Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
SAMBA DRUMMING | 0:00:02 | 0:00:05 | |
CROWD CHEERS | 0:00:25 | 0:00:27 | |
-Come on, come on! -Yeah, I'm coming. I AM watching, you know. | 0:00:37 | 0:00:41 | |
-The greatest performer of all time! -Thanks. | 0:00:41 | 0:00:45 | |
You don't know how lucky you are, you know. | 0:00:45 | 0:00:47 | |
Solly hasn't stepped foot on stage for ten years. AMAZING! | 0:00:47 | 0:00:51 | |
Where's the Chief? I don't want him to miss this. | 0:00:51 | 0:00:54 | |
He said he had to get some air. | 0:00:54 | 0:00:56 | |
-Air?! -HE TUTS | 0:00:56 | 0:00:58 | |
No, no, honestly, I'm fine, thank you. No, NO! No! | 0:01:04 | 0:01:08 | |
WOMAN SOBBING | 0:01:11 | 0:01:13 | |
-You're going to miss the show. -Yeah? Wouldn't that be terrible? | 0:01:19 | 0:01:22 | |
You know they say that a man who doesn't love music, | 0:01:28 | 0:01:30 | |
doesn't love life. | 0:01:30 | 0:01:32 | |
I'm waiting for a cup of tea. | 0:01:35 | 0:01:37 | |
They don't serve tea here. | 0:01:37 | 0:01:40 | |
-They told me they did. They took my money. -Oh, come on! | 0:01:40 | 0:01:43 | |
Dwayne will have a coronary if you miss this. | 0:01:43 | 0:01:46 | |
Think of it as a team-building exercise. | 0:01:48 | 0:01:51 | |
Richard, come on! | 0:02:02 | 0:02:05 | |
-Ah chief, you're just in time! -Well, this is fun(!) | 0:02:16 | 0:02:20 | |
Don't spoil it. | 0:02:20 | 0:02:21 | |
SHE LAUGHS | 0:02:21 | 0:02:23 | |
Look, here he comes. | 0:02:30 | 0:02:33 | |
Any minute now. | 0:03:01 | 0:03:02 | |
Sorry, what is it we're waiting for? | 0:03:02 | 0:03:05 | |
The singer, Solly, bursts out of the coffin. | 0:03:05 | 0:03:08 | |
Why? | 0:03:08 | 0:03:10 | |
It's show business. | 0:03:10 | 0:03:12 | |
Ladies and gentlemen. | 0:03:25 | 0:03:26 | |
THEY CHEER | 0:03:26 | 0:03:28 | |
-The one... -ALL: Yeah! | 0:03:28 | 0:03:30 | |
-The only... -ALL: Yeah! | 0:03:30 | 0:03:31 | |
Solomon... | 0:03:31 | 0:03:32 | |
Any minute now. | 0:03:32 | 0:03:34 | |
Solly...Jackson! | 0:03:34 | 0:03:36 | |
THEY CHEER | 0:03:36 | 0:03:37 | |
It's a trick... | 0:03:49 | 0:03:52 | |
just wait and see. | 0:03:52 | 0:03:53 | |
It has to be. | 0:03:53 | 0:03:55 | |
I thought you said it was show business? | 0:03:57 | 0:03:59 | |
WOMEN SCREAMING | 0:04:01 | 0:04:03 | |
OK, Honore Police, move back, thank you, thank you. | 0:04:03 | 0:04:07 | |
Convenient really, having your own coffin, ready and waiting. | 0:04:50 | 0:04:53 | |
Blood groupings show he was definitely killed inside it. | 0:04:53 | 0:04:56 | |
Close range, gunshot wound. You should have the area searched, | 0:04:56 | 0:04:59 | |
-see if anyone discarded the murder weapon anywhere. -Maybe in the coffin? | 0:04:59 | 0:05:02 | |
Well, no, no. That would be highly unlikely. | 0:05:02 | 0:05:06 | |
Ahem. | 0:05:06 | 0:05:07 | |
Or not. | 0:05:09 | 0:05:11 | |
Have Dwayne run it for prints. | 0:05:11 | 0:05:12 | |
Any idea what this is? | 0:05:15 | 0:05:17 | |
Maybe a good-luck charm? | 0:05:17 | 0:05:19 | |
Obviously didn't work, then. | 0:05:19 | 0:05:21 | |
It's, erm... | 0:05:25 | 0:05:26 | |
..strange the way he's been laid out, isn't it? With his arms folded. | 0:05:27 | 0:05:30 | |
At rest...in repose. | 0:05:30 | 0:05:33 | |
You don't do that unless you have a connection with someone. | 0:05:34 | 0:05:37 | |
Whoever did this must have known him. Cared about him. | 0:05:37 | 0:05:42 | |
Maybe even loved him. | 0:05:42 | 0:05:43 | |
They've got a funny way of showing it. | 0:05:45 | 0:05:47 | |
-I've been waiting for this day for ten years. -For, er, Solly to die? | 0:05:49 | 0:05:54 | |
No, no, for the band to get back together. | 0:05:54 | 0:05:57 | |
I've played with other groups since we split but... | 0:05:57 | 0:06:00 | |
when Curtis, Eddie and Solly was out there, oh! | 0:06:00 | 0:06:04 | |
It was magical. | 0:06:04 | 0:06:06 | |
-Why did the band break-up the first time? -I don't know. | 0:06:06 | 0:06:10 | |
You must have some idea. | 0:06:10 | 0:06:11 | |
No, I just hit the keys. I avoid all that stuff. | 0:06:11 | 0:06:14 | |
A couple of months back, Eddie, the bass player, called me up | 0:06:14 | 0:06:18 | |
and said Solly had finally agreed to do some new shows. | 0:06:18 | 0:06:21 | |
Some shows? So, this wasn't just a one-off? | 0:06:21 | 0:06:24 | |
Eddie had big plans for us, back in the studio, back on the road... | 0:06:24 | 0:06:29 | |
Would have been fun. | 0:06:31 | 0:06:32 | |
-When was the last time you saw Solly? -Hmm...backstage. | 0:06:32 | 0:06:36 | |
Just when we went to get ready. | 0:06:36 | 0:06:38 | |
Just make sure you boys can keep up with me. | 0:06:38 | 0:06:41 | |
OK? | 0:06:41 | 0:06:42 | |
Explain the coffin to me. | 0:06:46 | 0:06:48 | |
It was Solly's thing. | 0:06:48 | 0:06:49 | |
15 minutes before the show, he goes out and gets into the coffin, | 0:06:49 | 0:06:53 | |
pulls the lid and waits there to be taken onto stage. | 0:06:53 | 0:06:56 | |
And, erm, he went in there alone? | 0:06:56 | 0:06:59 | |
Nobody was allowed, Solly was very strict about it. | 0:06:59 | 0:07:03 | |
You could set your watch to it, 15 minutes... | 0:07:03 | 0:07:06 | |
Some things never change, I guess. | 0:07:08 | 0:07:09 | |
15 minutes, fellas! He'll be getting in there right now. | 0:07:09 | 0:07:12 | |
'We were all backstage together, Solly away on his own. | 0:07:12 | 0:07:17 | |
'The rest of us finally able to relax and have some fun.' | 0:07:17 | 0:07:22 | |
See, when we first started out, we were good, you know, | 0:07:22 | 0:07:25 | |
we were solid, but nobody came to see us. | 0:07:25 | 0:07:27 | |
We were just another band, we didn't stand out. | 0:07:27 | 0:07:29 | |
-So you came up with the coffin as a stage gimmick. -Solly did. | 0:07:29 | 0:07:32 | |
You can say what you like about the guy, | 0:07:32 | 0:07:34 | |
but he was a genius when it came to that side of things. | 0:07:34 | 0:07:37 | |
Played out the whole mystical angle. | 0:07:37 | 0:07:39 | |
Telling the press that he slept in it, | 0:07:39 | 0:07:41 | |
that that's where he got his voodoo force! | 0:07:41 | 0:07:43 | |
It had been ten years since we were out on stage. | 0:07:43 | 0:07:46 | |
So I guess he needed this time, now more than ever, | 0:07:46 | 0:07:49 | |
to get into character. | 0:07:49 | 0:07:51 | |
To do the things the way he always did. | 0:07:52 | 0:07:55 | |
I didn't believe a word of it. | 0:07:58 | 0:08:01 | |
Not then, not now. | 0:08:01 | 0:08:03 | |
The coffin, the whole 15 minutes alone. | 0:08:03 | 0:08:05 | |
He didn't need it. I think he just wanted to make sure | 0:08:05 | 0:08:08 | |
that we knew he was the boss. | 0:08:08 | 0:08:09 | |
That he was better than the rest of us. | 0:08:09 | 0:08:11 | |
So erm, there was, er, some resentment in the band towards him? | 0:08:11 | 0:08:17 | |
We spent years working hard to sell records, to make him famous, | 0:08:17 | 0:08:22 | |
but the more popular we got, the more Solly got distracted. | 0:08:22 | 0:08:25 | |
The drinks, the party, the woman. | 0:08:25 | 0:08:27 | |
He threw away his career - | 0:08:27 | 0:08:29 | |
all our careers. | 0:08:29 | 0:08:30 | |
-So, yeah, you can say there was some kind of resentment, yes. -Sorry... | 0:08:30 | 0:08:33 | |
