Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:03 | 0:00:11 | |
Some old cheese and a couple of tomatoes. | 0:01:13 | 0:01:15 | |
They're the only edible things that bastard left down there. | 0:01:15 | 0:01:19 | |
It's better than nothing, though. | 0:01:19 | 0:01:20 | |
Louis? | 0:01:32 | 0:01:33 | |
# Shout loud | 0:01:33 | 0:01:34 | |
# Meet the crowd | 0:01:34 | 0:01:36 | |
# This girl's going far... # | 0:01:36 | 0:01:39 | |
Lavinia, I think that could be counted as a triumph. | 0:01:39 | 0:01:43 | |
-It's tremendous what you've made happen. -What I've made happen? | 0:01:43 | 0:01:46 | |
Yes, for the band. | 0:01:46 | 0:01:47 | |
Would you just tell Julian not to worry, | 0:01:47 | 0:01:50 | |
I've completely taken care of it. | 0:01:50 | 0:01:52 | |
Royalty in a hailstorm! | 0:01:52 | 0:01:53 | |
Oh, it's amazing being here tonight! | 0:01:53 | 0:01:55 | |
Doesn't she look beautiful? | 0:01:55 | 0:01:58 | |
You'll miss your train, Julian. | 0:01:58 | 0:01:59 | |
I'm gone. | 0:01:59 | 0:02:01 | |
He could be so brilliant, but something always stops him. | 0:02:01 | 0:02:05 | |
Louis! | 0:02:11 | 0:02:12 | |
I haven't eaten in 24 hours, so... | 0:02:16 | 0:02:19 | |
you'll have to forgive me. | 0:02:19 | 0:02:21 | |
We haven't got long, it'll be dawn soon. | 0:02:21 | 0:02:24 | |
Louis, I'm sorry, | 0:02:24 | 0:02:25 | |
I still have no idea how to get you out of the country. | 0:02:25 | 0:02:27 | |
I know. | 0:02:27 | 0:02:28 | |
Neither do I. | 0:02:28 | 0:02:30 | |
BELL RINGS | 0:02:34 | 0:02:37 | |
-SHE WHISPERS: -..Kept up to date. It is imperative. | 0:02:51 | 0:02:54 | |
Thank you for being here, Nathan. | 0:02:56 | 0:02:58 | |
That was the least I could do. | 0:02:58 | 0:03:00 | |
Nothing like this has ever happened before at the Imperial, | 0:03:00 | 0:03:03 | |
not in my time. | 0:03:03 | 0:03:05 | |
No, it can't have. | 0:03:05 | 0:03:06 | |
We've only just heard - how is she? Is she all right? | 0:03:15 | 0:03:18 | |
What a shock! What a dreadful thing to have happened. | 0:03:18 | 0:03:20 | |
Have you seen her yet? How is she? | 0:03:20 | 0:03:23 | |
-What are they saying? -They won't tell us! | 0:03:23 | 0:03:25 | |
They were going to operate on her. We don't know if it's finished yet. | 0:03:25 | 0:03:28 | |
Excuse me! We are close friends of Miss Jessie Taylor. | 0:03:30 | 0:03:33 | |
We need to talk to a doctor. | 0:03:33 | 0:03:34 | |
As soon as we have some news, | 0:03:34 | 0:03:36 | |
the doctor will come down and explain the situation. | 0:03:36 | 0:03:38 | |
No, we need to talk to somebody now. | 0:03:38 | 0:03:41 | |
There are important people who would like to know how she is doing. | 0:03:41 | 0:03:45 | |
I'm sure there are. | 0:03:45 | 0:03:46 | |
They're here already, the press! | 0:03:51 | 0:03:53 | |
How did they hear about it so quickly?! | 0:03:53 | 0:03:55 | |
Excuse me, sir. | 0:03:55 | 0:03:57 | |
Why are the police here now? Couldn't they have waited till morning? | 0:03:57 | 0:04:00 | |
They're the ones that tipped off the press, almost certainly. | 0:04:00 | 0:04:03 | |
Nothing to say, gentlemen, absolutely nothing to say. | 0:04:03 | 0:04:06 | |
'My brother got the train to Paris, the 9:30... | 0:04:19 | 0:04:22 | |
'He should still be on it... | 0:04:22 | 0:04:23 | |
'It gets into Paris first thing in the morning...' | 0:04:23 | 0:04:26 | |
Mr Lester? Mr Lester? | 0:04:26 | 0:04:30 | |
Mr Lester, sir, if you wouldn't mind, sir, giving me a statement. | 0:04:32 | 0:04:36 | |
We can do this in the morning, if you prefer, sir. | 0:04:38 | 0:04:40 | |
Mr Lester? | 0:04:45 | 0:04:46 | |
You can tell us now, surely?! | 0:04:53 | 0:04:55 | |
She still hasn't come round after the anaesthetic. | 0:04:55 | 0:04:58 | |
I'm afraid it's too early to say exactly how she is. | 0:04:58 | 0:05:01 | |
There you all are! | 0:05:03 | 0:05:05 | |
What terrible news! Tell me how she is?! | 0:05:05 | 0:05:08 | |
Can I see her?! I must see her! | 0:05:08 | 0:05:10 | |
Carla! | 0:05:10 | 0:05:12 | |
How dare you do that?! | 0:05:12 | 0:05:15 | |
Get out of here! | 0:05:15 | 0:05:16 | |
Out! Out! | 0:05:16 | 0:05:17 | |
Oh, yes, er...do come in, by all means. | 0:05:40 | 0:05:42 | |
What do you mean, "do come in"?! This is my office. | 0:05:44 | 0:05:47 | |
I thought it was the deputy editor's office. | 0:05:47 | 0:05:50 | |
It is, yes. That's me. | 0:05:50 | 0:05:51 | |
And I believe it's me too, now. | 0:05:51 | 0:05:53 | |
You're deputy editor? | 0:05:55 | 0:05:57 | |
Joint Deputy Editor, yes. | 0:05:57 | 0:06:00 | |
Didn't Mr Wax speak to you? | 0:06:00 | 0:06:02 | |
-He didn't, no. -Well, I'm sure he means to have a word. | 0:06:03 | 0:06:06 | |
Oh, he'll be having a word all right! | 0:06:06 | 0:06:08 | |
I've been up all night and I find there's a new deputy editor? | 0:06:08 | 0:06:11 | |
That's brilliant! | 0:06:11 | 0:06:12 | |
And you're sitting at my desk, by the way. | 0:06:12 | 0:06:15 | |
Ah, Rosie, you're here too! | 0:06:17 | 0:06:20 | |
-Thank you, Mr Wax. -Pleasure. | 0:06:20 | 0:06:22 | |
Oh, it seems we're all early today! | 0:06:24 | 0:06:26 | |
What the hell do you think you're doing?! | 0:06:26 | 0:06:28 | |
-And what do you mean by that, Stanley? -You know bloody well what I mean. | 0:06:28 | 0:06:31 | |
Stanley, you will not use that tone with me. I suggest you calm down. | 0:06:31 | 0:06:35 | |
I have no intention of calming down. | 0:06:35 | 0:06:37 | |
You look dreadful. You haven't been up all night again, have you? | 0:06:37 | 0:06:40 | |
Why don't we go up to the office? | 0:06:40 | 0:06:42 | |
Did you know about this? | 0:06:42 | 0:06:43 | |
Know about what? | 0:06:43 | 0:06:45 | |
No, she didn't. | 0:06:45 | 0:06:46 | |
I've been meaning to tell you both, | 0:06:46 | 0:06:49 | |
but it seems Eric has beaten me to it. | 0:06:49 | 0:06:51 | |
Ah, Mr Lester. | 0:06:56 | 0:06:59 | |
Thank you, Mr Lester, for coming in this morning. | 0:06:59 | 0:07:01 | |
The senior officer on this case is just about to join us. | 0:07:01 | 0:07:04 | |
Please. | 0:07:04 | 0:07:05 | |
Would you like a cup of tea? | 0:07:06 | 0:07:08 | |
No tea. | 0:07:08 | 0:07:10 | |
You don't drink tea? | 0:07:10 | 0:07:11 | |
Yes, sometimes. | 0:07:11 | 0:07:13 | |
We er...we like to keep the doors open here, | 0:07:16 | 0:07:19 | |
makes our lives more interesting and often helps us get through the day. | 0:07:19 | 0:07:22 | |
HE CHUCKLES | 0:07:22 | 0:07:24 | |
HE CLEARS HIS THROAT | 0:07:24 | 0:07:25 | |
FOOTSTEPS APPROACH | 0:07:25 | 0:07:27 | |
Hello, Mr Lester. | 0:07:27 | 0:07:28 | |
I am Detective Inspector Horton. I'm handling this case. | 0:07:29 | 0:07:32 | |
Thank you for being here so promptly. | 0:07:32 | 0:07:35 | |
We just need a statement from you | 0:07:35 | 0:07:36 | |
about everything that happened last night. | 0:07:36 | 0:07:39 | |
Absolutely everything. | 0:07:39 | 0:07:41 | |
I'm sorry, Stanley, I had no idea at all that this had happened | 0:07:41 | 0:07:45 | |
until I read the stop-press. | 0:07:45 | 0:07:47 | |
And to the very band you've championed. An awful business! | 0:07:47 | 0:07:51 | |
You must be upset, of course. | 0:07:51 | 0:07:52 | |
Yes, of course I am, but it has nothing to do with this. | 0:07:52 | 0:07:55 | |
I'm angry because I was told absolutely nothing | 0:07:55 | 0:07:57 | |
about the appointment of this gentleman here. | 0:07:57 | 0:07:59 | |
I understand it's a surprise. | 0:07:59 | 0:08:02 | |
You're used to ruling the roost alone here, Stanley, I know. | 0:08:02 | 0:08:05 | |
During which time, let's not forget, I've more than doubled circulation. | 0:08:05 | 0:08:08 | |
But I'm sure Eric and you will work well together. | 0:08:08 | 0:08:11 | |
Not forgetting you, Rosie, of course. | 0:08:11 | 0:08:13 | |
Well, I don't know what he's going to do. | 0:08:13 | 0:08:15 | |
What is there for him to do?! | 0:08:15 | 0:08:17 | |
Ah, tell him what you're going to do, Eric. | 0:08:17 | 0:08:21 | |
I will be concentrating, principally, on the latest news. | 0:08:21 | 0:08:26 | |
The latest news? | 0:08:26 | 0:08:27 | |
I thought we did that already! | 0:08:27 | 0:08:29 | |
By which I mean the latest gramophone designs, | 0:08:29 | 0:08:32 | |
the newest wireless sets, the best buys... | 0:08:32 | 0:08:34 | |
Oh, for Christ's sake, we'll be down to three readers in a week! | 0:08:34 | 0:08:37 | |
We're a music magazine! | 0:08:37 | 0:08:38 | |
