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MUSIC: "007" by Desmond Dekker | 0:00:02 | 0:00:06 | |
Why aren't your brother and sister helping you? | 0:00:25 | 0:00:27 | |
Don't worry, Papa, I got this covered. | 0:00:27 | 0:00:29 | |
Your mother always used to scold me for spending so much on wine. | 0:00:29 | 0:00:33 | |
"All tastes the same after a few glasses." | 0:00:33 | 0:00:35 | |
Boy, she'd be mad at me for buying this lot. | 0:00:36 | 0:00:39 | |
I think she would've just been happy to have everyone together again. | 0:00:39 | 0:00:42 | |
See you at lunch, then? | 0:00:42 | 0:00:43 | |
Have you seen your father? | 0:00:54 | 0:00:56 | |
-No? -No. | 0:00:56 | 0:00:58 | |
What do you think? It's my mother. | 0:00:59 | 0:01:01 | |
-Swimming. -Hmm. | 0:01:01 | 0:01:03 | |
She used to love doing laps in the pool. | 0:01:03 | 0:01:06 | |
Blue is very nice. | 0:01:06 | 0:01:08 | |
Ah, Mr Jackson, | 0:01:08 | 0:01:09 | |
these are the faxes from the London office, | 0:01:09 | 0:01:11 | |
-the documents you requested. -Thank you. | 0:01:11 | 0:01:14 | |
Daddy? I've almost finished it. | 0:01:14 | 0:01:17 | |
Well, do you like it? | 0:01:17 | 0:01:19 | |
Are you happy with it? | 0:01:19 | 0:01:21 | |
-Yes. Yes. I think I am. -Well, I'm happy...if you are. | 0:01:21 | 0:01:24 | |
-Need any help at the office? -Under control. | 0:01:29 | 0:01:32 | |
Market's looking pretty bullish at the moment. | 0:01:32 | 0:01:35 | |
Mm-hm. | 0:01:35 | 0:01:37 | |
There are some developments I need to discuss with you after lunch. | 0:01:50 | 0:01:54 | |
Ah, Joseph, nice of you to make an effort. | 0:02:24 | 0:02:27 | |
I didn't realise there was a dress code. | 0:02:27 | 0:02:30 | |
I can lend you a decent shirt and tie if you want. | 0:02:30 | 0:02:34 | |
Hmm, good idea, boys. Let's start bickering - | 0:02:34 | 0:02:36 | |
today of all days. | 0:02:36 | 0:02:38 | |
-Yes, ma'am? -Check where Daddy is, please. | 0:02:40 | 0:02:43 | |
Some of us are getting hungry. | 0:02:43 | 0:02:45 | |
Mr Jackson? | 0:02:48 | 0:02:52 | |
Mr Jackson? | 0:02:52 | 0:02:53 | |
Oh, my God! | 0:03:09 | 0:03:11 | |
Let me review what we know so far. | 0:03:45 | 0:03:47 | |
A man is found dead at the bottom of a ten-storey building, | 0:03:47 | 0:03:50 | |
clearly having fallen. | 0:03:50 | 0:03:52 | |
Yes. | 0:03:52 | 0:03:53 | |
And the detective must work out whether it was murder or suicide. | 0:03:53 | 0:03:56 | |
He goes up each floor and throws a coin | 0:03:56 | 0:03:58 | |
out of the window at every level. | 0:03:58 | 0:03:59 | |
And then he knows he's got his answer. | 0:03:59 | 0:04:01 | |
-What kind of coin? -It doesn't matter. | 0:04:03 | 0:04:05 | |
It was murder. | 0:04:05 | 0:04:07 | |
Ah, yes. It's definitely murder. | 0:04:07 | 0:04:08 | |
-Are they big or small coins? -The coins aren't important. | 0:04:08 | 0:04:11 | |
-Maybe we should start again from the beginning... -Oh, gosh! | 0:04:11 | 0:04:14 | |
-PHONE RINGS -Honore Police Station. | 0:04:14 | 0:04:16 | |
It must have been murder | 0:04:16 | 0:04:17 | |
because the detective had to open up all the windows, which means | 0:04:17 | 0:04:21 | |
the victim was pushed out and the window closed afterwards. | 0:04:21 | 0:04:24 | |
If it was suicide, he would have found an open window. Simple. | 0:04:24 | 0:04:28 | |
Well, it does depend on how big the window ledges are. | 0:04:28 | 0:04:30 | |
-I thought you said you liked riddles. -I do. Give me, give me another. | 0:04:30 | 0:04:33 | |
OK. There's been a murder on Sebastien Island. | 0:04:33 | 0:04:35 | |
OK. | 0:04:35 | 0:04:37 | |
And? | 0:04:37 | 0:04:40 | |
And we should go there. | 0:04:40 | 0:04:41 | |
No. I don't get it. | 0:04:42 | 0:04:44 | |
No, sir, it's not a riddle. There's actually | 0:04:44 | 0:04:46 | |
been a murder. Alexander Jackson. | 0:04:46 | 0:04:48 | |
-Been found shot near his home. -Oh, the old carpetbagger, eh? | 0:04:48 | 0:04:50 | |
-I'll arrange some transport. -What do you mean by carpetbagger? | 0:04:50 | 0:04:53 | |
The man made millions out of property developments - land grabs. | 0:04:53 | 0:04:56 | |
And he has a house on Sebastien Island? | 0:04:56 | 0:04:58 | |
Chief! The man owns the whole island. | 0:04:58 | 0:05:00 | |
There's only one house on it. HIS! He's a lucky man. | 0:05:00 | 0:05:04 | |
Or should I say "was"? | 0:05:04 | 0:05:06 | |
We'll be at the harbour in ten minutes. | 0:05:06 | 0:05:08 | |
-Why is he even using coins? -It doesn't matter! | 0:05:08 | 0:05:11 | |
I can't imagine buying an entire island. | 0:05:17 | 0:05:20 | |
-Buying a house was stressful enough. -That's the rich for you. | 0:05:20 | 0:05:23 | |
Considering Mr Jackson's popularity, | 0:05:23 | 0:05:25 | |
living away from Saint-Marie was probably a smart move. | 0:05:25 | 0:05:28 | |
He wasn't well liked? | 0:05:28 | 0:05:30 | |
Buying up land cheap, clearing out the locals, | 0:05:30 | 0:05:32 | |
and building luxury homes in their place? What do you think? | 0:05:32 | 0:05:35 | |
Some of those homes had been in families for generations. | 0:05:35 | 0:05:38 | |
Yes, I imagine the drinks will be flowing in | 0:05:38 | 0:05:40 | |
a fair few of the bars tonight. | 0:05:40 | 0:05:42 | |
Owah. | 0:05:42 | 0:05:43 | |
I mean, the estate agent fees alone would be astronomical. | 0:05:43 | 0:05:46 | |
Oh, it's a little bit choppy. | 0:05:46 | 0:05:48 | |
Yes, sir, the weather report says there might be storms. | 0:05:48 | 0:05:50 | |
But don't worry. They're usually wrong. | 0:05:50 | 0:05:53 | |
Coming up, whoa! | 0:06:05 | 0:06:07 | |
Oh, oh...! | 0:06:09 | 0:06:10 | |
Thank you. | 0:06:12 | 0:06:13 | |
-Hello. -Hello. | 0:06:18 | 0:06:20 | |
I'm Emily Benoit. Mr Jackson's personal assistant. | 0:06:20 | 0:06:23 | |
I'm DS Bordey, this is Inspector Goodman. | 0:06:23 | 0:06:25 | |
You were the one who made the call? | 0:06:25 | 0:06:26 | |
Yes. | 0:06:26 | 0:06:28 | |
Er, the housemaid, Rosie, she, she found the body... | 0:06:28 | 0:06:31 | |
Can you take us to it? | 0:06:31 | 0:06:33 | |
Yes, of course. | 0:06:33 | 0:06:34 | |
So who else is here at the moment? | 0:06:36 | 0:06:38 | |
Mr Jackson's two sons and his daughter. | 0:06:38 | 0:06:41 | |
It's been a year since his wife passed away. | 0:06:41 | 0:06:44 | |
I'm sorry to hear that. How did she die? | 0:06:44 | 0:06:46 | |
A stroke. It was very sudden. | 0:06:46 | 0:06:47 | |
Mr Jackson wanted everyone in the family to join him here to remember her. | 0:06:47 | 0:06:51 | |
Gathering the clan, as it were. | 0:06:51 | 0:06:53 | |
And you are considered family? | 0:06:53 | 0:06:54 | |
Me? No. | 0:06:56 | 0:06:58 | |
He had some work things he wanted me to go over this weekend. | 0:06:59 | 0:07:01 | |
Did he always work weekends? | 0:07:01 | 0:07:04 | |
Mr Jackson liked to do things his own way. | 0:07:04 | 0:07:06 | |
No internet, no mobile reception, only one landline. | 0:07:06 | 0:07:10 | |
He doesn't even own a computer. | 0:07:10 | 0:07:12 | |
He called this place his "Fortress of Solitude". | 0:07:12 | 0:07:15 | |
Yes, well that's pretty apt. | 0:07:15 | 0:07:17 | |
So, the jetty is the only way on or off this island? | 0:07:17 | 0:07:20 | |
He made sure of that - security was very important to him. | 0:07:20 | 0:07:23 | |
I'm going to have my own island one day, you know. | 0:07:30 | 0:07:33 | |
Hm, sure, Dwayne. Of course you are. | 0:07:33 | 0:07:35 | |
SHE EXHALES | 0:07:40 | 0:07:42 | |
I'm Detective Inspector Goodman, this is DS Bordey. | 0:07:47 | 0:07:49 | |
Terrance Jackson, this is my sister, Anna, and my brother, Joseph. | 0:07:49 | 0:07:52 | |
I'll need you to step away from the body, you're contaminating the crime scene. | 0:07:52 | 0:07:55 | |
Actually we were waiting for you. Want to move our father inside the house now. | 0:07:55 | 0:07:59 | |
-It's important that you stay away from the body. -Look, my father was a great man. | 0:07:59 | 0:08:02 | |
It's disrespectful to leave him lying out. | 0:08:02 | 0:08:04 | |
I sympathise but the sooner you let us get on, | 0:08:04 | 0:08:07 | |
the sooner we can move him somewhere more...respectful. | 0:08:07 | 0:08:09 | |
Maybe it's better we wait up at the house. | 0:08:09 | 0:08:12 | |
Thank you. | 0:08:17 | 0:08:18 | |
Best you go with them. | 0:08:21 | 0:08:22 | |
