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-Would you rather be British or French? -British! -British! | 0:00:12 | 0:00:16 | |
I couldn't end my time as Governor of Saint Marie without | 0:00:16 | 0:00:19 | |
putting this all-important question to the population of Spinner's Rock. | 0:00:19 | 0:00:23 | |
"British and proud of it," said a Hawksbill. | 0:00:23 | 0:00:25 | |
LAUGHTER | 0:00:25 | 0:00:27 | |
"God save the Queen," sung a parrotfish. | 0:00:27 | 0:00:30 | |
"You can't trust the French as far as you can throw them." | 0:00:30 | 0:00:35 | |
That was a sea snake. | 0:00:36 | 0:00:38 | |
Our friend from Saint Robert, General Council President Tromeur | 0:00:38 | 0:00:42 | |
insists Spinner's Rock is French. But I am very clear. | 0:00:42 | 0:00:45 | |
It became British 200 years ago and nothing has changed since then. | 0:00:45 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:54 | |
Saint Marie, you have given me | 0:00:54 | 0:00:57 | |
four unforgettable years. | 0:00:57 | 0:01:00 | |
My posting may be ending, but my successor, | 0:01:00 | 0:01:04 | |
and indeed Britain, will continue to look after your best interests. | 0:01:04 | 0:01:08 | |
Hear, hear! | 0:01:08 | 0:01:09 | |
And I promise, I will carry the beauty of your island... | 0:01:09 | 0:01:14 | |
and your people... in my heart forever. | 0:01:14 | 0:01:18 | |
APPLAUSE | 0:01:18 | 0:01:20 | |
Thank you. | 0:01:20 | 0:01:22 | |
Bravo! | 0:01:22 | 0:01:23 | |
-Message received. -He was listening to every word. | 0:01:26 | 0:01:29 | |
Well, let's hope he reaches the right conclusion. | 0:01:29 | 0:01:32 | |
"Sea snake" was inspired, by the way, Ellery. | 0:01:32 | 0:01:35 | |
-Thank you. -Perfectly judged to the last, Governor. -Thank you, Selwyn. | 0:01:35 | 0:01:40 | |
-Gosh, I could do with a drink. -Oh, allow me. | 0:01:40 | 0:01:42 | |
Sea snake... For some reason, I thought you were better than that. | 0:01:46 | 0:01:51 | |
Then I'm delighted to disappoint you one last time, Francois. | 0:01:51 | 0:01:55 | |
You British complain about having lost your identity in the world. | 0:01:55 | 0:02:01 | |
Well, I disagree. You're just as hypocritical as you ever were. | 0:02:01 | 0:02:05 | |
On the contrary, I have been entirely straight with you. | 0:02:05 | 0:02:08 | |
Withdraw France's claim to Spinner's Rock before I get on that plane, | 0:02:08 | 0:02:12 | |
or we both know what will happen. | 0:02:12 | 0:02:14 | |
I'll, erm... | 0:02:20 | 0:02:22 | |
Go and check on the canapes. | 0:02:22 | 0:02:24 | |
CHAMPAGNE CORK POPS | 0:02:40 | 0:02:42 | |
Thank you. | 0:02:42 | 0:02:44 | |
-Oh, Miss Preville. I do apologise. -It's fine, honestly. | 0:02:47 | 0:02:50 | |
-A little something to remember me by, Governor. -Oh! | 0:02:54 | 0:02:57 | |
It's Saint Marie pavement. I'm kidding. | 0:03:02 | 0:03:04 | |
It's a piece of Spinner's Rock. | 0:03:04 | 0:03:06 | |
Thank you, Andy. That is very thoughtful. | 0:03:07 | 0:03:11 | |
You'll be missed, you know that? | 0:03:11 | 0:03:13 | |
My drink... | 0:03:13 | 0:03:15 | |
Excuse me. | 0:03:15 | 0:03:17 | |
Lucy... | 0:03:17 | 0:03:20 | |
You'd better not be going back to the office. | 0:03:20 | 0:03:22 | |
Take the night off, Lucy, for God's sake! | 0:03:23 | 0:03:25 | |
I've got to finish that DipTel. | 0:03:25 | 0:03:27 | |
Well, at least stay for the food. Show Caroline a bit of respect. | 0:03:27 | 0:03:30 | |
-To you, Governor. -God, I need this! | 0:03:36 | 0:03:38 | |
-Are you OK? -Of course. | 0:03:41 | 0:03:43 | |
Ladies... | 0:03:47 | 0:03:49 | |
Ladies and gentlemen, I would like to add a few brief | 0:03:49 | 0:03:53 | |
words of my own to the evening's tributes. | 0:03:53 | 0:03:56 | |
Governor Bamber, you leave this island a wealthier, | 0:03:57 | 0:04:01 | |
more confident and safer place, and for that, I... | 0:04:01 | 0:04:04 | |
Ah! | 0:04:04 | 0:04:06 | |
Oh! | 0:04:07 | 0:04:09 | |
Someone, get a doctor! Now! | 0:04:09 | 0:04:10 | |
Governor's residence. We need an ambulance. now. | 0:04:13 | 0:04:16 | |
Ellery... What's happening? | 0:04:16 | 0:04:17 | |
No. | 0:04:23 | 0:04:24 | |
No! | 0:04:24 | 0:04:26 | |
NO! | 0:04:26 | 0:04:28 | |
Question 98. "What is your ideal body type for your perfect partner?" | 0:04:58 | 0:05:04 | |
"I don't mind." | 0:05:04 | 0:05:06 | |
No, Chief. That makes you sound desperate. | 0:05:06 | 0:05:10 | |
OK. | 0:05:10 | 0:05:12 | |
"I have an open mind." | 0:05:12 | 0:05:14 | |
Right. Question 99. | 0:05:14 | 0:05:16 | |
"How would you characterise the end of most of your romantic relationships?" | 0:05:16 | 0:05:19 | |
-"Painful divorce." Last question. -Er, Chief... -Yes? | 0:05:19 | 0:05:22 | |
Don't you think you might be answering those questions | 0:05:22 | 0:05:25 | |
a little bit too honestly? | 0:05:25 | 0:05:26 | |
Yes, but I'm hardly going to find my perfect partner by lying, am I? | 0:05:26 | 0:05:30 | |
Right. Question 100. | 0:05:30 | 0:05:32 | |
"How organised are you?" | 0:05:32 | 0:05:34 | |
Highly organised, wouldn't you say, Dwayne? | 0:05:34 | 0:05:37 | |
Yes, Chief. | 0:05:37 | 0:05:39 | |
Right. I think that's ready to send. | 0:05:39 | 0:05:42 | |
PHONE RINGS | 0:05:44 | 0:05:47 | |
Hello? | 0:05:47 | 0:05:49 | |
-'Chief Inspector?' -Oh, Commissioner. | 0:05:49 | 0:05:51 | |
Good evening. | 0:05:51 | 0:05:52 | |
'We have a bit of a problem.' | 0:05:52 | 0:05:54 | |
Evening, JP. Florence. | 0:06:03 | 0:06:05 | |
Sir. | 0:06:05 | 0:06:07 | |
So, Dwayne was round at yours this evening, then, sir? | 0:06:09 | 0:06:12 | |
Er, yes. We were, erm... Well, actually, he was, erm... | 0:06:12 | 0:06:14 | |
-What were you doing? You were putting up a shelf? -Painting. | 0:06:14 | 0:06:17 | |
-Shelf. -Shelf. | 0:06:17 | 0:06:19 | |
-Putting up a shelf. -Shelf. | 0:06:19 | 0:06:22 | |
-Sir? -Ah, Inspector. | 0:06:29 | 0:06:32 | |
Everything under control? | 0:06:32 | 0:06:34 | |
No-one has touched the body, except for the paramedics. | 0:06:34 | 0:06:38 | |
-And the doctor is on his way. -Thank you, sir. | 0:06:38 | 0:06:41 | |
Most helpful. JP, Dwayne, go and get names and addresses, | 0:06:41 | 0:06:44 | |
-statements and photos, please. -Chief. -Yes, Chief. | 0:06:44 | 0:06:46 | |
Bitter almond. | 0:06:51 | 0:06:53 | |
-That and the redness in the skin... -Cyanide? | 0:06:53 | 0:06:55 | |
In her glass, it would seem. We should take a sample. | 0:06:55 | 0:06:58 | |
-And none of the other guests are ill? -No, not that I'm aware. -Good. | 0:07:01 | 0:07:05 | |
I don't suppose you know what Governor Bamber was drinking? | 0:07:05 | 0:07:08 | |
Two glasses of Champagne. From this bottle. | 0:07:08 | 0:07:11 | |
I served her. | 0:07:11 | 0:07:13 | |
Right. And they were her only drinks? | 0:07:13 | 0:07:16 | |
Yes. When she arrived, she went straight into her speech. | 0:07:16 | 0:07:20 | |
I served her after she'd finished speaking. | 0:07:20 | 0:07:23 | |
-And where did her glass come from? -From that table. | 0:07:23 | 0:07:26 | |
-Did someone offer you the glass, sir? -No. | 0:07:26 | 0:07:29 | |
I chose it myself. | 0:07:29 | 0:07:31 | |
And the bottle? | 0:07:31 | 0:07:33 | |
I saw it being opened. No-one else drank from it. | 0:07:33 | 0:07:36 | |
Do you mind if I take the bottle, please, sir? | 0:07:36 | 0:07:39 | |
Can't smell anything. Let's get it to the lab. | 0:07:44 | 0:07:47 | |
Erm... Sir, I wonder if you could possibly go | 0:07:47 | 0:07:51 | |
and check that none of the other guests are feeling unwell. | 0:07:51 | 0:07:54 | |
Of course. | 0:07:56 | 0:07:57 | |
Thank you. | 0:07:57 | 0:07:59 | |
Awkward. | 0:08:02 | 0:08:03 | |
OK, six, six, seven, seven... 42. OK. | 0:08:05 | 0:08:09 | |
About 100 glasses here. | 0:08:09 | 0:08:10 | |
As far as I can tell, there's no cyanide in any of them. | 0:08:10 | 0:08:13 | |
We'll have to get them all tested, just in case. | 0:08:13 | 0:08:16 | |
-Anything in the Governor's handbag? -A phone. | 0:08:16 | 0:08:19 | |
Thank you. Plenty of texts and e-mails. | 0:08:21 | 0:08:23 | |
Mints, tissues, a sealed envelope, lipstick... | 0:08:23 | 0:08:27 | |
And a piece of rock with an engraving. | 0:08:27 | 0:08:31 | |
"For Caroline, a British jewel in the Caribbean. Andy." | 0:08:31 | 0:08:34 | |
-Let me see the envelope. -Sure. | 0:08:34 | 0:08:37 | |
