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-WHISPERS: -Oh, we might be in trouble. | 0:00:08 | 0:00:10 | |
Morning, Edwina. | 0:00:10 | 0:00:12 | |
Reverend. Mrs Dawson. | 0:00:12 | 0:00:14 | |
Sorry we're late. Bit of an incident at the orphanage this morning. | 0:00:14 | 0:00:18 | |
Those kids will be the death of me. | 0:00:18 | 0:00:20 | |
You're keen, Officer Myers. | 0:00:33 | 0:00:34 | |
I'm afraid polling doesn't start for another 20 minutes. | 0:00:34 | 0:00:37 | |
Actually, I'm here in my official capacity, Reverend. | 0:00:37 | 0:00:41 | |
The commissioner wanted a presence, as he calls it, for when | 0:00:41 | 0:00:45 | |
the candidates show up. | 0:00:45 | 0:00:46 | |
Trying to impress the new mayor even before they've been elected? | 0:00:46 | 0:00:49 | |
-You might think that, I couldn't comment. -Ah. | 0:00:49 | 0:00:52 | |
Yes, those are the right ones. | 0:00:56 | 0:00:59 | |
The sign needs putting out. | 0:00:59 | 0:01:01 | |
I'll do that, then. Thank you, Edwina. | 0:01:01 | 0:01:03 | |
I think my policies are clear, and I'd like to think the people | 0:01:23 | 0:01:26 | |
of Saint Marie feel the same and show their support accordingly. | 0:01:26 | 0:01:30 | |
Morning, Dwayne. | 0:01:30 | 0:01:32 | |
Ah! Morning, Catherine. | 0:01:32 | 0:01:34 | |
-I hope I can count on your vote today. -My vote? | 0:01:34 | 0:01:37 | |
Oh, well, of course. | 0:01:37 | 0:01:39 | |
I mean, who else would I vote for, huh? | 0:01:39 | 0:01:41 | |
-All the best for today. -The same to you, Peter. | 0:01:42 | 0:01:46 | |
Whichever way it goes, I'd like to think that you and I | 0:01:46 | 0:01:48 | |
-could work together. -I'd like that. | 0:01:48 | 0:01:50 | |
Just as long as one of us beats him. | 0:01:54 | 0:01:56 | |
OK, Dad. The journalist's name is Samantha Palmer. | 0:01:59 | 0:02:02 | |
You donated money to her son's school to help build | 0:02:02 | 0:02:04 | |
-a new sports hall. -The boy's name? -Marvin. | 0:02:04 | 0:02:07 | |
Ah, Samantha. So good to see you. | 0:02:08 | 0:02:11 | |
How's young Marvin? | 0:02:11 | 0:02:13 | |
He's doing well... | 0:02:13 | 0:02:14 | |
This fan is broken. | 0:02:14 | 0:02:16 | |
I think there's a spare in the storeroom. | 0:02:16 | 0:02:19 | |
The candidates are coming in. | 0:02:19 | 0:02:20 | |
I'm going to get another fan. | 0:02:20 | 0:02:22 | |
I can't be expected to sit in this heat without a fan. | 0:02:22 | 0:02:25 | |
Morning. Residents of Honore District Council | 0:02:31 | 0:02:34 | |
should register at Reverend Dawson's desk, | 0:02:34 | 0:02:36 | |
and those in the Port Royal district should register with me. | 0:02:36 | 0:02:39 | |
Judith, where's the fan? | 0:02:41 | 0:02:42 | |
Victor Pearce. 14, Rue de Taranne. | 0:02:42 | 0:02:45 | |
I'll come in a minute. | 0:02:45 | 0:02:46 | |
Hi! | 0:02:52 | 0:02:54 | |
-Where is the fan? -Right, I'm coming over. We'll find it. | 0:03:02 | 0:03:06 | |
The fan is on the top shelf. | 0:03:08 | 0:03:10 | |
-Excuse me. There's no pen in this booth. -Sorry. | 0:03:13 | 0:03:16 | |
Right in front of your eyes. Right there. | 0:03:16 | 0:03:19 | |
-WHISPERS: -Sorry. | 0:03:20 | 0:03:22 | |
Thank you. | 0:03:23 | 0:03:25 | |
RASPING | 0:03:31 | 0:03:33 | |
SPLASH | 0:03:33 | 0:03:35 | |
Victor, are you all right? | 0:03:37 | 0:03:40 | |
HE RASPS | 0:03:41 | 0:03:44 | |
Oh, my God! | 0:03:45 | 0:03:47 | |
Dad! | 0:03:53 | 0:03:54 | |
How is your lemonade, Inspector? | 0:04:37 | 0:04:39 | |
Lovely. | 0:04:39 | 0:04:41 | |
Very...lemony. | 0:04:42 | 0:04:43 | |
I like it...love it. Mm! | 0:04:45 | 0:04:48 | |
I had a phone call from your supervising officer back in the UK. | 0:04:48 | 0:04:52 | |
-It's not about the expenses? I expl... -He didn't mention them. | 0:04:52 | 0:04:56 | |
That's a relief. | 0:04:56 | 0:04:57 | |
It seems London aren't willing to be quite as flexible | 0:04:57 | 0:05:00 | |
about our arrangement as we first thought. | 0:05:00 | 0:05:03 | |
I see. | 0:05:04 | 0:05:05 | |
Actually, I'm not sure that I do see. | 0:05:08 | 0:05:10 | |
Am I to go back, or stay, or...? | 0:05:12 | 0:05:14 | |
The decision lies entirely with you, Inspector. | 0:05:14 | 0:05:17 | |
-Well. It's very tempting, I have to admit. But the thing is... -PHONE RINGS | 0:05:18 | 0:05:22 | |
Yes, Dorothy? | 0:05:25 | 0:05:26 | |
Put him through. | 0:05:28 | 0:05:29 | |
Minister, good morning. | 0:05:30 | 0:05:32 | |
How are...? | 0:05:32 | 0:05:34 | |
I'm on my way. | 0:05:34 | 0:05:36 | |
We've cleared the scene, sir. | 0:05:42 | 0:05:44 | |
The witnesses are waiting for us in the church when you're ready. | 0:05:44 | 0:05:47 | |
So the Commissioner was telling me our victim is Victor Pearce, | 0:05:47 | 0:05:50 | |
a local businessman who was standing for mayor, is that right? | 0:05:50 | 0:05:53 | |
Yes, sir. | 0:05:53 | 0:05:54 | |
He and the other candidates were casting their votes | 0:05:54 | 0:05:57 | |
when it happened, just after 10am. | 0:05:57 | 0:05:59 | |
I was on duty outside the main door. | 0:05:59 | 0:06:01 | |
I thought a presence would be appropriate. | 0:06:01 | 0:06:03 | |
And Catherine was here as well, I take it, | 0:06:03 | 0:06:05 | |
her being a candidate? | 0:06:05 | 0:06:06 | |
It was Catherine who raised the alarm. | 0:06:06 | 0:06:09 | |
Oh. Looks like a 20cm blade at a guess. | 0:06:09 | 0:06:12 | |
Kitchen knife, maybe? | 0:06:12 | 0:06:14 | |
Any fingerprints, JP? | 0:06:14 | 0:06:16 | |
Some partials, I think, but it's hard to make out. | 0:06:16 | 0:06:18 | |
I'll get it out to the lab, sir. | 0:06:18 | 0:06:20 | |
Those two desks, Port Royal and Honore. | 0:06:38 | 0:06:41 | |
You collect your ballot depending on which area you live in? | 0:06:41 | 0:06:44 | |
That's right, sir. Our victim was an Honore resident. | 0:06:44 | 0:06:47 | |
So he got his ballot here, | 0:06:48 | 0:06:51 | |
then walked back over to the booth... | 0:06:51 | 0:06:55 | |
here... | 0:06:55 | 0:06:57 | |
to cast his vote. | 0:06:57 | 0:06:58 | |
Witnesses? | 0:06:59 | 0:07:01 | |
Six other people in here when it happened. No-one saw a thing. | 0:07:01 | 0:07:04 | |
That's not possible, is it? | 0:07:04 | 0:07:06 | |
Everyone was sure about where they were. | 0:07:06 | 0:07:08 | |
No-one was near the victim's booth. | 0:07:08 | 0:07:11 | |
-They think an intruder must have got in. -From where? | 0:07:11 | 0:07:13 | |
No-one passed me. | 0:07:13 | 0:07:16 | |
-The windows? -All locked. I checked. | 0:07:16 | 0:07:18 | |
What about that fire escape? | 0:07:21 | 0:07:22 | |
Can that be opened from the outside? | 0:07:22 | 0:07:24 | |
CREAKING | 0:07:36 | 0:07:37 | |
DOOR OPENS, SLAMS | 0:07:37 | 0:07:40 | |
No, it only opens one way. | 0:07:40 | 0:07:42 | |
Makes sense, I suppose. Who'd want to run IN to a burning building? | 0:07:42 | 0:07:46 | |
So if nobody else came in and nobody left, our culprit must be one | 0:07:46 | 0:07:51 | |
of the six people who were already in here. | 0:07:51 | 0:07:54 | |
Now, this is simply routine, | 0:07:57 | 0:07:58 | |
nothing at all for you to worry about, | 0:07:58 | 0:08:01 | |
but if I could just ask if you could remember your exact position | 0:08:01 | 0:08:04 | |
in the community centre when Catherine here raised the alarm. | 0:08:04 | 0:08:08 | |
Well, I was in one of the booths casting my vote. | 0:08:09 | 0:08:12 | |
'Kemar was in the one next to me. | 0:08:12 | 0:08:15 | |
'The partitions in the booths are from the waist up so you can see' | 0:08:15 | 0:08:17 | |
if someone's in the booth next to you. | 0:08:17 | 0:08:19 | |
'I was in the booth next to Victor. | 0:08:19 | 0:08:22 | |
