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MUSIC: "Wonderful World, Beautiful People" by Jimmy Cliff | 0:00:01 | 0:00:04 | |
# Wonderful world, beautiful people | 0:00:04 | 0:00:09 | |
# You and your girl Things could be pretty | 0:00:09 | 0:00:14 | |
# But underneath this there is a secret | 0:00:14 | 0:00:19 | |
# That nobody can reveal. # | 0:00:19 | 0:00:22 | |
You know, I could swear this lot are still alive. | 0:00:27 | 0:00:30 | |
See, that one just winked at me. | 0:00:30 | 0:00:33 | |
We're police officers, Camille. | 0:00:33 | 0:00:34 | |
We should be out catching criminals, not dawdling about, | 0:00:34 | 0:00:38 | |
making polite chit-chat at some random fundraiser. | 0:00:38 | 0:00:41 | |
You want to save the coral reef, don't you? | 0:00:41 | 0:00:43 | |
Yeah, yeah of course. | 0:00:43 | 0:00:45 | |
Actually no... No, I don't, not if I have to do this. | 0:00:45 | 0:00:47 | |
Yeah, and seeing as this charity's all about saving sea creatures, | 0:00:47 | 0:00:50 | |
how come they're serving prawns, hmm? | 0:00:50 | 0:00:53 | |
Bit of a mixed message, don't you think? | 0:00:53 | 0:00:55 | |
That'll be him, then. | 0:01:18 | 0:01:19 | |
-Well, I'll go and meet him, I'll take him through to the study. -Yeah - good, good. Very good. | 0:01:19 | 0:01:24 | |
All right, sweetie? | 0:01:28 | 0:01:30 | |
Fine, yeah. It's a bloody good turn-out. | 0:01:30 | 0:01:33 | |
It's all going marvellously. | 0:01:33 | 0:01:35 | |
Hot? | 0:01:49 | 0:01:50 | |
So, you're here to save the coral reef, are you? | 0:01:54 | 0:01:57 | |
Well, actually, I'm here under protest. | 0:01:57 | 0:01:59 | |
Yeah, orders from on high. Apparently I am to "press the flesh". | 0:01:59 | 0:02:02 | |
Flesh which appears to be attached to some very, very dull people. | 0:02:02 | 0:02:06 | |
All while eating this dreadful food | 0:02:07 | 0:02:09 | |
and choking on the lukewarm vinegar masquerading as wine. | 0:02:09 | 0:02:13 | |
-How about you? -I'm the host. | 0:02:15 | 0:02:17 | |
Excuse me. | 0:02:17 | 0:02:18 | |
He's making his way to the study. | 0:02:25 | 0:02:27 | |
Right, good. Well, let's see what he's got to say for himself, then. | 0:02:27 | 0:02:31 | |
Just give me ten minutes and then come in and interrupt us, right? | 0:02:31 | 0:02:35 | |
-OK. -Good. | 0:02:35 | 0:02:36 | |
I trust you've been making friends, establishing new contacts? | 0:02:40 | 0:02:43 | |
-Well... -Yes, actually the inspector has just been talking to our host. | 0:02:43 | 0:02:47 | |
Excellent. | 0:02:47 | 0:02:49 | |
These charity things can be tedious, I know, but surprisingly useful | 0:02:49 | 0:02:52 | |
when it comes to negotiating our annual budget. | 0:02:52 | 0:02:56 | |
Most of the police committee are here. | 0:02:56 | 0:02:58 | |
And I'm sure the Inspector would love to meet all of them. | 0:02:58 | 0:03:01 | |
And so he shall. | 0:03:01 | 0:03:03 | |
Merci. | 0:03:09 | 0:03:11 | |
I said stay round the back! | 0:03:15 | 0:03:17 | |
All right! | 0:03:17 | 0:03:19 | |
-Hi. -Hi. | 0:03:25 | 0:03:27 | |
I'm Vicky Woodward. Mr Powell's Personal Assistant. | 0:03:27 | 0:03:30 | |
-Camille Bordey. -Hi. | 0:03:30 | 0:03:32 | |
GUNSHOT | 0:03:32 | 0:03:34 | |
God! | 0:03:38 | 0:03:41 | |
Oh! | 0:03:49 | 0:03:50 | |
Everybody move back, please. Move back. | 0:04:27 | 0:04:31 | |
SHE SOBS | 0:04:31 | 0:04:32 | |
I know who did this. | 0:04:35 | 0:04:36 | |
Jack Roberts. | 0:04:39 | 0:04:41 | |
CAR ENGINE STARTS | 0:04:41 | 0:04:42 | |
That's him! | 0:04:43 | 0:04:44 | |
Dwayne, listen to me, there's been a shooting at the Powells' house. | 0:04:58 | 0:05:01 | |
The suspect has just left in a silver Mercedes car. | 0:05:01 | 0:05:04 | |
I've got a partial registration - 062. | 0:05:04 | 0:05:06 | |
See if you can intercept it. | 0:05:06 | 0:05:08 | |
So? | 0:05:19 | 0:05:21 | |
Well, I can't find any signs of a struggle - | 0:05:21 | 0:05:24 | |
no bruising or lesions on the victim's skin | 0:05:24 | 0:05:26 | |
and there are no tissues or fibres underneath his fingernails. | 0:05:26 | 0:05:29 | |
Good, so he was clearly taken by surprise. | 0:05:29 | 0:05:32 | |
And no sign of the murder weapon? | 0:05:36 | 0:05:38 | |
No, sir. | 0:05:38 | 0:05:39 | |
MOBILE PHONE BLEEPS | 0:05:41 | 0:05:42 | |
-That's odd. -What? -Well, this air conditioning unit is on full blast, | 0:05:51 | 0:05:55 | |
but the window's wide open. | 0:05:55 | 0:05:57 | |
Sometimes people open a window just to get some fresh air. | 0:05:57 | 0:06:01 | |
Hmm. | 0:06:04 | 0:06:06 | |
Or maybe you think that's how the killer got away? | 0:06:06 | 0:06:08 | |
This Jack Roberts, he arranged today's meeting with the secretary, | 0:06:08 | 0:06:12 | |
-didn't he? -That's right. | 0:06:12 | 0:06:14 | |
Who in their right mind rings up to make an appointment to commit murder? | 0:06:14 | 0:06:18 | |
And even if they did, who arranges that meeting in the middle of a | 0:06:18 | 0:06:21 | |
charity fundraiser in broad daylight with crowds of people everywhere? | 0:06:21 | 0:06:24 | |
Maybe when he came here, he didn't intend to kill him. | 0:06:25 | 0:06:28 | |
They could have argued. | 0:06:28 | 0:06:29 | |
Right, let's get the paramedics in. I want everybody out of the house. I want it sealed off. | 0:06:33 | 0:06:37 | |
Only the victim's immediate family can stay - once their rooms have been checked. | 0:06:37 | 0:06:40 | |
Er, sir? Looks like he was planning a trip. | 0:06:40 | 0:06:44 | |
Maybe his secretary knows why. | 0:06:45 | 0:06:47 | |
-Fidel. -Sir? | 0:07:07 | 0:07:09 | |
Bullet. | 0:07:11 | 0:07:12 | |
Hmm. | 0:07:19 | 0:07:20 | |
You're Mr Powell's personal assistant? | 0:07:29 | 0:07:31 | |
Yes, I am. | 0:07:31 | 0:07:32 | |
This must be very distressing for you. Had you been with him long? | 0:07:32 | 0:07:35 | |
Just a little over seven years. | 0:07:35 | 0:07:37 | |
Three years here, four back in England. | 0:07:37 | 0:07:40 | |
And you arranged the meeting with Mr Powell and Jack Roberts? | 0:07:40 | 0:07:43 | |
-I did, yeah. -What can you tell us about him? | 0:07:43 | 0:07:45 | |
Er, well I've only spoken to him on the phone, until today. | 0:07:45 | 0:07:50 | |
Um, I saw him arrive, and I went out to his car and um, | 0:07:50 | 0:07:54 | |
I brought him back in the study to wait for Mr Powell. | 0:07:54 | 0:07:58 | |
What was the nature of their business? | 0:07:58 | 0:08:00 | |
Mr Powell didn't say, sorry. | 0:08:00 | 0:08:01 | |
I do know that he was very uneasy about the meeting - um, | 0:08:03 | 0:08:06 | |
like he didn't want to do it, but didn't have a choice. | 0:08:06 | 0:08:10 | |
He actually asked me to interrupt him after ten minutes. | 0:08:10 | 0:08:13 | |
I didn't get that chance. | 0:08:13 | 0:08:15 | |
If you arranged the meeting, then you must have some contact details? | 0:08:15 | 0:08:18 | |
I have a phone number. | 0:08:18 | 0:08:19 | |
-Please? -Yes. | 0:08:19 | 0:08:21 | |
And um... could you give us a description? | 0:08:21 | 0:08:23 | |
-Here we are. -Thank you. | 0:08:23 | 0:08:25 | |
He was white. Um, 35, 40 maybe, and quite a bit taller than me. | 0:08:25 | 0:08:31 | |
-Six foot? -At least. Yeah. Brown hair. | 0:08:31 | 0:08:34 | |
Brown eyes. | 0:08:34 | 0:08:35 | |
-Build? -Quite skinny. | 0:08:35 | 0:08:38 | |
What was he wearing? | 0:08:38 | 0:08:39 | |
A casual jacket. And jeans. | 0:08:39 | 0:08:42 | |
And black shoes. | 0:08:42 | 0:08:44 | |
-Would you know him if you saw him again? -Yes. Definitely. | 0:08:44 | 0:08:47 | |
Did anyone else see him? | 0:08:47 | 0:08:49 | |
No. Oh, well...actually, Mark may have done. | 0:08:49 | 0:08:54 | |
-Who's Mark? -Mark Grainger. He's one of our divers. He's staying at the house. | 0:08:54 | 0:08:58 | |