There is no address on it. | 0:08:37 | 0:08:39 | |
"Dear Caroline, Please be careful. | 0:08:41 | 0:08:43 | |
"They want to kill you before you go because of June 10th. A friend." | 0:08:43 | 0:08:47 | |
-Someone definitely wanted her dead. -And someone else knew about it. | 0:08:47 | 0:08:51 | |
So... | 0:08:51 | 0:08:53 | |
The Commissioner chose the Governor's glass at random from this table. | 0:08:53 | 0:08:57 | |
None of the other glasses, the Champagne itself, | 0:08:57 | 0:08:59 | |
contain cyanide and as far as we're aware, no-one else is sick. | 0:08:59 | 0:09:02 | |
So did the Commissioner happen to pick the one poisoned glass | 0:09:02 | 0:09:05 | |
-intended for the Governor? -Out of 100 or so? | 0:09:05 | 0:09:08 | |
-That would be quite a coincidence. -Right. | 0:09:08 | 0:09:10 | |
Which means the only possible way of getting | 0:09:10 | 0:09:12 | |
poison into the victim's glass would be... | 0:09:12 | 0:09:14 | |
By adding it to the glass after the Commissioner picked it | 0:09:14 | 0:09:17 | |
-up off the table. -Which he's not going to like. | 0:09:17 | 0:09:20 | |
Merci. | 0:09:20 | 0:09:22 | |
No-one else is ill. | 0:09:28 | 0:09:30 | |
And none of the other glasses or the bottle appear to contain cyanide. | 0:09:30 | 0:09:33 | |
So, let's try and establish who could have added the cyanide | 0:09:33 | 0:09:36 | |
to the glass, once you'd given it to the Governor. | 0:09:36 | 0:09:39 | |
-So, who do you remember standing nearby? -No-one. | 0:09:39 | 0:09:42 | |
What about during your speech? | 0:09:42 | 0:09:44 | |
There was never anyone within two metres of either of us. | 0:09:44 | 0:09:47 | |
-I'm sure of it. -I see. | 0:09:47 | 0:09:49 | |
Well, then perhaps the cyanide was added before you gave | 0:09:49 | 0:09:52 | |
the glass to the Governor. | 0:09:52 | 0:09:53 | |
So let's rewind. | 0:09:53 | 0:09:55 | |
As you were taking the glass from the table, | 0:09:55 | 0:09:58 | |
who do you remember seeing nearby? | 0:09:58 | 0:10:00 | |
The person near to me was Francois Tromeur, | 0:10:00 | 0:10:03 | |
the President of the General Council of Saint Robert. | 0:10:03 | 0:10:06 | |
-Arrogant, untrustworthy. A Parisian. -Right. | 0:10:08 | 0:10:13 | |
That's useful, sir. Thank you. | 0:10:13 | 0:10:15 | |
So, where was the President standing? | 0:10:16 | 0:10:18 | |
-There. -Fine. | 0:10:25 | 0:10:27 | |
And so where did you go with the glass after that? | 0:10:27 | 0:10:30 | |
I brought it over to the Governor. | 0:10:30 | 0:10:32 | |
On the way, there was a slight collision with Lucy Preville. | 0:10:32 | 0:10:35 | |
-Lucy, er...? -Preville. The First Secretary. | 0:10:35 | 0:10:38 | |
She's bright, very hard working. Rather buttoned up. | 0:10:38 | 0:10:42 | |
Could you do the honours, please, Florence? | 0:10:42 | 0:10:45 | |
Thank you, sir. And then? | 0:10:45 | 0:10:46 | |
I rejoined the Governor, who was standing with Andy Hammond, | 0:10:46 | 0:10:51 | |
the Deputy Governor. | 0:10:51 | 0:10:53 | |
Right. JP? | 0:10:53 | 0:10:56 | |
Mr Hammond knows a lot about the Caribbean. | 0:10:58 | 0:11:01 | |
He's one of the proudest Brits I've ever met. | 0:11:01 | 0:11:04 | |
After a few seconds, he headed over to Lucy Preville over there. | 0:11:04 | 0:11:09 | |
Over there... | 0:11:09 | 0:11:10 | |
'Excuse me. Lucy...' | 0:11:11 | 0:11:14 | |
She looked like she was leaving the party. | 0:11:15 | 0:11:17 | |
Right. So... | 0:11:17 | 0:11:19 | |
Which of these three could have dropped the cyanide into the | 0:11:19 | 0:11:23 | |
Governor's glass in between you picking it up from the table | 0:11:23 | 0:11:27 | |
here and her swallowing the Champagne there? | 0:11:27 | 0:11:29 | |
None of them. | 0:11:29 | 0:11:31 | |
I would have noticed. | 0:11:31 | 0:11:33 | |
Yes, but might you have been distracted, sir, albeit very briefly? | 0:11:33 | 0:11:37 | |
Absolutely not. | 0:11:37 | 0:11:38 | |
I was in control of Governor Bamber's glass the whole time. | 0:11:38 | 0:11:42 | |
OK. Well, that's enough for now. | 0:11:44 | 0:11:45 | |
Let's speak to the witnesses in the morning. | 0:11:45 | 0:11:47 | |
And also, Caroline's secretary, Ellery Wallace, to see | 0:11:47 | 0:11:50 | |
if he can shed light on who wrote the unopened warning letter | 0:11:50 | 0:11:53 | |
-found in her handbag. -And why the 10th of June might be | 0:11:53 | 0:11:55 | |
-a reason for someone to kill the Governor. -Quite right, JP. | 0:11:55 | 0:11:58 | |
Now, if you and Dwayne carry on with the necessary background checks, also | 0:11:58 | 0:12:01 | |
get the prints off the letter and see if the lab can tell us | 0:12:01 | 0:12:04 | |
-anything else about it. -Yes, Chief. -Ah! | 0:12:04 | 0:12:05 | |
Before you go, could I possible have a quick word? | 0:12:07 | 0:12:10 | |
Yeah... Well, first of all, erm... Could I say once again... | 0:12:12 | 0:12:15 | |
-What is it, Inspector? -Yes, um... | 0:12:15 | 0:12:18 | |
To avoid you compromising our investigation, | 0:12:18 | 0:12:22 | |
I'm afraid you will need to remain entirely excluded from it. | 0:12:22 | 0:12:26 | |
Until the case is concluded. | 0:12:26 | 0:12:28 | |
I see. | 0:12:29 | 0:12:30 | |
Thank you for telling me. | 0:12:33 | 0:12:34 | |
Commissioner. | 0:12:40 | 0:12:42 | |
Well, he seems to have taken that on the chin, hasn't he? | 0:12:47 | 0:12:50 | |
Have a good evening, sir. | 0:12:52 | 0:12:54 | |
Ah, Florence. Good morning. | 0:13:14 | 0:13:16 | |
I am literally one set of keys away from being ready. | 0:13:16 | 0:13:19 | |
Once I find my wallet, of course... And my jacket... | 0:13:19 | 0:13:22 | |
-So... Which shelf did Dwayne put up? -Shelf? | 0:13:23 | 0:13:27 | |
Oh, right. Yes... Er, shelf... | 0:13:28 | 0:13:30 | |
Um... Well, let me see... It was er... | 0:13:30 | 0:13:33 | |
It was... | 0:13:33 | 0:13:34 | |
-Um... That one. -What were you two really up to last night? | 0:13:34 | 0:13:38 | |
Well, actually, he was helping me fill in a profile. | 0:13:40 | 0:13:43 | |
Yes, I've decided to dive in to the shark infested | 0:13:43 | 0:13:46 | |
-waters of the dating world. -Good for you. | 0:13:46 | 0:13:49 | |
And Dwayne is going to be your guide, is he? | 0:13:49 | 0:13:53 | |
Yes, absolutely, Florence. Well, if he can't get me a woman, no-one can! | 0:13:53 | 0:13:56 | |
Ah, success. Let's go. | 0:13:59 | 0:14:01 | |
-Poison? -I thought it was a heart attack. | 0:14:04 | 0:14:08 | |
Was anyone behaving suspiciously around Caroline's Champagne glass? | 0:14:08 | 0:14:11 | |
No. | 0:14:11 | 0:14:12 | |
-No. -What about you, Mr Wallace? What did you see? | 0:14:12 | 0:14:17 | |
I was in the kitchen when the Commissioner served her. | 0:14:17 | 0:14:19 | |
'Someone, get a doctor! Now!' | 0:14:19 | 0:14:22 | |
I heard Lucy scream, so I came running. | 0:14:22 | 0:14:24 | |
'Ellery, what's happening?' | 0:14:24 | 0:14:26 | |
What was Caroline like, to work with, or opposite? | 0:14:26 | 0:14:29 | |
She was a great diplomat and an inspiring manager. | 0:14:29 | 0:14:33 | |
Not many of those in the Foreign Office. | 0:14:33 | 0:14:34 | |
-Was she in a relationship? -No. But then, she was clever and competent. | 0:14:34 | 0:14:40 | |
In my experience, that tends to frighten men off. | 0:14:40 | 0:14:42 | |
Ha. President Tromeur? | 0:14:42 | 0:14:45 | |
Caroline was a beautiful lady on the outside. And the inside. | 0:14:46 | 0:14:50 | |
My wife insisted I switch. They do a Ciganes flavour. It's OK. | 0:14:53 | 0:14:59 | |
So, who was Caroline closest to in the office? | 0:15:00 | 0:15:03 | |
I'd like to think it was me. | 0:15:03 | 0:15:05 | |
It was Ellery. She trusted him with her life. | 0:15:05 | 0:15:08 | |
How long had you been Governor Bamber's Private Secretary? | 0:15:08 | 0:15:11 | |
Almost two years. | 0:15:11 | 0:15:13 | |
She liked that I was able to provide a local perspective on things. | 0:15:13 | 0:15:18 | |
What was Caroline doing yesterday? | 0:15:18 | 0:15:20 | |
She was clearing out her office. With Ellery. | 0:15:20 | 0:15:24 | |
There was a lot to do before she left. | 0:15:24 | 0:15:26 | |
Caroline was carrying this in her handbag. | 0:15:28 | 0:15:32 | |
It was unopened and unaddressed. | 0:15:32 | 0:15:34 | |
Do you know where she got it from? Have any of you seen it before? | 0:15:34 | 0:15:38 | |