Thank you. | 0:08:23 | 0:08:25 | |
Sir. I've got a bullet here. Looks like it's gone straight through. | 0:08:30 | 0:08:34 | |
And judging by the wound and the bullet, | 0:08:34 | 0:08:36 | |
I'd say he was shot with a pistol. | 0:08:36 | 0:08:38 | |
Why's he not wearing his shirt? | 0:08:41 | 0:08:43 | |
Look at his clothes. | 0:08:43 | 0:08:45 | |
Smartly dressed, bit odd, isn't it - sat here | 0:08:45 | 0:08:47 | |
and decides to take his shirt off? | 0:08:47 | 0:08:49 | |
Look, I'm going to go and tell the captain to take the boat back, | 0:08:49 | 0:08:52 | |
pick up the paramedics so the body can get examined properly. | 0:08:52 | 0:08:54 | |
-OK, but you'd better tell him to get a move on. -What? -The storm. | 0:08:54 | 0:08:57 | |
Well, you'd better finish up here and take the body inside then. | 0:08:57 | 0:09:00 | |
So, it's a year since his wife passed away. | 0:09:00 | 0:09:02 | |
Family all together, on the island he owns. | 0:09:02 | 0:09:05 | |
At some point he comes outside, removes his shirt. | 0:09:05 | 0:09:08 | |
And is shot through the heart with a pistol. | 0:09:08 | 0:09:10 | |
I think it's time we heard what the family have to say for themselves. | 0:09:10 | 0:09:13 | |
HE CLEARS HIS THROAT | 0:09:28 | 0:09:30 | |
Erm, as difficult as this must be for all of you, we need | 0:09:30 | 0:09:34 | |
to know the last time you all saw Mr Jackson prior to his death. | 0:09:34 | 0:09:38 | |
Well, I saw him at the jetty | 0:09:38 | 0:09:40 | |
when the boat delivered supplies for lunch. | 0:09:40 | 0:09:42 | |
I saw him when I was painting by the pool. | 0:09:44 | 0:09:46 | |
I saw him there too. | 0:09:46 | 0:09:47 | |
Ah... Erm... | 0:09:50 | 0:09:52 | |
(I've broken my pencil. Have you got a pen?) | 0:09:52 | 0:09:55 | |
I have a pen. Be careful. It's very expensive. | 0:09:55 | 0:09:58 | |
Thank you. | 0:10:01 | 0:10:03 | |
So, jetty, swimming pool. | 0:10:04 | 0:10:06 | |
And that was the last time he was seen? | 0:10:06 | 0:10:09 | |
No. I saw him later in his study. | 0:10:09 | 0:10:12 | |
He was just putting something in the safe. | 0:10:12 | 0:10:14 | |
Then headed out for a walk. It was around 11:20 or so. | 0:10:14 | 0:10:18 | |
What was he putting in the safe? | 0:10:18 | 0:10:20 | |
Not sure. Financial projections, maybe? | 0:10:20 | 0:10:22 | |
And how did he seem? His mood, his manner? | 0:10:22 | 0:10:25 | |
He did seem a little preoccupied. | 0:10:25 | 0:10:27 | |
There are some developments I need to discuss with you after lunch. | 0:10:27 | 0:10:30 | |
Sir, it's not my place | 0:10:30 | 0:10:32 | |
but maybe you shouldn't be worrying about business today. | 0:10:32 | 0:10:35 | |
This is something that needs to be done. | 0:10:35 | 0:10:37 | |
At this point, before he | 0:10:39 | 0:10:40 | |
went for his walk, did he have his shirt on? | 0:10:40 | 0:10:42 | |
-Yes. Of course. -Did he say why he was going out to the garden? | 0:10:42 | 0:10:45 | |
Father always liked to take a walk before lunch. | 0:10:45 | 0:10:48 | |
Clear his head from business. | 0:10:48 | 0:10:50 | |
Except at some point within the hour BANG! | 0:10:50 | 0:10:52 | |
A gun goes off. | 0:10:52 | 0:10:54 | |
Yes. I heard it. | 0:10:54 | 0:10:56 | |
I was preparing the vegetables for lunch | 0:10:56 | 0:10:58 | |
and I had another 30 minutes before it was due to be ready. | 0:10:58 | 0:11:02 | |
That must have been about 11:40. | 0:11:02 | 0:11:04 | |
GUNSHOT | 0:11:04 | 0:11:05 | |
I thought it was just Mr Jackson shooting the birds again. | 0:11:07 | 0:11:10 | |
-Birds? -Mmm-hmm. | 0:11:10 | 0:11:12 | |
It's a business thing. | 0:11:12 | 0:11:13 | |
Take the client out to play golf or go shooting. | 0:11:13 | 0:11:16 | |
Father liked to keep his aim in, you know? | 0:11:16 | 0:11:19 | |
Was the gun kept for protection, as well? | 0:11:19 | 0:11:22 | |
He wasn't exactly popular with certain people in Saint-Marie. | 0:11:22 | 0:11:26 | |
Everything he did was legal. | 0:11:26 | 0:11:29 | |
Which doesn't make it morally right. | 0:11:29 | 0:11:31 | |
Ask the hundreds of people made homeless by Papa's little "loopholes". | 0:11:31 | 0:11:35 | |
Let's return to the gun in a moment. | 0:11:35 | 0:11:37 | |
I want to be clear where everyone was | 0:11:37 | 0:11:39 | |
when the shot was heard at 11:40. | 0:11:39 | 0:11:41 | |
I was by the pool, working on my painting. | 0:11:41 | 0:11:44 | |
I heard the shot, | 0:11:44 | 0:11:45 | |
I assumed the same thing as Rosie that it was the birds. | 0:11:45 | 0:11:48 | |
I heard it too, I was in the library doing some reading. | 0:11:48 | 0:11:51 | |
I was in my room taking a shower, getting ready for lunch. | 0:11:51 | 0:11:56 | |
Which leaves you, Joseph. Did you hear the gunshot? | 0:11:57 | 0:12:00 | |
No. I was running, I had my headphones on. | 0:12:00 | 0:12:03 | |
Normally I have a workout on the beach when I stay here. | 0:12:03 | 0:12:05 | |
But the weather looked like it was turning, | 0:12:05 | 0:12:07 | |
so I decided just to head to the gym instead. | 0:12:07 | 0:12:10 | |
Right, so... Kitchen. Pool. | 0:12:11 | 0:12:15 | |
Library. Room. | 0:12:15 | 0:12:17 | |
Gym. | 0:12:18 | 0:12:19 | |
All of you alone. | 0:12:19 | 0:12:20 | |
No corroboration as to where you were. | 0:12:20 | 0:12:22 | |
Um, no. Rosie saw me. | 0:12:22 | 0:12:25 | |
-Is that right? -Yes. | 0:12:25 | 0:12:26 | |
I was asking her. Not you. | 0:12:26 | 0:12:28 | |
Er, yes, I saw him in the gym. | 0:12:28 | 0:12:31 | |
What time was that? | 0:12:31 | 0:12:33 | |
Er, maybe around half past 11... | 0:12:33 | 0:12:35 | |
all the way through to 11:50, 12... | 0:12:35 | 0:12:38 | |
-And he stayed there the whole time? -Well, I was... | 0:12:38 | 0:12:41 | |
I was busy running in and out the kitchen... | 0:12:41 | 0:12:43 | |
but I'm fairly sure I would have noticed if he'd gone anywhere else. | 0:12:43 | 0:12:48 | |
Fairly sure. | 0:12:48 | 0:12:50 | |
Joseph has an alibi but no-one else has someone who can vouch | 0:12:50 | 0:12:53 | |
for where they were. | 0:12:53 | 0:12:55 | |
About this gun your father owned... | 0:12:55 | 0:12:57 | |
It's a shotgun. It's kept mounted in the hallway. | 0:12:57 | 0:12:59 | |
And it's the only gun in the house? | 0:12:59 | 0:13:01 | |
Is there something we should know? | 0:13:05 | 0:13:07 | |
It's erm... | 0:13:09 | 0:13:11 | |
It's not the only gun. | 0:13:11 | 0:13:14 | |
Yesterday afternoon, I was out looking for inspiration | 0:13:14 | 0:13:16 | |
and I heard the shots. | 0:13:16 | 0:13:18 | |
GUNSHOT | 0:13:18 | 0:13:20 | |
It was just practice. | 0:13:26 | 0:13:28 | |
I mean I have a pistol, yes, but it's for personal protection. | 0:13:28 | 0:13:32 | |
-I have the papers for it. -Where's it kept? | 0:13:32 | 0:13:34 | |
In a lockbox in my room. It's quite safe. | 0:13:34 | 0:13:38 | |
I keep the key on me at all times. | 0:13:38 | 0:13:40 | |
Even when working out in the gym? | 0:13:40 | 0:13:41 | |
At all times. | 0:13:41 | 0:13:43 | |
But if Papa was killed by a shotgun... | 0:13:44 | 0:13:46 | |
Well, that's the thing, you see, he wasn't. | 0:13:46 | 0:13:49 | |
We believe the weapon used was a pistol. | 0:13:49 | 0:13:51 | |
I'm not a fan of guns | 0:13:58 | 0:14:00 | |
but I work for an aid organisation around the world. | 0:14:00 | 0:14:03 | |
Sadly, some of the places that need the most help are also | 0:14:03 | 0:14:07 | |
the most dangerous. | 0:14:07 | 0:14:09 | |
And the organisation you work for condones the carrying of firearms? | 0:14:09 | 0:14:12 | |
Yes, well, they, they understand. | 0:14:12 | 0:14:15 | |
Aid work's a little bit different from what your father did. | 0:14:15 | 0:14:18 | |
That's kind of the point. | 0:14:18 | 0:14:20 | |
How long have you been back here? | 0:14:20 | 0:14:22 | |
Only a few days. It's been a long time since I've been home. | 0:14:22 | 0:14:26 | |
And why is that? | 0:14:26 | 0:14:27 | |
Had some pretty big issues with how Papa made his millions. | 0:14:27 | 0:14:31 | |
Seemed better to stay away than have endless arguments about it. | 0:14:31 | 0:14:35 | |
But after Mum died, felt it was time to build those bridges again, | 0:14:35 | 0:14:38 | |
you know? | 0:14:38 | 0:14:39 | |
CLATTER | 0:14:39 | 0:14:41 | |
Trust me, you won't find a better lock. | 0:14:41 | 0:14:44 | |
