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How are you doing? | 0:00:06 | 0:00:08 | |
Ah, good so far. | 0:00:08 | 0:00:09 | |
Great. | 0:00:09 | 0:00:11 | |
HE EXHALES HEAVILY | 0:00:13 | 0:00:14 | |
Oh, I never tire of that view. | 0:00:14 | 0:00:16 | |
You OK? | 0:00:18 | 0:00:20 | |
Yeah, I'm good. | 0:00:20 | 0:00:21 | |
You catch your breath. I'll check the seismometer. | 0:00:21 | 0:00:24 | |
Well, I can't find anything wrong with it. Sensors are clean. | 0:00:44 | 0:00:48 | |
OK. | 0:00:49 | 0:00:51 | |
Well, let's get back down. | 0:00:51 | 0:00:53 | |
No signs of malfunction as far as we can tell. | 0:01:02 | 0:01:04 | |
Wait, so the seismic readings we're getting are accurate? | 0:01:04 | 0:01:08 | |
Well, we can't discount extraneous factors, Daniel. | 0:01:08 | 0:01:11 | |
Could just be a passing animal setting it off. | 0:01:11 | 0:01:14 | |
Wouldn't be the first time... | 0:01:14 | 0:01:15 | |
But if that isn't the case, | 0:01:15 | 0:01:17 | |
it's three nights in a row we've had amplitude signals | 0:01:17 | 0:01:19 | |
at a level consistent with low frequency unrest. | 0:01:19 | 0:01:22 | |
We can't ignore that. | 0:01:22 | 0:01:24 | |
If it is an animal, the chances are it's nocturnal. | 0:01:24 | 0:01:26 | |
I'll go back up tonight. | 0:01:26 | 0:01:28 | |
At least, that way, we'll know for sure what's going on. | 0:01:28 | 0:01:30 | |
Oh, you've only just come back down. | 0:01:30 | 0:01:32 | |
Well, it's my turn on night duty. | 0:01:32 | 0:01:34 | |
Might as well spend it up there as down here. | 0:01:34 | 0:01:37 | |
What time's the mayor due tomorrow morning? | 0:01:37 | 0:01:39 | |
-Er, 9:30, isn't it? -I'll be back for that. | 0:01:39 | 0:01:41 | |
And I'll expect a decent breakfast waiting for me. | 0:01:41 | 0:01:45 | |
One a day. Can't hurt, can it? | 0:01:52 | 0:01:56 | |
What happened to that paper you wanted me to read? | 0:01:56 | 0:01:58 | |
There's still a few things I'd like to iron out. | 0:01:58 | 0:02:00 | |
Then get them ironed out. Can't have my favourite protege slacking. | 0:02:00 | 0:02:04 | |
-Your only protege you mean. -Right. | 0:02:04 | 0:02:07 | |
I better go e-mail the powers that be. | 0:02:09 | 0:02:12 | |
Update them on where we're at with these readings. | 0:02:12 | 0:02:15 | |
Thanks. | 0:02:15 | 0:02:17 | |
One hour. | 0:02:50 | 0:02:51 | |
-Good morning, Victoria. -Mayor Richards. Good morning. | 0:02:53 | 0:02:57 | |
Good to see you. | 0:02:57 | 0:02:58 | |
Everything all right? | 0:02:58 | 0:03:00 | |
You better come in. | 0:03:00 | 0:03:01 | |
If you pick this up, Stephen, please just give us a call. | 0:03:01 | 0:03:04 | |
Let us know you're OK. | 0:03:04 | 0:03:06 | |
-What's going on? -We're not sure. | 0:03:08 | 0:03:10 | |
Stephen camped out on the volcano last night. | 0:03:10 | 0:03:12 | |
He hasn't come back this morning, he's not answering his radio. | 0:03:12 | 0:03:16 | |
I'm scrambling the helicopter. | 0:03:16 | 0:03:18 | |
-VICTORIA: -Nothing this side. Keep a look out. | 0:03:26 | 0:03:29 | |
Daniel, to the left, down there. | 0:03:31 | 0:03:33 | |
Oh, no... | 0:03:34 | 0:03:36 | |
Bring us in, down there. | 0:03:36 | 0:03:38 | |
Stephen! | 0:03:43 | 0:03:45 | |
STEPHEN! | 0:03:46 | 0:03:47 | |
Stephen! | 0:03:49 | 0:03:51 | |
He's dead. | 0:03:52 | 0:03:53 | |
Sir? | 0:04:36 | 0:04:38 | |
OK, what's the flight number? | 0:04:38 | 0:04:40 | |
-WOMAN: -'Er...ends in "630." Do you know where I'm coming from?' | 0:04:40 | 0:04:43 | |
Yes, Caracas. | 0:04:43 | 0:04:46 | |
-'Ever been?' -No, no, I've never been. | 0:04:46 | 0:04:47 | |
'You'd love it.' | 0:04:47 | 0:04:49 | |
-OK. -'Can't wait to see you.' -And what time are you arriving? | 0:04:49 | 0:04:51 | |
-'4:30.' -Perfect. -'Don't forget.' -No, no, no, I won't forget. | 0:04:51 | 0:04:55 | |
Morning, sir. | 0:04:55 | 0:04:57 | |
Ah, Florence, morning. Yes, come and say hello to Martha. | 0:04:57 | 0:04:59 | |
She's in Venezuela. Martha, look, it's Florence... | 0:04:59 | 0:05:03 | |
-'Oh, hello, Florence! How are...?' -Martha? Ma... Oh, dear. | 0:05:03 | 0:05:08 | |
She appears to have gone. | 0:05:08 | 0:05:09 | |
Must've got disconnected. | 0:05:11 | 0:05:12 | |
-Why are you...? -Something seems to have happened with my Wi-Fi. | 0:05:12 | 0:05:15 | |
Can't seem to get any sort of signal in the shack. | 0:05:15 | 0:05:17 | |
But there, it's perfect. It's very odd indeed. | 0:05:17 | 0:05:20 | |
Anyway, Martha's flying in tonight, | 0:05:20 | 0:05:23 | |
so if I achieve nothing else today, I must get to the airport... | 0:05:23 | 0:05:26 | |
on time, 6:30 sharp. | 0:05:26 | 0:05:29 | |
OK, but, right now, we've got something else to worry about. | 0:05:29 | 0:05:32 | |
We've got a dead body halfway up a volcano. | 0:05:32 | 0:05:35 | |
Really! Well, this calls for some socks. | 0:05:35 | 0:05:38 | |
Are we nearly there yet? Oh, God. | 0:05:39 | 0:05:43 | |
Morning, sir. Sarge. | 0:05:44 | 0:05:46 | |
-Good morning, JP. -Chief. The deceased is Stephen Langham, | 0:05:46 | 0:05:49 | |
chief volcanologist at the Saint Marie Volcano Observatory. | 0:05:49 | 0:05:52 | |
Found this morning by his brother Daniel and Victoria Baker, | 0:05:52 | 0:05:56 | |
both co-workers at the observatory. | 0:05:56 | 0:05:58 | |
He came up here last night sometime after 9pm to check | 0:05:58 | 0:06:01 | |
-the "seis-o-meter." -"Seis-mo-meter" I think, Dwayne. | 0:06:01 | 0:06:04 | |
Er, yes, yes. | 0:06:04 | 0:06:06 | |
Seems there'd been some irregular readings coming through. | 0:06:06 | 0:06:08 | |
Now, they were expecting him back this morning around 9am, | 0:06:08 | 0:06:11 | |
-but he never showed. -Any clues as to cause of death? | 0:06:11 | 0:06:14 | |
The paramedics think he died of natural causes. | 0:06:14 | 0:06:16 | |
-He had a history of heart problems. -Heart attack? | 0:06:16 | 0:06:19 | |
Six months ago. | 0:06:19 | 0:06:21 | |
No sign of any injuries or any kind of struggle. | 0:06:21 | 0:06:23 | |
Yeah, poor guy. | 0:06:23 | 0:06:25 | |
Dying up here in the middle of the night, all alone. | 0:06:25 | 0:06:28 | |
That's not a way to go, is it? | 0:06:28 | 0:06:30 | |
Ah, no, JP, no, it is not. | 0:06:30 | 0:06:32 | |
-What time was sunset? -Just after seven? | 0:06:32 | 0:06:35 | |
And he definitely walked up here? | 0:06:35 | 0:06:36 | |
Yes, Chief. There's no other way to access the volcano. | 0:06:36 | 0:06:39 | |
The terrain is way too rough. | 0:06:39 | 0:06:41 | |
And that helicopter is for emergency use only. | 0:06:41 | 0:06:45 | |
What are you thinking, sir? | 0:06:45 | 0:06:47 | |
Well, what's missing? | 0:06:47 | 0:06:48 | |
A torch. | 0:06:53 | 0:06:55 | |
There's everything else you'd expect a man camping out | 0:06:55 | 0:06:58 | |
on a volcano to carry with him - | 0:06:58 | 0:07:00 | |
a tent, binoculars, walkie-talkie, mobile, sandwiches, water canteen. | 0:07:00 | 0:07:05 | |
Now, you said he came up here around 9pm yesterday evening, | 0:07:05 | 0:07:09 | |
which would've been dark, and yet there's no torch. | 0:07:09 | 0:07:11 | |
Which is odd, don't you think? | 0:07:11 | 0:07:13 | |
Dwayne, JP, release the body, bag this little lot, | 0:07:15 | 0:07:17 | |
and once you've done that, I'd like you to trace Mr Langham's route | 0:07:17 | 0:07:20 | |
back to the observatory. | 0:07:20 | 0:07:22 | |
See if you can find any evidence of a dropped torch. | 0:07:22 | 0:07:24 | |
Yes, Chief, we're on it. JP, come. | 0:07:24 | 0:07:26 | |
Florence, let's go speak to his colleagues. | 0:07:26 | 0:07:28 | |
I'd like to know a little more | 0:07:28 | 0:07:29 | |
about Stephen Langham's movements last night. | 0:07:29 | 0:07:32 | |
Come along. | 0:07:32 | 0:07:33 | |
Oh, dear. | 0:07:33 | 0:07:34 | |
Inspector Goodman. Joseph Richards. | 0:07:42 | 0:07:45 | |
Ah, Mayor Richards. Yes, we've met. | 0:07:45 | 0:07:46 | |
Sorry, we were briefly introduced at a council drinks evening, | 0:07:46 | 0:07:49 | |
-a few months ago. -We were? | 0:07:49 | 0:07:51 | |
Er, yes, we talked about cricket. | 0:07:51 | 0:07:54 | |
The 2012 West Indies tour, if I recall. | 0:07:54 | 0:07:56 | |
You know, it, er, it rained a lot, | 0:07:56 | 0:07:58 | |
Andrew Strauss got a century in the first Test, | 0:07:58 | 0:08:01 | |
and then in the second he, er... Yeah, yeah... | 0:08:01 | 0:08:03 | |
Ah! | 0:08:03 | 0:08:04 | |
I'm sorry, you're here because...? | 0:08:04 | 0:08:07 | |
I flew in from Guadeloupe this morning to meet with Stephen, | 0:08:07 | 0:08:11 | |
to discuss funding for the observatory. | 0:08:11 | 0:08:13 | |
I see. | 0:08:13 | 0:08:15 | |
Hello. We appreciate this must be a hard time for you. | 0:08:15 | 0:08:18 | |
If you wouldn't mind telling me who you all are. | 0:08:18 | 0:08:20 | |
Victoria Baker. I'm the resident geophysicist here. | 0:08:20 | 0:08:24 | |
Sorry. | 0:08:24 | 0:08:25 | |
Er, yes, we understand. | 0:08:26 | 0:08:28 | |