"Dear Caroline, Please be careful. | 0:15:41 | 0:15:43 | |
"They want to kill you before you go because of June 10th. A friend." | 0:15:43 | 0:15:48 | |
Any of you any idea who could have written this? | 0:15:48 | 0:15:51 | |
What about the reference to the 10th of June? | 0:15:51 | 0:15:54 | |
-That's the date of the Battle of Spinner's Rock. -Of course it is. | 0:15:54 | 0:15:58 | |
Yes, of course. Um... Spinner's Rock... Remind me. | 0:15:58 | 0:16:00 | |
It's an uninhabited rock between Saint Marie and Saint Robert. | 0:16:00 | 0:16:04 | |
On June the 10th 1813, Captain Spinner won it for Britain. | 0:16:04 | 0:16:09 | |
And now, out of the blue, the French are claiming it as theirs. | 0:16:09 | 0:16:12 | |
The correct title is La Roche De La Republique. | 0:16:12 | 0:16:16 | |
The rock is rightfully French. | 0:16:16 | 0:16:18 | |
No, it isn't. | 0:16:19 | 0:16:20 | |
Why would Spinner's Rock be a reason to kill Governor Bamber? | 0:16:20 | 0:16:25 | |
I have no idea. | 0:16:25 | 0:16:26 | |
Whole thing's handbags at 12 paces, honestly. | 0:16:26 | 0:16:29 | |
Caroline was blackmailing President Tromeur over Spinner's Rock. | 0:16:29 | 0:16:34 | |
-What? -She had given him an ultimatum. | 0:16:36 | 0:16:39 | |
'Withdraw France's claim to Spinner's Rock before I get | 0:16:39 | 0:16:41 | |
'on that plane or we both know what will happen.' | 0:16:41 | 0:16:44 | |
I thought she seemed a bit nervous. | 0:16:44 | 0:16:47 | |
Caroline was threatening to block imports from Saint Robert | 0:16:47 | 0:16:50 | |
-on to Saint Marie. -Reason for you to be pretty worried, I imagine? | 0:16:50 | 0:16:53 | |
Our fishermen would have lost a few dollars. Painful, yes. | 0:16:53 | 0:16:57 | |
But a reason for me to murder someone? | 0:16:57 | 0:16:59 | |
Please excuse me. I have some VIPs waiting outside. | 0:17:04 | 0:17:08 | |
My family. | 0:17:08 | 0:17:10 | |
-Comment ca va? -Ca va. | 0:17:16 | 0:17:19 | |
Saint Marie, there. | 0:17:19 | 0:17:21 | |
Saint Robert, there. | 0:17:21 | 0:17:23 | |
So, where's this Spinner's Rock? | 0:17:23 | 0:17:25 | |
There. | 0:17:26 | 0:17:28 | |
That? That's it? | 0:17:29 | 0:17:31 | |
Entente Cordiale out the window for a dot in the middle of nowhere? | 0:17:31 | 0:17:34 | |
It doesn't make any sense. | 0:17:34 | 0:17:36 | |
Caroline had a serious clearout. | 0:17:36 | 0:17:39 | |
Some of these documents go right back to the start of her posting. | 0:17:39 | 0:17:42 | |
-Did you find anything about Spinner's Rock? -Not yet. | 0:17:42 | 0:17:45 | |
Let's have a look. Report from a Planning Commission. | 0:17:45 | 0:17:49 | |
Minutes into the Planning Council. | 0:17:49 | 0:17:51 | |
Plans for a Club Caribbean Holiday Camp. | 0:17:51 | 0:17:54 | |
Invoice for a private security firm... | 0:17:54 | 0:17:56 | |
Lockdown Private Security hired for the ongoing | 0:17:56 | 0:17:58 | |
security of Spinner's Rock. | 0:17:58 | 0:18:00 | |
How much?! | 0:18:00 | 0:18:01 | |
She could have had the coastguard or us for free to patrol that rock. | 0:18:04 | 0:18:08 | |
Why shell out for a private security firm? | 0:18:08 | 0:18:10 | |
So, the postmortem confirms that Caroline Bamber | 0:18:14 | 0:18:17 | |
died from ingesting hydrogen cyanide. Concentrated hydrogen cyanide, | 0:18:17 | 0:18:21 | |
strong enough to kill in a minute, | 0:18:21 | 0:18:22 | |
was found in Champagne samples taken from Caroline's glass. | 0:18:22 | 0:18:25 | |
Which would explain why she died almost immediately. | 0:18:25 | 0:18:28 | |
The lab confirmed there was no trace of cyanide in any other glass. | 0:18:28 | 0:18:32 | |
Or in the Champagne bottle. | 0:18:32 | 0:18:34 | |
And the only food and drink Caroline consumed in the half hour | 0:18:34 | 0:18:37 | |
before she died was the Champagne. | 0:18:37 | 0:18:39 | |
It's just as you thought, sir. | 0:18:39 | 0:18:41 | |
-Someone poisoned her Champagne glass. -Quite right, JP. | 0:18:41 | 0:18:44 | |
But the question is, how on earth did they do it without our esteemed | 0:18:44 | 0:18:47 | |
Commissioner spotting it? | 0:18:47 | 0:18:49 | |
-Oh, and any joy with that letter? -Yep. | 0:18:49 | 0:18:52 | |
The lab say the paper and the envelope are low quality | 0:18:52 | 0:18:54 | |
and can be found in any newsagent. | 0:18:54 | 0:18:56 | |
And they can't tell us anything for certain about the computer or | 0:18:56 | 0:18:59 | |
-the printer that was used. -No fingerprints on the letter itself | 0:18:59 | 0:19:02 | |
and only one set on the envelope - the Governor's. | 0:19:02 | 0:19:05 | |
So, it was handed to Caroline by someone wearing gloves? | 0:19:05 | 0:19:09 | |
Or someone in gloves left it in her handbag. | 0:19:09 | 0:19:11 | |
A place they knew she'd find it. | 0:19:11 | 0:19:13 | |
So, who killed Caroline Bamber and why? | 0:19:13 | 0:19:16 | |
And how did they get cyanide into her glass? | 0:19:16 | 0:19:18 | |
Well, to help us, I have procured, at no expense at all, | 0:19:18 | 0:19:23 | |
a highly technical piece of cutting edge kit. | 0:19:23 | 0:19:27 | |
My chess set. | 0:19:27 | 0:19:28 | |
-Dwayne? -Oh... -Thank you. | 0:19:28 | 0:19:32 | |
So... | 0:19:32 | 0:19:33 | |
Caroline Bamber, Governor for the past four years. | 0:19:37 | 0:19:40 | |
Single, respected by her colleagues, a reputation for integrity | 0:19:40 | 0:19:44 | |
and defending the best interests of Saint Marie. | 0:19:44 | 0:19:47 | |
The Commissioner, bearer of the fateful Champagne glass, | 0:19:47 | 0:19:51 | |
who, whilst travelling with said glass bumped into... | 0:19:51 | 0:19:55 | |
Lucy Preville, the First Secretary. | 0:19:55 | 0:19:57 | |
Her first posting. Domestic staff confirmed she's a workaholic. | 0:19:57 | 0:20:00 | |
Apparently, she was even more uptight | 0:20:00 | 0:20:02 | |
when she arrived in Saint Marie. | 0:20:02 | 0:20:04 | |
Then there is President Tromeur. | 0:20:04 | 0:20:06 | |
President of the General Council of Saint Robert. | 0:20:06 | 0:20:08 | |
Francois Tromeur has promised the people of Saint Robert he'll | 0:20:08 | 0:20:11 | |
give them La Roche De La Republique. | 0:20:11 | 0:20:13 | |
Caroline was threatening to cut trade with Saint Robert | 0:20:13 | 0:20:16 | |
-if he did not withdraw French claims. -Damaging? Yes. | 0:20:16 | 0:20:19 | |
A murder motive? Not sure. | 0:20:19 | 0:20:21 | |
Next to Caroline, we have the Deputy Governor, Andy Hammond. | 0:20:21 | 0:20:23 | |
-His first posting in the Caribbean. -Well, the view from the kitchen is | 0:20:23 | 0:20:26 | |
that Andy Hammond was the real expert on the region. | 0:20:26 | 0:20:29 | |
He was also extremely loyal to Caroline. | 0:20:29 | 0:20:31 | |
And finally, there is Caroline's Private Secretary, Ellery Wallace. | 0:20:31 | 0:20:36 | |
Divorced, one child, one minor offence dating back three years. | 0:20:36 | 0:20:40 | |
-Reckless driving. -Was anyone hurt? -I'll find out. | 0:20:40 | 0:20:43 | |
Er... Florence, what are you doing? | 0:20:46 | 0:20:49 | |
The Commissioner had the best chance to poison Caroline. | 0:20:49 | 0:20:52 | |
I don't think he did, but logically, he needs to be up there. | 0:20:52 | 0:20:57 | |
-She has a point, you know, Chief. -Yes... | 0:20:57 | 0:20:59 | |
-Sir... -Yes. -Here's how Spinner's Rock crisis started. | 0:20:59 | 0:21:03 | |
Six months ago, | 0:21:03 | 0:21:05 | |
a French Tricolor suddenly appeared on Spinner's Rock. | 0:21:05 | 0:21:08 | |
Governor Bamber sent Andy Hammond to remove it. | 0:21:08 | 0:21:11 | |
Soon afterwards, President Tromeur announced the rock was French. | 0:21:11 | 0:21:14 | |
Have they got assault rifles? | 0:21:15 | 0:21:17 | |
Maybe she thought the French were going to invade! | 0:21:17 | 0:21:19 | |
Or maybe there's something on that rock she really didn't want found. | 0:21:19 | 0:21:23 | |
Either way, "handbags at 12 paces" this is not. | 0:21:23 | 0:21:25 | |
Dwayne, JP, I want you to visit this Spinner's Rock. | 0:21:25 | 0:21:28 | |
-Forget history, something is going on there right now. -Yes, Chief. | 0:21:28 | 0:21:32 | |
Thank you. | 0:21:32 | 0:21:34 | |
-Sir? -Yes. | 0:21:34 | 0:21:35 | |
A text exchange on Caroline's phone from a month ago. | 0:21:35 | 0:21:38 | |
Hm. Caroline to Lucy Preville. "The French are reading our minds on SR. | 0:21:39 | 0:21:42 | |