do, do you think you could put that thing elsewhere while we talk to you, | 0:08:33 | 0:08:36 | |
it's, er...it's just a little distracting. | 0:08:36 | 0:08:39 | |
I am an ophiophilist. | 0:08:39 | 0:08:40 | |
It means I am fond of snakes. Smart creatures. Very loyal. | 0:08:42 | 0:08:46 | |
Even so... | 0:08:46 | 0:08:48 | |
-You'd rather I just let her run free? -Whoa! | 0:08:48 | 0:08:50 | |
No that's fine, that's fine, that's fine. | 0:08:50 | 0:08:52 | |
So quarter to nine, Solly goes to his coffin, to prepare for the show. | 0:08:52 | 0:08:56 | |
-Where were you? -With the rest of them, backstage, ready to go on. | 0:08:56 | 0:09:00 | |
I wasn't sure about the comeback, old wounds, | 0:09:00 | 0:09:04 | |
but there's no denying it, building up to that nine o'clock show time... | 0:09:04 | 0:09:09 | |
boy, it felt good to be back. | 0:09:09 | 0:09:11 | |
When the band start playing their first, erm, number... | 0:09:13 | 0:09:18 | |
it's your job to make sure the coffin appears on stage? | 0:09:18 | 0:09:21 | |
Two minutes into the music I go backstage, to get the coffin. | 0:09:21 | 0:09:25 | |
Break a leg, Solly! | 0:09:27 | 0:09:28 | |
I didn't know anything was wrong till I opened it up. | 0:09:28 | 0:09:30 | |
So you're the only one who had access to Solly? | 0:09:30 | 0:09:32 | |
-Officially, yes. -And erm... | 0:09:32 | 0:09:35 | |
where were you during the 15 minutes of his "alone time"? | 0:09:35 | 0:09:38 | |
Well, I was on stage, checking out the equipment. | 0:09:38 | 0:09:40 | |
You can ask anyone at the bar. | 0:09:40 | 0:09:42 | |
And as far as you know, nobody went to see him during that time? | 0:09:42 | 0:09:44 | |
Solly would have torn them off a strip, BUT Solly being Solly... | 0:09:44 | 0:09:48 | |
There can always been exceptions to the rules, like that girl. | 0:09:48 | 0:09:51 | |
Which girl? | 0:09:51 | 0:09:53 | |
I didn't know her name. | 0:09:53 | 0:09:54 | |
Been around for a week or so, said she was a photographer. | 0:09:54 | 0:09:58 | |
Pretty little thing, early 20s. | 0:09:58 | 0:10:01 | |
Solly was obviously very fond of her | 0:10:01 | 0:10:03 | |
cos he didn't shout or scream around her like he did with everybody else. | 0:10:03 | 0:10:07 | |
She even stopped by to see him this evening. | 0:10:07 | 0:10:09 | |
Right, do you remember what shoes she was wearing? | 0:10:09 | 0:10:12 | |
Any, any distinctive features? You know, plain shoes? | 0:10:12 | 0:10:16 | |
Or something a little more...ostentatious? | 0:10:16 | 0:10:20 | |
Quite a pronounced heel? | 0:10:20 | 0:10:21 | |
Maybe blue flowers on the front? | 0:10:23 | 0:10:24 | |
I didn't realise you were so interested in women's fashion. | 0:10:24 | 0:10:28 | |
I'm not! | 0:10:28 | 0:10:29 | |
-I'm simply trying to establish what shoes she was wearing. -Hm, I see. | 0:10:29 | 0:10:33 | |
Shoes are shoes, man, and with a smile like that, | 0:10:33 | 0:10:35 | |
you focus on her face. | 0:10:35 | 0:10:37 | |
That can't have been easy for his wife. | 0:10:37 | 0:10:39 | |
Solly running round with a younger girl. | 0:10:39 | 0:10:41 | |
Nothing Solly ever did was easy on other folk. | 0:10:41 | 0:10:46 | |
So, you're seriously telling me you weren't jealous of him spending time with a younger, prettier woman? | 0:10:46 | 0:10:50 | |
Which is what I would be asking Avita Jackson, | 0:10:51 | 0:10:54 | |
if YOU hadn't let her leave! | 0:10:54 | 0:10:58 | |
Sir, she was crying, she'd just lost her husband... | 0:10:58 | 0:11:00 | |
No, no, no, no, she hadn't lost him, he was murdered, | 0:11:00 | 0:11:03 | |
-which is all the more reason to keep her here. -OK, Chief. | 0:11:03 | 0:11:06 | |
I screwed up, I know. | 0:11:06 | 0:11:08 | |
Right... | 0:11:09 | 0:11:10 | |
Avita...the wife. | 0:11:10 | 0:11:14 | |
Eddie, bass player, architect of the comeback. | 0:11:14 | 0:11:17 | |
Curtis the guitarist, Renward the keyboard player | 0:11:17 | 0:11:19 | |
and Neville the roadie. | 0:11:19 | 0:11:22 | |
Each one has an alibi for the time of the murder. | 0:11:22 | 0:11:25 | |
Anyone know where the word alibi comes from? | 0:11:25 | 0:11:28 | |
No? Latin. | 0:11:28 | 0:11:31 | |
Somewhere else. | 0:11:31 | 0:11:32 | |
Locative of the word "alias" - | 0:11:33 | 0:11:35 | |
to pretend to be someone you're not! | 0:11:35 | 0:11:38 | |
Two questions. | 0:11:51 | 0:11:53 | |
Who was the mystery lady with pretty shoes? | 0:11:53 | 0:11:57 | |
Yes, but also... | 0:11:57 | 0:11:58 | |
-..why a gun? -There are better ways, quieter. | 0:12:02 | 0:12:05 | |
Exactly. | 0:12:05 | 0:12:06 | |
Where do you want this, Chief? | 0:12:06 | 0:12:08 | |
Ah! | 0:12:08 | 0:12:10 | |
Just what we need. | 0:12:10 | 0:12:11 | |
On the table, please. | 0:12:11 | 0:12:13 | |
Seen this? | 0:12:16 | 0:12:17 | |
Uh-hm... | 0:12:17 | 0:12:19 | |
A woman with impressively large breasts! | 0:12:19 | 0:12:22 | |
No, here, look. The pendant round his neck. | 0:12:23 | 0:12:26 | |
Oh, so... | 0:12:26 | 0:12:27 | |
the killer took it off and placed it in his hands. | 0:12:27 | 0:12:30 | |
OK, great, why? | 0:12:30 | 0:12:32 | |
I don't know. | 0:12:34 | 0:12:36 | |
Erm, good to go, Chief. | 0:12:37 | 0:12:39 | |
Do you want me to clear some space? | 0:12:39 | 0:12:41 | |
In case you get the urge to kick off your shoes and dance? | 0:12:41 | 0:12:44 | |
It's important that we profile the victim. | 0:12:44 | 0:12:47 | |
Family, friends, colleagues, | 0:12:47 | 0:12:48 | |
but in Solly's case we have the added benefit | 0:12:48 | 0:12:50 | |
of being able to learn about him from his own words. | 0:12:50 | 0:12:53 | |
His own songs. | 0:12:53 | 0:12:55 | |
Understand the man and you'll understand the murder. | 0:12:55 | 0:12:59 | |
LOUD GRIME MUSIC | 0:13:01 | 0:13:02 | |
# Wind up de gal With the voodoo style | 0:13:02 | 0:13:04 | |
# Wind up Wind up de gal | 0:13:04 | 0:13:06 | |
# With the goodness style | 0:13:06 | 0:13:07 | |
# Wind up de gal With the wickedest style... # | 0:13:07 | 0:13:09 | |
On second thoughts, Dwayne, perhaps it would be better | 0:13:09 | 0:13:12 | |
-if you listened to it, transcribe the lyrics for me. -No need. | 0:13:12 | 0:13:16 | |
Solly sang about two things. | 0:13:16 | 0:13:18 | |
Monsters and women. | 0:13:18 | 0:13:19 | |
There were some pretty weird-looking individuals at that show, | 0:13:19 | 0:13:22 | |
but, er, I think we can rule out any of them being ACTUAL zombies. | 0:13:22 | 0:13:25 | |
So what did he say about women? | 0:13:25 | 0:13:26 | |
Solly sang about being a bit of a playboy. | 0:13:26 | 0:13:29 | |
You know, man the hunter, women the prey. | 0:13:29 | 0:13:31 | |
Every girl a flower waiting to be plucked. | 0:13:31 | 0:13:34 | |
An uncharted map to be explored. | 0:13:34 | 0:13:37 | |
Yep, well, we get the picture, although, erm... | 0:13:37 | 0:13:40 | |
strictly speaking, there's no such thing as an uncharted map. | 0:13:40 | 0:13:42 | |
The whole point of cartography is to illuminate the unknown. | 0:13:42 | 0:13:45 | |
It's poetry. | 0:13:45 | 0:13:47 | |
You have no romance in your soul. | 0:13:47 | 0:13:50 | |
Either way, I think we can safely say Solly had an eye for the fairer sex. | 0:13:50 | 0:13:55 | |
Oh, Solly had his fun all right, all over town! | 0:13:55 | 0:14:00 | |