And there will be other things as well, | 0:08:38 | 0:08:40 | |
like what happened in New York last week, | 0:08:40 | 0:08:43 | |
when a singer's voice was carried by a beam of light, | 0:08:43 | 0:08:46 | |
purely by a beam of light, | 0:08:46 | 0:08:48 | |
from one tall building in Manhattan to another. | 0:08:48 | 0:08:50 | |
And simultaneously broadcast to 50 radio stations - | 0:08:50 | 0:08:53 | |
AND there were no wires of any kind to be seen anywhere! | 0:08:53 | 0:08:57 | |
Just with a beam of light? | 0:08:57 | 0:08:59 | |
Did that really happen last week? | 0:08:59 | 0:09:01 | |
I had no idea! | 0:09:01 | 0:09:03 | |
That's rather exciting! | 0:09:03 | 0:09:05 | |
I looked in, and there she was, bleeding very badly. | 0:09:06 | 0:09:10 | |
I called for help, then I rang the fire alarm. | 0:09:10 | 0:09:13 | |
That was good thinking, sir. | 0:09:13 | 0:09:14 | |
Nobody was coming. | 0:09:15 | 0:09:17 | |
Thank you, Mr Lester. | 0:09:17 | 0:09:18 | |
Is that all? | 0:09:18 | 0:09:20 | |
Well, I think so, almost all, yes. | 0:09:20 | 0:09:23 | |
In case you were wondering, | 0:09:23 | 0:09:25 | |
you are not a suspect, Mr Lester. | 0:09:25 | 0:09:28 | |
For the simple reason that you were seen | 0:09:28 | 0:09:29 | |
arriving at the hotel in the two-seater | 0:09:29 | 0:09:31 | |
at a couple of minutes before 11:30, | 0:09:31 | 0:09:33 | |
and there would not have been enough time | 0:09:33 | 0:09:35 | |
for you to have assaulted Miss Taylor | 0:09:35 | 0:09:37 | |
before you were found with her. | 0:09:37 | 0:09:39 | |
We judge she'd been in that cupboard for some time | 0:09:39 | 0:09:41 | |
due to the amount of blood. | 0:09:41 | 0:09:43 | |
For a good number of minutes, anyway. | 0:09:43 | 0:09:45 | |
Right. | 0:09:45 | 0:09:46 | |
Now, there is just one other matter. | 0:09:46 | 0:09:48 | |
You say you saw Mr Luscombe in one of the first-floor passages, | 0:09:48 | 0:09:51 | |
immediately before you found Miss Taylor, | 0:09:51 | 0:09:54 | |
and he said he'd missed his train? | 0:09:54 | 0:09:57 | |
Yes. | 0:09:57 | 0:09:58 | |
But we've been told by his sister | 0:09:58 | 0:10:00 | |
that he definitely caught the 9:30 sleeper to Paris. | 0:10:00 | 0:10:03 | |
Well, I can only repeat that I did see him and he did talk to me. | 0:10:03 | 0:10:07 | |
Well, thank you, Mr Lester, that's all we need to know. | 0:10:08 | 0:10:11 | |
It is very important, of course, | 0:10:13 | 0:10:15 | |
that you keep that last piece of information to yourself, | 0:10:15 | 0:10:17 | |
for obvious reasons. | 0:10:17 | 0:10:19 | |
Until we've had a chance to speak to Mr Luscombe ourselves. | 0:10:19 | 0:10:22 | |
What are you doing here? | 0:10:31 | 0:10:32 | |
I'm here to give a statement about last night. | 0:10:32 | 0:10:35 | |
What an awful business, Louis! | 0:10:35 | 0:10:37 | |
Yes, I'm going straight to the hospital now to find out how she is. | 0:10:37 | 0:10:40 | |
I've telephoned the hospital already. | 0:10:40 | 0:10:42 | |
Jessie's still unconscious, but stable, they think. | 0:10:42 | 0:10:45 | |
Stay a moment and then we'll have breakfast together, | 0:10:45 | 0:10:48 | |
after I've been in there. | 0:10:48 | 0:10:49 | |
It won't take long, and then we can go to the hospital together, what do you say? | 0:10:49 | 0:10:53 | |
They've got police up here as well. | 0:10:56 | 0:10:58 | |
What are they expecting to happen? | 0:10:58 | 0:11:01 | |
It's the press, Louis, and the newsreel cameras too. | 0:11:01 | 0:11:04 | |
They'll stop at nothing to try and get a picture. | 0:11:04 | 0:11:06 | |
I'll handle the police. | 0:11:06 | 0:11:08 | |
Good morning. | 0:11:08 | 0:11:10 | |
Hello, you two. I've had her moved into this room, | 0:11:12 | 0:11:16 | |
cos the other wasn't at all satisfactory. | 0:11:16 | 0:11:18 | |
I'm sure Lavinia has taken complete charge of the hospital already. | 0:11:18 | 0:11:21 | |
She hasn't woken yet? | 0:11:21 | 0:11:23 | |
Not yet, no. | 0:11:23 | 0:11:26 | |
But her breathing is fine. | 0:11:26 | 0:11:27 | |
Carla and I have been discussing how we might contact | 0:11:27 | 0:11:30 | |
somebody from her family. | 0:11:30 | 0:11:31 | |
I haven't met any of Jessie's family, not even at school. | 0:11:31 | 0:11:34 | |
With her picture everywhere, in all the magazines, | 0:11:34 | 0:11:37 | |
you'd think they would have been in contact before now. | 0:11:37 | 0:11:39 | |
The doctor said we should talk to her, the sound of a familiar voice. | 0:11:39 | 0:11:42 | |
Of course, mine isn't that familiar. | 0:11:42 | 0:11:44 | |
I've been chattering away, haven't I, Jessie? | 0:11:44 | 0:11:46 | |
It's not easy to talk to someone who isn't saying anything, | 0:11:46 | 0:11:50 | |
and starting is particularly difficult, but one gets used to it. | 0:11:50 | 0:11:55 | |
Maybe I should get them to bring me an artichoke, Jessie, | 0:11:55 | 0:11:58 | |
and start eating it. | 0:11:58 | 0:12:00 | |
What do you think of that? | 0:12:00 | 0:12:02 | |
The dear child was so astonished before when I ate one. | 0:12:02 | 0:12:05 | |
Maybe it would surprise you all over again? | 0:12:05 | 0:12:08 | |
Sarah! | 0:12:08 | 0:12:10 | |
They wouldn't let me up, | 0:12:13 | 0:12:15 | |
they said she had too many visitors. | 0:12:15 | 0:12:17 | |
Is she still asleep? | 0:12:17 | 0:12:19 | |
She hasn't woken up after the operation, not yet. | 0:12:19 | 0:12:22 | |
They're still here? | 0:12:23 | 0:12:24 | |
Of course they are. | 0:12:24 | 0:12:26 | |
Jessie is the singer who was supposed to be singing | 0:12:26 | 0:12:28 | |
for the Prince of Wales when it happened. | 0:12:28 | 0:12:31 | |
So, naturally, it's a very big story. | 0:12:31 | 0:12:34 | |
There's a garden, we'll be safe from them there. | 0:12:34 | 0:12:37 | |
I was so worried about you, Louis. | 0:12:46 | 0:12:48 | |
Don't worry about me. | 0:12:48 | 0:12:49 | |
It was such a shock for all of us, but especially for you. | 0:12:51 | 0:12:54 | |
It's worse this morning for some reason. | 0:12:54 | 0:12:57 | |
Last night I was numb. | 0:12:57 | 0:13:00 | |
Do the police have any idea about what happened? | 0:13:00 | 0:13:03 | |
No, not yet, I don't think. | 0:13:03 | 0:13:05 | |
I was with her in the bar last night. | 0:13:05 | 0:13:07 | |
Julian escorted her to her room | 0:13:07 | 0:13:09 | |
and then he came back and he caught his train. | 0:13:09 | 0:13:11 | |
But that was hours before! | 0:13:11 | 0:13:13 | |
She must have arranged to meet somebody else. | 0:13:13 | 0:13:16 | |
Yes, that's possible. | 0:13:16 | 0:13:18 | |
They're everywhere! | 0:13:19 | 0:13:21 | |
I should have my camera with me and turn it on them! | 0:13:21 | 0:13:23 | |
What else have you got? | 0:13:26 | 0:13:28 | |
How do you mean? | 0:13:28 | 0:13:29 | |
The latest news? | 0:13:30 | 0:13:31 | |
The wonderful machines we're now to put in the magazine, apparently. | 0:13:31 | 0:13:34 | |
Well, there's a lot to choose from... | 0:13:34 | 0:13:37 | |
I was afraid you might say that. | 0:13:37 | 0:13:38 | |
But to pluck just one at random, | 0:13:38 | 0:13:40 | |
which happens to be the one I've chosen to write about today, | 0:13:40 | 0:13:43 | |
there is, for instance, the music without instruments. | 0:13:43 | 0:13:45 | |
Right. | 0:13:45 | 0:13:47 | |
Silence, in other words. | 0:13:47 | 0:13:48 | |
No, absolutely not, quite the contrary. | 0:13:48 | 0:13:50 | |
Or to put the idea another way, | 0:13:50 | 0:13:52 | |
the orchestra without musicians, | 0:13:52 | 0:13:54 | |
as demonstrated recently in Germany by Herr Pfenninger | 0:13:54 | 0:13:57 | |
using an electrical current. | 0:13:57 | 0:13:58 | |
Herr Pfenninger? Some mad German professor?! | 0:13:58 | 0:14:01 | |
You're making this up. | 0:14:01 | 0:14:02 | |
Herr Pfenninger and his electronic music, | 0:14:02 | 0:14:04 | |
and I am most certainly not making this up. | 0:14:04 | 0:14:06 | |
There's a visitor for you, Stanley. | 0:14:06 | 0:14:08 | |
Stanley, thank God you're here! | 0:14:08 | 0:14:10 | |
Pamela, are you all right? | 0:14:10 | 0:14:11 | |
How can anyone be all right on a day like this? | 0:14:11 | 0:14:14 | |
Eric Stillman, this is Miss Pamela Luscombe. | 0:14:14 | 0:14:16 | |
I'm sorry to burst in, | 0:14:16 | 0:14:18 | |
but I need your help, Stanley. | 0:14:18 | 0:14:20 | |
I have to get in touch with Julian. | 0:14:20 | 0:14:21 | |
He's in Paris, I telephoned the apartment. | 0:14:21 | 0:14:24 | |