"How? Someone been spiking your drinks?" | 0:21:42 | 0:21:45 | |
Lucy to Caroline. "How dare you!" | 0:21:45 | 0:21:47 | |
-SR must be Spinner's Rock. -Yes. | 0:21:47 | 0:21:49 | |
"The French are reading our minds. How?" | 0:21:49 | 0:21:52 | |
Caroline must be accusing Lucy of being indiscrete. | 0:21:52 | 0:21:54 | |
And look, Caroline then texts Lucy. "Time for you to make a decision." | 0:21:54 | 0:21:59 | |
Decision? Interesting. | 0:21:59 | 0:22:01 | |
I think we should go and see what it was. | 0:22:01 | 0:22:03 | |
Switch off your motor! This is a prohibited zone! | 0:22:09 | 0:22:12 | |
Look, I wasn't expecting a red carpet | 0:22:27 | 0:22:29 | |
or a marching band or anything like that, you know, | 0:22:29 | 0:22:31 | |
but they weren't exactly pleased to see us, were they? | 0:22:31 | 0:22:33 | |
-I think the Inspector was right. -Mm. | 0:22:33 | 0:22:36 | |
-They are worried about us finding something. -You better believe it! | 0:22:36 | 0:22:39 | |
And I reckon we will find out exactly what it is from up there. | 0:22:39 | 0:22:43 | |
Or we could start from here and work our way up slowly, | 0:22:43 | 0:22:47 | |
if we don't find it. | 0:22:47 | 0:22:49 | |
-Start from up there, I reckon. -JP! | 0:22:49 | 0:22:52 | |
Man! | 0:22:54 | 0:22:55 | |
JP! | 0:22:58 | 0:23:00 | |
Why did Caroline think | 0:23:02 | 0:23:03 | |
someone had been indiscreet about Spinner's Rock? | 0:23:03 | 0:23:05 | |
President Tromeur was winning the PR war. | 0:23:08 | 0:23:10 | |
Caroline was convinced someone had got hold of one of the various | 0:23:10 | 0:23:13 | |
-strategy papers she'd drawn up. -So why was she blaming you? | 0:23:13 | 0:23:17 | |
She blamed all of us at some point. | 0:23:18 | 0:23:20 | |
Who did she think had been spiking your drinks? | 0:23:20 | 0:23:22 | |
I have no idea. | 0:23:23 | 0:23:25 | |
You smoke Ciganes? | 0:23:28 | 0:23:29 | |
-Yes? -It's funny. | 0:23:31 | 0:23:34 | |
President Tromeur smokes this brand, doesn't he? | 0:23:34 | 0:23:37 | |
Does he? | 0:23:37 | 0:23:39 | |
Come on, Miss Preville. What's going on? | 0:23:39 | 0:23:42 | |
Look, this has absolutely nothing to do with your investigation. | 0:23:42 | 0:23:46 | |
If I'm honest, I think we should probably decide that. | 0:23:46 | 0:23:48 | |
I lost my mother a year ago. | 0:23:59 | 0:24:02 | |
To illness. Francois was... | 0:24:02 | 0:24:04 | |
..understanding. | 0:24:05 | 0:24:06 | |
He'd lost his mother about the same age. He was generous. | 0:24:06 | 0:24:11 | |
And vulnerable. | 0:24:11 | 0:24:13 | |
It took me by surprise, that side of him. | 0:24:13 | 0:24:16 | |
I began to see the whole arrogance thing was... | 0:24:16 | 0:24:19 | |
well, IS sort of a shield. | 0:24:19 | 0:24:21 | |
And that's how it began. | 0:24:24 | 0:24:26 | |
Are you in love with him? | 0:24:26 | 0:24:29 | |
I don't have to answer that. | 0:24:29 | 0:24:31 | |
-Who knew about your relationship? -Only Caroline. | 0:24:31 | 0:24:34 | |
It wasn't anyone else's business. I briefed her about a year ago. | 0:24:34 | 0:24:37 | |
And she was OK with it? | 0:24:37 | 0:24:39 | |
It's not against Foreign Office rules to have a French boyfriend. | 0:24:41 | 0:24:44 | |
But then Spinner's Rock happened. | 0:24:44 | 0:24:46 | |
Suddenly, Caroline saw your boyfriend as the enemy. | 0:24:46 | 0:24:49 | |
Was that the decision she told you to make? | 0:24:49 | 0:24:52 | |
Francois or the Foreign Office? | 0:24:52 | 0:24:54 | |
-If my boss had forced me to make that decision... -Nothing happened. | 0:24:54 | 0:24:58 | |
I told her I never discuss work with Francois. | 0:24:58 | 0:25:01 | |
I said we tended to have other things on our mind. | 0:25:01 | 0:25:03 | |
-And she believed you? -Of course. | 0:25:03 | 0:25:06 | |
Look, I have a great instinct in these things and that instinct | 0:25:09 | 0:25:13 | |
is telling me that at the end of the day, it's nothing but a rock! | 0:25:13 | 0:25:18 | |
But the Inspector's sure something's going on here. | 0:25:18 | 0:25:22 | |
Well, I'm going to have a little sit down. You probably want to too, eh? | 0:25:22 | 0:25:25 | |
Mm. | 0:25:25 | 0:25:27 | |
Or maybe it's not about what is on this rock, but where it is. | 0:25:27 | 0:25:32 | |
Maybe this rock is some sort of symbol. | 0:25:32 | 0:25:35 | |
-JP? -Mm? | 0:25:36 | 0:25:39 | |
That's all very fascinating, but you might want to look over there. | 0:25:39 | 0:25:42 | |
What is that? | 0:25:45 | 0:25:48 | |
-Caroline knew about your affair. -She never mentioned it. | 0:25:50 | 0:25:53 | |
I think she was threatening to tell your wife about it. | 0:25:53 | 0:25:56 | |
That was the real ultimatum she gave you over Spinner's Rock. | 0:25:56 | 0:25:59 | |
That would have been no threat at all. | 0:26:02 | 0:26:05 | |
I guess Sandrine is used to you straying. | 0:26:05 | 0:26:07 | |
Affairs being part and parcel of a French marriage, | 0:26:08 | 0:26:11 | |
she wouldn't have batted an eyelid. Remind me, Sergeant Cassell, | 0:26:11 | 0:26:15 | |
do the French say "une affaire" or "une liaison"? | 0:26:15 | 0:26:18 | |
-Une liaison. -Thanks. | 0:26:18 | 0:26:20 | |
-I was with Lucy because I was scared. -Scared of what? | 0:26:29 | 0:26:32 | |
Getting old. | 0:26:34 | 0:26:35 | |
Then, the moment Caroline threatened to tell Sandrine, I... | 0:26:39 | 0:26:42 | |
..suddenly felt this terror... | 0:26:44 | 0:26:46 | |
..at the thought of losing Sandrine, of not having her in my life. | 0:26:48 | 0:26:52 | |
I finally understood what I had been risking. | 0:26:54 | 0:26:57 | |
-For what? -Which is why you had to silence Caroline. | 0:26:57 | 0:27:01 | |
No. She was bluffing. She would never have told Sandrine. | 0:27:01 | 0:27:05 | |
Caroline brought me to my senses. | 0:27:08 | 0:27:10 | |
I decided to end it with Lucy. | 0:27:13 | 0:27:15 | |
I was going to do it at the party, but then... | 0:27:15 | 0:27:18 | |
Please, don't tell my wife about Lucy. | 0:27:19 | 0:27:22 | |
He's been selfish, she's been deluded. | 0:27:27 | 0:27:30 | |
-They make quite the pair. -Was Francois Tromeur | 0:27:30 | 0:27:32 | |
really going to risk losing his wife by calling Caroline's bluff? | 0:27:32 | 0:27:36 | |
And even if he did, we've still got the problem of who wrote | 0:27:36 | 0:27:38 | |
Caroline the letter, warning her her life was in danger and why? | 0:27:38 | 0:27:41 | |
Ah. Any joy? | 0:27:41 | 0:27:43 | |
Well, Chief, either this Spinner's Rock thing really is | 0:27:43 | 0:27:46 | |
all about history, or it's got something to do with these. | 0:27:46 | 0:27:49 | |
Drill holes. | 0:27:49 | 0:27:51 | |
Into what looks like some kind of volcanic rock. | 0:27:51 | 0:27:54 | |
You think they're looking for oil? | 0:27:54 | 0:27:55 | |
This rock is the same as that rock. | 0:27:58 | 0:28:02 | |
-Dwayne, get these to the lab. -Yes, Chief. -MESSAGE ALERT | 0:28:02 | 0:28:05 | |
And then that'll be all today. It's getting late. | 0:28:05 | 0:28:08 | |
-Dwayne! -Chief? | 0:28:13 | 0:28:15 | |
I've got a 94% match. | 0:28:15 | 0:28:16 | |
You're joking! | 0:28:17 | 0:28:19 | |
A girl has answered 94% of questions exactly the same as me! | 0:28:19 | 0:28:22 | |
-It's a miracle. -I think this might be destiny. | 0:28:29 | 0:28:33 | |
-She's gorgeous. -Yes. -So, what's her name? | 0:28:34 | 0:28:38 | |
Well, she left that blank, unfortunately. | 0:28:38 | 0:28:40 | |
And further added to her mystique by putting | 0:28:40 | 0:28:45 | |
"somewhere in the Caribbean" for her location. | 0:28:45 | 0:28:47 | |
So, what are you going to say in your message? | 0:28:47 | 0:28:50 | |
Well, I was rather hoping that Dwayne would tell me that. | 0:28:50 | 0:28:52 | |
Don't worry, Chief. I know exactly what you should say. | 0:28:52 | 0:28:56 | |
-Are you ready? -Yes. Hit me with it. | 0:28:56 | 0:28:58 | |
Right. So, based on my deep knowledge of women... | 0:28:58 | 0:29:03 | |
You know, how they work and what makes them tick and, you know... | 0:29:03 | 0:29:06 | |
And so on. | 0:29:06 | 0:29:08 | |
What with you answering all the questions the same | 0:29:08 | 0:29:12 | |
and all that, this is what you should write - "Let's meet." | 0:29:12 | 0:29:15 | |
That's it? | 0:29:15 | 0:29:17 | |
-Mm-hm. -Isn't that a bit rude? | 0:29:17 | 0:29:19 | |