Megan Colley. Junior geologist. | 0:08:28 | 0:08:31 | |
You must be Daniel Langham, I presume? | 0:08:31 | 0:08:33 | |
Yes. I'm a volcanologist here. | 0:08:33 | 0:08:36 | |
And you're Stephen's brother? | 0:08:36 | 0:08:37 | |
Yes. That's right. | 0:08:37 | 0:08:39 | |
I understand Stephen was on the volcano | 0:08:39 | 0:08:41 | |
to check your equipment there. | 0:08:41 | 0:08:42 | |
The seismograph's been showing | 0:08:42 | 0:08:44 | |
irregular output these last few nights. | 0:08:44 | 0:08:46 | |
-He wanted to check the readings weren't being corrupted. -Corrupted? | 0:08:46 | 0:08:49 | |
Seismometers can unintentionally pick up movement from animals, | 0:08:49 | 0:08:52 | |
or even the weather sometimes. | 0:08:52 | 0:08:54 | |
So he decided to go up there himself to monitor it? | 0:08:54 | 0:08:57 | |
It was his turn on night duty. | 0:08:57 | 0:08:59 | |
And he left at about 9pm? | 0:08:59 | 0:09:02 | |
If you want to check, Inspector, there's a CCTV camera | 0:09:02 | 0:09:04 | |
in the control room. I'm sure that will show you when Stephen left. | 0:09:04 | 0:09:07 | |
Is there CCTV anywhere else? | 0:09:07 | 0:09:09 | |
Any other security? | 0:09:09 | 0:09:11 | |
There's the swipe system. | 0:09:11 | 0:09:12 | |
-Swipe? -On the door. | 0:09:12 | 0:09:14 | |
Logs everyone who goes in and out of the observatory. | 0:09:14 | 0:09:17 | |
We all have individual cards to make sure everyone's accounted for | 0:09:17 | 0:09:21 | |
in case of an eruption. | 0:09:21 | 0:09:23 | |
Erm... If you intended to head up the volcano at night, in the dark, | 0:09:23 | 0:09:27 | |
I assume you'd need to take a torch? | 0:09:27 | 0:09:29 | |
Of course. | 0:09:29 | 0:09:30 | |
You have to make your way through some pretty dense jungle up there. | 0:09:30 | 0:09:34 | |
It just appears that Stephen didn't have one with him. | 0:09:34 | 0:09:37 | |
But he...he must've done. | 0:09:40 | 0:09:43 | |
My thought exactly. But, yet, he didn't. | 0:09:43 | 0:09:46 | |
Where do you keep your torches here? | 0:09:48 | 0:09:50 | |
By the main entrance. | 0:09:50 | 0:09:51 | |
-There isn't one missing? -No. | 0:09:54 | 0:09:56 | |
Are you all right? | 0:09:56 | 0:09:58 | |
Touch of flu. | 0:09:58 | 0:09:59 | |
Er, could I trouble you for the CCTV and the swipe card log? | 0:09:59 | 0:10:04 | |
-Of course. -Thanks. | 0:10:04 | 0:10:06 | |
So, when he left the observatory last night, | 0:10:06 | 0:10:09 | |
Stephen would've exited through that door, | 0:10:09 | 0:10:11 | |
passing right by these torches. | 0:10:11 | 0:10:13 | |
Maybe he forgot to take one? | 0:10:13 | 0:10:15 | |
It was already dark, Florence. | 0:10:15 | 0:10:17 | |
And on stepping outside and realising that, | 0:10:17 | 0:10:18 | |
all he had to do was step back in again and get one. | 0:10:18 | 0:10:20 | |
So, what are you saying, sir? | 0:10:20 | 0:10:22 | |
I just don't believe that our victim | 0:10:22 | 0:10:24 | |
would walk just over a mile-long journey up a volcano | 0:10:24 | 0:10:26 | |
in pitch-black without a torch. | 0:10:26 | 0:10:28 | |
-You think it was taken from the scene? -Possibly. | 0:10:28 | 0:10:30 | |
But if that is the case, | 0:10:30 | 0:10:32 | |
then someone must've been up there with him. | 0:10:32 | 0:10:34 | |
So, er, Stephen left the observatory at 9:06pm. | 0:10:34 | 0:10:38 | |
I didn't check the CCTV, but I'm sure it'll tally. | 0:10:38 | 0:10:41 | |
OK. So according to this, | 0:10:41 | 0:10:44 | |
after Stephen left at six minutes past nine last night, | 0:10:44 | 0:10:47 | |
the next person to swipe the door open was by Victoria Baker | 0:10:47 | 0:10:50 | |
at 9:28 this morning? | 0:10:50 | 0:10:51 | |
That's right, when the Mayor arrived. | 0:10:51 | 0:10:53 | |
-Is there anything else? -No, thank you. | 0:10:56 | 0:10:59 | |
So no-one exited or entered this building between Stephen leaving | 0:11:01 | 0:11:05 | |
and Mayor Richards arriving this morning? | 0:11:05 | 0:11:07 | |
Which means if someone did go up that volcano with Stephen, | 0:11:07 | 0:11:09 | |
and then travelled back with the torch... | 0:11:09 | 0:11:12 | |
How did they get back in the observatory? | 0:11:12 | 0:11:14 | |
Yes. Quite. | 0:11:14 | 0:11:16 | |
The exclusion zone. I assume that's the bit no-one's allowed into | 0:11:20 | 0:11:23 | |
in case there's ever an eruption. | 0:11:23 | 0:11:25 | |
It's been over 80 years since Mount Esmee last erupted | 0:11:25 | 0:11:28 | |
but she's officially still active. | 0:11:28 | 0:11:30 | |
So, I've just been up an actual, real, live volcano? | 0:11:30 | 0:11:34 | |
That's excellent. | 0:11:34 | 0:11:35 | |
Ah. Phenolphthalein. That rings a very distant GCSE chemistry bell. | 0:11:37 | 0:11:43 | |
Er, used for testing soil acidity, if I remember rightly. | 0:11:43 | 0:11:46 | |
Turns pink when an acid is added. Or...or is it blue? | 0:11:46 | 0:11:50 | |
Mr Langham was definitely what you would call "a creature of habit" - | 0:11:50 | 0:11:55 | |
is that how you say it? | 0:11:55 | 0:11:56 | |
That's exactly how you say it, Florence. | 0:11:56 | 0:11:58 | |
There's not much variety here, is there? | 0:11:58 | 0:12:01 | |
Guess you're right. Il aime son train-train, la routine. | 0:12:01 | 0:12:04 | |
Very good, sir. | 0:12:04 | 0:12:06 | |
-Chief. -Yes? -The body's on the way to the pathologist | 0:12:06 | 0:12:09 | |
and we've loaded all the evidence from the scene into the Jeep. | 0:12:09 | 0:12:11 | |
Excellent, Dwayne. We should also bag his laptop, | 0:12:11 | 0:12:14 | |
personal documents, correspondence. | 0:12:14 | 0:12:16 | |
How'd you get on with the walk back - any sign of a torch? | 0:12:16 | 0:12:18 | |
I'm afraid not, sir. | 0:12:18 | 0:12:20 | |
Someone was up that volcano | 0:12:20 | 0:12:22 | |
with Stephen Langham last night, Florence. I'm sure of it. | 0:12:22 | 0:12:25 | |
And now they're lying to cover it up. | 0:12:25 | 0:12:27 | |
Are you saying you think they might've killed him, Chief? | 0:12:27 | 0:12:29 | |
I'm saying it's suspicious, at the very least, Dwayne. | 0:12:29 | 0:12:32 | |
And we should treat it as such. | 0:12:32 | 0:12:33 | |
But there were no signs of injury or assault. | 0:12:33 | 0:12:35 | |
And you can't murder someone with a heart attack. | 0:12:35 | 0:12:37 | |
No, no, you can't. You're quite right, Florence. | 0:12:37 | 0:12:40 | |
I guess we'll have to wait and see what the postmortem brings up, eh? | 0:12:40 | 0:12:44 | |
All this because of a missing torch?! | 0:12:46 | 0:12:48 | |
Hm. | 0:13:04 | 0:13:05 | |
-Hat? -Yeah. | 0:13:08 | 0:13:09 | |
So? | 0:13:09 | 0:13:11 | |
Yeah. Yeah, really nice! | 0:13:11 | 0:13:14 | |
-Shall I come towards you? -Yeah. | 0:13:14 | 0:13:15 | |
-Ah. -Amazing. | 0:13:15 | 0:13:17 | |
Let me introduce Justine Tremblay from the Saint Marie Times. | 0:13:17 | 0:13:22 | |
-Hello! -Hello. | 0:13:22 | 0:13:24 | |
Morning, Justine. | 0:13:26 | 0:13:27 | |
They're insisting on doing a feature about me for the weekend edition. | 0:13:27 | 0:13:30 | |
So, I thought I'd show her the Caribbean's finest team of | 0:13:30 | 0:13:33 | |
law enforcement officers. | 0:13:33 | 0:13:35 | |
The Commissioner is being incredibly generous with his time. | 0:13:35 | 0:13:38 | |
Well, I'm sure he is. | 0:13:38 | 0:13:39 | |
Inspector, I wonder if I might have a word in your ear. | 0:13:39 | 0:13:42 | |
-If you can spare me for a few minutes. -Sure. | 0:13:43 | 0:13:45 | |
This business up at the volcano observatory. | 0:13:50 | 0:13:53 | |
Yes, early days, sir. | 0:13:53 | 0:13:55 | |
Stephen Langham appears to have died of natural causes | 0:13:55 | 0:13:57 | |
but there are one or two things that don't quite add up, sir. | 0:13:57 | 0:14:00 | |
I believe Mayor Richards was in attendance this morning? | 0:14:00 | 0:14:04 | |
Yes, sir, yes, he was. | 0:14:04 | 0:14:06 | |
Then, can I ask, are you treating him with suspicion at this stage? | 0:14:06 | 0:14:10 | |
No, sir. Quite the contrary. | 0:14:10 | 0:14:11 | |
He wasn't even on the island last night when the death occurred, sir. | 0:14:11 | 0:14:14 | |
He was in Guadeloupe. | 0:14:14 | 0:14:16 | |
Mayor Richards likes to present himself | 0:14:16 | 0:14:18 | |
as a caring and well-meaning politician, man of the people, | 0:14:18 | 0:14:22 | |
but I've known him a long time | 0:14:22 | 0:14:24 | |
and I wouldn't trust him as far as I could throw him. | 0:14:24 | 0:14:27 | |
If any kind of foul play's involved, I'd advise you not to rule out | 0:14:27 | 0:14:30 | |
that, er, Mayor Richards is connected in some way. | 0:14:30 | 0:14:33 | |
We'll keep an eye on him. | 0:14:33 | 0:14:35 | |
Justine, my apologies. I'm all yours. I notice it's lunchtime. | 0:14:35 | 0:14:40 | |
-How are you with seafood? -Great. | 0:14:40 | 0:14:43 | |
So, sir, at 8:47 last night, | 0:14:44 | 0:14:46 | |
Stephen comes into the control room, | 0:14:46 | 0:14:48 | |