'I heard the noise first.' | 0:08:22 | 0:08:24 | |
Victor breathing in, like he was in pain. | 0:08:24 | 0:08:27 | |
'And I noticed blood on the floor,' | 0:08:27 | 0:08:28 | |
so I went to check if he was OK, and... | 0:08:28 | 0:08:31 | |
And what about the rest of you? | 0:08:33 | 0:08:34 | |
Edwina? | 0:08:36 | 0:08:38 | |
Miss Bousquet, if you don't mind, Inspector. | 0:08:38 | 0:08:41 | |
My apologies, Miss Bousquet. Forgive my impertinence, | 0:08:41 | 0:08:44 | |
but do you mind me asking, where were you when this was going on? | 0:08:44 | 0:08:47 | |
I was in the storeroom... | 0:08:47 | 0:08:49 | |
'..trying to find a fan that wasn't broken.' | 0:08:50 | 0:08:53 | |
Judith! I can't find the fan. | 0:08:53 | 0:08:56 | |
She was struggling, so I went to go and help her. | 0:08:56 | 0:08:59 | |
Edwina, the fan is in the other cupboard. Right in front of you. | 0:08:59 | 0:09:02 | |
Then we heard a commotion and went over to find that Mr Pearce | 0:09:02 | 0:09:05 | |
had been... | 0:09:05 | 0:09:06 | |
Oh, my God. | 0:09:06 | 0:09:08 | |
OK. Thank you. | 0:09:08 | 0:09:10 | |
So I have Mr Pearce and the three of you in the polling booths, | 0:09:10 | 0:09:15 | |
and you two ladies were in the storeroom. | 0:09:15 | 0:09:18 | |
Which leaves us... | 0:09:18 | 0:09:20 | |
Reverend Dawson. | 0:09:20 | 0:09:22 | |
I didn't leave my desk. | 0:09:22 | 0:09:24 | |
Actually, that's not strictly true. | 0:09:25 | 0:09:27 | |
Victor's booth didn't have a pen in it. | 0:09:27 | 0:09:29 | |
'He asked me for one, so I went and handed it to him.' | 0:09:29 | 0:09:32 | |
Right. | 0:09:32 | 0:09:33 | |
Did all the other booths have pens? | 0:09:33 | 0:09:36 | |
We set up last night. I'm sure I put one in there. | 0:09:36 | 0:09:39 | |
It was quite late. Maybe you forgot. | 0:09:39 | 0:09:42 | |
So after handing Mr Pearce the pen, you went straight back to your desk? | 0:09:42 | 0:09:46 | |
-Yes. -He did. | 0:09:46 | 0:09:47 | |
When I heard my dad asking for the pen, | 0:09:49 | 0:09:51 | |
'I looked out to see it was being dealt with.' | 0:09:51 | 0:09:54 | |
That only leaves one person. | 0:09:56 | 0:09:58 | |
Catherine Bordey. | 0:10:00 | 0:10:01 | |
She was the one in the booth next to my father. | 0:10:02 | 0:10:05 | |
When the reverend went back to his desk, she could have leaned out | 0:10:05 | 0:10:08 | |
and stabbed him then. | 0:10:08 | 0:10:09 | |
But I only went to him when I saw the blood on the floor. | 0:10:09 | 0:10:12 | |
All right, thank you all very much indeed. | 0:10:12 | 0:10:15 | |
I think we'll leave it there for now. | 0:10:15 | 0:10:16 | |
And we'll try not to bother you again, | 0:10:16 | 0:10:18 | |
but if you could just make sure the officer here | 0:10:18 | 0:10:21 | |
has details of where you can be contacted on the off-chance | 0:10:21 | 0:10:23 | |
that we might have to speak to you again. OK. | 0:10:23 | 0:10:26 | |
Good job, sir. | 0:10:39 | 0:10:41 | |
Well, I'm no Van Gogh, Florence, but each to his own. | 0:10:42 | 0:10:45 | |
-So, shall we go over what we have so far? -Mm-hm. | 0:10:45 | 0:10:48 | |
Victor Pearce. What do we know about him? | 0:10:48 | 0:10:50 | |
63. Born and raised in Honore. | 0:10:50 | 0:10:52 | |
Set up a boat hire business when he left school at 18. | 0:10:52 | 0:10:56 | |
Now owns several businesses on Saint Marie. | 0:10:56 | 0:10:58 | |
Would he have made a popular mayor, do you think? | 0:10:58 | 0:11:00 | |
Some people didn't like his plans to commercialise the island, | 0:11:00 | 0:11:04 | |
but the polls predicted he was likely to win. | 0:11:04 | 0:11:07 | |
He had the money to run a much bigger campaign. | 0:11:07 | 0:11:10 | |
And who is going to inherit all this wealth? His son? | 0:11:10 | 0:11:13 | |
We are waiting for confirmation, but that seems to be the case. | 0:11:13 | 0:11:16 | |
So if Kemar Pearce was going to inherit all of Daddy's money, | 0:11:16 | 0:11:20 | |
I guess that's a motive. | 0:11:20 | 0:11:22 | |
Been working as his father's PA for the last few months. | 0:11:22 | 0:11:25 | |
But before that, there's not much. | 0:11:25 | 0:11:27 | |
Peter Baxter. | 0:11:29 | 0:11:30 | |
"Grew up in the UK. | 0:11:30 | 0:11:32 | |
"Trained as a teacher and moved here to work ten years ago. | 0:11:32 | 0:11:34 | |
"Married with two children." | 0:11:34 | 0:11:36 | |
He's big on family values and promoting education | 0:11:36 | 0:11:39 | |
in the community. | 0:11:39 | 0:11:40 | |
Next is Miss Edwina Bousquet. | 0:11:40 | 0:11:44 | |
Ah, the indomitable Miss Bousquet. | 0:11:44 | 0:11:46 | |
I've met a lot like her in my time, Florence. | 0:11:46 | 0:11:49 | |
A fair few of them in my own family. | 0:11:49 | 0:11:51 | |
Edwina Bousquet is 62. No children. Never married. | 0:11:51 | 0:11:55 | |
Retired, but used to work at the library. | 0:11:55 | 0:11:58 | |
Now she helps at the church doing flowers, etc. | 0:11:58 | 0:12:00 | |
Which leaves us with... | 0:12:00 | 0:12:02 | |
Reverend Matthew Dawson and his wife, Judith. | 0:12:02 | 0:12:05 | |
Reverend Dawson is the minister at St Anne's. Originally from London, | 0:12:06 | 0:12:10 | |
came to Saint Marie eight years ago, | 0:12:10 | 0:12:12 | |
which is when he met Mrs Dawson who was volunteering | 0:12:12 | 0:12:15 | |
at the church's orphanage. | 0:12:15 | 0:12:16 | |
-She was an orphan at St Anne's herself... -Oh! | 0:12:16 | 0:12:19 | |
..until she was taken in by a local family. | 0:12:19 | 0:12:21 | |
-So, these two, they run the orphanage together? -That's right. | 0:12:24 | 0:12:28 | |
And I found one thing of interest in the church's online newsletter. | 0:12:28 | 0:12:33 | |
There's been an ongoing dispute between the Dawsons | 0:12:33 | 0:12:35 | |
and Victor Pearce. | 0:12:35 | 0:12:37 | |
We are still looking into it, but it seems Mr Pearce was trying to buy | 0:12:37 | 0:12:41 | |
the land the orphanage is on so he could develop | 0:12:41 | 0:12:43 | |
a holiday village there. | 0:12:43 | 0:12:45 | |
-Reverend Dawson wasn't going to stand for that! -No, sir. | 0:12:45 | 0:12:49 | |
OK, so that's five. Who's left? | 0:12:49 | 0:12:52 | |
Ah. Catherine. | 0:12:55 | 0:12:58 | |
Well, you know her better than me. | 0:12:58 | 0:13:01 | |
Are there any circumstances in which she might be our killer? | 0:13:01 | 0:13:04 | |
No, sir. | 0:13:04 | 0:13:06 | |
I'd stake my life on it. | 0:13:06 | 0:13:08 | |
Are you OK for the picture? | 0:13:18 | 0:13:20 | |
Ah, lads, how'd you get on at the victim's house? | 0:13:20 | 0:13:22 | |
Very nice. Swimming pool, hot tub. Gym in the basement. | 0:13:22 | 0:13:26 | |
That sounds lovely, Dwayne. | 0:13:26 | 0:13:28 | |
Er, anything that might help us catch a killer? | 0:13:28 | 0:13:31 | |
Well, we got everything we could find, sir, just like you said. | 0:13:31 | 0:13:33 | |
Good stuff. | 0:13:33 | 0:13:34 | |
Now, one or more of these five people killed Victor Pearce, | 0:13:34 | 0:13:39 | |
in cold blood and in broad daylight. Now whatever sort of a man | 0:13:39 | 0:13:42 | |
he was, we can't let them get away with that. | 0:13:42 | 0:13:45 | |
I know it's late, but I'd like to get as much done as possible | 0:13:45 | 0:13:49 | |
-this evening. -Yes, sir. | 0:13:49 | 0:13:51 | |
OK, background and finance checks. | 0:13:51 | 0:13:54 | |
Police, regional council, government records on all five. | 0:13:54 | 0:13:57 | |
-But, Sarge... -Eh... -I... -Chut-chut! | 0:13:57 | 0:14:00 | |
Siobhan! That lizard's back. | 0:14:33 | 0:14:36 | |
He's called Harry. | 0:14:36 | 0:14:38 | |
Well, he doesn't look like a Harry. | 0:14:38 | 0:14:41 | |
