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It was a...a moment of madness. | 0:00:52 | 0:00:55 | |
She was pretty and... | 0:00:57 | 0:00:58 | |
..I was a fool. | 0:01:00 | 0:01:01 | |
Who was she? | 0:01:01 | 0:01:02 | |
Some intern. | 0:01:02 | 0:01:04 | |
-When did this happen? -Mum! | 0:01:04 | 0:01:05 | |
I have a right to know. | 0:01:07 | 0:01:09 | |
The conference in Mexico. | 0:01:09 | 0:01:10 | |
I am going to have to resign. | 0:01:13 | 0:01:15 | |
-We shouldn't get ahead of ourselves. -No, I'll have no choice. | 0:01:15 | 0:01:18 | |
Let's see how the papers run with it tomorrow. | 0:01:18 | 0:01:21 | |
What about - "The Minister accepts full responsibility | 0:01:24 | 0:01:28 | |
"for his actions..."? | 0:01:28 | 0:01:29 | |
Darling, why don't you go to bed? | 0:01:29 | 0:01:31 | |
I'm going to get some air. | 0:01:34 | 0:01:35 | |
He'll be all right. Don't worry. | 0:01:38 | 0:01:40 | |
Where have you been? | 0:01:58 | 0:01:59 | |
OK, they're running it. | 0:02:12 | 0:02:15 | |
Whoever leaked this was out to destroy me. | 0:02:25 | 0:02:28 | |
You don't have to do this. | 0:02:30 | 0:02:31 | |
I can resign now or I can wait to be sacked. | 0:02:32 | 0:02:35 | |
Thank you all for your support. I've got a letter to write. | 0:02:38 | 0:02:42 | |
GUNSHOT | 0:03:01 | 0:03:02 | |
BIRDS CRY | 0:03:02 | 0:03:04 | |
Sir, are you all right? | 0:03:04 | 0:03:05 | |
What was that? | 0:03:05 | 0:03:07 | |
Oh, Jacob! | 0:03:07 | 0:03:09 | |
Dad? | 0:03:09 | 0:03:10 | |
Dad! | 0:03:10 | 0:03:11 | |
So, what do you think? | 0:03:47 | 0:03:49 | |
Where is everything? | 0:03:49 | 0:03:51 | |
Tidied away, Camille. | 0:03:51 | 0:03:53 | |
Yes, but where, sir? | 0:03:53 | 0:03:55 | |
"A place for everything, everything in its place." | 0:03:55 | 0:03:59 | |
What brought this on? | 0:03:59 | 0:04:00 | |
Oh, er, nothing. | 0:04:00 | 0:04:02 | |
Sorry?! | 0:04:02 | 0:04:03 | |
Come on, Chief. There's got to be a reason. | 0:04:03 | 0:04:05 | |
-OK, if you must know... -Mm-hm. | 0:04:05 | 0:04:08 | |
..I got up this morning and I couldn't find my trousers. | 0:04:08 | 0:04:11 | |
I know that feeling. | 0:04:13 | 0:04:14 | |
Yes, very funny. | 0:04:15 | 0:04:17 | |
And I realised - I never know where anything is. | 0:04:17 | 0:04:20 | |
You have to control your environment or it controls you. | 0:04:20 | 0:04:23 | |
Oh, you've bought a self-help book, haven't you? | 0:04:23 | 0:04:26 | |
A tidy mind breeds a tidy... something-something, Camille. | 0:04:26 | 0:04:30 | |
PHONE RINGS | 0:04:30 | 0:04:31 | |
I think your desk is ringing, Chief. | 0:04:33 | 0:04:35 | |
I seem to have lost my phone. | 0:04:35 | 0:04:37 | |
Don't worry, sir, I'll get it. | 0:04:38 | 0:04:39 | |
You've got to have a system or otherwise it's just mess. | 0:04:40 | 0:04:43 | |
Right, hold on. | 0:04:43 | 0:04:45 | |
Um, sir, there's been a shooting. | 0:04:45 | 0:04:47 | |
It sounds like a suicide. | 0:04:47 | 0:04:49 | |
So, the day a Government Minister's exposed as having an affair... | 0:04:50 | 0:04:53 | |
-He takes his own life. -What do you know about him...? | 0:04:53 | 0:04:56 | |
Er, not much. His name's Jacob Doran. | 0:04:56 | 0:04:58 | |
What was he like? | 0:04:58 | 0:04:59 | |
Very popular, charismatic - a great ambassador for the island. | 0:04:59 | 0:05:04 | |
Any wife and kids? | 0:05:05 | 0:05:07 | |
One wife, Charlotte, and one son, Drew, I think. | 0:05:07 | 0:05:10 | |
So what d'you think our chances are of getting | 0:05:10 | 0:05:12 | |
in and out of here without any interference from top brass? | 0:05:12 | 0:05:15 | |
-Detective Inspector. -Ah, Commissioner, so pleased to see you. | 0:05:15 | 0:05:18 | |
Sir! | 0:05:18 | 0:05:19 | |
So, what have we got? | 0:05:24 | 0:05:26 | |
Well, sir, I've spoken to Mr Doran's Press Secretary, Theo Frazier. | 0:05:26 | 0:05:31 | |
He said he found the body at about 7am this morning. | 0:05:31 | 0:05:33 | |
He shot himself in the chest | 0:05:33 | 0:05:34 | |
-and the gun's on the floor where he dropped it. -Is there a note? | 0:05:34 | 0:05:37 | |
Yes, there is. | 0:05:37 | 0:05:38 | |
"..the shame I brought to my office, to my family, | 0:05:38 | 0:05:41 | |
"the only honourable action I can take is to end my life." | 0:05:41 | 0:05:44 | |
His handwriting? | 0:05:44 | 0:05:45 | |
Looks that way. | 0:05:45 | 0:05:47 | |
And this is the gun? | 0:05:47 | 0:05:48 | |
Interesting - the serial number's been filed off, | 0:05:50 | 0:05:52 | |
this is an illegal gun. | 0:05:52 | 0:05:54 | |
I wonder where he got it from? | 0:05:54 | 0:05:56 | |
We don't know. | 0:05:56 | 0:05:57 | |
The safe's open... | 0:05:57 | 0:05:58 | |
What's in it? | 0:05:58 | 0:06:00 | |
Well, the wife said there should be a few thousand dollars | 0:06:00 | 0:06:02 | |
in cash, but there's no money, | 0:06:02 | 0:06:04 | |
and there's something else... | 0:06:04 | 0:06:06 | |
..the family kept their passports here. | 0:06:07 | 0:06:10 | |
Here's the wife's one, here's the son's, | 0:06:10 | 0:06:12 | |
but the Minister's passport is missing. | 0:06:12 | 0:06:14 | |
Mmm, so... | 0:06:14 | 0:06:15 | |
HE CHECKS THE WINDOW | 0:06:15 | 0:06:17 | |
..it's all a bit odd... | 0:06:17 | 0:06:18 | |
What are you thinking? | 0:06:18 | 0:06:20 | |
The Minister came in here, wrote the letter, got out his gun | 0:06:20 | 0:06:23 | |
and then...pop? | 0:06:23 | 0:06:25 | |
Yes, it's what it looks like, isn't it? | 0:06:25 | 0:06:27 | |
-But it's not what happened? -Well, it's the bullet hole, sir. | 0:06:27 | 0:06:30 | |
That's the problem. You see...in my experience, | 0:06:30 | 0:06:32 | |
suicides rarely ever shoot themselves through their clothes. | 0:06:32 | 0:06:34 | |
They put the gun muzzle against their skin | 0:06:34 | 0:06:36 | |
like they want to make sure they don't miss. | 0:06:36 | 0:06:38 | |
It's macabre, but it's one of those things... | 0:06:38 | 0:06:41 | |
..whereas this bullet's gone through a thick jacket, | 0:06:42 | 0:06:45 | |
some old notes from a speech, it would appear, a shirt and a vest. | 0:06:45 | 0:06:48 | |
Fidel, swab the, er, Minister's hands for gunshot residue? | 0:06:59 | 0:07:02 | |
-I want to see whether he's fired the gun at all. -Yes, sir. | 0:07:02 | 0:07:04 | |
Then search the grounds outside. | 0:07:04 | 0:07:06 | |
See if there's any evidence of an intruder. | 0:07:06 | 0:07:08 | |
-Um, sir. -Hmm? | 0:07:08 | 0:07:09 | |
If he didn't take his own life, how come there was a suicide note? | 0:07:09 | 0:07:13 | |
Well, maybe he was forced to write it or it's a fake, but I don't | 0:07:13 | 0:07:16 | |
think this is a suicide. It's just been staged to look like one. | 0:07:16 | 0:07:19 | |
If you ask me, this is murder. | 0:07:19 | 0:07:22 | |
May I introduce Detective Inspector Humphrey Goodman | 0:07:22 | 0:07:25 | |
and Detective Sergeant Camille Bordey. | 0:07:25 | 0:07:27 | |
Hello. | 0:07:27 | 0:07:28 | |
I'm sorry for your loss, this must be a terrible time for you all, | 0:07:28 | 0:07:32 | |
-but we do have to ask a few questions. -Of course. | 0:07:32 | 0:07:35 | |
I understand that you were the only people in the house | 0:07:35 | 0:07:38 | |
when Mr Doran died. | 0:07:38 | 0:07:39 | |
It was just the four of us. All night. | 0:07:39 | 0:07:41 | |
And, er, no-one else arrived and no-one else left? | 0:07:41 | 0:07:44 | |
-That's right. -No, it's not. Dad went for a walk, didn't he? | 0:07:44 | 0:07:48 | |
You're Mr Doran's son, I take it. Drew? | 0:07:48 | 0:07:51 | |
So could you tell us, um, when this walk was? | 0:07:51 | 0:07:55 | |
It was 3am. | 0:07:55 | 0:07:56 | |
Jacob said he needed some air. | 0:07:58 | 0:07:59 | |
Did anyone see where he went? | 0:07:59 | 0:08:02 | |
I was worried, so I went after him, | 0:08:03 | 0:08:05 | |
um, but he'd gone into the garden and it was dark. | 0:08:05 | 0:08:08 | |
I'm sorry. I don't know where he went, | 0:08:08 | 0:08:10 | |
but he was gone about an hour. | 0:08:10 | 0:08:13 | |
I remember the clock striking four as he got back. | 0:08:13 | 0:08:15 | |
Do any of you know where Mr Doran got the gun from? | 0:08:20 | 0:08:22 | |
No. I mean, Jacob hated guns. | 0:08:22 | 0:08:25 | |
Er, did he perhaps keep a gun in the safe? | 0:08:25 | 0:08:27 | |
The safe just contains family documents and money. | 0:08:27 | 0:08:30 | |
And yet someone's emptied it of money and taken Mr Doran's passport. | 0:08:30 | 0:08:34 | |
Er, which brings me to this morning. | 0:08:34 | 0:08:37 | |
Where were you all when you heard the gunshot? | 0:08:37 | 0:08:39 | |