He needed some overtime. | 0:08:58 | 0:09:00 | |
He's working double shifts so he was at the marine reserve last night. | 0:09:00 | 0:09:04 | |
He was making his way upstairs as we went through the hall. | 0:09:04 | 0:09:08 | |
-Anyone else? -I don't know. | 0:09:10 | 0:09:12 | |
Um... I don't know who else was in the house. | 0:09:12 | 0:09:14 | |
Er, Duncan Wood, our gardener - he was outside, | 0:09:14 | 0:09:17 | |
so he may have seen him arrive. | 0:09:17 | 0:09:19 | |
OK, thank you. | 0:09:21 | 0:09:23 | |
Oh, there's one more thing. | 0:09:23 | 0:09:25 | |
We found this on Mr Powell's desk. | 0:09:25 | 0:09:28 | |
Yes, I made that booking. | 0:09:28 | 0:09:30 | |
A one-way ticket to the Cayman Islands? | 0:09:30 | 0:09:33 | |
Well, Mr Powell said it was charity business, | 0:09:33 | 0:09:35 | |
so he didn't know, you know, how long he was going to stay. | 0:09:35 | 0:09:38 | |
Thanks. | 0:09:41 | 0:09:42 | |
-That's all for now. -Thank you. | 0:09:42 | 0:09:44 | |
Um, Fidel? | 0:09:51 | 0:09:52 | |
-Fidel? -Sorry, I was just... | 0:09:54 | 0:09:57 | |
Yeah, you'd better get this description circulated | 0:09:57 | 0:09:59 | |
-and check on Dwayne. -Sure. | 0:09:59 | 0:10:01 | |
PHONE KEYPAD TONE | 0:10:04 | 0:10:06 | |
Straight to the voicemail. | 0:10:10 | 0:10:11 | |
Now there's a surprise. Can I borrow your finger? | 0:10:11 | 0:10:14 | |
Here. Come on. | 0:10:14 | 0:10:16 | |
Yes, thank you. | 0:10:18 | 0:10:20 | |
Right. OK, so the victim was what, five foot ten? Excuse me, thank you. | 0:10:20 | 0:10:24 | |
And er, shot through the heart. | 0:10:26 | 0:10:28 | |
So, the shot must have been fired... | 0:10:28 | 0:10:31 | |
..from round about... | 0:10:33 | 0:10:34 | |
..here. | 0:10:36 | 0:10:37 | |
Hmm, so the shot wasn't fired through the window. | 0:10:38 | 0:10:41 | |
Now, there are no scuff marks, | 0:10:44 | 0:10:45 | |
no sign of anyone having climbed through in a hurry, | 0:10:45 | 0:10:49 | |
no footprints in the flower bed outside, | 0:10:49 | 0:10:52 | |
so the question remains - why is it open? | 0:10:52 | 0:10:55 | |
I should talk to the other witnesses um, Mark Grainger and Duncan Wood. | 0:10:55 | 0:10:59 | |
Talk to the wife, too. See if she knew anything about this Jack Roberts and what the meeting was about. | 0:10:59 | 0:11:04 | |
And check with the phone company. | 0:11:04 | 0:11:06 | |
-See if they can track the number the secretary gave you. -OK. | 0:11:06 | 0:11:08 | |
Well, that's it really. This bloke pulled up in a car, Vicky met him | 0:11:20 | 0:11:24 | |
and took him inside. | 0:11:24 | 0:11:26 | |
Um, could you describe him? | 0:11:26 | 0:11:27 | |
-He looked a bit like my Uncle George. -Uh, that doesn't help. | 0:11:28 | 0:11:33 | |
Tall, skinny. Had like a blazer on. | 0:11:33 | 0:11:35 | |
-That's it? -Pretty much. | 0:11:36 | 0:11:38 | |
Oh, did you hear the gunshot? | 0:11:38 | 0:11:41 | |
-Look, it was hard not to. -Where were you exactly? | 0:11:41 | 0:11:44 | |
I nipped round to take a look at the party, when Vicky the rottweiler caught me. | 0:11:44 | 0:11:48 | |
I said, keep out the way. | 0:11:50 | 0:11:52 | |
I was heading back round to the pool when I heard the bang. | 0:11:52 | 0:11:56 | |
Then the guy in the silver car just flew past me like a bullet. | 0:11:56 | 0:11:59 | |
-And it was the same man you saw go in? -Yeah, it was the same man. | 0:11:59 | 0:12:02 | |
I'm telling you, Fidel, I know these roads like the back of my hand | 0:12:03 | 0:12:06 | |
and it's nowhere to be seen. He's either dumped the car or he's taken the mountain road inland | 0:12:06 | 0:12:11 | |
before doubling back somewhere. | 0:12:11 | 0:12:13 | |
OK, well, start heading back this way. | 0:12:13 | 0:12:15 | |
I've contacted the airport and the marina and I've circulated | 0:12:15 | 0:12:18 | |
his description - they're all on the look out - he can't get far. | 0:12:18 | 0:12:22 | |
Yeah, that's what they all say. I'll see you in a while. | 0:12:22 | 0:12:24 | |
All right. | 0:12:24 | 0:12:26 | |
Er, didn't pay much attention if I'm honest. People are coming and going all the time. | 0:12:26 | 0:12:30 | |
But you did see him? | 0:12:30 | 0:12:32 | |
Yeah, from the back. As they walked towards the study. | 0:12:32 | 0:12:35 | |
I said hello to Vicky and she turned round, but the bloke didn't. | 0:12:35 | 0:12:39 | |
Could you describe him? | 0:12:39 | 0:12:40 | |
Quite tall. Dark hair. Was wearing jeans, I think. | 0:12:40 | 0:12:44 | |
Sorry, don't suppose that's much help. | 0:12:47 | 0:12:49 | |
No, no, don't worry. That's all right. And when the shot was fired? | 0:12:49 | 0:12:53 | |
I was up in my room. I'd been at the centre checking on delivery of new equipment. | 0:12:53 | 0:12:57 | |
So I thought I'd get a quick shower and change of shirt before I joined the party. | 0:12:57 | 0:13:02 | |
I heard the bang, so I went out to the balcony. | 0:13:02 | 0:13:04 | |
You could tell from everyone's reaction it was something bad, so I just ran downstairs. | 0:13:06 | 0:13:11 | |
Have you ever heard Mr Powell talk about a Jack Roberts? | 0:13:11 | 0:13:15 | |
No. Sorry. | 0:13:15 | 0:13:17 | |
OK, thank you for your help. | 0:13:17 | 0:13:19 | |
Pleasure. | 0:13:19 | 0:13:21 | |
Listen, can I, er, can I be cheeky? | 0:13:22 | 0:13:24 | |
Excuse me? | 0:13:24 | 0:13:25 | |
Can I take you out for a drink? Tonight, maybe? | 0:13:27 | 0:13:29 | |
-I know this wicked little beach bar. -I don't think so. -You've got a boyfriend? | 0:13:29 | 0:13:33 | |
-No. -Then... -But I'm a police officer investigating a murder | 0:13:33 | 0:13:36 | |
and you're a potential witness. | 0:13:36 | 0:13:38 | |
Not the done thing. So it's not a no, then? | 0:13:38 | 0:13:41 | |
It's a what - maybe? | 0:13:41 | 0:13:43 | |
Still nothing from Dwayne? | 0:13:50 | 0:13:51 | |
No. It looks like our killer's vanished into thin air. | 0:13:51 | 0:13:55 | |
Talking of air, we'd better get some in that tyre. | 0:13:55 | 0:13:58 | |
Yeah, sure. | 0:13:58 | 0:13:59 | |
I've never even heard of this man. Who is he? | 0:14:20 | 0:14:22 | |
That's what we're trying to establish. | 0:14:22 | 0:14:24 | |
-You're sure your husband never mentioned him? -I'm sure. | 0:14:24 | 0:14:29 | |
And I... I didn't even know he had a meeting today. | 0:14:29 | 0:14:33 | |
He should have been at the party. | 0:14:33 | 0:14:35 | |
So you have no idea what this meeting might have been about? | 0:14:35 | 0:14:38 | |
No. Doesn't Vicky know? | 0:14:38 | 0:14:40 | |
She, um, she knows much more about his comings and goings than I do. | 0:14:40 | 0:14:46 | |
No. | 0:14:46 | 0:14:47 | |
There's nothing else you can tell us? | 0:14:49 | 0:14:52 | |
I can't believe he's gone. | 0:14:58 | 0:14:59 | |
So the wife didn't know what the meeting with Jack Roberts was about, either? | 0:15:02 | 0:15:07 | |
He's a man - of course he's keeping secrets from the women in his life. | 0:15:07 | 0:15:11 | |
A bit sexist? | 0:15:11 | 0:15:12 | |
Um, it's a fact. | 0:15:13 | 0:15:14 | |
All men lead secret lives away from their women. | 0:15:14 | 0:15:17 | |
And those men that don't, wish they did. | 0:15:17 | 0:15:19 | |
Well, I don't have secrets. | 0:15:19 | 0:15:20 | |
I've always regarded myself as being something of an open book. | 0:15:20 | 0:15:23 | |
Really? | 0:15:23 | 0:15:25 | |
Then what's in the metal tin in the top left hand drawer of your desk? | 0:15:25 | 0:15:30 | |
No-one can escape their past, can they? | 0:15:44 | 0:15:48 | |
CAR ENGINE STARTS | 0:15:48 | 0:15:49 | |
So, we're running checks on Jack Roberts. | 0:16:21 | 0:16:24 | |
Um... the mobile phone is switched off so they can't track it and | 0:16:24 | 0:16:28 | |