-He probably wants feeding. -Surely he can do that for himself. | 0:14:41 | 0:14:44 | |
Catch things with that ridiculous tongue of his. | 0:14:44 | 0:14:48 | |
Well, JP said he likes mangos and mozzies mashed up. | 0:14:48 | 0:14:51 | |
Oh, so now we're mashing up mosquitoes for a lizard? | 0:14:51 | 0:14:53 | |
Seriously, Siobhan. | 0:14:53 | 0:14:55 | |
We're not in London any more, Dad. You have to expect things | 0:14:55 | 0:14:58 | |
to be a little different. | 0:14:58 | 0:14:59 | |
Ah... | 0:14:59 | 0:15:01 | |
I was going to talk to you about that. | 0:15:01 | 0:15:04 | |
The commissioner wants to know if I would stay here. | 0:15:04 | 0:15:08 | |
-Permanently. -Oh? | 0:15:08 | 0:15:10 | |
So come on, what do you think? | 0:15:11 | 0:15:13 | |
What do YOU think? | 0:15:13 | 0:15:15 | |
The honest truth is... | 0:15:15 | 0:15:16 | |
..I couldn't be happy here if you weren't. | 0:15:17 | 0:15:20 | |
Anyway, with everything that's happened... | 0:15:22 | 0:15:26 | |
..I need, very much, for you to be happy. | 0:15:28 | 0:15:30 | |
Can I think about it? | 0:15:32 | 0:15:34 | |
Of course you can, love. | 0:15:34 | 0:15:35 | |
OK. | 0:15:37 | 0:15:38 | |
Poor Catherine. | 0:15:49 | 0:15:50 | |
I want to know where they got this information. | 0:15:50 | 0:15:53 | |
Maybe someone is trying to deflect attention away from themselves. | 0:15:53 | 0:15:55 | |
-PHONE RINGS -Exactly. | 0:15:55 | 0:15:57 | |
Right, I'm going to the paper. See what I can find out. | 0:15:57 | 0:16:00 | |
Yes, please, Dwayne. | 0:16:00 | 0:16:02 | |
Hello, Honore police. | 0:16:02 | 0:16:03 | |
Oh, and I spoke to Victor Pearce's solicitor, and he confirmed | 0:16:03 | 0:16:07 | |
-that Victor left everything to his son. -OK. Thank you. | 0:16:07 | 0:16:11 | |
I have something, sir. | 0:16:11 | 0:16:13 | |
I'm not sure if it means anything, but the victim went to the | 0:16:14 | 0:16:17 | |
same school as Edwina Bousquet. | 0:16:17 | 0:16:19 | |
Vieux Moulin secondary. | 0:16:19 | 0:16:20 | |
She never mentioned that, did she? | 0:16:20 | 0:16:22 | |
Well, it was a long time ago. | 0:16:22 | 0:16:24 | |
My mum is friends with the old headmistress at Vieux Moulin. | 0:16:24 | 0:16:27 | |
She's been visiting friends in Montserrat, but is back | 0:16:27 | 0:16:30 | |
this evening. | 0:16:30 | 0:16:31 | |
-Sir. -Yes, JP? | 0:16:31 | 0:16:33 | |
That was our contact from the council. | 0:16:33 | 0:16:35 | |
He was saying the only thing that would allow Victor Pearce to buy | 0:16:35 | 0:16:38 | |
the orphanage would be if it was closed down. | 0:16:38 | 0:16:40 | |
And the only reason why that would happen would be if its funding | 0:16:40 | 0:16:43 | |
-was cut. -And is that a possibility? | 0:16:43 | 0:16:45 | |
It would have been if Victor Pearce had been elected. | 0:16:45 | 0:16:47 | |
The funding for the orphanage falls directly under the control | 0:16:47 | 0:16:50 | |
-of the mayor. -Oh. | 0:16:50 | 0:16:52 | |
No, nothing important. | 0:17:02 | 0:17:04 | |
And we'll try to be as quick as we can. | 0:17:04 | 0:17:06 | |
I do hope WE haven't come under suspicion. | 0:17:06 | 0:17:08 | |
No, no, heavens, no. You've made it very clear where you both were | 0:17:08 | 0:17:13 | |
when the terrible deed took place. | 0:17:13 | 0:17:15 | |
-And you can't be in two places at once, can you? -No. | 0:17:15 | 0:17:18 | |
Now, what was it we needed to ask? | 0:17:18 | 0:17:20 | |
Just a tiny thing if I remember. | 0:17:20 | 0:17:23 | |
Ah, yes. | 0:17:23 | 0:17:24 | |
You had a dispute with the victim, about him cutting funding | 0:17:24 | 0:17:27 | |
to the orphanage, turfing you out and building a holiday resort | 0:17:27 | 0:17:31 | |
on the land. | 0:17:31 | 0:17:33 | |
Er, well... | 0:17:34 | 0:17:36 | |
Er, yes, but, well... It wasn't quite that clear-cut. | 0:17:36 | 0:17:41 | |
It wasn't? Well, ignore my clumsy way of putting things. | 0:17:41 | 0:17:45 | |
You explain how it was. | 0:17:45 | 0:17:48 | |
Ah, well, I mean, it was common knowledge he owned the land | 0:17:48 | 0:17:51 | |
surrounding us. | 0:17:51 | 0:17:52 | |
So, yes, the orphanage was of interest to him. | 0:17:52 | 0:17:55 | |
And what would've happened to the children? | 0:17:55 | 0:17:58 | |
Well, we only have three children in our care at the moment. | 0:17:58 | 0:18:02 | |
They'd have been moved to an orphanage | 0:18:02 | 0:18:04 | |
on one of the other islands where there are bigger | 0:18:04 | 0:18:06 | |
and better facilities. | 0:18:06 | 0:18:07 | |
You must have been worried sick. | 0:18:07 | 0:18:09 | |
Well, we were worried, of course. | 0:18:09 | 0:18:12 | |
But not any more. | 0:18:12 | 0:18:13 | |
And was any of this discussed yesterday, when Victor arrived | 0:18:18 | 0:18:22 | |
at the polling station? | 0:18:22 | 0:18:23 | |
No. I don't think he even knew who we were. | 0:18:23 | 0:18:26 | |
We did try and arrange a meeting but, er... | 0:18:26 | 0:18:28 | |
He was a hard man to get an appointment with. | 0:18:28 | 0:18:31 | |
Still, as they say, it's an ill wind that blows nobody any good. | 0:18:31 | 0:18:34 | |
By that I mean, Victor's death... Tragic and all as it was, | 0:18:36 | 0:18:40 | |
well, at least it means the orphanage is still safe. | 0:18:40 | 0:18:43 | |
Not that either of you wished the poor man dead! | 0:18:43 | 0:18:46 | |
Oh, of course not! | 0:18:46 | 0:18:48 | |
Ah, the children. They're back for their lunch. | 0:18:51 | 0:18:54 | |
-Ready, steady...hop up! -Lovely kids. | 0:19:01 | 0:19:04 | |
Have they been with you long? | 0:19:06 | 0:19:07 | |
Maisie since she was four. The boys since they were babies. | 0:19:07 | 0:19:11 | |
Do you mind me asking, do you and Mrs Dawson have children | 0:19:11 | 0:19:14 | |
of your own? | 0:19:14 | 0:19:15 | |
-Er, no. We don't. It never quite happened for us. -Sorry. | 0:19:15 | 0:19:19 | |
Well, thank you for your time and answering all our questions. | 0:19:27 | 0:19:30 | |
-It's very good of you. We'll try not to bother you again. -Thank you. | 0:19:30 | 0:19:34 | |
Don't worry about them. They're just going through the motions. | 0:19:47 | 0:19:51 | |
WHISTLING | 0:19:59 | 0:20:02 | |
-Dwayne... -Mm? | 0:20:08 | 0:20:10 | |
I hope that newspaper report doesn't ruin Catherine's chances | 0:20:10 | 0:20:13 | |
of becoming mayor. | 0:20:13 | 0:20:14 | |
Well, you know, JP, it might not be a bad thing. | 0:20:14 | 0:20:17 | |
What? | 0:20:18 | 0:20:20 | |
Look... | 0:20:20 | 0:20:21 | |
It's not that I don't like Catherine. Of course I do. | 0:20:21 | 0:20:24 | |
-But when it comes to... -Wait! | 0:20:24 | 0:20:26 | |
Are you saying that you wouldn't vote for her? | 0:20:26 | 0:20:28 | |
No, no, no, no. You see, it's like this, JP. | 0:20:28 | 0:20:31 | |
There's a little establishment I know that sells rum | 0:20:31 | 0:20:34 | |
at what I would call a very reasonable price. | 0:20:34 | 0:20:37 | |
-Is there, now? -Oh, yes. | 0:20:37 | 0:20:39 | |
And that establishment I know Catherine does not look | 0:20:39 | 0:20:42 | |
too kindly upon. You understand me? | 0:20:42 | 0:20:46 | |
Don't worry, Dwayne. I understand you. | 0:20:46 | 0:20:49 | |
-Good. -Mm. | 0:20:49 | 0:20:50 | |
You don't want Catherine to become mayor, because you won't be able | 0:20:50 | 0:20:53 | |
to buy your cheap rum any more. | 0:20:53 | 0:20:55 | |
Hey! There's no need to put it like that, OK? | 0:20:55 | 0:20:58 | |
So how should I put it? | 0:20:58 | 0:20:59 | |
What's your problem? | 0:20:59 | 0:21:01 | |
-What do you care who I vote for? -I don't. -Huh? | 0:21:01 | 0:21:05 | |