he packs some things into his bag, | 0:14:48 | 0:14:50 | |
talks to Victoria Baker, | 0:14:50 | 0:14:52 | |
and heads out at 9:05. | 0:14:52 | 0:14:55 | |
Which corresponds with the entry system that shows | 0:14:55 | 0:14:57 | |
he swiped out at 9:06pm. | 0:14:57 | 0:14:59 | |
It also shows no-one went out or came in the whole night, until | 0:14:59 | 0:15:03 | |
Victoria Baker opened the door to Mayor Richards at 9:28 this morning. | 0:15:03 | 0:15:07 | |
-PHONE RINGS -Er, excuse me. | 0:15:07 | 0:15:09 | |
So, the victim, Stephen Langham... | 0:15:09 | 0:15:12 | |
55. Found dead on Mount Esmee this morning. | 0:15:12 | 0:15:15 | |
Paramedics at the scene concluded he died of a heart failure, | 0:15:15 | 0:15:18 | |
consistent with a heart attack he suffered six months ago. | 0:15:18 | 0:15:20 | |
-Natural causes. -Thank you, Dwayne. | 0:15:20 | 0:15:23 | |
Just saying, Chief. | 0:15:23 | 0:15:24 | |
Mr Langham was the chief volcanologist | 0:15:24 | 0:15:27 | |
at the Saint Marie Observatory. | 0:15:27 | 0:15:28 | |
Has been working there for the last 15 years. | 0:15:28 | 0:15:31 | |
So, let us, for a moment, consider that | 0:15:31 | 0:15:33 | |
Stephen's death may not have been natural causes. | 0:15:33 | 0:15:35 | |
Who might our suspects be? | 0:15:35 | 0:15:37 | |
Megan Colley. | 0:15:37 | 0:15:39 | |
22. From Dublin. Got a First in Geology. | 0:15:39 | 0:15:43 | |
On a 12-month internship at the observatory, started six months ago, | 0:15:43 | 0:15:46 | |
although an initial check with immigration showed | 0:15:46 | 0:15:48 | |
no record of her arrival on the island. | 0:15:48 | 0:15:51 | |
JP's put a call into the Irish Passport Office to look into it. | 0:15:51 | 0:15:54 | |
-Next. -Victoria Baker. | 0:15:54 | 0:15:56 | |
Clearly upset by Stephen's death. Seemed a rather fragile thing. | 0:15:56 | 0:15:59 | |
Hm. Miss Baker's had a very successful academic career. | 0:15:59 | 0:16:02 | |
Got her professorship from the Munich Institute of Physics | 0:16:02 | 0:16:05 | |
-and Technology. -Good for her. And finally, Daniel Langham. | 0:16:05 | 0:16:09 | |
53. Stephen's only close relative. | 0:16:09 | 0:16:12 | |
Also a volcanologist. | 0:16:12 | 0:16:14 | |
Yes, and not exactly a picture of health himself. | 0:16:14 | 0:16:17 | |
This is interesting. | 0:16:17 | 0:16:18 | |
Academic star at university, | 0:16:18 | 0:16:20 | |
shot straight into a prestigious research position | 0:16:20 | 0:16:23 | |
-but somewhat went off the radar. -Mm. | 0:16:23 | 0:16:26 | |
Patchy employment history. | 0:16:26 | 0:16:27 | |
Joined Stephen on the island one year ago. | 0:16:27 | 0:16:30 | |
Bit of a motley crew, aren't they? | 0:16:30 | 0:16:33 | |
We should also look into Mayor Richards. | 0:16:33 | 0:16:36 | |
But he wasn't even on the island last night. | 0:16:36 | 0:16:38 | |
Yes, I know. I had a tip-off. | 0:16:38 | 0:16:40 | |
The Commissioner suggested that we don't entirely discount the mayor. | 0:16:41 | 0:16:44 | |
I bet he did. Those two have never got on. | 0:16:44 | 0:16:47 | |
Any reason why? | 0:16:47 | 0:16:49 | |
Two peacocks in the same pen. | 0:16:49 | 0:16:51 | |
This is a small island and those are two big egos. | 0:16:51 | 0:16:53 | |
Hm, well, let's do as the Commissioner suggested and | 0:16:53 | 0:16:56 | |
check that he was, as he claims, in Guadeloupe last night. | 0:16:56 | 0:16:59 | |
-Thank you very much. -I'll get on it, Chief. | 0:16:59 | 0:17:02 | |
-Sir? -Yes? -I think you need to hear this. | 0:17:02 | 0:17:04 | |
What have you got? | 0:17:04 | 0:17:05 | |
So, according to the Irish Passport Office, | 0:17:05 | 0:17:08 | |
Megan Colley isn't here on Saint Marie. | 0:17:08 | 0:17:10 | |
So, where is she? | 0:17:10 | 0:17:11 | |
On a six months' work visa in China. | 0:17:11 | 0:17:14 | |
China? | 0:17:15 | 0:17:17 | |
So, who's the girl we met in the observatory? | 0:17:17 | 0:17:20 | |
You know, she did seem conspicuously quiet when we were | 0:17:22 | 0:17:25 | |
-questioning everyone earlier, Florence. -Megan Colley? | 0:17:25 | 0:17:28 | |
Yes. Or whatever her real name is. | 0:17:28 | 0:17:30 | |
Actually, Emer. | 0:17:30 | 0:17:32 | |
My name's Emer Byrne. | 0:17:34 | 0:17:36 | |
I knew you'd find out, so... | 0:17:37 | 0:17:39 | |
Please. | 0:17:42 | 0:17:43 | |
So, why are you pretending to be someone else, Miss Byrne? | 0:17:45 | 0:17:48 | |
Megan was my best friend at uni. | 0:17:48 | 0:17:51 | |
We lived together, did everything together. Apart from graduate. | 0:17:52 | 0:17:57 | |
She got a first and then I... | 0:17:58 | 0:18:01 | |
I failed. | 0:18:01 | 0:18:03 | |
So, how did you end up here? | 0:18:03 | 0:18:05 | |
I'd lied to my parents. | 0:18:05 | 0:18:06 | |
I couldn't tell them the truth, | 0:18:06 | 0:18:08 | |
they'd spent their savings to send me to uni. | 0:18:08 | 0:18:11 | |
-I didn't know what to do. And then... -Please. Sit there. | 0:18:11 | 0:18:15 | |
I saw an advert online for an internship here at the observatory. | 0:18:15 | 0:18:19 | |
I don't know what came over me but I thought, | 0:18:20 | 0:18:23 | |
"Finally, here's my chance." | 0:18:23 | 0:18:26 | |
-So, you applied. -As Megan Colley? | 0:18:26 | 0:18:28 | |
I sent her degree, her results. | 0:18:28 | 0:18:32 | |
And then all you had to do is travel on your own passport | 0:18:32 | 0:18:35 | |
and pretend to be her. | 0:18:35 | 0:18:37 | |
I don't know what I was thinking, I mean, I wasn't thinking. | 0:18:37 | 0:18:42 | |
Who at the observatory knows about this? | 0:18:42 | 0:18:44 | |
-No-one. -Did Stephen? | 0:18:45 | 0:18:47 | |
No. | 0:18:47 | 0:18:49 | |
You liked him, didn't you? | 0:18:49 | 0:18:51 | |
He sort of took me under his wing. | 0:18:51 | 0:18:53 | |
Called me his protege. | 0:18:53 | 0:18:56 | |
If Stephen had found out the truth, that you weren't who you said | 0:18:56 | 0:19:00 | |
you were, how would you have stopped him from reporting you? | 0:19:00 | 0:19:02 | |
I don't know. | 0:19:02 | 0:19:04 | |
But I could never have done anything to hurt him. | 0:19:04 | 0:19:07 | |
-What do you think, sir? -Well, I'm not sure, Florence. | 0:19:16 | 0:19:19 | |
I think she genuinely cared for Stephen, that much is clear, | 0:19:19 | 0:19:23 | |
but something's not quite right. | 0:19:23 | 0:19:25 | |
Like she's not telling us the whole truth. | 0:19:25 | 0:19:27 | |
Ah, yes, thank you very much. OK, Chief. | 0:19:34 | 0:19:37 | |
So I checked and Mayor Richards stayed at the Blue Orchid Hotel | 0:19:37 | 0:19:40 | |
in Guadeloupe last night. | 0:19:40 | 0:19:42 | |
Air Caribbean confirmed he boarded the first flight back | 0:19:42 | 0:19:44 | |
to Saint Marie this morning. | 0:19:44 | 0:19:46 | |
Oh, well, there's no arguing with that, I s'pose. | 0:19:46 | 0:19:48 | |
I also spoke to the Mayor's secretary. She said that Mr Richards | 0:19:48 | 0:19:51 | |
and the victim did cross paths from time to time. | 0:19:51 | 0:19:53 | |
Very much a working relationship, from what I can gather. | 0:19:53 | 0:19:56 | |
Yes, yes, good, good. I'll update the Commissioner in the morning. | 0:19:56 | 0:19:58 | |
And how are you getting on, JP? | 0:19:58 | 0:20:00 | |
Well, I've been working through Mr Langham's e-mail accounts | 0:20:00 | 0:20:03 | |
on his laptop and there's a lot of correspondence | 0:20:03 | 0:20:05 | |
that I don't understand, if I'm to be honest with you. | 0:20:05 | 0:20:08 | |
-But there was something that caught my eye. -Oh, yes? | 0:20:08 | 0:20:11 | |
Yes, about a week ago, a Dr Klein at the Carrington Institute in London | 0:20:11 | 0:20:15 | |
e-mailed Stephen Langham. | 0:20:15 | 0:20:17 | |
"Stephen, I've just read Baker's paper | 0:20:17 | 0:20:20 | |
"and am slightly taken aback by it. | 0:20:20 | 0:20:23 | |
"Don't tell me you're happy about this? Can we talk?" | 0:20:23 | 0:20:26 | |
Victoria Baker, I assume? | 0:20:26 | 0:20:28 | |
I tried calling the Institute to talk to Dr Klein but it was | 0:20:28 | 0:20:31 | |
gone 10pm UK time and everybody had gone home. | 0:20:31 | 0:20:33 | |
-I'll try again in the morning. -Er, yes, good, good. | 0:20:33 | 0:20:36 | |
Well, I suggest we follow the Carrington Institute's lead | 0:20:36 | 0:20:39 | |
and call it a day ourselves. | 0:20:39 | 0:20:41 | |
I need to get to the airport. | 0:20:41 | 0:20:43 | |
-Going to meet your girlfriend, eh, Chief? -Er, what? | 0:20:43 | 0:20:45 | |
No, I mean... Well, she's not a girlfriend. | 0:20:45 | 0:20:48 | |
She's a...just a friend who, er, who is a... | 0:20:48 | 0:20:51 | |
A girl? | 0:20:53 | 0:20:54 | |
I better get to the airport. | 0:20:55 | 0:20:57 | |
Oh, hello, Florence. | 0:21:13 | 0:21:14 | |
Martha? | 0:21:14 | 0:21:16 | |
Erm, Humphrey was supposed to be picking me up from the airport | 0:21:17 | 0:21:20 | |
but he didn't show and his phone's switched off. | 0:21:20 | 0:21:23 | |