there's no record of him entering Saint Marie through immigration. | 0:16:28 | 0:16:32 | |
Well, er, he was very brazen. Perhaps he was a professional. | 0:16:32 | 0:16:36 | |
Yeah, or he could be local, or he came from one of the other | 0:16:36 | 0:16:38 | |
islands by private boat. I'm checking with the marina now. | 0:16:38 | 0:16:41 | |
So there are only four people who know of Jack Roberts. | 0:16:41 | 0:16:44 | |
Let's get our eye witnesses in front of a police artist, | 0:16:44 | 0:16:47 | |
see if we can get a sketch done. | 0:16:47 | 0:16:49 | |
And Fidel, run a full background check on Malcolm Powell, | 0:16:49 | 0:16:52 | |
see if you can find a link with Jack Roberts. | 0:16:52 | 0:16:55 | |
-Fidel? -Yes, sir? | 0:16:57 | 0:16:59 | |
-Background check. -Yes, sir, on who? | 0:16:59 | 0:17:02 | |
Were you listening to anything I said? | 0:17:03 | 0:17:05 | |
Yes, sir. Of course, it's just, if you, | 0:17:05 | 0:17:08 | |
if you could remind me, that's all. | 0:17:08 | 0:17:09 | |
-The victim? -Right away, sir. | 0:17:09 | 0:17:11 | |
What?! | 0:17:16 | 0:17:18 | |
-# I said yeah -I say yeah | 0:17:18 | 0:17:21 | |
-# It's what I say -It's what I say | 0:17:21 | 0:17:25 | |
-# I say yeah, my lord -I say yeah | 0:17:25 | 0:17:28 | |
-# It's what I say -It's what I say | 0:17:28 | 0:17:30 | |
# Let's take it up this time... # | 0:17:30 | 0:17:33 | |
Right, so Mr and Mrs Powell's assistant, Vicky Woodward, | 0:17:35 | 0:17:40 | |
meets this man at his car and leads him into the house. | 0:17:40 | 0:17:43 | |
Seen first by the gardener, Duncan Wood. | 0:17:43 | 0:17:46 | |
Then by Mark Grainger just as they're entering the study. | 0:17:46 | 0:17:49 | |
No-one else saw Jack Roberts. | 0:17:49 | 0:17:52 | |
Now, Vicky Woodward returns to the party to collect Mr Powell. | 0:17:52 | 0:17:55 | |
On their way back to the house, he instructs her to interrupt | 0:17:55 | 0:17:58 | |
the meeting after ten minutes had passed. | 0:17:58 | 0:18:01 | |
'Give me ten minutes then just come in and interrupt us.' | 0:18:01 | 0:18:03 | |
Miss Woodward then goes back to the party. | 0:18:03 | 0:18:05 | |
But before she can interrupt the meeting as requested, | 0:18:05 | 0:18:08 | |
this man shoots Mr Powell, gets into his car, and escapes. | 0:18:08 | 0:18:12 | |
Letting down our tyre before he goes, so we can't follow him. | 0:18:12 | 0:18:15 | |
Logic would suggest he left via the open window, but there was no physical evidence of that. | 0:18:15 | 0:18:19 | |
Did we find any fingerprints on the window frame? | 0:18:19 | 0:18:22 | |
Yes, um, but the only clear prints were Mr Powell's and Miss Woodward's. | 0:18:22 | 0:18:25 | |
Now, I do not believe he escaped through the open window, | 0:18:25 | 0:18:29 | |
I think he went out the way he came in. | 0:18:29 | 0:18:32 | |
Yet no-one saw him leave. Why? | 0:18:32 | 0:18:34 | |
Because that area of the house was empty, apart from Mr Powell | 0:18:34 | 0:18:37 | |
and his killer. Everyone else was at the party. | 0:18:37 | 0:18:40 | |
Oh! Except Mark Grainger, but he was upstairs. | 0:18:40 | 0:18:42 | |
-PHONE RINGS -Honore police station. -How do you know that? | 0:18:42 | 0:18:45 | |
I saw him myself - upstairs on the balcony seconds after the gunshot. | 0:18:45 | 0:18:50 | |
-What about the gardener? -He was outside as well on the other side of the house, | 0:18:50 | 0:18:53 | |
after talking to Vicky Woodward. | 0:18:53 | 0:18:55 | |
Sir! It's Dwayne. He's found something. | 0:18:55 | 0:18:58 | |
When nothing passed me, I knew he had turned off somewhere, | 0:19:19 | 0:19:23 | |
so I retraced the road back to the Powells' house. | 0:19:23 | 0:19:25 | |
Then a street trader told me he saw a silver car being | 0:19:26 | 0:19:29 | |
driven at speed, turning off down into the lane back there. | 0:19:29 | 0:19:32 | |
-Well done, Dwayne. -Thank you, Chief. | 0:19:36 | 0:19:38 | |
This is definitely it. | 0:19:38 | 0:19:40 | |
HE COUGHS | 0:19:49 | 0:19:50 | |
Do we, er, do we know how far we are from the house? | 0:19:51 | 0:19:54 | |
Less than half a mile. | 0:19:54 | 0:19:57 | |
It makes sense he'd ditch the car as soon as he could. He knew we were looking for him. | 0:19:57 | 0:20:00 | |
I want a fingertip search of the area. Let's see if he's dumped the murder weapon. | 0:20:00 | 0:20:04 | |
Chief. | 0:20:04 | 0:20:05 | |
Sir! | 0:20:05 | 0:20:07 | |
One set of footprints - and whoever it was, was dragging something. | 0:20:07 | 0:20:11 | |
A small boat? A dinghy maybe? | 0:20:11 | 0:20:13 | |
No, no, no, it'd be way too small. He couldn't get very far in that. | 0:20:13 | 0:20:17 | |
Right, so he dumps the car, burns it to destroy any evidence | 0:20:19 | 0:20:23 | |
and then, er, takes a small boat out to - what? | 0:20:23 | 0:20:26 | |
A bigger boat anchored in the bay? | 0:20:26 | 0:20:28 | |
Is that why he didn't mind being seen? He knew he'd be long gone? | 0:20:31 | 0:20:34 | |
This wasn't a spur-of-the-moment killing, | 0:20:35 | 0:20:37 | |
brought on by anger or the result of an argument. | 0:20:37 | 0:20:41 | |
This was a premeditated murder, | 0:20:41 | 0:20:43 | |
meticulously planned down to the last detail. | 0:20:43 | 0:20:45 | |
-Yep. -Chief! | 0:20:45 | 0:20:47 | |
Look. | 0:20:49 | 0:20:51 | |
It's those paper things they use to bind up bank notes. | 0:20:51 | 0:20:54 | |
Each one, 2,000. | 0:20:54 | 0:20:56 | |
And there's ten of them. | 0:20:56 | 0:20:57 | |
20,000. | 0:20:57 | 0:20:59 | |
How can we can check if there was a bigger boat in the area? | 0:21:06 | 0:21:09 | |
To get to this part of the island it must have passed the harbour | 0:21:09 | 0:21:13 | |
and the quayside. | 0:21:13 | 0:21:14 | |
OK, let's check it, if we can get a name of the boat, we can alert the coastguard. | 0:21:14 | 0:21:18 | |
Done. | 0:21:18 | 0:21:19 | |
OK, sir - I've checked everywhere by the car | 0:21:29 | 0:21:31 | |
and there is no sign of the murder weapon. | 0:21:31 | 0:21:34 | |
No, no, of course not. That'd be far too easy, wouldn't it? | 0:21:34 | 0:21:38 | |
Er, nothing about this case makes any sense. | 0:21:38 | 0:21:42 | |
-Go on. -Right, well the air conditioning was on full blast, | 0:21:42 | 0:21:45 | |
but the window was wide open. | 0:21:45 | 0:21:46 | |
Secondly, the killer clearly went to the Powell house to commit murder, | 0:21:46 | 0:21:50 | |
yet made no attempt to conceal his identity. | 0:21:50 | 0:21:53 | |
Just shot the victim through the heart, drove off in full view of everybody. | 0:21:53 | 0:21:56 | |
And why did he have 20,000 in cash? | 0:21:56 | 0:22:00 | |
Payment? If he was a professional? | 0:22:00 | 0:22:02 | |
Yeah, paid by whom? | 0:22:03 | 0:22:05 | |
I ran a full number plate of the car. It was stolen. | 0:22:05 | 0:22:10 | |
Something else that doesn't make any sense. | 0:22:10 | 0:22:12 | |
-Why? -Criminals steal cars to give them anonymity. | 0:22:12 | 0:22:16 | |
Our killer was happy to make an appointment in his own name! | 0:22:16 | 0:22:19 | |
You know, why not use his own car? Or simply hire one? | 0:22:19 | 0:22:21 | |
Why go to the trouble of stealing a car | 0:22:21 | 0:22:23 | |
and run the risk of getting caught? | 0:22:23 | 0:22:26 | |
Fidel, where are we up to on the background check on Malcolm Powell? | 0:22:26 | 0:22:30 | |
-Fidel! -Hmm? | 0:22:30 | 0:22:32 | |
What is the matter with you today? Every time I look at you, you're on that bloody phone! | 0:22:32 | 0:22:36 | |
-I'm sorry, sir. -Come on then, come on. What is it? | 0:22:36 | 0:22:38 | |
You've got some new app-game-twit-face feature that does your shopping for you, | 0:22:38 | 0:22:43 | |
-while totting up your bank account and telling you the weather in North Korea? -No, sir. | 0:22:43 | 0:22:47 | |