And you're the only one with a key with access to it? | 0:14:44 | 0:14:47 | |
Well, yes, but Rosie saw me in the gym. | 0:14:47 | 0:14:49 | |
And violence is never an answer to anything. I'm a pacifist. | 0:14:49 | 0:14:53 | |
A pacifist with a pistol. | 0:14:53 | 0:14:55 | |
Here it is. | 0:15:00 | 0:15:01 | |
Right, so I'll need to lock this away, OK? | 0:15:01 | 0:15:03 | |
You sure that's not the murder weapon? | 0:15:03 | 0:15:06 | |
Your father was killed with a pistol bullet. | 0:15:06 | 0:15:08 | |
Shotguns don't fire bullets. They fire shot. | 0:15:08 | 0:15:12 | |
Well, you seem to know your stuff. | 0:15:12 | 0:15:14 | |
If there's anything else you need... | 0:15:14 | 0:15:16 | |
Yes, just be around to answer any more follow-up questions, OK? | 0:15:16 | 0:15:19 | |
Chief, I hope you know that that storm means | 0:15:39 | 0:15:41 | |
the crime scene's a goner, you know. | 0:15:41 | 0:15:42 | |
-That wind is going to cut right through it and tear it up. -Sounds like orange to me. | 0:15:42 | 0:15:46 | |
Er? | 0:15:46 | 0:15:47 | |
Storms are colour coded, sir. | 0:15:47 | 0:15:49 | |
Orange means stay inside, lock the doors | 0:15:49 | 0:15:51 | |
and all boats remain in the harbour. | 0:15:51 | 0:15:54 | |
Wait! So that means the paramedics can't come over? | 0:15:54 | 0:15:56 | |
I'm afraid so. | 0:15:56 | 0:15:57 | |
So, we're stranded here? | 0:15:57 | 0:15:59 | |
Yes and that means the killer is too. | 0:15:59 | 0:16:01 | |
Yes, well, that's reassuring. | 0:16:01 | 0:16:02 | |
Yeah, not to mention without mobile or internet connections | 0:16:02 | 0:16:05 | |
we can't even get proper background checks. | 0:16:05 | 0:16:07 | |
We can improvise. Get what information we can from here. | 0:16:07 | 0:16:09 | |
And at least we still...have an outside line. | 0:16:09 | 0:16:13 | |
With a distinct lack of a dialling tone. | 0:16:17 | 0:16:19 | |
Phone lines tend to be the first thing to go. | 0:16:19 | 0:16:21 | |
OK! | 0:16:21 | 0:16:23 | |
So, let's make this the base of our operations for the time being. | 0:16:23 | 0:16:26 | |
So what do we need? Right, we need headshots. | 0:16:26 | 0:16:29 | |
Headsh... Aha! | 0:16:29 | 0:16:31 | |
Present on the island at the time of the murder | 0:16:31 | 0:16:33 | |
we have Anna the daughter, Terrance the son. | 0:16:33 | 0:16:36 | |
She's 30, a freelance artist in New York. | 0:16:36 | 0:16:39 | |
Terrance has always lived at home. He's 37 years old, | 0:16:39 | 0:16:42 | |
and he's the vice-president of his father's property company. | 0:16:42 | 0:16:45 | |
Then we have Emily the PA. | 0:16:45 | 0:16:47 | |
Hard working and willing to work overtime at weekends. | 0:16:47 | 0:16:50 | |
-Just like us. -Speak for yourself. | 0:16:50 | 0:16:52 | |
Now, Emily's 42. | 0:16:52 | 0:16:53 | |
She's worked for Alexander for 11 months. | 0:16:53 | 0:16:56 | |
Then we have Rosie the maid who found the body. | 0:16:56 | 0:16:58 | |
Now there are no photos of her. | 0:16:58 | 0:17:00 | |
So, we need to improvise. | 0:17:00 | 0:17:02 | |
Going to need some paper. | 0:17:02 | 0:17:04 | |
-Sir... -Thank you. OK... | 0:17:04 | 0:17:06 | |
There we go. | 0:17:12 | 0:17:14 | |
Oh, you have hidden talents, sir! | 0:17:14 | 0:17:16 | |
HE CHUCKLES | 0:17:16 | 0:17:18 | |
So, what have we got on her? | 0:17:18 | 0:17:19 | |
25. Been with the family three years. | 0:17:19 | 0:17:21 | |
And finally we have Joseph. | 0:17:21 | 0:17:24 | |
40. Works for foreign aid. | 0:17:24 | 0:17:26 | |
Tends to live wherever his work takes him. | 0:17:26 | 0:17:28 | |
Yes and let's not forget he arrived at his mother's memorial with | 0:17:28 | 0:17:31 | |
a pistol in tow. | 0:17:31 | 0:17:33 | |
And then his father was found dead. Shirt off. Shot. | 0:17:33 | 0:17:36 | |
Two pieces of the puzzle right there. Why was he shirtless? | 0:17:36 | 0:17:40 | |
And why use a gun? A small island. | 0:17:40 | 0:17:42 | |
Much quieter ways to kill someone. | 0:17:42 | 0:17:44 | |
Strangling. | 0:17:44 | 0:17:46 | |
Poison. Push him off a cliff. | 0:17:46 | 0:17:48 | |
Half brick to the back of the head. | 0:17:48 | 0:17:50 | |
Yes...erm...nevertheless, | 0:17:50 | 0:17:53 | |
the bullet that killed Alexander did come from a pistol. | 0:17:53 | 0:17:56 | |
And as far as we know the only pistol on the island belongs | 0:17:56 | 0:17:59 | |
-to Joseph. -Unless someone is lying to us. -Which is entirely possible. | 0:17:59 | 0:18:03 | |
So we need to find out if the bullet came from the pistol that Joseph owns. | 0:18:03 | 0:18:06 | |
I could check the striation marks from the recovered bullet with another one fired from the gun. | 0:18:06 | 0:18:10 | |
-Mm-hm. -If they match up, then we'd know for sure that the pistol was the murder weapon. -Good. | 0:18:10 | 0:18:14 | |
Well, it looks like we're going to have to use the old-fashioned ways to solve this case. | 0:18:14 | 0:18:17 | |
And the sooner we do so, the better. Because one of the five people in this house killed Alexander Jackson. | 0:18:17 | 0:18:22 | |
So, let's be wary of that. | 0:18:22 | 0:18:24 | |
Watch your backs...and each others. | 0:18:24 | 0:18:27 | |
I've always wanted to say that! | 0:18:28 | 0:18:30 | |
HE CHUCKLES | 0:18:30 | 0:18:32 | |
So, who stood to gain the most from Alexander's death? | 0:18:32 | 0:18:36 | |
Well, on the surface, Terrance seems the obvious choice. | 0:18:36 | 0:18:40 | |
Vice-president of his father's firm. | 0:18:40 | 0:18:42 | |
And now Daddy's gone, he's just gained control of a large, | 0:18:42 | 0:18:45 | |
successful company. | 0:18:45 | 0:18:47 | |
STORM GATHERS | 0:18:47 | 0:18:49 | |
I'm the only one who's qualified to do it. | 0:18:50 | 0:18:53 | |
Really? | 0:18:53 | 0:18:55 | |
Not Anna? Or Joseph? | 0:18:55 | 0:18:56 | |
Joseph? | 0:18:56 | 0:18:57 | |
The only time Joseph's got involved in the company is across the bloody picket line. | 0:18:57 | 0:19:01 | |
The picket line being? | 0:19:01 | 0:19:02 | |
Joseph protested against some of Father's resort plans. | 0:19:04 | 0:19:08 | |
Father almost had him thrown in jail. | 0:19:08 | 0:19:11 | |
Do you have the combination for the safe? | 0:19:11 | 0:19:13 | |
No. But Emily does. | 0:19:13 | 0:19:15 | |
Says here that your father only had one | 0:19:15 | 0:19:17 | |
appointment for next week - with his solicitor on Monday. | 0:19:17 | 0:19:21 | |
Do you have any idea what that was about? | 0:19:21 | 0:19:22 | |
No. But I think maybe that... | 0:19:22 | 0:19:24 | |
Emily would know. | 0:19:24 | 0:19:26 | |
Yes. Sorry. | 0:19:26 | 0:19:29 | |
I didn't spend much time in Father's study... | 0:19:30 | 0:19:34 | |
I guess it's my study now. | 0:19:34 | 0:19:37 | |
I always expected him to hand the keys over to me. | 0:19:37 | 0:19:40 | |
Father to son. But... | 0:19:40 | 0:19:41 | |
..never imagined it would be like this. | 0:19:43 | 0:19:45 | |
Take this. Ohh! | 0:20:11 | 0:20:13 | |
Here! Come on. | 0:20:16 | 0:20:18 | |
These are all of Alexander's files that were in storage. | 0:20:20 | 0:20:24 | |
Excellent. Thank you. And the safe? | 0:20:24 | 0:20:27 | |
The combination is his wedding anniversary. | 0:20:27 | 0:20:30 | |
BEEPING | 0:20:30 | 0:20:31 | |
Thank you. | 0:20:33 | 0:20:35 | |
He had an appointment with his solicitor on Monday. | 0:20:35 | 0:20:38 | |
Do you know what that was about? | 0:20:38 | 0:20:40 | |
No. He didn't mention it. | 0:20:41 | 0:20:43 | |
Sorry. | 0:20:46 | 0:20:47 | |
Right, well, none of these seem particularly recent - | 0:20:52 | 0:20:57 | |
financial projections for this year and last. | 0:20:57 | 0:21:00 | |
Not sure what that is... | 0:21:00 | 0:21:01 | |
Oh! And his last will and testament. | 0:21:02 | 0:21:04 | |
I don't suppose he left this island to the longest-serving | 0:21:04 | 0:21:07 | |
officer of the Honore Police Station, by any chance, did he? | 0:21:07 | 0:21:10 | |
Actually, he did. | 0:21:10 | 0:21:12 | |
Congratulations Dwayne, all this is yours. | 0:21:12 | 0:21:14 | |
-No... -No! Of course not. | 0:21:14 | 0:21:17 | |
It's your standard three-way split between the children. All included. All equally divided. | 0:21:17 | 0:21:22 | |
Sometimes Your Words Hurt Me Like a Dagger Through My Heart. | 0:21:22 | 0:21:25 | |
It was just a joke, Dwayne. | 0:21:25 | 0:21:27 | |
No, chief, | 0:21:27 | 0:21:29 | |