You just missed him. | 0:21:23 | 0:21:25 | |
He got the time wrong, didn't he? | 0:21:25 | 0:21:27 | |
It looks that way. He said 6:30. | 0:21:27 | 0:21:30 | |
That was my flight number. | 0:21:30 | 0:21:32 | |
Oh. | 0:21:32 | 0:21:34 | |
Probably to be expected? | 0:21:34 | 0:21:35 | |
THEY LAUGH | 0:21:35 | 0:21:37 | |
Welcome back to Saint Marie, Martha. It's lovely to see you again. | 0:21:41 | 0:21:45 | |
Ah, thank you, Catherine. It's lovely to be back. | 0:21:45 | 0:21:48 | |
When you're ready to see your room, | 0:21:48 | 0:21:50 | |
-just let me know and I'll show you where it is. -Thank you. | 0:21:50 | 0:21:53 | |
In the meantime, enjoy. These are on the house. | 0:21:53 | 0:21:56 | |
So, how long are you here for? | 0:21:59 | 0:22:01 | |
Only a month, sadly. Four weeks and then it's back to reality. | 0:22:01 | 0:22:05 | |
You'll have to make the most of your time together. | 0:22:05 | 0:22:07 | |
We will, when he finally turns up! | 0:22:07 | 0:22:10 | |
Hi. | 0:22:15 | 0:22:16 | |
Oh, Justine! | 0:22:18 | 0:22:19 | |
I think I left my camera bag here. | 0:22:19 | 0:22:21 | |
Well, let's see if we can find it, shall we? | 0:22:23 | 0:22:25 | |
Sorry, I never caught your name. | 0:22:25 | 0:22:27 | |
Officer Myers. | 0:22:27 | 0:22:29 | |
I'm the longest-serving officer here at the station. | 0:22:29 | 0:22:31 | |
But call me Dwayne. | 0:22:31 | 0:22:33 | |
Might this be it? | 0:22:37 | 0:22:38 | |
Thank you. I wasn't sure where I left it. | 0:22:38 | 0:22:40 | |
-It's been quite an exhausting day. -Mmm, yes, I bet. | 0:22:40 | 0:22:45 | |
You find the Commissioner can be a bit exhausting, too? | 0:22:45 | 0:22:48 | |
Well, let me put it this way, Justine... | 0:22:48 | 0:22:51 | |
This is off the record, right? | 0:22:52 | 0:22:54 | |
Of course. | 0:22:54 | 0:22:55 | |
Now, my grandmother had a big, bossy goat. | 0:22:55 | 0:22:58 | |
We used to call it King Goat because no matter what you were doing | 0:22:58 | 0:23:01 | |
on the farm, he was always sticking his nose into things and shoving | 0:23:01 | 0:23:04 | |
himself about and always trying to get in on the action. | 0:23:04 | 0:23:08 | |
So, the Commissioner is like your grandmother's old goat? | 0:23:08 | 0:23:12 | |
That's exactly what he's like. | 0:23:13 | 0:23:15 | |
HORN HONKS | 0:23:19 | 0:23:21 | |
-Oh. -Martha! | 0:23:21 | 0:23:23 | |
Oh, my God, I am so sorry. | 0:23:26 | 0:23:28 | |
I couldn't find you at the airport and I was going to call, | 0:23:28 | 0:23:30 | |
but that's when I realised I'd left my phone in the Jeep, | 0:23:30 | 0:23:32 | |
and I went to get it, I couldn't remember where I'd parked... | 0:23:32 | 0:23:35 | |
Suffice to say, it's all been a bit of a disaster, my... | 0:23:35 | 0:23:37 | |
Hello. | 0:23:37 | 0:23:38 | |
Hello... | 0:23:39 | 0:23:41 | |
back to you. | 0:23:41 | 0:23:42 | |
-So, how are you? -Oh, I'm good. Erm, well, I'm a bit tired. | 0:23:44 | 0:23:48 | |
I think maybe the flight's caught up with me. | 0:23:48 | 0:23:51 | |
Erm, Catherine was just about to take me to my room. | 0:23:51 | 0:23:53 | |
But maybe Humphrey can show you. | 0:23:55 | 0:23:57 | |
Gosh, yes, the least I could do. | 0:23:57 | 0:23:58 | |
Let me help you with your bags. | 0:23:58 | 0:24:00 | |
-So lovely to see you both. -And you. | 0:24:01 | 0:24:03 | |
-Goodnight, Martha. -Night. | 0:24:03 | 0:24:05 | |
So I was thinking maybe I could cook you for dinner tomorrow? | 0:24:11 | 0:24:13 | |
SHE LAUGHS | 0:24:13 | 0:24:14 | |
Sorry, I mean, cook dinner FOR you tomorrow? | 0:24:14 | 0:24:17 | |
Obviously, I'm not a cannibal. | 0:24:17 | 0:24:19 | |
Er, me neither. That would be wonderful. | 0:24:19 | 0:24:21 | |
Great. Here we are. | 0:24:21 | 0:24:23 | |
-Shall we say eight? -Great. | 0:24:28 | 0:24:31 | |
-OK. -OK, then. | 0:24:31 | 0:24:33 | |
Night. | 0:24:39 | 0:24:40 | |
Idiot! | 0:24:56 | 0:24:57 | |
-And that's all he said to you? -Morning, Sarge. JP. | 0:25:07 | 0:25:12 | |
Morning, Dwayne. | 0:25:12 | 0:25:14 | |
Well, thank you very much for speaking to me. | 0:25:14 | 0:25:16 | |
You've been very helpful. | 0:25:16 | 0:25:17 | |
I thought you'd like a coffee, Dwayne, so I put one on your desk. | 0:25:17 | 0:25:20 | |
Oh, thank you very much, Sarge. | 0:25:20 | 0:25:22 | |
Have you seen this?! | 0:25:28 | 0:25:30 | |
Has the Commissioner seen this?! | 0:25:30 | 0:25:32 | |
This is not good. | 0:25:32 | 0:25:34 | |
This is not good at all, at all, at all, oh, my! | 0:25:34 | 0:25:36 | |
-Morning, sir. -Morning, Florence. -Morning, Chief. -JP. Dwayne. | 0:25:36 | 0:25:40 | |
-Eh, Chief. -Everything all right, sir? | 0:25:40 | 0:25:42 | |
-Pathology report. -And? | 0:25:42 | 0:25:44 | |
Well, the speculative diagnosis, | 0:25:44 | 0:25:45 | |
based on the fact that Stephen Langham had | 0:25:45 | 0:25:47 | |
a heart attack six months ago, is that he died of heart failure. | 0:25:47 | 0:25:50 | |
So, it was natural causes? | 0:25:50 | 0:25:52 | |
Not necessarily, Dwayne. | 0:25:52 | 0:25:53 | |
There is no actual evidence of a further heart attack | 0:25:53 | 0:25:56 | |
having occurred yesterday. No clot, no scarring. | 0:25:56 | 0:25:59 | |
So, he didn't die of a heart attack? | 0:25:59 | 0:26:01 | |
Well, we can't know for definite, JP. | 0:26:01 | 0:26:03 | |
Technically, the cause of death is hypoxia. | 0:26:03 | 0:26:05 | |
-Hypoxia? -Yes. In layman's terms, he ran out of air. -Which means? | 0:26:05 | 0:26:09 | |
Which means it could be that his ticker's packed up, or, | 0:26:09 | 0:26:12 | |
in theory, he could have been murdered. | 0:26:12 | 0:26:14 | |
But how? | 0:26:15 | 0:26:17 | |
Well, he could've been smothered. | 0:26:17 | 0:26:18 | |
But wouldn't there have been signs of that in the postmortem? | 0:26:18 | 0:26:21 | |
There would. And there weren't. | 0:26:21 | 0:26:23 | |
Well, then, if the pathologist can't find any evidence to indicate | 0:26:23 | 0:26:27 | |
Stephen Langham was murdered, surely that means he wasn't. | 0:26:27 | 0:26:32 | |
Yes, I know. Everything is pointing to death by natural causes... | 0:26:32 | 0:26:35 | |
if it wasn't for that blasted torch. | 0:26:35 | 0:26:37 | |
You see, the question remains - | 0:26:37 | 0:26:39 | |
why did Stephen Langham appear to set out on a mile-long walk | 0:26:39 | 0:26:44 | |
up treacherous terrain in the pitch-black without a torch? | 0:26:44 | 0:26:47 | |
So, er, what have we got? Any joy with financial checks? | 0:26:47 | 0:26:51 | |
Well, Chief, I've been through | 0:26:51 | 0:26:53 | |
both the victim's and the suspects' financial records. | 0:26:53 | 0:26:55 | |
Seems none of them were exactly rolling in it. | 0:26:55 | 0:26:58 | |
Now, Daniel Langham's the only one who's actually in the red. | 0:26:58 | 0:27:01 | |
-Maxed out on his cards, you know, that kind of thing. -And the victim? | 0:27:01 | 0:27:04 | |
Some savings put away, about 12,000, | 0:27:04 | 0:27:06 | |
-but that was dwindling fast. -How come? | 0:27:06 | 0:27:09 | |
Well, it looks like he was taking out 400 in cash every week. | 0:27:09 | 0:27:11 | |
-To do what? -Search me. | 0:27:11 | 0:27:13 | |
Now I've gone through all his outgoings and everything | 0:27:13 | 0:27:15 | |
seems to be accounted for. | 0:27:15 | 0:27:17 | |
But this money just seems to vanish! | 0:27:17 | 0:27:19 | |
-Strange. Keep digging. -Yes, Chief. | 0:27:19 | 0:27:21 | |
See if you can find anything. Er, Florence? | 0:27:21 | 0:27:23 | |
So, I've been through the phone records. | 0:27:23 | 0:27:25 | |
Calls to and from the victim's phone | 0:27:25 | 0:27:27 | |
seem to match with friends and family. | 0:27:27 | 0:27:30 | |
But the call list from the observatory landline | 0:27:30 | 0:27:33 | |
did show up something. | 0:27:33 | 0:27:34 | |
This number here has been called several times the last few nights. | 0:27:34 | 0:27:37 | |
It's pay-as-you go, so no registered user, but look at the times. | 0:27:37 | 0:27:41 | |
2am, 4am. | 0:27:41 | 0:27:43 | |
That's what I thought. Someone in a different time-zone maybe? | 0:27:43 | 0:27:46 | |
-Have you dialled it? -Goes straight to the voicemail. | 0:27:46 | 0:27:48 | |
Keep trying. Whoever it is must turn it on sooner or later. Er, JP, | 0:27:48 | 0:27:52 | |
did you manage to speak to Dr Klein at the Carrington Institute yet? | 0:27:52 | 0:27:55 | |
Yes, it turns out Dr Klein was trying to get hold of | 0:27:55 | 0:27:58 | |
Stephen Langham to talk to him about an academic paper recently | 0:27:58 | 0:28:01 | |
published by Victoria Baker. | 0:28:01 | 0:28:03 | |
Yes, according to Dr Klein, it was a fairly ground-breaking study. | 0:28:03 | 0:28:07 | |
I sense, however, there's a "however" coming, JP. | 0:28:07 | 0:28:10 | |
However, apparently the work is all Stephen Langham's, | 0:28:10 | 0:28:14 | |
not Miss Baker's. | 0:28:14 | 0:28:16 | |
See, Stephen Langham sent Dr Klein a draft of the same paper | 0:28:16 | 0:28:19 | |