Despite being married. | 0:14:00 | 0:14:01 | |
For 20 years. | 0:14:01 | 0:14:02 | |
And seeing as certain members of the service saw fit to let her slip away yesterday... | 0:14:02 | 0:14:06 | |
..perhaps now we should see what the wife has to say for herself. | 0:14:08 | 0:14:11 | |
Ah! | 0:14:24 | 0:14:25 | |
Mrs Jackson? | 0:14:35 | 0:14:36 | |
Mrs Jackson? | 0:14:38 | 0:14:39 | |
Sorry for disturbing you. | 0:14:41 | 0:14:43 | |
You, er... | 0:14:44 | 0:14:46 | |
thinking of leaving? | 0:14:46 | 0:14:48 | |
-I'm Detective Inspector... -I know who you are. | 0:14:48 | 0:14:51 | |
I understand this is a difficult time for you. | 0:14:51 | 0:14:53 | |
-Would you mind if I saw your shoes? -Yes. | 0:14:53 | 0:14:56 | |
Won't take a second. | 0:14:56 | 0:14:58 | |
They're on my feet. | 0:14:58 | 0:15:00 | |
And there's another pair by the door. | 0:15:00 | 0:15:03 | |
Thank you. | 0:15:05 | 0:15:06 | |
Is there another item of clothing you'd like to see? | 0:15:06 | 0:15:09 | |
No, no. | 0:15:11 | 0:15:12 | |
Although I, er... | 0:15:12 | 0:15:13 | |
do notice you're throwing away those that belong to your husband. | 0:15:13 | 0:15:18 | |
He's good. Very observant. | 0:15:18 | 0:15:20 | |
There's no reason for me to hang on to them now. | 0:15:20 | 0:15:24 | |
You don't seem very upset. | 0:15:26 | 0:15:27 | |
Would you rather I was weeping and wailing on your shoulder? | 0:15:27 | 0:15:30 | |
Am I sorry he's gone? Yes. | 0:15:30 | 0:15:33 | |
Do I miss him? | 0:15:33 | 0:15:35 | |
I don't know yet. | 0:15:35 | 0:15:37 | |
Am I going to sit here and dwell on it? | 0:15:37 | 0:15:40 | |
I have too much to do before I go back to St Lucia. | 0:15:40 | 0:15:43 | |
Solly's wake to organise, and grief isn't going to help that. | 0:15:43 | 0:15:46 | |
-At the time of his death... -I was backstage. | 0:15:47 | 0:15:50 | |
Watching his band mates act like the little kids they are. | 0:15:51 | 0:15:54 | |
Do you know of anyone who might have wanted him dead? | 0:15:55 | 0:15:58 | |
I know people who didn't like him, but to kill him? | 0:15:58 | 0:16:01 | |
We suspect the murderer might be someone he knew, | 0:16:01 | 0:16:04 | |
someone close to him. | 0:16:04 | 0:16:06 | |
Are there any brothers, sisters, children? | 0:16:06 | 0:16:09 | |
Solly was an only child. and as for having little ones... | 0:16:09 | 0:16:14 | |
I thought about it, cried about it, but he wasn't interested. | 0:16:14 | 0:16:19 | |
Although, the other day, man looks round at me and says, | 0:16:19 | 0:16:24 | |
"It wouldn't have been the end of the world." | 0:16:24 | 0:16:27 | |
That was Solly. | 0:16:27 | 0:16:28 | |
Just when you think you've figured him out, | 0:16:28 | 0:16:31 | |
he'd find a new way to mess with your mind. | 0:16:31 | 0:16:33 | |
This, erm, pendant he wore... | 0:16:33 | 0:16:36 | |
-..did it have any particular significance for him? -Just Voodoo tat. Practically worthless. | 0:16:37 | 0:16:42 | |
My husband wore six-inch platform heels for a month in 1992. | 0:16:42 | 0:16:47 | |
He wanted to be noticed, any way he could. | 0:16:47 | 0:16:49 | |
Back when his voice was something worth listening to. | 0:16:49 | 0:16:53 | |
Scrape away the Obeah make-up, the costumes, the whole silly act, | 0:16:53 | 0:16:57 | |
when he started singing, he could break your heart. | 0:16:57 | 0:17:01 | |
-If -he wanted to. | 0:17:01 | 0:17:04 | |
I'm sure he got a lot of attention. | 0:17:04 | 0:17:06 | |
Certainly his music paints him as something of a womaniser. | 0:17:06 | 0:17:10 | |
Solly was a go-out, stay-out sort of man. | 0:17:10 | 0:17:12 | |
If he came home before sunrise, I never saw it | 0:17:12 | 0:17:15 | |
and what he did when he was out there - I never asked. | 0:17:15 | 0:17:19 | |
I never wanted to know. | 0:17:19 | 0:17:20 | |
But after all those years, out of the spotlight | 0:17:20 | 0:17:23 | |
the prospect of a comeback must have been quite distressing for you. | 0:17:23 | 0:17:27 | |
Perhaps you should say what you mean. | 0:17:27 | 0:17:29 | |
There was a girl seen hanging around this past week, do you know her? | 0:17:30 | 0:17:33 | |
I saw her. | 0:17:35 | 0:17:36 | |
OK, let's give Solly his space, come on, let's do this. | 0:17:36 | 0:17:40 | |
Smile. | 0:17:40 | 0:17:42 | |
-Do you think he was having an affair with her? -Do you think I want to answer these questions? -Sir. | 0:17:44 | 0:17:48 | |
I'm sorry, I know it's hard, but I have to ask. | 0:17:48 | 0:17:50 | |
I don't know. | 0:17:51 | 0:17:52 | |
Never the less, the prospect of a comeback... | 0:17:52 | 0:17:55 | |
..many more shows, many more crowds, many more women. | 0:17:56 | 0:17:59 | |
The thought of that must have made you very unhappy. | 0:17:59 | 0:18:02 | |
Unhappy enough to kill him, is what you mean. | 0:18:02 | 0:18:04 | |
-I'm simply trying to establish your state of mind at the time of the murder. -Oh. | 0:18:04 | 0:18:07 | |
Is that what you're trying to do? | 0:18:07 | 0:18:09 | |
You should watch your tone with the lady. | 0:18:09 | 0:18:11 | |
Avita. | 0:18:13 | 0:18:15 | |
This is a murder investigation, we have to follow all leads. | 0:18:21 | 0:18:23 | |
Her husband died yesterday. | 0:18:23 | 0:18:26 | |
She was with the rest of us when Solly got... | 0:18:28 | 0:18:31 | |
When he passed away. | 0:18:33 | 0:18:34 | |
We were all together, no matter how many questions you ask. | 0:18:34 | 0:18:38 | |
I'm so sorry. | 0:18:39 | 0:18:40 | |
Maybe we should let them be for the moment. | 0:18:42 | 0:18:44 | |
Right, yes. | 0:18:47 | 0:18:48 | |
We'll, erm, come back with any follow-up questions. Er... | 0:18:49 | 0:18:53 | |
Don't make any travel plans without letting us know. | 0:18:55 | 0:18:58 | |
What? | 0:19:23 | 0:19:25 | |
We think Solly was killed by someone close to him, right? | 0:19:25 | 0:19:28 | |
And yet everyone close to him has an alibi. | 0:19:28 | 0:19:30 | |
The gun in the coffin... | 0:19:30 | 0:19:32 | |
the body in repose, the pendant in the hand. | 0:19:32 | 0:19:35 | |
-There's got to be a reason behind all of these things. -Which is? | 0:19:35 | 0:19:39 | |
-Well, I don't know, I'm just saying. -Oh, I thought you had something. | 0:19:40 | 0:19:45 | |
No. | 0:19:45 | 0:19:47 | |
Oh, never mind. | 0:19:47 | 0:19:49 | |
Ha! | 0:20:36 | 0:20:37 | |
Pendant. | 0:20:39 | 0:20:41 | |
-What? -Show me the pendant, | 0:20:41 | 0:20:42 | |
the one that was found in Solly's hands. | 0:20:42 | 0:20:44 | |
-Gold, yeah? -Yes. -See, just like these ones. | 0:20:47 | 0:20:50 | |
Right? In the early albums. | 0:20:50 | 0:20:53 | |
Then in the last few, early to mid-'90s, he switched - | 0:20:53 | 0:20:56 | |
look - to silver. | 0:20:56 | 0:20:58 | |
Yes, but when he was killed... | 0:20:58 | 0:21:00 | |
Back to gold again. | 0:21:00 | 0:21:02 | |
-It's got to be significant. -Bad news. | 0:21:02 | 0:21:05 | |
Tried tracing the gun, came up with nothing. | 0:21:05 | 0:21:07 | |
-No serial number, no leads. Sorry, Chief. -And what about our mystery girl? | 0:21:07 | 0:21:11 | |
-Anything on her? -Sorry... -"Chief". Yeah, great. | 0:21:11 | 0:21:15 | |
Well, keep hitting the streets, asking people. | 0:21:15 | 0:21:18 | |
-It's not as if she's just going to walk in here and say... -Hello? | 0:21:18 | 0:21:22 | |