it was among Alexander's things. | 0:21:29 | 0:21:31 | |
It's the name of a play Anna wrote a few years back. | 0:21:31 | 0:21:34 | |
Had an off-Broadway performance in New York. | 0:21:34 | 0:21:36 | |
So, an artist and a writer. | 0:21:36 | 0:21:40 | |
There's another one here as well. | 0:21:40 | 0:21:42 | |
One from a fashion show she organised nine months ago | 0:21:42 | 0:21:45 | |
The Empress's New Clothes. | 0:21:45 | 0:21:46 | |
-SHE CHUCKLES -And a message on the back to him | 0:21:46 | 0:21:49 | |
saying she knows he's missed all her other events | 0:21:49 | 0:21:51 | |
but hoping he would make this one. | 0:21:51 | 0:21:53 | |
"Really hoping." | 0:21:53 | 0:21:55 | |
Yeah, which he didn't. Contractors' meeting instead. | 0:21:55 | 0:21:58 | |
I thought you were meant to go to your kids' plays and stuff. | 0:21:58 | 0:22:00 | |
It's like a legal obligation of being a father. | 0:22:00 | 0:22:03 | |
If you're interested in them, yes. I wonder if Alexander was. | 0:22:03 | 0:22:06 | |
Never showing up despite the fact she kept inviting him. | 0:22:06 | 0:22:08 | |
You think he disapproved? | 0:22:08 | 0:22:10 | |
Could be. Maybe saw her as flighty. | 0:22:10 | 0:22:13 | |
I think it's time to see what the artist has to say for herself... | 0:22:13 | 0:22:17 | |
Perhaps we would be better off inside. | 0:22:21 | 0:22:22 | |
Ssh. Listen! | 0:22:22 | 0:22:24 | |
What exactly are we listening for? | 0:22:27 | 0:22:29 | |
I forget how violent these storms can be - that primal force of nature! | 0:22:29 | 0:22:34 | |
If I could capture just SOME of that in one of my paintings... | 0:22:34 | 0:22:37 | |
Please come back inside. Come on. | 0:22:37 | 0:22:40 | |
Yeah. | 0:22:41 | 0:22:42 | |
SHE SIGHS AND CHUCKLES | 0:22:44 | 0:22:46 | |
So, have you always wanted to be a painter? | 0:22:46 | 0:22:49 | |
Oh, yes. It's my greatest dream. | 0:22:49 | 0:22:52 | |
Right, not maybe a, a playwright or a fashion designer? | 0:22:52 | 0:22:56 | |
Well, I have turned my hand to quite a few things, | 0:22:56 | 0:23:00 | |
but when the muse calls, one has to follow. | 0:23:00 | 0:23:04 | |
Have you ever had a regular job? | 0:23:07 | 0:23:09 | |
Being a painter isn't a regular job? | 0:23:09 | 0:23:11 | |
You know what I mean. | 0:23:11 | 0:23:14 | |
Did your father see your career choices in the same way? | 0:23:14 | 0:23:17 | |
Oh, he was always very supportive of me. | 0:23:17 | 0:23:21 | |
So, if you had, say, a gallery opening he'd fly over especially? | 0:23:21 | 0:23:25 | |
I'm sure that he would have tried to. | 0:23:25 | 0:23:28 | |
Except he never managed to, did he? Which must've been very frustrating. | 0:23:28 | 0:23:32 | |
Hurtful, even. | 0:23:32 | 0:23:33 | |
To be on a stage, or by a catwalk, looking out into the crowd, | 0:23:33 | 0:23:36 | |
hoping to see his face, yet knowing in your heart of hearts you won't. | 0:23:36 | 0:23:40 | |
Perhaps what you said was right. | 0:23:44 | 0:23:47 | |
He was always very business minded. | 0:23:47 | 0:23:50 | |
When I wanted to pursue the arts - my dreams - | 0:23:50 | 0:23:53 | |
rather than join the family firm... | 0:23:53 | 0:23:55 | |
Five minutes. That's all I ever wanted. | 0:23:58 | 0:24:00 | |
Five minutes for him to sit and read something I'd written or | 0:24:00 | 0:24:03 | |
look at a painting I'd done and I mean, really look, | 0:24:03 | 0:24:06 | |
not just glance and dismiss it... | 0:24:06 | 0:24:08 | |
Not just glance and dismiss me. | 0:24:09 | 0:24:11 | |
SHE CHUCKLES | 0:24:15 | 0:24:17 | |
Look. Did I have issues with my father? | 0:24:17 | 0:24:21 | |
Yes. Yes, I did. But I didn't kill him. | 0:24:22 | 0:24:25 | |
I mean, have issues with everyone - my brothers, my mother. | 0:24:25 | 0:24:28 | |
If we carry on talking I'll probably have issues with you two. | 0:24:28 | 0:24:31 | |
SHE CHUCKLES | 0:24:31 | 0:24:33 | |
But it's OK. I'm in therapy for it. | 0:24:33 | 0:24:36 | |
Bullet used to kill Alexander. | 0:24:45 | 0:24:47 | |
Bullet from Joseph's gun. | 0:24:49 | 0:24:51 | |
Let's see if you match up. | 0:24:51 | 0:24:53 | |
Snap! | 0:25:00 | 0:25:01 | |
Striation marks match. | 0:25:03 | 0:25:05 | |
The bullet used to kill Alexander was fired from Joseph's pistol. | 0:25:05 | 0:25:08 | |
Oh, how unfortunate. | 0:25:08 | 0:25:09 | |
No, I'm sorry I mean, good work, Fidel. | 0:25:09 | 0:25:12 | |
But it just makes things so much more complicated. | 0:25:12 | 0:25:14 | |
We have Joseph, with a gun, in a locked box. | 0:25:14 | 0:25:17 | |
A gun only he had access to. | 0:25:17 | 0:25:19 | |
And yet he's the only person with an alibi for the murder. | 0:25:19 | 0:25:21 | |
We need to find out if anyone else has their fingerprints on that gun. | 0:25:21 | 0:25:24 | |
-I'll get on that right away. -I'll come with you. | 0:25:24 | 0:25:27 | |
And we start in on Joseph's alibi. | 0:25:27 | 0:25:29 | |
Because there is something missing from this puzzle. | 0:25:29 | 0:25:31 | |
The gun locked away. | 0:25:31 | 0:25:32 | |
A single key. Alexander's shirt removed. | 0:25:32 | 0:25:35 | |
Why would a man dressed for lunch remove his shirt? | 0:25:35 | 0:25:37 | |
Solve one of these clues and the whole thing should unravel. | 0:25:37 | 0:25:42 | |
Hopefully. | 0:25:42 | 0:25:43 | |
I still can't believe you forgot to pack | 0:25:52 | 0:25:53 | |
my finger-printing equipment. | 0:25:53 | 0:25:55 | |
OK, I'm sorry but I did tell you it was for a magic trick | 0:25:55 | 0:25:57 | |
I was working on. | 0:25:57 | 0:25:59 | |
-Dwayne, why would you want to learn magic tricks? -To impress women, of course. | 0:25:59 | 0:26:02 | |
-UNDER HIS BREATH: -Of course. | 0:26:02 | 0:26:03 | |
Why go up to them and ask their names when you can just do this... | 0:26:03 | 0:26:07 | |
Huh? | 0:26:07 | 0:26:08 | |
This is why I hate lending you things. | 0:26:08 | 0:26:10 | |
-DWAYNE CHUCKLES -Ah, Rosie! | 0:26:10 | 0:26:12 | |
I brought the items you asked for. | 0:26:12 | 0:26:14 | |
A brush and cocoa powder. | 0:26:14 | 0:26:16 | |
Good idea. Nice hot cup of cocoa. | 0:26:16 | 0:26:18 | |
Calm him down a bit. | 0:26:18 | 0:26:19 | |
No, Dwayne. It's for the fingerprints. | 0:26:19 | 0:26:23 | |
What? | 0:26:23 | 0:26:24 | |
Now, that's magic. | 0:26:37 | 0:26:38 | |
He's very good. | 0:26:41 | 0:26:43 | |
Yes, but I'm not too bad either. | 0:26:45 | 0:26:48 | |
For example, I noticed your lovely earrings earlier. | 0:26:48 | 0:26:52 | |
-Diamonds, right? -No, no, no, imitation. | 0:26:54 | 0:26:57 | |
First year on the force, I trailed a diamond forger for months. | 0:26:57 | 0:27:02 | |
I can spot a fake diamond from 20 yards. | 0:27:02 | 0:27:05 | |
So, I have to ask myself, "What is a housemaid doing with | 0:27:05 | 0:27:08 | |
"shiny stones like these?" | 0:27:08 | 0:27:11 | |
Mmm? | 0:27:11 | 0:27:12 | |
They were a gift. | 0:27:12 | 0:27:14 | |
From Mr Jackson. | 0:27:14 | 0:27:15 | |
Quite an extravagant gift. | 0:27:16 | 0:27:17 | |
You want to talk somewhere more private? | 0:27:21 | 0:27:24 | |
Because I'm all ears. | 0:27:24 | 0:27:25 | |
Ah. | 0:27:29 | 0:27:30 | |
HE CHUCKLES | 0:27:30 | 0:27:32 | |
Right. Erm... Hmmm... | 0:27:41 | 0:27:42 | |
Well, I could definitely see you, but not your face, just your back. | 0:27:42 | 0:27:46 | |
So if it was someone else on the treadmill, | 0:27:46 | 0:27:48 | |
they would have had to look a lot like Joseph. | 0:27:48 | 0:27:50 | |
A fake alibi then? Er, Rosie and Joseph working together. | 0:27:50 | 0:27:54 | |
But what motive would Rosie have? | 0:27:54 | 0:27:56 | |
She wouldn't have one. Not to kill Mr Jackson. | 0:27:56 | 0:27:59 | |
In fact, he very kindly gave her some diamond earrings. | 0:27:59 | 0:28:03 | |
What? | 0:28:03 | 0:28:04 | |
HE GROANS AND SHE GASPS | 0:28:04 | 0:28:06 | |
Well, that was very generous of him. | 0:28:07 | 0:28:10 | |
It wasn't generosity. It was to buy her silence, her loyalty. | 0:28:10 | 0:28:14 | |
You see, there was a little incident here, | 0:28:14 | 0:28:16 | |
six months ago, one which would have been | 0:28:16 | 0:28:18 | |
very embarrassing for the company if it had come out in the press. | 0:28:18 | 0:28:22 | |
Rosie! | 0:28:22 | 0:28:23 | |
One day all of this will be mine. | 0:28:26 | 0:28:28 | |
Rosie! Rosie... | 0:28:28 | 0:28:30 | |
-Mr Jackson... -Rosie! Rosie! Rosie! | 0:28:30 | 0:28:33 | |
