Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some scenes of a sexual nature. | 0:00:02 | 0:00:07 | |
METAL CLATTERING | 0:00:07 | 0:00:09 | |
# All my life I've been somebody | 0:00:24 | 0:00:26 | |
# All fired up and not nobody | 0:00:26 | 0:00:29 | |
# Shouting loud | 0:00:29 | 0:00:31 | |
# Beat the crowd | 0:00:31 | 0:00:32 | |
# This girl's going far | 0:00:32 | 0:00:35 | |
# Blow, Joe, blow... # | 0:00:35 | 0:00:37 | |
'I had no idea.' | 0:00:37 | 0:00:38 | |
'That she was a little bit famous?' | 0:00:38 | 0:00:40 | |
'Not to this extent, no.' | 0:00:40 | 0:00:41 | |
'Now, we've spoken with Mr Luscombe' | 0:00:45 | 0:00:46 | |
and he says there must have been witnesses who saw him on the train. | 0:00:46 | 0:00:49 | |
I definitely saw him at 11.30 that night at The Imperial. | 0:00:49 | 0:00:53 | |
# ..I'm going to be a star | 0:00:54 | 0:00:56 | |
# Once you told me I was worth nothing | 0:01:00 | 0:01:03 | |
# Now I realise... # | 0:01:03 | 0:01:04 | |
Jessie is dead. | 0:01:04 | 0:01:06 | |
Coffee? | 0:01:11 | 0:01:12 | |
We need an idea and very quickly. | 0:01:25 | 0:01:26 | |
Better than the last one, Stanley. | 0:01:26 | 0:01:29 | |
It will be... | 0:01:29 | 0:01:30 | |
Oh, Louis. | 0:01:43 | 0:01:44 | |
Look at her... | 0:01:49 | 0:01:51 | |
How could this have happened?! | 0:01:53 | 0:01:56 | |
I hadn't seen her for three days, | 0:02:00 | 0:02:02 | |
I expect she thought I'd forgotten all about her. | 0:02:02 | 0:02:06 | |
We'll help with the funeral arrangements, of course... | 0:02:09 | 0:02:12 | |
but the dear child must have some family somewhere. | 0:02:12 | 0:02:15 | |
Well, they can hardly miss the press coverage. | 0:02:15 | 0:02:18 | |
It's going to be a huge story. | 0:02:19 | 0:02:22 | |
Why? | 0:02:22 | 0:02:23 | |
Why can't they leave her alone now? | 0:02:24 | 0:02:26 | |
But it's not going to be just their version people read. | 0:02:26 | 0:02:29 | |
TYPEWRITER CLICKING | 0:02:29 | 0:02:31 | |
What are you doing up there, Stanley? | 0:02:42 | 0:02:44 | |
What does it look like I'm doing? I always think better up here. | 0:02:44 | 0:02:47 | |
I don't know why, it's bloody freezing! | 0:02:47 | 0:02:49 | |
And what are you writing, Stanley? | 0:02:53 | 0:02:55 | |
You're not going to like this, Eric, | 0:02:55 | 0:02:56 | |
but we've got to do a special edition, | 0:02:56 | 0:02:59 | |
get the real story out there - how much Jessie had already achieved, | 0:02:59 | 0:03:02 | |
-not let it be blotted out by what's happened. -Well... | 0:03:02 | 0:03:04 | |
No! No! | 0:03:04 | 0:03:05 | |
We are not going to wait till the next edition. | 0:03:05 | 0:03:07 | |
We absolutely cannot allow ourselves to be beaten by the competition. | 0:03:07 | 0:03:10 | |
I'll go to Mr Wax if I have to, I'll bloody make him. | 0:03:10 | 0:03:13 | |
Stanley, I've spoken to Mr Wax. He's agreed. | 0:03:13 | 0:03:16 | |
You have? | 0:03:16 | 0:03:17 | |
What, you thought of it too? | 0:03:17 | 0:03:18 | |
-Yes. -You realise it's not just a three page supplement we're doing... | 0:03:18 | 0:03:21 | |
It's going to be 20 pages, with a lot of pictures. | 0:03:21 | 0:03:24 | |
It will be a 32 page edition. | 0:03:24 | 0:03:26 | |
That is what Mr Wax has agreed to fund. | 0:03:26 | 0:03:28 | |
No, no! There will be absolutely no admittance to members of the press. | 0:03:33 | 0:03:38 | |
TYPEWRITER CLICKING | 0:03:38 | 0:03:41 | |
Look at this! | 0:03:42 | 0:03:43 | |
You know what, Sarah? We've got space for a lot more images, | 0:03:45 | 0:03:47 | |
why don't you grab your photographs? | 0:03:47 | 0:03:49 | |
Some of the shots that you've taken of the band. | 0:03:49 | 0:03:51 | |
In fact, bring us everything you've got. | 0:03:51 | 0:03:53 | |
-Everything I've got?! -Yes, go and get it now. | 0:03:53 | 0:03:55 | |
We've got a chance to do something very different with your pictures, | 0:03:55 | 0:03:58 | |
something that nobody else will have. | 0:03:58 | 0:04:00 | |
Be careful... | 0:04:00 | 0:04:01 | |
there are already one or two people in the street, keeping vigil. | 0:04:01 | 0:04:04 | |
# My honeypie | 0:04:09 | 0:04:11 | |
# I came to town and learned to love a little harder | 0:04:11 | 0:04:17 | |
# You showed me how to play the game that I succeeded in | 0:04:17 | 0:04:24 | |
# Now I can dream about as high as I can fall | 0:04:24 | 0:04:33 | |
# I'm just on top of the world. # | 0:04:33 | 0:04:41 | |
# Lord, lead me on | 0:04:48 | 0:04:55 | |
# Lord lead me on | 0:04:55 | 0:05:03 | |
# Take me by the hand | 0:05:03 | 0:05:11 | |
# Lord lead me on | 0:05:11 | 0:05:18 | |
# Show me the way ahead | 0:05:18 | 0:05:26 | |
# And lead me on | 0:05:26 | 0:05:34 | |
# Take my fears away | 0:05:34 | 0:05:42 | |
# Lead me on | 0:05:42 | 0:05:45 | |
# Lord, lead me on. # | 0:05:45 | 0:05:50 | |
Mr Masterson has arranged for the reception to be right here, | 0:05:50 | 0:05:54 | |
through the trees, so we won't have to be bothered with the press. | 0:05:54 | 0:05:59 | |
Louis... | 0:05:59 | 0:06:00 | |
..this is Edith, Jessie's aunt. | 0:06:01 | 0:06:04 | |
-Delighted to meet you. -Very pleased to meet you too. | 0:06:04 | 0:06:07 | |
I had no idea, you see, no idea at all, what Jessie did - | 0:06:07 | 0:06:11 | |
singing with the band and everything. | 0:06:11 | 0:06:14 | |
I don't read the newspapers or listen to the wireless, | 0:06:14 | 0:06:18 | |
we don't have a wireless anyway, | 0:06:18 | 0:06:19 | |
and her mother would have been so proud, you know! | 0:06:19 | 0:06:22 | |
And, oh, I gotta thank this gentleman for being so generous. | 0:06:22 | 0:06:25 | |
Sorry. It's been so good of you to do all of this... | 0:06:25 | 0:06:28 | |
A little reminder that there's another world out there. | 0:06:28 | 0:06:32 | |
We're going where prying eyes can't follow. | 0:06:34 | 0:06:37 | |
The police may well start to make their presence felt again, Louis, | 0:06:39 | 0:06:42 | |
if they haven't solved this case soon. | 0:06:42 | 0:06:44 | |
They'll get all our statements one more time, you mark my words. | 0:06:44 | 0:06:47 | |
Yes, I suppose. | 0:06:47 | 0:06:49 | |
I think they're very close to making an arrest, in fact. | 0:06:49 | 0:06:51 | |
This is the way, everybody. Down this little path, here. | 0:06:51 | 0:06:54 | |
There's a surprise waiting for us beyond the trees. | 0:06:54 | 0:06:57 | |
GLASSES CLINKING | 0:06:57 | 0:07:00 | |
Ah, Stanley, I need to congratulate you. | 0:07:04 | 0:07:07 | |
On what? | 0:07:07 | 0:07:08 | |
On that special edition of the magazine. It was rather remarkable. | 0:07:08 | 0:07:11 | |
Well, it was one edition that had to be serious, wasn't it? | 0:07:11 | 0:07:15 | |
This is my mother, this is Lady Cremone. | 0:07:15 | 0:07:17 | |
Oh, Your Ladyship, how lovely to meet you. | 0:07:17 | 0:07:19 | |
I was hoping we would be introduced. | 0:07:19 | 0:07:22 | |
So happy to meet you. | 0:07:22 | 0:07:23 | |
My son never stops talking about you. | 0:07:23 | 0:07:25 | |
No, no, he does. Every time I see him he mentions you, | 0:07:25 | 0:07:28 | |
you're quite his favourite person. | 0:07:28 | 0:07:30 | |
Parents! They embarrass you every time, don't they? | 0:07:30 | 0:07:33 | |
He's always very interested in what you're going to say, | 0:07:33 | 0:07:35 | |
what your opinion will be of the next issue of the magazine - | 0:07:35 | 0:07:38 | |
he asks every time, "Do you think she'll like it, Mum?" | 0:07:38 | 0:07:43 | |
What a beautiful place to hold a wake | 0:07:43 | 0:07:45 | |
but I do hope my brother doesn't feel the need to make a speech - | 0:07:45 | 0:07:48 | |
I fear he might break down completely in the middle of it. | 0:07:48 | 0:07:52 | |
This may be the very last time we see each other, Your Ladyship. | 0:07:52 | 0:07:55 | |
Goodness, no! | 0:07:55 | 0:07:57 | |
I still have my apartment in the hotel, do you remember? | 0:07:58 | 0:08:01 | |
The, er, the Bertram family are coming to town... | 0:08:01 | 0:08:04 | |
-owners of The Imperial. -Mm-mm? | 0:08:04 | 0:08:06 | |
A murder in their hotel, it's something they can't tolerate. | 0:08:06 | 0:08:10 | |
Well, they can hardly blame you, Mr Schlesinger? | 0:08:10 | 0:08:12 | |
Mr Masterson, er, this is my mother. | 0:08:14 | 0:08:17 | |
Mrs Mitchell. | 0:08:17 | 0:08:18 | |
How do you do? | 0:08:18 | 0:08:20 | |
I'm going to say something extremely obvious to your son, Mrs Mitchell. | 0:08:20 | 0:08:23 | |