Well, what is it, then? | 0:22:47 | 0:22:48 | |
-It's my sergeant's exams. -Good, thank you! It's your sergeant's exams! Yes, good... | 0:22:48 | 0:22:53 | |
I didn't know that, did I? It's good. | 0:22:53 | 0:22:55 | |
I should be getting my results today. They said they'd call. | 0:22:55 | 0:22:57 | |
But I should be focusing on my work, not on that. | 0:22:57 | 0:23:00 | |
I'm sorry, I won't let it happen again. Unless they ring? | 0:23:00 | 0:23:03 | |
No, of course, thank you. | 0:23:03 | 0:23:05 | |
And er, yeah - I wouldn't worry, Fidel, | 0:23:12 | 0:23:14 | |
I'm sure you've passed with flying colours. | 0:23:14 | 0:23:17 | |
Thank you, sir. The Powell report is on your desk. | 0:23:17 | 0:23:20 | |
Thank you. Good work. | 0:23:20 | 0:23:22 | |
OK, so I checked the harbour office. | 0:23:23 | 0:23:26 | |
They didn't see any boats passing that way. I also spoke to the fishermen round there. | 0:23:26 | 0:23:29 | |
They have a clear view of the bay from where they sit. They didn't see anything either. | 0:23:29 | 0:23:33 | |
So he's still on the island? | 0:23:33 | 0:23:35 | |
So burning the car, the tracks to the water - | 0:23:35 | 0:23:38 | |
all an elaborate distraction. | 0:23:38 | 0:23:41 | |
But a distraction from what? What doesn't he want us to find? | 0:23:41 | 0:23:45 | |
-And why didn't he leave the island when he had the chance? -Another dead end. | 0:23:45 | 0:23:49 | |
I ran a check on the other islands. I've got 17 matches for | 0:23:49 | 0:23:53 | |
the name Jack Roberts. Only eight of those were in the right age range. | 0:23:53 | 0:23:57 | |
Two are dead, one is in prison and of the remaining five, | 0:23:57 | 0:24:01 | |
four are of Caribbean descent. | 0:24:01 | 0:24:03 | |
What about the other one? | 0:24:03 | 0:24:05 | |
Um, he lives in Antigua. | 0:24:05 | 0:24:06 | |
So? He could have come here by boat. | 0:24:06 | 0:24:08 | |
And he's also five feet four and weighs 23 stone. | 0:24:08 | 0:24:12 | |
Ah. | 0:24:13 | 0:24:15 | |
Right, OK, real name or not, | 0:24:16 | 0:24:18 | |
I want to know who gave Jack Roberts 20,000. | 0:24:18 | 0:24:22 | |
Why can't we just dust those bands for prints? | 0:24:22 | 0:24:25 | |
No, it's not possible. With porous paper like that, | 0:24:25 | 0:24:28 | |
only the labs in Guadeloupe will have equipment sensitive enough. | 0:24:28 | 0:24:31 | |
-So, no. -That's where you're wrong, Fidel. | 0:24:31 | 0:24:34 | |
Could someone be so kind as to buy me a tube of wart cream? | 0:24:34 | 0:24:38 | |
What? | 0:25:03 | 0:25:04 | |
What's that? | 0:25:06 | 0:25:07 | |
There's been an explosion up at the old mine | 0:25:07 | 0:25:09 | |
and you need to get help as fast as you can? | 0:25:09 | 0:25:12 | |
Everyone's a critic, eh? | 0:25:14 | 0:25:15 | |
So, you found your wart cream? | 0:25:36 | 0:25:38 | |
Which, as I'm sure you know, | 0:25:38 | 0:25:40 | |
contains one very useful active ingredient - silver nitrate. | 0:25:40 | 0:25:44 | |
Yeah, of course I knew. OK, go on - how does this experiment work? | 0:25:44 | 0:25:48 | |
Right. Well, the silver nitrate impregnates the soft paper | 0:25:48 | 0:25:51 | |
and reacts with the sweat in the fingerprints to form silver chloride. | 0:25:51 | 0:25:56 | |
So I started it last night and now the paper has dried out, it's er, | 0:25:56 | 0:26:00 | |
well, just a question of exposing the new compound to ultraviolet light. | 0:26:00 | 0:26:05 | |
If you'd like to hold that, please. | 0:26:05 | 0:26:07 | |
Because under UV light, | 0:26:07 | 0:26:10 | |
silver chloride fluoresces... | 0:26:10 | 0:26:12 | |
..revealing the prints. | 0:26:18 | 0:26:20 | |
-Any matches? -Yes, I have, er, yes, 33 clear prints | 0:26:20 | 0:26:26 | |
so far - all belonging to the same person. | 0:26:26 | 0:26:29 | |
-Who? -Malcolm Powell. | 0:26:30 | 0:26:32 | |
Why would Malcolm Powell be giving 20,000 to his killer? | 0:26:33 | 0:26:39 | |
Well, I did some company searches on his UK businesses last night, | 0:26:39 | 0:26:43 | |
and it seems that Malcolm Powell isn't quite the man | 0:26:43 | 0:26:46 | |
everyone's been telling us he is. | 0:26:46 | 0:26:49 | |
-Can I help you? -Yes. You can talk to me about Lindman Investments. | 0:27:02 | 0:27:06 | |
It was the main reason the Powells came here. | 0:27:08 | 0:27:11 | |
You know, the economic situation in the UK was awful, | 0:27:11 | 0:27:14 | |
everyone hating any kind of financial institution. | 0:27:14 | 0:27:17 | |
Especially a corrupt one. | 0:27:17 | 0:27:19 | |
The company ran into trouble. | 0:27:19 | 0:27:21 | |
He did what he did to save it. | 0:27:21 | 0:27:23 | |
The press called it a Ponzi scheme, but you know what? It was a lot more complicated than that. | 0:27:23 | 0:27:27 | |
But he still conned all his investors out of their money. | 0:27:27 | 0:27:30 | |
He paid for his mistakes. | 0:27:32 | 0:27:33 | |
You know, I doubt that escaping prosecution | 0:27:35 | 0:27:38 | |
and moving to the Caribbean was seen by everyone as justice. | 0:27:38 | 0:27:42 | |
He was truly sorry those people lost their money. | 0:27:42 | 0:27:45 | |
And Jack Roberts? | 0:27:45 | 0:27:47 | |
Oh, well... Jack Roberts started calling a few weeks ago. | 0:27:47 | 0:27:50 | |
He was demanding a meeting. | 0:27:50 | 0:27:52 | |
He was one of the UK investors for Lindman? | 0:27:52 | 0:27:55 | |
Um, yeah. He wouldn't give up. | 0:27:55 | 0:27:58 | |
He was threatening to expose him | 0:27:58 | 0:27:59 | |
and go to the press, and in the end, Mr Powell agreed to pay him off. | 0:27:59 | 0:28:04 | |
20,000. | 0:28:04 | 0:28:06 | |
How did you know that? | 0:28:08 | 0:28:10 | |
Never mind, carry on. | 0:28:10 | 0:28:13 | |
Well, Jack Roberts insisted on collecting the cash face-to-face. | 0:28:13 | 0:28:17 | |
-And that's what the meeting was about? -Uh-huh. | 0:28:17 | 0:28:19 | |
Why didn't you tell us any of this before? | 0:28:19 | 0:28:22 | |
It took Mr and Mrs Powell almost three years to build a new life for themselves here. | 0:28:22 | 0:28:26 | |
I guess I'm still trying to protect that. | 0:28:26 | 0:28:29 | |
Very well, that'll be all. Thank you. | 0:28:31 | 0:28:34 | |
Thank you. | 0:28:34 | 0:28:35 | |
Oh, no - one more thing. | 0:28:35 | 0:28:38 | |
How long have you been in a relationship with the gardener? | 0:28:38 | 0:28:41 | |
I don't trust her. | 0:28:45 | 0:28:46 | |
What, because she was having an affair with the gardener? | 0:28:46 | 0:28:50 | |
A bit prudish, isn't it? I thought you French were supposed to be the great romantics. | 0:28:50 | 0:28:54 | |
She's been his personal assistant for seven years. | 0:28:54 | 0:28:56 | |
She must have known what he was doing in the UK. | 0:28:56 | 0:28:58 | |
I think it's time to talk to the wife. | 0:29:02 | 0:29:04 | |
So? Anything? | 0:29:18 | 0:29:19 | |
No. I don't understand. They said they'd have the results today. | 0:29:19 | 0:29:22 | |
-But they'll phone? -Yes. | 0:29:22 | 0:29:25 | |
Or maybe send an email. Or even a letter. | 0:29:25 | 0:29:28 | |
But definitely today? | 0:29:28 | 0:29:29 | |
Yes - today, today, today... | 0:29:29 | 0:29:33 | |
Or tomorrow. Or maybe the day after that, I don't know, I'm not sure. | 0:29:33 | 0:29:36 | |
Whoa, whoa, whoa, whoa, whoa! so you mean to say, I have to suffer | 0:29:36 | 0:29:39 | |
two more days of you looking like a horse with a toothache? | 0:29:39 | 0:29:42 | |
I think I only slept one hour last night. | 0:29:42 | 0:29:44 | |
My stomach was all knotted up, I keep waking up in cold sweats, it's crazy. | 0:29:44 | 0:29:48 | |
You shouldn't let it get to you like this, man. | 0:29:48 | 0:29:52 | |
I know, Dwayne, but it's important. | 0:29:52 | 0:29:54 | |