Rude? Chief, the fish is already on the hook. | 0:29:19 | 0:29:22 | |
All you have to do is reel it in. | 0:29:22 | 0:29:24 | |
HE CLEARS HIS THROAT Right. | 0:29:24 | 0:29:26 | |
Good evening. | 0:29:31 | 0:29:32 | |
HORN BEEPS | 0:29:36 | 0:29:38 | |
-You sure you don't want a lift, sir? -I'm fine, Florence. Honestly. I... | 0:29:41 | 0:29:45 | |
I just fancy walking home tonight. | 0:29:45 | 0:29:47 | |
OK. See you tomorrow. | 0:29:47 | 0:29:49 | |
Ta-ra. | 0:29:49 | 0:29:51 | |
-Morning. -Morning, Chief. So, did you send your reply? | 0:30:13 | 0:30:16 | |
Er... Yes, Dwayne. | 0:30:16 | 0:30:18 | |
In the end, I decided to go with my own version, I hope you don't mind. | 0:30:18 | 0:30:21 | |
-Not at all. -I went round the houses a bit on a couple of things | 0:30:21 | 0:30:25 | |
and finally sent it off about 4am. | 0:30:25 | 0:30:27 | |
4am?! | 0:30:27 | 0:30:28 | |
Yes. | 0:30:28 | 0:30:30 | |
-Can we hear it, sir? -Ah. Um... | 0:30:30 | 0:30:32 | |
OK. | 0:30:32 | 0:30:34 | |
Ahem. | 0:30:35 | 0:30:37 | |
"Dear Miss. | 0:30:37 | 0:30:39 | |
"I was delighted to be notified of our match. | 0:30:39 | 0:30:41 | |
"Here's hoping we can meet face-to-face soon. Best, Humphrey." | 0:30:41 | 0:30:45 | |
I spent a long time debating whether to put a kiss. | 0:30:47 | 0:30:50 | |
Ended up leaving it. | 0:30:50 | 0:30:51 | |
-It's great, sir. -She'll definitely reply to that. | 0:30:51 | 0:30:54 | |
Good. | 0:30:54 | 0:30:56 | |
4am, for that?! | 0:30:57 | 0:30:59 | |
So, President Tromeur, Andy Hammond | 0:30:59 | 0:31:02 | |
and Lucy Preville were the only people anywhere near | 0:31:02 | 0:31:05 | |
Caroline Bamber's Champagne glass when we think the cyanide was added. | 0:31:05 | 0:31:08 | |
Apart from, of course, the Commissioner, Florence. | 0:31:08 | 0:31:11 | |
Now, we've learned that Francois and Lucy were having an affair | 0:31:11 | 0:31:14 | |
and Caroline was using this to blackmail Francois. | 0:31:14 | 0:31:17 | |
She may also have been pressing Lucy Preville to end | 0:31:17 | 0:31:20 | |
the relationship on security grounds however, | 0:31:20 | 0:31:22 | |
neither motive can explain how the cyanide jumped from either | 0:31:22 | 0:31:25 | |
of them into Caroline's glass without the Commissioner noticing. | 0:31:25 | 0:31:28 | |
Sir, I looked into Ellery's reckless driving. | 0:31:28 | 0:31:32 | |
He collided head on with a car being driven by one of the directors | 0:31:32 | 0:31:35 | |
-of a construction firm. -Were they hurt? -No, luckily. | 0:31:35 | 0:31:38 | |
But listen to this - a week earlier, | 0:31:38 | 0:31:40 | |
Ellery was found trespassing in a Club Caribbean Holiday Camp. | 0:31:40 | 0:31:44 | |
-Club Caribbean... -Which was being built by the same director's | 0:31:44 | 0:31:47 | |
company, Parrington Construction, at the time. | 0:31:47 | 0:31:49 | |
I think a friend of my brother's worked on the Club Caribbean | 0:31:49 | 0:31:53 | |
building project. I could speak to him. | 0:31:53 | 0:31:55 | |
MESSAGE ALERT | 0:31:55 | 0:31:57 | |
Ah, the lab. | 0:31:57 | 0:31:58 | |
The rock sample you sent them is something called ultramafic. | 0:31:58 | 0:32:04 | |
They are 98% confident it contains emerald reserves. | 0:32:04 | 0:32:09 | |
-Wow! Emeralds. -That useless rock is actually one big gemstone? | 0:32:10 | 0:32:16 | |
So, Spinner's Rock isn't about history, it's about a lot of money, | 0:32:16 | 0:32:18 | |
which begins to explain why Caroline Bamber might have been killed over it. | 0:32:18 | 0:32:22 | |
Dwayne, JP, get a warrant to search the whole of Government House. | 0:32:22 | 0:32:25 | |
We need to find out exactly what our suspects knew about the true | 0:32:25 | 0:32:29 | |
-value of Spinner's Rock. -Yes, Chief. | 0:32:29 | 0:32:31 | |
And I think I know just who to start with. | 0:32:31 | 0:32:34 | |
Can we have a word, Mr Hammond? | 0:32:38 | 0:32:40 | |
In private? | 0:32:40 | 0:32:42 | |
Of course. | 0:32:42 | 0:32:44 | |
Thank you. | 0:32:44 | 0:32:46 | |
The emeralds on Spinner's Rock... Slipped your mind, did they? | 0:32:48 | 0:32:52 | |
I've got no idea what you're talking about. | 0:32:52 | 0:32:54 | |
So you don't know the rock is made up of gemstone? | 0:32:54 | 0:32:57 | |
"They want to kill you before you go because of June 10th." | 0:32:59 | 0:33:02 | |
We asked you if you knew what that meant, | 0:33:02 | 0:33:04 | |
you said you had no idea. You lied. | 0:33:04 | 0:33:06 | |
So what else have you lied about, Mr Hammond? | 0:33:07 | 0:33:08 | |
HE EXHALES DEEPLY | 0:33:08 | 0:33:11 | |
All right. | 0:33:11 | 0:33:12 | |
What I'm about to tell you | 0:33:12 | 0:33:15 | |
and show you absolutely cannot be shared outside your investigation. | 0:33:15 | 0:33:19 | |
You have our word. | 0:33:19 | 0:33:21 | |
Just over six months ago, British geologists on a sailing holiday | 0:33:27 | 0:33:31 | |
happened to moor off Spinner's Rock. | 0:33:31 | 0:33:33 | |
They spotted that the rock might be emerald bearing. | 0:33:33 | 0:33:36 | |
Fortunately, they were kind enough to tell Caroline about it. | 0:33:36 | 0:33:40 | |
So she commissioned some discrete drilling. | 0:33:40 | 0:33:43 | |
-How much of this is there? -We don't know, exactly, | 0:33:45 | 0:33:48 | |
but we're estimating tens of millions of pounds' worth. | 0:33:48 | 0:33:51 | |
Soon afterwards, | 0:33:51 | 0:33:52 | |
our geologist spotted drill holes that weren't theirs. | 0:33:52 | 0:33:55 | |
Then one day, the Tricolor flag appeared on the rock. | 0:33:55 | 0:33:58 | |
-Someone told the French about the emeralds. -Yeah. | 0:33:58 | 0:34:01 | |
And now, those canny Frogs are rewriting history to try to | 0:34:01 | 0:34:05 | |
claim Spinner's Rock for themselves. | 0:34:05 | 0:34:06 | |
No offence. | 0:34:06 | 0:34:08 | |
-So, who did tell the French about the emeralds? -We don't know. | 0:34:09 | 0:34:12 | |
-Who knew about them? -Well, er... | 0:34:14 | 0:34:17 | |
Apart from the geologists, Caroline, myself and Lucy Preville. | 0:34:18 | 0:34:22 | |
-Ellery Wallace? -Caroline shared everything with him. | 0:34:22 | 0:34:25 | |
But I did wonder whether the leak wasn't Caroline herself. | 0:34:25 | 0:34:30 | |
Well, she was superb at the big picture. | 0:34:30 | 0:34:33 | |
But sometimes, she could be a little careless. | 0:34:33 | 0:34:36 | |
-Known to leave the odd memo lying around, you know? -PHONE RINGS | 0:34:36 | 0:34:39 | |
It would only have taken one dishonest cleaner... | 0:34:39 | 0:34:41 | |
It's my brother's friend. | 0:34:41 | 0:34:42 | |
-Sir? -Yes. | 0:34:45 | 0:34:46 | |
We're in Ellery Wallace's office. There's something you should see. | 0:34:49 | 0:34:53 | |
Thank you. | 0:34:53 | 0:34:54 | |
-What is it? -It was hidden in the back of the drawer. | 0:34:59 | 0:35:02 | |
'Lockdown Private Security, hired for the ongoing security of Spinner's Rock...' | 0:35:02 | 0:35:06 | |
That's me. From yesterday. In Caroline's office. | 0:35:06 | 0:35:10 | |
-So Caroline's room was bugged? -Not just hers. | 0:35:10 | 0:35:13 | |
This thing allows you to listen in on any room in Government House! | 0:35:13 | 0:35:16 | |
Ah, Florence. | 0:35:16 | 0:35:18 | |
So, my brother's friend had heard of Ellery Wallace. | 0:35:18 | 0:35:21 | |
It turns out the Club Caribbean building site | 0:35:21 | 0:35:23 | |
went straight through Ellery's village. | 0:35:23 | 0:35:25 | |
Three years ago, soon after construction began, | 0:35:25 | 0:35:28 | |
a young girl crossing the road in the village was killed | 0:35:28 | 0:35:31 | |
by a Parrington Construction truck. | 0:35:31 | 0:35:34 | |
It was Ellery's daughter. She was seven years old. | 0:35:34 | 0:35:37 | |
Apparently Ellery's village had begged the construction company | 0:35:37 | 0:35:40 | |
to use a different route for its trucks. | 0:35:40 | 0:35:42 | |
But they had insisted there was no alternative. | 0:35:42 | 0:35:44 | |
Gosh, that's awful. | 0:35:44 | 0:35:45 | |
So now we know why Ellery crashed into that director's car. | 0:35:45 | 0:35:48 | |
-He wanted revenge. -And there's something else. | 0:35:48 | 0:35:51 | |
The person who awarded the building contract to the construction | 0:35:51 | 0:35:54 | |
company in the first place? | 0:35:54 | 0:35:56 | |
Caroline Bamber. | 0:35:56 | 0:35:57 | |
What? | 0:35:57 | 0:35:59 | |