But Catherine is our friend. And you, you should be supporting her. | 0:21:05 | 0:21:08 | |
Now listen here, JP... | 0:21:08 | 0:21:11 | |
With the report... | 0:21:11 | 0:21:13 | |
Oh, yes, um... We got the postmortem report back, sir. | 0:21:13 | 0:21:17 | |
"Victim died from a deep laceration to the right lung | 0:21:18 | 0:21:21 | |
"causing intra...thoracic haemorrhage." | 0:21:21 | 0:21:25 | |
Well, I don't have a clue what that is, | 0:21:25 | 0:21:27 | |
but I'd say it was the knife in his back that did for him. | 0:21:27 | 0:21:29 | |
Yeah. | 0:21:31 | 0:21:32 | |
What about prints? | 0:21:32 | 0:21:34 | |
Ah, same result, sir. | 0:21:34 | 0:21:35 | |
We got some partials, but nothing we can use. | 0:21:35 | 0:21:38 | |
Any more news on the victim's finances? | 0:21:38 | 0:21:41 | |
Well, looking at the paperwork we took from the house, it's | 0:21:41 | 0:21:44 | |
pretty clear that up until a few months ago, Victor was throwing | 0:21:44 | 0:21:47 | |
a whole heap of money at his son. | 0:21:47 | 0:21:48 | |
What happened a couple of months ago? | 0:21:48 | 0:21:50 | |
Kemar was put on Victor's company's payroll as his personal assistant. | 0:21:50 | 0:21:54 | |
He was still paying him, though? | 0:21:54 | 0:21:56 | |
Yes, but significantly less than before. | 0:21:56 | 0:21:58 | |
So Dad was trying to curb his son's spending? | 0:21:58 | 0:22:02 | |
If he was, it didn't work. | 0:22:02 | 0:22:03 | |
As far as I can see, Kemar carried on as if nothing had changed. | 0:22:03 | 0:22:06 | |
You know, flashy-flashy. | 0:22:06 | 0:22:07 | |
I mean, it's only been a couple of months, but he's in a heck of | 0:22:07 | 0:22:11 | |
a lot of debt. | 0:22:11 | 0:22:12 | |
And his father didn't help? | 0:22:12 | 0:22:14 | |
Far from it. Two days ago, his salary wasn't paid, | 0:22:14 | 0:22:17 | |
so I checked with the bank as to why. | 0:22:17 | 0:22:19 | |
Seems Victor had put a bar on all transactions going from | 0:22:19 | 0:22:22 | |
his accounts into his son's. | 0:22:22 | 0:22:24 | |
-Two days ago? -Next morning, Victor's dead. | 0:22:24 | 0:22:27 | |
And Kemar inherits everything. | 0:22:27 | 0:22:29 | |
I can see how it looks, Inspector, but trust me, | 0:22:38 | 0:22:42 | |
Dad wasn't going to cut me off. | 0:22:42 | 0:22:44 | |
I'm sure, and I'm sorry to have to ask you these things. | 0:22:44 | 0:22:47 | |
It's just we have to report back, you see. | 0:22:49 | 0:22:51 | |
He went into one sometimes, trying to make a point. | 0:22:51 | 0:22:54 | |
But it never lasted long. | 0:22:54 | 0:22:56 | |
Well, that's not the impression we have of him. | 0:22:56 | 0:22:58 | |
I mean, he was a successful businessman, wasn't he? | 0:22:58 | 0:23:01 | |
Strong-willed. Ruthless, even. | 0:23:01 | 0:23:03 | |
Yeah, but things were different with me. | 0:23:03 | 0:23:06 | |
Because ever since my mum died, when I was ten, he hasn't had | 0:23:07 | 0:23:11 | |
-the faintest clue what to do with me. -What do you mean? | 0:23:11 | 0:23:14 | |
The only reason he wanted a child was so that he had someone | 0:23:14 | 0:23:16 | |
to carry on his business empire after he died. His legacy. | 0:23:16 | 0:23:21 | |
As far as actually raising me was concerned, | 0:23:21 | 0:23:23 | |
he couldn't have cared less. | 0:23:23 | 0:23:25 | |
That was supposed to be your mum's job. | 0:23:25 | 0:23:27 | |
So he did what he does whenever there is a problem needs solving. | 0:23:29 | 0:23:33 | |
He threw money at it. At me. | 0:23:33 | 0:23:36 | |
And he's been doing the same ever since. | 0:23:36 | 0:23:39 | |
So... | 0:23:39 | 0:23:40 | |
Look, you're right. | 0:23:41 | 0:23:43 | |
I wasn't happy about him trying to cut back on my spending. | 0:23:44 | 0:23:47 | |
But you can't really think I killed him because of it? | 0:23:48 | 0:23:51 | |
Heavens, no, how could you? You explained where you were. | 0:23:51 | 0:23:54 | |
No, we're just looking at your dad's state of mind, that's all. | 0:23:54 | 0:23:58 | |
Yeah, we shouldn't've bothered you. Especially at a time like this. | 0:23:58 | 0:24:02 | |
No problem. | 0:24:02 | 0:24:04 | |
Two questions... | 0:24:08 | 0:24:10 | |
Who and how? | 0:24:10 | 0:24:12 | |
And to be honest, we're no closer to either. | 0:24:12 | 0:24:14 | |
But ignoring the "how" for a moment, let's think about the "who". | 0:24:14 | 0:24:17 | |
Reverend Dawson and his wife, Judith. | 0:24:17 | 0:24:21 | |
They faced losing the orphanage if Victor Pearce was elected mayor. | 0:24:21 | 0:24:24 | |
I checked with the council and apparently Reverend and Mrs Dawson | 0:24:24 | 0:24:28 | |
had applied to adopt the three children at St Anne's. | 0:24:28 | 0:24:31 | |
But it was early days, and the process could take a few years. | 0:24:31 | 0:24:35 | |
None of which is a problem now that Mr Pearce is no longer with us. | 0:24:35 | 0:24:39 | |
Rest his soul. That said, both alibis seem solid. | 0:24:39 | 0:24:43 | |
-Kemar Pearce. -Victor threatened to cut him off financially, | 0:24:43 | 0:24:47 | |
but he claims his dad would never have gone through with it. | 0:24:47 | 0:24:49 | |
And I think he was telling the truth about that. | 0:24:49 | 0:24:52 | |
So if he didn't believe his father would cut the purse strings, | 0:24:52 | 0:24:55 | |
why kill him? | 0:24:55 | 0:24:56 | |
Which leaves Edwina Bousquet and Peter Baxter. | 0:24:58 | 0:25:01 | |
But neither has an obvious motive. | 0:25:01 | 0:25:04 | |
Well, I've been going through the victim's phone records. | 0:25:04 | 0:25:06 | |
Now, there's a lot of calls between his son and him, as you'd expect. | 0:25:06 | 0:25:09 | |
No contact with any of the other suspects, apart from calls | 0:25:09 | 0:25:12 | |
between him and Peter Baxter over the last week. | 0:25:12 | 0:25:14 | |
But as they're both mayoral candidates, there's no suggestion | 0:25:14 | 0:25:17 | |
that there's anything sinister in that. | 0:25:17 | 0:25:20 | |
Anything on his computer? | 0:25:20 | 0:25:22 | |
Well, I've finished going through his laptop. | 0:25:22 | 0:25:24 | |
I get the impression he was a bit of a workaholic. | 0:25:24 | 0:25:26 | |
His e-mails, all business. Nothing personal in there at all. | 0:25:26 | 0:25:30 | |
Which currently leaves us right back at the beginning | 0:25:31 | 0:25:33 | |
of this investigation, | 0:25:33 | 0:25:35 | |
in St Anne's Community Centre on polling day. | 0:25:35 | 0:25:37 | |
Mayoral candidate Victor Pearce was casting his vote when one of | 0:25:37 | 0:25:40 | |
these five suspects managed to scuttle into his booth unseen | 0:25:40 | 0:25:44 | |
and stick a knife in his back. | 0:25:44 | 0:25:45 | |
-PEN BANGS ON FLOOR -Sorry. Sorry about that. | 0:25:45 | 0:25:48 | |
But how could nobody see it happen? | 0:25:50 | 0:25:52 | |
Haven't the foggiest. | 0:25:54 | 0:25:55 | |
Mm... | 0:25:57 | 0:25:58 | |
Well, I don't know about the rest of you, but I could do with a beer. | 0:25:58 | 0:26:01 | |
Hey, what say we show a bit of solidarity with Catherine | 0:26:01 | 0:26:03 | |
and go and have a drink at her place? | 0:26:03 | 0:26:05 | |
Actually, sir, I should get over to my mum's friend's house. | 0:26:05 | 0:26:08 | |
She'll be home now. But I might pop along later. | 0:26:08 | 0:26:11 | |
Ah, yes, of course. You go and do that. Dwayne, JP? | 0:26:11 | 0:26:14 | |
You know what, sir? I think that is a great idea. | 0:26:14 | 0:26:18 | |
What do you think, Dwayne? | 0:26:18 | 0:26:20 | |
Show Catherine a bit of solidarity? | 0:26:20 | 0:26:22 | |
Um, yes. Of course. | 0:26:24 | 0:26:27 | |
Solidarity. I'm all for that. | 0:26:27 | 0:26:29 | |
Great. | 0:26:29 | 0:26:30 | |
MUSIC BLARES | 0:26:36 | 0:26:38 | |