Things have been tough since the baby arrived. | 0:29:54 | 0:29:56 | |
Juliet can't work, and well - well, money's tight. | 0:29:56 | 0:29:59 | |
-I could lend you some. -No, thank you but it's not just about that, | 0:30:00 | 0:30:03 | |
it's not just about the now, it's about the future. | 0:30:03 | 0:30:06 | |
You know, being a man. Being able to provide for my family. | 0:30:06 | 0:30:09 | |
Fidel, you don't need money to be a great dad | 0:30:09 | 0:30:13 | |
and you don't need sergeant stripes either. | 0:30:13 | 0:30:16 | |
Yes, OK it's not just that, it's... | 0:30:16 | 0:30:20 | |
I want Juliet to be proud of me as well. | 0:30:20 | 0:30:22 | |
Fidel, she already is. | 0:30:22 | 0:30:24 | |
You think? | 0:30:25 | 0:30:27 | |
I know. | 0:30:27 | 0:30:28 | |
Yeah. | 0:30:31 | 0:30:32 | |
You want a man hug? | 0:30:34 | 0:30:36 | |
-A what?! -Come here, man! | 0:30:36 | 0:30:38 | |
I knew it would be something like this. | 0:30:46 | 0:30:49 | |
You can't just steal people's money and walk away. | 0:30:49 | 0:30:51 | |
Mrs Powell. We believe that before he died, your husband tried to buy | 0:30:51 | 0:30:55 | |
Jack Roberts off. D'you know anything about that? | 0:30:55 | 0:30:58 | |
No, of course not! | 0:30:59 | 0:31:00 | |
Were you aware that he had 20,000 in cash? | 0:31:02 | 0:31:04 | |
No, but I wouldn't be. | 0:31:06 | 0:31:07 | |
There was always cash lying around the house. | 0:31:09 | 0:31:14 | |
Malcolm was an old barrow boy. He preferred it, | 0:31:14 | 0:31:17 | |
said it was easier to keep track of. | 0:31:17 | 0:31:19 | |
When did you know his investment company was a scam? | 0:31:21 | 0:31:24 | |
The same time as everybody else. | 0:31:26 | 0:31:28 | |
I was horrified and not just because of what he'd done, | 0:31:29 | 0:31:32 | |
but because he'd kept it from me. | 0:31:32 | 0:31:34 | |
It was a tough time for us. | 0:31:36 | 0:31:39 | |
Our marriage only survived | 0:31:39 | 0:31:40 | |
because he agreed to come out here three years ago and... | 0:31:40 | 0:31:45 | |
I know what you must think. | 0:31:45 | 0:31:47 | |
But my husband was a good man - he was a kind man. | 0:31:47 | 0:31:51 | |
And the charity was testament to that. | 0:31:51 | 0:31:54 | |
He just... | 0:31:54 | 0:31:55 | |
he just took a wrong turn and...and couldn't find his way back. | 0:31:57 | 0:32:00 | |
Good morning, sir. | 0:32:04 | 0:32:05 | |
Oh, I got the interim report back from the pathologist. | 0:32:05 | 0:32:09 | |
All right, so Malcolm Powell was killed by a 9mm bullet that | 0:32:09 | 0:32:12 | |
pierced his heart - it was the right ventricle - | 0:32:12 | 0:32:14 | |
and the striations to the flesh around the wound suggest | 0:32:14 | 0:32:17 | |
that the gun was held directly at his body when it was fired. | 0:32:17 | 0:32:20 | |
Sounds like an execution to me. | 0:32:20 | 0:32:22 | |
Right. And I also contacted the Serious Organised Crime Agency | 0:32:22 | 0:32:25 | |
back in the UK about Lindman Investments. | 0:32:25 | 0:32:27 | |
Now, they seem to think that up to £18 million was | 0:32:27 | 0:32:30 | |
taken from investors before the company collapsed | 0:32:30 | 0:32:32 | |
and not all of it was found either. | 0:32:32 | 0:32:34 | |
They think Malcolm Powell had it? | 0:32:34 | 0:32:36 | |
Well, if he did, they didn't find anything. | 0:32:36 | 0:32:39 | |
So, who was our victim, hmm? | 0:32:40 | 0:32:44 | |
An inept businessman who simply took a wrong turn? | 0:32:44 | 0:32:48 | |
Here in Saint Marie to rebuild his life, | 0:32:48 | 0:32:50 | |
make amends with his charity work? | 0:32:50 | 0:32:54 | |
-Or a crook? -Hmm, a crook. | 0:32:54 | 0:32:56 | |
Well, you know what they say, a leopard never changes its spots. | 0:32:56 | 0:33:00 | |
Yeah, Fidel, I want you to go to the bank. | 0:33:00 | 0:33:02 | |
Check all the accounts held there in either Powell's or his wife's name. | 0:33:02 | 0:33:06 | |
In particular, | 0:33:06 | 0:33:07 | |
I want you to look at the statements for the Marine Reserve. | 0:33:07 | 0:33:10 | |
If you would, follow the money! | 0:33:11 | 0:33:13 | |
Yes, sir! | 0:33:13 | 0:33:15 | |
-Camille. -Yes. | 0:33:15 | 0:33:16 | |
See if you can get the police reports. | 0:33:16 | 0:33:18 | |
Get a list of all the people who lost money in Lindman Investments. | 0:33:18 | 0:33:22 | |
OK. | 0:33:22 | 0:33:23 | |
-We have a problem. -What? | 0:33:25 | 0:33:27 | |
I've just spoken to Lucille. | 0:33:27 | 0:33:29 | |
She's a systems coordinator on the fifth floor of Government House. | 0:33:29 | 0:33:32 | |
We had a little thing going on last year, nothing serious, | 0:33:32 | 0:33:35 | |
just a bit of summer loving and some windsurfing... | 0:33:35 | 0:33:38 | |
Yes, all right, Dwayne, thank you. spare us the gory details, if you would. | 0:33:38 | 0:33:41 | |
Yes, of course, sir. Anyway, the fifth floor is where the exam | 0:33:41 | 0:33:44 | |
board is, and I asked her to check on the sergeant's exam results. | 0:33:44 | 0:33:47 | |
Dwayne! That is completely unethical. | 0:33:47 | 0:33:50 | |
-What did she say? -That they were posted out this morning. | 0:33:51 | 0:33:54 | |
-Posted? -And the post office is closed for the weekend. | 0:33:54 | 0:33:57 | |
Did she say whether he'd passed? | 0:33:57 | 0:33:59 | |
She hasn't got a clue. And neither will he until Monday now. | 0:33:59 | 0:34:02 | |
I checked the list of investors for Lindman UK | 0:34:11 | 0:34:14 | |
and I've found a Jack Roberts. | 0:34:14 | 0:34:17 | |
He lost everything he had. | 0:34:17 | 0:34:18 | |
Ah! At last. Something that makes sense. | 0:34:18 | 0:34:20 | |
No, not exactly. | 0:34:20 | 0:34:22 | |
He disappeared. Three years ago, a boating accident - | 0:34:22 | 0:34:26 | |
he fell from his yacht in La Manche. | 0:34:26 | 0:34:28 | |
Oh, right - the English Channel. | 0:34:28 | 0:34:29 | |
-La Manche. -Yeah, it's what I said. The English Channel. | 0:34:29 | 0:34:32 | |
-Why is it English? -I don't know really, but it's called the English Channel. | 0:34:32 | 0:34:35 | |
-Was his body found? -No. Still listed as missing, presumed dead. | 0:34:35 | 0:34:39 | |
I've got it! You were right to make me follow the money. | 0:34:42 | 0:34:45 | |
-What have you found? -Well, firstly, it seems Mr Powell took out | 0:34:45 | 0:34:48 | |
cash from his personal account regularly, 2,000 at a time. | 0:34:48 | 0:34:51 | |
His wife said he liked to carry cash. | 0:34:51 | 0:34:53 | |
-Yes, but then I checked the marine reserve account. -And? | 0:34:53 | 0:34:56 | |
All cleared out, two days ago. | 0:34:56 | 0:34:58 | |
Up to 3 million was wired into a bank | 0:34:58 | 0:35:00 | |
account in the Cayman Islands. Look. | 0:35:00 | 0:35:01 | |
Which explains the plane ticket we found. He was going to leave the country. | 0:35:01 | 0:35:05 | |
-Once a crook, always a crook! -Exactly. -Hold on. This doesn't make any sense. | 0:35:05 | 0:35:08 | |
We've been assuming Jack Roberts killed Malcolm Powell because of money he lost three years ago. | 0:35:08 | 0:35:13 | |
And now we discover that Jack Roberts is dead. | 0:35:13 | 0:35:15 | |
-What? -Yes. -According to this, we have five witnesses who saw him | 0:35:15 | 0:35:18 | |
swept overboard into the English Channel. | 0:35:18 | 0:35:20 | |
-La Manche. -Just ignore it. | 0:35:20 | 0:35:22 | |
Two others dived in to try and rescue him. | 0:35:22 | 0:35:25 | |
So if Jack Roberts is not our killer, | 0:35:25 | 0:35:28 | |
what if it's someone using his name to avenge him? | 0:35:28 | 0:35:31 | |
But why make an appointment to do it for the middle of a charity party? | 0:35:31 | 0:35:34 | |
In broad daylight - surrounded by so many people? | 0:35:34 | 0:35:36 | |
Someone who wants to be caught? | 0:35:36 | 0:35:38 | |