Ah, hello? | 0:21:24 | 0:21:26 | |
I'm Michelle Bouchant. I hear you've been looking for me. | 0:21:26 | 0:21:29 | |
Yes. | 0:21:30 | 0:21:32 | |
I'm Detective Inspector Richard Poole. | 0:21:32 | 0:21:35 | |
You have nice shoes. | 0:21:35 | 0:21:37 | |
Thank you. | 0:21:37 | 0:21:38 | |
Very nice. Distinctive. | 0:21:38 | 0:21:40 | |
So, you met Solly a few times? | 0:21:40 | 0:21:44 | |
I was doing a photo assignment on him. | 0:21:44 | 0:21:46 | |
-For a newspaper or magazine? -Uh, freelance. | 0:21:46 | 0:21:49 | |
You're not local? | 0:21:49 | 0:21:51 | |
No, well, sort of. My mother was. | 0:21:51 | 0:21:55 | |
We moved away when I was young. | 0:21:55 | 0:21:57 | |
Where were you before the show started last night? | 0:21:57 | 0:21:59 | |
I was just at the venue, waiting for it to kick off. | 0:21:59 | 0:22:04 | |
Didn't leave at all? | 0:22:04 | 0:22:06 | |
No. | 0:22:06 | 0:22:07 | |
May I? | 0:22:07 | 0:22:09 | |
There's more between you and Solly than a photo assignment. | 0:22:19 | 0:22:22 | |
Thank you. | 0:22:31 | 0:22:32 | |
She didn't do it. | 0:22:34 | 0:22:36 | |
-Why? -Too pretty. | 0:22:36 | 0:22:38 | |
-So you weren't at the venue when the band came on stage. -No. | 0:22:41 | 0:22:44 | |
It wasn't a question. It was a statement. I know you weren't - you were outside, crying. Why? | 0:22:44 | 0:22:49 | |
You know the "why" part? Means it's a question I'd like you to answer. | 0:22:51 | 0:22:54 | |
I was just...stressed. | 0:22:54 | 0:22:59 | |
-Huh? Really? Because of what, work? -Yes. | 0:22:59 | 0:23:01 | |
Of course. Yeah, your photo assignment. | 0:23:01 | 0:23:04 | |
You can see for yourself. | 0:23:04 | 0:23:06 | |
Not bad. | 0:23:10 | 0:23:13 | |
You have a decent eye. You also have a silver pendant that Solly wore round his neck | 0:23:13 | 0:23:17 | |
up until his death. | 0:23:17 | 0:23:18 | |
So, if you have his pendant, you must have been very close with him? | 0:23:18 | 0:23:22 | |
No, I only met him last week. | 0:23:22 | 0:23:24 | |
You were born in 1991? | 0:23:24 | 0:23:25 | |
-Yes. -The same year the album covers | 0:23:25 | 0:23:28 | |
show the pendant changing from gold to silver. | 0:23:28 | 0:23:31 | |
He gave the gold one away, didn't he? | 0:23:31 | 0:23:34 | |
To your mother. | 0:23:34 | 0:23:35 | |
Yes. | 0:23:36 | 0:23:37 | |
Solly was your father? | 0:23:37 | 0:23:39 | |
One for him and one for her. | 0:23:43 | 0:23:47 | |
They had swapped. | 0:23:47 | 0:23:48 | |
He gave her the gold pendant. He kept the silver one. | 0:23:48 | 0:23:51 | |
-And you switched them back when you killed him. -What!? | 0:23:51 | 0:23:54 | |
No, I didn't. | 0:23:54 | 0:23:55 | |
-You didn't switch them or didn't kill him? -I... I didn't kill him. | 0:23:55 | 0:23:59 | |
Then why switch the pendants? | 0:23:59 | 0:24:02 | |
Seemed only right. | 0:24:02 | 0:24:04 | |
To give him back the one that... she had kept for so long. | 0:24:06 | 0:24:11 | |
So you admit to being there? | 0:24:11 | 0:24:13 | |
I went to wish him luck | 0:24:16 | 0:24:19 | |
before he went out there. | 0:24:19 | 0:24:21 | |
He was so excited about doing another show. | 0:24:21 | 0:24:24 | |
Two months back, I didn't know anything about my father. | 0:24:26 | 0:24:28 | |
Name, face, nothing. | 0:24:28 | 0:24:32 | |
Then, my mother... | 0:24:32 | 0:24:35 | |
she gets sick. | 0:24:35 | 0:24:38 | |
She died, 12 days ago. | 0:24:39 | 0:24:42 | |
I came here because I didn't know where else to go, | 0:24:44 | 0:24:47 | |
thought I had no other family. | 0:24:47 | 0:24:49 | |
Did he mention anyone at all, | 0:24:49 | 0:24:51 | |
anyone who might have had a motive to kill him? | 0:24:51 | 0:24:54 | |
He wasn't killed. That's what hurt the most. | 0:24:54 | 0:24:57 | |
I'd just found him | 0:24:59 | 0:25:01 | |
and he said it made him feel complete. | 0:25:01 | 0:25:04 | |
And then for him to take his own life... | 0:25:06 | 0:25:09 | |
'I knew he'd been worried about the comeback, | 0:25:13 | 0:25:15 | |
'about whether he could still wow the crowds. | 0:25:15 | 0:25:19 | |
'But I never thought he'd do this.' | 0:25:19 | 0:25:20 | |
Solly, no! | 0:25:20 | 0:25:22 | |
'I should have run. | 0:25:22 | 0:25:24 | |
'I should have got help. But I didn't.' | 0:25:24 | 0:25:26 | |
I couldn't let them find him, not like that. | 0:25:27 | 0:25:31 | |
'Solly had said to me that when he went out, | 0:25:31 | 0:25:34 | |
'he wanted to be doing what he loved, out there, on stage. | 0:25:34 | 0:25:38 | |
'I'd just watched my mother pass away in some anonymous hospital, | 0:25:38 | 0:25:42 | |
'surrounded by people she didn't know.' | 0:25:42 | 0:25:45 | |
I wasn't going to let that happen to my father. | 0:25:45 | 0:25:47 | |
'As wrong as it was, | 0:25:47 | 0:25:51 | |
'it was also right. | 0:25:51 | 0:25:53 | |
'Out there, on stage. | 0:25:56 | 0:25:59 | |
'One last show.' | 0:25:59 | 0:26:02 | |
DEMENTED LAUGHTER | 0:26:02 | 0:26:05 | |
The gun, arms folded, pendant. | 0:26:06 | 0:26:08 | |
All accounted for. | 0:26:08 | 0:26:10 | |
Er, we'll need to keep the camera. | 0:26:12 | 0:26:16 | |
Photographs - potential evidence. | 0:26:16 | 0:26:18 | |
And the pendant. | 0:26:20 | 0:26:21 | |
HE SIGHS | 0:26:36 | 0:26:37 | |
I told you she didn't do it. | 0:26:39 | 0:26:41 | |
Yeah, based on the fact you think she's pretty. | 0:26:41 | 0:26:43 | |
Why? You think she isn't? | 0:26:43 | 0:26:46 | |
Dwayne, I'm married. | 0:26:46 | 0:26:48 | |
-So? -So? | 0:26:48 | 0:26:50 | |
Of course she is. But that's no reason to presume innocence. | 0:26:50 | 0:26:53 | |
Then I was right, then, wasn't I? | 0:26:53 | 0:26:55 | |
If you take her word for it. | 0:26:55 | 0:26:57 | |
-CATHERINE: -He's still pouting, then. | 0:26:57 | 0:27:00 | |
I'm not pouting. | 0:27:00 | 0:27:01 | |
Should be glad. Murder's a terrible thing. | 0:27:01 | 0:27:04 | |
Suicide isn't much better. | 0:27:04 | 0:27:06 | |
Either way, Solly would be pleased now. Man will become a legend. | 0:27:06 | 0:27:10 | |
Never grow any older. It's the dream of every star. | 0:27:10 | 0:27:14 | |
And he's definitely pouting. | 0:27:15 | 0:27:17 | |
I just don't believe it. | 0:27:19 | 0:27:21 | |
Chief, all the evidence! | 0:27:21 | 0:27:23 | |
Not to mention everyone close to him, | 0:27:23 | 0:27:25 | |
everyone who loved him, has a cast-iron alibi. | 0:27:25 | 0:27:28 | |
Something's not right. | 0:27:28 | 0:27:29 | |
Hello? | 0:27:32 | 0:27:34 | |
Oh. Thank you. Thank you very much. | 0:27:34 | 0:27:38 | |
The prints on the gun. | 0:27:38 | 0:27:39 | |
Not Solly's? | 0:27:39 | 0:27:40 | |
No. Only Solly's. | 0:27:40 | 0:27:42 | |
I know you're disappointed. | 0:27:45 | 0:27:47 | |
His little mystery solved already. | 0:27:47 | 0:27:49 | |
You think I'm wrong? | 0:27:49 | 0:27:51 | |
I didn't say that. | 0:27:51 | 0:27:52 | |
Chief, if you say it wasn't suicide, then I guess it wasn't. | 0:27:52 | 0:27:57 | |
Yeah, you're always right. | 0:27:57 | 0:27:59 | |
Well, one does one's best, yeah. | 0:27:59 | 0:28:01 | |
So, who did it, then? | 0:28:01 | 0:28:03 | |
Your mother's right. I am now officially pouting. | 0:28:03 | 0:28:06 | |
-Have they run a gunshot residue analysis on Solly's hand and clothes yet? -No. | 0:28:11 | 0:28:17 | |