Ah, Catherine. There you are. Good to see you. | 0:26:38 | 0:26:41 | |
-You're bearing up? -I am. | 0:26:41 | 0:26:43 | |
People have been very kind and come out to show their support. | 0:26:43 | 0:26:47 | |
Don't worry, Catherine. | 0:26:47 | 0:26:48 | |
We're trying to find out where it came from. | 0:26:48 | 0:26:51 | |
I have someone at the newspaper digging around. | 0:26:51 | 0:26:53 | |
Thank you, Dwayne. | 0:26:53 | 0:26:55 | |
You're all such good friends. | 0:26:55 | 0:26:57 | |
These are on me as a thank you. | 0:26:57 | 0:26:59 | |
Ah, that's very kind of you, Catherine. To good friends. | 0:26:59 | 0:27:02 | |
To good friends. | 0:27:02 | 0:27:04 | |
Oh! That's got a bit of a kick to it. | 0:27:07 | 0:27:11 | |
Wait. You never tried any of the local rums before? | 0:27:11 | 0:27:13 | |
I'm not usually a rum drinker, to be honest with you, Dwayne. | 0:27:13 | 0:27:16 | |
Not yet... | 0:27:16 | 0:27:18 | |
So, are you any closer to finding out who killed Victor Pearce? | 0:27:19 | 0:27:23 | |
Well, we're not quite there yet, Catherine. | 0:27:23 | 0:27:25 | |
But we're making good progress. | 0:27:25 | 0:27:27 | |
I can only imagine how hard this is for you with everything | 0:27:33 | 0:27:36 | |
that's been said in the papers and all. | 0:27:36 | 0:27:39 | |
But I'm going to find out who did this, it's a promise. | 0:27:39 | 0:27:42 | |
Morning. | 0:27:52 | 0:27:54 | |
You all right there, JP? | 0:27:55 | 0:27:57 | |
I'm fine, sir. I just can't quite make sense of something. | 0:27:58 | 0:28:01 | |
Oh, yeah? What is it? | 0:28:01 | 0:28:03 | |
OK, so I'm going through Victor Pearce's appointments diary | 0:28:03 | 0:28:07 | |
and cross-referencing it with his journal. | 0:28:07 | 0:28:09 | |
Now, he makes notes from all his meetings in there. | 0:28:09 | 0:28:11 | |
You know, writes in action plans. The man cross-references everything. | 0:28:11 | 0:28:16 | |
I'm sensing a "but" coming. | 0:28:16 | 0:28:18 | |
Well, there is, sort of. | 0:28:18 | 0:28:20 | |
See, last Tuesday in his diary there's an appointment, | 0:28:20 | 0:28:23 | |
"Paradise Bay Hotel. 7pm. Room 303." | 0:28:23 | 0:28:27 | |
But there's no references of what it was about | 0:28:27 | 0:28:30 | |
or who he was going to meet or anything. | 0:28:30 | 0:28:33 | |
-No notes anywhere else? -No. Nothing. | 0:28:33 | 0:28:36 | |
Hm. OK. | 0:28:36 | 0:28:38 | |
Well, why don't you both head over to the hotel and see if anyone knows | 0:28:38 | 0:28:41 | |
-what he was doing there? -Yes, sir. | 0:28:41 | 0:28:43 | |
OK. Thank you. | 0:28:43 | 0:28:45 | |
Sarge. | 0:28:45 | 0:28:46 | |
Dwayne. | 0:28:46 | 0:28:48 | |
-Morning, Florence. -Morning, sir. | 0:28:48 | 0:28:50 | |
So, how did you get on with your mum's friend last night? | 0:28:50 | 0:28:54 | |
Did she have anything interesting to say about Edwina Bousquet | 0:28:54 | 0:28:57 | |
and Victor Pearce's time together at school? | 0:28:57 | 0:28:59 | |
Better than interesting. | 0:28:59 | 0:29:02 | |
Edwina Bousquet and Victor Pearce were high school sweethearts. | 0:29:02 | 0:29:05 | |
Never! | 0:29:05 | 0:29:07 | |
This was taken on a field trip. | 0:29:07 | 0:29:09 | |
This is Edwina, and Victor, here. | 0:29:09 | 0:29:11 | |
They were dating for about six months before they graduated. | 0:29:12 | 0:29:16 | |
At which point, Victor ended it between them. | 0:29:16 | 0:29:19 | |
Apparently, he was so focused on setting up his first business, | 0:29:19 | 0:29:22 | |
he said he didn't have time for a relationship. | 0:29:22 | 0:29:25 | |
Now, that I can believe. | 0:29:25 | 0:29:26 | |
It seems she was broken-hearted. She'd never had a boyfriend before. | 0:29:26 | 0:29:30 | |
Her parents were very religious, very strict, | 0:29:30 | 0:29:33 | |
so it was the first time she'd experienced anything like that. | 0:29:33 | 0:29:37 | |
First love is a powerful thing, Florence. | 0:29:37 | 0:29:40 | |
And the sad thing is, he was her first love, and her last. | 0:29:41 | 0:29:46 | |
There's never been anyone since. | 0:29:46 | 0:29:48 | |
So, all those years ago, | 0:29:48 | 0:29:52 | |
Victor Pearce broke Edwina's heart... | 0:29:52 | 0:29:54 | |
..and she's still hurting now. | 0:29:55 | 0:29:57 | |
They are looking lovely, Miss Bousquet. | 0:30:07 | 0:30:09 | |
-I do my best for the church, Inspector. -I'm sure you do. | 0:30:09 | 0:30:13 | |
And I bet you no-one ever thanks you for it, do they? | 0:30:13 | 0:30:16 | |
I had an aunt once, exactly the same. Oh, yeah. | 0:30:16 | 0:30:19 | |
The unsung hero of her parish. | 0:30:19 | 0:30:21 | |
So much so that when she went abroad for the first time | 0:30:21 | 0:30:23 | |
on her 60th birthday, the church didn't know what hit it. | 0:30:23 | 0:30:26 | |
I assume you're here for a reason, Inspector, | 0:30:26 | 0:30:29 | |
aside from sharing stories about your aunt. | 0:30:29 | 0:30:32 | |
You've seen through me, Miss Bousquet. | 0:30:32 | 0:30:34 | |
There are actually a couple of questions that we have to ask. | 0:30:34 | 0:30:37 | |
-Would you mind terribly? -You have your job to do. | 0:30:37 | 0:30:40 | |
We've been doing a bit of digging about Victor Pearce | 0:30:40 | 0:30:43 | |
and we've come across this photo. | 0:30:43 | 0:30:45 | |
It shows you and Victor together. Were you close? | 0:30:47 | 0:30:51 | |
I know it was a long way back, but we do have to ask. | 0:30:51 | 0:30:54 | |
We were companions for a short while. | 0:30:54 | 0:30:57 | |
Six months, if that. | 0:30:58 | 0:30:59 | |
And what was your relationship like in more recent times? | 0:30:59 | 0:31:02 | |
-We didn't have one. -Nothing at all? | 0:31:02 | 0:31:04 | |
The occasional "good morning". Nothing more. | 0:31:04 | 0:31:06 | |
That's very sad, isn't it? | 0:31:06 | 0:31:08 | |
Two people this close, then all these years later, reduced to | 0:31:09 | 0:31:12 | |
exchanging the odd pleasantry. | 0:31:12 | 0:31:14 | |
It's what happens, Inspector. People move on from things very quickly. | 0:31:14 | 0:31:19 | |
He has a very kind face doesn't he? In that photo. | 0:31:19 | 0:31:22 | |
He was nothing like the man he became. | 0:31:22 | 0:31:25 | |
He was warm and caring back then. | 0:31:25 | 0:31:28 | |
He showed an interest in me when many didn't. | 0:31:28 | 0:31:31 | |
Uptight church girl. | 0:31:31 | 0:31:33 | |
He saw something in me and brought it out. | 0:31:34 | 0:31:37 | |
We know he ended things suddenly, to concentrate on his business? | 0:31:37 | 0:31:42 | |
That's something only he would know. | 0:31:42 | 0:31:45 | |
If the point of these questions is to find out whether or not | 0:31:45 | 0:31:47 | |
he hurt me, the answer is yes. Terribly. | 0:31:47 | 0:31:51 | |
But I am a Christian woman, Inspector, and while I may not | 0:31:51 | 0:31:54 | |
be able to forget how he hurt me, | 0:31:54 | 0:31:57 | |
I can forgive. | 0:31:57 | 0:31:58 | |
Do you think I killed him? | 0:32:02 | 0:32:04 | |
I don't see how, if I recall, you were in the store cupboard | 0:32:04 | 0:32:07 | |
-when it happened. -Yes, I was. | 0:32:07 | 0:32:09 | |
We're just trying to paint a picture, nothing more. | 0:32:09 | 0:32:11 | |
Sorry to have disturbed you. | 0:32:11 | 0:32:13 | |
Inspector? | 0:32:21 | 0:32:23 | |
Not after me, were you? | 0:32:24 | 0:32:25 | |
No, Reverend. I think we're done here for now, thank you. | 0:32:25 | 0:32:27 | |
PHONE RINGS Excuse me. I'd better take this. | 0:32:27 | 0:32:30 | |
-Hello? -Actually, I'm glad I caught you. | 0:32:31 | 0:32:34 | |
The last few days have rather taken their toll on the parish | 0:32:34 | 0:32:36 | |