And what's that then? | 0:08:23 | 0:08:24 | |
I'm going to say, that when something finishes - | 0:08:24 | 0:08:26 | |
not always, but frequently - something else begins. | 0:08:26 | 0:08:30 | |
I'm sure that's true. Oh, yes. | 0:08:30 | 0:08:33 | |
I expect your son may wonder what I mean by that. | 0:08:33 | 0:08:35 | |
And what do you mean? | 0:08:35 | 0:08:37 | |
Well, why don't we make an appointment, Stanley, you and I, | 0:08:37 | 0:08:39 | |
and figure out what I mean? | 0:08:39 | 0:08:42 | |
GLASS BEING TAPPED | 0:08:42 | 0:08:44 | |
I just want to say something - | 0:08:44 | 0:08:46 | |
nobody be alarmed, I'm not making a speech at all! | 0:08:46 | 0:08:49 | |
But I just want to say... | 0:08:49 | 0:08:52 | |
..the flowers, | 0:08:53 | 0:08:54 | |
some of these flowers, were brought here especially by Mr Masterson. | 0:08:54 | 0:08:59 | |
I know they look like they live here all the time but they don't, | 0:08:59 | 0:09:03 | |
and I just want to thank him, | 0:09:03 | 0:09:05 | |
and say what an appropriate gesture I think that was | 0:09:05 | 0:09:08 | |
because Jessie's life was such a short life, | 0:09:08 | 0:09:12 | |
so full of colour, so vivid... | 0:09:12 | 0:09:16 | |
it brought such joy into my life, | 0:09:16 | 0:09:19 | |
and into many of our lives here today... | 0:09:19 | 0:09:21 | |
..and I just want to pay tribute... | 0:09:22 | 0:09:25 | |
It's probably not a good idea after all to hold a wake in a glass house! | 0:09:30 | 0:09:34 | |
We ought to get away from here. | 0:09:36 | 0:09:38 | |
(Yes.) | 0:09:38 | 0:09:40 | |
We could go to my house? | 0:09:40 | 0:09:41 | |
My father's gone away for a few days. | 0:09:43 | 0:09:45 | |
Just showing Mr Lester my latest photographs, Lucy. | 0:09:49 | 0:09:51 | |
If there are any callers, I don't want to be disturbed. | 0:09:51 | 0:09:54 | |
We leave them at the funeral and here they are again! | 0:09:58 | 0:10:00 | |
That's right. They're following you! | 0:10:00 | 0:10:03 | |
I haven't quite finished developing them all. | 0:10:06 | 0:10:09 | |
That is a spooky sight, certainly! | 0:10:09 | 0:10:11 | |
Yes, this one looks rather hungry. | 0:10:11 | 0:10:14 | |
Quite a few of them look like they haven't had enough to eat. | 0:10:16 | 0:10:19 | |
How dedicated they were to Jessie already, after such a short time. | 0:10:19 | 0:10:24 | |
Exactly...I think one of them attacked Jessie in the hotel. | 0:10:24 | 0:10:29 | |
One of these? | 0:10:29 | 0:10:30 | |
Stanley thinks this too - | 0:10:30 | 0:10:32 | |
they wanted Jessie all to themselves. | 0:10:32 | 0:10:34 | |
People become so obsessed with their favourite performers, | 0:10:34 | 0:10:38 | |
they want power over them, to own them. | 0:10:38 | 0:10:40 | |
Yes, but I never saw any of them inside the hotel, ever. | 0:10:40 | 0:10:43 | |
They could have got in. | 0:10:43 | 0:10:45 | |
I haven't told anybody what you've told me, I promise, | 0:10:45 | 0:10:49 | |
but it can't have been Julian, I really believe it can't have been. | 0:10:49 | 0:10:53 | |
I did see him that night inside the hotel. | 0:10:53 | 0:10:56 | |
There'll be an explanation for that, there really will! | 0:10:56 | 0:10:59 | |
Anyway, we don't need to think about that now. | 0:10:59 | 0:11:03 | |
No, we don't. | 0:11:03 | 0:11:04 | |
SHE MOANS | 0:11:11 | 0:11:13 | |
I love you, Louis. | 0:11:31 | 0:11:33 | |
DOORBELL RINGING | 0:11:39 | 0:11:42 | |
LOUIS CHUCKLES | 0:11:42 | 0:11:45 | |
What's the matter? | 0:11:45 | 0:11:46 | |
I don't think I've ever done this, being watched by myself before! | 0:11:48 | 0:11:52 | |
Miss Sarah, Miss Sarah?! | 0:11:53 | 0:11:56 | |
-You're wanted. -Ignore it. | 0:11:56 | 0:11:58 | |
'Miss Sarah, Miss Sarah, there's someone here for you, Miss Sarah!' | 0:11:58 | 0:12:03 | |
That girl! I told her! | 0:12:04 | 0:12:06 | |
It's the police, Louis. | 0:12:13 | 0:12:14 | |
Ah, Mr Lester, I wonder if you could help us with some identification? | 0:12:14 | 0:12:19 | |
-Identification? -Yes we need to make an identification | 0:12:19 | 0:12:22 | |
and we believe that you, as a witness, could help us. | 0:12:22 | 0:12:25 | |
Are you willing to do that? | 0:12:25 | 0:12:27 | |
Of course. | 0:12:27 | 0:12:28 | |
-Hello, Harry. -Good afternoon, Mr Lester. | 0:12:31 | 0:12:33 | |
Now you saw Mr Luscombe in the hotel passage | 0:12:40 | 0:12:44 | |
when he maintains he was on the train to Paris? | 0:12:44 | 0:12:46 | |
I did, yes. | 0:12:46 | 0:12:48 | |
And how many feet away from him were you when you saw him? | 0:12:48 | 0:12:50 | |
I don't know... | 0:12:50 | 0:12:52 | |
60, 70 feet. | 0:12:52 | 0:12:53 | |
It would be at least that, wouldn't it? | 0:12:53 | 0:12:55 | |
Turn round, if you could, Mr Lester. | 0:12:55 | 0:12:58 | |
Now, who is that at the end of the passage, Mr Lester? Can you tell me? | 0:13:01 | 0:13:04 | |
Now, is it Mr Gunson, who you know? | 0:13:04 | 0:13:07 | |
Can you tell me for sure that that is Mr Gunson? | 0:13:07 | 0:13:10 | |
Or is it Sergeant Thomas, who you don't know? | 0:13:10 | 0:13:14 | |
Or could that even be Mr Thornton from the Imperial Hotel, | 0:13:14 | 0:13:16 | |
who was here just a short while ago? | 0:13:16 | 0:13:18 | |
Which one is it, Mr Lester? | 0:13:18 | 0:13:20 | |
Louis! | 0:13:22 | 0:13:24 | |
This is nothing like it was, there's more light in the hotel. | 0:13:24 | 0:13:27 | |
You can't tell me, can you? | 0:13:27 | 0:13:28 | |
This is Mr Julian Luscombe's passport, | 0:13:31 | 0:13:34 | |
he gave it to us entirely voluntarily. | 0:13:34 | 0:13:36 | |
Please, have a look. | 0:13:36 | 0:13:37 | |
Now, it bears the correct stamp of the French passport control | 0:13:37 | 0:13:40 | |
for the night train in question. | 0:13:40 | 0:13:41 | |
It's the right date and, of course, there is only one night train. | 0:13:41 | 0:13:44 | |
And then we have witnesses - | 0:13:44 | 0:13:45 | |
a Mr Leopold Fitzmaurice, and, er, Mr Horace Verney, | 0:13:45 | 0:13:49 | |
both of whom saw Mr Luscombe in their first class compartment | 0:13:49 | 0:13:52 | |
and then saw him embark with them on the ferry. | 0:13:52 | 0:13:55 | |
Now, neither Mr Fitzmaurice nor Mr Verney are friends | 0:13:55 | 0:13:58 | |
or acquaintances of Mr Luscombe, yet they identified him at once. | 0:13:58 | 0:14:02 | |
Apparently he never stopped talking the whole journey. | 0:14:02 | 0:14:05 | |
Is it possible, Mr Lester, | 0:14:08 | 0:14:10 | |
that it was someone else that you saw at the hotel that night? | 0:14:10 | 0:14:14 | |
Someone else who called your name? | 0:14:14 | 0:14:16 | |
Is it possible that you can't be absolutely sure | 0:14:19 | 0:14:23 | |
that you saw Mr Luscombe? | 0:14:23 | 0:14:24 | |
-If you're asking me whether I'm absolutely sure...? -I am. | 0:14:34 | 0:14:37 | |
Then I suppose it is possible that I'm not. | 0:14:40 | 0:14:42 | |
Thank you, Mr Lester, that is extremely helpful. | 0:14:46 | 0:14:48 | |
Why have you done that? | 0:14:55 | 0:14:57 | |
Well, you taught me how to play, so it's all your fault! | 0:14:57 | 0:15:00 | |
Well, you're better than you think. | 0:15:02 | 0:15:03 | |
Only sometimes! | 0:15:03 | 0:15:06 | |
All the wonderful battles we've had, I used to want them never to finish. | 0:15:06 | 0:15:09 | |
Yes, sometimes they lasted for days. | 0:15:09 | 0:15:13 | |
We've saved our lives with games... | 0:15:13 | 0:15:16 | |
especially with these mice and frogs, and I still need them! | 0:15:16 | 0:15:20 | |
Hello, Mummy, how was your little holiday? Was it a success? | 0:15:24 | 0:15:29 | |
No, not really. Hotel was horrible. | 0:15:29 | 0:15:32 | |
Some guests you didn't like? | 0:15:32 | 0:15:33 | |
There were some guests I couldn't abide, yes, nor could your father. | 0:15:33 | 0:15:37 | |
We had to move rooms twice, in fact, to get far enough away from them. | 0:15:37 | 0:15:41 | |
There were some Jews in the hotel, Mummy? Is that what you mean? | 0:15:41 | 0:15:44 | |
Unfortunately, yes, the hotel seemed to be crawling with them. | 0:15:44 | 0:15:48 | |
You really wouldn't expect that in Cornwall, would you? | 0:15:48 | 0:15:51 | |
How on earth did we come out of that person, darling? | 0:15:54 | 0:15:57 | |
Don't you ever think that? How on earth are we a part of her? | 0:15:57 | 0:16:00 | |
I think about it all the time. Nearly every morning. | 0:16:01 | 0:16:04 | |
You won't leave me here alone with them? Promise! | 0:16:06 | 0:16:09 | |