two months ago. | 0:28:19 | 0:28:20 | |
It was pretty much word for word | 0:28:20 | 0:28:22 | |
what was later published under Victoria Baker's name. | 0:28:22 | 0:28:24 | |
So, Miss Baker had stolen Stephen's research? | 0:28:24 | 0:28:27 | |
It's rather brazen, isn't it? | 0:28:27 | 0:28:28 | |
Dr Klein wasn't sure how it all happened. | 0:28:28 | 0:28:30 | |
But when they finally spoke, Stephen was regretful about the whole thing. | 0:28:30 | 0:28:33 | |
Said he'd discuss it with her. | 0:28:33 | 0:28:35 | |
Next thing Dr Klein heard, Stephen was dead. | 0:28:35 | 0:28:38 | |
Stephen gave me his permission to publish with sole credit. | 0:28:42 | 0:28:46 | |
Sole credit? | 0:28:46 | 0:28:48 | |
This was his work, wasn't it? | 0:28:48 | 0:28:49 | |
Or have I misunderstood and you worked on this together? | 0:28:49 | 0:28:52 | |
I contributed some material. | 0:28:52 | 0:28:54 | |
-But, ultimately, yes, it was Stephen's baby. -Hm. | 0:28:54 | 0:28:57 | |
So then why would he agree to have his name taken off, and yours added? | 0:28:57 | 0:29:01 | |
Because Stephen couldn't care less about recognition or notoriety. | 0:29:01 | 0:29:05 | |
Whereas you do? | 0:29:05 | 0:29:07 | |
So, let me get this right. | 0:29:07 | 0:29:09 | |
You saw this as your ticket out of here | 0:29:09 | 0:29:11 | |
and convinced Stephen to give you the credit for his work? | 0:29:11 | 0:29:14 | |
I wouldn't put it quite like that, but, yes. | 0:29:14 | 0:29:17 | |
Stephen was happy to help. | 0:29:17 | 0:29:19 | |
Not sure why, but I wouldn't have imagined you as a smoker, | 0:29:19 | 0:29:22 | |
Miss Baker. | 0:29:22 | 0:29:24 | |
Then you imagine right. I'm not. | 0:29:24 | 0:29:25 | |
I was sleeping with him... | 0:29:28 | 0:29:30 | |
as I sense you've already worked out. | 0:29:30 | 0:29:33 | |
-When exactly did you start sleeping with him? -Does it matter? | 0:29:33 | 0:29:36 | |
Mm-hm. | 0:29:36 | 0:29:37 | |
-A couple of months ago. -So, right about the time | 0:29:39 | 0:29:42 | |
that he'd finished his draft of the paper and was due to publish? | 0:29:42 | 0:29:45 | |
So, now you've uncovered my shady, little secret, | 0:29:46 | 0:29:49 | |
is there anything else? | 0:29:49 | 0:29:51 | |
Oh, I'm afraid we're not quite done yet. | 0:29:51 | 0:29:53 | |
We believe Stephen may have had a change of heart. | 0:29:53 | 0:29:56 | |
He was going to discuss it with you. Perhaps re-publish? | 0:29:56 | 0:30:00 | |
We did discuss it. | 0:30:00 | 0:30:01 | |
And? | 0:30:01 | 0:30:02 | |
I managed to dissuade him. | 0:30:02 | 0:30:04 | |
How? | 0:30:05 | 0:30:06 | |
I certainly didn't kill him, Inspector, | 0:30:09 | 0:30:11 | |
if that's what you're insinuating. | 0:30:11 | 0:30:12 | |
Well, it's almost lunchtime and there's been no sign of him yet. | 0:30:19 | 0:30:23 | |
Maybe he hasn't seen it. | 0:30:23 | 0:30:25 | |
Maybe! | 0:30:25 | 0:30:26 | |
And maybe no-one's mentioned it. | 0:30:26 | 0:30:28 | |
Officer Myers. | 0:30:28 | 0:30:30 | |
Good afternoon, Commissioner. | 0:30:31 | 0:30:33 | |
Commissioner. | 0:30:33 | 0:30:34 | |
Is everything all right? | 0:30:38 | 0:30:39 | |
I was hoping to find the Inspector here. | 0:30:41 | 0:30:44 | |
But it appears he's out. | 0:30:44 | 0:30:45 | |
Ah, yes, sir. He and DS Cassell are interviewing a suspect. | 0:30:45 | 0:30:50 | |
Well, in the absence of the Inspector, | 0:30:50 | 0:30:53 | |
perhaps you'd care to help me, Officer Myers. | 0:30:53 | 0:30:56 | |
Me? | 0:30:56 | 0:30:58 | |
Yes. We're going on a little trip. | 0:30:58 | 0:31:01 | |
Officer Myers, I'm waiting. | 0:31:07 | 0:31:10 | |
So... | 0:31:17 | 0:31:19 | |
how's your morning been, Commissioner? Anything untoward? | 0:31:19 | 0:31:23 | |
Untoward? | 0:31:23 | 0:31:25 | |
Or just a normal morning at the office? | 0:31:25 | 0:31:27 | |
I haven't been to the office yet. | 0:31:27 | 0:31:29 | |
Oh. | 0:31:29 | 0:31:30 | |
I've been doing a little digging into our mayor. | 0:31:30 | 0:31:33 | |
The mayor? That's what this is about? | 0:31:33 | 0:31:35 | |
Why? | 0:31:36 | 0:31:38 | |
Is there something else we should be talking about, Officer Myers? | 0:31:38 | 0:31:42 | |
No, of course not, Commissioner. | 0:31:42 | 0:31:43 | |
So, erm, what has your digging dug up? | 0:31:43 | 0:31:47 | |
Mayor Richards has been meeting with Stephen Langham | 0:31:47 | 0:31:50 | |
at the Yacht Club recently. | 0:31:50 | 0:31:52 | |
Apparently, they've had quite a few lunches that got rather heated. | 0:31:52 | 0:31:56 | |
They argued? | 0:31:56 | 0:31:57 | |
It would seem so. | 0:31:57 | 0:31:59 | |
I'm wondering if it has something to do with the fact that Mayor Richards | 0:31:59 | 0:32:01 | |
applied for planning permission to build a hotel on this very beach. | 0:32:01 | 0:32:06 | |
And what might this have to do with Stephen Langham? | 0:32:06 | 0:32:09 | |
You may not have noticed, Officer Myers, | 0:32:09 | 0:32:11 | |
but this beach sits at the foot of the volcano. | 0:32:11 | 0:32:14 | |
And this land was previously designated exclusively | 0:32:14 | 0:32:17 | |
to the observatory for research purposes. | 0:32:17 | 0:32:20 | |
-Until Richards bought it? -Exactly. | 0:32:20 | 0:32:24 | |
But if Joseph Richards owns the land, | 0:32:24 | 0:32:26 | |
there's nothing Langham and his team can do about it, is there? | 0:32:26 | 0:32:29 | |
There isn't. | 0:32:29 | 0:32:30 | |
But those heated lunch meetings must have been about something. | 0:32:30 | 0:32:34 | |
Speak of the devil. | 0:32:36 | 0:32:37 | |
Commissioner! Is there anything I can help you with? | 0:32:39 | 0:32:43 | |
Only, you are aware that you are trespassing on private property. | 0:32:43 | 0:32:47 | |
As a matter of fact, there is. | 0:32:47 | 0:32:49 | |
My officer here would like to ask you a few questions. | 0:32:49 | 0:32:51 | |
Ah? | 0:32:51 | 0:32:53 | |
Wouldn't you? | 0:32:53 | 0:32:54 | |
Oh, yes, Commissioner. | 0:32:54 | 0:32:56 | |
Now, we understand that you and Stephen Langham had been | 0:32:56 | 0:33:00 | |
meeting up at the Yacht Club? | 0:33:00 | 0:33:01 | |
Is eating lunch a crime, officer? | 0:33:01 | 0:33:04 | |
No, sir, but we understand those meetings became quite heated. | 0:33:04 | 0:33:09 | |
Listen, over the last five years, | 0:33:09 | 0:33:11 | |
the Volcano Observatory has seen its funding reduced. | 0:33:11 | 0:33:15 | |
Stephen was naturally very angry about that. | 0:33:15 | 0:33:18 | |
Hm. | 0:33:18 | 0:33:19 | |
And what about the fact that you're building a hotel on land | 0:33:19 | 0:33:22 | |
the Observatory previously used for research work, hm? | 0:33:22 | 0:33:25 | |
-What about it? -Did that make Stephen Langham angry, too? | 0:33:25 | 0:33:28 | |
No, not at all. The beach itself wasn't an issue for Stephen. | 0:33:28 | 0:33:31 | |
There were plenty of other sites they could use. | 0:33:31 | 0:33:34 | |
It is a very big volcano, after all. | 0:33:34 | 0:33:37 | |
Was there anything else? | 0:33:39 | 0:33:41 | |
That Mayor Richards is a slippery fish. | 0:33:47 | 0:33:50 | |
The slipperiest. | 0:33:50 | 0:33:51 | |
You know why I detest the likes of Joseph Richards? | 0:33:53 | 0:33:56 | |
Because he's interested in one thing and one thing only - | 0:33:56 | 0:33:59 | |
himself. He doesn't give a damn about this island | 0:33:59 | 0:34:02 | |
or the people that live on it | 0:34:02 | 0:34:05 | |
and they deserve better than that from their mayor. | 0:34:05 | 0:34:07 | |
I'll speak to the Inspector, Commissioner. | 0:34:07 | 0:34:09 | |
See if we can do a bit of digging of our own. | 0:34:09 | 0:34:12 | |
So, erm...is that everything? | 0:34:13 | 0:34:17 | |
Nothing else you want to talk about? | 0:34:17 | 0:34:18 | |
Erm... | 0:34:18 | 0:34:20 | |
That's it. | 0:34:22 | 0:34:23 | |
For now. | 0:34:25 | 0:34:26 | |
SHE KNOCKS ON DOOR | 0:34:32 | 0:34:33 | |
Hello! Come in. | 0:34:36 | 0:34:37 | |
Oh, so this is your shack. It's lovely. | 0:34:37 | 0:34:41 | |
Yes. It's not bad, is it? | 0:34:41 | 0:34:43 | |
Welcome to the lounge-come-bedroom. | 0:34:44 | 0:34:47 | |
Ah, gosh, look at the view. | 0:34:48 | 0:34:52 | |
You are so lucky waking up to that every day. | 0:34:52 | 0:34:55 | |
Yes, I do often pinch myself of a morning. | 0:34:55 | 0:34:58 | |
Well, not literally, obviously, I don't er... | 0:34:58 | 0:35:00 | |
Yes. Would you like a drink? I have wine. | 0:35:00 | 0:35:03 | |
Ah, yeah, that'd be lovely. | 0:35:03 | 0:35:05 | |
Good. Why don't you make yourself at home on the veranda and I'll... | 0:35:05 | 0:35:09 | |
-OK. -Yes. Sorry. | 0:35:09 | 0:35:11 | |
Here we go. | 0:35:22 | 0:35:23 | |
Thank you. | 0:35:23 | 0:35:24 | |
So, here we are. | 0:35:26 | 0:35:28 | |
Yeah. Here we are. | 0:35:28 | 0:35:29 | |
Yes. | 0:35:31 | 0:35:32 | |
To us. | 0:35:32 | 0:35:34 | |
Yes. To us. | 0:35:34 | 0:35:37 | |
Here. | 0:35:56 | 0:35:58 | |