so we're holding a prayer service this afternoon. | 0:32:36 | 0:32:39 | |
-You're both, of course, invited. -That's very good of you. | 0:32:39 | 0:32:41 | |
-And we'll do our best to make it. -Lovely. | 0:32:41 | 0:32:43 | |
Sir, that was Dwayne. | 0:32:46 | 0:32:47 | |
-He and JP think they might have a lead. -Great. | 0:32:47 | 0:32:50 | |
So, what have we got? | 0:32:59 | 0:33:01 | |
Well, me and JP spoke to the receptionist | 0:33:01 | 0:33:03 | |
about Victor Pearce's meeting here at the hotel last Tuesday. | 0:33:03 | 0:33:07 | |
So she checked the booking system and room 303 | 0:33:07 | 0:33:10 | |
was reserved by a woman called Verity Browning. | 0:33:10 | 0:33:13 | |
-So Victor was meeting a woman here? -That's what we assumed. | 0:33:13 | 0:33:17 | |
But we thought we'd double check and have a look at the CCTV | 0:33:17 | 0:33:19 | |
-outside room 303. -And what did it show? | 0:33:19 | 0:33:21 | |
Come and have a look. | 0:33:21 | 0:33:23 | |
OK, JP show them what you've got. | 0:33:23 | 0:33:25 | |
You see, it wasn't our victim | 0:33:25 | 0:33:27 | |
Miss Browning was having a liaison with. | 0:33:27 | 0:33:28 | |
It was Peter Baxter. | 0:33:28 | 0:33:30 | |
So what? Victor Pearce knew about this? | 0:33:32 | 0:33:35 | |
That's why he had "room 303" written into his diary. | 0:33:35 | 0:33:38 | |
Well, we think so, sir. | 0:33:38 | 0:33:39 | |
I mean, why else would he have the exact hotel room number and time | 0:33:39 | 0:33:42 | |
Peter Baxter was in there with another woman? | 0:33:42 | 0:33:44 | |
They were both running for mayor, so maybe Victor threatened | 0:33:44 | 0:33:48 | |
to reveal the affair? | 0:33:48 | 0:33:49 | |
That would explain why the phone records showed Baxter and Pearce | 0:33:49 | 0:33:52 | |
had been calling each other the last week. And there's more. | 0:33:52 | 0:33:55 | |
I heard back from Chrissie from the newspaper. Now, she can't be sure, | 0:33:55 | 0:33:58 | |
but the rumour is the person they quoted in the Catherine story | 0:33:58 | 0:34:02 | |
was Peter Baxter. | 0:34:02 | 0:34:04 | |
He's over there, sir. | 0:34:14 | 0:34:15 | |
Mr Baxter, do you have a minute? | 0:34:19 | 0:34:20 | |
Jen, could you take over for a moment? | 0:34:21 | 0:34:25 | |
Shall we go inside? | 0:34:27 | 0:34:29 | |
Excuse the mess. It's been a hectic few weeks. | 0:34:32 | 0:34:34 | |
"A vote for Peter Baxter is a vote for integrity, a vote for | 0:34:36 | 0:34:39 | |
"your children's future." | 0:34:39 | 0:34:41 | |
Really like that, Peter. Positive message, if ever I heard one. | 0:34:41 | 0:34:44 | |
73% of the adult population on this island are married with children. | 0:34:44 | 0:34:49 | |
It's their voices that need listening to. | 0:34:49 | 0:34:51 | |
So what is it you wanted to talk to me about? | 0:34:52 | 0:34:55 | |
Oh, I'm sure it's nothing, just ticking a few more boxes. | 0:34:55 | 0:34:58 | |
Now, what was it? | 0:34:58 | 0:35:01 | |
I'm sorry, it's definitely in here somewhere. Ah... | 0:35:01 | 0:35:04 | |
Oh, here it is. | 0:35:04 | 0:35:06 | |
Yeah, I was just wondering, what you were doing in room 303 | 0:35:06 | 0:35:09 | |
at the Paradise Bay last Tuesday evening. | 0:35:09 | 0:35:12 | |
I... | 0:35:16 | 0:35:17 | |
-I mean... -Take your time. | 0:35:19 | 0:35:22 | |
I mean, obviously we could ask Verity Browning, who was also there. | 0:35:22 | 0:35:26 | |
But we thought we'd come to you first, Peter. | 0:35:27 | 0:35:30 | |
Look, if it helps to jog your memory, | 0:35:33 | 0:35:35 | |
we could show you some CCTV footage. | 0:35:35 | 0:35:37 | |
Or maybe you recall Victor Pearce | 0:35:39 | 0:35:41 | |
calling you about the very same thing? | 0:35:41 | 0:35:44 | |
-You know about that? -We do, yes. | 0:35:44 | 0:35:46 | |
He told me he had photographs of me and Verity together. | 0:35:49 | 0:35:52 | |
I mean, I've no idea how he knew. | 0:35:52 | 0:35:55 | |
I mean...we'd been discreet. | 0:35:55 | 0:35:57 | |
Or I thought we had. | 0:35:58 | 0:36:00 | |
And what was Mr Pearce threatening to do with those photos? | 0:36:00 | 0:36:03 | |
What do you think? | 0:36:03 | 0:36:05 | |
Go to the newspapers with them, unless I stood down | 0:36:05 | 0:36:07 | |
and stopped running for mayor. | 0:36:07 | 0:36:08 | |
Which you obviously didn't do? | 0:36:08 | 0:36:10 | |
I was just wondering. | 0:36:12 | 0:36:14 | |
Did you have another plan? | 0:36:14 | 0:36:15 | |
I'm sorry to disappoint you, and as convenient as it may look, | 0:36:18 | 0:36:22 | |
it wasn't me that killed him. | 0:36:22 | 0:36:24 | |
Victor wasn't the only one with leverage. | 0:36:25 | 0:36:27 | |
What do you mean? | 0:36:27 | 0:36:28 | |
I told him to publish and be damned, but if he did, that I had my own | 0:36:28 | 0:36:32 | |
little bit of sordid gossip that I knew he wouldn't | 0:36:32 | 0:36:34 | |
have wanted getting out. | 0:36:34 | 0:36:35 | |
Do you mind me asking, what was that? | 0:36:35 | 0:36:38 | |
He's got a daughter tucked away on the island. | 0:36:38 | 0:36:40 | |
Now, I mean it's not exactly the crime of the century. | 0:36:40 | 0:36:43 | |
It's not as if he's married or anything. | 0:36:43 | 0:36:45 | |
But it would have been a nice shot across the bows. | 0:36:45 | 0:36:47 | |
"Mayor's Secret Love Child". | 0:36:47 | 0:36:50 | |
And you threatened him back with this? | 0:36:50 | 0:36:52 | |
Fight fire with fire is what I say. | 0:36:52 | 0:36:55 | |
When it comes to politics, it's every man for himself. | 0:36:55 | 0:36:58 | |
Mr Baxter... | 0:37:01 | 0:37:03 | |
Was it you who leaked the story about Catherine being prime suspect? | 0:37:04 | 0:37:07 | |
I couldn't be a force for good if I wasn't in power. | 0:37:07 | 0:37:10 | |
So that's what this party's all about? | 0:37:13 | 0:37:15 | |
Celebrating your win, | 0:37:15 | 0:37:17 | |
now that you've well and truly scuppered Catherine's chances? | 0:37:17 | 0:37:21 | |
If there's nothing else you need to speak to me about, Inspector, | 0:37:21 | 0:37:25 | |
I really should be getting back to my guests. | 0:37:25 | 0:37:27 | |
Why would he do something like that? | 0:37:30 | 0:37:32 | |
I mean, Catherine saw him as a friend. | 0:37:32 | 0:37:34 | |
-Because he's a low-down dirty snake. -Well, that's politicians for you. | 0:37:34 | 0:37:39 | |
OK, what do you say? One last crack. | 0:37:39 | 0:37:41 | |
See if we can't solve this case? Five suspects, | 0:37:41 | 0:37:45 | |
all of them have a motive of one kind or another. | 0:37:45 | 0:37:48 | |
And all them have denied that those motives were enough | 0:37:48 | 0:37:51 | |
to drive them to murder. | 0:37:51 | 0:37:53 | |
Peter Baxter. | 0:37:53 | 0:37:54 | |
While he was being threatened by Victor Pearce, he had the means | 0:37:54 | 0:37:57 | |
to threaten him right back. | 0:37:57 | 0:37:59 | |
Edwina Bousquet. She was once in love with Victor Pearce. | 0:37:59 | 0:38:02 | |
He broke her heart, but she insists she forgave him. | 0:38:02 | 0:38:06 | |
Kemar Pearce claims his father would never have carried out his threat | 0:38:06 | 0:38:09 | |
to cut him off financially. | 0:38:09 | 0:38:11 | |
And as for the Dawsons, do we really believe a clergyman and his wife | 0:38:11 | 0:38:16 | |
would commit murder simply to save funding for their orphanage? | 0:38:16 | 0:38:20 | |
And that's without even having a clue | 0:38:20 | 0:38:22 | |
how the murder actually took place. | 0:38:22 | 0:38:24 | |
Oh, yay, yay, yay, yay. Hm. | 0:38:24 | 0:38:28 | |
Reverend Dawson was back at his desk. | 0:38:28 | 0:38:30 | |
Peter Baxter was in the opposing booth. | 0:38:30 | 0:38:32 | |