He arrived as planned earlier this morning, but he's gone out already. | 0:14:24 | 0:14:27 | |
Of course, I sent a telegram, but I have to tell him | 0:14:27 | 0:14:30 | |
about what's happened as soon as possible. He'll be so upset! | 0:14:30 | 0:14:33 | |
What do you want me to do? | 0:14:33 | 0:14:34 | |
Julian will be lunching at a fashionable restaurant, | 0:14:34 | 0:14:37 | |
and I want to telephone that restaurant, | 0:14:37 | 0:14:39 | |
so I need to know what's the most fashionable place | 0:14:39 | 0:14:41 | |
to eat in Paris at the moment, because that's where Julian will be. | 0:14:41 | 0:14:44 | |
And you always know everything, Stanley. | 0:14:44 | 0:14:46 | |
He'll deny it, but he does. | 0:14:46 | 0:14:48 | |
You want me to guess which restaurant in Paris | 0:14:48 | 0:14:51 | |
Julian is having lunch in? That's impossible! | 0:14:51 | 0:14:53 | |
No, it's not. He'll never be at the fuddy-duddy places | 0:14:53 | 0:14:56 | |
I go to in Paris, like Le Meurice. | 0:14:56 | 0:14:57 | |
He'll be at the place everybody's talking about. | 0:14:57 | 0:15:01 | |
So, you see, it's not quite as stupid as it seems. | 0:15:01 | 0:15:03 | |
It may surprise you, but I don't have a list of all the fashionable restaurants in Paris in my head! | 0:15:03 | 0:15:08 | |
I'm sure you could have a try, Stanley, | 0:15:08 | 0:15:10 | |
I was certain you would know! | 0:15:10 | 0:15:12 | |
And, of course, I wanted an excuse to see you, rather badly. | 0:15:12 | 0:15:17 | |
I can't help you at the moment, Pamela, I've been up all night. | 0:15:17 | 0:15:20 | |
You're not the only one who's been up all night. | 0:15:20 | 0:15:23 | |
I have no idea what Julian will do when he hears the news about Jessie, | 0:15:23 | 0:15:26 | |
and I would hate for him to find out about it from the press. | 0:15:26 | 0:15:28 | |
It's going to be all over the papers. | 0:15:28 | 0:15:30 | |
I'm afraid it will be, | 0:15:30 | 0:15:31 | |
and we have to decide how we're going to cover it, | 0:15:31 | 0:15:34 | |
because this magazine helped launch the band, isn't that right? | 0:15:34 | 0:15:37 | |
-So it's a big story for us. -I do realise that, Eric. | 0:15:37 | 0:15:39 | |
And, of course, who knows how long the band will last now. | 0:15:39 | 0:15:43 | |
It may be difficult for them to get bookings after this. | 0:15:43 | 0:15:45 | |
You're right. | 0:15:45 | 0:15:48 | |
Of course, thank you! | 0:15:48 | 0:15:49 | |
For what? | 0:15:49 | 0:15:50 | |
I must get to the Imperial right away, I should be there already. | 0:15:50 | 0:15:53 | |
Don't go, not yet. | 0:15:53 | 0:15:55 | |
Here. | 0:15:55 | 0:15:56 | |
Try these first, and if all else fails, | 0:15:59 | 0:16:01 | |
Eric will phone every restaurant above a certain price in Paris. | 0:16:01 | 0:16:05 | |
What a business this is, Mr Mitchell. | 0:16:22 | 0:16:24 | |
Yes. | 0:16:25 | 0:16:27 | |
Yes, it's horrible. | 0:16:27 | 0:16:28 | |
The police are everywhere. | 0:16:28 | 0:16:30 | |
They even switched off the Christmas lights, | 0:16:30 | 0:16:32 | |
and now they won't work, for some reason. | 0:16:32 | 0:16:35 | |
I've been looking at the papers. | 0:16:35 | 0:16:37 | |
Overnight, this was just a stop-press, | 0:16:37 | 0:16:40 | |
too late for the main editions. But now, look at this. | 0:16:40 | 0:16:43 | |
This is just the start, of course. It'll grow, Mr Mitchell. | 0:16:44 | 0:16:49 | |
It will, yes. | 0:16:49 | 0:16:50 | |
And when this was happening, I was sitting in the theatre | 0:16:50 | 0:16:53 | |
watching such a dull play, | 0:16:53 | 0:16:54 | |
and a very noisy one as well. | 0:16:54 | 0:16:57 | |
I will, of course, lose every cent I invested in it. | 0:16:57 | 0:17:00 | |
Well, excuse me, sir, I've got to talk to Mr Schlesinger. | 0:17:00 | 0:17:04 | |
You'll keep me posted on how the lady is? | 0:17:04 | 0:17:07 | |
Your information will be more up to the minute than mine. | 0:17:07 | 0:17:10 | |
I will. | 0:17:10 | 0:17:12 | |
Twice a day. | 0:17:12 | 0:17:14 | |
Twice a day? | 0:17:14 | 0:17:15 | |
If you'd be so kind. | 0:17:15 | 0:17:17 | |
I pray she gets better. | 0:17:18 | 0:17:20 | |
Jack! | 0:17:23 | 0:17:24 | |
TELEPHONE RINGS | 0:17:26 | 0:17:28 | |
Go away! I'm not in the mood for you today. | 0:17:28 | 0:17:31 | |
I'm not in the mood for you either, Harold, | 0:17:31 | 0:17:33 | |
we'll have to settle this later. Goodbye! | 0:17:33 | 0:17:35 | |
-What is Jack Paynton doing here?! -Not now, Stanley! | 0:17:35 | 0:17:38 | |
The entire place is overrun with police! | 0:17:38 | 0:17:42 | |
Everything I've tried to do with this hotel looks like it's in ruins! | 0:17:42 | 0:17:45 | |
Everybody told me not to have a negro band here, | 0:17:45 | 0:17:49 | |
everybody but you. | 0:17:49 | 0:17:50 | |
I didn't listen, and now, they're involved in a knife attack! | 0:17:50 | 0:17:53 | |
The band aren't involved, for heaven's sake! | 0:17:53 | 0:17:55 | |
They weren't even here, they were playing for the fucking Prince of Wales! | 0:17:55 | 0:17:59 | |
That makes it worse! Makes it even more newsworthy! | 0:17:59 | 0:18:01 | |
Started getting cancellations this morning! | 0:18:01 | 0:18:04 | |
When they had that murder at The Savoy, | 0:18:06 | 0:18:08 | |
it took nearly two years for their business to recover! | 0:18:08 | 0:18:10 | |
One way to make sure business collapses | 0:18:10 | 0:18:13 | |
is to book Jack Paynton now! | 0:18:13 | 0:18:14 | |
That's not true. | 0:18:14 | 0:18:15 | |
He's still quite popular, as it happens. | 0:18:16 | 0:18:18 | |
Anyway, I've got to have somebody to play here - | 0:18:18 | 0:18:20 | |
it's one of our busiest weeks, Christmas week! | 0:18:20 | 0:18:23 | |
And it's clearly impossible for Mr Lester's band | 0:18:23 | 0:18:26 | |
to continue under the circumstances. | 0:18:26 | 0:18:27 | |
Why? Why is it? | 0:18:27 | 0:18:30 | |
If you stop the band playing now, | 0:18:30 | 0:18:32 | |
you turn a bad incident into something that looks far worse, | 0:18:32 | 0:18:34 | |
like they should never have been here in the first place. | 0:18:34 | 0:18:37 | |
If you let the band keep playing, | 0:18:37 | 0:18:38 | |
people will still come, definitely, because of their notoriety. | 0:18:38 | 0:18:42 | |
That's how show business works. | 0:18:42 | 0:18:43 | |
They won't play anyway. They won't go on. | 0:18:43 | 0:18:46 | |
Who says? | 0:18:46 | 0:18:48 | |
Mr Lester says. | 0:18:48 | 0:18:50 | |
Yes. | 0:18:51 | 0:18:53 | |
Thank you. | 0:18:53 | 0:18:55 | |
Well, if you could... | 0:18:55 | 0:18:56 | |
Any news? | 0:19:00 | 0:19:02 | |
No. | 0:19:02 | 0:19:03 | |
I look terrible today and you don't. How is that possible? | 0:19:03 | 0:19:06 | |
Any different from most mornings? | 0:19:06 | 0:19:08 | |
And you're as calm as always. | 0:19:08 | 0:19:10 | |
Not really, no. | 0:19:10 | 0:19:12 | |
DOOR OPENS | 0:19:12 | 0:19:13 | |
Room 27! | 0:19:13 | 0:19:15 | |
Come on, come on! | 0:19:16 | 0:19:19 | |
So slow, they get slower and slower! | 0:19:19 | 0:19:22 | |
39 as well - make sure you do both! | 0:19:23 | 0:19:25 | |
I'm going to stir things up a bit, Louis. | 0:19:25 | 0:19:28 | |
You've got to carry on performing. | 0:19:28 | 0:19:30 | |
It's not possible. Not until Jessie is much better. | 0:19:30 | 0:19:33 | |
Mr Schlesinger wants you to. | 0:19:33 | 0:19:34 | |
The band won't do it. It's out of the question. | 0:19:34 | 0:19:36 | |
Shall I tell you what's going to happen if the band stop playing? | 0:19:36 | 0:19:39 | |
All right, Joe? | 0:19:39 | 0:19:40 | |
If you do that, Schlesinger won't be paying you, naturally, | 0:19:40 | 0:19:43 | |
other bookings will prove difficult, | 0:19:43 | 0:19:45 | |
and if you're unemployed, the immigration authorities will start chasing down | 0:19:45 | 0:19:48 | |
all your musicians who don't have residency here. | 0:19:48 | 0:19:50 | |
I don't believe that, not straight away, after what's happened. | 0:19:50 | 0:19:53 | |
Especially after what's happened! | 0:19:53 | 0:19:55 | |
Your lead singer nearly gets killed in a knife attack | 0:19:55 | 0:19:58 | |
when she should have been playing for the Prince of Wales! | 0:19:58 | 0:20:00 | |
FOOTSTEPS APPROACH | 0:20:00 | 0:20:02 | |
All sorts of stories will appear about the band. | 0:20:02 | 0:20:04 | |
And the authorities will take an interest in you again. Do you want that to happen? | 0:20:04 | 0:20:08 | |
Of course not, but I'll see to it. It won't happen. | 0:20:08 | 0:20:10 | |