I was up here on my own. | 0:08:39 | 0:08:41 | |
And did you see anyone come or go from the study before | 0:08:41 | 0:08:43 | |
or after the gunshot? | 0:08:43 | 0:08:45 | |
No. I didn't see anyone arrive or leave before I got there. | 0:08:45 | 0:08:49 | |
Um, who was next to arrive? | 0:08:49 | 0:08:51 | |
It was me. | 0:08:51 | 0:08:53 | |
And, er, where were you beforehand? | 0:08:53 | 0:08:55 | |
I was downstairs. | 0:08:55 | 0:08:57 | |
After Jacob went to write his note, I just, um, | 0:08:57 | 0:08:59 | |
stayed in the living room. | 0:08:59 | 0:09:01 | |
And Drew was with you? | 0:09:01 | 0:09:02 | |
No. He'd gone to bed. | 0:09:02 | 0:09:03 | |
-You were on your own as well? -Yeah. | 0:09:04 | 0:09:07 | |
So to be clear - you were all in different parts | 0:09:07 | 0:09:10 | |
of the house at the time of death | 0:09:10 | 0:09:12 | |
and not one of you can alibi anyone else? | 0:09:12 | 0:09:15 | |
We don't need to alibi anyone. Mr Doran took his own life. | 0:09:15 | 0:09:18 | |
Yes, of course, | 0:09:19 | 0:09:20 | |
Um, I can see where you're coming from with that, but, um... | 0:09:20 | 0:09:24 | |
We think Mr Doran was murdered. | 0:09:25 | 0:09:28 | |
No. | 0:09:29 | 0:09:30 | |
That can't be. | 0:09:32 | 0:09:33 | |
I'm sorry, but it looks like that may well be the case. | 0:09:33 | 0:09:36 | |
Yes, um, and so we're sort of obliged to ask, um, | 0:09:39 | 0:09:43 | |
the story in this morning's papers about Mr Doran's affair, | 0:09:43 | 0:09:46 | |
um, is that...is that true? | 0:09:46 | 0:09:49 | |
So there were only four people in the house all night. | 0:09:54 | 0:09:57 | |
But no-one leaves at any times - except for one hour | 0:09:57 | 0:09:59 | |
when Jacob goes for his walk. | 0:09:59 | 0:10:01 | |
And at the precise moment he's murdered, | 0:10:01 | 0:10:03 | |
not one of them is in sight of anyone else. | 0:10:03 | 0:10:05 | |
Meaning any one of them could be our killer. | 0:10:05 | 0:10:07 | |
But if one of them was the killer...? | 0:10:07 | 0:10:08 | |
Then how did they kill the victim | 0:10:08 | 0:10:10 | |
and then get out of the study without anyone noticing? | 0:10:10 | 0:10:13 | |
It goes without saying, but with a Government Minister dead, | 0:10:14 | 0:10:18 | |
well, if you need my help, you only have to ask. | 0:10:18 | 0:10:20 | |
Chief! You'd better come and see this. | 0:10:23 | 0:10:26 | |
What is it? | 0:10:30 | 0:10:31 | |
Well, we had a good look around the place, no sign of any break-in, | 0:10:31 | 0:10:36 | |
but Fidel's found some tyre prints. | 0:10:36 | 0:10:37 | |
It's from a motorbike or a moped. | 0:10:37 | 0:10:39 | |
Why is that of interest? | 0:10:39 | 0:10:40 | |
Well, sir, we checked and the family don't own one, | 0:10:40 | 0:10:43 | |
-but also it rained quite heavily last night. -Up until about 11pm. | 0:10:43 | 0:10:45 | |
Yes, so if we can see these tracks... | 0:10:45 | 0:10:47 | |
Then the bike must have been driven up here since then. | 0:10:47 | 0:10:49 | |
Meaning there weren't just four people up here last night. | 0:10:49 | 0:10:52 | |
There was a fifth person. | 0:10:52 | 0:10:53 | |
What are the chances of tracking this bike down? | 0:10:53 | 0:10:55 | |
It isn't going to be easy, you know, Chief. | 0:10:55 | 0:10:57 | |
There are hundreds of bikes on the island | 0:10:57 | 0:10:59 | |
and I reckon about five of them have paperwork. | 0:10:59 | 0:11:01 | |
-Fidel, I'd like casts of these tyre tracks, please. -Yes, sir. | 0:11:01 | 0:11:03 | |
And Dwayne, get Theo to take you to the Ministry. | 0:11:03 | 0:11:06 | |
-We need Jacob's laptop and personal papers. -Yes, Chief. | 0:11:06 | 0:11:08 | |
That just leaves you and me, Camille. | 0:11:08 | 0:11:10 | |
-What was the name of the woman Jacob had his affair with? -Lena Bell. | 0:11:10 | 0:11:14 | |
Lena Bell. | 0:11:14 | 0:11:15 | |
Let's go and find out how she fits into the story. | 0:11:15 | 0:11:18 | |
I still can't believe it. | 0:11:19 | 0:11:21 | |
Can you tell us... | 0:11:21 | 0:11:23 | |
how did you end up working for the Ministry of Commerce? | 0:11:23 | 0:11:26 | |
I applied for an internship there last year. I enjoyed it. | 0:11:26 | 0:11:30 | |
It felt important and I liked the work. | 0:11:30 | 0:11:34 | |
So what happened? | 0:11:37 | 0:11:38 | |
There was a trade conference in Mexico. | 0:11:38 | 0:11:40 | |
Mr Doran asked me to go with him... as his aide. | 0:11:40 | 0:11:44 | |
I got to be in the room where decisions were made | 0:11:44 | 0:11:47 | |
and I think I did a good job. | 0:11:47 | 0:11:49 | |
He told me I did | 0:11:49 | 0:11:51 | |
when we went for dinner to celebrate that night. | 0:11:51 | 0:11:55 | |
When we got back to the hotel, he ordered champagne to his room,. | 0:11:55 | 0:11:58 | |
said we deserved a nightcap... so I went with him. | 0:11:58 | 0:12:03 | |
He seduced you. | 0:12:04 | 0:12:06 | |
The next day, I felt so ashamed. | 0:12:06 | 0:12:08 | |
The moment I got back to Saint-Marie, I resigned | 0:12:08 | 0:12:11 | |
and that was three weeks ago. | 0:12:11 | 0:12:13 | |
Where have you been since yesterday evening? | 0:12:13 | 0:12:15 | |
I haven't left the house, if that's what you mean. | 0:12:15 | 0:12:18 | |
I haven't dared to. | 0:12:18 | 0:12:20 | |
Do you know who told the newspaper about your affair? | 0:12:20 | 0:12:22 | |
-I've no idea. -Was it you? -Why would I do that? | 0:12:22 | 0:12:25 | |
Sometimes money to be made in stories like these. | 0:12:25 | 0:12:28 | |
It wasn't me. | 0:12:28 | 0:12:29 | |
Is there anyone else who can confirm | 0:12:31 | 0:12:33 | |
that you've not left the house since yesterday? | 0:12:33 | 0:12:35 | |
My godfather's been staying with me. | 0:12:35 | 0:12:37 | |
Marlon! | 0:12:41 | 0:12:42 | |
Oh! Here. | 0:12:42 | 0:12:44 | |
Marlon, it's the police. | 0:12:44 | 0:12:46 | |
I'm from St Lucia originally. | 0:12:46 | 0:12:48 | |
When my family heard I was going to be in the papers, | 0:12:48 | 0:12:51 | |
Marlon was on the first flight out here. | 0:12:51 | 0:12:52 | |
Sure was. | 0:12:52 | 0:12:54 | |
I'm Detective Inspector Humphrey Goodman. This is DS Bordey. | 0:12:54 | 0:12:58 | |
Camille? | 0:13:01 | 0:13:02 | |
Marlon? From St Lucia? | 0:13:04 | 0:13:06 | |
You, er... Do you know each other? | 0:13:10 | 0:13:12 | |
Not really. It was a long time ago. | 0:13:13 | 0:13:15 | |
Oh. OK. Well, there we are, then. | 0:13:18 | 0:13:21 | |
So, um... | 0:13:21 | 0:13:23 | |
HE CHUCKLES | 0:13:23 | 0:13:24 | |
Mr...? | 0:13:24 | 0:13:26 | |
Croft. | 0:13:26 | 0:13:27 | |
Mr Croft, er...when did you get to the island? | 0:13:28 | 0:13:31 | |
-Three days ago. -And you've been here the whole time? | 0:13:31 | 0:13:34 | |
OK, right, um, Camille do you have any...? | 0:13:35 | 0:13:38 | |
No, OK, back to me. | 0:13:38 | 0:13:39 | |
So, um, and since yesterday, you've both been in the house? | 0:13:39 | 0:13:44 | |
We stayed up late last night. | 0:13:44 | 0:13:46 | |
We worried what the papers was going to say but by 2am, I said, "Enough." | 0:13:46 | 0:13:50 | |
So I sent Lena to bed, lock up | 0:13:50 | 0:13:53 | |
and went to bed myself in the spare room at the back. | 0:13:53 | 0:13:57 | |
I see. | 0:13:57 | 0:13:58 | |
So, er, just to satisfy my curiosity, | 0:14:00 | 0:14:04 | |
do either of you own a motorbike? | 0:14:04 | 0:14:05 | |
I'm only here a few days, I've hired no vehicle. | 0:14:07 | 0:14:10 | |
OK, well, that all seems pretty satisfactory. | 0:14:10 | 0:14:14 | |
Er, do you have any...? | 0:14:14 | 0:14:15 | |
No, course you don't, otherwise you would have asked them already. | 0:14:15 | 0:14:18 | |
OK, thank you for your time. | 0:14:18 | 0:14:20 | |
Right, er, so, er, I'm not one to pry or anything, and I loathe | 0:14:20 | 0:14:24 | |
the word but I couldn't help but notice a bit of a "vibe" back there. | 0:14:24 | 0:14:26 | |
How do you mean? | 0:14:26 | 0:14:28 | |
Well, you know, between you and Lena's godfather. | 0:14:28 | 0:14:30 | |
Look, if you do have a history with a witness, I kind of have to know. | 0:14:30 | 0:14:34 | |
I think Marlon back there is my father. | 0:14:34 | 0:14:37 | |
What?! Blimey! | 0:14:37 | 0:14:39 | |
Camille? | 0:14:40 | 0:14:41 | |
I was hoping, you know, if I saw you again, it wouldn't be like this. | 0:14:44 | 0:14:50 | |
You're looking well. | 0:14:50 | 0:14:51 | |
I'm only here for a couple of days, helping Lena, | 0:14:53 | 0:14:56 | |
and then I'm on the first plane out. | 0:14:56 | 0:14:58 | |
I know. You said. | 0:14:58 | 0:14:59 | |
-Chief. -Dwayne. -Ah, sir, I've got the tyre tracks here. | 0:15:15 | 0:15:18 | |