Make sure they do it. Holding a gun is not the same as firing it. | 0:28:17 | 0:28:20 | |
As far as I'm concerned, this case isn't closed yet. | 0:28:23 | 0:28:27 | |
Work to be done. | 0:28:27 | 0:28:29 | |
I don't suppose you could put that into some sort of... | 0:28:29 | 0:28:31 | |
Never mind. | 0:28:31 | 0:28:33 | |
Come on! | 0:28:33 | 0:28:35 | |
I still can't believe I'm not going to hear his voice again. | 0:28:41 | 0:28:45 | |
-Yellin' at you. "Stay in time, man!" -HE CHUCKLES | 0:28:45 | 0:28:48 | |
We could keep going. | 0:28:53 | 0:28:56 | |
With the band? | 0:28:56 | 0:28:58 | |
I could sing. | 0:28:58 | 0:28:59 | |
Since when last you sing? | 0:28:59 | 0:29:01 | |
In the shower. | 0:29:01 | 0:29:04 | |
-A bit strange. -Hmm? | 0:29:06 | 0:29:08 | |
Just... | 0:29:09 | 0:29:11 | |
Solly gets offed. | 0:29:11 | 0:29:13 | |
And then there's you, all of a sudden, | 0:29:13 | 0:29:16 | |
wanting to be lead man. | 0:29:16 | 0:29:19 | |
-What are you saying? -Him not saying a thing. -No! | 0:29:19 | 0:29:23 | |
I want to know what Eddie means. Hmm? | 0:29:23 | 0:29:25 | |
Are you suggesting I had anything to do with Solly's death? | 0:29:25 | 0:29:29 | |
-He had more reason than me. -Don't even go there! | 0:29:31 | 0:29:34 | |
And what about you? | 0:29:34 | 0:29:35 | |
After all the time I spent getting this band back together... | 0:29:38 | 0:29:42 | |
Oh, so this is how it's going to be, huh? | 0:29:42 | 0:29:44 | |
Us, sitting here, throwing accusations at each other? | 0:29:44 | 0:29:48 | |
-Thanks! -Goodnight! | 0:29:53 | 0:29:55 | |
-Hello? -Hi. | 0:30:01 | 0:30:04 | |
They tell me this is the best place in town to get a drink? | 0:30:04 | 0:30:06 | |
They tell the truth. | 0:30:06 | 0:30:08 | |
Might I recommend the Planters Punch? | 0:30:08 | 0:30:12 | |
That's the most expensive drink here. | 0:30:12 | 0:30:15 | |
Oh, really? I hadn't noticed. | 0:30:15 | 0:30:17 | |
I'll give you a minute to decide. | 0:30:20 | 0:30:22 | |
No, don't worry. You get a discount. | 0:30:30 | 0:30:35 | |
Your father played here. Long time ago. | 0:30:37 | 0:30:41 | |
He told me. | 0:30:41 | 0:30:43 | |
That boy couldn't stay still for a second. | 0:30:43 | 0:30:46 | |
He'd be on his knees, climbing the walls. | 0:30:46 | 0:30:48 | |
Rolling around like the devil himself was tickling his bones. | 0:30:48 | 0:30:53 | |
And that it was for a handful of folk watching. | 0:30:53 | 0:30:56 | |
Imagine how bad he was | 0:30:56 | 0:30:59 | |
when the house was full. | 0:30:59 | 0:31:02 | |
Maman, the man wants a drink. | 0:31:02 | 0:31:04 | |
I know it's not easy. | 0:31:10 | 0:31:12 | |
-I lost my dad when I was six. -I'm sorry. | 0:31:14 | 0:31:17 | |
Was he ill for a long time or... | 0:31:17 | 0:31:19 | |
Oh, no, no. He's not dead. He just found a new family. | 0:31:19 | 0:31:22 | |
But you survived a long time without a father. You'll get by. | 0:31:24 | 0:31:27 | |
I almost wished I'd never met him. | 0:31:27 | 0:31:29 | |
He upset you? | 0:31:29 | 0:31:31 | |
He hurt my mother a lot | 0:31:31 | 0:31:34 | |
and I guess I was looking forward to... | 0:31:34 | 0:31:36 | |
Making him pay? | 0:31:36 | 0:31:37 | |
No. | 0:31:37 | 0:31:40 | |
Just... | 0:31:40 | 0:31:43 | |
making sure he understood what he'd done. | 0:31:43 | 0:31:46 | |
It doesn't matter now, does it? | 0:31:46 | 0:31:48 | |
Not going to happen. | 0:31:48 | 0:31:50 | |
It's over. | 0:31:51 | 0:31:53 | |
Not quite over. The investigation is still open. | 0:31:53 | 0:31:56 | |
We're not quite convinced it was suicide. | 0:31:56 | 0:31:59 | |
But if it wasn't... | 0:31:59 | 0:32:01 | |
-Do you think you'll find out who did it? -We'll do everything we can. | 0:32:04 | 0:32:07 | |
And I know DI Poole won't sleep until he's found out the truth. | 0:32:07 | 0:32:11 | |
GLASS SHATTERS | 0:32:37 | 0:32:39 | |
I warn you - | 0:32:57 | 0:32:59 | |
I'm armed and... | 0:32:59 | 0:33:00 | |
Well, I'm armed. | 0:33:02 | 0:33:04 | |
FLOORBOARDS CREAK | 0:33:04 | 0:33:06 | |
FLOORBOARDS CREAK | 0:33:19 | 0:33:22 | |
Somebody doesn't like you. | 0:33:44 | 0:33:46 | |
Indeed. | 0:33:46 | 0:33:47 | |
An ophiophilist. | 0:33:47 | 0:33:49 | |
Someone who loves snakes. | 0:33:49 | 0:33:52 | |
-Try and keep up, Dwayne. -Oh! Curtis, the guitarist. | 0:33:52 | 0:33:57 | |
You think it was a warning to stay away, stop the case? | 0:33:57 | 0:34:00 | |
We'll find out in the morning. | 0:34:00 | 0:34:02 | |
Do you want some company tonight? | 0:34:09 | 0:34:12 | |
In case they come back? | 0:34:12 | 0:34:14 | |
Well, that's very kind but, erm... | 0:34:15 | 0:34:18 | |
Just to warn you, I do snore. | 0:34:18 | 0:34:20 | |
Now, I don't mind sleeping on the sofa, | 0:34:20 | 0:34:22 | |
but I am told I'm very loud. | 0:34:22 | 0:34:25 | |
I'll be fine. | 0:34:26 | 0:34:28 | |
You're sure? | 0:34:31 | 0:34:33 | |
Oh, it was worth it, you know. | 0:34:38 | 0:34:41 | |
Just to see those pyjamas again. | 0:34:41 | 0:34:43 | |
-Sleep OK? -Of course. | 0:35:01 | 0:35:03 | |
Only, you did seem a little shaken last night. | 0:35:03 | 0:35:06 | |
No. Not at all. | 0:35:06 | 0:35:07 | |
It's just an Englishman never likes to have his sleep disturbed. | 0:35:07 | 0:35:11 | |
I've got something that will make you feel better. | 0:35:11 | 0:35:15 | |
Gunshot residue report. | 0:35:15 | 0:35:16 | |
-No sign of Solly having fired the gun. -Correct. | 0:35:22 | 0:35:25 | |
I knew it. | 0:35:25 | 0:35:27 | |
Well, I suspected it. | 0:35:27 | 0:35:29 | |
So we can definitely rule out suicide. Solly's death was murder. I think we should... | 0:35:29 | 0:35:33 | |
Argh! SHE CHUCKLES | 0:35:33 | 0:35:36 | |
Ow, wow! Very immature! | 0:35:36 | 0:35:40 | |
I'll have words with whoever did that. | 0:35:40 | 0:35:42 | |
There's only you and me here. | 0:35:42 | 0:35:44 | |
Well, I'm sorry, sir. You were saying we should... | 0:35:44 | 0:35:47 | |
Ask Curtis about his snake. SHE CHUCKLES | 0:35:47 | 0:35:51 | |
And why it ended up in my bungalow. | 0:35:53 | 0:35:55 | |
SHE CHUCKLES | 0:35:55 | 0:35:57 | |
-Excuse me? -Yeah. | 0:35:57 | 0:36:00 | |
Yeah, well, there's the house of a man who ran out of money. | 0:36:18 | 0:36:22 | |
Better be careful. We don't know how he'll react when cornered. | 0:36:22 | 0:36:25 | |
Curtis James? This is Detective Inspector Richard Poole. | 0:36:31 | 0:36:35 | |
What do you want? | 0:36:38 | 0:36:40 | |
-Do you mind if we see your snake for a moment? -Is that meant to be funny? | 0:36:41 | 0:36:44 | |
Not particularly. | 0:36:44 | 0:36:46 | |
She's been missing all night. I've been searching for her everywhere. | 0:36:49 | 0:36:54 | |
Sorry about the mess. | 0:36:56 | 0:36:58 | |
Been going crazy trying to find my girl. | 0:36:58 | 0:37:03 | |
Wait a minute. How did you know she was missing? | 0:37:05 | 0:37:08 | |
Because somebody placed it in my bungalow last night. | 0:37:08 | 0:37:11 | |
You've found her? | 0:37:11 | 0:37:12 | |
-Is she all right? -Yes, but that's not really the point. | 0:37:12 | 0:37:15 | |
-Oh, thank you very, very much. -No, no, you don't understand. | 0:37:15 | 0:37:19 | |
It was deliberately placed in my home. A dangerous animal. | 0:37:19 | 0:37:22 | |