I'll never leave you, darling. | 0:16:09 | 0:16:11 | |
I have plans, of course, great plans, at the moment! | 0:16:11 | 0:16:15 | |
Mr Masterson's been so encouraging | 0:16:15 | 0:16:18 | |
but wherever I go, I will always come back and I've decided... | 0:16:18 | 0:16:22 | |
..I'm going to fill this house with Jews and Negroes... | 0:16:23 | 0:16:27 | |
maybe we should do that for Mummy's next birthday, in fact! | 0:16:27 | 0:16:30 | |
Although Jessie won't be able to sing for her now. | 0:16:30 | 0:16:33 | |
I know you're so upset about Jessie. | 0:16:35 | 0:16:38 | |
You can talk to me about it, darling, how much you miss her. | 0:16:38 | 0:16:42 | |
-You can tell me all about it. -I know... | 0:16:42 | 0:16:45 | |
I know I can. | 0:16:48 | 0:16:49 | |
Come in, Mr Mitchell, come in. | 0:17:09 | 0:17:11 | |
-I was wondering where you were. -I'm not late, am I? | 0:17:11 | 0:17:15 | |
You've not been here before? | 0:17:15 | 0:17:17 | |
No, I haven't. There's a lot to look at! | 0:17:18 | 0:17:21 | |
Everybody runs to gold when times get hard | 0:17:21 | 0:17:24 | |
but I didn't get where I am now by doing the obvious, Mr Mitchell. | 0:17:24 | 0:17:28 | |
-No, I'm sure you didn't. -Stanley... | 0:17:28 | 0:17:30 | |
You don't mind if I call you Stanley, do you? | 0:17:30 | 0:17:32 | |
Of course not, Mr Masterson. | 0:17:32 | 0:17:34 | |
You caused quite a rumpus at the German Embassy the other night, | 0:17:34 | 0:17:37 | |
didn't you, Stanley? | 0:17:37 | 0:17:38 | |
Well, that was a joke... | 0:17:38 | 0:17:40 | |
-I thought a good one, as it happens. I just wanted to give them one... -No. | 0:17:40 | 0:17:44 | |
There's no need to explain. | 0:17:44 | 0:17:46 | |
A little mischief might well do them some good. | 0:17:46 | 0:17:50 | |
You don't know much about the business I'm in, do you, Stanley? | 0:17:50 | 0:17:53 | |
It's more than one business, isn't it, Mr Masterson? | 0:17:53 | 0:17:55 | |
That's correct, Stanley...it's mainly real estate in the US, | 0:17:55 | 0:18:00 | |
a little bit of coal, of course... | 0:18:00 | 0:18:02 | |
a LOT of oil... | 0:18:02 | 0:18:03 | |
In the Depression, like we're in now, | 0:18:05 | 0:18:06 | |
there are certain things people still want - | 0:18:06 | 0:18:08 | |
food, of course, soap, a little entertainment...and news. | 0:18:08 | 0:18:14 | |
At the moment I don't own any of those. | 0:18:14 | 0:18:17 | |
Except Julian's English cheese business, of course! | 0:18:17 | 0:18:20 | |
Yes... | 0:18:20 | 0:18:22 | |
except for that. | 0:18:22 | 0:18:23 | |
Now, I don't want you to say anything | 0:18:23 | 0:18:27 | |
-to what I'm about to put to you. -Not at all? Whatever it is? | 0:18:27 | 0:18:31 | |
That's correct. | 0:18:31 | 0:18:32 | |
I was very impressed by this edition of your magazine, Stanley. | 0:18:35 | 0:18:38 | |
I have just written to Mr Wax | 0:18:38 | 0:18:40 | |
proposing that I buy Music Express off him. | 0:18:40 | 0:18:42 | |
I intend to find a new larger premises for the magazine | 0:18:42 | 0:18:46 | |
and to expand it greatly. | 0:18:46 | 0:18:48 | |
I am extremely interested in the possibilities of photo journalism. | 0:18:49 | 0:18:53 | |
I don't think anybody's grasped its full potential. | 0:18:59 | 0:19:02 | |
I intend to make Music Express | 0:19:02 | 0:19:04 | |
the foremost entertainment magazine in Europe. | 0:19:04 | 0:19:07 | |
I further intend to found a news magazine in the next year or so | 0:19:07 | 0:19:12 | |
that will rival Time magazine, and then overtake it. | 0:19:12 | 0:19:15 | |
I propose to make you editor in chief of Music Express magazine. | 0:19:15 | 0:19:21 | |
That is if you want to take it, Stanley. | 0:19:22 | 0:19:24 | |
No, don't say anything, anything at all. | 0:19:26 | 0:19:29 | |
I want you to consider this, silently, for the next few days. | 0:19:29 | 0:19:34 | |
Louis?! | 0:19:38 | 0:19:39 | |
-Harry wants to see you. -What's it about? | 0:19:39 | 0:19:42 | |
He will tell you. | 0:19:42 | 0:19:43 | |
A request has come up. | 0:19:47 | 0:19:49 | |
The Freemasons are holding their annual dinner | 0:19:49 | 0:19:51 | |
for the new Worshipful Master | 0:19:51 | 0:19:52 | |
in the rooms that they have here, and, er, rather surprisingly... | 0:19:52 | 0:19:56 | |
Well, surprising to me...they've requested that you play at it. | 0:19:56 | 0:20:00 | |
The Masons? That'll be interesting. | 0:20:00 | 0:20:04 | |
I just wanted to check that you could manage it, | 0:20:04 | 0:20:06 | |
to play at all - under the circumstances. | 0:20:06 | 0:20:09 | |
Yes. We're going to keep on playing, that's already been decided. | 0:20:09 | 0:20:13 | |
For the time being. | 0:20:13 | 0:20:15 | |
What does that mean? | 0:20:15 | 0:20:16 | |
Until it's decided otherwise. | 0:20:16 | 0:20:18 | |
It is up to Mr Schlesinger who plays at this hotel. | 0:20:18 | 0:20:21 | |
At the moment it is. | 0:20:21 | 0:20:23 | |
CLATTERING | 0:20:23 | 0:20:25 | |
Oh, no, not again! | 0:20:26 | 0:20:28 | |
I don't believe it! | 0:20:28 | 0:20:30 | |
I will not stand for it! | 0:20:30 | 0:20:32 | |
Stop that! | 0:20:32 | 0:20:34 | |
At once! | 0:20:34 | 0:20:36 | |
RIGHT NOW! | 0:20:36 | 0:20:38 | |
You! | 0:20:40 | 0:20:41 | |
-Get out of here! I'll have you all arrested! -Run! | 0:20:41 | 0:20:44 | |
-I don't care how hungry you are, you can't steal food from here! -Hurry! | 0:20:44 | 0:20:48 | |
I'll have you all locked up! | 0:20:48 | 0:20:50 | |
I cannot understand how people have so little pride, | 0:20:54 | 0:20:57 | |
let themselves fall so low. | 0:20:57 | 0:20:59 | |
People have to eat. | 0:20:59 | 0:21:00 | |
Not out of my dustbins, they don't. | 0:21:00 | 0:21:03 | |
Oh, and by the way, Mr Lester... | 0:21:05 | 0:21:07 | |
..the police came round. | 0:21:09 | 0:21:10 | |
Said they wanted to take the sports car that belonged to Miss Taylor. | 0:21:10 | 0:21:13 | |
-I said, of course, they could. -Why did they want that? | 0:21:13 | 0:21:15 | |
I believe they've got it into their heads | 0:21:15 | 0:21:17 | |
they need to have a thorough look at it. | 0:21:17 | 0:21:19 | |
Mr Wax is selling the magazine?! | 0:21:19 | 0:21:21 | |
It hasn't happened yet, no. | 0:21:21 | 0:21:22 | |
To this American millionaire? | 0:21:22 | 0:21:24 | |
He's one of the richest men in the world - | 0:21:24 | 0:21:26 | |
why does he want our little magazine?! | 0:21:26 | 0:21:27 | |
He sees great possibilities in it, that it'll grow enormously. | 0:21:27 | 0:21:30 | |
-He's offered to make you captain of the team, has he? -Nothing's been finalised. | 0:21:30 | 0:21:34 | |
I'm not supposed to be breathing a word about it to anyone | 0:21:34 | 0:21:36 | |
but I just thought you should know. | 0:21:36 | 0:21:38 | |
Thank you, Stanley, for not keeping it a TOTAL secret. | 0:21:38 | 0:21:41 | |
Maybe Mr Wax won't sell after all? | 0:21:41 | 0:21:43 | |
At the right price, most people will sell anything. | 0:21:43 | 0:21:46 | |
Mr Masterson has great plans for the magazine. | 0:21:46 | 0:21:49 | |
He'll never give you any freedom, Stanley, | 0:21:49 | 0:21:51 | |
you realise, it will all change completely here. | 0:21:51 | 0:21:53 | |
I'm not sure about that. | 0:21:53 | 0:21:54 | |
-If he suggests things we don't like, we won't do them. -How?! | 0:21:54 | 0:21:57 | |
You won't be able to control what's happening, Stanley! | 0:21:57 | 0:22:00 | |
Erm, excuse us for a moment | 0:22:00 | 0:22:02 | |
but I'm sure you won't mind the interruption - | 0:22:02 | 0:22:05 | |
Her Ladyship just wanted to see in here. | 0:22:05 | 0:22:07 | |
-Lavinia. -So this is your lair, Stanley? | 0:22:07 | 0:22:11 | |
I've only ever seen it from the outside. | 0:22:11 | 0:22:13 | |
-It's usually a fraction tidier than this. -Is it? | 0:22:13 | 0:22:16 | |
I always wondered what it would look like. | 0:22:16 | 0:22:18 | |
Well, it may not look like this for much longer. | 0:22:18 | 0:22:21 | |
That sounds interesting. | 0:22:21 | 0:22:22 | |
Er, maybe Your Ladyship would like to see the collection of back copies we have? | 0:22:22 | 0:22:27 | |
They're in my office, if we would just return there. | 0:22:27 | 0:22:30 | |
I would love that. | 0:22:30 | 0:22:31 | |
I have, in fact, several bound copies of your magazine in my library - | 0:22:31 | 0:22:35 | |
not many people can say that, I expect! | 0:22:35 | 0:22:37 | |