You know, it's really nice having you here, Martha. | 0:36:01 | 0:36:04 | |
Really nice. | 0:36:06 | 0:36:08 | |
It's really nice being here. | 0:36:08 | 0:36:10 | |
-I'm glad I came back. -Yes. | 0:36:12 | 0:36:15 | |
-Is that a lizard? -No! | 0:36:25 | 0:36:26 | |
Oh, yes, this is Harry. Sort of a flatmate. | 0:36:28 | 0:36:33 | |
Oh, he's adorable. | 0:36:33 | 0:36:36 | |
Is he? | 0:36:36 | 0:36:38 | |
-Ah. -He never lets ME do that. | 0:36:38 | 0:36:40 | |
Oh, bless him... | 0:36:40 | 0:36:43 | |
Yes! Bless him. | 0:36:43 | 0:36:45 | |
-Morning, Florence. -Morning, sir. | 0:36:55 | 0:36:57 | |
-I'm afraid you need to get back in the Jeep. -Do I? | 0:36:57 | 0:36:59 | |
Yeah, we've had a call-out. | 0:36:59 | 0:37:00 | |
There's been an assault reported at the observatory. | 0:37:00 | 0:37:03 | |
-Dwayne and JP are already at the scene. -Oh, crikey. | 0:37:03 | 0:37:05 | |
-Chief! -JP. -So, the postman called it in. | 0:37:20 | 0:37:24 | |
He arrived about half an hour ago to find Daniel Langham | 0:37:24 | 0:37:27 | |
on the ground having been assaulted. | 0:37:27 | 0:37:29 | |
He said the two guys who did it were shouting at him, | 0:37:29 | 0:37:32 | |
something about money being owed. | 0:37:32 | 0:37:34 | |
When they saw they had company, | 0:37:34 | 0:37:36 | |
they got straight into their car and drove off. | 0:37:36 | 0:37:38 | |
Loan sharks maybe? | 0:37:38 | 0:37:40 | |
Yes, maybe, Florence. We know he had debts but... | 0:37:40 | 0:37:43 | |
'Touch of flu.' | 0:37:43 | 0:37:44 | |
'He was taking out 400 in cash every week.' | 0:37:44 | 0:37:47 | |
Oh, gosh, of course! The long sleeves, the runny nose, | 0:37:47 | 0:37:51 | |
that "absent" demeanour. | 0:37:51 | 0:37:53 | |
What took me so long?! | 0:37:53 | 0:37:54 | |
-Dwayne. -Chief. | 0:37:55 | 0:37:57 | |
He's in the medical room. | 0:37:57 | 0:37:58 | |
Thank you. | 0:37:58 | 0:37:59 | |
You can go. I'm not pressing charges. | 0:38:02 | 0:38:04 | |
No, I don't imagine you are. | 0:38:04 | 0:38:07 | |
So, how long this been going on? | 0:38:08 | 0:38:10 | |
What do you mean? | 0:38:10 | 0:38:12 | |
Your drug habit? I assume that's who did this, your dealers. | 0:38:12 | 0:38:16 | |
It's been on and off...a while. | 0:38:21 | 0:38:25 | |
You'd be surprised how dreary the world of science becomes | 0:38:25 | 0:38:28 | |
when you reach a certain level. | 0:38:28 | 0:38:30 | |
Not everyone was like Stephen, | 0:38:30 | 0:38:32 | |
go into raptures at the sight of a crater. | 0:38:32 | 0:38:34 | |
So, he knew, I take it? | 0:38:34 | 0:38:36 | |
He didn't get it. Why someone so "gifted" would lose his way | 0:38:37 | 0:38:41 | |
like this. After all, I had the same parents, | 0:38:41 | 0:38:44 | |
same opportunities. | 0:38:44 | 0:38:45 | |
Very similar path. | 0:38:47 | 0:38:49 | |
After all this time, he still thought I'd kick the habit. | 0:38:50 | 0:38:55 | |
But he still gave you money, didn't he? He supported your habit? | 0:38:55 | 0:38:59 | |
-He gave me an allowance. -Yes, but you needed more. | 0:38:59 | 0:39:03 | |
That's why you got beaten up this morning? | 0:39:03 | 0:39:04 | |
Well, what's 400 a week? It's nothing. | 0:39:04 | 0:39:07 | |
All I asked was to take it up to 500. | 0:39:07 | 0:39:09 | |
It's not as if he had a family to support. What? | 0:39:09 | 0:39:12 | |
We never actually checked Stephen's will. | 0:39:12 | 0:39:14 | |
But I assume that if something happened to him, you'd inherit? | 0:39:14 | 0:39:18 | |
Yes, I would, but it's no more than a few thousand dollars. | 0:39:18 | 0:39:22 | |
No. That's not enough to make me want to kill him, believe me. | 0:39:23 | 0:39:26 | |
Yes, well, I would never underestimate the lengths an addict | 0:39:26 | 0:39:29 | |
would go to get their next fix, Mr Langham. | 0:39:29 | 0:39:32 | |
So...Daniel Langham, a functioning drug addict, | 0:39:40 | 0:39:43 | |
denies having killed his brother for money. | 0:39:43 | 0:39:45 | |
Victoria Baker says she didn't do it either, | 0:39:45 | 0:39:47 | |
despite Stephen being on the verge of ruining her career. | 0:39:47 | 0:39:50 | |
And Emer Byrne arrived on the island assuming a false identity, claims | 0:39:50 | 0:39:54 | |
she's not our killer either because Stephen was unaware of her deceit. | 0:39:54 | 0:39:58 | |
-Which leaves only Mayor Richards. -Yes, indeed, Florence. | 0:39:58 | 0:40:01 | |
So, chaps, how are we getting on with digging | 0:40:01 | 0:40:03 | |
a little deeper into his affairs? | 0:40:03 | 0:40:05 | |
This is really hard going, you know, Chief. | 0:40:05 | 0:40:08 | |
This guy's finances are spread all over the place. | 0:40:08 | 0:40:10 | |
Different bank accounts. | 0:40:10 | 0:40:12 | |
Investments. Hedge funds. | 0:40:12 | 0:40:13 | |
Seems he's got three different accountants working for him. | 0:40:13 | 0:40:16 | |
One thing I am sure of, | 0:40:16 | 0:40:18 | |
Mayor Richards is not short of a bob or two. | 0:40:18 | 0:40:20 | |
Yes, well, keep at it, Dwayne. JP? | 0:40:20 | 0:40:22 | |
Well, sir, I got the file on Mayor Richards' beach hotel proposal | 0:40:22 | 0:40:26 | |
from the Planning Office and I've been going through it. | 0:40:26 | 0:40:29 | |
Now, it seems like the mayor needed the observatory to sign off | 0:40:29 | 0:40:31 | |
the development plans. See, the exclusion zone had to be moved | 0:40:31 | 0:40:35 | |
by a couple of hundred metres to exclude the beach, but, er, | 0:40:35 | 0:40:38 | |
there's been no objections. | 0:40:38 | 0:40:39 | |
Good. Right, Florence, | 0:40:39 | 0:40:41 | |
let's you and I go back to where it all started two nights ago, | 0:40:41 | 0:40:46 | |
halfway up Mount Esmee volcano. | 0:40:46 | 0:40:49 | |
Now, perhaps we could help ourselves with a visual aid. So... | 0:40:51 | 0:40:55 | |
..Stephen Langham decides to spend the night on Mount Esmee. | 0:40:56 | 0:41:02 | |
He is discovered dead the next morning, and everything points | 0:41:02 | 0:41:08 | |
to his death being natural causes. | 0:41:08 | 0:41:10 | |
Specifically, a heart attack. | 0:41:10 | 0:41:13 | |
However, because there was no torch left with the victim's body, | 0:41:14 | 0:41:18 | |
we are left questioning whether Stephen Langham | 0:41:18 | 0:41:20 | |
was up that volcano alone, | 0:41:20 | 0:41:22 | |
whether someone was there with him, | 0:41:22 | 0:41:24 | |
someone who needed his torch to make their journey back | 0:41:24 | 0:41:27 | |
to this observatory... | 0:41:27 | 0:41:29 | |
here. | 0:41:29 | 0:41:30 | |
However... | 0:41:32 | 0:41:33 | |
according to the entry log, none of our suspects left the observatory | 0:41:33 | 0:41:36 | |
and then re-entered between Stephen Langham setting off at 9:06pm | 0:41:36 | 0:41:40 | |
and then Mayor Richards arriving the next morning. So... | 0:41:40 | 0:41:43 | |
if one of this lot did kill him, | 0:41:43 | 0:41:45 | |
how did they manage to get out of this observatory here, | 0:41:45 | 0:41:48 | |
make it up to this volcano here, | 0:41:48 | 0:41:50 | |
and then back again... | 0:41:50 | 0:41:52 | |
unnoticed? | 0:41:52 | 0:41:53 | |
Sir, shouldn't Mayor Richards have his own whiteboard? | 0:41:53 | 0:41:56 | |
Like, considering he wasn't on the island when it all happened? | 0:41:56 | 0:41:58 | |
Yes, I suppose he should. | 0:41:58 | 0:42:00 | |
OK. | 0:42:06 | 0:42:07 | |
Right, let's imagine, JP, your computer monitor is Guadeloupe. | 0:42:07 | 0:42:13 | |
-Oh, dear, no, that's no good at all. -What isn't, sir? | 0:42:15 | 0:42:18 | |
Well, I can't see the mayor now. | 0:42:18 | 0:42:20 | |
And if I'm looking at Mayor Richards, then I can't see | 0:42:20 | 0:42:23 | |
the observatory or the volcano, that's not good at all. Erm... | 0:42:23 | 0:42:26 | |
Wait a minute... | 0:42:28 | 0:42:30 | |
-Of course I can't... -Can't what? | 0:42:32 | 0:42:35 | |
Well, I can't see Mayor Richards if I'm looking at that volcano. | 0:42:35 | 0:42:37 | |
Equally, I can't see the observatory if I'm looking at Mayor Richards. | 0:42:37 | 0:42:40 | |
And for that matter, if I'm looking at the volcano, | 0:42:40 | 0:42:42 | |
then I definitely cannot see the observatory, | 0:42:42 | 0:42:44 | |
which could very possibly explain how it was done. | 0:42:44 | 0:42:48 | |
'He came up here last night to check the seismometer.' | 0:42:48 | 0:42:51 | |
'It was his turn on night duty.' | 0:42:51 | 0:42:53 | |
'Can't murder someone with a heart attack.' | 0:42:53 | 0:42:56 | |
'Called me his protege.' | 0:42:56 | 0:42:57 | |
'A slippery fish.' | 0:42:57 | 0:42:59 | |
'The cause of death is hypoxia. It turns pink when an acid is added.' | 0:42:59 | 0:43:03 | |
'My name's Emer Byrne.' | 0:43:03 | 0:43:04 | |
-'Daniel Langham, a functioning drug addict.' -'A creature of habit.' | 0:43:04 | 0:43:07 | |
'There's the swipe system.' | 0:43:07 | 0:43:08 | |
-'Where do you keep your torches?' -'Victoria Baker.' | 0:43:08 | 0:43:11 | |