Kemar Pearce was right next door. | 0:38:32 | 0:38:34 | |
Edwina Bousquet was in the storeroom, | 0:38:34 | 0:38:36 | |
and Judith Dawson was just outside it, here. | 0:38:36 | 0:38:39 | |
And all of them can prove they were where they say they were | 0:38:39 | 0:38:42 | |
when the knife was thrust into Victor Pearce's back. | 0:38:42 | 0:38:46 | |
So just how did the killer manage to do it without anyone else | 0:38:46 | 0:38:49 | |
in the room seeing it? | 0:38:49 | 0:38:51 | |
-But it has to have been one of them. -Yes, it did. | 0:38:51 | 0:38:53 | |
-Sir? -Mm? | 0:38:58 | 0:38:59 | |
The church service, we said we'd go. | 0:38:59 | 0:39:01 | |
Oh, yes, so we did, yeah. Might do us good. | 0:39:01 | 0:39:04 | |
Clear the heads. OK. | 0:39:04 | 0:39:07 | |
Right, lads, keep at it. Thank you. | 0:39:09 | 0:39:12 | |
Yes, sir. | 0:39:12 | 0:39:13 | |
You know what, JP? | 0:39:22 | 0:39:24 | |
I think you're right, you know. | 0:39:24 | 0:39:26 | |
I think maybe Catherine IS the best woman for the job. | 0:39:26 | 0:39:29 | |
We can't have Peter Baxter running our island. | 0:39:31 | 0:39:33 | |
Well, there's nothing we can do about it now, Dwayne. | 0:39:33 | 0:39:36 | |
When they hold the election, he'll probably win, just because of | 0:39:36 | 0:39:39 | |
the damage he's done to Catherine's reputation. | 0:39:39 | 0:39:41 | |
Well, then maybe someone should level the playing field. | 0:39:41 | 0:39:44 | |
What do you mean? | 0:39:44 | 0:39:45 | |
Where are those images of him and Verity Browning? | 0:39:45 | 0:39:47 | |
Ah. | 0:39:49 | 0:39:51 | |
Here. | 0:39:51 | 0:39:53 | |
What are you going to do with them? | 0:39:53 | 0:39:55 | |
I'm going to see how Peter Baxter likes being played at his own game. | 0:39:56 | 0:40:00 | |
I'd like to us to begin this prayer service | 0:40:04 | 0:40:07 | |
by singing hymn number 125. | 0:40:07 | 0:40:10 | |
ORGAN PLAYS INTRODUCTION | 0:40:11 | 0:40:15 | |
Come on, then. | 0:40:15 | 0:40:16 | |
# Praise my soul The king of heaven | 0:40:17 | 0:40:23 | |
# To his feet thy tribute bring | 0:40:23 | 0:40:28 | |
# Ransomed, healed, restored, forgiven | 0:40:28 | 0:40:32 | |
# Who like me His praise should sing | 0:40:32 | 0:40:37 | |
# Hallelujah... # | 0:40:37 | 0:40:41 | |
Florence. I need you to come with me. | 0:40:42 | 0:40:44 | |
Storage cupboard. | 0:40:56 | 0:40:58 | |
Polling booth. OK. | 0:40:58 | 0:41:01 | |
Ballot box. | 0:41:03 | 0:41:04 | |
Florence, would you mind doing me a favour? | 0:41:07 | 0:41:09 | |
-Could you go and stand in the booth Victor was in? -Mm-hm. | 0:41:09 | 0:41:11 | |
Now, the fan wasn't working, | 0:41:11 | 0:41:15 | |
and there was no pen in that booth, | 0:41:15 | 0:41:17 | |
so Reverend Dawson handed Victor one. | 0:41:17 | 0:41:20 | |
Right. Catherine was in here. | 0:41:20 | 0:41:22 | |
Yes, legs visible there. And that's when Victor was stabbed. | 0:41:22 | 0:41:26 | |
Mm-hm. | 0:41:26 | 0:41:28 | |
Right... | 0:41:29 | 0:41:31 | |
Excuse me, there's no pen in this booth. | 0:41:33 | 0:41:36 | |
'I went and handed it to him.' | 0:41:36 | 0:41:37 | |
I'm sure I put one in there. | 0:41:40 | 0:41:42 | |
That only leaves one person... | 0:41:42 | 0:41:44 | |
Catherine Bordey! | 0:41:45 | 0:41:46 | |
She could've leaned out and stabbed him then. | 0:41:46 | 0:41:49 | |
Fight fire with fire is what I say. | 0:41:49 | 0:41:51 | |
Urgh! | 0:41:55 | 0:41:57 | |
It couldn't be... Could it? | 0:41:57 | 0:41:59 | |
It's a stretch, | 0:41:59 | 0:42:01 | |
-but it's the only thing that explains it. -Explains what? | 0:42:01 | 0:42:04 | |
The how. And maybe the who. | 0:42:04 | 0:42:07 | |
I think we might have to curtail Reverend Dawson's | 0:42:07 | 0:42:09 | |
prayer service a little. | 0:42:09 | 0:42:10 | |
If I go and do that, would you nip off to the orphanage? | 0:42:10 | 0:42:13 | |
-There's something I'd like you to find. -Yes, sir. | 0:42:13 | 0:42:16 | |
-What? -A long-lost secret. | 0:42:16 | 0:42:18 | |
Siobhan, what are you doing here? | 0:42:27 | 0:42:29 | |
-I called the station. JP said you were heading this way. -Right, I see. | 0:42:29 | 0:42:32 | |
I wanted to talk to you. | 0:42:32 | 0:42:34 | |
I've been thinking about what you said. About us staying here, | 0:42:34 | 0:42:36 | |
-permanently. -OK. | 0:42:36 | 0:42:38 | |
-And I think we should. -Really? | 0:42:38 | 0:42:40 | |
I've been thinking over it in my head, | 0:42:40 | 0:42:42 | |
and I think...I think Mum would've really liked it here. | 0:42:42 | 0:42:46 | |
And that kind of makes me happy. So, yeah, I think we should stay. | 0:42:46 | 0:42:50 | |
That's just great. That's brilliant news. | 0:42:51 | 0:42:54 | |
And I think we should go and celebrate and let everyone know. | 0:42:54 | 0:42:56 | |
But there's something I really need to go and do first. | 0:42:56 | 0:42:59 | |
What's that? | 0:42:59 | 0:43:01 | |
Catch a killer. | 0:43:01 | 0:43:02 | |
Two days ago, at ten o'clock in the morning, | 0:43:05 | 0:43:09 | |
polling opened for the election of Saint Marie's next mayor. | 0:43:09 | 0:43:13 | |
Only a minute later, one of the three candidates had been murdered. | 0:43:13 | 0:43:17 | |
A knife thrust viciously into his back while he was casting his vote. | 0:43:17 | 0:43:22 | |
Which left us asking, not just who did it, and why, | 0:43:22 | 0:43:26 | |
but how did they manage to do it? | 0:43:26 | 0:43:28 | |
There were six other people in the community centre that day. | 0:43:28 | 0:43:31 | |
All of you, apart from Catherine, were able to provide an alibi | 0:43:31 | 0:43:36 | |
for the time at which Victor Pearce was stabbed. | 0:43:36 | 0:43:39 | |
Reverend Dawson, you were at your desk. | 0:43:39 | 0:43:41 | |
Mr Pearce and Mr Baxter were in their respective booths. | 0:43:41 | 0:43:44 | |
Ms Bousquet, you'd gone to the storeroom, | 0:43:44 | 0:43:47 | |
and Mrs Dawson, you were just outside it. | 0:43:47 | 0:43:49 | |
And all of you had one other person who could vouch for where you were | 0:43:49 | 0:43:53 | |
at the time of the murder. | 0:43:53 | 0:43:55 | |
Whereas Catherine, here, not only had no alibi, she also had the means | 0:43:55 | 0:43:59 | |
of committing the murder, being in the booth right next to the victim. | 0:43:59 | 0:44:04 | |
But it wasn't Catherine who killed Victor Pearce. | 0:44:04 | 0:44:07 | |
Then who was it? | 0:44:07 | 0:44:09 | |
Ah, straight to the point, Miss Bousquet, | 0:44:09 | 0:44:11 | |
you know I like that about you. | 0:44:11 | 0:44:12 | |
I appreciate your directness. Thank you. | 0:44:12 | 0:44:15 | |
And in answer to your question... | 0:44:15 | 0:44:17 | |
..it was you. | 0:44:18 | 0:44:19 | |
You murdered Victor Pearce. | 0:44:21 | 0:44:23 | |
Don't be absurd. How could I have done it? | 0:44:25 | 0:44:28 | |
I was in the storeroom the whole time. | 0:44:28 | 0:44:30 | |
Judith will vouch for me, won't you? | 0:44:30 | 0:44:33 | |
I'm sure she will. | 0:44:33 | 0:44:34 | |
Because, here's the thing. | 0:44:34 | 0:44:36 | |
She was in cahoots with you. | 0:44:36 | 0:44:38 | |
Your accomplice. | 0:44:38 | 0:44:40 | |
-Isn't that right, Judith? -No! | 0:44:40 | 0:44:42 | |
This is ridiculous, Inspector. | 0:44:42 | 0:44:44 | |
Do you really think Edwina and Judith plotted together to kill | 0:44:44 | 0:44:47 | |
Victor Pearce? | 0:44:47 | 0:44:49 | |
I do, Reverend, yeah. Sorry. | 0:44:49 | 0:44:51 | |
But let me just run past you what I think happened that day. | 0:44:51 | 0:44:54 | |
On the morning of the murder, two things occurred. | 0:44:54 | 0:44:57 | |
A fan stopped working and a pen went missing. | 0:44:57 | 0:45:00 | |