Well, there's only...there's only one way it won't happen - | 0:20:10 | 0:20:13 | |
if you keep your monthly contract here. | 0:20:13 | 0:20:15 | |
Number 39 was not room service, | 0:20:15 | 0:20:18 | |
it was for you. | 0:20:18 | 0:20:20 | |
For you! | 0:20:21 | 0:20:23 | |
You rang, your Ladyship? | 0:20:28 | 0:20:31 | |
I'm sorry to have had you called like that, Stanley. | 0:20:31 | 0:20:34 | |
I heard you were in the hotel from Mr Masterson. | 0:20:34 | 0:20:36 | |
Ah, don't worry. I don't mind being summoned - at least not by you. | 0:20:36 | 0:20:39 | |
They got a new deputy editor at the magazine, | 0:20:39 | 0:20:41 | |
so I might be doing room service for real quite soon. | 0:20:41 | 0:20:43 | |
I just wanted to see you, Stanley, I have no other excuse. | 0:20:43 | 0:20:46 | |
Ah, that's a good excuse, isn't it? | 0:20:46 | 0:20:48 | |
I'm sorry I look like this, by the way, feeling a bit rough today. | 0:20:48 | 0:20:52 | |
Aren't we all? | 0:20:52 | 0:20:53 | |
But you look wonderful. | 0:20:53 | 0:20:55 | |
Flattery even today! | 0:20:55 | 0:20:58 | |
It's been such an awful few hours, Stanley. | 0:20:58 | 0:21:01 | |
She's a lovely girl, | 0:21:01 | 0:21:02 | |
and who would do something like that to her? | 0:21:02 | 0:21:04 | |
I was here yesterday, I saw her! She was with Julian, | 0:21:04 | 0:21:07 | |
but he'd be on the sleeper to Paris when it happened. | 0:21:07 | 0:21:10 | |
All sorts of people use this hotel, of course, | 0:21:10 | 0:21:12 | |
-goodness knows who was staying here last night. -That's true. | 0:21:12 | 0:21:15 | |
I just came from the hospital. | 0:21:15 | 0:21:16 | |
I hate to see her lying unconscious, not reacting at all. | 0:21:16 | 0:21:19 | |
She'll get better. | 0:21:19 | 0:21:20 | |
-All being well, she will. -Let's hope so. | 0:21:20 | 0:21:24 | |
It's such a cruel thing to happen. | 0:21:24 | 0:21:26 | |
Everything was going so well with the band. | 0:21:26 | 0:21:29 | |
You know, I was just about to give my first party | 0:21:29 | 0:21:31 | |
in heaven knows how many years, | 0:21:31 | 0:21:34 | |
my first since, er, my sons... | 0:21:34 | 0:21:37 | |
Just a small party for the New Year, for the band, | 0:21:37 | 0:21:42 | |
for a few friends and, of course, I was going to invite you, Stanley. | 0:21:42 | 0:21:45 | |
But now, none of that can happen, | 0:21:47 | 0:21:49 | |
it's not possible. | 0:21:49 | 0:21:50 | |
It might be. If the news from the hospital gets better. | 0:21:50 | 0:21:55 | |
-THEY SHOUT: -Mr Lester! | 0:21:57 | 0:21:59 | |
Gentlemen, please! | 0:21:59 | 0:22:00 | |
-THEY SHOUT: -Mr Lester! Louis! | 0:22:00 | 0:22:02 | |
Thank you, gentlemen. This is her record, and we'll play it to her. | 0:22:07 | 0:22:10 | |
All right? Thank you. Thank you, gentlemen, thank you. | 0:22:10 | 0:22:13 | |
Hang on a moment! I want to try something! | 0:22:13 | 0:22:16 | |
-THEY SHOUT: -Move, come on! Move! | 0:22:16 | 0:22:19 | |
That's right, gentlemen, lovely, lovely, yes. | 0:22:19 | 0:22:22 | |
THEY CONTINUE SHOUTING | 0:22:22 | 0:22:24 | |
Well, you've certainly had an effect! | 0:22:24 | 0:22:26 | |
Jessie, we're listening to your record! | 0:22:32 | 0:22:34 | |
# There was a time | 0:22:34 | 0:22:37 | |
# I felt so low | 0:22:37 | 0:22:39 | |
# Each day was tough... # | 0:22:39 | 0:22:41 | |
Can you hear it, Jessie? | 0:22:41 | 0:22:43 | |
# ..Did not believe That I could live... # | 0:22:43 | 0:22:47 | |
It's Sarah, Jessie, | 0:22:47 | 0:22:51 | |
and we're listening to your wonderful voice. | 0:22:51 | 0:22:53 | |
# ..When I came to My mind was clear | 0:22:53 | 0:22:57 | |
# Said my goodbyes and shed a tear | 0:22:57 | 0:23:02 | |
# It will never be The same again... # | 0:23:02 | 0:23:07 | |
I just thought I'd bring these to the lady. | 0:23:07 | 0:23:09 | |
That man is so strange. | 0:23:16 | 0:23:18 | |
Why bring such a tiny bouquet? | 0:23:18 | 0:23:20 | |
Maybe the string is made of gold. | 0:23:21 | 0:23:23 | |
JOURNALISTS SHOUT | 0:23:24 | 0:23:26 | |
Gentlemen, please, you got your pictures the first time. | 0:23:26 | 0:23:28 | |
THEY SHOUT: Is she well, sir? Did you speak to her, sir? | 0:23:28 | 0:23:31 | |
So many more of them already. | 0:23:31 | 0:23:32 | |
I had no idea. | 0:23:32 | 0:23:33 | |
That she was a little bit famous? | 0:23:33 | 0:23:35 | |
Not to this extent, no. | 0:23:35 | 0:23:37 | |
Some truly odd faces there, weren't there? | 0:23:46 | 0:23:49 | |
I hadn't thought of it until now, | 0:23:49 | 0:23:51 | |
but maybe it was somebody like them who attacked Jessie. | 0:23:51 | 0:23:54 | |
They can be very fanatical, some of these people. | 0:23:54 | 0:23:57 | |
They'll go away soon, | 0:23:57 | 0:23:58 | |
they won't be here on Christmas Day. | 0:23:58 | 0:24:00 | |
Oh, don't mention that. | 0:24:00 | 0:24:01 | |
I'm dreading Christmas, alone with my father. | 0:24:01 | 0:24:05 | |
I'm dreading it too. | 0:24:05 | 0:24:07 | |
The Imperial ballroom at lunchtime! | 0:24:07 | 0:24:09 | |
I so wish that I could be with you on Christmas Day! | 0:24:11 | 0:24:14 | |
Welcome to the Imperial Hotel. | 0:24:17 | 0:24:19 | |
As the Christmas puddings appear, | 0:24:19 | 0:24:21 | |
we know that it must be time for some music. | 0:24:21 | 0:24:24 | |
Oh, er...do be careful, ladies and gentleman, by the way. | 0:24:24 | 0:24:27 | |
There is the traditional sixpence | 0:24:27 | 0:24:29 | |
in several of the helpings of the puddings, so be on the look-out. | 0:24:29 | 0:24:33 | |
And now, for a very special Christmas treat... | 0:24:33 | 0:24:37 | |
The Louis Lester Band. | 0:24:37 | 0:24:39 | |
There are some Germans here from their embassy. | 0:24:44 | 0:24:47 | |
So this could prove interesting, Louis. | 0:24:47 | 0:24:49 | |
Merry Christmas, everyone, | 0:24:56 | 0:24:58 | |
we hope you're having a wonderful time! | 0:24:58 | 0:25:00 | |
MUSIC PLAYS | 0:25:00 | 0:25:01 | |
# Come into the warm It's Christmas | 0:25:05 | 0:25:10 | |
# Time for you to toast your toes | 0:25:10 | 0:25:14 | |
# Gather all your friends Together... # | 0:25:14 | 0:25:19 | |
Was?! | 0:25:19 | 0:25:20 | |
# ..Banish all those winter woes | 0:25:20 | 0:25:23 | |
# Hark the heralds sing It's Christmas | 0:25:23 | 0:25:27 | |
# Time for love, goodwill and cheer | 0:25:27 | 0:25:32 | |
# Gather all your friends together | 0:25:32 | 0:25:36 | |
# And welcome in A brand new year... # | 0:25:36 | 0:25:42 | |
Fuck 'em! | 0:25:45 | 0:25:46 | |
My dear girl, I thought I might visit you, | 0:25:51 | 0:25:54 | |
since I have no pressing need to be anywhere else this Christmas Day, | 0:25:54 | 0:25:59 | |
and we could talk together. | 0:25:59 | 0:26:02 | |
I've brought my own supplies. | 0:26:02 | 0:26:04 | |
which I'm sure I will be allowed to use today of all days. | 0:26:04 | 0:26:08 | |
# ..Come into the warm It's Christmas | 0:26:17 | 0:26:21 | |
# Time for you to toast your toes | 0:26:21 | 0:26:26 | |
# Gather all your friends Together... # | 0:26:26 | 0:26:28 | |
Not too bad a meal this year, but... | 0:26:28 | 0:26:31 | |
I always hate the pudding. | 0:26:31 | 0:26:33 | |
HE CHUCKLES | 0:26:33 | 0:26:34 | |
Now, we can relax. | 0:26:34 | 0:26:36 | |
You might get down, if you wish. | 0:26:37 | 0:26:39 | |
# ..Time for love, goodwill and cheer | 0:26:39 | 0:26:43 | |
# Gather all your friends Together... # | 0:26:43 | 0:26:47 | |
How on earth are we ever going to eat this bird, Mum? | 0:26:47 | 0:26:50 | |
Well, Christmas is a time to celebrate, isn't it?! | 0:26:50 | 0:26:53 | |
I do hope it's cooked... | 0:26:54 | 0:26:56 | |
Do you think I should put it back in? | 0:26:56 | 0:26:58 | |
Jessie, I live a life of indulgence. | 0:26:58 | 0:27:02 | |
Well, I think you know that already, probably, | 0:27:02 | 0:27:05 | |
and that, in some ways, is rather unforgivable. | 0:27:05 | 0:27:08 | |
Well, maybe in many ways. | 0:27:10 | 0:27:11 | |
And I expect you find it rather difficult to understand | 0:27:13 | 0:27:16 | |
how I can just afford to do nothing, | 0:27:16 | 0:27:19 | |
not have a proper job of any description. | 0:27:19 | 0:27:22 | |
But it does allow me to help people that I admire. | 0:27:22 | 0:27:25 | |
DOORBELL RINGS | 0:27:37 | 0:27:41 | |
I'll get it. | 0:27:41 | 0:27:42 | |
I couldn't stand it a moment longer at home! | 0:27:43 | 0:27:46 | |
I had to see you, Stanley! | 0:27:46 | 0:27:47 | |
HE CLEARS HIS THROAT | 0:27:51 | 0:27:52 | |