Which begs the question, did Ellery Wallace know this? | 0:35:59 | 0:36:03 | |
I think he's got a lot of explaining to do. | 0:36:03 | 0:36:05 | |
My whole village had warned Parrington Construction | 0:36:10 | 0:36:13 | |
that driving trucks past the school was dangerous. | 0:36:13 | 0:36:16 | |
Telephone calls, letters, petitions. | 0:36:16 | 0:36:19 | |
Amber had her whole life ahead of her. | 0:36:19 | 0:36:22 | |
Was that the real reason you got a job at Government House? | 0:36:22 | 0:36:25 | |
Yes. | 0:36:25 | 0:36:26 | |
Because you blamed Caroline for her death? | 0:36:26 | 0:36:29 | |
No. | 0:36:29 | 0:36:31 | |
Why not? She was the one who gave the construction company the contract. | 0:36:31 | 0:36:34 | |
Yes, but she wasn't the one insisting on driving trucks | 0:36:34 | 0:36:37 | |
down that road, was she? I went to Government House cos | 0:36:37 | 0:36:40 | |
I couldn't bear the idea of one more child being killed on that road. | 0:36:40 | 0:36:44 | |
How were you going to stop that happening? | 0:36:44 | 0:36:47 | |
I had heard Governor Bamber being interviewed. | 0:36:47 | 0:36:50 | |
She seemed like an understanding person. | 0:36:50 | 0:36:53 | |
I felt sure that if I could just tell her about Amber, | 0:36:53 | 0:36:56 | |
she would do something. | 0:36:56 | 0:36:58 | |
So I got a job as a security guard in Government House. | 0:36:59 | 0:37:03 | |
And then, once I felt like Caroline knew who I was, | 0:37:03 | 0:37:08 | |
I told her Amber's story. | 0:37:08 | 0:37:10 | |
'She was horrified | 0:37:12 | 0:37:14 | |
'and furious that no-one had told her about it before.' | 0:37:14 | 0:37:17 | |
And did she act? | 0:37:19 | 0:37:20 | |
I need to show you something. | 0:37:20 | 0:37:22 | |
This is where Amber was killed. | 0:37:37 | 0:37:39 | |
Listen. | 0:37:43 | 0:37:45 | |
BIRDSONG | 0:37:45 | 0:37:48 | |
No traffic. | 0:37:49 | 0:37:51 | |
Caroline built a new road. | 0:37:51 | 0:37:53 | |
It opened about eight months after I told her about Amber. | 0:37:54 | 0:37:58 | |
It bypasses the village, so now | 0:37:59 | 0:38:01 | |
all the tourist coaches and service trucks from Club Caribbean use that. | 0:38:01 | 0:38:06 | |
Caroline was a true friend. | 0:38:06 | 0:38:08 | |
When did Caroline promote you to her private secretary? | 0:38:08 | 0:38:11 | |
A few months later. | 0:38:11 | 0:38:12 | |
It was because of all this that she got to know me. | 0:38:12 | 0:38:16 | |
So Caroline helped protect your village, she gave you a career hike. | 0:38:16 | 0:38:20 | |
So how come you ended up bugging her office | 0:38:20 | 0:38:22 | |
and the rest of Government House? | 0:38:22 | 0:38:23 | |
-Because she asked me to. -What? | 0:38:23 | 0:38:26 | |
Caroline was convinced that | 0:38:26 | 0:38:27 | |
someone on her staff was leaking information to the French. | 0:38:27 | 0:38:31 | |
About the emeralds? | 0:38:31 | 0:38:33 | |
Andy Hammond told us. | 0:38:33 | 0:38:34 | |
Yes. About the emeralds. | 0:38:36 | 0:38:38 | |
She asked me to fit microphones to all the key rooms and listen in. | 0:38:38 | 0:38:42 | |
What did you discover from your, uh, listening in? | 0:38:42 | 0:38:45 | |
Nothing. I still have no idea who the leak was. | 0:38:45 | 0:38:50 | |
-Can you prove that Caroline ordered you to do this? -No. | 0:38:50 | 0:38:53 | |
But don't you think if I was spying on her, | 0:38:53 | 0:38:56 | |
I would have removed all the kit from my office by now? | 0:38:56 | 0:38:59 | |
Wow! Sir! You have to listen to this. | 0:39:05 | 0:39:08 | |
It's from Caroline's office. Just before the party. | 0:39:08 | 0:39:11 | |
Ellery's just tidying up loose ends with Caroline. | 0:39:11 | 0:39:14 | |
'One last thing before you go to the party tonight, Governor - | 0:39:14 | 0:39:17 | |
'that donation you wanted to give to the orphanage chairman, | 0:39:17 | 0:39:20 | |
'it's there on the desk for you to check.' | 0:39:20 | 0:39:22 | |
'Oh, I'm sure it'll be fine.' | 0:39:22 | 0:39:23 | |
OK, now, listen to this. | 0:39:23 | 0:39:25 | |
'Yes, Lucy?' | 0:39:25 | 0:39:26 | |
I need a word. In private? | 0:39:26 | 0:39:29 | |
I'll be back in a minute to take you through for your speech. | 0:39:29 | 0:39:33 | |
What is it? | 0:39:33 | 0:39:35 | |
Don't send that report. | 0:39:35 | 0:39:36 | |
I told you. If you end it with Francois before I get on the plane, I'll drop it. | 0:39:36 | 0:39:40 | |
-You know I can't do that. -That's your choice. | 0:39:40 | 0:39:42 | |
Then you leave me no choice. | 0:39:44 | 0:39:46 | |
Caroline wasn't the only one giving out an ultimatum. | 0:39:48 | 0:39:51 | |
So how was Lucy about to punish her? | 0:39:51 | 0:39:53 | |
So, have you heard back from the girl off the dating site? | 0:39:56 | 0:39:59 | |
No, Miss 94% is resisting me so far. | 0:39:59 | 0:40:01 | |
-It's early days. -Yes, but I am starting to wonder | 0:40:01 | 0:40:04 | |
if adding a kiss at the end might've been the way to go. | 0:40:04 | 0:40:07 | |
-Pull over! -What is it? | 0:40:14 | 0:40:16 | |
-Over there. -The girl from the internet? | 0:40:16 | 0:40:18 | |
No! Look. | 0:40:18 | 0:40:20 | |
He was here last night. What is he up to? | 0:40:22 | 0:40:25 | |
Let's follow him. | 0:40:30 | 0:40:31 | |
I'll get Dwayne and JP to join us. | 0:40:31 | 0:40:33 | |
-He's not walking naturally. -No. He's nervous. | 0:41:00 | 0:41:02 | |
INAUDIBLE SPEECH | 0:41:18 | 0:41:21 | |
-Wasn't that...? -Yes. | 0:41:22 | 0:41:24 | |
THEY MOUTH SILENTLY | 0:41:31 | 0:41:34 | |
Need a hand with that bag, Mr Hammond? | 0:41:40 | 0:41:42 | |
He's gone, sir. | 0:41:58 | 0:42:00 | |
HUMPHREY SIGHS | 0:42:00 | 0:42:02 | |
You appear to be following me, Inspector. | 0:42:06 | 0:42:08 | |
I'd like to see inside that bag. | 0:42:11 | 0:42:14 | |
Sorry. | 0:42:14 | 0:42:15 | |
I trust you know enough diplomatic etiquette not to insist. | 0:42:18 | 0:42:21 | |
Article 29 of the Vienna Convention on Diplomatic Relations. | 0:42:23 | 0:42:27 | |
Do you really want chapter and verse? | 0:42:27 | 0:42:30 | |
Are you just letting him go? | 0:42:38 | 0:42:40 | |
Had to. You can't stop and search a serving head of government, JP. | 0:42:40 | 0:42:44 | |
Caroline didn't leave out any memos and there was no dishonest cleaner. | 0:42:45 | 0:42:49 | |
Spying for the French! | 0:42:49 | 0:42:51 | |
Now what on earth made you do that? | 0:42:53 | 0:42:55 | |
Mr Hammond? | 0:42:56 | 0:42:58 | |
A few months ago I interviewed for Caroline's replacement. | 0:42:58 | 0:43:01 | |
Everybody on that panel knew I deserved the job. | 0:43:01 | 0:43:03 | |
Yet still they snubbed you. | 0:43:03 | 0:43:05 | |
Gave it to some Oxbridge tosser who'd spent his career in Brussels. | 0:43:05 | 0:43:08 | |
Because I'm not up to it? No. | 0:43:08 | 0:43:11 | |
Because I went to a red brick university | 0:43:11 | 0:43:13 | |
and because I speak my mind. | 0:43:13 | 0:43:15 | |
So you came up against a glass ceiling | 0:43:15 | 0:43:17 | |
and when you bumped your head, you wanted compensation. | 0:43:17 | 0:43:20 | |
I knew how much the information about the Spinner's Rock emeralds was worth. | 0:43:20 | 0:43:24 | |
So you approached Francois, who probably couldn't believe his luck. | 0:43:24 | 0:43:28 | |
How often have you been giving him information? | 0:43:28 | 0:43:31 | |
Every couple of weeks. | 0:43:31 | 0:43:33 | |
We'd arrange swaps for whenever | 0:43:33 | 0:43:35 | |
Francois visited Government House for talks. | 0:43:35 | 0:43:38 | |
I was due to give him the latest information | 0:43:38 | 0:43:40 | |
-at Caroline's leaving party. In the gents. -But once she died, | 0:43:40 | 0:43:43 | |
it was probably safer to use the streets than a crime scene. | 0:43:43 | 0:43:46 | |
That's what you were doing last night. | 0:43:46 | 0:43:48 | |
We were due to swap yesterday but Francois didn't turn up. | 0:43:48 | 0:43:50 | |
-I think he was spooked after you visited him yesterday. -So... | 0:43:50 | 0:43:54 | |
..you were betraying your bosses, your colleagues, your country. | 0:43:56 | 0:44:00 | |
You've lied to us at every stage. | 0:44:00 | 0:44:02 | |
Well, I think there's one more thing you haven't quite told us. | 0:44:02 | 0:44:05 | |
That Caroline had worked out that you were the leak. | 0:44:05 | 0:44:07 | |