And you are on the cover of one of our editions, of course. | 0:22:37 | 0:22:40 | |
One of our very BEST covers, I always say! | 0:22:40 | 0:22:44 | |
PHONE RINGING | 0:22:46 | 0:22:49 | |
Good evening, gentlemen. | 0:22:49 | 0:22:50 | |
Have you ever seen the Bertram Brothers before, Harry? | 0:22:58 | 0:23:01 | |
-I have not. -No. | 0:23:01 | 0:23:03 | |
They never EVER come here. | 0:23:04 | 0:23:06 | |
They could stop me getting another job anywhere in the hotel business. | 0:23:08 | 0:23:12 | |
A few weeks ago, we were one of the most fashionable hotels in London | 0:23:12 | 0:23:15 | |
and now... | 0:23:15 | 0:23:16 | |
..I have a terrible feeling about this week, Harry. | 0:23:18 | 0:23:21 | |
-Have they said anything to you? -No... | 0:23:21 | 0:23:24 | |
Have they spoken to you though, Harry? | 0:23:24 | 0:23:26 | |
Just a few words, as I was showing them to their suite. | 0:23:26 | 0:23:29 | |
And what did they tell you? | 0:23:29 | 0:23:30 | |
That a murder at this hotel | 0:23:30 | 0:23:32 | |
is one of the worst things they could ever imagine happening. | 0:23:32 | 0:23:35 | |
(Yes...) | 0:23:35 | 0:23:36 | |
..and unsolved too, of course. | 0:23:37 | 0:23:39 | |
So far, yes. | 0:23:39 | 0:23:41 | |
Every time I see them gather, I can't help being fascinated. | 0:23:44 | 0:23:48 | |
Me too. | 0:23:48 | 0:23:49 | |
There'll be a few dukes and marquises down there, | 0:23:49 | 0:23:52 | |
some minor royals, perhaps, senior politicians, of course - | 0:23:52 | 0:23:57 | |
all sorts of surprising people belong to the Central London Lodge. | 0:23:57 | 0:24:00 | |
Yes... | 0:24:00 | 0:24:03 | |
I thought now the band's playing at the dinner... | 0:24:03 | 0:24:05 | |
Isn't that so unexpected? | 0:24:05 | 0:24:07 | |
Oh, yes...I'm quite jealous, I'd love to be there! | 0:24:07 | 0:24:11 | |
But, now that's happening, | 0:24:11 | 0:24:12 | |
I thought, maybe, I could do an article | 0:24:12 | 0:24:14 | |
about the Masons, in this hotel. | 0:24:14 | 0:24:16 | |
If you did, you'd never work again! | 0:24:16 | 0:24:18 | |
Course, this may be the very last time they're here. | 0:24:18 | 0:24:20 | |
Because of the murder? | 0:24:20 | 0:24:23 | |
I suppose we have to call it that now - the "murder". | 0:24:23 | 0:24:26 | |
But yes, they may be moving on, colonising another hotel. | 0:24:26 | 0:24:30 | |
I hear they've been scurrying around looking at all sorts of basements | 0:24:30 | 0:24:34 | |
but I have no idea who's arranged for the band | 0:24:34 | 0:24:36 | |
to play for them tonight - God knows what'll happen! | 0:24:36 | 0:24:39 | |
You're looking surprisingly smart today. | 0:24:39 | 0:24:42 | |
I have an important dinner appointment, that's why. | 0:24:43 | 0:24:45 | |
In the new Atlantic Bar? | 0:24:45 | 0:24:47 | |
-That's right. -So do I. | 0:24:47 | 0:24:49 | |
They've re-decorated all of this... | 0:24:53 | 0:24:55 | |
and what a lovely room! | 0:24:55 | 0:24:58 | |
I collect beautiful rooms around London, Stanley. | 0:24:58 | 0:25:01 | |
I don't see why one shouldn't spend | 0:25:01 | 0:25:02 | |
as much of one's life as possible in them. | 0:25:02 | 0:25:06 | |
You must join Her Ladyship, you mustn't keep her waiting. | 0:25:06 | 0:25:09 | |
Lavinia, you look magnificent, as always. | 0:25:12 | 0:25:16 | |
I must just join that wonderful young artist, over there. | 0:25:18 | 0:25:21 | |
I'm hoping to help her get her first exhibition, | 0:25:21 | 0:25:24 | |
she's exquisitely talented. | 0:25:24 | 0:25:25 | |
Stanley. | 0:25:27 | 0:25:28 | |
Arthur has a new project, it seems! | 0:25:32 | 0:25:35 | |
To go with all the others! | 0:25:35 | 0:25:37 | |
-We have a great deal to talk about. -Yes, I know. | 0:25:37 | 0:25:41 | |
-I hope I'm not too late. -No, sir. | 0:25:41 | 0:25:43 | |
-They all here? -Yes, they're all here, sir. -Thank you. | 0:25:43 | 0:25:46 | |
So, what do you know about Mr Masterson? What's he really like? | 0:25:53 | 0:25:59 | |
He is one of the few people I've ever met | 0:25:59 | 0:26:00 | |
who always seems to be ahead of events. | 0:26:00 | 0:26:02 | |
Ah, but can one trust him? | 0:26:02 | 0:26:04 | |
Funnily enough, I think one can. | 0:26:04 | 0:26:07 | |
So you are involved in his acquisition of the magazine? | 0:26:07 | 0:26:10 | |
I could be... | 0:26:10 | 0:26:13 | |
Of course, it doesn't need my money | 0:26:13 | 0:26:15 | |
but he needs somebody who lives here, who can be on the spot, | 0:26:15 | 0:26:18 | |
while he travels the world. | 0:26:18 | 0:26:19 | |
-So I'm going to be working for you? -Is that such a terrible prospect? | 0:26:19 | 0:26:24 | |
I'm not even going to reply to that! | 0:26:24 | 0:26:26 | |
If all this happens, we will both be working for Mr Masterson ultimately, | 0:26:26 | 0:26:32 | |
but, yes, you'll be working for me, in a way. | 0:26:32 | 0:26:34 | |
I knew, for some reason, this was going to happen, I just, | 0:26:34 | 0:26:38 | |
I just thought it might! | 0:26:38 | 0:26:39 | |
I don't know how that's possible, Stanley, | 0:26:39 | 0:26:42 | |
because I didn't until yesterday! | 0:26:42 | 0:26:44 | |
Suddenly I realised the way I was living was absurd - | 0:26:44 | 0:26:47 | |
can't be half a recluse, who's ever heard of that?! | 0:26:47 | 0:26:51 | |
Half a hermit! | 0:26:51 | 0:26:52 | |
Living like that was never going to bring my boys back | 0:26:53 | 0:26:57 | |
and now I know I want to do something with the rest of my life - | 0:26:57 | 0:27:02 | |
get involved, Stanley, get really involved. | 0:27:02 | 0:27:06 | |
Where's your singer...? | 0:27:06 | 0:27:08 | |
Carla. | 0:27:08 | 0:27:10 | |
She'll be coming, don't worry. | 0:27:10 | 0:27:11 | |
Are you usually down here with them, Harry, when they have their dinners? | 0:27:16 | 0:27:20 | |
Yes, sometimes. | 0:27:20 | 0:27:21 | |
I thought they had their own people. | 0:27:21 | 0:27:23 | |
They do, but once or twice I've helped them out | 0:27:23 | 0:27:25 | |
with their arrangements. | 0:27:25 | 0:27:27 | |
Of course, I've never been in the temple... | 0:27:27 | 0:27:30 | |
never see them in their robes. | 0:27:30 | 0:27:32 | |
Louis! There you are! Ha! This is going to be so good. | 0:27:35 | 0:27:39 | |
Such fun! | 0:27:39 | 0:27:40 | |
You will get your cue in just a moment. | 0:27:40 | 0:27:42 | |
Best tipper in the hotel. A very generous man, Mr Masterson. | 0:27:49 | 0:27:53 | |
Well, I suppose he needs to be, doesn't he? | 0:27:53 | 0:27:56 | |
Why does he need to be? | 0:27:56 | 0:27:57 | |
If you smash up your hotel suite the way he does, | 0:27:57 | 0:27:59 | |
you rather need to leave good tips, don't you? | 0:27:59 | 0:28:01 | |
-I don't know what you mean? -Oh, come on, Harry. | 0:28:01 | 0:28:03 | |
I saw his suite completely smashed up, | 0:28:03 | 0:28:04 | |
you must have had to arrange to get it cleared up? | 0:28:04 | 0:28:06 | |
-You probably had to do that a number of...? -I have no idea what you are talking about! | 0:28:06 | 0:28:10 | |
-What are you so frightened of? -Frightened? | 0:28:10 | 0:28:12 | |
-You think I'm the one who should be frightened?! -Yes! | 0:28:12 | 0:28:14 | |
I think you're extremely frightened. | 0:28:14 | 0:28:16 | |
What are you afraid of? | 0:28:16 | 0:28:18 | |
You really think you're very clever, don't you? | 0:28:18 | 0:28:20 | |
You think you can strut around with your musicians | 0:28:20 | 0:28:22 | |
and get away with anything. | 0:28:22 | 0:28:23 | |
You even think you're different from the other minstrel bands, don't you?! | 0:28:23 | 0:28:26 | |
Well, let me tell you something, | 0:28:26 | 0:28:28 | |
this hotel will be destroyed by what you've done! | 0:28:28 | 0:28:30 | |
What I've done? | 0:28:30 | 0:28:32 | |
(Go on, tell me what I've done, Harry.) | 0:28:32 | 0:28:35 | |
Ever since you've been here I've seen it coming, | 0:28:35 | 0:28:37 | |
I knew it was going to lead to disaster! | 0:28:37 | 0:28:40 | |
Here I am. | 0:28:40 | 0:28:42 | |
Told you there was nothing to worry about! | 0:28:42 | 0:28:44 | |
-And I'm early, aren't I? -Come this way, please. | 0:28:44 | 0:28:46 | |
Perfect timing, Carla! | 0:28:46 | 0:28:47 | |
Remember I saw you with her! | 0:28:56 | 0:28:59 | |
I saw you with Jessie Taylor. | 0:28:59 | 0:29:01 | |
I saw you arguing the night she was attacked! | 0:29:01 | 0:29:04 | |
Everybody knows I had nothing to do with Jessie's death, | 0:29:04 | 0:29:06 | |
I was playing for the Prince of Wales! | 0:29:06 | 0:29:09 | |