Forgive me inviting myself, Mrs Mitchell! I am Pamela Luscombe. | 0:27:52 | 0:27:55 | |
I had to come here. I know it's unforgivable on Christmas Day, | 0:27:55 | 0:27:58 | |
but my brother appeared for just one night and now, he's gone back to Paris on business. | 0:27:58 | 0:28:01 | |
He was so distraught about Jessie he's trying to distract himself! | 0:28:01 | 0:28:04 | |
So I was all alone with Mummy and Daddy | 0:28:04 | 0:28:06 | |
and if you knew my parents, Mrs Mitchell, that's not a fate you'd wish on anybody! | 0:28:06 | 0:28:10 | |
Remember how you played for the Prince in the garden? | 0:28:12 | 0:28:15 | |
It must have seemed so strange to you. | 0:28:15 | 0:28:18 | |
Well, it did for me too, really! | 0:28:18 | 0:28:20 | |
You and the Prince, and all of us amongst the flowers... | 0:28:22 | 0:28:25 | |
..on that day. | 0:28:27 | 0:28:29 | |
MUSIC PLAYS | 0:28:29 | 0:28:31 | |
I don't think I'm exaggerating | 0:28:34 | 0:28:35 | |
when I say that was one of the best afternoons I've ever spent. | 0:28:35 | 0:28:39 | |
And I don't say that lightly, | 0:28:40 | 0:28:42 | |
considering the charmed life I've led. | 0:28:42 | 0:28:44 | |
You remember that day, don't you, Jessie? | 0:28:47 | 0:28:50 | |
Just blink if you remember it. | 0:28:50 | 0:28:52 | |
Blink, Jessie. | 0:28:57 | 0:28:58 | |
He played the drums. | 0:29:03 | 0:29:05 | |
HE CLAPS | 0:29:05 | 0:29:07 | |
The Prince on the drums? | 0:29:07 | 0:29:09 | |
The Prince and the jazz band! | 0:29:09 | 0:29:11 | |
He was drunk, wasn't he? | 0:29:17 | 0:29:18 | |
That was quite a moment, wasn't it? | 0:29:20 | 0:29:22 | |
You can picture that moment, can't you, Jessie? | 0:29:24 | 0:29:27 | |
Picture that again, Jessie. | 0:29:27 | 0:29:29 | |
Yes. | 0:29:41 | 0:29:42 | |
That's right, dear girl. | 0:29:43 | 0:29:45 | |
# A memory | 0:29:54 | 0:29:56 | |
# A distant memory | 0:29:56 | 0:30:02 | |
# Floats away. # | 0:30:02 | 0:30:09 | |
Jessie's just woken up. She's out of the coma. | 0:30:31 | 0:30:33 | |
Ladies and gentlemen, we've just had some news | 0:30:36 | 0:30:39 | |
which I must share with you all. | 0:30:39 | 0:30:40 | |
Miss Jessie Taylor, who has so often sung from this stage, | 0:30:40 | 0:30:44 | |
and who, as many of you will be aware, has been in hospital in a coma, | 0:30:44 | 0:30:47 | |
she has just woken up, and she is back with us! | 0:30:47 | 0:30:50 | |
CHEERING AND APPLAUSE | 0:30:50 | 0:30:53 | |
Bravo! Bravo! | 0:30:59 | 0:31:01 | |
Darling? | 0:31:01 | 0:31:02 | |
How are you feeling? | 0:31:04 | 0:31:05 | |
She is still very sedated, of course, | 0:31:05 | 0:31:07 | |
because of the wounds she has received. | 0:31:07 | 0:31:09 | |
It'll be a little while before she's sitting up and chatting. | 0:31:09 | 0:31:12 | |
With a head injury like she has had, | 0:31:12 | 0:31:14 | |
it is difficult to tell how long that'll be, | 0:31:14 | 0:31:17 | |
so visiting times will be very strictly limited. | 0:31:17 | 0:31:20 | |
Excuse me! She's not well enough to be talked to yet, gentlemen, | 0:31:22 | 0:31:26 | |
so your interrogating will have to wait. | 0:31:26 | 0:31:28 | |
We have been informed of that, Mr Mitchell, | 0:31:28 | 0:31:29 | |
I'm just here to speak to the doctors. | 0:31:29 | 0:31:31 | |
Mr Lester, is it possible to have one very quick word? | 0:31:31 | 0:31:35 | |
Now, we've spoken with Mr Luscombe, | 0:31:35 | 0:31:37 | |
and he says he caught the 9:30 sleeper to Paris | 0:31:37 | 0:31:40 | |
and he claims that there must have been witnesses | 0:31:40 | 0:31:42 | |
who saw him on the train. | 0:31:42 | 0:31:43 | |
I definitely saw him at 11:30 that night at the Imperial. | 0:31:43 | 0:31:46 | |
Yes, I thought you were absolutely clear about that. Very good. | 0:31:46 | 0:31:51 | |
We haven't had a chance to speak with these witnesses yet, | 0:31:51 | 0:31:54 | |
Mr Lester, or the passport control, it being Christmas. | 0:31:54 | 0:31:57 | |
We'll check the journey, Mr Lester. | 0:31:57 | 0:31:59 | |
So what do you think? | 0:32:01 | 0:32:03 | |
I thought we should see it all planned out! | 0:32:03 | 0:32:05 | |
It looks scintillating. | 0:32:05 | 0:32:07 | |
There are four sections now - | 0:32:07 | 0:32:09 | |
first, the Music Section, of course. | 0:32:09 | 0:32:11 | |
Then, the Best Buy section, including gramophones, wirelesses | 0:32:11 | 0:32:16 | |
and probably very soon televisions as well. | 0:32:16 | 0:32:18 | |
Then, the Latest News section, | 0:32:18 | 0:32:20 | |
all the news from the entertainment world, | 0:32:20 | 0:32:22 | |
which naturally this week includes the progress of Miss Jessie Taylor. | 0:32:22 | 0:32:26 | |
And then, lastly, the Further Afield section, | 0:32:26 | 0:32:29 | |
where we can have developments from around the world, | 0:32:29 | 0:32:31 | |
things like the electronic music, | 0:32:31 | 0:32:33 | |
maybe accompanied by a good photograph of the equipment. | 0:32:33 | 0:32:36 | |
It's very thorough, Eric. | 0:32:36 | 0:32:38 | |
Where the hell is the Farquhar and Tonk cartoon? | 0:32:38 | 0:32:40 | |
Oh, that's um...still here, down here somewhere.... | 0:32:40 | 0:32:44 | |
By the wastepaper basket? | 0:32:46 | 0:32:47 | |
Yes, that's right, | 0:32:47 | 0:32:49 | |
near the back of the magazine. | 0:32:49 | 0:32:51 | |
I think, on balance, we should keep it. | 0:32:51 | 0:32:53 | |
Some weeks, it's quite funny. | 0:32:53 | 0:32:57 | |
It's just a suggestion. | 0:32:57 | 0:32:59 | |
But change can be exciting and bring new readers. | 0:32:59 | 0:33:02 | |
Well, new readers will be good, Eric, | 0:33:02 | 0:33:04 | |
and necessary, because when our present readership sees your sections, | 0:33:04 | 0:33:07 | |
they'll be leaving us in their droves. | 0:33:07 | 0:33:09 | |
We don't know that, Stanley. A new layout might be good, | 0:33:09 | 0:33:12 | |
take people by surprise. | 0:33:12 | 0:33:13 | |
Well, let's find out, shall we? | 0:33:13 | 0:33:15 | |
Let's try it and see who's right! | 0:33:15 | 0:33:17 | |
I'd hate to stand in the way of change, me of all people. | 0:33:17 | 0:33:20 | |
And now, I've got to be somewhere. | 0:33:20 | 0:33:22 | |
Where will you be seeing in the New Year, Eric? | 0:33:22 | 0:33:25 | |
Oh, I have some modest plans, nothing out of the ordinary. | 0:33:25 | 0:33:29 | |
How about you? | 0:33:29 | 0:33:30 | |
Me? Oh, I've got something rather special planned. | 0:33:30 | 0:33:33 | |
GLASS TINKLING | 0:33:33 | 0:33:35 | |
What do you think? | 0:33:43 | 0:33:44 | |
Oh! It's splendid, elegant, naturally, but er...original too. | 0:33:44 | 0:33:50 | |
When will you ever tell me the truth, Stanley? | 0:33:50 | 0:33:53 | |
I always do! | 0:33:53 | 0:33:55 | |
Well, I want to tell you something. | 0:33:55 | 0:33:58 | |
This building here hasn't been used since the war, | 0:33:58 | 0:34:02 | |
not since my sons died. | 0:34:02 | 0:34:04 | |
My son Ralph used this as a studio. | 0:34:06 | 0:34:08 | |
He was an artist. | 0:34:09 | 0:34:10 | |
I think he was quite talented. | 0:34:12 | 0:34:14 | |
I like to think so, anyway. | 0:34:14 | 0:34:17 | |
This is one of his. | 0:34:17 | 0:34:19 | |
Oh, thought it must be. | 0:34:19 | 0:34:21 | |
GLASS TINKLING | 0:34:21 | 0:34:23 | |
Um, I like the noise it makes. | 0:34:23 | 0:34:26 | |
This place has been shut up all this time, | 0:34:26 | 0:34:30 | |
but it couldn't go on for ever. | 0:34:30 | 0:34:32 | |
Could it? | 0:34:32 | 0:34:33 | |
-It could not, no. -No. | 0:34:33 | 0:34:36 | |
I thought it would be good to have the party here | 0:34:36 | 0:34:39 | |
rather than in the house, more fun. | 0:34:39 | 0:34:42 | |
LAUGHTER | 0:34:46 | 0:34:48 | |
Fabulous fish! | 0:34:58 | 0:34:59 | |
THEY CHATTER | 0:34:59 | 0:35:02 | |
I don't think I've ever been at a banquet, | 0:35:02 | 0:35:04 | |
and I've been at a few, but I don't think I've been at one | 0:35:04 | 0:35:06 | |
that's been held in a cowshed before! | 0:35:06 | 0:35:09 | |
Well, in fact, this building was originally used for pigs. | 0:35:09 | 0:35:12 | |
THEY LAUGH | 0:35:12 | 0:35:13 | |
What a perfect place to guzzle then! | 0:35:13 | 0:35:15 | |
THEY LAUGH | 0:35:15 | 0:35:16 | |
It would make a tremendous photo. | 0:35:16 | 0:35:18 | |
I know! But I've been forbidden to take any at all. | 0:35:18 | 0:35:22 | |
Yes, nobody's allowed to work this evening, absolutely not. | 0:35:22 | 0:35:26 | |