Reptile, not animal. | 0:37:22 | 0:37:25 | |
And I have a licence... somewhere. | 0:37:25 | 0:37:29 | |
You're still failing to understand. | 0:37:29 | 0:37:31 | |
Look, under the circumstances, your anim... Your reptile | 0:37:31 | 0:37:34 | |
was used to threaten a police officer. | 0:37:34 | 0:37:37 | |
What, you're going to arrest me? But I haven't done anything. | 0:37:37 | 0:37:40 | |
Well, that remains to be seen. | 0:37:40 | 0:37:42 | |
Well, she's safe, right? My snake. | 0:37:42 | 0:37:44 | |
Definitely OK? | 0:37:44 | 0:37:46 | |
This woman in this photograph... | 0:37:47 | 0:37:50 | |
is that Avita? | 0:37:50 | 0:37:52 | |
You seem close. | 0:37:52 | 0:37:54 | |
We were. | 0:37:55 | 0:37:56 | |
-Before... -Before Solly? | 0:37:58 | 0:38:01 | |
Better come upstairs where you can get a little breeze. | 0:38:04 | 0:38:07 | |
You seemed very bitter about Solly when we spoke to you. | 0:38:07 | 0:38:10 | |
Even after you'd discovered he'd just died. | 0:38:10 | 0:38:13 | |
We were in a band. | 0:38:13 | 0:38:15 | |
Didn't mean we were family. | 0:38:15 | 0:38:18 | |
And it didn't mean I liked him. | 0:38:18 | 0:38:20 | |
Because of how things turned out with Avita? | 0:38:20 | 0:38:23 | |
When I met her, she wanted to be a singer. | 0:38:24 | 0:38:27 | |
I'd just joined Solly's band. | 0:38:28 | 0:38:32 | |
She used to do the odd show with us, you know. | 0:38:32 | 0:38:34 | |
Two of them out front, singing away, tearin' it up. | 0:38:34 | 0:38:38 | |
I didn't see it coming. | 0:38:40 | 0:38:42 | |
I was blind. | 0:38:42 | 0:38:44 | |
You never got over her? | 0:38:44 | 0:38:46 | |
Have you seen her? | 0:38:46 | 0:38:48 | |
Right. I think we've established that you like her. | 0:38:48 | 0:38:51 | |
So... | 0:38:51 | 0:38:53 | |
in a way, everything's worked out for you. | 0:38:53 | 0:38:56 | |
All right. Let's say I did it. | 0:38:56 | 0:38:57 | |
Say it's me kill him, yeah? | 0:38:57 | 0:39:01 | |
What would you do next, if you was me? | 0:39:01 | 0:39:03 | |
Act normal. | 0:39:03 | 0:39:05 | |
Go about my business, albeit a little sad, in mourning. | 0:39:05 | 0:39:08 | |
Would you drive to the investigating officer's house | 0:39:08 | 0:39:11 | |
and put a snake - a snake, you know - that was clearly tied to you | 0:39:11 | 0:39:15 | |
-through his door? -If I was incredibly stupid, I might. | 0:39:15 | 0:39:18 | |
Do I seem incredibly stupid to you, Detective Inspector? | 0:39:18 | 0:39:20 | |
I don't know you well enough to say for sure. You might be. | 0:39:20 | 0:39:24 | |
Or maybe you think someone else did it and you're trying to throw me off the scent. Like, er... | 0:39:24 | 0:39:30 | |
-maybe Avita? -No. | 0:39:30 | 0:39:32 | |
She didn't do it. | 0:39:32 | 0:39:35 | |
-You don't sound 100% sure. -All right, | 0:39:35 | 0:39:37 | |
-she was a little angry with Solly, but... -Angry? Why? | 0:39:37 | 0:39:40 | |
Because she'd found out he had a daughter? | 0:39:40 | 0:39:44 | |
Yes? | 0:39:45 | 0:39:47 | |
Then? | 0:39:48 | 0:39:50 | |
She's a good woman. | 0:39:50 | 0:39:52 | |
-Are you having an affair with Avita? -What?! | 0:39:52 | 0:39:55 | |
No, you weren't, were you? | 0:39:57 | 0:39:59 | |
All those looks - it's always been from afar. | 0:39:59 | 0:40:03 | |
For so long. | 0:40:03 | 0:40:04 | |
Did you know she feels the same way? | 0:40:05 | 0:40:07 | |
You really think so? | 0:40:08 | 0:40:09 | |
Oh, I saw the way she reacted when you came round to see her, | 0:40:09 | 0:40:14 | |
like everything was all right. | 0:40:14 | 0:40:17 | |
Yes, as beautiful as this is, you're still suspected of murder. | 0:40:18 | 0:40:21 | |
And for threatening and potentially harming a police officer. | 0:40:21 | 0:40:25 | |
Stop smiling! | 0:40:25 | 0:40:27 | |
You're still in a lot of trouble. | 0:40:27 | 0:40:29 | |
How much remains to be seen. | 0:40:29 | 0:40:31 | |
Camille? | 0:40:36 | 0:40:39 | |
Curtis has motive. Solly stole his girlfriend. Never moves on. | 0:40:46 | 0:40:50 | |
Has to watch his friend become a big star, | 0:40:50 | 0:40:53 | |
the woman he loves on Solly's arm. | 0:40:53 | 0:40:55 | |
Well, if only he didn't have an alibi. | 0:40:56 | 0:41:00 | |
I know. | 0:41:00 | 0:41:01 | |
Those 15 minutes Solly's alone - | 0:41:01 | 0:41:05 | |
I've checked all the witness statements. | 0:41:05 | 0:41:07 | |
The band, Avita - all together. | 0:41:07 | 0:41:12 | |
-Somebody's lying. -Yup! Someone is. | 0:41:12 | 0:41:15 | |
You're in love with Curtis! | 0:41:20 | 0:41:22 | |
-I'm sorry? -What he means to say is... -You love Curtis, he loves you. | 0:41:25 | 0:41:29 | |
-Does the fact that I'm recently widowed not mean anything to you? -So, you're not denying it, then? | 0:41:29 | 0:41:34 | |
You don't think I know where this is going? | 0:41:34 | 0:41:36 | |
Curtis already phoned me | 0:41:36 | 0:41:38 | |
and told me he said I knew about Michelle. | 0:41:38 | 0:41:40 | |
A fact you failed to mention to us. | 0:41:40 | 0:41:42 | |
So now you want to know was I was upset, hurt, | 0:41:42 | 0:41:46 | |
angry enough to kill him? | 0:41:46 | 0:41:47 | |
If you'd be so kind as to indulge me? | 0:41:47 | 0:41:51 | |
Yes... | 0:41:51 | 0:41:53 | |
yes... | 0:41:53 | 0:41:54 | |
no. | 0:41:54 | 0:41:55 | |
HE SIGHS | 0:41:58 | 0:41:59 | |
Did you still love Solly? | 0:42:01 | 0:42:02 | |
I don't know. | 0:42:04 | 0:42:05 | |
Do you think he was pleased to find out he had a child? | 0:42:05 | 0:42:08 | |
A daughter would mean responsibility. | 0:42:08 | 0:42:11 | |
We're talking about a man who burned his bills, so he didn't have to deal with them. | 0:42:11 | 0:42:15 | |
Michelle seems to think he was happy. | 0:42:15 | 0:42:18 | |
People put a brave face on things. | 0:42:18 | 0:42:22 | |
But if he was nice to her, she's lucky. | 0:42:22 | 0:42:26 | |
-Because he cared? -Because he died before she knew the man he was. | 0:42:26 | 0:42:29 | |
Or maybe she did see that side of him. | 0:42:29 | 0:42:33 | |
Poor girl. | 0:42:34 | 0:42:35 | |
-Is now a bad time? -Not at all. | 0:42:35 | 0:42:39 | |
Nice to see you all together. | 0:42:39 | 0:42:41 | |
We just wanted to finalise the details for Solly's wake. | 0:42:41 | 0:42:45 | |
Yeah, very conscientious. | 0:42:45 | 0:42:47 | |
We've known each other for 20 years. | 0:42:47 | 0:42:51 | |
What else did you expect? | 0:42:51 | 0:42:53 | |
It's natural they'd all come together at a time like this. | 0:43:00 | 0:43:04 | |
MUSIC ON STEREO PLAYS | 0:43:06 | 0:43:08 | |
DWAYNE HUMS ALONG | 0:43:11 | 0:43:14 | |
There's something we're missing. Got to be. | 0:43:14 | 0:43:17 | |
Maybe they were all in it together. | 0:43:17 | 0:43:18 | |
No - one of them would have cracked. Given something away. | 0:43:18 | 0:43:21 | |
OK, so, Avita - | 0:43:21 | 0:43:24 | |
angry at her husband for the child he never knew about. | 0:43:24 | 0:43:26 | |
Curtis - jealous of him for the years stolen with the girl he loved. | 0:43:26 | 0:43:30 | |
Michelle - her mother left to bring her up alone. | 0:43:30 | 0:43:32 | |
And the rest of the band... WILL YOU PLEASE TURN THIS RACKET OFF! | 0:43:32 | 0:43:36 | |
-Sir... -I can't work with this...noise! | 0:43:36 | 0:43:40 | |
HE SIGHS | 0:43:42 | 0:43:44 | |