It looks like the bike was a moped. | 0:15:18 | 0:15:20 | |
Excellent. Good work, Fidel. | 0:15:20 | 0:15:22 | |
And I've got the Minister's personal files from his office | 0:15:22 | 0:15:24 | |
-and his laptop. -Jolly good. | 0:15:24 | 0:15:26 | |
Is everything all right, sir? | 0:15:30 | 0:15:33 | |
Yes, well, I don't know. | 0:15:33 | 0:15:35 | |
Lena Bell's got her godfather staying with her | 0:15:36 | 0:15:39 | |
and you'll never guess who it is. | 0:15:39 | 0:15:41 | |
Who is he? | 0:15:41 | 0:15:42 | |
Camille's father. | 0:15:42 | 0:15:43 | |
He's on the island? | 0:15:43 | 0:15:45 | |
Yes, and I rather get the impression they don't get on. | 0:15:45 | 0:15:47 | |
Yes, um, Camille doesn't really talk about her dad. | 0:15:47 | 0:15:50 | |
-Really. What happened? -That maco? | 0:15:50 | 0:15:52 | |
You know, he walked out on her and her mother when she was a kid. | 0:15:54 | 0:15:56 | |
Yes, and I don't think she's seen him since. | 0:15:56 | 0:15:59 | |
Yes, I see. That would explain a lot. | 0:15:59 | 0:16:01 | |
Hello, Camille. | 0:16:04 | 0:16:05 | |
Maman, he's here. | 0:16:11 | 0:16:12 | |
Who is, darling? | 0:16:12 | 0:16:14 | |
Marlon. | 0:16:14 | 0:16:15 | |
Marlon Croft. | 0:16:17 | 0:16:19 | |
Sorry, your father is on the island? | 0:16:19 | 0:16:22 | |
Yes. | 0:16:22 | 0:16:24 | |
He was looking for you? | 0:16:24 | 0:16:26 | |
Don't worry. He's not here for me - | 0:16:26 | 0:16:27 | |
or you, I don't think - it's just bad luck. | 0:16:27 | 0:16:30 | |
Are you OK? | 0:16:33 | 0:16:34 | |
-Yes. -You spoke to him? | 0:16:34 | 0:16:36 | |
Yes, but I'm fine, honestly. | 0:16:36 | 0:16:38 | |
So what did you talk about? | 0:16:39 | 0:16:41 | |
He just said he was on the island to help his goddaughter... | 0:16:41 | 0:16:45 | |
Oh. | 0:16:45 | 0:16:46 | |
..and she's the woman Jacob Doran had an affair with. | 0:16:46 | 0:16:49 | |
Whatever reason that man's on the island, | 0:16:52 | 0:16:54 | |
-it won't be to help his goddaughter. -Hmm. | 0:16:54 | 0:16:59 | |
Hmm? | 0:17:00 | 0:17:01 | |
-Nice and neat, please, Dwayne. Nice and neat. -Sir? -Yes. | 0:17:02 | 0:17:06 | |
The suicide note. It's definitely the victim's handwriting. | 0:17:06 | 0:17:09 | |
Ah, well, maybe he was forced to write the note. | 0:17:09 | 0:17:11 | |
You know, "Write the note or we shoot you. | 0:17:11 | 0:17:13 | |
"Oh, thanks for the note. Now we shoot you." | 0:17:13 | 0:17:16 | |
I know but that's the thing. | 0:17:16 | 0:17:18 | |
You see, Jacob used a fountain pen, right? So if he'd been forced | 0:17:18 | 0:17:22 | |
to write this, there'd be spots of ink, there'd be palm smudges. | 0:17:22 | 0:17:25 | |
Look, the letter formation, it remains consistent throughout. | 0:17:25 | 0:17:31 | |
There's nothing rushed or forced about this letter at all, sir. | 0:17:31 | 0:17:33 | |
It's the real deal. | 0:17:33 | 0:17:35 | |
-So Jacob wrote the suicide letter? -Yes. | 0:17:35 | 0:17:37 | |
Hmm. | 0:17:37 | 0:17:38 | |
Ah, Camille...you OK? | 0:17:38 | 0:17:42 | |
-Of course. -Why shouldn't I be? | 0:17:43 | 0:17:45 | |
Ah, no reason. Just thought I'd ask. | 0:17:45 | 0:17:47 | |
So! What have we..? | 0:17:48 | 0:17:49 | |
Let's have that there. | 0:17:51 | 0:17:52 | |
No, that's not quite right. | 0:17:53 | 0:17:56 | |
There we go. There. | 0:17:56 | 0:17:58 | |
Ah, perfect. | 0:17:58 | 0:18:01 | |
So... | 0:18:01 | 0:18:03 | |
Jacob Doran, Saint-Marie's Minister of Commerce, | 0:18:03 | 0:18:05 | |
sleeps with one of his interns, Lena Bell. | 0:18:05 | 0:18:07 | |
-Was this his first affair? -Er... | 0:18:07 | 0:18:09 | |
But when I spoke to Theo, | 0:18:09 | 0:18:10 | |
he kind of admitted that Jacob had a string of women over the years. | 0:18:10 | 0:18:13 | |
-Really? -Can we get back to the...? | 0:18:13 | 0:18:15 | |
He also said that Jacob made sure his family never found out. | 0:18:15 | 0:18:17 | |
In my experience, the wife always knows. | 0:18:17 | 0:18:19 | |
In which case, the wife's got a motive. | 0:18:19 | 0:18:21 | |
Yes, but we're not doing motive yet. OK, everything in order. | 0:18:21 | 0:18:25 | |
So, as I was saying. Jacob and Lena have their affair. | 0:18:25 | 0:18:29 | |
How did the newspaper find out about it? | 0:18:29 | 0:18:31 | |
You know what I think? | 0:18:31 | 0:18:32 | |
Only a few people could have known about the affair | 0:18:32 | 0:18:35 | |
and one of them must have been Marlon. | 0:18:35 | 0:18:38 | |
You think he sold out his own goddaughter to the media? | 0:18:38 | 0:18:41 | |
If there was money to be made from it, | 0:18:41 | 0:18:43 | |
it would explain what he's doing on the island. | 0:18:43 | 0:18:45 | |
Do you think we might be able to get | 0:18:45 | 0:18:46 | |
-the Commissioner to lean on the paper? -It's worth a try. -Dwayne... | 0:18:46 | 0:18:50 | |
I'm on it, Chief. | 0:18:50 | 0:18:51 | |
So, once the Minister knows the story's about to break, | 0:18:51 | 0:18:54 | |
he tells his Press Secretary, his wife and his son. | 0:18:54 | 0:18:56 | |
And they all stay up together all night. | 0:18:56 | 0:18:58 | |
Except for one hour at 3am when Jacob goes for a walk on his own. | 0:18:58 | 0:19:02 | |
That's right, which is when he may have met the person | 0:19:02 | 0:19:05 | |
who rode up to the house on the bike. | 0:19:05 | 0:19:07 | |
As dawn rises, Jacob goes to his study | 0:19:07 | 0:19:10 | |
and writes a suicide note, which we believe is real, | 0:19:10 | 0:19:14 | |
but before he can kill himself, his murderer shoots him dead. | 0:19:14 | 0:19:18 | |
With an illegal pistol, sir, that's had its serial number filed off. | 0:19:18 | 0:19:21 | |
-No, quite right. -And don't forget, sir, | 0:19:21 | 0:19:23 | |
the killer also emptied the safe of cash and the Minister's passport. | 0:19:23 | 0:19:26 | |
That's right! He did. | 0:19:26 | 0:19:27 | |
-And none of it makes any sense. -It doesn't? | 0:19:33 | 0:19:37 | |
No, because if Fidel is right and the suicide note is real, | 0:19:37 | 0:19:40 | |
why does the killer need to kill a man whose | 0:19:40 | 0:19:43 | |
already in the process of killing himself? | 0:19:43 | 0:19:45 | |
OK, thank you very much. | 0:19:45 | 0:19:46 | |
-The Commissioner's going to see what he can do. -Good. | 0:19:46 | 0:19:48 | |
Then I'd like you to find the bike | 0:19:48 | 0:19:50 | |
that was up at the house in the middle of the night. | 0:19:50 | 0:19:52 | |
-There's every chance that the rider is our killer. -Right, Chief. | 0:19:52 | 0:19:54 | |
And Fidel, if you go through Jacob's laptop and files - | 0:19:54 | 0:19:57 | |
-See if you can find anything for us... -Yes, sir. | 0:19:57 | 0:19:59 | |
..which just leaves you and me, Camille. | 0:19:59 | 0:20:01 | |
Now I think we need to talk to Charlotte again, | 0:20:01 | 0:20:03 | |
because if Jacob was a serial adulterer, there's every | 0:20:03 | 0:20:05 | |
chance that this was the affair that pushed her over the edge. | 0:20:05 | 0:20:09 | |
Gosh. What a lovely dress. | 0:20:10 | 0:20:13 | |
It was such a happy day... | 0:20:13 | 0:20:15 | |
Yes, it looks like it. Um... | 0:20:15 | 0:20:18 | |
..how long were you married? | 0:20:19 | 0:20:21 | |
31 years. | 0:20:21 | 0:20:22 | |
Wow. | 0:20:22 | 0:20:23 | |
-Are you married? -No. | 0:20:25 | 0:20:26 | |
Yes, I am. Well, I mean... Sorry, I'm not, | 0:20:26 | 0:20:29 | |
although actually, of course, I am. It's complicated. | 0:20:29 | 0:20:33 | |
-Do you remember your wedding day? -Oh, God, no way I'd forget it. | 0:20:34 | 0:20:37 | |
I had shooting pains down my right arm, the stress of being in | 0:20:37 | 0:20:40 | |
the centre of attention like that, the cake, the walking up the aisle, | 0:20:40 | 0:20:43 | |
er, while also being profound, of course, and extremely moving. | 0:20:43 | 0:20:49 | |
I thought I didn't have to worry about anything ever again. | 0:20:51 | 0:20:55 | |
We were husband and wife, for richer, for poorer, | 0:20:55 | 0:20:58 | |
in sickness and in health, until death do us part. | 0:20:58 | 0:21:01 | |
Mrs Doran, as far as you know, was this your husband's first affair? | 0:21:03 | 0:21:07 | |
The first time was awful, | 0:21:14 | 0:21:16 | |
but I'd just had Drew and I had to make a decision - | 0:21:16 | 0:21:20 | |
to leave Jacob, the father of my child... | 0:21:20 | 0:21:23 | |
..or turn a blind eye to his infidelity. | 0:21:25 | 0:21:27 | |
And you're OK with that? | 0:21:27 | 0:21:29 | |
When you're married to a successful man like Jacob, | 0:21:29 | 0:21:31 | |
