does it every year!

0:58:100:58:11

Some things never change.

0:58:110:58:13

ENGINE ROARS

0:58:150:58:16

SINGING IN THE DISTANCE

0:58:330:58:36

Louis! I'm just off, my dear friend. Got to run.

0:58:420:58:47

Must have missed the train, but I'm still going to Paris!

0:58:470:58:51

We'll see each other soon.

0:58:510:58:54

Jessie?

0:59:040:59:06

Jessie...

0:59:060:59:07

Jessie?

0:59:130:59:14

WEAK MOANING

0:59:220:59:24

Jessie!

0:59:390:59:40

Help!

0:59:420:59:44

ALARM SOUNDS

0:59:460:59:48

Help!

0:59:480:59:50

Help!

0:59:500:59:53

An ambulance is coming.

1:00:031:00:04

Louis!

1:00:161:00:17

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