'I wouldn't trust him as far as I could throw him. | 0:43:11 | 0:43:13 | |
But why... Why kill him? | 0:43:15 | 0:43:18 | |
-Chief, I think I might have found something. -Dwayne? | 0:43:18 | 0:43:20 | |
Mayor Richards has an offshore bank account in Guadeloupe. | 0:43:20 | 0:43:23 | |
That's why he was there yesterday. He made a cash withdrawal. | 0:43:23 | 0:43:26 | |
How much? | 0:43:26 | 0:43:27 | |
Four million Eastern Caribbean dollars. | 0:43:27 | 0:43:29 | |
-In cash? -Oh, yes, Chief. | 0:43:29 | 0:43:31 | |
That's the kind of money you just might kill for. | 0:43:31 | 0:43:33 | |
JP, the planning document, | 0:43:33 | 0:43:35 | |
I need to know who signed off on it. | 0:43:35 | 0:43:37 | |
Of course it was. | 0:43:41 | 0:43:43 | |
-I take it you... -Yes, I have. -And I assume you want us to... | 0:43:43 | 0:43:47 | |
Yes, I do. | 0:43:47 | 0:43:48 | |
But, first, Dwayne, JP, I might need you to go on a little hunt. | 0:43:48 | 0:43:53 | |
-What for, Chief? -A mobile phone. | 0:43:53 | 0:43:55 | |
And, Florence, | 0:43:55 | 0:43:57 | |
-we need to go and have a look at one of the suspect's bedrooms. -Whose? | 0:43:57 | 0:44:00 | |
Victoria Baker's. | 0:44:02 | 0:44:03 | |
Oh, so obvious... | 0:44:12 | 0:44:14 | |
Now, if I'm not mistaken... | 0:44:19 | 0:44:20 | |
Bingo. | 0:44:24 | 0:44:25 | |
Look at that! | 0:44:27 | 0:44:28 | |
Mount Esmee. | 0:44:28 | 0:44:30 | |
A thing of awe and wonder. | 0:44:30 | 0:44:33 | |
No-one understood more than Stephen | 0:44:33 | 0:44:35 | |
about the power and danger of volcanoes. | 0:44:35 | 0:44:38 | |
It's for that very reason that he was found murdered | 0:44:38 | 0:44:41 | |
on one of Mount Esmee's slopes. | 0:44:41 | 0:44:44 | |
The question is which of you did it? | 0:44:44 | 0:44:48 | |
I wasn't even on Saint Marie on the night that Stephen died. | 0:44:48 | 0:44:52 | |
In many ways, Mr Richards, | 0:44:52 | 0:44:53 | |
you are responsible for Stephen Langham's death. | 0:44:53 | 0:44:56 | |
But, no. | 0:44:57 | 0:44:59 | |
It wasn't you that killed him. | 0:44:59 | 0:45:01 | |
So who did? | 0:45:01 | 0:45:04 | |
It was you, Victoria. | 0:45:06 | 0:45:08 | |
Me?! | 0:45:09 | 0:45:10 | |
And you, Daniel. | 0:45:14 | 0:45:15 | |
And you, Emer. | 0:45:18 | 0:45:20 | |
You all killed Stephen Langham together, didn't you? | 0:45:23 | 0:45:27 | |
-This is ridiculous. -You're not serious? | 0:45:27 | 0:45:29 | |
I'm deadly serious. | 0:45:29 | 0:45:31 | |
You all three of you murdered Mr Langham and staged it to look | 0:45:32 | 0:45:35 | |
like he died of natural causes. | 0:45:35 | 0:45:37 | |
A second heart attack, | 0:45:37 | 0:45:39 | |
brought on by the walk he made | 0:45:39 | 0:45:42 | |
up that volcano the same night. | 0:45:42 | 0:45:44 | |
That's what happened. He died of a heart attack. | 0:45:44 | 0:45:47 | |
I admit it very much looked like that. | 0:45:47 | 0:45:49 | |
I mean, even the pathologist | 0:45:49 | 0:45:50 | |
was ready to sign it off as natural causes. | 0:45:50 | 0:45:52 | |
There was one thing that niggled me. | 0:45:54 | 0:45:55 | |
The absence of a torch at the crime scene. | 0:45:57 | 0:46:00 | |
How did Mr Langham manage to walk just over a mile up | 0:46:00 | 0:46:04 | |
a volcano in the dark without a torch to light his way? | 0:46:04 | 0:46:08 | |
Well, the answer to that is that, er, he didn't. | 0:46:09 | 0:46:13 | |
It very much looked like that's what happened. | 0:46:13 | 0:46:15 | |
What actually took place was an incredible piece of misdirection. | 0:46:15 | 0:46:20 | |
All along, we were looking at the volcano as the scene of the crime. | 0:46:20 | 0:46:24 | |
When, actually, the truth of the matter is | 0:46:24 | 0:46:28 | |
Stephen Langham didn't die on the side of Mount Esmee. | 0:46:28 | 0:46:30 | |
He was murdered in his own bedroom here inside the observatory. | 0:46:30 | 0:46:35 | |
See, on the evening he was killed, | 0:46:35 | 0:46:36 | |
Stephen Langham decided he needed to go up Mount Esmee | 0:46:36 | 0:46:39 | |
-and spend the night. -'I'll go back up tonight. | 0:46:39 | 0:46:42 | |
'At least that way, we'll know for sure what's going on.' | 0:46:42 | 0:46:45 | |
'It was...his turn on night duty.' | 0:46:45 | 0:46:47 | |
But the truth is the irregular readings that were coming through | 0:46:47 | 0:46:51 | |
on the seismograph, they weren't down to either seismic tremors | 0:46:51 | 0:46:54 | |
or animal activity - they'd been manufactured by you. | 0:46:54 | 0:46:59 | |
The phone records of calls made from the observatory landline | 0:46:59 | 0:47:02 | |
showed up a mobile number we couldn't trace. | 0:47:02 | 0:47:05 | |
One that was being called from inside this building | 0:47:05 | 0:47:08 | |
at odd hours during the night. | 0:47:08 | 0:47:11 | |
It was in one of the rubbish bins, sir. | 0:47:12 | 0:47:14 | |
Thank you, JP. Florence, er, do you have the number? | 0:47:14 | 0:47:18 | |
So, who did the phone belong to? | 0:47:24 | 0:47:26 | |
It belonged to you lot. | 0:47:29 | 0:47:31 | |
And I believe you placed it up there with the seismometer. | 0:47:32 | 0:47:35 | |
You then dialled it intermittently over a three-night period | 0:47:37 | 0:47:41 | |
to upset the readings from the extremely sensitive | 0:47:41 | 0:47:43 | |
instruments and lead Stephen to think it was cause for concern. | 0:47:43 | 0:47:47 | |
The afternoon of his murder, | 0:47:47 | 0:47:49 | |
you both headed up to supposedly check on the seismometer. | 0:47:49 | 0:47:53 | |
Having removed the phone first, | 0:47:54 | 0:47:56 | |
you convinced Stephen there was nothing wrong with the equipment. | 0:47:56 | 0:47:59 | |
'Sensors are clean.' | 0:47:59 | 0:48:00 | |
Thus forcing him to make the decision that someone needed | 0:48:00 | 0:48:03 | |
to spend the night monitoring the situation on Mount Esmee. | 0:48:03 | 0:48:06 | |
And, as he went off to his room to prepare, | 0:48:06 | 0:48:09 | |
that's when your plan to kill him kicked in. | 0:48:09 | 0:48:12 | |
'Let's go.' | 0:48:14 | 0:48:15 | |
How do you kill a man with a heart attack? | 0:48:15 | 0:48:18 | |
Well, once I realised that he wasn't actually killed up that volcano, | 0:48:18 | 0:48:21 | |
then, er, things became a little clearer. | 0:48:21 | 0:48:24 | |
The postmortem showed that Stephen died from hypoxia. | 0:48:24 | 0:48:29 | |
Which means he stopped breathing. Now, we know he wasn't smothered. | 0:48:29 | 0:48:33 | |
So, how else might you cause a man to die from hypoxia? | 0:48:33 | 0:48:36 | |
You'd gas him. | 0:48:41 | 0:48:43 | |
You keep canisters of CO2 in your medical room here. | 0:48:43 | 0:48:47 | |
And up to 5% CO2 can be added to pure oxygen | 0:48:47 | 0:48:50 | |
to help provoke breathing and stabilise balance in blood. | 0:48:50 | 0:48:54 | |
But CO2 on its own - pure carbon dioxide - is lethal. | 0:48:54 | 0:48:59 | |
And that's what was used to kill Stephen Langham. | 0:49:00 | 0:49:03 | |
You gassed Stephen in his own bedroom. | 0:49:03 | 0:49:07 | |
How can we be sure of this? | 0:49:07 | 0:49:09 | |
Phenolphthalein. | 0:49:09 | 0:49:10 | |
There were vials of it on Stephen's desk. | 0:49:10 | 0:49:13 | |
I assume he'd been using it for some kind of soil analysis. | 0:49:13 | 0:49:16 | |
It didn't really mean anything at first. | 0:49:16 | 0:49:19 | |
And I couldn't quite remember how the stuff works. | 0:49:19 | 0:49:22 | |
But once we'd worked out what you'd done, I double checked. | 0:49:22 | 0:49:26 | |
You see, its natural colour is pink. | 0:49:26 | 0:49:29 | |
But the phenolphthalein in Stephen's room was colourless, | 0:49:29 | 0:49:32 | |
which is caused when acid is added. | 0:49:32 | 0:49:35 | |
And CO2 is an acidic gas. | 0:49:35 | 0:49:40 | |
With Stephen dead, | 0:49:40 | 0:49:42 | |
you took the stretcher from the medical room, | 0:49:42 | 0:49:44 | |
and you placed Stephen onto it. | 0:49:44 | 0:49:46 | |
Daniel. We know that Stephen's choice of clothing was, | 0:49:48 | 0:49:51 | |
erm, limited. I can't imagine it would have been too hard | 0:49:51 | 0:49:54 | |
to find another outfit that would have matched the one he died in. | 0:49:54 | 0:49:57 | |
And with Stephen's cap as the finishing touch, | 0:49:57 | 0:50:00 | |
keeping your face slightly concealed, | 0:50:00 | 0:50:02 | |
it was no surprise that we didn't notice it was you | 0:50:02 | 0:50:05 | |
seen on the CCTV that night. | 0:50:05 | 0:50:07 | |
All of which made us believe Stephen left the observatory just after 9pm. | 0:50:07 | 0:50:13 | |
And, as you used his swipe card, it was also confirmed by the log. | 0:50:13 | 0:50:17 | |
You then walked the stretchered body a mile up the volcano | 0:50:18 | 0:50:21 | |
and then left it there to be discovered the next morning. | 0:50:21 | 0:50:25 | |
And then all the pair of you had to do was be patient and wait | 0:50:25 | 0:50:28 | |
outside the observatory | 0:50:28 | 0:50:30 | |