you have to make allowances. | 0:21:31 | 0:21:33 | |
So why didn't you tell us this before? | 0:21:35 | 0:21:38 | |
Because Drew doesn't know about the other affairs... | 0:21:38 | 0:21:41 | |
..and I don't want him to find out. He idolised his father. | 0:21:43 | 0:21:47 | |
We'll be as discreet as we can. | 0:21:47 | 0:21:49 | |
Then all I ask is that you catch my husband's killer... | 0:21:49 | 0:21:52 | |
..cos I want to see who did this behind bars for a very long time. | 0:21:54 | 0:21:57 | |
ALERT ON LAPTOP | 0:22:09 | 0:22:10 | |
Um, thank you. | 0:22:28 | 0:22:29 | |
So what do you think? Could Charlotte be our killer? | 0:22:31 | 0:22:35 | |
I don't know. I think she loved Jacob. | 0:22:35 | 0:22:38 | |
And if she's always known about the affairs...? | 0:22:39 | 0:22:41 | |
And if Theo's always known about the affairs...? | 0:22:41 | 0:22:43 | |
Then the news would have only been a surprise to Drew that night. | 0:22:43 | 0:22:47 | |
But, then, if you caught your dad having an affair, | 0:22:47 | 0:22:49 | |
you wouldn't kill him, would you? | 0:22:49 | 0:22:51 | |
Depends on what kind of relationship you had with your father. | 0:22:51 | 0:22:54 | |
Ah, yes, yes. | 0:22:54 | 0:22:56 | |
Um... | 0:22:56 | 0:22:57 | |
..so, if you don't mind me asking, that is, | 0:22:59 | 0:23:01 | |
-if it's not too personal, which it is, frankly... -Look. | 0:23:01 | 0:23:05 | |
There's nothing to tell, OK? | 0:23:05 | 0:23:07 | |
My mother and Marlon only were together a few years. | 0:23:16 | 0:23:20 | |
They had me. Marlon never came to terms with being a father. | 0:23:20 | 0:23:24 | |
Anyway, when I was six years old, he walked out on both of us, | 0:23:26 | 0:23:30 | |
moved to St Lucia and, er, I've never seen him since. | 0:23:30 | 0:23:34 | |
Right. That's tough. Thank you. | 0:23:34 | 0:23:38 | |
-I've always had my mother. -Right. | 0:23:38 | 0:23:42 | |
So, just to calibrate, you don't think Marlon's the murderer? | 0:23:44 | 0:23:48 | |
I can't answer that. I don't know him. | 0:23:49 | 0:23:53 | |
So you haven't sold a moped in the last few weeks? | 0:24:01 | 0:24:03 | |
OK, if you hear any different any time soon, let me know, you see. | 0:24:04 | 0:24:09 | |
Oh. | 0:24:09 | 0:24:10 | |
-I'm going to find this bike if it kills me, you know? -Biscuit? | 0:24:11 | 0:24:16 | |
You trying to ruin my figure, Chief? | 0:24:16 | 0:24:17 | |
OK, so the pathologist's report is in. | 0:24:17 | 0:24:19 | |
Jacob was killed by a single shot to the heart | 0:24:19 | 0:24:21 | |
fired at point-blank range. | 0:24:21 | 0:24:22 | |
The bullet was a .38 calibre, fired by the gun we found at the scene, | 0:24:22 | 0:24:26 | |
only the victim's fingerprints were found on it. | 0:24:26 | 0:24:28 | |
Suggesting it was suicide. | 0:24:28 | 0:24:30 | |
Yes, but the swabs Fidel took from Jacob's hands showed | 0:24:30 | 0:24:33 | |
no traces of gunshot residue on them anywhere. | 0:24:33 | 0:24:36 | |
-So, Jacob didn't fire the gun. -Yes, but he was shot. | 0:24:36 | 0:24:39 | |
So the killer must have put the gun in Jacob's hand | 0:24:39 | 0:24:42 | |
to make it look like suicide, and that is a biscuit to me. | 0:24:42 | 0:24:45 | |
So, Camille, what have you got....? | 0:24:49 | 0:24:51 | |
Sorry. So sorry. What...what do you have there? | 0:24:51 | 0:24:54 | |
-The witnesses' phone records have come in. -Mm. | 0:24:54 | 0:24:57 | |
-Sir? -Yes. | 0:24:57 | 0:24:58 | |
I went through Jacob's files last night, but as I fired | 0:24:58 | 0:25:02 | |
up his computer, I discovered that someone had removed the hard drive. | 0:25:02 | 0:25:06 | |
Now, according to Jacob's secretary, | 0:25:06 | 0:25:08 | |
-the only person who could remove that drive is Jacob himself. -Really? | 0:25:08 | 0:25:11 | |
Yes. Jacob kept his laptop under lock and key when he wasn't there, | 0:25:11 | 0:25:14 | |
but don't worry - | 0:25:14 | 0:25:15 | |
I got the IT department to put this together for me. | 0:25:15 | 0:25:18 | |
And what's on that? | 0:25:18 | 0:25:19 | |
A copy of every document | 0:25:19 | 0:25:20 | |
the Ministry's created in the past four years. | 0:25:20 | 0:25:22 | |
A copy of all the files on Jacob's laptop are on here...somewhere. | 0:25:22 | 0:25:26 | |
But that means Jacob was destroying evidence | 0:25:26 | 0:25:29 | |
the day before he was killed. | 0:25:29 | 0:25:30 | |
Why? So we have a wife, | 0:25:30 | 0:25:33 | |
a son... | 0:25:33 | 0:25:34 | |
..the young lover, the young lover's godfather, a press secretary, | 0:25:35 | 0:25:39 | |
and a victim who was in the process of killing himself. | 0:25:39 | 0:25:41 | |
Who is the killer? | 0:25:41 | 0:25:43 | |
Sir, I think I may know. | 0:25:43 | 0:25:46 | |
-You do? -It's Lena's phone records. | 0:25:46 | 0:25:48 | |
Look, she's been dialling the same number two or three times a day. | 0:25:48 | 0:25:52 | |
-Going back six months. -Who was she calling? | 0:25:52 | 0:25:54 | |
Easy, it's got to be Jacob. | 0:25:54 | 0:25:56 | |
It'll be during the, er, "sexy texts" stage | 0:25:56 | 0:25:58 | |
of their relationship, you know. | 0:25:58 | 0:26:00 | |
Er, no, it's not Jacob - but you're close. | 0:26:00 | 0:26:04 | |
Drew, what is this? | 0:26:06 | 0:26:07 | |
In that case, um, could you hand over your phone, please, | 0:26:11 | 0:26:14 | |
because I'm pretty sure it still has plenty of texts from Lena on it? | 0:26:14 | 0:26:17 | |
-Your phone, please. -You don't need my phone. You're right. | 0:26:17 | 0:26:20 | |
Me and Lena met in a bar last year, hit it off, you know, | 0:26:20 | 0:26:24 | |
-started seeing each other. -You didn't tell me. | 0:26:24 | 0:26:26 | |
Yes, because I don't tell you everything. | 0:26:26 | 0:26:28 | |
I'm not a child any more. | 0:26:28 | 0:26:30 | |
She wanted a career in politics, I knew I could help. | 0:26:30 | 0:26:33 | |
How? | 0:26:33 | 0:26:34 | |
I told her to apply for an internship in Dad's department. | 0:26:34 | 0:26:37 | |
Did your father know she was your girlfriend? | 0:26:37 | 0:26:40 | |
Didn't even know we knew each other. | 0:26:40 | 0:26:42 | |
When did you discover he'd slept with her? | 0:26:42 | 0:26:44 | |
When she got back from Mexico. She told me. | 0:26:44 | 0:26:47 | |
And how did that make you feel? | 0:26:47 | 0:26:50 | |
-I was sick. I couldn't believe it. -And then...? | 0:26:50 | 0:26:53 | |
Well, I was angry. | 0:26:53 | 0:26:54 | |
With Lena? | 0:26:54 | 0:26:56 | |
Yes, but it wasn't her fault, not the way she told it. | 0:26:56 | 0:26:58 | |
It was Dad - he seduced my girlfriend. | 0:26:58 | 0:27:01 | |
Why do you think Lena didn't tell us any of this? | 0:27:01 | 0:27:03 | |
She was probably trying to protect me. | 0:27:03 | 0:27:05 | |
And why didn't you tell us? | 0:27:05 | 0:27:07 | |
Because I had nothing to do with my dad's suicide. | 0:27:07 | 0:27:09 | |
You still think your father killed himself? | 0:27:09 | 0:27:12 | |
Have you found a single piece of evidence | 0:27:12 | 0:27:15 | |
that categorically proves he didn't? | 0:27:15 | 0:27:17 | |
I knew it. | 0:27:20 | 0:27:22 | |
Jay! Jay! Vinny. | 0:27:34 | 0:27:37 | |
Is that your bike? | 0:27:39 | 0:27:40 | |
Hold it. | 0:27:42 | 0:27:43 | |
Lovely. | 0:27:52 | 0:27:53 | |
-So, Drew has known about Lena for weeks. -Yes. | 0:27:53 | 0:27:57 | |
So he could have been planning the murder | 0:27:57 | 0:27:59 | |
ever since he found out about Mexico. | 0:27:59 | 0:28:01 | |
Yes, but how would he know | 0:28:01 | 0:28:02 | |
that Jacob was going to commit suicide that night? | 0:28:02 | 0:28:04 | |
No, good point. | 0:28:04 | 0:28:05 | |
And why even bother going through with killing a man | 0:28:05 | 0:28:08 | |
when he was going to kill himself anyway? | 0:28:08 | 0:28:10 | |
Good morning, team. How's the case going? | 0:28:11 | 0:28:15 | |
Well, sir, it's all good in some respects | 0:28:15 | 0:28:18 | |
and then, in other respects, it is less good. | 0:28:18 | 0:28:20 | |
-On balance? -It is pretty heavily weighted on the "less good"' side | 0:28:20 | 0:28:24 | |
of the seesaw, sir, but it's early days yet. | 0:28:24 | 0:28:26 | |
Did you get anywhere with the newspaper, sir? | 0:28:26 | 0:28:28 | |
I spoke to the paper's editor | 0:28:28 | 0:28:30 | |
who point blank refused to reveal his source. | 0:28:30 | 0:28:32 | |
The only thing he would tell me | 0:28:32 | 0:28:34 | |
was that the story came from someone "close to Jacob". | 0:28:34 | 0:28:37 | |
OK, but, um, if they're close to Jacob, then it... | 0:28:37 | 0:28:40 | |
it could be Charlotte | 0:28:40 | 0:28:41 | |
or Drew or Theo... | 0:28:41 | 0:28:44 | |