That she was going to speak to your Security Department in London | 0:44:07 | 0:44:10 | |
on her return, so you killed her. | 0:44:10 | 0:44:12 | |
No! I could never do that. Not to Caroline. | 0:44:12 | 0:44:16 | |
Not to anyone. | 0:44:17 | 0:44:18 | |
Please. It wasn't me. | 0:44:20 | 0:44:22 | |
So he committed espionage, but did he also kill Caroline? | 0:44:27 | 0:44:30 | |
Or was it Lucy, backed into a corner | 0:44:30 | 0:44:32 | |
about her feelings for Francois Tromeur? | 0:44:32 | 0:44:34 | |
Well, whether it's Andy or Lucy, | 0:44:34 | 0:44:37 | |
we still need to establish who wrote that letter. | 0:44:37 | 0:44:39 | |
Hmm, yes, we keep coming back to this letter. | 0:44:39 | 0:44:41 | |
Someone clearly wanted to save the Governor's life. But who? | 0:44:41 | 0:44:44 | |
SELWYN CLEARS HIS THROAT | 0:44:46 | 0:44:48 | |
-Ah. -Commissioner. | 0:44:48 | 0:44:49 | |
Oh, what a surprise, sir. Is there anything we can help you with? | 0:44:52 | 0:44:54 | |
Ah. | 0:45:04 | 0:45:05 | |
HUMPHREY CLEARS THROAT | 0:45:05 | 0:45:07 | |
I hope you know, sir, that we would never, ever question your integrity. | 0:45:07 | 0:45:11 | |
On the contrary. | 0:45:11 | 0:45:13 | |
My inclusion as a murder suspect | 0:45:13 | 0:45:16 | |
seems to indicate one or two serious doubts on your part | 0:45:16 | 0:45:20 | |
over my version of events. | 0:45:20 | 0:45:22 | |
No, sir. No, not at all. | 0:45:22 | 0:45:24 | |
Detective Inspector, I cannot vouch for what was done to | 0:45:24 | 0:45:27 | |
Governor Bamber's champagne glass | 0:45:27 | 0:45:29 | |
before or after my involvement, but... | 0:45:29 | 0:45:31 | |
..no-one put poison in it | 0:45:34 | 0:45:38 | |
while it was within my sight. | 0:45:38 | 0:45:42 | |
Not even me. | 0:45:46 | 0:45:47 | |
CAROLINE GASPS | 0:45:49 | 0:45:51 | |
Gosh, you're right, sir. | 0:45:51 | 0:45:52 | |
-You can't, can you? -Can't what? | 0:45:54 | 0:45:57 | |
-SELWYN ECHOING: -'When she arrived she went straight into her speech.' | 0:45:58 | 0:46:01 | |
I thought she seemed a bit nervous. | 0:46:01 | 0:46:03 | |
She wasn't nervous at all. | 0:46:03 | 0:46:05 | |
But that doesn't answer the question of the letter. | 0:46:05 | 0:46:08 | |
-FLORENCE: -'Someone definitely wanted her dead.' | 0:46:08 | 0:46:10 | |
Sir, you have to listen to this. | 0:46:10 | 0:46:12 | |
Unless... | 0:46:12 | 0:46:14 | |
It could be, could be. | 0:46:14 | 0:46:16 | |
Where's that guest list? | 0:46:16 | 0:46:17 | |
They weren't there. | 0:46:20 | 0:46:22 | |
You see? They weren't at the party. | 0:46:22 | 0:46:24 | |
That is very clever. That is very clever indeed. | 0:46:27 | 0:46:29 | |
Dwayne, | 0:46:29 | 0:46:31 | |
we have to get this warning letter over to the labs. | 0:46:31 | 0:46:34 | |
Leave it to me, chief. | 0:46:34 | 0:46:36 | |
Caroline had a serious clear-out. | 0:46:36 | 0:46:38 | |
I wonder... I wonder... | 0:46:38 | 0:46:40 | |
This is it. This is it. | 0:46:55 | 0:46:59 | |
The whole thing makes sense now. | 0:47:00 | 0:47:01 | |
Excellent. | 0:47:01 | 0:47:03 | |
Er... | 0:47:10 | 0:47:11 | |
Thank you all for joining me. | 0:47:11 | 0:47:14 | |
I'm a busy man, so if you could be as brief as possible... | 0:47:14 | 0:47:17 | |
Not really my long suit, being brief | 0:47:17 | 0:47:20 | |
but seeing as I'm about to tell you who killed Caroline Bamber... | 0:47:20 | 0:47:23 | |
You see, one of the things that puzzled me most about this case | 0:47:24 | 0:47:27 | |
is just how was Caroline murdered? | 0:47:27 | 0:47:30 | |
We know that she died after drinking a glass of champagne laced | 0:47:32 | 0:47:34 | |
with a fatal dose of cyanide, | 0:47:34 | 0:47:36 | |
but we also know that the bottle that was used to pour out her glass | 0:47:36 | 0:47:40 | |
contained no poison. | 0:47:40 | 0:47:41 | |
In other words, the cyanide must have been added directly to her glass. | 0:47:41 | 0:47:47 | |
But how? | 0:47:47 | 0:47:48 | |
Well, thanks to the Commissioner here, we were able to identify | 0:47:49 | 0:47:53 | |
three people who might have been able to slip cyanide into the glass. | 0:47:53 | 0:47:57 | |
That is assuming we discount the Commissioner himself here. | 0:47:57 | 0:48:01 | |
-Which we do. -Indeed. | 0:48:01 | 0:48:02 | |
But, in the end, that is how the cyanide got into Caroline's glass. | 0:48:02 | 0:48:08 | |
It was added after the Commissioner picked it up. | 0:48:08 | 0:48:12 | |
So, who DID poison Caroline's glass? | 0:48:12 | 0:48:15 | |
Well, before we answer that, there is another question we need to consider. | 0:48:15 | 0:48:20 | |
Just who was it who sent the anonymous letter to Caroline | 0:48:20 | 0:48:23 | |
warning her that her life was in danger? | 0:48:23 | 0:48:25 | |
It could only be someone 100% loyal to her. | 0:48:25 | 0:48:29 | |
Someone like you, Ellery. | 0:48:29 | 0:48:31 | |
It was you who sent the letter, wasn't it? | 0:48:33 | 0:48:35 | |
-You knew somebody was trying to kill Caroline? -He did. | 0:48:38 | 0:48:42 | |
Ellery was often more aware of what was going on in Government House | 0:48:42 | 0:48:45 | |
than anyone, and Caroline's murder was no exception. | 0:48:45 | 0:48:48 | |
Which brings us...to you three. | 0:48:50 | 0:48:52 | |
You all had motives to want Caroline dead. | 0:48:54 | 0:48:56 | |
Mr Hammond, you felt so snubbed at work, | 0:48:58 | 0:49:01 | |
you were prepared to betray your own country. | 0:49:01 | 0:49:03 | |
While I think that Caroline probably had her | 0:49:03 | 0:49:06 | |
suspicions about your betrayal, | 0:49:06 | 0:49:08 | |
you didn't kill her. | 0:49:08 | 0:49:09 | |
HE SIGHS | 0:49:09 | 0:49:11 | |
So, was it President Tromeur? | 0:49:13 | 0:49:15 | |
We now know Caroline was blackmailing you. | 0:49:15 | 0:49:19 | |
But you didn't kill her either. | 0:49:19 | 0:49:21 | |
So now we are all rather looking at you, Lucy. | 0:49:22 | 0:49:24 | |
After all, you knew that | 0:49:26 | 0:49:28 | |
if Caroline had made your affair with Francois known, | 0:49:28 | 0:49:31 | |
your career at the Foreign Office would be over. | 0:49:31 | 0:49:34 | |
That's why I tried to leave the party that night. | 0:49:34 | 0:49:37 | |
I was going to write my resignation letter so I could... | 0:49:37 | 0:49:40 | |
-be with Francois. -Don't worry. | 0:49:40 | 0:49:42 | |
I know you're also innocent, | 0:49:42 | 0:49:45 | |
but I would hold off writing that resignation letter, though. | 0:49:45 | 0:49:47 | |
So this is all rather baffling, isn't it? | 0:49:49 | 0:49:52 | |
The whole point of this case is that right from the start | 0:49:52 | 0:49:56 | |
nothing has been what it seems. | 0:49:56 | 0:49:58 | |
In particular, | 0:50:00 | 0:50:02 | |
the cyanide was the cyanide... | 0:50:02 | 0:50:04 | |
..but it also wasn't. | 0:50:05 | 0:50:07 | |
Isn't that right, Ellery? | 0:50:09 | 0:50:11 | |
You killed Caroline Bamber. | 0:50:14 | 0:50:16 | |
ELLERY LAUGHS, HUMPHREY LAUGHS | 0:50:19 | 0:50:21 | |
I was in the kitchen the whole time. | 0:50:23 | 0:50:25 | |
Yes, I know. Clever, weren't you? | 0:50:25 | 0:50:27 | |
Getting a fatal dose of cyanide into a glass you never went near. | 0:50:28 | 0:50:31 | |
I mean, that's some trick, isn't it? | 0:50:31 | 0:50:34 | |
But then, as you well know... | 0:50:34 | 0:50:37 | |
that's not how she was killed. | 0:50:37 | 0:50:39 | |
So thank you for admitting you wrote this letter just now. | 0:50:39 | 0:50:42 | |
Because we know this letter wasn't your attempt to save Caroline's life, | 0:50:45 | 0:50:50 | |
it is, in fact, the murder weapon. | 0:50:50 | 0:50:52 | |
You wrote the letter. | 0:50:53 | 0:50:55 | |
You then put cyanide on the seal of the envelope, | 0:50:55 | 0:50:58 | |
but not too much. | 0:50:58 | 0:51:00 | |
You didn't want it to act too quickly. | 0:51:00 | 0:51:02 | |
And then, just before the party, | 0:51:02 | 0:51:04 | |
you used the trust that you had built up with Caroline | 0:51:04 | 0:51:07 | |
over the last two years. | 0:51:07 | 0:51:09 | |
And told her she had one last task to perform. | 0:51:09 | 0:51:11 | |
In fact... | 0:51:11 | 0:51:13 | |
..we even have a recording... | 0:51:15 | 0:51:17 | |
..of that exact moment. | 0:51:19 | 0:51:21 | |
'One last thing before you go to the party tonight, Governor. | 0:51:21 | 0:51:24 | |