because for the final piece of your plan to work, | 0:50:30 | 0:50:33 | |
you needed Mayor Richards to arrive and act as an unwitting accomplice | 0:50:33 | 0:50:37 | |
that you were all present at the observatory that morning. | 0:50:37 | 0:50:41 | |
That way, when we came and checked the door log, it would appear that | 0:50:41 | 0:50:46 | |
no-one left or re-entered the building between Stephen leaving | 0:50:46 | 0:50:49 | |
and the mayor arriving | 0:50:49 | 0:50:51 | |
because Victoria held the door ajar after letting you both back in. | 0:50:51 | 0:50:55 | |
An elaborate yet very clever plan indeed. | 0:50:55 | 0:50:57 | |
And, you know, it almost worked. | 0:50:57 | 0:51:00 | |
If it hadn't been for your one mistake, | 0:51:00 | 0:51:02 | |
not taking a torch up to leave with Stephen's body. | 0:51:02 | 0:51:05 | |
You know, if you had, well... | 0:51:05 | 0:51:08 | |
..even I'd've been convinced it was death by natural causes. | 0:51:09 | 0:51:12 | |
But why? Why would they do such a thing? | 0:51:12 | 0:51:15 | |
Oh, I think you already know, Mr Richards. It's because of you. | 0:51:18 | 0:51:21 | |
We know that you needed the observatory to officially | 0:51:21 | 0:51:25 | |
sign off on your planning proposal because you needed them | 0:51:25 | 0:51:28 | |
to move the volcano exclusion zone so you could build your hotel. | 0:51:28 | 0:51:32 | |
'You are aware that you are trespassing on private property.' | 0:51:32 | 0:51:35 | |
I think that's what you and Stephen Langham were arguing about | 0:51:35 | 0:51:38 | |
at the Yacht Club. | 0:51:38 | 0:51:40 | |
I think he was against the idea. | 0:51:40 | 0:51:42 | |
I imagine you offered him an incentive or two. | 0:51:42 | 0:51:45 | |
A rather healthy back-hander no doubt. | 0:51:45 | 0:51:48 | |
But I assume he was unwavering and he refused to take the risk to | 0:51:48 | 0:51:51 | |
move the exclusion zone, even if it was only a couple of hundred metres. | 0:51:51 | 0:51:56 | |
On the same day Stephen's body was found, | 0:51:56 | 0:51:59 | |
the deadline for your hotel planning application was up. | 0:51:59 | 0:52:02 | |
That's why you'd come to see him that morning. | 0:52:02 | 0:52:05 | |
We think a meeting was due to take place in which you expected | 0:52:05 | 0:52:08 | |
Stephen to sign off on moving the exclusion zone, | 0:52:08 | 0:52:11 | |
thus granting you planning consent. | 0:52:11 | 0:52:13 | |
But how could you be so sure that he would sign after he'd been | 0:52:13 | 0:52:16 | |
so adamant he wouldn't? | 0:52:16 | 0:52:19 | |
Because you'd enrolled someone to help you. | 0:52:19 | 0:52:21 | |
Someone who maybe had Stephen's ear. | 0:52:21 | 0:52:24 | |
Someone who was more amenable to your offers of money | 0:52:24 | 0:52:27 | |
than Stephen was. | 0:52:27 | 0:52:29 | |
But things didn't quite go to plan, did they, Victoria? | 0:52:34 | 0:52:38 | |
Stephen wouldn't budge on his decision. | 0:52:38 | 0:52:41 | |
I mean, you might've been able to use certain ways and means | 0:52:41 | 0:52:44 | |
to get him to accredit you on an academic paper. | 0:52:44 | 0:52:47 | |
But when it came to something like moving an exclusion zone, | 0:52:47 | 0:52:50 | |
something that will affect the lives of other people, | 0:52:50 | 0:52:53 | |
he would not be moved. | 0:52:53 | 0:52:54 | |
Which is when you decided | 0:52:54 | 0:52:56 | |
the only way to get the money was to kill him. | 0:52:56 | 0:52:59 | |
Now, I'm not quite sure how you managed to convince them | 0:52:59 | 0:53:02 | |
to help you kill Stephen. But I'd say the splitting of | 0:53:02 | 0:53:04 | |
four million Eastern Caribbean Dollars wasn't too much of a sell. | 0:53:04 | 0:53:07 | |
I mean, we knew Daniel had grown frustrated with his brother | 0:53:07 | 0:53:10 | |
and needed the money. | 0:53:10 | 0:53:12 | |
And in his permanent drug-induced state, | 0:53:12 | 0:53:15 | |
I'm sure it wasn't that hard to wear down his defences. | 0:53:15 | 0:53:18 | |
And Emer. I think you genuinely cared about Stephen. | 0:53:18 | 0:53:22 | |
I'm guessing that Victoria found out about your secret, didn't she? | 0:53:22 | 0:53:25 | |
And used it to bully you into joining them in their plan. | 0:53:25 | 0:53:28 | |
So, that's how they did it. And that's why they did it. | 0:53:30 | 0:53:33 | |
They might each of had their own motive to take Stephen's life... | 0:53:35 | 0:53:37 | |
..it was you who provided the extra incentive. | 0:53:39 | 0:53:42 | |
The final nail in the coffin, if you will. | 0:53:42 | 0:53:45 | |
If you weren't an accessory before the fact, | 0:53:45 | 0:53:48 | |
you certainly were after it. | 0:53:48 | 0:53:50 | |
Arrest them all. | 0:53:50 | 0:53:52 | |
-You seem to be in good spirits, Dwayne. -Well, JP, | 0:54:04 | 0:54:08 | |
let's just say the day ended a lot better than it started. | 0:54:08 | 0:54:11 | |
And I have to admit, there's no-one more surprised about that than me. | 0:54:11 | 0:54:15 | |
Good evening, Officer Myers. | 0:54:15 | 0:54:17 | |
Commissioner. | 0:54:17 | 0:54:18 | |
I believe a number of arrests have been made. Including Mayor Richards. | 0:54:18 | 0:54:22 | |
Oh, yes, Commissioner. Though we couldn't have done it without you. | 0:54:22 | 0:54:26 | |
Team work, Officer Myers. Always team work. | 0:54:26 | 0:54:30 | |
Well, enjoy your evening. | 0:54:31 | 0:54:33 | |
Thank you, Commissioner. You, too. | 0:54:33 | 0:54:35 | |
Oh, um... | 0:54:37 | 0:54:38 | |
One more thing, Officer Myers. | 0:54:38 | 0:54:40 | |
Regarding yesterday's article in the Saint Marie Times, | 0:54:40 | 0:54:45 | |
I'm going to give you the benefit of the doubt | 0:54:45 | 0:54:47 | |
and assume you were wildly misquoted. | 0:54:47 | 0:54:50 | |
A case of journalistic hubris. | 0:54:50 | 0:54:52 | |
That's exactly what it was, Commissioner. | 0:54:52 | 0:54:55 | |
-Hubris. And the thing is that Justine... -But... | 0:54:55 | 0:54:58 | |
if I ever hear you refer to me as a goat, or, indeed, any other | 0:54:58 | 0:55:02 | |
sort of farmyard animal again, you can be sure I won't be so forgiving. | 0:55:02 | 0:55:07 | |
No, Commissioner. | 0:55:07 | 0:55:09 | |
Sorry, Commissioner. | 0:55:10 | 0:55:12 | |
I think I should buy you a drink. | 0:55:19 | 0:55:21 | |
And three beers. | 0:55:25 | 0:55:27 | |
Thank you. | 0:55:27 | 0:55:28 | |
So, there's something I'd like to talk to you about. | 0:55:28 | 0:55:31 | |
Something's been playing on my mind. | 0:55:31 | 0:55:33 | |
-Oh. Sounds serious. -Well, I wouldn't say it was serious, necessarily. | 0:55:33 | 0:55:37 | |
But to the same extent, I wouldn't want you to think it was | 0:55:37 | 0:55:40 | |
something I took lightly. Er, and in that respect, er, | 0:55:40 | 0:55:42 | |
it would be great to get your thoughts on the matter... | 0:55:42 | 0:55:44 | |
I agree. We should kiss. | 0:55:44 | 0:55:46 | |
Do you? | 0:55:46 | 0:55:48 | |
And I think we should do it now. | 0:55:48 | 0:55:51 | |
Really? | 0:55:51 | 0:55:52 | |
-Right now, in fact. -Blimey. | 0:55:52 | 0:55:54 | |
-Well, I mean, if you absolutely insist... -I do. | 0:55:54 | 0:55:59 | |
MUSIC: Right By Your Side by Eurythmics | 0:55:59 | 0:56:03 | |
That's very er... | 0:56:09 | 0:56:10 | |
Nice? | 0:56:10 | 0:56:12 | |
Yes, great word. Sorry, can I just....? | 0:56:12 | 0:56:15 | |
# I need to be right by your side... # | 0:56:18 | 0:56:23 | |
Gosh. | 0:56:23 | 0:56:24 | |
I think I could do with a drink after that. | 0:56:24 | 0:56:27 | |
Ah, yes, er, me too. | 0:56:27 | 0:56:29 | |
Catherine... | 0:56:32 | 0:56:34 | |
two beers, please, and maybe I'll have a rum as well. | 0:56:34 | 0:56:39 | |
Coming right up, Humphrey. | 0:56:39 | 0:56:41 | |
Thank you. | 0:56:41 | 0:56:42 | |
Everything seems to be going well with Martha, Sir. | 0:56:44 | 0:56:46 | |
Yes, yes, it does, doesn't it? | 0:56:46 | 0:56:49 | |
Very. | 0:56:49 | 0:56:50 | |
# Give me two strong arms to protect myself | 0:56:50 | 0:56:55 | |
# Ooh, give me so much love that I forget myself | 0:56:55 | 0:57:01 | |
# I need to swing from limb to limb... # | 0:57:01 | 0:57:04 | |
Body of a young woman's just been found | 0:57:04 | 0:57:06 | |
on the beach of the Malbonne estate. | 0:57:06 | 0:57:08 | |
That's Sylvie Baptiste's home. | 0:57:08 | 0:57:10 | |
She wrote a novel we all studied at school. | 0:57:10 | 0:57:12 | |
If Esther was pushed to her death, | 0:57:12 | 0:57:14 | |
-it has to be one of them that did it. -I went to school with her. | 0:57:14 | 0:57:16 | |
It's not your fault Esther died, Florence. | 0:57:16 | 0:57:18 | |
These girls are young, they're hormonal, they do flirt. | 0:57:18 | 0:57:21 | |
Do we take it things are going well with Martha? | 0:57:21 | 0:57:23 | |
She's moving in for the rest of her stay. | 0:57:23 | 0:57:25 | |
Er, excuse me! Can we take your name? | 0:57:25 | 0:57:27 | |
Nice to meet you, too! | 0:57:28 | 0:57:30 |