Ah! | 0:35:39 | 0:35:40 | |
That is the paradox right at the heart of the case, isn't it? | 0:35:44 | 0:35:47 | |
The only logical reason to kill someone during a daylight party is | 0:35:47 | 0:35:51 | |
because you want to be seen and yet, no-one saw him commit the murder. | 0:35:51 | 0:35:54 | |
Maybe that's it. The identity of the killer seemed so obvious, we just accepted it, | 0:35:58 | 0:36:03 | |
we didn't question it. Right, when you hit a dead end, throw out everything you think you know | 0:36:03 | 0:36:07 | |
and start again. So, if we dismiss Jack Roberts as a possible suspect for the moment, | 0:36:07 | 0:36:12 | |
who else could have killed Malcolm Powell? | 0:36:12 | 0:36:14 | |
At the precise moment the shot was fired, where was everyone? | 0:36:14 | 0:36:17 | |
The gardener - Duncan Wood - he was in plain view. Could he be the killer? | 0:36:19 | 0:36:22 | |
-Absolutely not. -The same goes for Vicky Woodward. | 0:36:22 | 0:36:25 | |
GUNSHOT | 0:36:25 | 0:36:26 | |
Right, Mark Grainger appeared on the balcony above the study, | 0:36:26 | 0:36:30 | |
seconds after the gunshot, so he couldn't have done it, either. | 0:36:30 | 0:36:34 | |
Statements indicate Mrs Powell wasn't actually seen | 0:36:34 | 0:36:36 | |
when the shot was fired. | 0:36:36 | 0:36:38 | |
We only saw her when we arrived at the house. | 0:36:38 | 0:36:40 | |
I think she genuinely loved him. She would be the last on my list. | 0:36:40 | 0:36:44 | |
In a case of paradoxes, maybe that makes her the most likely. | 0:36:44 | 0:36:48 | |
No, no, no, no, no, no - there's something else, isn't there? | 0:36:48 | 0:36:51 | |
There's the other things. There's the... I mean, why was the window left open? | 0:36:51 | 0:36:54 | |
And the drawer. | 0:36:54 | 0:36:55 | |
GUNSHOT | 0:36:57 | 0:36:59 | |
And who made the appointment and drove the car if Jack Roberts had been dead three years? | 0:36:59 | 0:37:03 | |
It's not possible. | 0:37:03 | 0:37:05 | |
-You're right sir, it's not possible. If Jack Roberts isn't our killer... -Because he's been dead three years. | 0:37:07 | 0:37:12 | |
-..And you're also saying that Mrs Powell can't be... -I don't think so. | 0:37:12 | 0:37:15 | |
..Then no-one's our killer. Because when Malcolm Powell died, | 0:37:15 | 0:37:18 | |
everyone was in the garden, weren't they? | 0:37:18 | 0:37:20 | |
It's not possible to be in two places at the same time. | 0:37:20 | 0:37:23 | |
-What? -I said it's not possible... -No, I heard you. That's brilliant. | 0:37:23 | 0:37:27 | |
You can't be in two places at the same time! | 0:37:29 | 0:37:33 | |
Except, of course you can. | 0:37:33 | 0:37:35 | |
In fact, that's the only thing that makes any sense! | 0:37:39 | 0:37:42 | |
Right, you say the victim regularly took out | 0:37:56 | 0:37:58 | |
bundles of cash in 2,000 chunks. | 0:37:58 | 0:38:01 | |
-Is that right? -Yes, sir. | 0:38:01 | 0:38:03 | |
-Is the house still sealed off? -It is. We allowed Mrs Powell to stay, | 0:38:09 | 0:38:12 | |
but the murder scene's been preserved. | 0:38:12 | 0:38:14 | |
OK, get everyone to the house. First I need a search warrant. | 0:38:14 | 0:38:19 | |
Yes, sir. | 0:38:19 | 0:38:20 | |
I want to search the bedroom above the study. | 0:38:22 | 0:38:24 | |
The murder weapon is not here. | 0:38:24 | 0:38:26 | |
The house was sealed off. It has to be here. | 0:38:27 | 0:38:30 | |
Wait. | 0:38:33 | 0:38:34 | |
Someone has moved the carpet. | 0:38:36 | 0:38:38 | |
Sorry to have kept you all waiting. | 0:38:48 | 0:38:50 | |
It's just this case has been a particularly difficult nut to crack. | 0:38:51 | 0:38:55 | |
It's true that we had eye witnesses placing the killer at the scene. | 0:38:57 | 0:39:01 | |
Identified as Jack Roberts. | 0:39:01 | 0:39:03 | |
And we later discovered that Jack Roberts was an investor, | 0:39:03 | 0:39:07 | |
who was cheated out of his money by Mr Powell's UK company, | 0:39:07 | 0:39:11 | |
Lindman Investments. | 0:39:11 | 0:39:13 | |
Which gave us a motive. | 0:39:13 | 0:39:15 | |
So we had a killer and a motive. Excellent start. | 0:39:16 | 0:39:19 | |
Until we discovered that Jack Roberts had been missing, | 0:39:19 | 0:39:22 | |
presumed dead for over three years. | 0:39:22 | 0:39:25 | |
Around the time you came here from England, was it not? | 0:39:27 | 0:39:31 | |
Yes. | 0:39:31 | 0:39:32 | |
So was Jack Roberts our killer or not? | 0:39:33 | 0:39:37 | |
Was he dead or alive? | 0:39:37 | 0:39:39 | |
To be honest, I didn't hold out much hope we'd ever find him. | 0:39:39 | 0:39:42 | |
But in fact, he's in this very room. | 0:39:43 | 0:39:46 | |
Or at least the real killer is. | 0:39:46 | 0:39:48 | |
The one who used the name of Jack Roberts to create | 0:39:48 | 0:39:52 | |
something of an elaborate illusion. | 0:39:52 | 0:39:54 | |
You see, this was to be the perfect murder. | 0:39:54 | 0:39:56 | |
Predicated on the fact that Mr Powell had | 0:39:56 | 0:39:59 | |
a reputation for being less than honest with other people's money. | 0:39:59 | 0:40:02 | |
Just tell me who killed my husband? | 0:40:02 | 0:40:05 | |
Well, it's obvious, when you think about it. | 0:40:05 | 0:40:08 | |
There's only one person here with the organisational skills | 0:40:08 | 0:40:12 | |
necessary to pull off such a meticulously-planned murder. | 0:40:12 | 0:40:15 | |
It was you, Vicky, the secretary. You killed Malcolm Powell. | 0:40:15 | 0:40:19 | |
What!? | 0:40:20 | 0:40:21 | |
Just as it was you who emptied the charity's bank accounts. | 0:40:21 | 0:40:24 | |
And bought the plane ticket in his name to make it | 0:40:24 | 0:40:27 | |
look like he was about to skip the country. | 0:40:27 | 0:40:29 | |
I'm sorry, you saw me! | 0:40:29 | 0:40:31 | |
I was in the garden when he was killed! | 0:40:31 | 0:40:34 | |
Ah, yes, you were, weren't you? | 0:40:35 | 0:40:38 | |
And you can't be in two places at the same time, can you? | 0:40:38 | 0:40:41 | |
Therefore - logically - seeing as you're the killer... | 0:40:41 | 0:40:44 | |
Mr Powell must have been killed at a different time. | 0:40:45 | 0:40:48 | |
A fact that I was able to prove about ten minutes ago | 0:40:48 | 0:40:52 | |
when I found the murder weapon. in the bedroom above the study. | 0:40:52 | 0:40:56 | |
The house was sealed off, it has to be here. | 0:40:56 | 0:40:58 | |
Perhaps you can tell me | 0:41:01 | 0:41:03 | |
why did everyone hear the shot that killed Mr Powell | 0:41:03 | 0:41:06 | |
when the gun that was used to fire it was fitted with a silencer? | 0:41:06 | 0:41:12 | |
There were two shots fired that day, weren't there? | 0:41:12 | 0:41:14 | |
-One with the silencer and one without. -Two shots? | 0:41:14 | 0:41:19 | |
So, you're saying she had what an accomplice? | 0:41:19 | 0:41:22 | |
No, Mark. I'm saying she had two. | 0:41:22 | 0:41:25 | |
As you well know because you were one of them. | 0:41:25 | 0:41:28 | |
That can't be true. | 0:41:28 | 0:41:29 | |
And you were the other. Weren't you, Duncan? | 0:41:29 | 0:41:31 | |
Because this wasn't one person masquerading as Jack Roberts, | 0:41:31 | 0:41:34 | |
it was three! | 0:41:34 | 0:41:37 | |
You see this was a plan hatched between lovers. | 0:41:37 | 0:41:40 | |
The all-knowing, ever present | 0:41:41 | 0:41:43 | |
trusted personal assistant and her gardener boyfriend. | 0:41:43 | 0:41:47 | |
I'm not really sure at what point they enlisted you, Mark. | 0:41:47 | 0:41:50 | |
Perhaps they knew you were in financial difficulties. | 0:41:50 | 0:41:54 | |
Er, Mark Grainger, he's working double shifts. | 0:41:54 | 0:41:56 | |
How do you know all this? | 0:41:56 | 0:41:59 | |
Well, it's simple, really. | 0:41:59 | 0:42:00 | |
If the real Jack Roberts died three years ago - as he almost certainly | 0:42:00 | 0:42:03 | |