'That donation you wanted to give to the orphanage chairman, | 0:51:24 | 0:51:27 | |
'it's there on the desk for you to check.' | 0:51:27 | 0:51:29 | |
And there we have it. | 0:51:29 | 0:51:31 | |
She didn't check the donation. | 0:51:33 | 0:51:34 | |
She did what any boss would do who trusted her secretary implicitly. | 0:51:36 | 0:51:39 | |
You knew the orphanage chairman had cancelled earlier in the day | 0:51:39 | 0:51:43 | |
and that the envelope would therefore be found | 0:51:43 | 0:51:46 | |
unopened in Caroline's handbag. | 0:51:46 | 0:51:49 | |
It's there on the desk for you to check. | 0:51:49 | 0:51:51 | |
Oh, I'm sure it'll be fine. | 0:51:51 | 0:51:52 | |
She licked and sealed the envelope, sight unseen, | 0:51:52 | 0:51:56 | |
not knowing that, at that very moment, | 0:51:56 | 0:51:58 | |
she was also sealing her fate, and then... | 0:51:58 | 0:52:00 | |
..well... | 0:52:02 | 0:52:04 | |
as with all cyanide poisonings, | 0:52:04 | 0:52:06 | |
the first thing she felt was a shortness of breath - | 0:52:06 | 0:52:08 | |
what Mr Hammond mistook for nervousness. | 0:52:08 | 0:52:11 | |
And then, as the cyanide began to move through her bloodstream, | 0:52:13 | 0:52:17 | |
starving her heart and brain of oxygen, | 0:52:17 | 0:52:20 | |
you made sure you were nowhere near her. | 0:52:20 | 0:52:22 | |
I'll go and check on the canapes. | 0:52:22 | 0:52:24 | |
CAROLINE GASPS | 0:52:28 | 0:52:29 | |
Knowing that after she'd died, no-one would question you | 0:52:30 | 0:52:33 | |
being the first person on the scene. | 0:52:33 | 0:52:35 | |
Her trusted secretary. | 0:52:35 | 0:52:38 | |
But you had one last job to do... | 0:52:38 | 0:52:40 | |
..and this part was truly inspired. | 0:52:41 | 0:52:44 | |
While everyone was looking at Caroline, | 0:52:44 | 0:52:46 | |
and after she was already dead, | 0:52:46 | 0:52:48 | |
only then did you put a lethal dose of cyanide into her glass. | 0:52:48 | 0:52:53 | |
Knowing that we would presume it was this cyanide that had poisoned her. | 0:52:53 | 0:52:58 | |
But that wasn't your only stroke of genius, Ellery, was it? | 0:52:58 | 0:53:01 | |
Because it was also what you wrote in this letter. | 0:53:02 | 0:53:04 | |
You knew that when we opened it we would find apparent proof that | 0:53:05 | 0:53:08 | |
Caroline's death was connected to Spinner's Rock, | 0:53:08 | 0:53:11 | |
which it wasn't, I hasten to add. | 0:53:11 | 0:53:13 | |
But better than that, better than that, | 0:53:13 | 0:53:15 | |
you knew it would never occur to us that we | 0:53:15 | 0:53:18 | |
were holding the real murder weapon here in our hands. | 0:53:18 | 0:53:20 | |
But why would Ellery, of all people, want Caroline dead? | 0:53:20 | 0:53:24 | |
Exactly. Caroline was Ellery's mentor, his guardian angel. | 0:53:24 | 0:53:29 | |
So something must have changed, something that meant | 0:53:30 | 0:53:33 | |
she had to be killed now before she left the island. | 0:53:33 | 0:53:36 | |
The day before Caroline's departure, | 0:53:37 | 0:53:39 | |
Ellery was helping her clear her office | 0:53:39 | 0:53:41 | |
and when I looked among the old documents | 0:53:41 | 0:53:44 | |
that she'd buried in the back of her cupboard... | 0:53:44 | 0:53:46 | |
..I spotted this. | 0:53:48 | 0:53:49 | |
It's probably the Club Caribbean logo | 0:53:52 | 0:53:54 | |
that caught your eye too, as it did mine. | 0:53:54 | 0:53:56 | |
This is a proposal to build a new road for the | 0:53:59 | 0:54:02 | |
Club Caribbean Holiday Village. | 0:54:02 | 0:54:05 | |
It was written four years ago, 18 months before your daughter died. | 0:54:05 | 0:54:09 | |
It was asking Caroline for her final approval. | 0:54:09 | 0:54:12 | |
This is what she wrote: | 0:54:13 | 0:54:15 | |
"With negligible fatalities likely on the existing road, | 0:54:15 | 0:54:18 | |
"the cost of building a new road... cannot be justified." | 0:54:18 | 0:54:22 | |
"Proposal rejected." | 0:54:24 | 0:54:26 | |
This is why your daughter died, | 0:54:26 | 0:54:28 | |
because Caroline thought the odd casualty | 0:54:28 | 0:54:31 | |
too expensive to worry about. | 0:54:31 | 0:54:33 | |
This is what you learned | 0:54:34 | 0:54:35 | |
when you were helping her clear out her office that day. | 0:54:35 | 0:54:38 | |
Which is when you finally understood, isn't it, Ellery? | 0:54:39 | 0:54:44 | |
Everything Caroline had told you had been a lie. | 0:54:44 | 0:54:46 | |
Your promotion, putting a new road to bypass your village, even. | 0:54:46 | 0:54:50 | |
It was all about her, her | 0:54:50 | 0:54:52 | |
and her attempt to get rid of her guilt. | 0:54:52 | 0:54:55 | |
All because she knew she'd caused your daughter's death. | 0:54:57 | 0:55:00 | |
In a way...that road was the death of her too, wasn't it? | 0:55:00 | 0:55:05 | |
Do you know the last words she heard? | 0:55:08 | 0:55:12 | |
Negligible fatalities. She knew exactly what I meant. | 0:55:12 | 0:55:17 | |
Well done, inspector. | 0:55:33 | 0:55:35 | |
A team effort, as always, sir. | 0:55:35 | 0:55:37 | |
I wanted to say...sorry | 0:55:37 | 0:55:40 | |
for the, well, awkwardness. | 0:55:40 | 0:55:43 | |
No awkwardness, | 0:55:43 | 0:55:45 | |
just as long as you keep on catching your man. | 0:55:45 | 0:55:47 | |
She's replied! Miss 94%, she's replied! | 0:55:57 | 0:56:00 | |
No way! | 0:56:00 | 0:56:01 | |
"The subscription for the individual you were... | 0:56:02 | 0:56:05 | |
"trying to contact has lapsed." | 0:56:05 | 0:56:07 | |
-What?! -She's gone. | 0:56:07 | 0:56:11 | |
No, this can't be happening! This can't be! Please! | 0:56:11 | 0:56:14 | |
My perfect girl. | 0:56:17 | 0:56:19 | |
Ah, don't worry, chief. It's not the end of the world. | 0:56:19 | 0:56:21 | |
You're right, Dwayne. Well, I'm just going to have to track her down. | 0:56:21 | 0:56:25 | |
-I don't follow. -Well, she's in the Caribbean. If I look hard enough, | 0:56:25 | 0:56:28 | |
visit enough islands, I'm bound to find her eventually, aren't I? | 0:56:28 | 0:56:31 | |
-Eventually. -Yes. | 0:56:31 | 0:56:34 | |
So are you going to help him track down this girl? | 0:56:39 | 0:56:44 | |
What? Go on a wild goose chase around the Caribbean? | 0:56:44 | 0:56:47 | |
No, sir, count me out. | 0:56:47 | 0:56:49 | |
I wish I'd never agreed to help him in the first place. | 0:56:49 | 0:56:52 | |
I mean, what can you do with a man who falls in love with a percentage? | 0:56:52 | 0:56:55 | |
Now I'm beginning to wonder if Dwayne is the right wingman for me. | 0:57:01 | 0:57:05 | |
Really, Humphrey, why? | 0:57:06 | 0:57:08 | |
-A slight clash of styles, perhaps. -Hm. | 0:57:08 | 0:57:11 | |
Maybe you're right. | 0:57:12 | 0:57:14 | |
So, Florence, do you think I should go on a search | 0:57:15 | 0:57:18 | |
for Miss 94%? | 0:57:18 | 0:57:19 | |
I suppose it would put off the day | 0:57:19 | 0:57:21 | |
-when you have to actually speak to a women, sir. -Yes, I see. | 0:57:21 | 0:57:24 | |
You think I'm hiding behind a screen, so to speak? | 0:57:24 | 0:57:27 | |
-Perhaps. -Right. | 0:57:27 | 0:57:30 | |
-Dwayne. -Chief. -I've decided something. | 0:57:33 | 0:57:36 | |
-Really? -Yes. | 0:57:36 | 0:57:37 | |
I've decided I'm not going | 0:57:37 | 0:57:39 | |
-to scour the Caribbean for some tenuous Internet fantasy. -No? | 0:57:39 | 0:57:42 | |
No, no more relying on algorithms to find the future Mrs Humphrey, the II. | 0:57:42 | 0:57:47 | |
I'm going to talk to some real, live women. | 0:57:47 | 0:57:50 | |
I'll be brave, confident and, well, who knows, | 0:57:51 | 0:57:54 | |
maybe I'll somehow manage to bowl one of them over. | 0:57:54 | 0:57:56 | |
-Crikey! Bottoms up! -Yes, aye. | 0:57:56 | 0:58:01 | |
One of the models was found dead. She appears to have been strangled. | 0:58:05 | 0:58:08 | |
Make a women laugh and you're halfway there. | 0:58:08 | 0:58:11 | |
-Practice on Catherine. -Oh... -Try and make her smile. | 0:58:11 | 0:58:14 | |
The time I played rugby at school, I did my best | 0:58:14 | 0:58:17 | |
but all anyone could say was, "Nice try." | 0:58:17 | 0:58:20 | |
Oh, that was kind of them. | 0:58:20 | 0:58:22 | |
These women have been traumatised. They need handling gently. | 0:58:22 | 0:58:25 | |
-One of them could be our killer. -You're right. | 0:58:25 | 0:58:28 | |
What about the other two, eh? | 0:58:28 | 0:58:30 |