..or Lena, even. | 0:28:45 | 0:28:46 | |
Yes, you're right - they're all pretty close to Jacob. | 0:28:46 | 0:28:49 | |
In fact, the only one it couldn't be is Marlon. | 0:28:49 | 0:28:51 | |
Fidel! | 0:28:51 | 0:28:52 | |
Oh. | 0:28:52 | 0:28:53 | |
Commissioner. | 0:28:54 | 0:28:56 | |
-Dwayne. -How d'you get on? Any progress? | 0:28:56 | 0:28:59 | |
A little, but it can wait, though. | 0:28:59 | 0:29:01 | |
-Not at all - we're all ears. -But it's just that I'd rather not... | 0:29:01 | 0:29:05 | |
No, tell us who is our mystery man on the bike | 0:29:05 | 0:29:07 | |
and soon-to-be prime suspect in the murder. | 0:29:07 | 0:29:10 | |
It's my father, isn't it? | 0:29:10 | 0:29:11 | |
I'm sorry, Camille. Marlon borrowed a bike the day before the murder. | 0:29:14 | 0:29:18 | |
He then returned the bike to the owner yesterday afternoon. | 0:29:18 | 0:29:20 | |
I've checked the bike's tyres | 0:29:20 | 0:29:22 | |
against the casts Fidel took from the scene. | 0:29:22 | 0:29:24 | |
It was your father who was up at the victim's house | 0:29:24 | 0:29:26 | |
on the night of the murder. | 0:29:26 | 0:29:27 | |
So we'd better find out why he's been lying to us. Sir. | 0:29:29 | 0:29:32 | |
-Oh, Chief... -Yes? | 0:29:37 | 0:29:38 | |
-There was something else. -Really? | 0:29:38 | 0:29:40 | |
When I was asking around, I heard a rumour that maybe Jacob was a little | 0:29:40 | 0:29:43 | |
bit too close to a local businessman - a guy called Desmond Colbert. | 0:29:43 | 0:29:46 | |
-Who's he? -He owns a rum distillery. | 0:29:46 | 0:29:49 | |
It's been rumoured that he's got links to the underworld, | 0:29:49 | 0:29:51 | |
but nothing's ever been proven. CAR HORN BEEPS | 0:29:51 | 0:29:53 | |
Ah, right. Um, sorry, but if I don't go now, she'll go without me. | 0:29:53 | 0:29:56 | |
You know what she's like, sir... Fiery! | 0:29:56 | 0:29:58 | |
Go, Inspector. | 0:29:58 | 0:30:00 | |
SHE BEEPS HORN | 0:30:00 | 0:30:03 | |
Look, it's not like you think. | 0:30:15 | 0:30:17 | |
Then how is it? | 0:30:17 | 0:30:18 | |
Mr Croft, we can prove that the bike you had access to was | 0:30:18 | 0:30:22 | |
up at Jacob's the night he got killed. | 0:30:22 | 0:30:23 | |
So you've got two options. One, tell us the truth. | 0:30:23 | 0:30:27 | |
Or two, we can arrest you on suspicion of murder. | 0:30:27 | 0:30:29 | |
She's got a point. | 0:30:29 | 0:30:30 | |
Man, all right, I admit it. | 0:30:30 | 0:30:33 | |
I was at the dead guy's house. | 0:30:33 | 0:30:35 | |
But I was gone long before any shooting started. | 0:30:35 | 0:30:39 | |
Why should we believe any word you say? | 0:30:39 | 0:30:41 | |
All right, I'll tell you. So I sent Lena to bed, | 0:30:44 | 0:30:47 | |
like I told you, at 2am. But you're right. | 0:30:47 | 0:30:50 | |
I lined up the bike first. | 0:30:50 | 0:30:52 | |
Not sure if I was going to use it. | 0:30:52 | 0:30:54 | |
But the more I thought about it, the more I reckoned, | 0:30:54 | 0:30:57 | |
this is Jacob's fault. | 0:30:57 | 0:30:58 | |
I wanted to put the squeeze on him. Sort out some compensation | 0:30:58 | 0:31:02 | |
for Lena. | 0:31:02 | 0:31:03 | |
You mean, demand money with menaces? | 0:31:04 | 0:31:07 | |
Remind him of his obligations. | 0:31:07 | 0:31:09 | |
You went up there in the middle of the night? | 0:31:09 | 0:31:11 | |
It was for Lena. It mattered. | 0:31:11 | 0:31:13 | |
What time d'you get there? | 0:31:14 | 0:31:16 | |
A bit before 4am, | 0:31:16 | 0:31:17 | |
Jacob was already up. He was in the garden. | 0:31:17 | 0:31:21 | |
-Was there anyone else with him? -No. He was on his own. | 0:31:21 | 0:31:24 | |
Looked like he'd come back from the beach. | 0:31:24 | 0:31:26 | |
So I told him he owed Lena for what he'd done to her. | 0:31:26 | 0:31:29 | |
To be honest, | 0:31:29 | 0:31:31 | |
I got the feeling he'd agree to anything just to get rid of me. | 0:31:31 | 0:31:34 | |
So he took me inside the house. | 0:31:34 | 0:31:36 | |
Did anyone else see you while you were inside? | 0:31:36 | 0:31:38 | |
-No. He made sure of that. -What is this? | 0:31:38 | 0:31:41 | |
One moment, Lena. | 0:31:41 | 0:31:42 | |
What happened next? | 0:31:42 | 0:31:43 | |
I waited outside the study. | 0:31:43 | 0:31:45 | |
He went in and came out with a cheque. | 0:31:45 | 0:31:47 | |
-He didn't give you cash? -It was a cheque. | 0:31:47 | 0:31:49 | |
Was there anyone else in the study with him? | 0:31:49 | 0:31:51 | |
I couldn't see. | 0:31:51 | 0:31:52 | |
Once I got the money, I was on the bike and I was out of there again. | 0:31:52 | 0:31:55 | |
I don't understand. You were at Jacob's house? | 0:31:55 | 0:31:57 | |
Sure. Marlon here was getting you some money. | 0:31:57 | 0:32:00 | |
-How much was it? -What money? | 0:32:00 | 0:32:02 | |
Now hold on! I was waiting for the right moment... | 0:32:02 | 0:32:05 | |
Your mum wants you home, | 0:32:13 | 0:32:15 | |
so I got Jacob to give me some money to cover your flights. | 0:32:15 | 0:32:19 | |
-What time was Jacob killed? -7am. | 0:32:21 | 0:32:23 | |
So, you should know. | 0:32:23 | 0:32:25 | |
At 7am, I was at the airport - it's when the desk opened - | 0:32:25 | 0:32:29 | |
buying my goddaughter a return flight ticket to St Lucia. | 0:32:29 | 0:32:33 | |
OK, well, thank you very much for that. | 0:32:34 | 0:32:37 | |
Marlon was definitely at the airport buying a plane | 0:32:38 | 0:32:41 | |
ticket at the exact same time Jacob was being | 0:32:41 | 0:32:43 | |
murdered on the other side of the island. | 0:32:43 | 0:32:45 | |
And the bank say that he paid the cheque into his account | 0:32:45 | 0:32:47 | |
at 9:06am that morning. | 0:32:47 | 0:32:48 | |
And Jacob had thousands of dollars in his safe, so we're told - | 0:32:48 | 0:32:51 | |
so why did he write Marlon a cheque? | 0:32:51 | 0:32:53 | |
Why not just pay Marlon with the cash in the safe? | 0:32:53 | 0:32:57 | |
It's bizarre, it's... | 0:32:57 | 0:33:00 | |
cheque, cash, cash, cheque... OK. | 0:33:00 | 0:33:04 | |
We can strike Marlon from the investigation, | 0:33:04 | 0:33:06 | |
he is not our murderer. | 0:33:06 | 0:33:09 | |
Fidel, d'you get anywhere with the data from the Ministry's hard drive? | 0:33:11 | 0:33:15 | |
Well, sir, I've isolated as many of the documents connecting | 0:33:15 | 0:33:18 | |
Jacob to the rum trade as I could find. | 0:33:18 | 0:33:20 | |
Bills of lading or export licenses and so on. | 0:33:20 | 0:33:22 | |
There's about 500 that I've printed out already | 0:33:22 | 0:33:24 | |
-500?! -Yeah, but don't worry, sir. | 0:33:24 | 0:33:27 | |
Juliet's cooking up a fearsome roti and kalalu tonight. | 0:33:27 | 0:33:30 | |
The plan is for Dwayne and me to split this in two | 0:33:30 | 0:33:32 | |
-and go through it together. -Really? | 0:33:32 | 0:33:35 | |
No! That is what I told him, Chief. | 0:33:35 | 0:33:37 | |
He'll be working through the files | 0:33:37 | 0:33:39 | |
and I'll be working through the roti, the kalalu and beer. | 0:33:39 | 0:33:41 | |
Yeah, probably. | 0:33:41 | 0:33:43 | |
Ha, right, er, well, it's, er, it's getting late. | 0:33:43 | 0:33:44 | |
Let's, um, knock off tonight and pick this up again tomorrow. | 0:33:44 | 0:33:47 | |
And, um, Camille. | 0:33:53 | 0:33:54 | |
Mm-hm. | 0:33:54 | 0:33:56 | |
You, um...fancy a drink maybe? | 0:33:56 | 0:33:59 | |
Bite to eat? | 0:33:59 | 0:34:00 | |
No. | 0:34:00 | 0:34:01 | |
Or if it's, er, it's fun you're after, there's always um... | 0:34:01 | 0:34:05 | |
travel battleships. | 0:34:05 | 0:34:06 | |
I beg your pardon? | 0:34:06 | 0:34:08 | |
Guerre bateaux, as you probably call it. | 0:34:08 | 0:34:09 | |
Oh! | 0:34:09 | 0:34:11 | |
Although, I, I lost a submarine a couple of weeks ago, um, | 0:34:11 | 0:34:13 | |
it shouldn't matter so much. | 0:34:13 | 0:34:14 | |
It's, er, essentially just a pen and paper game, | 0:34:14 | 0:34:16 | |
we could draw up a couple of grids and... | 0:34:16 | 0:34:18 | |
No, no, no, no. Thank you. I...I'll go home. | 0:34:18 | 0:34:20 | |
Camille...? | 0:34:40 | 0:34:42 | |
What are you doing on the island? | 0:34:47 | 0:34:49 | |
I told you. I'm here to help Lena. | 0:34:49 | 0:34:52 | |
I don't believe you. | 0:34:52 | 0:34:53 | |
Why don't you believe me? | 0:34:53 | 0:34:55 | |
Because I know what you're like. | 0:34:55 | 0:34:57 | |
You've not seen me for 25 years | 0:34:57 | 0:35:00 | |
and you know exactly what I'm like? | 0:35:00 | 0:35:02 | |
I've heard the stories. | 0:35:04 | 0:35:05 | |
From your mother, you mean? | 0:35:05 | 0:35:07 | |
Yes. | 0:35:07 | 0:35:08 | |