did - then the three people who claim to have seen him and who | 0:42:03 | 0:42:07 | |
all gave an identical description of him, must be in cahoots. | 0:42:07 | 0:42:12 | |
This wasn't about revenge, | 0:42:12 | 0:42:14 | |
this was about stealing 3 million. | 0:42:14 | 0:42:16 | |
Miss Woodward would have known about Jack Roberts - | 0:42:16 | 0:42:19 | |
the fact his body was never found. | 0:42:19 | 0:42:21 | |
How dramatic, a man who lost everything, | 0:42:21 | 0:42:25 | |
returned from the dead to wreak his terrible revenge. | 0:42:25 | 0:42:28 | |
The perfect stooge, to provide each of you with the perfect alibi. | 0:42:28 | 0:42:34 | |
It began with Mark driving the car to the house. | 0:42:34 | 0:42:37 | |
We all saw the car arrive but couldn't see who was driving. | 0:42:37 | 0:42:40 | |
Well, I'll go and meet him. I'll show him into the study? | 0:42:44 | 0:42:47 | |
To be met by Vicky, as arranged. | 0:42:47 | 0:42:50 | |
But rather than show him into the study, | 0:42:50 | 0:42:52 | |
she let him make his way upstairs. | 0:42:52 | 0:42:55 | |
She then went to get her employer bringing him back to the house. | 0:42:56 | 0:42:59 | |
Once in the study, she went to her desk, opened the drawer, | 0:42:59 | 0:43:05 | |
took out her gun and shot Malcolm Powell through the heart. | 0:43:05 | 0:43:09 | |
No-one heard anything because she used a silencer. | 0:43:11 | 0:43:14 | |
She then moved to the window and opened it. | 0:43:14 | 0:43:17 | |
Mark lowered a bag from upstairs. | 0:43:18 | 0:43:20 | |
Vicky retrieved the car keys from it then sent him | 0:43:20 | 0:43:23 | |
the gun in return. | 0:43:23 | 0:43:25 | |
She then left the house | 0:43:30 | 0:43:31 | |
stopping only to give her lover Duncan the car keys. | 0:43:31 | 0:43:34 | |
By the time you exchanged pleasantries with | 0:43:37 | 0:43:39 | |
Sergeant Bordey Mr Powell was already dead. | 0:43:39 | 0:43:42 | |
And it was time for the next part of your plan. | 0:43:44 | 0:43:46 | |
Once he'd removed the silencer and fired the gun again. | 0:43:48 | 0:43:50 | |
The plan was to make sure he was seen on the balcony within | 0:43:50 | 0:43:53 | |
seconds of the gun shot. | 0:43:53 | 0:43:54 | |
Thereby giving both himself and Miss Woodward | 0:43:54 | 0:43:57 | |
the perfect alibi. | 0:43:57 | 0:43:59 | |
First of course, you had to hide the gun and the silencer. | 0:43:59 | 0:44:02 | |
The house was sealed off, but no doubt you intended to come back | 0:44:02 | 0:44:06 | |
and retrieve it, once we were off on a wild goose chase. | 0:44:06 | 0:44:09 | |
Which was your next job, wasn't it? | 0:44:09 | 0:44:12 | |
You made sure we couldn't give chase and then made off in the Mercedes. | 0:44:12 | 0:44:16 | |
All that was left to do was to leave a false trail for us to follow. | 0:44:19 | 0:44:23 | |
We were supposed to think that Mr Powell had tried to buy | 0:44:23 | 0:44:26 | |
Jack Roberts off before he then escaped the island on a boat. | 0:44:26 | 0:44:30 | |
You dumped and burnt the car. | 0:44:31 | 0:44:34 | |
You even left behind some cash wraps as the final piece of evidence, | 0:44:34 | 0:44:37 | |
no doubt collected by Miss Woodward over the preceding months. | 0:44:37 | 0:44:41 | |
Duncan then made his way around the headland | 0:44:45 | 0:44:48 | |
as if he'd never been gone. | 0:44:48 | 0:44:50 | |
And you were left with three cast-iron alibis | 0:44:50 | 0:44:53 | |
and 3 million in cash, just waiting to be picked up. | 0:44:53 | 0:44:57 | |
After all, none of you could have been near the study | 0:44:57 | 0:45:00 | |
when the shot was fired. | 0:45:00 | 0:45:02 | |
And if that wasn't enough, we'd all seen the killer arrive together, | 0:45:02 | 0:45:07 | |
heard the shot together, and watched him drive away together. | 0:45:07 | 0:45:11 | |
The perfect murder. | 0:45:13 | 0:45:15 | |
For which all three of you will spend the rest of your lives in prison. | 0:45:17 | 0:45:22 | |
Lock them up. | 0:45:22 | 0:45:23 | |
You should have been there, Maman. Seriously this time, | 0:45:50 | 0:45:52 | |
it was brilliant. Genius. | 0:45:52 | 0:45:55 | |
Ah, I don't know about that. | 0:45:55 | 0:45:57 | |
Ah, credit where it's due, Chief. | 0:45:57 | 0:45:58 | |
Well, as much as I'd like to take all the credit, it was a team effort, so thank you. | 0:45:58 | 0:46:03 | |
Well, we've had some excitement here today, you know. | 0:46:03 | 0:46:06 | |
Oh, what? | 0:46:06 | 0:46:07 | |
-Someone broke into the Post Office. -No! | 0:46:07 | 0:46:10 | |
A window was forced open. | 0:46:10 | 0:46:12 | |
-Must have been kids. -I guess. | 0:46:12 | 0:46:15 | |
Although talking about post. | 0:46:15 | 0:46:17 | |
This arrived for you earlier, Fidel - I forgot to mention it. | 0:46:17 | 0:46:20 | |
-Wait! Earlier, when? -Earlier. Before now. | 0:46:20 | 0:46:23 | |
The Post Office was already closed | 0:46:23 | 0:46:24 | |
when you found out this had been posted. | 0:46:24 | 0:46:26 | |
Chief, will you take off your detective head? You're amongst friends now. | 0:46:26 | 0:46:29 | |
If I find out you broke into that Post Office... | 0:46:29 | 0:46:31 | |
Don't worry. You won't find out. | 0:46:31 | 0:46:34 | |
Look, can I have it or not? | 0:46:34 | 0:46:36 | |
I suppose so, although strictly speaking this makes us all accessories. | 0:46:36 | 0:46:40 | |
I'll risk it. | 0:46:40 | 0:46:41 | |
I passed! | 0:46:59 | 0:47:00 | |
Come here. | 0:47:02 | 0:47:04 | |
-Bravo, Fidel! -Thank you, sir. -Yes, aye! | 0:47:04 | 0:47:07 | |
Please, carry on. You've done a great job. | 0:47:11 | 0:47:15 | |
And I hear congratulations are in order, Sergeant Best. | 0:47:15 | 0:47:18 | |
Yes sir, thank you. | 0:47:19 | 0:47:21 | |
I just need to give Juliet a call. | 0:47:21 | 0:47:23 | |
Can I buy you a drink, Commissioner? | 0:47:23 | 0:47:26 | |
A small rum perhaps, just to mark the occasion. | 0:47:26 | 0:47:28 | |
Coming right up. | 0:47:28 | 0:47:30 | |
Could we have a word, please? | 0:47:30 | 0:47:32 | |
If it's about the Post Office, | 0:47:34 | 0:47:36 | |
I have five eye witnesses who saw me on the other side of the island, OK? | 0:47:36 | 0:47:40 | |
Sir. | 0:47:42 | 0:47:43 | |
Commissioner. Chief. | 0:47:43 | 0:47:45 | |
Congratulations. | 0:47:47 | 0:47:49 | |
You have quite a team. | 0:47:50 | 0:47:52 | |
Yes, yes, I do. | 0:47:52 | 0:47:54 | |
I've just had a conversation with | 0:47:54 | 0:47:55 | |
-an Inspector Darwin of the Serious Organised Crime Agency in London. -Oh? | 0:47:55 | 0:48:01 | |
He headed up the investigation of Malcolm Powell | 0:48:01 | 0:48:04 | |
and Lindman Investments UK. | 0:48:04 | 0:48:06 | |
I see. Yeah. | 0:48:06 | 0:48:07 | |
A substantial amount of the money invested in the company was | 0:48:07 | 0:48:10 | |
never recovered. | 0:48:10 | 0:48:12 | |
So I understand. | 0:48:12 | 0:48:14 | |
He seemed to think the fact we've just charged Powell's assistant | 0:48:14 | 0:48:17 | |
with his murder might prove useful. | 0:48:17 | 0:48:19 | |
They want to question her. | 0:48:19 | 0:48:22 | |
So when are they coming? | 0:48:22 | 0:48:24 | |
-They want to interview her in London. -Ah, right. | 0:48:24 | 0:48:27 | |
They want her escorted by a senior officer. I suggested you. | 0:48:27 | 0:48:31 | |
-Me? -It makes sense. You know the details of the case. | 0:48:32 | 0:48:36 | |
So, I'd have to go back to London? | 0:48:37 | 0:48:39 | |
Just for a few days. | 0:48:39 | 0:48:41 | |
If you took this evening's flight, you'll be there in the morning and back by Friday? | 0:48:41 | 0:48:45 | |
Well, yeah. I mean that would be great sir, thank you. Wow. | 0:48:47 | 0:48:52 | |
Your flight leaves at six o'clock, | 0:48:52 | 0:48:53 | |