Sarah's not to take any photographs, and the band will not have to play. | 0:35:26 | 0:35:30 | |
Total escape from all work is called for. | 0:35:30 | 0:35:33 | |
Here I am, my dear friends, | 0:35:40 | 0:35:42 | |
I come bearing gifts! | 0:35:42 | 0:35:44 | |
But more of that later. | 0:35:44 | 0:35:46 | |
I've had a terrific notion, | 0:35:46 | 0:35:48 | |
one of which I'm just dying to tell you all about | 0:35:48 | 0:35:51 | |
and, of course, I will just as soon as we get inside. | 0:35:51 | 0:35:53 | |
It is wonderful to see you all! | 0:35:53 | 0:35:56 | |
Now, nobody laugh at this, | 0:35:58 | 0:36:00 | |
promise you won't laugh! | 0:36:00 | 0:36:02 | |
We promise. | 0:36:02 | 0:36:03 | |
Because I had a business idea while I was out there, | 0:36:03 | 0:36:06 | |
my first ever business notion. | 0:36:06 | 0:36:08 | |
No work, no talk of work tonight! | 0:36:08 | 0:36:10 | |
THEY LAUGH | 0:36:10 | 0:36:11 | |
I think it's high time I earned my own keep. | 0:36:11 | 0:36:13 | |
And Mr Masterson, he's the only person who's heard about this so far, | 0:36:13 | 0:36:16 | |
Mr Masterson thinks it might have possibilities! | 0:36:16 | 0:36:19 | |
So I've had an idea. | 0:36:19 | 0:36:21 | |
Nobody giggle, promise... | 0:36:21 | 0:36:25 | |
Why not export English cheeses to the French? | 0:36:30 | 0:36:32 | |
Because they're surprisingly interested in our cheese. | 0:36:32 | 0:36:35 | |
No, no, no, no, they are, they are! | 0:36:35 | 0:36:37 | |
I don't think anybody has thought of that before! | 0:36:37 | 0:36:39 | |
Our local cheeses. | 0:36:39 | 0:36:41 | |
And I have some scrumptious examples with me for us to eat tonight! | 0:36:41 | 0:36:46 | |
CHUCKLING | 0:36:46 | 0:36:48 | |
So the future is made of cheese. | 0:36:50 | 0:36:51 | |
It has possibilities. | 0:36:51 | 0:36:53 | |
I can confirm it is a business idea I approve of. | 0:36:53 | 0:36:57 | |
That's tremendous! | 0:36:57 | 0:36:58 | |
'It is 11 o'clock and we announce for the first time ever | 0:36:58 | 0:37:01 | |
'we're going to broadcast New Year's greetings | 0:37:01 | 0:37:04 | |
'from a variety of cities around the world. | 0:37:04 | 0:37:06 | |
'Berlin, Milan, Warsaw...' | 0:37:06 | 0:37:09 | |
But they're too early! It's not New Year yet. | 0:37:09 | 0:37:11 | |
It is there! All the cities of Europe linked together. | 0:37:11 | 0:37:15 | |
And what a satisfying thought that is. | 0:37:15 | 0:37:17 | |
All of us drinking together, raising a toast at the same time. | 0:37:17 | 0:37:20 | |
The power of the wireless - amazing, isn't it?! | 0:37:20 | 0:37:23 | |
Somebody should start a music magazine! | 0:37:23 | 0:37:26 | |
Ah, yes, I've been meaning to talk to you about that, Stanley. | 0:37:26 | 0:37:29 | |
You should begin to have more of Europe in your magazine, | 0:37:29 | 0:37:32 | |
and America too, like Time Magazine. | 0:37:32 | 0:37:35 | |
Don't you start! | 0:37:35 | 0:37:36 | |
You sound just like Eric, | 0:37:36 | 0:37:38 | |
except not even he wants me to be like Time magazine. | 0:37:38 | 0:37:40 | |
Well, why not? Why shouldn't you be? | 0:37:40 | 0:37:42 | |
Why can't you be ambitious for your magazine? | 0:37:42 | 0:37:44 | |
I'm so glad you support it. | 0:37:44 | 0:37:46 | |
Wholeheartedly, it'll be good for him. | 0:37:46 | 0:37:49 | |
It is...so tremendous to be back in England, my friends, | 0:37:53 | 0:37:58 | |
and Jessie is getting better! | 0:37:58 | 0:38:00 | |
I went to the hospital, but they said she was sleeping, | 0:38:00 | 0:38:03 | |
so I couldn't see her. | 0:38:03 | 0:38:05 | |
Well, she's smiling a lot more now | 0:38:05 | 0:38:07 | |
and she's saying a few words more to me each day. | 0:38:07 | 0:38:09 | |
GONG | 0:38:09 | 0:38:11 | |
The time is nigh! | 0:38:11 | 0:38:14 | |
Everybody, we're off! | 0:38:14 | 0:38:15 | |
It'll soon be midnight. | 0:38:15 | 0:38:18 | |
It's time to join the villagers, and see in the New Year. | 0:38:18 | 0:38:21 | |
Could anything feel more like it was meant to be | 0:38:41 | 0:38:43 | |
than all of us together on this busy street to see in the New Year? | 0:38:43 | 0:38:47 | |
-Isn't it perfect? -Yes. | 0:38:47 | 0:38:49 | |
And a little bit odd, too. | 0:38:50 | 0:38:52 | |
I didn't expect to be seeing the New Year in with him, for instance. | 0:38:52 | 0:38:56 | |
But now you mention it... | 0:38:56 | 0:38:57 | |
..it is perfect, yes. | 0:38:59 | 0:39:00 | |
Too early. The fireworks, too early. | 0:39:08 | 0:39:11 | |
It's not New Year yet. | 0:39:11 | 0:39:13 | |
Why do you keep watching Julian? | 0:39:18 | 0:39:20 | |
Don't you think it's strange? | 0:39:20 | 0:39:21 | |
Ever since the attack on Jessie, nobody's mentioned about Mr Masterson | 0:39:21 | 0:39:24 | |
and what happened in his hotel suite, | 0:39:24 | 0:39:26 | |
the night Julian took me there. | 0:39:26 | 0:39:28 | |
The girl, Hannah, and everything. | 0:39:28 | 0:39:29 | |
Mr Masterson was at the theatre with Lady Cremone when it happened! | 0:39:29 | 0:39:33 | |
Come on, Louis, he can't have been involved. | 0:39:33 | 0:39:35 | |
Just before I found Jessie, | 0:39:35 | 0:39:37 | |
I saw Julian in the hotel passage. | 0:39:37 | 0:39:40 | |
You can't have done! He was on a train to Paris! | 0:39:40 | 0:39:43 | |
I did see him and he spoke to me. | 0:39:43 | 0:39:46 | |
But he arrived in Paris when he was meant to. | 0:39:46 | 0:39:48 | |
I don't know how he did that, but he was in the hotel. | 0:39:48 | 0:39:52 | |
You've told the police? | 0:39:52 | 0:39:53 | |
Of course I have. | 0:39:53 | 0:39:55 | |
Well, they'll be able to find out if he was on the train, | 0:39:55 | 0:39:57 | |
there'll be the passport control. | 0:39:57 | 0:39:59 | |
Yes. That's right. | 0:39:59 | 0:40:00 | |
Jessie will be able to tell us what happened anyway. | 0:40:00 | 0:40:03 | |
There'll be an explanation about Julian, Louis. | 0:40:03 | 0:40:06 | |
ALL: Six, five, four, three, two, one. Happy New Year! | 0:40:08 | 0:40:14 | |
BELLS CHIME | 0:40:14 | 0:40:16 | |
TRUMPET PLAYS | 0:40:20 | 0:40:22 | |
It gets better, hang on! | 0:40:25 | 0:40:27 | |
Somebody make a speech, can't start the New Year without a speech, | 0:40:27 | 0:40:31 | |
it's unlucky! Who's it going to be?! | 0:40:31 | 0:40:33 | |
Now... | 0:40:33 | 0:40:34 | |
THEY CHEER | 0:40:34 | 0:40:36 | |
I'm not making a speech, because I'm only a visitor here. | 0:40:36 | 0:40:41 | |
But I will propose a toast. | 0:40:41 | 0:40:44 | |
So, ready...to tonight! | 0:40:44 | 0:40:47 | |
THEY CHEER | 0:40:47 | 0:40:49 | |
A night where absolutely everything is allowed | 0:40:49 | 0:40:53 | |
and a night completely and utterly without Eric! | 0:40:53 | 0:40:55 | |
Who none of you know, but who is obsessed with machines, | 0:40:55 | 0:41:00 | |
so before we are all overrun with machines, | 0:41:00 | 0:41:03 | |
let us try hard to have the party of our lives! | 0:41:03 | 0:41:06 | |
And open this new year officially, I give you, of course, Lady Cremone! | 0:41:08 | 0:41:15 | |
Stanley! | 0:41:16 | 0:41:18 | |
And you must stand on a chair, we need to see you. | 0:41:18 | 0:41:21 | |
As many of you know, this is my first party in such a long time, | 0:41:21 | 0:41:26 | |
and I am so enjoying myself. | 0:41:26 | 0:41:29 | |
THEY CHEER | 0:41:29 | 0:41:30 | |
And so I hope are all of you. | 0:41:30 | 0:41:32 | |
Oh, yes. | 0:41:32 | 0:41:33 | |
These have been difficult times, I know, for many of you. | 0:41:33 | 0:41:37 | |
But I fervently hope and believe that this is going to be | 0:41:37 | 0:41:41 | |
a hugely better year for all of us. | 0:41:41 | 0:41:44 | |
And that definitely applies to me too. So God bless you all! | 0:41:44 | 0:41:49 | |
CROWD CHEER | 0:41:49 | 0:41:50 | |
God bless you. | 0:41:50 | 0:41:52 | |
CROWD CHEER | 0:41:52 | 0:41:53 | |
I like this very much. | 0:41:53 | 0:41:55 | |
The villagers and the band and how welcome they've made them. | 0:41:55 | 0:41:59 | |
I always say people are far more tolerant than they're given | 0:41:59 | 0:42:02 | |
credit for, far more imaginative. | 0:42:02 | 0:42:05 | |
The world is changing, there's no doubt about that. | 0:42:05 | 0:42:08 | |
Is that a good thing? I think it probably is. | 0:42:08 | 0:42:12 | |
I think it is. | 0:42:12 | 0:42:14 | |
Now if you'll excuse me, I really must have a dance. | 0:42:14 | 0:42:16 | |
Louis! | 0:42:31 | 0:42:32 | |
Come on, you're not allowed just to watch. | 0:42:34 | 0:42:37 | |
No, I'm not just going to watch! | 0:42:41 | 0:42:43 | |