And now I think the Masons are waiting for me. | 0:29:09 | 0:29:12 | |
The Worshipful Master will now take wine with his personal guests. | 0:29:15 | 0:29:20 | |
Now, don't worry, I know it looks a little...strange, | 0:29:42 | 0:29:45 | |
it's just like an ordinary meal, really. | 0:29:45 | 0:29:48 | |
They can be surprisingly jolly occasions, | 0:29:48 | 0:29:50 | |
not much mumbo jumbo once we get eating! | 0:29:50 | 0:29:52 | |
Have they ever had a singer in here before? | 0:29:52 | 0:29:54 | |
No, no, don't think so. | 0:29:54 | 0:29:55 | |
It was my idea to invite you, of course. | 0:29:55 | 0:29:57 | |
I don't know how it's going to go down! We'll see! | 0:29:57 | 0:29:59 | |
Ah, this is my friend, Leopold Fitzmaurice, | 0:29:59 | 0:30:03 | |
we joined the Lodge together on the same day! | 0:30:03 | 0:30:05 | |
He very much wanted to say hello to the band, didn't you, Leopold? | 0:30:05 | 0:30:08 | |
I know you're going to liven up our dinner, no end! | 0:30:08 | 0:30:11 | |
Leopold Fitzmaurice? | 0:30:11 | 0:30:13 | |
Yes, that's his name, it's a grand name, isn't it? | 0:30:13 | 0:30:16 | |
He was on the train with you, was he? | 0:30:16 | 0:30:17 | |
The night train to Paris? | 0:30:19 | 0:30:21 | |
Leopold and I are always on trains together! | 0:30:21 | 0:30:24 | |
It's a pleasure meeting you. | 0:30:24 | 0:30:27 | |
So, yes, Leopold saw me on the train...and Horace, over there. | 0:30:27 | 0:30:31 | |
Horace Verney, always seems to be in my compartment! | 0:30:31 | 0:30:34 | |
Now, I really must get back. | 0:30:34 | 0:30:37 | |
There's a first time for everything and this is absolutely a first. | 0:30:37 | 0:30:41 | |
The Louis Lester band will now give us their first number. | 0:30:52 | 0:30:55 | |
Where's the bloody music? | 0:31:09 | 0:31:11 | |
THE PARTY CHUCKLE | 0:31:11 | 0:31:13 | |
(Louis...) | 0:31:19 | 0:31:21 | |
(Louis, what are you doing?!) | 0:31:22 | 0:31:23 | |
-The first number we're going to play is... -Speak up! | 0:31:31 | 0:31:34 | |
This Girl's Going Far. | 0:31:35 | 0:31:37 | |
(Yes.) | 0:31:38 | 0:31:39 | |
# All my life I've been somebody | 0:31:48 | 0:31:51 | |
# All fired up and not nobody | 0:31:51 | 0:31:54 | |
# Shouting loud | 0:31:54 | 0:31:55 | |
# Beat the crowd | 0:31:55 | 0:31:57 | |
# This girl's going far | 0:31:57 | 0:31:59 | |
# Blow, Joe, blow | 0:31:59 | 0:32:01 | |
# Let 'em know | 0:32:01 | 0:32:02 | |
# I'm going to be a star... # | 0:32:02 | 0:32:05 | |
Stop the music! | 0:32:08 | 0:32:09 | |
Pamela? What are you doing here so early? | 0:32:21 | 0:32:23 | |
Er, we're going on somewhere after, | 0:32:23 | 0:32:25 | |
if you'd like to join us, by the way, that would be delightful. | 0:32:25 | 0:32:27 | |
-Have you not heard the news? -What news? -What's happened? | 0:32:27 | 0:32:31 | |
Someone has tried to assassinate the American President. | 0:32:31 | 0:32:34 | |
What?! | 0:32:34 | 0:32:35 | |
Someone has tried to shoot Mr Roosevelt. | 0:32:35 | 0:32:38 | |
They're all worried how this is going to affect the market. | 0:32:40 | 0:32:43 | |
Do you think there'll be another crash, Walter? | 0:32:43 | 0:32:46 | |
We need some more news, we need some reliable news. | 0:32:46 | 0:32:50 | |
Ah, Louis, what a massive pity this is! | 0:32:51 | 0:32:55 | |
I so wanted to see what they thought of the music! | 0:32:55 | 0:32:58 | |
MUSIC: "Rosen aus dem Suden" By Johann Strauss II | 0:32:58 | 0:33:02 | |
They're only playing music! | 0:33:03 | 0:33:05 | |
This is ridiculous! An enormous story like this, | 0:33:05 | 0:33:07 | |
they've got to have an extra news bulletin surely?! | 0:33:07 | 0:33:09 | |
No, instead they just play Strauss waltzes, | 0:33:09 | 0:33:11 | |
like they always seem to at this time of night, | 0:33:11 | 0:33:13 | |
nothing can change that. | 0:33:13 | 0:33:14 | |
Well, I definitely don't think we're going to get any more news | 0:33:14 | 0:33:17 | |
from the BBC tonight, maybe we could try another station from abroad? | 0:33:17 | 0:33:21 | |
STATIC CRACKLING | 0:33:21 | 0:33:24 | |
-Useless! -We'll just have to wait until the morning, | 0:33:26 | 0:33:29 | |
for the newspapers. | 0:33:29 | 0:33:30 | |
Have you heard the news from the US? | 0:33:32 | 0:33:34 | |
We have, we're just trying to find out more. | 0:33:34 | 0:33:36 | |
I think I know where you can find out more. | 0:33:36 | 0:33:39 | |
I suggest you come with me. | 0:33:39 | 0:33:41 | |
To where? | 0:33:41 | 0:33:42 | |
Oh, it's quite walkable. | 0:33:42 | 0:33:44 | |
-Stanley! -Louis, how did it go with the Masons? | 0:33:51 | 0:33:53 | |
All right? You must tell me about it sometime. | 0:33:53 | 0:33:55 | |
I will, but I have to talk to you about something else. | 0:33:55 | 0:33:58 | |
Not now, haven't you heard the news?! | 0:33:58 | 0:33:59 | |
I heard they tried to kill the President. | 0:33:59 | 0:34:01 | |
Yes, we don't know if he's badly injured, or dying, we don't know what's happened to him | 0:34:01 | 0:34:05 | |
but Mr Masterson is taking us somewhere to find out. | 0:34:05 | 0:34:07 | |
It's one of his, er, mystery tours, like his picnics! | 0:34:07 | 0:34:09 | |
Erm, but I can't lose him, or I won't know where they've gone. | 0:34:09 | 0:34:12 | |
Why don't you come? | 0:34:12 | 0:34:13 | |
Seems we're the only ones mad enough to be out on a night like this! | 0:34:15 | 0:34:19 | |
Come on, Louis, keep up or we'll lose him. | 0:34:19 | 0:34:21 | |
So, where are we going, Walter? | 0:34:21 | 0:34:23 | |
Is this another party you haven't told anyone about? | 0:34:23 | 0:34:27 | |
You're here too, darling! Isn't that wonderful? | 0:34:29 | 0:34:32 | |
How come she knows about this?! | 0:34:32 | 0:34:34 | |
Come inside. | 0:34:34 | 0:34:35 | |
Good evening, Sarah. | 0:34:36 | 0:34:38 | |
Sarah... | 0:34:39 | 0:34:40 | |
..do you know why we're here? | 0:34:41 | 0:34:43 | |
No, I got a telephone call from Mr Masterson | 0:34:43 | 0:34:45 | |
just as I was going to bed, | 0:34:45 | 0:34:47 | |
he said I had to come here, he had something to show me. | 0:34:47 | 0:34:49 | |
Where are we? | 0:35:00 | 0:35:01 | |
Come on! | 0:35:02 | 0:35:04 | |
Come in, come on, come on, come on! | 0:35:07 | 0:35:10 | |
What the hell is Eric doing here? | 0:35:12 | 0:35:14 | |
What an incredible wireless! | 0:35:14 | 0:35:16 | |
It's fit for an emperor! | 0:35:16 | 0:35:17 | |
This set here should be able to get us any station in Europe. | 0:35:17 | 0:35:20 | |
Let's see what we have. | 0:35:20 | 0:35:22 | |
That's Radio Luxembourg, | 0:35:23 | 0:35:25 | |
they at least have news right into the night. | 0:35:25 | 0:35:27 | |
NEWSREADER SPEAKING FRENCH | 0:35:27 | 0:35:30 | |
'Bonsoir. Le maire de Chicago a ete severement touche lors de la...' | 0:35:30 | 0:35:34 | |
They're saying that the President-Elect Mr Roosevelt | 0:35:34 | 0:35:37 | |
is not injured but the Mayor of Chicago has been shot | 0:35:37 | 0:35:40 | |
and his condition is very serious, several other people are shot. | 0:35:40 | 0:35:45 | |
'..la police continue son enquete dans l'affaire du meurtre | 0:35:45 | 0:35:49 | |
'de la jeune chanteuse de couleur Jessie Taylor...' | 0:35:49 | 0:35:52 | |
-Good heavens! -What? What is it? What are they saying?! | 0:35:52 | 0:35:56 | |
They're talking about the murder in a London hotel, | 0:35:57 | 0:36:00 | |
the young coloured singer, Jessie Taylor, who had sung for royalty... | 0:36:00 | 0:36:05 | |
They're saying the police are now following new leads. | 0:36:08 | 0:36:11 | |
I knew it would be a huge story | 0:36:11 | 0:36:12 | |
but I didn't realise they'd be talking about it across Europe! | 0:36:12 | 0:36:15 | |
I didn't realise you could speak French. | 0:36:15 | 0:36:17 | |
You don't know everything about him! | 0:36:17 | 0:36:19 | |
# And learn to love a little more | 0:36:19 | 0:36:23 | |
# You showed me how to play the game | 0:36:23 | 0:36:28 | |
# That I'd succeed a little | 0:36:28 | 0:36:31 | |
# Now I can dream about as high as I can go... # | 0:36:31 | 0:36:39 | |
I can't bear it! | 0:36:40 | 0:36:42 | |
It's so sad to hear her voice, it's too upsetting! | 0:36:42 | 0:36:45 | |
-What is this place anyway? -Don't you know? | 0:36:51 | 0:36:54 | |
This is going to be our new home, Stanley. | 0:36:54 | 0:36:56 | |
This is extraordinary. This is our new office? This room here? | 0:37:04 | 0:37:08 | |
Not just this room. | 0:37:08 | 0:37:09 | |