Camille, I think about you every day. | 0:35:08 | 0:35:12 | |
I've even written you letters. | 0:35:14 | 0:35:16 | |
I haven't posted them but they're written. | 0:35:16 | 0:35:18 | |
Then why haven't you sent them? | 0:35:18 | 0:35:20 | |
-Be... -Because it was easier not to? | 0:35:20 | 0:35:23 | |
I don't know what your mother told you. | 0:35:25 | 0:35:27 | |
But you should know the truth. | 0:35:27 | 0:35:30 | |
My being out of your life, I was only doing as I was asked. | 0:35:30 | 0:35:35 | |
What she asked of me... | 0:35:35 | 0:35:37 | |
How's the new organised regime going? | 0:35:51 | 0:35:53 | |
Oh, it's made all the difference, Catherine. | 0:35:53 | 0:35:55 | |
A place for everything, and, er, everything in its...place. | 0:35:55 | 0:35:59 | |
I just need to learn where those new places are. Ah! | 0:35:59 | 0:36:03 | |
-Oh, Camille - a drink? -No. | 0:36:03 | 0:36:05 | |
Camille? | 0:36:05 | 0:36:06 | |
I need to ask you something. | 0:36:06 | 0:36:08 | |
What? What is it? | 0:36:10 | 0:36:11 | |
Because I don't want to take his side. | 0:36:11 | 0:36:13 | |
Whose side? What's going on? | 0:36:13 | 0:36:15 | |
Marlon told me he didn't leave us when we were in St Lucia. | 0:36:17 | 0:36:20 | |
You walked out on him, and that's why | 0:36:20 | 0:36:22 | |
the two of us moved back here. It's a lie, isn't it? | 0:36:22 | 0:36:26 | |
He's lying? | 0:36:26 | 0:36:28 | |
Well, I...I... | 0:36:28 | 0:36:31 | |
You walked out on him? | 0:36:31 | 0:36:33 | |
It was you that walked out on him? | 0:36:33 | 0:36:35 | |
Camille, I can explain... | 0:36:37 | 0:36:39 | |
It's yes or no, Maman. Did you walk out on my father? | 0:36:39 | 0:36:42 | |
Camille... | 0:36:47 | 0:36:48 | |
Camille? | 0:36:49 | 0:36:51 | |
Keep the change. | 0:36:53 | 0:36:54 | |
-Camille, just hold on a moment! -What? | 0:36:59 | 0:37:02 | |
I just wanted to know if you were OK? | 0:37:03 | 0:37:05 | |
She has lied to me my entire life. | 0:37:05 | 0:37:08 | |
Ah, yes, I gathered as much, but, um, maybe you should go back... | 0:37:08 | 0:37:12 | |
I don't want to hear what she has to say. | 0:37:12 | 0:37:14 | |
OK. | 0:37:14 | 0:37:15 | |
We could go for that drink, in another bar of course. | 0:37:15 | 0:37:17 | |
I mean, if you want to talk about it. Or not? | 0:37:17 | 0:37:20 | |
That also works. | 0:37:20 | 0:37:21 | |
Good night, Humphrey. | 0:37:21 | 0:37:24 | |
Ah! Morning, Camille! | 0:37:42 | 0:37:43 | |
Morning, sir. | 0:37:43 | 0:37:45 | |
-So I was just wondering... -What? | 0:37:49 | 0:37:51 | |
Are you, er, are you OK? | 0:37:52 | 0:37:53 | |
Of course I'm OK. | 0:37:53 | 0:37:55 | |
OK! | 0:37:55 | 0:37:56 | |
Listen, just make sure you call us as soon as the boat has docked, OK? | 0:37:58 | 0:38:01 | |
All right. | 0:38:01 | 0:38:02 | |
Er, what's going on? | 0:38:02 | 0:38:03 | |
Well, Chief, it took us most of the night, | 0:38:03 | 0:38:05 | |
but the answers were in the files, just like you said. | 0:38:05 | 0:38:07 | |
What have you found? | 0:38:07 | 0:38:08 | |
First, we didn't see anything because there's nothing | 0:38:08 | 0:38:10 | |
illegal about the outward shipments of rum from the island, | 0:38:10 | 0:38:13 | |
but it's what gets imported back into Saint-Marie that's interesting. | 0:38:13 | 0:38:15 | |
It is? | 0:38:15 | 0:38:17 | |
Yes, because every time a boat comes to the island it's full of cotton | 0:38:17 | 0:38:19 | |
or timber or whatever's being imported from wherever it's been to. | 0:38:19 | 0:38:22 | |
But every time a boat comes from South Africa, there are always | 0:38:22 | 0:38:25 | |
four crates for delivery to a company called Burwick Trading. | 0:38:25 | 0:38:28 | |
Who are Burwick Trading? | 0:38:28 | 0:38:29 | |
They're a local company with no apparent income, | 0:38:29 | 0:38:32 | |
no head office, no staff - but they do have one owner. | 0:38:32 | 0:38:36 | |
Who is it? | 0:38:36 | 0:38:37 | |
Jacob Doran - our recently-deceased Minister for Commerce. | 0:38:37 | 0:38:40 | |
It looks like he's been illegally importing goods from South Africa. | 0:38:40 | 0:38:43 | |
Fantastic. Great work, guys. What's he importing? | 0:38:43 | 0:38:45 | |
We don't know, sir, | 0:38:45 | 0:38:46 | |
but the next delivery to Burwick Trading arrives in port today. | 0:38:46 | 0:38:49 | |
And when we impound it, we'll finally find out what this case | 0:38:49 | 0:38:51 | |
is really all about. | 0:38:51 | 0:38:53 | |
Yes, and why the killer wanted to kill someone who was | 0:38:53 | 0:38:55 | |
-already in the process of killing himself. -Yes. | 0:38:55 | 0:38:57 | |
Ah, er, Camille... | 0:38:57 | 0:38:59 | |
I'm just asking for a chance to explain. | 0:39:10 | 0:39:12 | |
When you were three, Marlon got a job in St Lucia. | 0:39:16 | 0:39:20 | |
We went with him. And we were happy. | 0:39:20 | 0:39:23 | |
After a while it was the same old Marlon, | 0:39:24 | 0:39:27 | |
came and went as he pleased. He couldn't hold down a job. | 0:39:27 | 0:39:31 | |
I put up with his ways for so long. | 0:39:33 | 0:39:35 | |
Then, one morning, he took you to the beach. | 0:39:37 | 0:39:39 | |
By nightfall, he still hadn't come back. I was going frantic. | 0:39:41 | 0:39:46 | |
Eventually I found you...on your own. | 0:39:48 | 0:39:50 | |
Marlon was in a bar nearby, playing cards. | 0:39:53 | 0:39:57 | |
He had forgotten he had you with him. | 0:39:57 | 0:40:00 | |
It was the day I realised he couldn't be a father to you. | 0:40:03 | 0:40:08 | |
So I brought you back home. To Saint-Marie. | 0:40:10 | 0:40:15 | |
It was what I thought was best for you. | 0:40:17 | 0:40:19 | |
We need to go to the port. | 0:40:38 | 0:40:39 | |
OK, so the boat is here but the crates for Jacob's | 0:40:46 | 0:40:49 | |
-company are not getting unloaded, they're staying on board. -Why's that? | 0:40:49 | 0:40:52 | |
I don't know but the next port of call is Mexico. | 0:40:52 | 0:40:54 | |
Which is where Lena went with Jacob. | 0:40:54 | 0:40:56 | |
Yes, it was, wasn't it? | 0:40:56 | 0:40:57 | |
Forget about Lena, it's not about her. | 0:40:57 | 0:40:59 | |
How do you know? | 0:40:59 | 0:41:00 | |
Because look who's about to get on board. | 0:41:00 | 0:41:03 | |
Good morning, Mr Frazier! | 0:41:16 | 0:41:18 | |
What are you doing here? | 0:41:18 | 0:41:19 | |
I think we could ask you the same question. | 0:41:19 | 0:41:21 | |
Police, we're boarding your boat! | 0:41:21 | 0:41:23 | |
Honestly, I have no idea what is down there. | 0:41:34 | 0:41:36 | |
Dwayne. | 0:41:36 | 0:41:38 | |
Dwayne. | 0:41:38 | 0:41:39 | |
Ohh! | 0:41:47 | 0:41:49 | |
-Ti mal. -I know this looks bad. | 0:42:00 | 0:42:03 | |
You have no idea. | 0:42:03 | 0:42:05 | |
Well, I reckon we know where Jacob got his handgun from now, eh? | 0:42:05 | 0:42:08 | |
Yes, aye. | 0:42:08 | 0:42:09 | |
Yes, ay...I'd say that was excellent. | 0:42:09 | 0:42:11 | |
For a long time, I've suspected Jacob was using his | 0:42:14 | 0:42:17 | |
position in the Ministry to carve out some kind of sideline. | 0:42:17 | 0:42:21 | |
A few months back, I discovered Burwick Trading was owned by him. | 0:42:21 | 0:42:25 | |
He was up to something illegal, but I couldn't prove it. | 0:42:25 | 0:42:28 | |
So you decided to deal with him another way. | 0:42:28 | 0:42:30 | |
At the very least, Jacob had to be removed from power, | 0:42:30 | 0:42:34 | |
so when I discovered he had another one of his affairs... | 0:42:34 | 0:42:37 | |
So you were the person close to Jacob who went to the newspaper? | 0:42:37 | 0:42:40 | |
I promise you, if I'd known he was gun-running, | 0:42:40 | 0:42:42 | |
I would have come straight to you. | 0:42:42 | 0:42:45 | |
So when I came down here, I was trying to get the boat impounded. | 0:42:45 | 0:42:48 | |
It's true, sir. | 0:42:48 | 0:42:49 | |
The harbour master says Mr Frazier's been trying to get him | 0:42:49 | 0:42:52 | |
to call the police - he suspected this boat contained contraband. | 0:42:52 | 0:42:56 | |
Right, everyone, what does this mean? | 0:42:56 | 0:42:58 | |
It means Jacob Doran was a criminal. | 0:42:58 | 0:43:01 | |
Yes, the kind of criminal you want to kill. | 0:43:01 | 0:43:04 | |
Who knew about the gun-running? | 0:43:04 | 0:43:05 | |
Can we believe Theo when he said he didn't? | 0:43:05 | 0:43:08 | |
I don't know but if Theo really didn't know about it, | 0:43:10 | 0:43:13 | |
then maybe nobody did. | 0:43:13 | 0:43:15 | |
Yes, well, we're so close - we have to be! | 0:43:15 | 0:43:17 | |
Why was he killed? | 0:43:17 | 0:43:18 | |
Camille...? | 0:43:21 | 0:43:22 | |