Mr Jackson... | 0:28:33 | 0:28:34 | |
SHE SHRIEKS | 0:28:36 | 0:28:38 | |
I'm sorry. I didn't mean to. Rosie, please don't tell my father. | 0:28:40 | 0:28:44 | |
I was drunk. It was a mistake. | 0:28:46 | 0:28:50 | |
A stupid, foolish mistake and I've paid for it. | 0:28:50 | 0:28:52 | |
He stopped my wages. My expense account. It was under review. | 0:28:54 | 0:28:58 | |
Father said if I made another mistake he'd bump me | 0:28:58 | 0:29:00 | |
right down to the same level as the doorman. | 0:29:00 | 0:29:03 | |
While I can't condone your actions towards Rosie | 0:29:03 | 0:29:06 | |
but that punishment sounds pretty humiliating for you. | 0:29:06 | 0:29:10 | |
He didn't even tell me face-to-face. | 0:29:10 | 0:29:12 | |
Just sent me a memo. That's his way. | 0:29:12 | 0:29:16 | |
Yes, I...know how you feel. | 0:29:16 | 0:29:19 | |
I doubt it. | 0:29:19 | 0:29:21 | |
I've got two brothers who graduated from Oxford. | 0:29:24 | 0:29:28 | |
My father framed and put their certificates up in the living room. | 0:29:28 | 0:29:31 | |
When I passed my police exams I gave him | 0:29:32 | 0:29:34 | |
a copy of that certificate... | 0:29:34 | 0:29:36 | |
..which he lovingly stuck up in the toilet. | 0:29:37 | 0:29:40 | |
It was the way he was so dismissive of me, you know? | 0:29:41 | 0:29:44 | |
Mmm. It's like they don't seem to appreciate all your hard work | 0:29:44 | 0:29:47 | |
and effort. | 0:29:47 | 0:29:48 | |
Maybe you just wanted to show him a bit of backbone. | 0:29:51 | 0:29:53 | |
Maybe you just went a bit too far. | 0:29:53 | 0:29:57 | |
What? No, no! He's my father! | 0:29:57 | 0:30:02 | |
-I couldn't do that. -But he stopped your money. | 0:30:02 | 0:30:04 | |
The one thing that made you feel like a success. | 0:30:04 | 0:30:07 | |
No. I've always, always been loyal to my father. | 0:30:07 | 0:30:11 | |
No matter what. We had a strong relationship. | 0:30:11 | 0:30:14 | |
I mean, I mean it wasn't like him and Joseph. | 0:30:14 | 0:30:16 | |
We didn't have those kinds of problems, you know? | 0:30:16 | 0:30:19 | |
Presumably their problems are in the past. The protests and so on. | 0:30:19 | 0:30:22 | |
Well, you'd think so. I did. But maybe I was wrong. | 0:30:22 | 0:30:27 | |
Last night, I heard them arguing. | 0:30:27 | 0:30:30 | |
You hold your tongue. Don't you dare cross the line this time! | 0:30:30 | 0:30:34 | |
What were they arguing about? | 0:30:34 | 0:30:37 | |
I don't know. But ever since Father's body was found, | 0:30:37 | 0:30:40 | |
I've thought about it and turned it around in my head and... | 0:30:40 | 0:30:43 | |
I'm loyal to my family. Above all. | 0:30:46 | 0:30:50 | |
And I just hope with all my heart, Joseph feels the same way. | 0:30:50 | 0:30:54 | |
I feel a bit sorry for Terrance. | 0:30:56 | 0:30:58 | |
You shouldn't. He just inherited a multimillion pound company. | 0:30:58 | 0:31:01 | |
Mmm. | 0:31:01 | 0:31:02 | |
There's just something a little sad about the way he carries himself. | 0:31:02 | 0:31:06 | |
Joseph on the other hand... | 0:31:06 | 0:31:09 | |
Joseph? Confident. Willing to stand up to his father. | 0:31:09 | 0:31:12 | |
-On the night before Alexander died. -Brings a pistol to the island. | 0:31:12 | 0:31:15 | |
The pistol we know is the murder weapon. | 0:31:15 | 0:31:17 | |
And yet it's locked away, he has the only key and the only alibi. | 0:31:17 | 0:31:21 | |
We could search his room. See if we can uncover anything else. | 0:31:21 | 0:31:24 | |
-It's not a bad idea, Camille. -Thank you. | 0:31:24 | 0:31:26 | |
THUNDER CRASHES | 0:31:26 | 0:31:28 | |
OK. We've finished going through these files. Are there any more? | 0:31:29 | 0:31:32 | |
-No. -You sure? | 0:31:32 | 0:31:35 | |
Absolutely. | 0:31:35 | 0:31:36 | |
Can you just press your fingers down here, please? | 0:31:36 | 0:31:39 | |
It's just that all the newspaper correspondence paints | 0:31:39 | 0:31:42 | |
a pretty glowing picture of Alexander and his company. | 0:31:42 | 0:31:45 | |
Well, he worked hard to get good press. | 0:31:45 | 0:31:47 | |
And I remember the protests, the petitions, the trouble - | 0:31:47 | 0:31:51 | |
-there must be more. -Mmm. | 0:31:51 | 0:31:53 | |
Honestly, that's all we've got here. | 0:31:54 | 0:31:56 | |
How do you know when someone's lying to you? | 0:32:02 | 0:32:04 | |
They use the word "honestly" to start a sentence. | 0:32:04 | 0:32:06 | |
Exactly. | 0:32:06 | 0:32:08 | |
Maybe I'll snoop around a bit and see | 0:32:08 | 0:32:10 | |
-if there's anything else I can dig up. -Sure. | 0:32:10 | 0:32:12 | |
Aha. | 0:32:27 | 0:32:28 | |
I think I know what Joseph was so angry about. | 0:32:28 | 0:32:31 | |
Looks like Alexander Jackson was planning on opening | 0:32:31 | 0:32:34 | |
a new golf course on Saint-Marie. | 0:32:34 | 0:32:36 | |
Which would have meant having to move a lot of houses, families. | 0:32:36 | 0:32:39 | |
Seeing as Joseph had already protested | 0:32:39 | 0:32:41 | |
against his developments before... | 0:32:41 | 0:32:43 | |
But would it be enough to kill his father over? | 0:32:43 | 0:32:45 | |
I don't know. Let's keep looking. | 0:32:45 | 0:32:47 | |
Gotcha. | 0:33:27 | 0:33:28 | |
-Camille? -Mmm-hmm. | 0:33:30 | 0:33:32 | |
Catch. | 0:33:32 | 0:33:33 | |
SHE SCREAMS | 0:33:33 | 0:33:34 | |
Not funny. And be careful. | 0:33:34 | 0:33:37 | |
Yes, yes, I'm fine. | 0:33:37 | 0:33:39 | |
ELECTRICITY FUSES | 0:33:39 | 0:33:40 | |
BOTH GRUNT | 0:33:40 | 0:33:42 | |
CLATTERING | 0:33:42 | 0:33:43 | |
It was just a power cut, right? | 0:33:47 | 0:33:48 | |
I hope so. Otherwise... | 0:33:49 | 0:33:52 | |
Somebody's done it on purpose. | 0:33:52 | 0:33:53 | |
Don't worry, it happens a lot out here. | 0:33:55 | 0:33:58 | |
Why does that not surprise me? | 0:33:58 | 0:34:00 | |
Might be morning before the power comes back on. | 0:34:00 | 0:34:02 | |
But we've got some more of these camper lights | 0:34:02 | 0:34:04 | |
-stored away for emergencies. -See, this is why I could never actually leave New York. -Sir? | 0:34:04 | 0:34:08 | |
Joseph. We'd like a word with you. | 0:34:14 | 0:34:16 | |
I think it's time you were honest with us, Joseph. | 0:34:22 | 0:34:24 | |
We've checked everyone's fingerprints against those found on your pistol. | 0:34:24 | 0:34:28 | |
The very same pistol we know was used to kill your father. | 0:34:28 | 0:34:32 | |
There is only one set of fingerprints. Yours. | 0:34:34 | 0:34:37 | |
You were heard arguing with your father the night before he was killed. | 0:34:37 | 0:34:41 | |
We found the documents in your room. About the new golf course. | 0:34:41 | 0:34:43 | |
Maybe you didn't come back to build bridges after all. | 0:34:43 | 0:34:46 | |
It was a big deal. | 0:34:46 | 0:34:47 | |
The environmental damage alone would have been catastrophic... | 0:34:48 | 0:34:51 | |
The last time you protested against one of your father's property plans, he had you arrested. | 0:34:51 | 0:34:55 | |
-I imagine this time you were even more determined not to back down. -Yeah, I wasn't going to hold back. | 0:34:55 | 0:35:00 | |
But he told me not to worry. | 0:35:00 | 0:35:02 | |
That he had decided not to go ahead with it. | 0:35:02 | 0:35:05 | |
He said that he'd been thinking a lot since Mum died. | 0:35:05 | 0:35:08 | |
That he needed to make changes to his life. Big changes | 0:35:08 | 0:35:10 | |
that would affect us all. | 0:35:10 | 0:35:12 | |
-What did he mean by that? -I don't know. | 0:35:12 | 0:35:15 | |
He just told me that he knew I would be all right. | 0:35:15 | 0:35:17 | |
And that he was proud of me. | 0:35:17 | 0:35:19 | |
Although maybe less proud if he knew about you carrying that gun. | 0:35:19 | 0:35:22 | |
I told you. It's a dangerous job. | 0:35:22 | 0:35:24 | |
And I also happen to know that foreign aid workers don't carry firearms. | 0:35:24 | 0:35:27 | |
-So, what's the real reason you were carrying that pistol? -It's not relevant! | 0:35:27 | 0:35:31 | |
Your father was shot by your own pistol. It's incredibly relevant. | 0:35:31 | 0:35:34 | |
All right... | 0:35:37 | 0:35:39 | |
I got arrested in Darfur at a checkpoint. Drug possession. | 0:35:39 | 0:35:43 | |
Plea bargained my way out of jail by giving up the names of the dealers. | 0:35:43 | 0:35:47 | |