It's the whole building, Stanley. | 0:37:09 | 0:37:11 | |
The whole building?! That can't be right! | 0:37:11 | 0:37:14 | |
When did you buy it, Mr Masterson? | 0:37:14 | 0:37:15 | |
Oh, only the other day. | 0:37:15 | 0:37:17 | |
I bought the wireless first, | 0:37:17 | 0:37:18 | |
then needed somewhere big enough to house it. | 0:37:18 | 0:37:21 | |
He approached me just today - | 0:37:21 | 0:37:22 | |
could I be so kind, would I look at the new premises | 0:37:22 | 0:37:25 | |
and see if I approved? | 0:37:25 | 0:37:27 | |
What an office this is! | 0:37:28 | 0:37:31 | |
Even The Times would be jealous of this! | 0:37:31 | 0:37:34 | |
Oh, they would indeed! | 0:37:34 | 0:37:35 | |
YELPING | 0:37:35 | 0:37:37 | |
There will, of course, be room for rather more staff | 0:37:37 | 0:37:40 | |
and a large photographic department, | 0:37:40 | 0:37:43 | |
where all your photographs will be | 0:37:43 | 0:37:45 | |
and all the other photographers who will be working with you... | 0:37:45 | 0:37:49 | |
or I should say, working for you. | 0:37:49 | 0:37:51 | |
The use of photography is the future. | 0:37:51 | 0:37:54 | |
It is the future, yes. Is, is that a job offer? | 0:37:57 | 0:38:01 | |
Was that a job offer?! | 0:38:01 | 0:38:03 | |
I rather think it was. | 0:38:03 | 0:38:04 | |
This is so very exciting, wonderful. | 0:38:06 | 0:38:10 | |
I should choose a room which I can have my office, | 0:38:10 | 0:38:13 | |
perhaps I could have half of this room? | 0:38:13 | 0:38:15 | |
Well, hang on, you're not having half of our room... | 0:38:15 | 0:38:18 | |
Maybe this will be an appropriate room? | 0:38:20 | 0:38:22 | |
Oh, yes, this is your room, all right. | 0:38:22 | 0:38:25 | |
After all, it's the only one with a telephone! | 0:38:25 | 0:38:27 | |
It's the first regular job I've ever had in my life, Stanley! | 0:38:27 | 0:38:30 | |
-With an office! -The proprietor's office! | 0:38:30 | 0:38:32 | |
Is it absurd me starting this sort of thing at my age? | 0:38:32 | 0:38:35 | |
No, it's not absurd at all. | 0:38:35 | 0:38:37 | |
It's the obvious thing to do, in fact... | 0:38:37 | 0:38:39 | |
Of course, I might wish to be part of this too, Walter. | 0:38:41 | 0:38:43 | |
We should forget about the silly cheese idea. | 0:38:43 | 0:38:47 | |
Julian, the plans are decided. | 0:38:47 | 0:38:48 | |
I will decide my own future, thank you! | 0:38:48 | 0:38:51 | |
I absolutely refuse to be told what to do. | 0:38:51 | 0:38:54 | |
I'm not a CHILD, Walter, you have to stop treating me like one, | 0:38:54 | 0:38:58 | |
or I'll go and work somewhere else! | 0:38:58 | 0:39:00 | |
What do you think, Louis? Isn't this so divine? | 0:39:03 | 0:39:07 | |
We live in the age of the magazine, Mr Lester, | 0:39:07 | 0:39:10 | |
they have the power to influence many things. | 0:39:10 | 0:39:12 | |
Yes, I'm sure it will soon become | 0:39:12 | 0:39:14 | |
the most talked about magazine in London. | 0:39:14 | 0:39:17 | |
In London? Walter's not just interested in London! | 0:39:17 | 0:39:21 | |
Don't be silly, Louis, how could he be interested in that?! | 0:39:21 | 0:39:23 | |
His plans are much greater! | 0:39:23 | 0:39:25 | |
Of course. My mistake. | 0:39:25 | 0:39:28 | |
I'm sure you will conquer the world with it. | 0:39:29 | 0:39:31 | |
After all, who's to stop him? | 0:39:31 | 0:39:33 | |
Excuse me, for a moment. | 0:39:33 | 0:39:35 | |
If only I had a tape measure with me, | 0:39:38 | 0:39:40 | |
I could start planning the layout of the office immediately | 0:39:40 | 0:39:44 | |
but maybe I can make some rough estimates. Here goes! | 0:39:44 | 0:39:48 | |
Louis, I've got a new job - at least I think I have! | 0:39:48 | 0:39:53 | |
I know, I heard... | 0:39:53 | 0:39:54 | |
-We can have a room each, remember... -..I need to talk to you. | 0:39:54 | 0:39:56 | |
..and you can have a whole department dedicated to electrical music! | 0:39:56 | 0:39:59 | |
Stanley...I think you should hear this too. | 0:39:59 | 0:40:02 | |
Julian, when you get to Manhattan everything will be so different | 0:40:02 | 0:40:05 | |
because you won't have time to worry about anything. | 0:40:05 | 0:40:08 | |
You can take as much time as you want, learning one thing, | 0:40:08 | 0:40:11 | |
then move on, up a step, to the next thing, the next problem.... | 0:40:11 | 0:40:15 | |
Oh, I'm sorry, I didn't mean to interrupt. | 0:40:15 | 0:40:18 | |
Darling, you're not interrupting. | 0:40:18 | 0:40:20 | |
What Walter was saying was not important at all, | 0:40:20 | 0:40:22 | |
not in the slightest... | 0:40:22 | 0:40:23 | |
..just a little trip we might be taking. | 0:40:25 | 0:40:27 | |
It's very cold, isn't it? | 0:40:29 | 0:40:30 | |
I think I might try to light a fire in one of these rooms. | 0:40:32 | 0:40:35 | |
-What on earth have you been doing? -I told the police what I thought I'd seen. | 0:40:36 | 0:40:40 | |
You told the police you saw Julian in the hotel | 0:40:40 | 0:40:42 | |
when he couldn't possibly have been there, | 0:40:42 | 0:40:43 | |
when he was on a train to Paris?! | 0:40:43 | 0:40:45 | |
He got his friends to LIE for him. | 0:40:45 | 0:40:46 | |
That's ridiculous. | 0:40:46 | 0:40:47 | |
What, you think all the passport controls are lying?! | 0:40:47 | 0:40:50 | |
But then what did you do? You changed your story! | 0:40:50 | 0:40:52 | |
I didn't change my story, I told them I couldn't be certain. | 0:40:52 | 0:40:54 | |
I wish you hadn't told them about Julian. | 0:40:54 | 0:40:56 | |
Don't you realise what a stupid thing it was to have changed your story, | 0:40:56 | 0:40:59 | |
what possessed you?! | 0:40:59 | 0:41:00 | |
The police will have been wanting to include you as a suspect all along. | 0:41:00 | 0:41:04 | |
They can't, I was playing at the airbase. | 0:41:04 | 0:41:06 | |
-They CANNOT make me a suspect. -Why not? | 0:41:06 | 0:41:08 | |
They can try to prove that you could have made it back in time. | 0:41:08 | 0:41:12 | |
Pamela! | 0:41:12 | 0:41:14 | |
I was just looking for somewhere to light a fire. | 0:41:14 | 0:41:17 | |
I think next door might be better. | 0:41:17 | 0:41:20 | |
There's a little coal there. | 0:41:20 | 0:41:22 | |
You changed your story when you realised that Julian couldn't possibly have been there - | 0:41:25 | 0:41:29 | |
-what do you think a jury will make of that?! -A jury?! | 0:41:29 | 0:41:31 | |
It's not going to come to a jury?! | 0:41:31 | 0:41:33 | |
I'm sure it won't, there won't be a trial or... | 0:41:33 | 0:41:35 | |
I told you to be careful with the police, | 0:41:35 | 0:41:37 | |
I warned you that they would start again. | 0:41:37 | 0:41:39 | |
-Well, you need a lawyer, and very quickly. -All right. | 0:41:42 | 0:41:45 | |
I'll go straight back to the hotel now and... | 0:41:45 | 0:41:47 | |
No, you won't, stay away from the hotel. | 0:41:47 | 0:41:49 | |
Trust me, I know what I am talking about, the police may come for you in the morning | 0:41:49 | 0:41:52 | |
-and you MUST try to be with a lawyer when they arrest you. -Arrest me?! | 0:41:52 | 0:41:56 | |
They can't arrest me, there's no evidence! | 0:41:56 | 0:41:58 | |
He's right, they can't arrest him. | 0:41:58 | 0:41:59 | |
We need to get you a lawyer. | 0:42:02 | 0:42:04 | |
Maybe Mr Masterson will help? | 0:42:05 | 0:42:06 | |
I'm not taking any "help" from Mr Masterson, | 0:42:06 | 0:42:08 | |
I promise you, that's the LAST thing I'll do. | 0:42:08 | 0:42:10 | |
You need to stop thinking he's involved in some way, and Julian too, | 0:42:10 | 0:42:13 | |
for goodness sake, it's only going to make things worse for you! | 0:42:13 | 0:42:16 | |
'You can't say those things about them, you just can't! | 0:42:16 | 0:42:18 | |
'You have to stop.' | 0:42:18 | 0:42:20 | |
-They're just through there, for Christ's sake! -Maybe it's time they heard it. | 0:42:20 | 0:42:24 | |
Arthur will find Louis a lawyer. He'll know somebody. | 0:42:24 | 0:42:28 | |
Yes, yes, of course, Mr Donaldson. | 0:42:28 | 0:42:31 | |
Except he doesn't get up till midday. | 0:42:32 | 0:42:34 | |
Hello? Who are you? | 0:43:08 | 0:43:10 | |
If you're selling something, you've got to go to the back entrance. | 0:43:10 | 0:43:13 | |
No, no, Violetta, these are friends. | 0:43:13 | 0:43:16 | |
Welcome to you both. | 0:43:16 | 0:43:18 | |
This is Violetta, my niece, Emily, her friend - | 0:43:18 | 0:43:20 | |
they're staying for a couple of days. | 0:43:20 | 0:43:22 | |