May I have the privilege of this dance? | 0:42:52 | 0:42:55 | |
You may. | 0:42:55 | 0:42:57 | |
Kiss me, Stanley. | 0:43:02 | 0:43:05 | |
Of course. | 0:43:05 | 0:43:06 | |
That's better. | 0:43:14 | 0:43:16 | |
It certainly is. | 0:43:16 | 0:43:18 | |
I liked your speech, Stanley. No machines, no worries of any kind. | 0:43:18 | 0:43:24 | |
Thank you. | 0:43:26 | 0:43:27 | |
You look so beautiful this morning. | 0:43:41 | 0:43:43 | |
Not a hair out of place, | 0:43:43 | 0:43:45 | |
but of course you often never go to bed, don't you? | 0:43:45 | 0:43:49 | |
Well, that makes two of us. | 0:43:49 | 0:43:51 | |
Touche. | 0:43:51 | 0:43:52 | |
Look, we've eaten nearly all of it! | 0:43:52 | 0:43:54 | |
But it was good, wasn't it? My little brother, maybe he's right, | 0:43:54 | 0:44:00 | |
maybe it is a wonderful plan selling English cheese to the French. | 0:44:00 | 0:44:05 | |
Do you think it's truly serious between them? | 0:44:05 | 0:44:08 | |
Well, why not? Why shouldn't it be? I think they should get married! | 0:44:08 | 0:44:13 | |
That would be wonderful, wouldn't it, shock them all?! | 0:44:13 | 0:44:18 | |
MAN SINGS | 0:44:19 | 0:44:21 | |
Mr Masterson singing! I never thought I'd see that! | 0:44:26 | 0:44:30 | |
I don't expect many people have. | 0:44:30 | 0:44:32 | |
HE CONTINUES SINGING | 0:44:32 | 0:44:35 | |
Jessie. | 0:44:47 | 0:44:49 | |
Louis. | 0:44:49 | 0:44:50 | |
She's had so many flowers, | 0:44:52 | 0:44:53 | |
we've had to put a lot elsewhere in the hospital. | 0:44:53 | 0:44:56 | |
There's even been some from Buckingham Palace. | 0:44:56 | 0:44:59 | |
Jessie, how are you feeling now? | 0:45:02 | 0:45:06 | |
SHE MOANS | 0:45:06 | 0:45:08 | |
What happened to you, Jessie? Can you tell me? | 0:45:08 | 0:45:12 | |
Louis, it's so nice to see you. | 0:45:12 | 0:45:15 | |
She's not nearly well enough yet to talk about it. | 0:45:15 | 0:45:19 | |
That's right, sit closer and talk to me. | 0:45:21 | 0:45:25 | |
I have to say, I like it, our new look. Four sections, | 0:45:26 | 0:45:32 | |
it's so very clear now. | 0:45:32 | 0:45:34 | |
It has authority. | 0:45:34 | 0:45:35 | |
I always felt we needed a little bit more of that, just a touch. | 0:45:35 | 0:45:38 | |
And now we know where everything is! | 0:45:38 | 0:45:40 | |
It's a very good start. Keep it all going! | 0:45:40 | 0:45:43 | |
How many copies have we sold? | 0:45:43 | 0:45:44 | |
Oh, it's too early for that, Stanley, but I'm sure it will be up, | 0:45:44 | 0:45:48 | |
my nose tells me it's up. | 0:45:48 | 0:45:50 | |
Well, that's good, isn't it? | 0:45:50 | 0:45:52 | |
Maybe we can start talking about next week's cover now? | 0:45:52 | 0:45:55 | |
Eric thinks we should try something more daring, | 0:45:55 | 0:45:57 | |
not just put another band leader on the cover. | 0:45:57 | 0:45:59 | |
Oh, quite right. We could put a big picture of the televisor | 0:45:59 | 0:46:02 | |
on the front cover, that would surprise people. | 0:46:02 | 0:46:04 | |
PHONE RINGS | 0:46:04 | 0:46:06 | |
Yes, Music Express. Sorry, who did you say you were? | 0:46:06 | 0:46:09 | |
It's the German Embassy! Of course, I'd be delighted to help. | 0:46:13 | 0:46:17 | |
When is it? Well, let me give it a little thought, in fact, | 0:46:17 | 0:46:20 | |
I'll definitely give it a lot of thought. | 0:46:20 | 0:46:22 | |
Ask them if they have any more information | 0:46:22 | 0:46:24 | |
about Herr Pfenninger and his orchestra without musicians. | 0:46:24 | 0:46:27 | |
Maybe he's going to do a demonstration? | 0:46:27 | 0:46:28 | |
All right, I'll give you a call back when I've had an idea. | 0:46:28 | 0:46:31 | |
Yes, yes, yes, it's a firm undertaking. | 0:46:31 | 0:46:34 | |
All right, goodbye. | 0:46:34 | 0:46:36 | |
Must be your new look, Eric, | 0:46:37 | 0:46:39 | |
we've never had an embassy phone us before. | 0:46:39 | 0:46:41 | |
They're having a very important function | 0:46:41 | 0:46:43 | |
and they would like us to recommend a band to play there. | 0:46:43 | 0:46:47 | |
Well, not jazz, of course! | 0:46:47 | 0:46:48 | |
Course not. | 0:46:49 | 0:46:51 | |
-You're here, splendid! -Stanley? | 0:46:54 | 0:46:56 | |
Word in private. | 0:46:56 | 0:46:57 | |
Will here do? | 0:46:59 | 0:47:01 | |
This is perfect. | 0:47:01 | 0:47:02 | |
Nathan told me that when you played here on Christmas Day, | 0:47:04 | 0:47:07 | |
some Germans from the embassy walked out as soon as you came on. | 0:47:07 | 0:47:09 | |
Yes, but that was to be expected, wasn't it? | 0:47:09 | 0:47:12 | |
What do you mean, that was to be expected? | 0:47:12 | 0:47:14 | |
-Does nothing make you angry, Louis?! -Well, of course it does. | 0:47:14 | 0:47:17 | |
From what I hear, this new lot in Germany, | 0:47:17 | 0:47:19 | |
the National Socialists, well, they want to... | 0:47:19 | 0:47:21 | |
String you all up? Can't wait to do it? | 0:47:21 | 0:47:23 | |
Yes, precisely what they want to do! | 0:47:23 | 0:47:24 | |
Let's just say they don't like jazz music quite a lot! | 0:47:24 | 0:47:27 | |
So it was to be expected. Doesn't mean I'm happy about it. | 0:47:27 | 0:47:30 | |
Not happy about it? Is that all? | 0:47:30 | 0:47:32 | |
No, it's not all. | 0:47:32 | 0:47:34 | |
But it's not clear exactly what one can do about it | 0:47:34 | 0:47:36 | |
right at this moment. | 0:47:36 | 0:47:37 | |
Why are you suddenly so interested, anyway? | 0:47:37 | 0:47:39 | |
What do you mean "suddenly?" It's not suddenly! | 0:47:39 | 0:47:42 | |
Believe it or not, I think when one sees intolerance like that, | 0:47:42 | 0:47:44 | |
as crude as that, you have to do something to expose it. | 0:47:44 | 0:47:47 | |
And that's going to make a difference, is it? | 0:47:47 | 0:47:49 | |
You, Stanley Mitchell, music journalist, | 0:47:49 | 0:47:52 | |
are going to make a difference! | 0:47:52 | 0:47:53 | |
You're going to get rid of prejudice all by yourself? | 0:47:53 | 0:47:56 | |
I didn't say I'd make a difference. | 0:47:56 | 0:47:58 | |
Not right away! | 0:47:58 | 0:48:01 | |
So what's the idea? | 0:48:01 | 0:48:02 | |
The German Embassy are having a bit of a do | 0:48:02 | 0:48:04 | |
because they've got a new Chancellor in Berlin. | 0:48:04 | 0:48:06 | |
Goodbye old Hindenburg, hello Herr Hitler. | 0:48:06 | 0:48:08 | |
They've asked me to choose a band for them. | 0:48:08 | 0:48:11 | |
What if we had a little bit of fun? | 0:48:11 | 0:48:15 | |
That would be terrific, but they'd never book my band, | 0:48:15 | 0:48:17 | |
they wouldn't let us anywhere near the building. | 0:48:17 | 0:48:20 | |
Well, no, of course not. | 0:48:20 | 0:48:21 | |
But I thought I might handpick a few musicians I know | 0:48:21 | 0:48:24 | |
and take it from there. | 0:48:24 | 0:48:26 | |
I haven't conducted in years. | 0:48:26 | 0:48:28 | |
You? You conducting?! | 0:48:28 | 0:48:31 | |
-Yes. -So that's what this is about! | 0:48:31 | 0:48:33 | |
I had a band at school, remember. It was very successful. | 0:48:33 | 0:48:37 | |
We won a competition. | 0:48:37 | 0:48:39 | |
CROWD CHATTER | 0:48:46 | 0:48:49 | |
Good evening. | 0:48:56 | 0:48:57 | |
Good evening. Good evening, Mr Masterson. | 0:48:57 | 0:49:00 | |
They're absolutely stuffed full of Sherlock Holmes, | 0:49:06 | 0:49:09 | |
Tennyson and Dickens in there! | 0:49:09 | 0:49:11 | |
Well, they're right. | 0:49:12 | 0:49:14 | |
That's all they need to know about British life, isn't it? | 0:49:14 | 0:49:17 | |
-Hello, darling. -You look wonderful. | 0:49:17 | 0:49:20 | |
Thank you. | 0:49:25 | 0:49:27 | |
MUSIC STARTS | 0:49:44 | 0:49:46 | |
Stanley as a band leader - he's not bad, either. | 0:49:49 | 0:49:53 | |
He really is living one of his cartoons. | 0:49:53 | 0:49:56 | |
He's being Farquhar and Tonk, inside one of their adventures. | 0:49:56 | 0:50:01 | |
INAUDIBLE SPEECH | 0:50:01 | 0:50:03 | |
Perhaps Julian should start selling some of his cheese to this lot too! | 0:50:08 | 0:50:12 | |
He really is taking it seriously, | 0:50:12 | 0:50:14 | |
he's back in Paris now launching the business. | 0:50:14 | 0:50:17 | |
I need to find out more about this new lot | 0:50:21 | 0:50:23 | |
and if they can possibly last. | 0:50:23 | 0:50:25 | |
MUSIC STOPS | 0:50:33 | 0:50:35 | |
CROWD APPLAUD | 0:50:35 | 0:50:37 | |
Ladies and gentlemen, excuse me a moment. But don't worry, | 0:50:40 | 0:50:43 | |
they can manage without me for one number, as I'm sure you'll see. | 0:50:43 | 0:50:47 | |