They weren't happy. At all. | 0:35:47 | 0:35:49 | |
I told you I wasn't lying | 0:35:49 | 0:35:51 | |
when I said the pistol was for my protection. | 0:35:51 | 0:35:53 | |
No, you weren't lying. But you weren't exactly | 0:35:53 | 0:35:55 | |
telling the truth, were you? | 0:35:55 | 0:35:58 | |
So, if Joseph is our killer, why use his own gun? | 0:36:06 | 0:36:10 | |
Maybe it wasn't premeditated? | 0:36:10 | 0:36:12 | |
Argument got out of control? | 0:36:12 | 0:36:14 | |
Had his gun to use as a threat? That sort of thing? | 0:36:14 | 0:36:17 | |
OK, so Joseph follows Alexander out into the gardens. | 0:36:17 | 0:36:19 | |
At some point Alexander removes his shirt - willingly, | 0:36:19 | 0:36:22 | |
unwillingly - an argument escalates - Alexander is shot. | 0:36:22 | 0:36:24 | |
Joseph returns to the house. Puts the gun in the lockbox? | 0:36:24 | 0:36:27 | |
And hopes the police don't discover it? No, I don't buy it. | 0:36:27 | 0:36:30 | |
Even in a panic he seems smarter than that. | 0:36:30 | 0:36:32 | |
Plus - Rosie the housemaid saw Joseph in the gym | 0:36:32 | 0:36:34 | |
at the time of the shooting. | 0:36:34 | 0:36:36 | |
Which just brings us back to the question - | 0:36:36 | 0:36:38 | |
how did he manage to kill his father without breaking his alibi? | 0:36:38 | 0:36:42 | |
If it wasn't him, who else are we looking at? | 0:36:42 | 0:36:45 | |
Rosie? Or Terrance? Father dies, he gets the company. | 0:36:45 | 0:36:49 | |
Or Anna. Her father funded her lifestyle choices. | 0:36:49 | 0:36:53 | |
But he never bothered to follow up, not in person. Fashion shows. | 0:36:53 | 0:36:57 | |
Plays. He was absent. | 0:36:57 | 0:36:58 | |
Maybe she snapped. Wanted the attention that badly. | 0:36:58 | 0:37:01 | |
Then how did she or Terrance get hold of that damn pistol? | 0:37:01 | 0:37:04 | |
-I don't know. -I don't know either. | 0:37:05 | 0:37:08 | |
Here's the news, chief. I think you're going to like this. | 0:37:08 | 0:37:11 | |
Now, I asked Emily for the other files and articles. | 0:37:11 | 0:37:14 | |
But I could tell she wasn't being straight | 0:37:14 | 0:37:16 | |
so I decided to have a look around for myself. | 0:37:16 | 0:37:18 | |
That's when I discovered these... | 0:37:18 | 0:37:20 | |
A couple of years ago, Alexander's company was buying up land | 0:37:20 | 0:37:23 | |
cheaply and knocking down low-rent residences | 0:37:23 | 0:37:26 | |
and businesses looking to build a luxury holiday resort. | 0:37:26 | 0:37:28 | |
-Which people started protesting against... -Oh, yes. | 0:37:28 | 0:37:31 | |
We've got a quote here from one of the protesters, | 0:37:31 | 0:37:34 | |
a Miss Valerie Pellow. | 0:37:34 | 0:37:36 | |
That's her there, chief. | 0:37:36 | 0:37:38 | |
That's Emily. Alexander's PA. | 0:37:38 | 0:37:41 | |
Exactly. There is no Emily Benoit. | 0:37:41 | 0:37:44 | |
She's Valerie Pellow. | 0:37:44 | 0:37:46 | |
And her father lost his business due to Alexander Jackson. | 0:37:46 | 0:37:49 | |
Please, take a seat. | 0:37:52 | 0:37:54 | |
-Thank you. -Valerie. | 0:37:58 | 0:38:01 | |
So, you know we've found out about you. | 0:38:03 | 0:38:06 | |
Your real name. Your past. | 0:38:06 | 0:38:08 | |
My father had a boat-hire business. | 0:38:10 | 0:38:14 | |
Alexander crushed it. | 0:38:14 | 0:38:16 | |
The anger and stress of it killed my father. | 0:38:16 | 0:38:19 | |
So, you decided to work for Mr Jackson, under an assumed name. | 0:38:19 | 0:38:23 | |
-Looking for a way to get back at him? -And maybe you were successful. | 0:38:23 | 0:38:26 | |
I started working for him just after his wife died | 0:38:26 | 0:38:29 | |
and he wasn't the man I thought he was going to be. | 0:38:29 | 0:38:32 | |
He was... | 0:38:32 | 0:38:34 | |
I don't know. Broken, I guess. | 0:38:35 | 0:38:39 | |
In what way? | 0:38:39 | 0:38:41 | |
By his wife's passing. | 0:38:41 | 0:38:43 | |
By how he reached out to his children and how they barely cared. | 0:38:43 | 0:38:49 | |
So he was angry with them? | 0:38:49 | 0:38:51 | |
More like disgusted. He realised how alone he really was. | 0:38:51 | 0:38:56 | |
But he still took your father's business away from him. | 0:38:56 | 0:38:58 | |
-Indirectly caused his death. -That's true. | 0:38:58 | 0:39:01 | |
I don't think I forgive Mr Jackson. | 0:39:01 | 0:39:04 | |
But it was like he'd been punished enough. | 0:39:04 | 0:39:07 | |
That's incredibly understanding of you. | 0:39:07 | 0:39:10 | |
So much so I'm not sure I actually believe it. | 0:39:10 | 0:39:13 | |
If you couldn't forgive him, why did you continue to work for him? | 0:39:13 | 0:39:16 | |
The money is good. | 0:39:19 | 0:39:20 | |
If you're loyal to him, you're paid well. | 0:39:22 | 0:39:25 | |
Revenge doesn't pay the bills. | 0:39:27 | 0:39:29 | |
That'll be all. For now. | 0:39:32 | 0:39:34 | |
You know those moments where something clicks in your brain and suddenly everything becomes clear? | 0:39:42 | 0:39:47 | |
-Yes? -Not happening. Not even close. | 0:39:47 | 0:39:49 | |
Best if you all go to bed, lock your doors, and don't let anybody in. | 0:40:22 | 0:40:27 | |
Thank you. | 0:40:34 | 0:40:35 | |
Now, chief, here's a scary thought... | 0:40:35 | 0:40:37 | |
What if the murderer thinks we're getting close to the solution? | 0:40:37 | 0:40:40 | |
Well, then they'll be sorely disappointed because we we're nowhere close to a solution. | 0:40:40 | 0:40:44 | |
Chief. We meant... | 0:40:44 | 0:40:46 | |
Yes, I know. Thank you, Dwayne, very reassuring. | 0:40:46 | 0:40:49 | |
-Right, I'll keep watch. -You're sure? | 0:40:49 | 0:40:51 | |
As Detective Inspector I have a duty of care. | 0:40:51 | 0:40:54 | |
Nothing to do with the fact that I won't be able to sleep with a killer upstairs. | 0:40:54 | 0:40:56 | |
Look, sir, I don't mind staying up with you, it's OK. | 0:40:56 | 0:40:59 | |
Nonsense. I need you all sharp and bright in the morning. | 0:40:59 | 0:41:02 | |
Provided we last that long. | 0:41:03 | 0:41:05 | |
Sorry, that was actually meant to be a joke, | 0:41:06 | 0:41:08 | |
but under the circumstances... | 0:41:08 | 0:41:09 | |
-Good night, sir. -Yes. Good night. | 0:41:09 | 0:41:11 | |
HE EXHALES | 0:41:13 | 0:41:15 | |
THUNDER CRASHES | 0:41:23 | 0:41:24 | |
WHISPERS: Sir? | 0:41:34 | 0:41:35 | |
HE GASPS | 0:41:35 | 0:41:36 | |
Oh. Hello. | 0:41:38 | 0:41:39 | |
Sorry. I couldn't sleep. | 0:41:39 | 0:41:44 | |
-I thought I might as well keep you company. -Please... | 0:41:44 | 0:41:47 | |
HE SIGHS | 0:41:58 | 0:42:00 | |
Sorry, I have to ask, erm, that whole thing about your police certificate. | 0:42:10 | 0:42:15 | |
And your father hanging it up in the toilet. | 0:42:15 | 0:42:18 | |
-I mean, that was just a story, right? -Yes. | 0:42:18 | 0:42:22 | |
-SHE SIGHS -It was more of a guest bathroom than a toilet. | 0:42:22 | 0:42:26 | |
Oh. | 0:42:26 | 0:42:27 | |
It was just that...I suppose in a sense | 0:42:27 | 0:42:30 | |
I can understand what Alexander's children have gone through. | 0:42:30 | 0:42:33 | |
A successful father can cast quite a shadow over one's own achievements. | 0:42:33 | 0:42:37 | |
But you're a Detective Inspector, that's fantastic. | 0:42:37 | 0:42:40 | |
Well, I think so. | 0:42:40 | 0:42:41 | |
He'd disagree. | 0:42:42 | 0:42:44 | |
And there, in a nutshell, is many an uncomfortable family dinner. | 0:42:44 | 0:42:48 | |
So, what did he say when you told him | 0:42:51 | 0:42:53 | |
you were splitting up with your wife? | 0:42:53 | 0:42:55 | |
Oh, er, he was, erm, he was fine about it. | 0:42:55 | 0:42:58 | |
-You haven't told him, have you? -Nope. | 0:42:58 | 0:43:00 | |
And do you plan on doing so any time soon? | 0:43:02 | 0:43:05 | |
Oh, I imagine I'll get around to it in about, | 0:43:05 | 0:43:08 | |
erm...two or three...years. | 0:43:08 | 0:43:12 | |
Sir... | 0:43:12 | 0:43:14 | |
I know. It's just... | 0:43:14 | 0:43:16 | |
..the marriage was the one time my parents | 0:43:18 | 0:43:20 | |
seemed... | 0:43:20 | 0:43:22 | |
properly impressed, you know. | 0:43:22 | 0:43:24 | |
Like Sally was just too good for me. | 0:43:26 | 0:43:29 | |
And, of course, they expected grandchildren. | 0:43:29 | 0:43:31 | |
And, you know, I wasn't against the idea. | 0:43:31 | 0:43:33 | |
Sally, on the other hand... | 0:43:33 | 0:43:35 | |
She's a career woman. | 0:43:35 | 0:43:36 | |