Nice surprise to see you both! | 0:43:22 | 0:43:24 | |
We did telephone. | 0:43:24 | 0:43:25 | |
Your housekeeper said... | 0:43:25 | 0:43:26 | |
Said I was in bed. | 0:43:26 | 0:43:28 | |
Well, the day has only just begun, hasn't it? | 0:43:28 | 0:43:30 | |
Two of you obviously don't worry about sleep. | 0:43:30 | 0:43:32 | |
-Come in, come in. -We need your help, Arthur. | 0:43:32 | 0:43:35 | |
Of course, whatever I can do. | 0:43:35 | 0:43:37 | |
How quickly can you get me a lawyer? | 0:43:37 | 0:43:40 | |
A lawyer? About 45 minutes. | 0:43:40 | 0:43:43 | |
No, I don't want to exaggerate, let's say 50. | 0:43:43 | 0:43:47 | |
So, Neville, how soon can you come? | 0:43:47 | 0:43:49 | |
Yes...I-I want you to see a friend of mine, Mr Louis Lester. | 0:43:49 | 0:43:54 | |
That's right, he wants your advice rather urgently. An hour? | 0:43:54 | 0:43:59 | |
No, no, that's excellent. | 0:43:59 | 0:44:01 | |
If you can make it 50 minutes, that would be even better. | 0:44:01 | 0:44:04 | |
Neville's one of the best lawyers in London. | 0:44:08 | 0:44:10 | |
Thank you. I appreciate it. | 0:44:10 | 0:44:13 | |
I have to meet my father at St Pancras, he's coming back today. | 0:44:13 | 0:44:17 | |
His train's at 2.30 and he'll worry if I'm not there to meet him. | 0:44:17 | 0:44:20 | |
Of course I haven't been home since last night | 0:44:20 | 0:44:23 | |
but maybe I can get Lucy to... | 0:44:23 | 0:44:25 | |
No, no, you must go... | 0:44:25 | 0:44:28 | |
-I'll be fine here. -You will be. | 0:44:28 | 0:44:30 | |
I-I'll make sure that, er, nobody enters the house | 0:44:30 | 0:44:33 | |
until Louis has had some time with his lawyer. | 0:44:33 | 0:44:36 | |
We have a warrant for the arrest of Mr Louis Lester | 0:44:45 | 0:44:47 | |
on suspicion of murder. | 0:44:47 | 0:44:50 | |
Well, what are you telling me about it for? Arrest him! | 0:44:50 | 0:44:53 | |
He's not in his room. | 0:44:53 | 0:44:54 | |
He must have heard you coming, mustn't he? | 0:44:55 | 0:44:59 | |
PIANO MUSIC PLAYING | 0:44:59 | 0:45:03 | |
Those are all of my travels, I'm afraid. | 0:45:03 | 0:45:05 | |
Rather egotistical to have them all on display, I know. | 0:45:05 | 0:45:08 | |
It was a wonderful time, Louis, Europe was a wonderful place. | 0:45:08 | 0:45:12 | |
You could go anywhere, anywhere you wished without a passport, | 0:45:12 | 0:45:17 | |
stroll across borders - | 0:45:17 | 0:45:18 | |
-it was a heavenly time to be young, before the war. -Yes, must have been. | 0:45:18 | 0:45:23 | |
-You're always marvellously calm, Louis. -Not today... | 0:45:25 | 0:45:30 | |
I'm certainly not today. | 0:45:30 | 0:45:32 | |
Well, you've been up all night, my friend. | 0:45:32 | 0:45:34 | |
But I admire you so much, how you conduct yourself - | 0:45:34 | 0:45:36 | |
if I'm allowed to say that - how you don't allow yourself to be cowered. | 0:45:36 | 0:45:41 | |
No, I don't like to be, "cowered," Mr Donaldson... | 0:45:41 | 0:45:43 | |
..and I refuse to panic now. | 0:45:44 | 0:45:47 | |
That's right. No reason to panic. | 0:45:47 | 0:45:50 | |
But just realising that you're going to be accused of a crime, | 0:45:50 | 0:45:55 | |
and a very serious crime, | 0:45:55 | 0:45:57 | |
and, probably, there's nothing you can do to stop that happening, | 0:45:57 | 0:46:00 | |
and somehow the evidence is going | 0:46:00 | 0:46:03 | |
to be...adjusted...so it points straight at you. | 0:46:03 | 0:46:08 | |
Of course that's alarming, Louis, but the English police, | 0:46:10 | 0:46:14 | |
they might not be as efficient as they claim to be, | 0:46:14 | 0:46:16 | |
but they, they never wilfully hang the wrong man. | 0:46:16 | 0:46:19 | |
DOOR OPENING | 0:46:21 | 0:46:24 | |
-What are you doing with Mr Lester's cloak? -It's all right. | 0:46:24 | 0:46:27 | |
-Time for tea! -It's not nearly time for tea. | 0:46:27 | 0:46:30 | |
But I've made some cakes! | 0:46:30 | 0:46:31 | |
Mm, marvellous looking cakes, you two! | 0:46:31 | 0:46:36 | |
They look absolutely irresistible. | 0:46:36 | 0:46:38 | |
There are three each... Oh, I forgot about him. | 0:46:38 | 0:46:42 | |
I'm sure there'll be plenty for all of us. | 0:46:42 | 0:46:44 | |
Better take a seat, Louis, | 0:46:44 | 0:46:46 | |
I think we're going to be eating these cakes, whether we like it or not, for some time, | 0:46:46 | 0:46:49 | |
certainly until Neville gets here. | 0:46:49 | 0:46:51 | |
Mrs Courtney can make us all some tea. | 0:46:51 | 0:46:54 | |
I see no reason why we shouldn't have two or three teas today - | 0:46:54 | 0:46:57 | |
it's not against the law, is it, girls? | 0:46:57 | 0:46:59 | |
Leave the knives alone, Violetta! Mrs Courtney can cut the bread | 0:46:59 | 0:47:02 | |
and maybe she'll find some of her delicious damson jam | 0:47:02 | 0:47:06 | |
that she keeps hidden. Oh, yes, I know about that... | 0:47:06 | 0:47:09 | |
KETTLE AND GIRL WHISTLING | 0:47:09 | 0:47:11 | |
TRAIN WHISTLING | 0:47:16 | 0:47:19 | |
'He's arranged another train for us' | 0:47:24 | 0:47:26 | |
and a jolly big picnic too, isn't that good? | 0:47:26 | 0:47:29 | |
Except this time it's just you he wants to see, Louis. | 0:47:29 | 0:47:33 | |
I just need to meet my father. | 0:47:33 | 0:47:35 | |
It's better up here. | 0:47:44 | 0:47:46 | |
# It's inviting, it's enticing... # | 0:47:47 | 0:47:52 | |
She wants to go for a spin. | 0:47:52 | 0:47:54 | |
# ..getting closer on the midnight run | 0:47:54 | 0:47:56 | |
# My heart is a-pounding and a-pumping and a-pumping! | 0:47:56 | 0:48:00 | |
# ..my runaway train stampeding... # | 0:48:08 | 0:48:10 | |
I think this is the place. | 0:48:10 | 0:48:12 | |
# ..stoker at the furnace fire | 0:48:12 | 0:48:15 | |
# For night-time dreams and desire | 0:48:15 | 0:48:18 | |
# It's inviting. # | 0:48:18 | 0:48:21 | |
Hello? | 0:48:33 | 0:48:34 | |
Anybody there? | 0:48:36 | 0:48:37 | |
Hello, could you please open this door? | 0:48:37 | 0:48:41 | |
Could you please open this door? | 0:48:43 | 0:48:45 | |
DOORBELL RINGING | 0:48:45 | 0:48:46 | |
'Police. I think you know why we're here...' | 0:48:50 | 0:48:53 | |
They took the knives! | 0:48:53 | 0:48:54 | |
GLASS SMASHING | 0:49:06 | 0:49:08 | |
He's there! He's over there! | 0:49:30 | 0:49:32 | |
He's here! He's here! Come quick! | 0:49:32 | 0:49:34 | |
Stanley! | 0:49:46 | 0:49:47 | |
Oh, hello, you look beautiful. | 0:49:47 | 0:49:50 | |
I'm surprised you noticed... | 0:49:50 | 0:49:54 | |
but then, this is such a rare thing. | 0:49:54 | 0:49:57 | |
What do you mean? | 0:49:57 | 0:49:58 | |
You and I alone. | 0:49:58 | 0:50:00 | |
Ah, well, plenty of chance for that. | 0:50:00 | 0:50:03 | |
You're here remarkably early. | 0:50:06 | 0:50:08 | |
So are you. | 0:50:08 | 0:50:10 | |
But then I don't want to miss a moment | 0:50:10 | 0:50:12 | |
of Mr Masterson's farewell meal. | 0:50:12 | 0:50:14 | |
It's not a farewell really, | 0:50:14 | 0:50:15 | |
he's only going to the USA for business reasons. | 0:50:15 | 0:50:17 | |
You're very well informed of his movements all of a sudden. | 0:50:17 | 0:50:20 | |
Well, I've been in meetings with him all day. | 0:50:20 | 0:50:22 | |
You know Julian's going to have a job in his office in America, | 0:50:22 | 0:50:25 | |
for a few months at least. | 0:50:25 | 0:50:27 | |
Yes, I heard that. | 0:50:27 | 0:50:28 | |
My brother's going to be an American businessman | 0:50:28 | 0:50:31 | |
and suddenly you're his partner too. | 0:50:31 | 0:50:33 | |
-Mr Masterson's. -Not a partner... | 0:50:33 | 0:50:37 | |
but definitely a colleague. | 0:50:37 | 0:50:39 | |
This is such an enormous chance for me, Pamela. | 0:50:39 | 0:50:43 | |
It certainly appears to be, Stanley, yes. | 0:50:43 | 0:50:46 | |
LOUIS GRUNTING AND PANTING | 0:50:46 | 0:50:49 | |
Watch out, you bastard! | 0:50:55 | 0:50:57 | |
I'm sorry! | 0:50:57 | 0:50:58 | |
I thought we'd get rid of the speeches | 0:50:59 | 0:51:02 | |
before the serious eating has begun. | 0:51:02 | 0:51:03 | |
It's always so much more relaxing that way! | 0:51:03 | 0:51:06 | |
In spite of us missing one or two people... | 0:51:06 | 0:51:09 | |
I'm sure our missing guests will be here soon. | 0:51:09 | 0:51:12 | |
I just wanted to thank Walter, or should I say Mr Masterson, | 0:51:12 | 0:51:15 | |
since he's my boss now, for not only laying on this meal... | 0:51:15 | 0:51:18 | |
I thought we'd have the ballroom to ourselves for once, | 0:51:18 | 0:51:21 | |