What? | 0:43:22 | 0:43:23 | |
Um... Um, can I just say something? | 0:43:23 | 0:43:26 | |
Look, I know it's none of my business, so you're | 0:43:30 | 0:43:33 | |
welcome to tell me to shut up, or butt out, | 0:43:33 | 0:43:36 | |
although God knows what "butt out" actually means... | 0:43:36 | 0:43:38 | |
Anyway, um, the point is, I have no idea what | 0:43:38 | 0:43:42 | |
your mum said to you, or what she's like, really. | 0:43:42 | 0:43:45 | |
I've only been on the island a short while - but, erm, I do | 0:43:45 | 0:43:47 | |
know what you're like, I think, a bit, and I just want to say | 0:43:47 | 0:43:52 | |
that you couldn't have been more welcoming to me. | 0:43:52 | 0:43:55 | |
You're kind, you're warm-hearted, funny, | 0:43:55 | 0:43:57 | |
forgiving - and God knows you have to be forgiving to work with me. | 0:43:57 | 0:44:00 | |
Um, but the, ah, the thing is, is that whatever problems you | 0:44:00 | 0:44:06 | |
have with Catherine, don't accuse her of being a bad mother because | 0:44:06 | 0:44:10 | |
from where I'm standing, I'd say she's done a pretty fantastic job. | 0:44:10 | 0:44:14 | |
Hold on. Sir? | 0:44:22 | 0:44:23 | |
-Yes. -If Jacob was a crook, then that changes everything, doesn't it? | 0:44:23 | 0:44:27 | |
Yes, it certainly does. | 0:44:27 | 0:44:29 | |
So who killed him, then? | 0:44:29 | 0:44:31 | |
Well, let's start with what we know. | 0:44:31 | 0:44:33 | |
For example, I think we now know why he had an illegal gun to hand. | 0:44:33 | 0:44:37 | |
It belonged to Jacob. | 0:44:37 | 0:44:38 | |
Which means his murder was never really about the affair, was it? | 0:44:38 | 0:44:41 | |
It was about gun-running, plain and simple. | 0:44:41 | 0:44:44 | |
Which might also explain why he was killed, even though | 0:44:44 | 0:44:46 | |
he was going to kill himself anyway. | 0:44:46 | 0:44:48 | |
Do you think it was an execution? | 0:44:48 | 0:44:49 | |
Well, maybe it was a message, you know. | 0:44:49 | 0:44:51 | |
You step out of line, you're going to get killed. | 0:44:51 | 0:44:53 | |
Yes, which also explains why he didn't want us | 0:44:53 | 0:44:55 | |
looking at the hard drive. | 0:44:55 | 0:44:56 | |
The only person who could remove that drive is Jacob himself. | 0:44:56 | 0:44:58 | |
It contained evidence of his arms dealings. | 0:44:58 | 0:45:00 | |
-And why the bullet went through the clothes. -It was murder. | 0:45:00 | 0:45:03 | |
And why there were tyre tracks. | 0:45:03 | 0:45:05 | |
Because Marlon was up there that night. | 0:45:05 | 0:45:07 | |
So we are left with the suicide note, Jacob's night-time walk | 0:45:07 | 0:45:09 | |
and the theft of the cash and passport from the safe. | 0:45:09 | 0:45:12 | |
Oh, but the cash is easy. If you see the cash, you take it. | 0:45:12 | 0:45:14 | |
But why also take the victim's passport? | 0:45:14 | 0:45:16 | |
All I can think is that you want to impersonate him. | 0:45:16 | 0:45:18 | |
But everyone knows what Jacob looks like, | 0:45:18 | 0:45:20 | |
you'd never get away with it. | 0:45:20 | 0:45:21 | |
The only person who could possibly use that passport is Jacob. | 0:45:21 | 0:45:24 | |
And he can't use it because he is dead. | 0:45:24 | 0:45:26 | |
Wait a minute... Or could he? | 0:45:29 | 0:45:31 | |
Sir?! | 0:45:33 | 0:45:35 | |
But we know he was going to commit suicide, so what does that mean? | 0:45:35 | 0:45:39 | |
That goes there. Ah, and there...that's impossible. | 0:45:39 | 0:45:44 | |
That goes there. Passport...ha! | 0:45:44 | 0:45:49 | |
So that explains why he wiped his hard drive and the illegal gun, | 0:45:49 | 0:45:52 | |
yes! And the bullet through the clothes, | 0:45:52 | 0:45:54 | |
and the tyre tracks, but not the 3am walk. | 0:45:54 | 0:45:57 | |
No, of course, the 3am walk. And that finally explains why! | 0:46:02 | 0:46:07 | |
You know, don't you? | 0:46:08 | 0:46:10 | |
You've got ink on your shirt. | 0:46:10 | 0:46:13 | |
And you've made a serious mess of that board. | 0:46:13 | 0:46:15 | |
I think it suits you, Chief. | 0:46:15 | 0:46:17 | |
You're right. You are bloody well right. | 0:46:18 | 0:46:21 | |
That's better. | 0:46:33 | 0:46:36 | |
Right, I think we've got | 0:46:36 | 0:46:37 | |
a killer to catch...just as soon as I've changed my shirt. | 0:46:37 | 0:46:40 | |
So how do you want to play this? | 0:46:54 | 0:46:56 | |
By, um, going to the beach. | 0:46:56 | 0:46:59 | |
-What? -Why? | 0:46:59 | 0:47:01 | |
There's something we've got to find. | 0:47:01 | 0:47:03 | |
I think it was better when he was trying to be neat and tidy. | 0:47:11 | 0:47:14 | |
No, Dwayne. There's a method in his madness. | 0:47:14 | 0:47:17 | |
There's got to be. | 0:47:17 | 0:47:18 | |
Mind you, I'm not saying he's not mad, OK? | 0:47:22 | 0:47:24 | |
I'm just saying there's a method to it, that's all. | 0:47:24 | 0:47:26 | |
Look mad to me. | 0:47:26 | 0:47:28 | |
He says he doesn't need any help. | 0:47:38 | 0:47:39 | |
Oh, he needs help, all right. Medical help. | 0:47:39 | 0:47:43 | |
Ah! | 0:47:43 | 0:47:45 | |
And he wouldn't tell you what he was looking for? | 0:47:53 | 0:47:55 | |
He just said he wanted it to be a surprise. | 0:47:55 | 0:47:58 | |
HE YELLS | 0:47:58 | 0:48:01 | |
No way? | 0:48:01 | 0:48:02 | |
Found it! | 0:48:02 | 0:48:03 | |
-What is it? -Hold on. | 0:48:07 | 0:48:09 | |
One moment and you'll be able to see. | 0:48:10 | 0:48:14 | |
Yeah, we saw that. | 0:48:14 | 0:48:15 | |
How the hell did you know that was there? | 0:48:15 | 0:48:17 | |
Come on, you all knew there'd be a bag buried on the beach, | 0:48:17 | 0:48:19 | |
-you must have done? -Sure! | 0:48:19 | 0:48:21 | |
Go on, Officer. Open it. | 0:48:21 | 0:48:23 | |
No, no, no, no, You do it. | 0:48:23 | 0:48:24 | |
Oh, I don't need to. I already know what's in it. | 0:48:24 | 0:48:27 | |
-Open it up! -Hold on! | 0:48:29 | 0:48:30 | |
Method to the madness! | 0:48:33 | 0:48:35 | |
Thank you all for joining us. | 0:48:40 | 0:48:42 | |
You've found out who killed Dad? | 0:48:42 | 0:48:44 | |
We have. | 0:48:44 | 0:48:46 | |
Marlon, we know you came here that night... | 0:48:49 | 0:48:52 | |
..but by the time Jacob was killed, | 0:48:56 | 0:48:57 | |
you were on the other side of the island buying your plane tickets. | 0:48:57 | 0:49:01 | |
Which also puts you in the clear, Lena. | 0:49:01 | 0:49:03 | |
After all, there was only one set of tyre tracks up to the house | 0:49:03 | 0:49:06 | |
that night - and they belonged to Marlon. | 0:49:06 | 0:49:08 | |
So you didn't kill him either. | 0:49:08 | 0:49:10 | |
And then there were three. | 0:49:13 | 0:49:16 | |
You see, the key to this case has always been | 0:49:16 | 0:49:19 | |
the riddle at the heart of it. | 0:49:19 | 0:49:20 | |
Why did the killer kill a man who was | 0:49:22 | 0:49:24 | |
already in the process of killing himself? | 0:49:24 | 0:49:27 | |
It's, it's bizarre. | 0:49:27 | 0:49:28 | |
But as in a lot of riddles, the answer, in the end, | 0:49:29 | 0:49:31 | |
was quite simple. | 0:49:31 | 0:49:33 | |
He wasn't killing himself. | 0:49:35 | 0:49:37 | |
Well, he was. We saw the letter. | 0:49:37 | 0:49:40 | |
Fidel? | 0:49:40 | 0:49:42 | |
The suicide note was real enough. But it was also fake. | 0:49:42 | 0:49:45 | |
That's not possible. | 0:49:45 | 0:49:47 | |
Oh, it's possible, it's just a little paradoxical... | 0:49:47 | 0:49:50 | |
POT SMASHES | 0:49:50 | 0:49:52 | |
..but then, in the end, no more puzzling than the other | 0:49:52 | 0:49:55 | |
paradoxes in this case. | 0:49:55 | 0:49:56 | |
For example, why was it Jacob's press secretary who gave | 0:49:56 | 0:50:00 | |
the story of his boss's infidelity to the newspaper? | 0:50:00 | 0:50:03 | |
It was you? | 0:50:03 | 0:50:05 | |
I had no choice. | 0:50:05 | 0:50:07 | |
But why? He, he was a good man. | 0:50:07 | 0:50:08 | |
Apart from the affairs? | 0:50:10 | 0:50:11 | |
Yes. Apart from the affairs. | 0:50:14 | 0:50:15 | |
And the gun-running? | 0:50:15 | 0:50:17 | |
What are you talking about? | 0:50:18 | 0:50:19 | |
-You really didn't know? -Know what? | 0:50:19 | 0:50:22 | |
Your husband was an illegal arms dealer. | 0:50:22 | 0:50:24 | |
No! | 0:50:27 | 0:50:29 | |
He was importing guns from South Africa and shipping them to Mexico. | 0:50:29 | 0:50:31 | |
It's true, Charlotte. I've seen the evidence with my own eyes. | 0:50:31 | 0:50:35 | |
Theo's right. | 0:50:35 | 0:50:37 | |
He wanted Jacob removed from power, | 0:50:37 | 0:50:40 | |
but you'd already achieved that by the time the article | 0:50:40 | 0:50:43 | |