-You're being too hard. -It's a police station, not a discotheque. | 0:43:51 | 0:43:54 | |
No, not on Dwayne. On yourself. | 0:43:54 | 0:43:56 | |
Sometimes you just have to relax, | 0:43:56 | 0:44:00 | |
go with the flow. | 0:44:00 | 0:44:01 | |
-Please tell me you didn't just say that. -I just mean | 0:44:03 | 0:44:06 | |
if you loosen up a little, you unwind, | 0:44:06 | 0:44:08 | |
things wouldn't be so tough. | 0:44:08 | 0:44:10 | |
-Yep. Music please, Dwayne! -Oh, come on, Sir. | 0:44:10 | 0:44:12 | |
No, I need to loosen up. I'm going to rip off all my clothes and limbo under a desk! | 0:44:12 | 0:44:16 | |
MUSIC STARTS What are you doing?! | 0:44:16 | 0:44:19 | |
-He was being sarcastic. -So, you want me to... -Yes! -No! | 0:44:19 | 0:44:23 | |
Come on, you've made your point. | 0:44:23 | 0:44:25 | |
This song. | 0:44:27 | 0:44:29 | |
The Serpent Swing. | 0:44:29 | 0:44:31 | |
-It's the one they play when Solly comes on stage, yeah? -Yes. | 0:44:31 | 0:44:34 | |
-I need to hear the version they played on the night. -This is it. | 0:44:34 | 0:44:38 | |
No, no. No, this is the studio version. I need the actual one, | 0:44:38 | 0:44:41 | |
the live one they played the night of the murder. | 0:44:41 | 0:44:43 | |
-Unless you have a time machine, that's going to be impossible. -HE LAUGHS | 0:44:43 | 0:44:47 | |
Nothing's impossible. | 0:44:47 | 0:44:49 | |
Fidel. | 0:44:49 | 0:44:51 | |
-Not long to go now, eh? -I know. | 0:44:56 | 0:44:58 | |
-Your very own bouncing bundle of joy. -I know. | 0:44:58 | 0:45:01 | |
-Nervous? -Well, actually the more you talk about it, yes. | 0:45:01 | 0:45:04 | |
-Thought of names? -We don't even know if it's a boy or girl. | 0:45:04 | 0:45:07 | |
-Juliet wants it to be a surprise. -Doesn't mean you can't get a head start on the name. | 0:45:07 | 0:45:11 | |
-There's so many different ones to choose from. -I suppose. | 0:45:11 | 0:45:14 | |
-Take my advice, yeah? Keep the name short. -Mm. -Punchy. -Mm. | 0:45:14 | 0:45:17 | |
Something like - oh, I don't know - Dwayne? | 0:45:17 | 0:45:21 | |
Hmm, OK, right. | 0:45:23 | 0:45:25 | |
How you doing, Ricky? | 0:45:25 | 0:45:27 | |
Fidel, grab it. We'll take this. | 0:45:27 | 0:45:30 | |
-God bless Solly! -You got any live stuff? | 0:45:30 | 0:45:33 | |
-We're looking for a bootleg of last night's show. -No, no. Be illegal. | 0:45:33 | 0:45:37 | |
We don't carry that. THEY ALL LAUGH | 0:45:37 | 0:45:40 | |
Now, you and I both know that isn't true. | 0:45:41 | 0:45:43 | |
So unless you want me to look for myself... | 0:45:43 | 0:45:45 | |
-Shame the show ended early the other night, huh? -Yeah. | 0:45:48 | 0:45:51 | |
MUSIC PLAYING THROUGH HEADPHONES | 0:45:55 | 0:45:57 | |
Look. I think he's getting into it. | 0:46:04 | 0:46:06 | |
What, the music? | 0:46:06 | 0:46:07 | |
He can't help it. | 0:46:07 | 0:46:09 | |
Even if it only lasts a few minutes, the rhythm gets to you. | 0:46:09 | 0:46:13 | |
THEY LAUGH | 0:46:13 | 0:46:14 | |
Not the Chief! | 0:46:14 | 0:46:16 | |
Not the Chief! Can you really imagine him getting on down, dancing away to it? | 0:46:16 | 0:46:20 | |
I can hear you, you know. | 0:46:20 | 0:46:22 | |
-Dwayne? -Chief? | 0:46:27 | 0:46:29 | |
In your professional opinion - on a scale of one to ten - | 0:46:29 | 0:46:32 | |
-how would you class Solly's band? -A ten. | 0:46:32 | 0:46:34 | |
Keep good time, perfect tune, rarely make mistakes? | 0:46:34 | 0:46:37 | |
I'd say never. | 0:46:37 | 0:46:38 | |
-Really? -Hmm. | 0:46:38 | 0:46:41 | |
Cos that's not what I'm hearing. Still, what do I know? | 0:46:41 | 0:46:45 | |
You're the big fan. | 0:46:45 | 0:46:48 | |
Now, let's see if they managed to hit the right notes on this, The Greatest Hits. | 0:46:48 | 0:46:53 | |
Hang on. When did you buy this? | 0:46:55 | 0:46:57 | |
At the market. When we picked up the live one. | 0:46:57 | 0:47:01 | |
This is an official release? | 0:47:01 | 0:47:03 | |
That's right. Came out yesterday. Apparently it's very popular. | 0:47:03 | 0:47:07 | |
-MOBILE RINGS -Sorry. Excuse me. | 0:47:07 | 0:47:10 | |
What do you think? | 0:47:11 | 0:47:13 | |
All his best tunes are here - JuJu Jamboree, | 0:47:16 | 0:47:19 | |
-oh, Stick A Spell On My Heart. -And? Nothing else? | 0:47:19 | 0:47:23 | |
No. | 0:47:23 | 0:47:25 | |
Oh, well, apart from the fact that | 0:47:26 | 0:47:29 | |
even considering how fast digital production is, | 0:47:29 | 0:47:32 | |
the band would have had to be pretty focused to get the CD burnt, | 0:47:32 | 0:47:37 | |
cover designed, printed, packaged and distributed | 0:47:37 | 0:47:41 | |
only one day after Solly's death. No, there's nothing else. | 0:47:41 | 0:47:45 | |
Fidel, well? | 0:47:48 | 0:47:51 | |
False alarm. | 0:47:51 | 0:47:52 | |
Juliet thought she was going into labour - trapped wind. | 0:47:52 | 0:47:56 | |
-You know for a moment there, I really thought the baby was coming early. -Whoa! | 0:47:56 | 0:48:00 | |
Whoa! Whoa, whoa, whoa! | 0:48:01 | 0:48:05 | |
-There's a time period in which you're expecting the baby to arrive, yeah? -Right. | 0:48:08 | 0:48:12 | |
And all things going to plan, that will happen. | 0:48:12 | 0:48:16 | |
Of course. | 0:48:16 | 0:48:18 | |
-OK, where's the rest of Michelle's photos? -On my desk. -OK. | 0:48:21 | 0:48:24 | |
HE LAUGHS | 0:48:32 | 0:48:34 | |
The drums start. | 0:48:41 | 0:48:43 | |
The bass comes in. The guitars. | 0:48:43 | 0:48:46 | |
The horns. | 0:48:46 | 0:48:47 | |
I have no idea what he's talking about. | 0:48:47 | 0:48:50 | |
It's a metaphor. | 0:48:50 | 0:48:51 | |
Right... I still have no idea. | 0:48:51 | 0:48:54 | |
It all starts to come together. | 0:48:54 | 0:48:57 | |
Separate pieces...becoming one. | 0:48:57 | 0:49:00 | |
-Fidel, one last job for you. You can meet us there. -Where? | 0:49:00 | 0:49:03 | |
We have a wake to attend. | 0:49:03 | 0:49:05 | |
You know, timing is everything. | 0:49:12 | 0:49:15 | |
-BANGING AND CLANGING -Sorry! | 0:49:15 | 0:49:17 | |
If you could join us... | 0:49:17 | 0:49:19 | |
-I just need to get everything ready for the wake. -Only take a minute. Or ten. | 0:49:19 | 0:49:23 | |
Ten golden minutes. | 0:49:25 | 0:49:27 | |
The window of opportunity the murderer used to kill Solly. | 0:49:27 | 0:49:30 | |
Taken by Michelle at 8:34, according to the camera, | 0:49:37 | 0:49:41 | |
on the night of Solly's murder. | 0:49:41 | 0:49:43 | |
And yet the dressing room clock in this same photograph... | 0:49:45 | 0:49:49 | |
..says it's 8:44. | 0:49:50 | 0:49:52 | |
8:34 in the camera, 8:44 on the dressing room clock. | 0:49:52 | 0:49:57 | |
Ten minutes. Here's a photograph I took of the dressing room clock | 0:49:57 | 0:50:01 | |
just before I came in here. | 0:50:01 | 0:50:03 | |
The same camera, same dressing room clock. | 0:50:03 | 0:50:06 | |
And the time on the dressing room clock? | 0:50:06 | 0:50:10 | |
11:55. | 0:50:10 | 0:50:12 | |
And the time on the camera? | 0:50:12 | 0:50:16 | |
11:55. | 0:50:17 | 0:50:19 | |
Thank you, Renward. | 0:50:19 | 0:50:21 | |
Hmm... | 0:50:22 | 0:50:24 | |
We were meant to believe that Solly died in the 15 minutes before he went onstage. | 0:50:24 | 0:50:28 | |
His "alone time". But he didn't. | 0:50:29 | 0:50:33 | |
Because someone changed the dressing room clock. | 0:50:33 | 0:50:38 | |