since we've spent so much time here. | 0:51:21 | 0:51:23 | |
And it's a charming gesture, I think we'd all agree! | 0:51:23 | 0:51:26 | |
So this meal is not only to bid farewell to Mr Masterson | 0:51:26 | 0:51:30 | |
on his trip to the United States... | 0:51:30 | 0:51:32 | |
where, hopefully, he will keep the President quite safe, | 0:51:32 | 0:51:36 | |
and where, hopefully, too, he will not spend too much time. | 0:51:36 | 0:51:39 | |
He'll be back, don't worry! He's only happy when he's travelling! | 0:51:39 | 0:51:44 | |
But this is also to celebrate the great new venture | 0:51:44 | 0:51:47 | |
we're embarking upon together, under Stanley and Eric's editorship. | 0:51:47 | 0:51:52 | |
We understand, of course, that we're only a corner of your empire... | 0:51:52 | 0:51:56 | |
Not a corner, never just a corner. | 0:51:56 | 0:51:58 | |
..but we hope, in our own way, to make many waves. | 0:51:58 | 0:52:02 | |
-Cheers. -I'm so sorry I'm late. | 0:52:02 | 0:52:05 | |
I was held up, unavoidably! | 0:52:05 | 0:52:10 | |
Forgive me. | 0:52:10 | 0:52:11 | |
I'll explain everything in a minute. | 0:52:14 | 0:52:16 | |
Carla has agreed to sing! | 0:52:31 | 0:52:32 | |
Julian, it's the middle of the meal. | 0:52:34 | 0:52:36 | |
When better?! | 0:52:36 | 0:52:37 | |
Now, until Louis arrives, | 0:52:37 | 0:52:40 | |
you'll have to make do with me accompanying you. | 0:52:40 | 0:52:42 | |
Well, then we'll do one very simple song, shall we? | 0:52:42 | 0:52:46 | |
Ah, Miss Peters, there's a telephone call for you, | 0:53:04 | 0:53:08 | |
apparently it's urgent. | 0:53:08 | 0:53:09 | |
# ..serenading to a tune | 0:53:09 | 0:53:13 | |
# A pop at the bull's eye... # | 0:53:13 | 0:53:14 | |
You must join us, Mr Schlesinger, please. | 0:53:14 | 0:53:17 | |
# ..dancing on the moon... # | 0:53:17 | 0:53:19 | |
Louis? | 0:53:19 | 0:53:21 | |
I was just thinking about what I might do for this hotel... | 0:53:21 | 0:53:25 | |
I've always liked it here. | 0:53:25 | 0:53:26 | |
-'Where are you?' -Near a church. | 0:53:28 | 0:53:30 | |
-Where is the church? -You don't need to know that. | 0:53:30 | 0:53:33 | |
'You can tell me where you are!' | 0:53:33 | 0:53:34 | |
You don't trust me all of a sudden?! | 0:53:34 | 0:53:36 | |
'Why would you telephone me if you don't trust me?' | 0:53:36 | 0:53:38 | |
-I need somewhere to go. -Come here... | 0:53:38 | 0:53:40 | |
and we'll work out the best plan. | 0:53:40 | 0:53:42 | |
Come back to the hotel?! I'm not that stupid, Sarah! | 0:53:42 | 0:53:45 | |
What are you saying? You don't trust any of us? | 0:53:45 | 0:53:47 | |
You think we've all turned against you in two days? | 0:53:47 | 0:53:49 | |
Can't believe you'd think like that, Louis! | 0:53:49 | 0:53:51 | |
# I'm dreaming of the big time | 0:53:51 | 0:53:55 | |
# A chance to dig a goldmine... # | 0:53:55 | 0:53:58 | |
-Donaldson called the police. -'He did not call the police!' | 0:53:58 | 0:54:02 | |
They appeared at his house, he's just told me what happened. | 0:54:02 | 0:54:05 | |
-They appeared at his house?! -'Yes!' | 0:54:05 | 0:54:08 | |
Of course they're going to visit everybody you know, Louis, | 0:54:08 | 0:54:10 | |
they're looking for you. | 0:54:10 | 0:54:12 | |
-No lawyer ever turned up. -He got delayed... | 0:54:12 | 0:54:13 | |
Do you know what they did? They locked me in, as if I was.. | 0:54:13 | 0:54:16 | |
They wanted to let you sleep, | 0:54:16 | 0:54:18 | |
they wanted to stop the children from disturbing you - | 0:54:18 | 0:54:20 | |
you've got to believe me! | 0:54:20 | 0:54:22 | |
Come here, Louis. This is where people can help you. | 0:54:22 | 0:54:26 | |
How many times do I have to tell you I'm not coming back to the hotel?! | 0:54:26 | 0:54:28 | |
'Then I'll meet you somewhere else, wherever you like!' | 0:54:28 | 0:54:31 | |
The police are going to arrest you. | 0:54:31 | 0:54:34 | |
'They have to find me first.' | 0:54:34 | 0:54:35 | |
'You can't run away from them!' | 0:54:35 | 0:54:37 | |
I can get out of the country. | 0:54:37 | 0:54:39 | |
'You'll never manage that on your own! You have to meet me.' | 0:54:39 | 0:54:42 | |
I can't bear the thought that you don't trust me, | 0:54:42 | 0:54:45 | |
you have to trust somebody, Louis, you have to! | 0:54:45 | 0:54:48 | |
Maybe I don't... | 0:54:48 | 0:54:49 | |
I think this will be a lot easier if I don't trust anyone. | 0:54:50 | 0:54:53 | |
-Louis, you have to remember... -What do I have to remember? | 0:54:53 | 0:54:57 | |
Who I am? Is that what you mean? | 0:54:57 | 0:54:58 | |
That is what I mean but not in that way. | 0:54:58 | 0:55:01 | |
Please, listen to me...not everybody thinks like me and Stanley, | 0:55:01 | 0:55:05 | |
not everybody wants to help you. | 0:55:05 | 0:55:07 | |
No, Sarah...that's where you're wrong... | 0:55:07 | 0:55:11 | |
that's what I've just found out. | 0:55:11 | 0:55:14 | |
You think just the same as everyone else. | 0:55:14 | 0:55:17 | |
Thank you for being so patient and don't be concerned, | 0:55:29 | 0:55:33 | |
I'm going to see a doctor now. | 0:55:33 | 0:55:34 | |
JULIAN PLAYING PIANO | 0:55:38 | 0:55:41 | |
Was that Louis? Is he on his way? | 0:55:45 | 0:55:48 | |
That was Louis... | 0:55:48 | 0:55:51 | |
he's not on his way. | 0:55:51 | 0:55:52 | |
Well, that is a disappointment, | 0:55:52 | 0:55:54 | |
we won't have a proper chance to say goodbye. | 0:55:54 | 0:55:57 | |
How strange that Louis isn't here, | 0:55:57 | 0:55:59 | |
I wouldn't have thought he'd want to miss this. | 0:55:59 | 0:56:02 | |
Stop playing, Julian! | 0:56:04 | 0:56:06 | |
Julian, will you stop playing? | 0:56:07 | 0:56:09 | |
GLASS TINKLING | 0:56:22 | 0:56:24 | |
I have my own toast to propose... | 0:56:27 | 0:56:29 | |
..to pay tribute... | 0:56:31 | 0:56:33 | |
to how everybody seems to be working for you now, Mr Masterson. | 0:56:33 | 0:56:38 | |
I'm not. Carla isn't. | 0:56:38 | 0:56:40 | |
Everybody that is, except for me, | 0:56:40 | 0:56:42 | |
and I'm sure that's how it should be | 0:56:42 | 0:56:44 | |
because I have no speciality of any kind | 0:56:44 | 0:56:47 | |
and am quite unqualified for regular work | 0:56:47 | 0:56:51 | |
but I am sure it is a wonderful thing to be working for Mr Masterson | 0:56:51 | 0:56:56 | |
and he will take care of my brother, I am sure, too, | 0:56:56 | 0:57:00 | |
in his career over the ocean... | 0:57:00 | 0:57:03 | |
I'll only be gone for a while. | 0:57:05 | 0:57:07 | |
..because my brother is a very sensitive person. | 0:57:07 | 0:57:10 | |
So...my toast... | 0:57:12 | 0:57:16 | |
What is my toast? | 0:57:17 | 0:57:18 | |
My toast is to you... | 0:57:20 | 0:57:21 | |
..I am sure you will all prosper in the ways that you want, | 0:57:23 | 0:57:27 | |
in what you've set your hearts on... | 0:57:27 | 0:57:29 | |
..by working for Mr Masterson... | 0:57:32 | 0:57:34 | |
..and to our benefactor, Mr Masterson! | 0:57:35 | 0:57:40 | |
Hear, hear. | 0:57:40 | 0:57:42 | |
Thank you, Pamela... | 0:57:47 | 0:57:48 | |
..for your generous speech. | 0:57:49 | 0:57:52 | |
and I'd just want to add, because we have an empty chair... | 0:57:52 | 0:57:56 | |
I'm sure that before this meal is over, Mr Lester will be joining us. | 0:57:56 | 0:58:02 | |
Well... | 0:58:02 | 0:58:03 | |
it's, erm, copy night at the magazine... | 0:58:03 | 0:58:08 | |
our last edition at the old place, | 0:58:08 | 0:58:11 | |
and though it has been put to bed, think I'll go back there. | 0:58:11 | 0:58:15 | |
No, no, no, Eric, I'll do this... | 0:58:15 | 0:58:17 | |
I just, er, feel the need. | 0:58:17 | 0:58:20 | |
Thank you. | 0:58:22 | 0:58:23 | |
Our last edition in the old place, Rosie! | 0:58:42 | 0:58:46 | |
I thought I'd take one more look. | 0:58:46 | 0:58:48 | |
It's just what Mr Wax is doing too. | 0:58:48 | 0:58:50 | |
Really? Didn't realise he was that sentimental. | 0:58:50 | 0:58:53 | |
Are you sure you're doing the right thing, Stanley? | 0:58:53 | 0:58:56 | |
Letting Mr Masterson buy our magazine. | 0:58:56 | 0:58:57 | |
Absolutely...without a doubt. | 0:58:57 | 0:59:01 | |
We'll have no control, at all. | 0:59:01 | 0:59:04 | |
We have to grow! Don't you see? | 0:59:04 | 0:59:08 | |
Rosie, this is going to change all our lives, | 0:59:08 | 0:59:10 | |
not just for a few months, for ever. | 0:59:10 | 0:59:12 | |
Subtitles by Red Bee Media Ltd | 1:00:33 | 1:00:36 |