Right, come on, coat. | 0:50:51 | 0:50:54 | |
He's feeling a little sick. | 0:50:55 | 0:50:57 | |
Some fresh air might make all the difference. | 0:50:57 | 0:51:00 | |
-Right, Come on! Come on! -They got the music? | 0:51:04 | 0:51:06 | |
Of course. I've thought of everything! | 0:51:06 | 0:51:08 | |
They'll follow you, they're good musicians, | 0:51:08 | 0:51:10 | |
and they all think they're getting a recording contract. | 0:51:10 | 0:51:12 | |
That may have done a little good, we'll have to see. | 0:51:12 | 0:51:15 | |
It was so cold out there we had to come straight back! | 0:51:15 | 0:51:18 | |
No, no, no, he'll be fine. | 0:51:18 | 0:51:19 | |
That'll do! | 0:51:23 | 0:51:24 | |
Pamela, look! | 0:51:32 | 0:51:34 | |
CROWD APPLAUD | 0:51:39 | 0:51:41 | |
MUSIC STARTS | 0:51:49 | 0:51:51 | |
Oh, yes. I forgot the introduction. How careless of me. | 0:51:57 | 0:52:00 | |
And now, we are truly privileged to have Louis Lester | 0:52:00 | 0:52:04 | |
from the renowned Louis Lester Band as our guest pianist here tonight. | 0:52:04 | 0:52:08 | |
Louis, who is creating such a sensation currently with his band, | 0:52:08 | 0:52:13 | |
has broken off his busy schedule to be with us here tonight. | 0:52:13 | 0:52:17 | |
It's wonderful to be here. | 0:52:19 | 0:52:21 | |
So it's all yours, Louis! | 0:52:21 | 0:52:23 | |
I give you Louis Lester on the piano! | 0:52:23 | 0:52:25 | |
MASTERSON CLAPS | 0:52:25 | 0:52:27 | |
You knew about this, didn't you? Why didn't you tell me?! | 0:52:38 | 0:52:41 | |
I didn't think they'd bring it off! | 0:52:41 | 0:52:43 | |
Stanley really is an anarchist! It's rather wonderful. | 0:52:52 | 0:52:56 | |
CROWD MURMUR | 0:53:05 | 0:53:07 | |
INDISTINCT MUTTERING | 0:53:27 | 0:53:30 | |
MUSIC STOPS | 0:53:30 | 0:53:32 | |
THEY APPLAUD | 0:53:32 | 0:53:33 | |
TALKING STOPS | 0:53:36 | 0:53:38 | |
Oh, goodnight, everybody! | 0:53:46 | 0:53:48 | |
The rest of the band have kindly agreed to stay. | 0:53:48 | 0:53:51 | |
I thought we'd be arrested! That they were going to come for us. | 0:53:54 | 0:53:57 | |
And throw you in a dungeon! | 0:53:57 | 0:53:58 | |
They couldn't believe somebody had let this happen, | 0:53:58 | 0:54:00 | |
a black man playing the piano at their party! | 0:54:00 | 0:54:02 | |
It could cause a major diplomatic incident. | 0:54:02 | 0:54:05 | |
None of the papers will mention it, but we will. | 0:54:05 | 0:54:07 | |
It'll be our next cover story. I don't care what Mr Wax says. | 0:54:07 | 0:54:10 | |
My congratulations. That was a marvellous thing to do. | 0:54:10 | 0:54:14 | |
-It was, wasn't it?! -To have the nerve to do that. | 0:54:14 | 0:54:16 | |
I'm glad I didn't think about it more before I did it. | 0:54:16 | 0:54:18 | |
No need to stop! Could be the first of many. | 0:54:18 | 0:54:21 | |
Yes, who'll be next?! Some Gentlemen's Club?! | 0:54:21 | 0:54:23 | |
Or maybe the Queen Charlotte's Ball?! | 0:54:23 | 0:54:25 | |
Hang on, it's me that's got to do it, | 0:54:25 | 0:54:26 | |
and I think we should quit while we're ahead. | 0:54:26 | 0:54:28 | |
Maybe not quite yet. I want you to play for my parents. | 0:54:28 | 0:54:31 | |
-And that really will be a challenge! -THEY LAUGH | 0:54:31 | 0:54:33 | |
But to see people behaving like that at their own party! | 0:54:33 | 0:54:36 | |
I'm going back in there to hear what they're saying, | 0:54:36 | 0:54:39 | |
they're all chattering at the top of their voices. | 0:54:39 | 0:54:41 | |
Goodnight, my friends. | 0:54:41 | 0:54:43 | |
ALL: Goodnight. | 0:54:43 | 0:54:45 | |
I was so proud watching you do that, it was so exciting! | 0:54:45 | 0:54:48 | |
Exciting but pointless. | 0:54:48 | 0:54:50 | |
-Not pointless. It had a point. -Which was what?! | 0:54:50 | 0:54:52 | |
It embarrassed the hell out of them. | 0:54:52 | 0:54:54 | |
They'll be talking about it for weeks. | 0:54:54 | 0:54:56 | |
And of course, if they knew about you two as well... | 0:54:56 | 0:54:58 | |
They'd wake up in the middle of the night, screaming. | 0:54:58 | 0:55:00 | |
-I need alcohol really badly! -Yes. | 0:55:00 | 0:55:02 | |
Do you think they'll make an official complaint to Mr Wax? | 0:55:02 | 0:55:05 | |
-Try and get you dismissed? -Who knows? I doubt it. | 0:55:05 | 0:55:07 | |
It's difficult for them, though, isn't it? | 0:55:07 | 0:55:09 | |
They don't want to make themselves look foolish | 0:55:09 | 0:55:12 | |
and of course, being German... | 0:55:12 | 0:55:13 | |
Oh, my God! I forgot! | 0:55:15 | 0:55:16 | |
What? What is it? | 0:55:16 | 0:55:18 | |
I forgot all about it! Eric gave me strict instructions. | 0:55:18 | 0:55:21 | |
I was meant to ask them about Herr Pfenninger and his machines, | 0:55:21 | 0:55:24 | |
the orchestra without music. | 0:55:24 | 0:55:25 | |
Eric wants to know if he's coming over, to make a big thing about it, | 0:55:25 | 0:55:28 | |
the first electric concert in London! I forgot, bloody hell! | 0:55:28 | 0:55:32 | |
You'll never be forgiven! | 0:55:32 | 0:55:33 | |
He's waiting right now in the office for my report! | 0:55:33 | 0:55:35 | |
I told him I'd phone him immediately. | 0:55:35 | 0:55:37 | |
-He's waiting in the office? -Yes. -Let's go and tell him about tonight. | 0:55:37 | 0:55:40 | |
Well, I can't tell him I forgot, can I? | 0:55:40 | 0:55:43 | |
I've got to see this...Eric. | 0:55:43 | 0:55:44 | |
Somebody that makes you nervous, I've got to meet this person! | 0:55:44 | 0:55:47 | |
He absolutely does not make me nervous! | 0:55:47 | 0:55:49 | |
-You think I'm frightened of Eric?! -Yes. | 0:55:49 | 0:55:51 | |
That is absolutely not true. | 0:55:51 | 0:55:52 | |
Well, we'll soon see. Let's go! | 0:55:52 | 0:55:54 | |
Stanley. | 0:56:06 | 0:56:08 | |
I love you. | 0:56:17 | 0:56:18 | |
-Pamela? -Yes, you did hear right. | 0:56:19 | 0:56:22 | |
You thought you'd never hear me say that. | 0:56:22 | 0:56:24 | |
-No, why do you think that? -Because it's true. | 0:56:24 | 0:56:26 | |
Because I never thought I'd hear myself say it either. | 0:56:26 | 0:56:30 | |
But I love you. | 0:56:30 | 0:56:32 | |
Must have been your conducting tonight, mustn't it?! | 0:56:39 | 0:56:41 | |
HE SCOFFS Didn't realise it was that good! | 0:56:41 | 0:56:44 | |
I have no idea of course how long it will last, | 0:56:44 | 0:56:47 | |
because you know me, Stanley, what a trivial person I am. | 0:56:47 | 0:56:51 | |
-No, you're not. -Don't be silly, we both know. | 0:56:51 | 0:56:55 | |
Maybe that makes two of us, then. | 0:56:55 | 0:56:57 | |
And we also know that you don't love me. | 0:56:57 | 0:56:59 | |
-Pamela... -Shhh! | 0:57:01 | 0:57:03 | |
Don't say anything. Not just yet. I know I'm right. | 0:57:03 | 0:57:08 | |
But for some reason I don't mind at the moment, because maybe I think | 0:57:08 | 0:57:14 | |
I can make you love me. | 0:57:14 | 0:57:16 | |
Come on, you two! Eric is waiting! | 0:57:23 | 0:57:27 | |
THEY CHATTER LOUDLY | 0:57:27 | 0:57:29 | |
What are they all doing here so late? | 0:57:36 | 0:57:38 | |
The Embassy's complained immediately, obviously! | 0:57:38 | 0:57:41 | |
Talk about news travelling fast. | 0:57:41 | 0:57:42 | |
That's why you did it, isn't it, Stanley, to impress her? | 0:57:42 | 0:57:45 | |
Maybe a little. Doesn't seem like they're that impressed, though! | 0:57:45 | 0:57:49 | |
Did the embassy phone ahead already? | 0:57:49 | 0:57:52 | |
Mr Wax, I can explain everything. | 0:57:52 | 0:57:54 | |
This isn't anything about the embassy, Stanley. | 0:57:54 | 0:57:57 | |
I need to talk to you, Louis. | 0:57:57 | 0:57:59 | |
Jessie is dead. | 0:58:16 | 0:58:18 | |
Oh, my God. | 0:58:18 | 0:58:20 | |
I'm so sorry, Stanley, she was a fine artist. | 0:58:22 | 0:58:24 | |
Such a fine artist. | 0:58:24 | 0:58:27 | |
It's so sad! She was so young! | 0:58:29 | 0:58:34 | |
I was just about to leave the hotel for the theatre, | 0:58:39 | 0:58:42 | |
Mr Schlesinger came running into my suite and told me the news. | 0:58:42 | 0:58:45 | |
We tried to phone you at the embassy, Stanley. | 0:58:47 | 0:58:49 | |
We didn't know where you were, Louis. | 0:58:49 | 0:58:52 | |
What happened? | 0:58:52 | 0:58:53 | |
She had a seizure, the poor child. | 0:58:53 | 0:58:55 | |
They were just trying to get her on her feet. | 0:58:55 | 0:58:57 | |
She just collapsed and died in their arms. | 0:58:57 | 0:58:59 | |
JESSIE SINGING FAINTLY | 0:59:09 | 0:59:11 | |
Subtitles by Red Bee Media Ltd | 1:00:11 | 1:00:14 |