Unknown to Solly, he got into the coffin ten minutes early, | 0:50:39 | 0:50:42 | |
giving the killer time to do the job, | 0:50:42 | 0:50:45 | |
then slip away and join the others. | 0:50:45 | 0:50:46 | |
Leaving no-one any the wiser as to the fact that | 0:50:46 | 0:50:49 | |
Solly was already dead. | 0:50:49 | 0:50:51 | |
Hmm. That's interesting. | 0:50:52 | 0:50:56 | |
Now none of you has an alibi for the time of the murder. | 0:50:56 | 0:50:59 | |
So, who's the killer? | 0:51:00 | 0:51:02 | |
Curtis - broken hearted, jealous. | 0:51:05 | 0:51:09 | |
Eddie - | 0:51:11 | 0:51:12 | |
all that effort put into a reunion and Solly still ungrateful as ever. | 0:51:12 | 0:51:17 | |
Renward - | 0:51:17 | 0:51:18 | |
the man who loved the band. | 0:51:18 | 0:51:20 | |
Cast out for ten years, waiting on the whim of his singer. | 0:51:20 | 0:51:24 | |
Avita - | 0:51:24 | 0:51:26 | |
many women would have walked away a long time ago. | 0:51:26 | 0:51:29 | |
No-one could fault you for trying. Just as no-one could fault you | 0:51:29 | 0:51:33 | |
for finally breaking when you found out about the daughter. | 0:51:33 | 0:51:36 | |
Michelle - Solly walked out on your mother. | 0:51:36 | 0:51:40 | |
Didn't want to know, left her to bring you up alone. Can't have been easy. | 0:51:40 | 0:51:44 | |
-Everyone had a motive. -Uh, you missed someone. | 0:51:47 | 0:51:49 | |
-No. -Me. | 0:51:49 | 0:51:52 | |
-Well, you didn't do it. -I could have. | 0:51:52 | 0:51:54 | |
Really? What was your motive? | 0:51:54 | 0:51:56 | |
He owed me money? | 0:51:56 | 0:51:57 | |
-Did he? -No. | 0:51:57 | 0:52:00 | |
But...you're not wrong. | 0:52:00 | 0:52:02 | |
I mean, you're not the killer, but you have hit the big question. | 0:52:02 | 0:52:06 | |
Who stood to gain from Solly's death? | 0:52:06 | 0:52:10 | |
After all, the new CD's available | 0:52:10 | 0:52:12 | |
from all good market stalls and retailers now. | 0:52:12 | 0:52:15 | |
In fact, I, er, checked, and interestingly enough | 0:52:15 | 0:52:19 | |
it's going to make the Caribbean charts next week. Top ten. HE CLAPS | 0:52:19 | 0:52:23 | |
And why? | 0:52:27 | 0:52:28 | |
Because Solly is dead. | 0:52:28 | 0:52:30 | |
Precisely. | 0:52:30 | 0:52:32 | |
As career moves go, I understand it's one of popular music's finest. | 0:52:32 | 0:52:37 | |
Did, erm, Solly have life insurance? | 0:52:37 | 0:52:40 | |
He thought he was going to live forever. | 0:52:40 | 0:52:43 | |
Savings? | 0:52:43 | 0:52:44 | |
Surely a will? | 0:52:46 | 0:52:47 | |
So he leaves nothing but the music. And the royalties. | 0:52:50 | 0:52:55 | |
-Do you see any of those? -No. I just played guitar. | 0:52:55 | 0:52:58 | |
All royalties go to the songwriters, | 0:52:59 | 0:53:01 | |
which is Solly and... | 0:53:01 | 0:53:03 | |
..Eddie. | 0:53:06 | 0:53:08 | |
Never going to commit to a tour, was he? | 0:53:11 | 0:53:14 | |
New album - doubt it'd sell enough to cover the costs. | 0:53:14 | 0:53:19 | |
In fact, alive, he was worthless. | 0:53:19 | 0:53:23 | |
One last show. One last payday. | 0:53:23 | 0:53:27 | |
It was you who changed the time | 0:53:29 | 0:53:32 | |
on the dressing room clock. | 0:53:32 | 0:53:35 | |
Making Solly head off to the coffin early. | 0:53:35 | 0:53:38 | |
Fireworks were due to start around 8.35. | 0:53:39 | 0:53:43 | |
And so they did. Right on time. | 0:53:43 | 0:53:46 | |
Then, there you were, making sure you were noticed. | 0:53:56 | 0:53:59 | |
If anyone was asked what time they saw you, | 0:53:59 | 0:54:02 | |
it would be the same time that Solly was alone. | 0:54:02 | 0:54:04 | |
You knew Solly better than anyone. Knew he'd be in the coffin, | 0:54:04 | 0:54:07 | |
knew you'd have time to shoot him, make it look like suicide and be back with band | 0:54:07 | 0:54:12 | |
before anyone realised. Ready to go on stage. | 0:54:12 | 0:54:15 | |
And everything was going to plan. | 0:54:15 | 0:54:18 | |
Neville would fetch the coffin just after 9pm. | 0:54:19 | 0:54:23 | |
He'd find it open...Solly dead. | 0:54:23 | 0:54:25 | |
Suicide...Tragic. | 0:54:25 | 0:54:28 | |
Another casualty of rock 'n' roll. Another legend born. | 0:54:28 | 0:54:31 | |
Another album flying off the shelves. | 0:54:31 | 0:54:34 | |
You were so surprised when you saw that coffin arrive | 0:54:36 | 0:54:39 | |
you lost it for a moment, didn't you? WRONG NOTE | 0:54:39 | 0:54:41 | |
Should have been playing an A. You played an E flat. | 0:54:41 | 0:54:45 | |
So I hit a wrong note. | 0:54:53 | 0:54:55 | |
-It's not a crime. -No. | 0:54:55 | 0:54:57 | |
But murder is. | 0:54:57 | 0:54:59 | |
You love the limelight. | 0:55:01 | 0:55:02 | |
You can't just sit back, out of the way, can you? | 0:55:02 | 0:55:05 | |
When you find out it's a murder investigation, you plant a snake, | 0:55:05 | 0:55:09 | |
trying to implicate Curtis. | 0:55:09 | 0:55:11 | |
A move not unlike your songwriting - brash, unsubtle, clumsy. | 0:55:11 | 0:55:16 | |
So clumsy you didn't think to wipe your fingerprints off the dressing room clock when you changed the time. | 0:55:16 | 0:55:21 | |
That's right. | 0:55:21 | 0:55:22 | |
Got your sticky fingers all over it. | 0:55:22 | 0:55:26 | |
I've got a top-ten album. | 0:55:35 | 0:55:38 | |
What have you got, huh? | 0:55:38 | 0:55:40 | |
-You've got something else as well. -What? -This! | 0:55:40 | 0:55:43 | |
Been wanting to do that for years. | 0:55:43 | 0:55:45 | |
-Is there anyone in this band you DO like? -Everyone will remember me! | 0:55:45 | 0:55:50 | |
This is the story! You got a singer and a songwriter. | 0:55:50 | 0:55:54 | |
One's dead, one's a killer. I'm a legend! | 0:55:54 | 0:55:57 | |
I don't know about that. | 0:55:59 | 0:56:01 | |
You're just the bass player. | 0:56:02 | 0:56:05 | |
CARIBBEAN MUSIC | 0:56:05 | 0:56:06 | |
DEMENTED LAUGHTER | 0:56:16 | 0:56:18 | |
LOUD SLOW REGGAE MUSIC | 0:56:21 | 0:56:23 | |
Do you think they could turn this down a little? | 0:56:39 | 0:56:42 | |
I just don't see why it always has to be so loud. | 0:56:42 | 0:56:45 | |
So you can feel the rhythm. | 0:56:45 | 0:56:46 | |
In your head, your feet, your heart. | 0:56:46 | 0:56:49 | |
-No! -One song. And it's a slow one. | 0:56:56 | 0:56:59 | |
-I do not dance. -You've got a good ear. | 0:56:59 | 0:57:01 | |
-Only person who noticed that off-note in the song. -Ears aren't feet. | 0:57:01 | 0:57:05 | |
It's what Solly would have wanted. | 0:57:05 | 0:57:07 | |
HE SIGHS | 0:57:09 | 0:57:11 | |
-FASTER DANCE MUSIC STARTS -Richard! | 0:57:19 | 0:57:23 | |
I'd like you to stay. | 0:57:34 | 0:57:35 | |
I want to go home. | 0:57:35 | 0:57:36 | |
-Hi. -You want to come in for coffee? | 0:57:36 | 0:57:38 | |
-There has to be a connection. -I want to know if you think Dwayne killed her, yes or no? | 0:57:41 | 0:57:45 | |
-I'm simply doing things by the book. -Look, you don't get it - the man is a ghost. | 0:57:45 | 0:57:49 | |
Did she owe you money? | 0:57:53 | 0:57:55 | |
Would she be planning to escape from? | 0:57:55 | 0:57:57 | |
The Serious Organised Crime Agency, based in London. | 0:57:57 | 0:58:00 | |
Argh! | 0:58:00 | 0:58:02 | |
Subtitles by Red Bee Media Ltd | 0:58:21 | 0:58:24 | |
E-mail [email protected] | 0:58:24 | 0:58:28 |