about his affair had been published, so you didn't kill him either. | 0:50:43 | 0:50:47 | |
And then there were two. | 0:50:50 | 0:50:52 | |
Doting wife, loyal to the last. | 0:50:52 | 0:50:55 | |
And a young son who'd just been betrayed | 0:50:55 | 0:50:58 | |
when his father had slept with his girlfriend. | 0:50:58 | 0:51:01 | |
See, that's what I realised about this earlier today - this case was | 0:51:01 | 0:51:05 | |
never about Jacob's affair, or his gun-running - not directly anyway. | 0:51:05 | 0:51:09 | |
I didn't kill him! | 0:51:11 | 0:51:13 | |
You're right. You didn't kill him. It was your mother. | 0:51:13 | 0:51:17 | |
Charlotte, you killed Jacob Doran. | 0:51:17 | 0:51:19 | |
No! | 0:51:19 | 0:51:20 | |
I told you. | 0:51:20 | 0:51:22 | |
I stood by Jacob our whole marriage - despite the affairs. | 0:51:22 | 0:51:25 | |
And that's why he had to die. | 0:51:25 | 0:51:27 | |
Because that night you discovered that you may have | 0:51:27 | 0:51:30 | |
stood by your husband, but he wasn't going to stand by you. | 0:51:30 | 0:51:33 | |
Was he? | 0:51:33 | 0:51:34 | |
We found your husband's bag on the beach. | 0:51:34 | 0:51:37 | |
It's the bag that tells us his suicide note was fake. | 0:51:37 | 0:51:40 | |
While also being real. | 0:51:40 | 0:51:42 | |
And only you could have worked it out. | 0:51:42 | 0:51:44 | |
Only you went after him when he went for his walk. | 0:51:44 | 0:51:48 | |
You didn't lose him, like you told us. You followed him. | 0:51:48 | 0:51:51 | |
I think you sensed that Jacob was up to something. | 0:51:51 | 0:51:54 | |
So you followed him down to the beach which is where you | 0:51:56 | 0:51:59 | |
saw him burying the bag in the sand. | 0:51:59 | 0:52:01 | |
You didn't know what was in it. | 0:52:01 | 0:52:03 | |
But you were going to find out. | 0:52:03 | 0:52:05 | |
Once Jacob left, you dug up the bag and found clothes, money, | 0:52:10 | 0:52:14 | |
passport and a gun. | 0:52:14 | 0:52:16 | |
All the things he'd need to carry out his plan. | 0:52:16 | 0:52:18 | |
Which was quite simple, really. | 0:52:18 | 0:52:20 | |
With the publication of his affair, | 0:52:20 | 0:52:22 | |
Jacob knew his days as a minister were numbered. | 0:52:22 | 0:52:24 | |
How long before his replacement discovered that Jacob had been | 0:52:24 | 0:52:27 | |
abusing his position in the Ministry and dealing in illegal weapons? | 0:52:27 | 0:52:32 | |
So he decided to fake his own death and skip the country. | 0:52:32 | 0:52:35 | |
First, he placed a bag with everything he'd need to run away. | 0:52:35 | 0:52:39 | |
And then he wrote a note, | 0:52:39 | 0:52:40 | |
telling the world he was going to commit suicide. | 0:52:40 | 0:52:43 | |
He then planned to go down to the beach where he'd undress | 0:52:45 | 0:52:49 | |
and step into the sea, | 0:52:49 | 0:52:50 | |
so it would look like he'd swum out into the ocean to his own death. | 0:52:50 | 0:52:55 | |
When in reality, all he had to do was swim | 0:52:55 | 0:52:57 | |
further along the beach to where he planted his bag. | 0:52:57 | 0:52:59 | |
And get dressed in the clothes he'd placed there earlier. | 0:52:59 | 0:53:03 | |
Meaning he was now free to leave the island, or no doubt on the next | 0:53:03 | 0:53:07 | |
boat he could get to his gun-running friends in Mexico. | 0:53:07 | 0:53:10 | |
Not that you knew the specific details, I'm sure, | 0:53:10 | 0:53:12 | |
but you got the general drift. | 0:53:12 | 0:53:14 | |
Jacob was abandoning you. | 0:53:15 | 0:53:17 | |
And after all those decades you'd stood by him. | 0:53:17 | 0:53:21 | |
While he'd concentrated on his career rather than you. | 0:53:21 | 0:53:24 | |
After all the affairs and now it was | 0:53:24 | 0:53:26 | |
him who was running out on you. | 0:53:26 | 0:53:27 | |
You weren't prepared to let that happen. | 0:53:27 | 0:53:30 | |
They're running it. | 0:53:30 | 0:53:31 | |
So you made a plan. When you came back from the beach that | 0:53:31 | 0:53:34 | |
night, you brought something with you. | 0:53:34 | 0:53:36 | |
Your husband's gun. | 0:53:36 | 0:53:38 | |
So as you told us, | 0:53:38 | 0:53:40 | |
you believed in your marriage vows. You were husband and wife. | 0:53:40 | 0:53:44 | |
Together. Forever. Till death do you part! | 0:53:45 | 0:53:49 | |
GUNSHOT | 0:53:52 | 0:53:54 | |
But when you killed him, you knew you only had seconds to | 0:53:54 | 0:53:57 | |
set the scene. | 0:53:57 | 0:53:58 | |
Your son was in his room... | 0:53:59 | 0:54:02 | |
Theo was on the veranda. | 0:54:02 | 0:54:03 | |
They'd both have heard the gunshot. | 0:54:03 | 0:54:06 | |
So how did you escape without being seen? | 0:54:06 | 0:54:08 | |
This is what we realised - we don't think you did. | 0:54:10 | 0:54:12 | |
Because, in the confusion, who would notice | 0:54:14 | 0:54:16 | |
if you had entered the room through the door, or from behind it? | 0:54:16 | 0:54:20 | |
Dad! | 0:54:25 | 0:54:26 | |
I'm sorry. | 0:54:28 | 0:54:30 | |
Please. | 0:54:32 | 0:54:33 | |
Thank you. But I'm going to stay on the island | 0:54:51 | 0:54:54 | |
a bit longer, I think. | 0:54:54 | 0:54:56 | |
Right, erm, I think I'll just...yes. | 0:55:16 | 0:55:19 | |
You know, I'm glad I finally got to meet you. | 0:55:24 | 0:55:29 | |
You are? | 0:55:29 | 0:55:30 | |
All my life, you've been like a spectre. | 0:55:30 | 0:55:33 | |
A shadow hanging over me. | 0:55:33 | 0:55:35 | |
And now I'm not? | 0:55:35 | 0:55:37 | |
Now I know exactly who you are. | 0:55:37 | 0:55:39 | |
Camille, I should have done more. | 0:55:41 | 0:55:42 | |
You did just enough. | 0:55:44 | 0:55:45 | |
You left me to be raised by mother - | 0:55:46 | 0:55:48 | |
and that's the best gift you could have given me. | 0:55:48 | 0:55:51 | |
I want to give you something. | 0:55:53 | 0:55:54 | |
What is it? | 0:55:56 | 0:55:57 | |
It's my address. In St Lucia. Maybe one day...? | 0:55:57 | 0:56:00 | |
You write to me. Then we'll see. | 0:56:00 | 0:56:05 | |
Man alive, that is what I call getting a round in. | 0:56:28 | 0:56:32 | |
Come on, Chief, it's thirsty work catching criminals, you know. | 0:56:32 | 0:56:35 | |
Camille! | 0:56:35 | 0:56:37 | |
Camille, you have to believe me, | 0:56:39 | 0:56:41 | |
I only ever wanted to do what was best for you. | 0:56:41 | 0:56:44 | |
You did. | 0:56:44 | 0:56:46 | |
I did? | 0:56:46 | 0:56:47 | |
You did the best for me every day of my life. | 0:56:47 | 0:56:50 | |
Oh! | 0:56:50 | 0:56:51 | |
You know what, Catherine? In your bar, I feel positively French. | 0:56:58 | 0:57:02 | |
You do? | 0:57:02 | 0:57:03 | |
Yes, so I think it only right that we celebrate your culture | 0:57:03 | 0:57:06 | |
in the only way I know how. | 0:57:06 | 0:57:08 | |
This is not French. | 0:57:09 | 0:57:11 | |
What could be more French than French cricket? | 0:57:11 | 0:57:13 | |
What....? | 0:57:13 | 0:57:15 | |
-Catherine, you're too short for a long leg! -Oh, thank you! | 0:57:15 | 0:57:18 | |
And you're too long for a short leg. Fidel! | 0:57:18 | 0:57:21 | |
I want you at extra cover on the boundary | 0:57:21 | 0:57:22 | |
but look sharp, I want you in on the one. | 0:57:22 | 0:57:24 | |
Yeah, OK! | 0:57:24 | 0:57:25 | |
And what am I supposed to do? | 0:57:25 | 0:57:27 | |
Just hit it. | 0:57:27 | 0:57:29 | |
Don't worry - it takes time for even the best players to | 0:57:29 | 0:57:31 | |
get their eye in. | 0:57:31 | 0:57:32 | |
Allez. | 0:57:32 | 0:57:33 | |
Ready? | 0:57:34 | 0:57:36 | |
-Yes, sir! -Play! | 0:57:36 | 0:57:38 | |
CHEERING | 0:57:42 | 0:57:44 | |
That's a six, Chief. | 0:57:46 | 0:57:47 | |
-That is not a six! -What?! | 0:57:47 | 0:57:49 | |
It hasn't even hit the ground. | 0:57:49 | 0:57:50 | |
Are you serious? | 0:57:50 | 0:57:52 | |
I can still catch it! | 0:57:52 | 0:57:53 | |
-Where you going? -No! | 0:57:53 | 0:57:54 | |
-Yes! -No! | 0:57:54 | 0:57:56 | |
Yes! | 0:57:56 | 0:57:57 | |
Howzat! | 0:58:07 | 0:58:10 | |
So have you ever seen a Bonelli's eagle, Alec? | 0:58:10 | 0:58:12 | |
It's OK to say no. | 0:58:12 | 0:58:13 | |
-Someone should teach him some manners. -Yes. They probably should. | 0:58:13 | 0:58:16 | |
It's Mr Talbot, he's going without you! | 0:58:16 | 0:58:18 | |
He's trying to see the Green first. | 0:58:18 | 0:58:19 | |
Oh! | 0:58:19 | 0:58:21 | |
-SCREAMING -The world of... | 0:58:22 | 0:58:23 | |
bird watching may be slightly more cut-throat than one might assume. | 0:58:23 | 0:58:26 | |
So you said you had a date tonight? What does he do for a living? | 0:58:26 | 0:58:29 | |
Models swimwear. | 0:58:29 | 0:58:30 | |
GUNSHOT | 0:58:30 | 0:58:32 |