I'll have a cab pick you up at your house in an hour. | 0:48:53 | 0:48:56 | |
I'll have the prisoner taken directly to the airport, | 0:48:56 | 0:48:58 | |
you can pick her up from there. | 0:48:58 | 0:49:00 | |
An hour. Crikey. | 0:49:00 | 0:49:02 | |
I suggest you go home and pack. | 0:49:02 | 0:49:04 | |
I think he just said I'm going back to London for a few days. | 0:49:18 | 0:49:21 | |
Oh, I tell you it's a job to know what to pack. | 0:49:32 | 0:49:35 | |
It will be winter over there, you know. I checked the weather. | 0:49:35 | 0:49:39 | |
Overcast. Four degrees. | 0:49:39 | 0:49:41 | |
Ha, ha! It's not even that cold in my fridge. | 0:49:41 | 0:49:45 | |
But you will be back on Friday? | 0:49:46 | 0:49:48 | |
Yeah, that's the plan. Of course things might change. You know, not saying they will, | 0:49:48 | 0:49:52 | |
but, you know being here wasn't really the plan, was it? | 0:49:52 | 0:49:55 | |
Not exactly. It just sort of happened. | 0:49:55 | 0:49:58 | |
One minute I was in Croydon and the next... | 0:49:58 | 0:50:01 | |
I mean, not that I haven't loved it, you know, I have. | 0:50:04 | 0:50:08 | |
And you and... Well, all of you! You know, the gang. | 0:50:08 | 0:50:11 | |
Yeah. Loved every minute of it. | 0:50:11 | 0:50:14 | |
Well, maybe not every minute, you know, in the main. | 0:50:16 | 0:50:19 | |
Anyway, it's only till Friday. Probably. No need for big goodbyes. | 0:50:19 | 0:50:23 | |
-Oh, actually I will need someone to look after Harry. -Harry? | 0:50:23 | 0:50:27 | |
Yeah, my lizard. | 0:50:27 | 0:50:28 | |
I had to give him a name. I couldn't just keep calling him lizard. | 0:50:28 | 0:50:32 | |
Only you could call a lizard Harry. | 0:50:32 | 0:50:34 | |
Yeah, it was in the paper when I was trying to think of a name. Prince Harry. | 0:50:34 | 0:50:37 | |
I think he looks quite like him. He likes fruit, you know. | 0:50:37 | 0:50:41 | |
Well, mangoes, and erm... any bugs you can catch. | 0:50:44 | 0:50:48 | |
You know, he sort of likes it best if you, | 0:50:48 | 0:50:50 | |
if you mash the bugs up in the fruit. | 0:50:50 | 0:50:52 | |
No big deal, a couple of times a day. | 0:50:54 | 0:50:56 | |
Well, in the morning at eight and again at six. | 0:50:56 | 0:50:59 | |
Don't worry, I'll take care of your lizard. | 0:50:59 | 0:51:01 | |
Ah! Beer! | 0:51:06 | 0:51:08 | |
Just what I need. | 0:51:08 | 0:51:09 | |
You won't come back, will you? | 0:51:13 | 0:51:15 | |
-Yeah, of course I will. -No, you won't. | 0:51:19 | 0:51:21 | |
You'll get home, it will be cold and raining | 0:51:21 | 0:51:23 | |
and you'll have a pint of beer in your pub and | 0:51:23 | 0:51:26 | |
you'll want to stay there. | 0:51:26 | 0:51:28 | |
All packed, Chief? | 0:51:30 | 0:51:31 | |
Yes, well. I mean, not really much to, erm... | 0:51:33 | 0:51:36 | |
you know, it's only a few days. | 0:51:36 | 0:51:38 | |
It won't be the same without you, Sir. | 0:51:38 | 0:51:40 | |
HORN TOOTS | 0:51:40 | 0:51:42 | |
Oh, gosh, there's my car. | 0:51:42 | 0:51:45 | |
Yeah, coming! | 0:51:48 | 0:51:50 | |
I'd better take that, Chief. | 0:51:50 | 0:51:52 | |
Hold on. | 0:51:59 | 0:52:01 | |
Right, well... | 0:52:10 | 0:52:11 | |
-So, we'll see you on Friday then, Sir. -Yep. Absolutely. | 0:52:11 | 0:52:15 | |
Safe flight, Chief. | 0:52:23 | 0:52:25 | |
Back before you know it. | 0:52:40 | 0:52:41 | |
Harry! | 0:53:36 | 0:53:38 | |
I'm telling you, he's not coming back. | 0:54:28 | 0:54:30 | |
By the time he gets that cold in his bones | 0:54:30 | 0:54:32 | |
and that rain in his face, he'll think he's died and gone to heaven. | 0:54:32 | 0:54:35 | |
No, Dwayne. He'll be back. Won't he, Camille? | 0:54:35 | 0:54:38 | |
He said he would. | 0:54:38 | 0:54:40 | |
Of course he did and I'm sure he meant it when he said it. | 0:54:40 | 0:54:42 | |
-But it'll all be different when he's home. -Yeah, maybe. | 0:54:42 | 0:54:45 | |
Look, I think the inspector is a man of his word. | 0:54:45 | 0:54:47 | |
I tell you what though, he was funny. | 0:54:47 | 0:54:49 | |
It could have been 110 in the shade | 0:54:49 | 0:54:51 | |
and he'll be sitting there in a suit and tie drinking a cup of tea. | 0:54:51 | 0:54:54 | |
Moaning about how hot it is! Of course it's hot! | 0:54:54 | 0:54:57 | |
You've got a woollen suit on! | 0:54:57 | 0:54:59 | |
Or with the motorbike, he would hold on so tight like that. | 0:54:59 | 0:55:02 | |
It was like Wallace and Gromit. His knuckles were white. | 0:55:02 | 0:55:04 | |
I tell him the jeep was being used even when it wasn't, | 0:55:04 | 0:55:07 | |
just to get him in the sidecar. | 0:55:07 | 0:55:09 | |
You know what, I have never heard anybody moan like he did. | 0:55:09 | 0:55:12 | |
It was too hot. The sand was too sandy. | 0:55:12 | 0:55:15 | |
And the milk wasn't the right milk. | 0:55:15 | 0:55:16 | |
Well, he'll be somewhere tonight, with a huge plate of fish and chips, | 0:55:16 | 0:55:20 | |
-a mug of tea and a crossword. -A toast! | 0:55:20 | 0:55:22 | |
To the most annoying, childish, | 0:55:22 | 0:55:26 | |
pedantic, funny, | 0:55:26 | 0:55:29 | |
brilliant man I've ever met. | 0:55:29 | 0:55:31 | |
Inspector Richard Poole. | 0:55:31 | 0:55:32 | |
Richard Poole! | 0:55:32 | 0:55:34 | |
Oh, you look nice. | 0:55:53 | 0:55:54 | |
What, this? | 0:55:54 | 0:55:56 | |
It was the first thing I saw when I opened the wardrobe. | 0:55:56 | 0:55:59 | |
Oh really? I just thought with it being Friday... | 0:55:59 | 0:56:03 | |
Is it? | 0:56:03 | 0:56:04 | |
Mm. Which means Richard will be back. | 0:56:04 | 0:56:07 | |
Well, I suppose it does, I'd forgotten all about it. | 0:56:07 | 0:56:10 | |
Well, I think the London flight lands at four... | 0:56:10 | 0:56:13 | |
Yeah, 4:30! | 0:56:13 | 0:56:14 | |
I think. | 0:56:16 | 0:56:17 | |
Do you want to go to the airport? | 0:56:17 | 0:56:19 | |
Of course not. Why would I? | 0:56:19 | 0:56:20 | |
Anyway, I think the Commissioner is going to meet him. | 0:56:21 | 0:56:25 | |
So you don't want to do anything special then? | 0:56:25 | 0:56:27 | |
What time is it? | 0:56:35 | 0:56:36 | |
Quarter to six. | 0:56:37 | 0:56:38 | |
So land at half past four, get cases by what five? | 0:56:38 | 0:56:42 | |
More or less. | 0:56:42 | 0:56:43 | |
Get to the car. Friday evening traffic, should be here by... | 0:56:43 | 0:56:46 | |
Quarter to six? | 0:56:46 | 0:56:47 | |
He'll be here, don't worry. | 0:56:49 | 0:56:51 | |
The suspense is killing me. | 0:56:51 | 0:56:52 | |
-What is it? -The Commissioner's car. | 0:56:53 | 0:56:56 | |
Good evening, team. | 0:57:04 | 0:57:05 | |
He was on the flight, right? | 0:57:09 | 0:57:11 | |
Ah. Bit of a problem on that front. | 0:57:11 | 0:57:14 | |
Too right, there's a problem. | 0:57:18 | 0:57:21 | |
They lost my luggage. Again! | 0:57:21 | 0:57:23 | |
That's two flights I've made to this benighted island | 0:57:23 | 0:57:25 | |
and both times they've lost my luggage! | 0:57:25 | 0:57:27 | |
It's like they've got some kind of twisted vendetta against me. | 0:57:27 | 0:57:31 | |
What is the point of having a luggage carousel | 0:57:31 | 0:57:33 | |
if there's never anything on it! Hmm? | 0:57:33 | 0:57:35 | |
I mean they should maybe turn it into something else, | 0:57:35 | 0:57:38 | |
like a revolving fruit and vegetable display or a children's ride. | 0:57:38 | 0:57:41 | |
I mean they call it paradise, but they've got a very funny idea of what paradise is, | 0:57:41 | 0:57:44 | |
if it includes walking around in a hundred degree heat in the same pants for a fortnight! | 0:57:44 | 0:57:49 | |
Welcome home, Chief. | 0:57:49 | 0:57:51 | |
It's good to have you back. | 0:57:51 | 0:57:53 | |
Subtitles by Red Bee Media Ltd | 0:57:57 | 0:58:01 |