Exactly. Like yourself. | 0:43:36 | 0:43:39 | |
-No, no. -No? | 0:43:39 | 0:43:40 | |
No, I mean, I'd love to have children. | 0:43:40 | 0:43:43 | |
I just need to meet the right man first. | 0:43:44 | 0:43:47 | |
HE CHUCKLES | 0:43:47 | 0:43:49 | |
-You will meet the right man. No, definitely. -Yeah. | 0:43:49 | 0:43:52 | |
You're, you're, you're, you're, you're funny, you're smart, | 0:43:52 | 0:43:55 | |
you're beautiful... | 0:43:55 | 0:43:56 | |
Sorry. | 0:43:58 | 0:44:00 | |
Yes. You should apologise. I hate hearing how fantastic I am(!) | 0:44:00 | 0:44:04 | |
Go on, then. Don't stop. | 0:44:04 | 0:44:06 | |
Erm, well, this is a bit awkward, erm, it's just er, well, | 0:44:07 | 0:44:11 | |
well, you're, you're you. | 0:44:11 | 0:44:12 | |
Mmm-hmm. | 0:44:12 | 0:44:14 | |
-And that, that's good. -Mmm-hmm. | 0:44:14 | 0:44:16 | |
Er, so...so well done... | 0:44:16 | 0:44:18 | |
Chief? | 0:44:22 | 0:44:25 | |
Oh, er, sarge. | 0:44:25 | 0:44:26 | |
Hey, I didn't come to check up on you or anything like that, you know. | 0:44:26 | 0:44:29 | |
I'm quite sure you can handle yourselves in the event of any trouble. | 0:44:29 | 0:44:32 | |
-And yet here you are. -Sir... -Oh, Hi! | 0:44:32 | 0:44:37 | |
-Hi. -Well, look, I didn't come to check up on you or anything like that... | 0:44:37 | 0:44:40 | |
-Yes, I've already done that one. -All right. | 0:44:40 | 0:44:42 | |
-Chief. I was just wondering something. -Yes? | 0:44:42 | 0:44:45 | |
-Are you any good at cards? -Er, well, not particularly. | 0:44:45 | 0:44:47 | |
Just what I was wanting to hear. | 0:44:47 | 0:44:49 | |
-HE CHUCKLES -OK, what we playing? -Newmarket. | 0:44:49 | 0:44:55 | |
-What's that? -New...the four kings... | 0:44:55 | 0:44:56 | |
Actually, we need two packs of cards... We don't have... | 0:44:56 | 0:44:59 | |
-Caribbean poker. -I don't know how to play. | 0:44:59 | 0:45:03 | |
Strip poker! | 0:45:03 | 0:45:04 | |
No, I was just joking. | 0:45:06 | 0:45:08 | |
Guys! | 0:45:08 | 0:45:09 | |
Sorry! Erm, deal the cards! | 0:45:09 | 0:45:11 | |
Sir? | 0:45:22 | 0:45:23 | |
-Oh, morning. -You didn't sleep? | 0:45:23 | 0:45:25 | |
A little bit. | 0:45:25 | 0:45:27 | |
Dwayne snores. | 0:45:27 | 0:45:28 | |
Fidel snores. And you... | 0:45:28 | 0:45:30 | |
..don't. Definitely not. | 0:45:32 | 0:45:34 | |
-HE CHUCKLES -So, where are Dwayne and Fidel? Not still asleep surely? | 0:45:34 | 0:45:37 | |
No, no. I told them to go and wake up everyone. | 0:45:37 | 0:45:39 | |
Right. Well, we have an outside line now so I called the solicitor | 0:45:39 | 0:45:43 | |
and asked him if he knew why Alexander wanted to meet on Monday. | 0:45:43 | 0:45:46 | |
-And? -He didn't know. Another dead end. | 0:45:46 | 0:45:47 | |
Which brings us back to the suspects. All have a motive. | 0:45:47 | 0:45:51 | |
-But only one has the proper means. -Joseph. | 0:45:51 | 0:45:53 | |
Yes, but I still can't get past that alibi. Joseph on the treadmill... | 0:45:53 | 0:45:57 | |
But he must have found a way around it because all the evidence... | 0:45:57 | 0:46:00 | |
-Points to him. -Yes. It does. | 0:46:00 | 0:46:02 | |
Chief. We can't find Joseph. | 0:46:02 | 0:46:04 | |
He's not in his bedroom and the window is open. | 0:46:04 | 0:46:06 | |
We think he might have made a break for it. | 0:46:06 | 0:46:08 | |
Right, we'll head to the jetty. | 0:46:08 | 0:46:10 | |
You and Fidel check the rest of the island. Let's go! | 0:46:10 | 0:46:13 | |
Stop! | 0:46:20 | 0:46:22 | |
GRUNTING | 0:46:24 | 0:46:26 | |
I'm placing you under arrest, for the murder of your father, | 0:46:36 | 0:46:39 | |
Alexander Jackson. | 0:46:39 | 0:46:40 | |
We're ready to cast off, chief. | 0:46:48 | 0:46:50 | |
Now, that's interesting... | 0:46:52 | 0:46:54 | |
That's very interesting... | 0:46:58 | 0:47:00 | |
Why's he not wearing his shirt? | 0:47:04 | 0:47:05 | |
Bit odd, isn't it? Sat here and decides to take his shirt off? | 0:47:05 | 0:47:09 | |
Snap! | 0:47:09 | 0:47:10 | |
The bullet used to kill Alexander was fired from Joseph's pistol. | 0:47:11 | 0:47:14 | |
He found only one set of fingerprints on the pistol. | 0:47:14 | 0:47:17 | |
Yours. | 0:47:17 | 0:47:18 | |
Chief?! | 0:47:25 | 0:47:26 | |
Hang on a minute. | 0:47:26 | 0:47:28 | |
Maybe two. | 0:47:28 | 0:47:30 | |
So, there's this riddle, about a dead body. | 0:47:49 | 0:47:52 | |
At the bottom of a building. | 0:47:52 | 0:47:53 | |
And the detective who has to work out | 0:47:54 | 0:47:57 | |
if the victim jumped or was pushed. | 0:47:57 | 0:48:00 | |
So, he goes up every level... | 0:48:00 | 0:48:01 | |
And he throws a coin out the window | 0:48:01 | 0:48:03 | |
and he works out that the guy was pushed. | 0:48:03 | 0:48:06 | |
-Oh, so you know it? -It's pretty old. | 0:48:06 | 0:48:08 | |
Well, it's new to me. | 0:48:08 | 0:48:10 | |
Right, well, how about the, | 0:48:11 | 0:48:13 | |
er, riddle of Alexander Jackson's death? | 0:48:13 | 0:48:16 | |
That's about as new as you can get. | 0:48:16 | 0:48:18 | |
I thought Joseph... I thought he'd already been arrested for it? | 0:48:18 | 0:48:22 | |
Ah, yes, of course. Our guest of honour. | 0:48:22 | 0:48:25 | |
Right on time, Joseph. Take a seat. | 0:48:25 | 0:48:27 | |
So, you'll have to admit that as far as riddles go, this one isn't easy. | 0:48:34 | 0:48:38 | |
It's real for a start, and real life throws up awkward questions. | 0:48:38 | 0:48:41 | |
Why was Alexander killed yesterday, before lunch? | 0:48:41 | 0:48:44 | |
Why did he remove his shirt? | 0:48:44 | 0:48:46 | |
And why was the one person whose fingerprints were all over | 0:48:46 | 0:48:49 | |
the murder weapon also the only one with an alibi? | 0:48:49 | 0:48:52 | |
Anyone care to have a crack at it? | 0:48:52 | 0:48:55 | |
Mmm? Anna? | 0:48:55 | 0:48:57 | |
I don't know... | 0:48:57 | 0:48:59 | |
Come, on, have a guess. | 0:48:59 | 0:49:01 | |
No? Rosie? | 0:49:01 | 0:49:03 | |
Emily? | 0:49:03 | 0:49:04 | |
No, I don't blame you. | 0:49:06 | 0:49:07 | |
Because that's the whole point | 0:49:09 | 0:49:11 | |
of the riddle. It was never meant to be one. | 0:49:11 | 0:49:13 | |
There was never meant to be some puzzle for the police to grapple with. | 0:49:14 | 0:49:17 | |
It was meant to be straightforward. | 0:49:17 | 0:49:20 | |
A body is found. We show up. We find a bullet, murder weapon, fingerprints. | 0:49:20 | 0:49:23 | |
All leading to Joseph, who we arrest. | 0:49:23 | 0:49:25 | |
Case closed and we're all sipping cocktails by sunset. Lovely. | 0:49:25 | 0:49:30 | |
Except... | 0:49:30 | 0:49:32 | |
..except something went wrong. | 0:49:37 | 0:49:39 | |
Joseph had planned to be on the beach that morning... | 0:49:39 | 0:49:42 | |
But the weather looked like it was turning, | 0:49:42 | 0:49:44 | |
so I decided just to head to the gym instead. | 0:49:44 | 0:49:47 | |
And that weather forecast threw off the killer's plan. | 0:49:48 | 0:49:52 | |
Joseph was never meant to be in the gym. Rosie was never meant to see him, | 0:49:52 | 0:49:55 | |
and this puzzle... | 0:49:55 | 0:49:56 | |
that's been bothering me for so long - how can a man with | 0:49:56 | 0:49:59 | |
a solid alibi kill his father? Was never meant to happen. | 0:49:59 | 0:50:03 | |
I'm not sure I understand what you mean. | 0:50:03 | 0:50:05 | |
Really? All right, let me help. | 0:50:05 | 0:50:07 | |
We've got Joseph's pistol - the murder weapon, right? | 0:50:07 | 0:50:10 | |
-Yes. That's right. -Wrong. | 0:50:10 | 0:50:13 | |
Alexander Jackson was killed with the shotgun. | 0:50:13 | 0:50:15 | |
No... | 0:50:15 | 0:50:17 | |
The officer said it was a pistol. | 0:50:17 | 0:50:18 | |
No. He said a bullet had to have come from a pistol. | 0:50:18 | 0:50:20 | |
Which, technically, it did. | 0:50:20 | 0:50:23 | |
Alexander's wound clearly showed that he had been | 0:50:23 | 0:50:25 | |
shot by a bullet from a pistol. | 0:50:25 | 0:50:27 | |
Which naturally would mean a pistol was used... | 0:50:27 | 0:50:29 | |
or at least that's what we were meant to think. | 0:50:29 | 0:50:31 | |
Joseph fired six shots when he was practising, | 0:50:35 | 0:50:37 | |
a full magazine. But only five bullets were found. | 0:50:37 | 0:50:40 | |
So, where did the missing bullet go? | 0:50:43 | 0:50:46 | |
And if you wanted to kill someone on a small island, why use a gun? | 0:50:46 | 0:50:49 | |
They're noisy. Attract attention. Leave evidence. | 0:50:49 | 0:50:52 | |
But... | 0:50:54 | 0:50:55 | |
if you could use one to frame someone... | 0:50:55 | 0:50:58 | |
Snap! | 0:50:58 | 0:51:00 | |
If the police knew that the bullet that killed | 0:51:00 | 0:51:02 | |
Alexander had been fired from Joseph's gun, | 0:51:02 | 0:51:04 | |
well, they'd assume the obvious. Joseph was guilty. | 0:51:04 | 0:51:07 | |
All the killer needed was that one bullet. | 0:51:07 | 0:51:10 | |
You see, it was the shirt, the shirt gave it all away. | 0:51:12 | 0:51:15 | |
His shirt was not removed before he was shot, it was after. | 0:51:15 | 0:51:20 | |
The killer removed Alexander's bloodied shirt | 0:51:20 | 0:51:22 | |
because it was COVERED with evidence. | 0:51:22 | 0:51:25 | |
Gunpowder residue that proves that the shotgun was used to shoot Alexander. | 0:51:25 | 0:51:30 | |
The shirt with the shotgun gunpowder residue still on it was taken | 0:51:30 | 0:51:33 | |
away and replaced with a fresh shirt. | 0:51:33 | 0:51:35 | |
No evidence. | 0:51:35 | 0:51:37 | |
You know your way around guns. Gone shooting with your dad. | 0:51:42 | 0:51:45 | |
I'd imagine you'd even know that you could take a pistol bullet | 0:51:45 | 0:51:48 | |
even one that's already been fired and pack it into a shotgun shell. | 0:51:48 | 0:51:52 | |
So, even though it's fired from a shotgun, the actual bullet | 0:51:55 | 0:51:59 | |
that killed Alexander... | 0:51:59 | 0:52:01 | |
..was a spent one from Joseph's gun. | 0:52:02 | 0:52:05 | |
This is ridiculous. | 0:52:10 | 0:52:12 | |
You tried your best to incriminate Joseph, didn't you? | 0:52:12 | 0:52:16 | |
Using that bullet from his gun. | 0:52:16 | 0:52:19 | |
Even giving us little hints and help along the way, about his past, | 0:52:19 | 0:52:22 | |
his argument with Alexander the night before... | 0:52:22 | 0:52:25 | |
Last night... I heard them arguing... | 0:52:25 | 0:52:28 | |
Wait, sorry. You actually think I had something to do with it? | 0:52:29 | 0:52:33 | |
I mean what possible reason would I have for killing my father? | 0:52:33 | 0:52:36 | |
Which was the final part of the puzzle to solve. | 0:52:36 | 0:52:38 | |
Why now? Why this weekend? | 0:52:38 | 0:52:40 | |
Because of a decision Alexander had made. | 0:52:41 | 0:52:45 | |
A meeting planned with his solicitor on Monday. To change his will. | 0:52:45 | 0:52:49 | |
But Dad never mentioned anything about that. | 0:52:49 | 0:52:51 | |
No. He didn't. | 0:52:51 | 0:52:53 | |
But then, that wasn't his way... | 0:52:53 | 0:52:54 | |
He didn't even tell me face-to-face. | 0:52:56 | 0:52:58 | |
Just sent me a memo. | 0:52:58 | 0:52:59 | |
That's his way. | 0:53:00 | 0:53:02 | |
Locked in Alexander's safe was a blank... | 0:53:02 | 0:53:06 | |
notepad. | 0:53:06 | 0:53:07 | |
I'd noticed that a page had been ripped out, | 0:53:08 | 0:53:11 | |
but it didn't seem important to me at the time. | 0:53:11 | 0:53:13 | |
And then it struck me. | 0:53:13 | 0:53:14 | |
"Why would you lock a blank notepad in a safe?" | 0:53:14 | 0:53:17 | |
I mean, you wouldn't. And yet he did. | 0:53:17 | 0:53:19 | |
Which meant that whatever he'd written on it, | 0:53:19 | 0:53:21 | |
must've been pretty important. | 0:53:21 | 0:53:23 | |
Let's find out what that was... | 0:53:23 | 0:53:26 | |
You see, pressure on the pad, leaves indents, | 0:53:26 | 0:53:28 | |
even if the page above with the actual writing has been removed. | 0:53:28 | 0:53:32 | |
It's a letter to his solicitor. | 0:53:34 | 0:53:37 | |
Stating the terms and conditions of a new will, to come | 0:53:37 | 0:53:40 | |
into effect, Monday morning. | 0:53:40 | 0:53:43 | |
Explaining that since his wife passed away, | 0:53:44 | 0:53:47 | |
he's become aware that his money has made some of his children... | 0:53:47 | 0:53:51 | |
spoilt. Entitled. | 0:53:51 | 0:53:53 | |
How it's time for them to stand on their own two feet. | 0:53:53 | 0:53:56 | |
He acknowledges that for some this won't make a difference. | 0:53:56 | 0:53:59 | |
But for others... | 0:53:59 | 0:54:00 | |
..no more handouts. | 0:54:02 | 0:54:04 | |
No more indulging of whims. | 0:54:04 | 0:54:06 | |
Time to fend for yourselves. Without his help. | 0:54:07 | 0:54:11 | |
No inheritance. | 0:54:11 | 0:54:12 | |
No trust fund. No place in the company. | 0:54:12 | 0:54:16 | |
Nothing. | 0:54:16 | 0:54:18 | |
-You couldn't stand the thought of that, could you? -You can't be serious! | 0:54:18 | 0:54:22 | |
Even tried to put us off the scent by claiming you didn't know | 0:54:22 | 0:54:25 | |
the combination to the safe, yet your fingerprints are all over it. | 0:54:25 | 0:54:28 | |
You read that letter. And you knew you had to act fast. | 0:54:28 | 0:54:30 | |
If your father | 0:54:32 | 0:54:34 | |
was still alive come Monday morning, then the will would change and you would be cut out for ever. | 0:54:34 | 0:54:38 | |
You weren't going to let that happen. | 0:54:38 | 0:54:40 | |
ALEXANDER GASPS | 0:54:40 | 0:54:42 | |
I'm calling my lawyer. This is nothing short of harassment. | 0:54:44 | 0:54:47 | |
A lawyer would be a very smart move, actually. | 0:54:47 | 0:54:50 | |
But I'm not sure you're as smart as you think you are. | 0:54:50 | 0:54:53 | |
You see, a smart man would properly dispose of the bloodied shirt | 0:54:56 | 0:54:59 | |
that Alexander had worn. | 0:54:59 | 0:55:01 | |
And you tried. | 0:55:01 | 0:55:03 | |
But you didn't try well enough, did you? | 0:55:03 | 0:55:05 | |
HE TUTS | 0:55:07 | 0:55:08 | |
No wonder your dad was disappointed in you. | 0:55:09 | 0:55:13 | |
Couldn't even pull off a simple murder without screwing it up. | 0:55:13 | 0:55:16 | |
-Don't you dare say that! -How could you? | 0:55:16 | 0:55:18 | |
He was going to cut us off, we lose everything. | 0:55:18 | 0:55:20 | |
All of us! We'd have nothing! | 0:55:20 | 0:55:23 | |
When did you find the shirt? | 0:55:30 | 0:55:32 | |
I didn't. | 0:55:32 | 0:55:34 | |
No idea where the real one is. | 0:55:34 | 0:55:35 | |
This is the one he used for the switch. | 0:55:35 | 0:55:38 | |
Sir... | 0:55:38 | 0:55:39 | |
I can't help it if Terrance felt the need to confess. | 0:55:41 | 0:55:43 | |
Oh, and Terrance? | 0:55:43 | 0:55:45 | |
I didn't lose your pen. | 0:55:48 | 0:55:49 | |
Shh. | 0:56:01 | 0:56:02 | |
This is what it's all about, Fidel! | 0:56:22 | 0:56:25 | |
CHEERING | 0:56:25 | 0:56:28 | |
-What are you doing? -I'm going to do a fire walk. | 0:56:31 | 0:56:34 | |
-What? -Don't. You'll end up in hospital. | 0:56:34 | 0:56:37 | |
-It's all in the mind. -Yes, and you're out of yours. | 0:56:37 | 0:56:39 | |
I know! | 0:56:39 | 0:56:40 | |
HE CHUCKLES | 0:56:40 | 0:56:42 | |
Wait, you're, you're not... | 0:56:48 | 0:56:50 | |
Someone needs to show them how it's done. | 0:56:50 | 0:56:53 | |
Oh, right. You've done it before. | 0:56:53 | 0:56:55 | |
Ah, no. Never. I mean, come on, walking on hot coals, fire... | 0:56:55 | 0:56:59 | |
It's ridiculous. It's dangerous. And terrifying. | 0:56:59 | 0:57:02 | |
-Yes, all good reasons to do something. -Well, kind of it is. | 0:57:02 | 0:57:05 | |
You know, face your fears and all that. | 0:57:05 | 0:57:07 | |
SHE CHUCKLES | 0:57:07 | 0:57:08 | |
Yes, I'll remind you of this conversation when you're on fire. | 0:57:08 | 0:57:11 | |
SHE CHUCKLES | 0:57:11 | 0:57:15 | |
SHE CHEERS | 0:57:15 | 0:57:16 | |
SHE SHRIEKS | 0:57:24 | 0:57:28 | |
CHEERING | 0:57:28 | 0:57:30 | |
Oh... Oh... | 0:57:39 | 0:57:43 | |
CHEERING | 0:57:45 | 0:57:48 | |
Hello, Dad? Dad, it's Humphrey. | 0:57:50 | 0:57:52 | |
Look, there's something I need to tell you. | 0:57:54 | 0:57:56 | |
Better go and rest up if... | 0:58:00 | 0:58:02 | |
-I'm going to have any energy for this dance tonight. -Judith, have you seen Emma? | 0:58:02 | 0:58:05 | |
-Oh, not since this afternoon. -Emma? | 0:58:05 | 0:58:07 | |
I can see her. | 0:58:07 | 0:58:08 | |
HE GRUNTS | 0:58:08 | 0:58:10 | |
If she was going to take her own life, | 0:58:10 | 0:58:12 | |
why get out a special dress like this and not put it on? | 0:58:12 | 0:58:15 | |
-Er... -What? | 0:58:15 | 0:58:17 | |
Your wife came a long way to see you. It must be important. | 0:58:17 | 0:58:20 | |
Letting you go, it's the biggest mistake I've ever made. | 0:58:20 | 0:58:23 |