Now was all this just chance? Or was it all part of a bigger plan? | 0:45:00 | 0:45:04 | |
The night before the election was due to take place, we know Reverend | 0:45:04 | 0:45:08 | |
and Mrs Dawson spent the evening | 0:45:08 | 0:45:10 | |
preparing the community centre for polling. | 0:45:10 | 0:45:13 | |
But while you were there, Mrs Dawson, | 0:45:13 | 0:45:15 | |
I think you laid the ground | 0:45:15 | 0:45:17 | |
for what was to take place the next morning. | 0:45:17 | 0:45:19 | |
First, you made sure the fan on Edwina's desk wouldn't work. | 0:45:19 | 0:45:24 | |
Two, when you were putting out the pens in the polling booths, | 0:45:24 | 0:45:27 | |
you made sure that one of the booths near to the desk marked "Honore" | 0:45:27 | 0:45:30 | |
didn't have a pen in it. | 0:45:30 | 0:45:32 | |
Then, thirdly, we assume that you planted the knife | 0:45:32 | 0:45:35 | |
which was later used to kill Victor somewhere in the storeroom. | 0:45:35 | 0:45:39 | |
That done, everything was in place. | 0:45:39 | 0:45:42 | |
You and you were both ready to commit murder. | 0:45:42 | 0:45:46 | |
You knew exactly which desk Victor Pearce would go to | 0:45:46 | 0:45:50 | |
to collect his ballot paper. | 0:45:50 | 0:45:51 | |
Like Catherine, he's an Honore resident. So he would go the desk | 0:45:52 | 0:45:57 | |
-Matthew was manning. -Victor Pearce. 14, Rue de Taranne. | 0:45:57 | 0:46:00 | |
Which is why you removed the pen from the booth that you did. | 0:46:00 | 0:46:04 | |
It was only natural for Victor, when he arrived at the polling station, | 0:46:04 | 0:46:07 | |
to turn and walk towards one of the booths on his side of the room. | 0:46:07 | 0:46:10 | |
So you knew that Victor would end up in one of the two booths. | 0:46:10 | 0:46:14 | |
It didn't really matter which of the two he went in. | 0:46:14 | 0:46:17 | |
All you needed was for him or Catherine to ask Reverend Dawson | 0:46:17 | 0:46:20 | |
for a spare pen so that he would have to leave his desk. | 0:46:20 | 0:46:24 | |
You see, when the candidates started arriving at the polling station, | 0:46:24 | 0:46:28 | |
Miss Bousquet began her charade, | 0:46:28 | 0:46:31 | |
complaining that her fan wasn't working, and supposedly going | 0:46:31 | 0:46:34 | |
to the storeroom to fetch another one. | 0:46:34 | 0:46:36 | |
I can't be expected to sit in this heat without a fan. | 0:46:36 | 0:46:39 | |
And once there, I believe that you recovered the knife. | 0:46:39 | 0:46:43 | |
And at the same time, you were still making a fuss, | 0:46:43 | 0:46:45 | |
saying that you couldn't find what it was you were looking for. | 0:46:45 | 0:46:48 | |
Where is the fan? | 0:46:48 | 0:46:50 | |
Which then gave you, Judith, an excuse to go and help her | 0:46:50 | 0:46:54 | |
-to find it. -She was struggling, so I went to help. | 0:46:54 | 0:46:57 | |
And then when everybody had pulled the curtains on their booths, | 0:46:57 | 0:47:00 | |
Edwina, I think you took that knife... | 0:47:00 | 0:47:02 | |
and you left the storeroom | 0:47:02 | 0:47:04 | |
and waited out of sight of everybody else. | 0:47:04 | 0:47:07 | |
Meanwhile, Judith, you pretended to continue telling Edwina | 0:47:07 | 0:47:12 | |
where she could find the fan she was looking for, | 0:47:12 | 0:47:15 | |
so that everyone would hear and assume that's what was happening. | 0:47:15 | 0:47:18 | |
-The fan is on the top shelf. -When in fact, all you were doing | 0:47:18 | 0:47:21 | |
was talking to an empty storeroom. | 0:47:21 | 0:47:23 | |
You could be heard, but not seen. | 0:47:23 | 0:47:25 | |
Unlike at the church, when the opposite was true. | 0:47:25 | 0:47:28 | |
At the same time, Victor was discovering that he had no pen | 0:47:28 | 0:47:32 | |
in his booth. | 0:47:32 | 0:47:33 | |
So obviously he popped his head out and asked Reverend Dawson | 0:47:33 | 0:47:36 | |
-to pass him one... -There's no pen in this booth. -Sorry. | 0:47:36 | 0:47:39 | |
..which is when you had your window of opportunity to kill him. | 0:47:39 | 0:47:43 | |
When Reverend Dawson was walking back to his desk, his back | 0:47:46 | 0:47:49 | |
to the room, you had a couple of seconds to move swiftly towards | 0:47:49 | 0:47:53 | |
Victor's booth, lift the curtain and stab him. | 0:47:53 | 0:47:56 | |
Stick that knife in his back, | 0:47:59 | 0:48:01 | |
unnoticed by anybody else in the room. | 0:48:01 | 0:48:04 | |
All you had to do was return to the storeroom, pick up the fan. | 0:48:04 | 0:48:08 | |
And then wait for Victor's murder to be discovered. | 0:48:08 | 0:48:11 | |
-HE RASPS -Oh, my God. | 0:48:11 | 0:48:14 | |
Dad! | 0:48:16 | 0:48:17 | |
You assumed that nobody would think it was anybody else in the room. | 0:48:17 | 0:48:20 | |
How could it be? You relied on these people concluding | 0:48:20 | 0:48:24 | |
that it was an intruder who'd got in through the front entrance. | 0:48:24 | 0:48:27 | |
But what you didn't take into consideration | 0:48:27 | 0:48:30 | |
was that our commissioner, | 0:48:30 | 0:48:32 | |
in his infinite wisdom, insisted on a police presence that morning, | 0:48:32 | 0:48:36 | |
which meant that Officer Myers here was stationed outside | 0:48:36 | 0:48:38 | |
the building the whole time, | 0:48:38 | 0:48:40 | |
bearing witness to the fact that nobody came in or out of the | 0:48:40 | 0:48:44 | |
community centre when Victor Pearce was killed. | 0:48:44 | 0:48:47 | |
So our murderer had to be one of the six people in the room. | 0:48:47 | 0:48:51 | |
In the end, it could only be Judith Dawson or Edwina Bousquet. | 0:48:51 | 0:48:56 | |
More crucially, one couldn't have done it without the help | 0:48:56 | 0:48:58 | |
-of the other. -But why? Why would they do such a thing? | 0:48:58 | 0:49:02 | |
You're right, Reverend. | 0:49:02 | 0:49:04 | |
It's a fair question, and one that had me pretty stumped, | 0:49:04 | 0:49:06 | |
to be honest with you. | 0:49:06 | 0:49:08 | |
Edwina, you said yourself that while Victor had hurt you, | 0:49:08 | 0:49:12 | |
it was a long time ago. | 0:49:12 | 0:49:14 | |
It didn't really make sense for you to suddenly want the man dead | 0:49:14 | 0:49:17 | |
after all these years. | 0:49:17 | 0:49:19 | |
But, Judith, | 0:49:19 | 0:49:21 | |
I think you had more reason to want Victor Pearce killed. | 0:49:21 | 0:49:24 | |
Despite running the orphanage, you were never able to have children | 0:49:24 | 0:49:28 | |
yourself, were you? | 0:49:28 | 0:49:29 | |
That's not to say you that you and Reverend Dawson didn't try. | 0:49:29 | 0:49:32 | |
I get the impression that you both really wanted a family, didn't you? | 0:49:32 | 0:49:35 | |
It never quite happened for us. | 0:49:35 | 0:49:38 | |
And bringing up these three children in your care, | 0:49:38 | 0:49:40 | |
these past few years, just you and your husband. | 0:49:40 | 0:49:42 | |
I mean, that's about as close as you can get to having | 0:49:42 | 0:49:45 | |
a proper family. | 0:49:45 | 0:49:46 | |
And with Victor predicted to win the election and become mayor, I think | 0:49:46 | 0:49:50 | |
there was little doubt that he would have closed down the orphanage | 0:49:50 | 0:49:53 | |
and those three delightful children that you loved | 0:49:53 | 0:49:55 | |
would've been shipped off to another island. | 0:49:55 | 0:49:59 | |
I don't think you could let that happen. | 0:49:59 | 0:50:01 | |
Which brings us back to the big question. Why kill Victor together? | 0:50:10 | 0:50:15 | |
As I said, you couldn't have done it alone, without Miss Bousquet's help. | 0:50:15 | 0:50:20 | |
But why would she help you to kill the man that she once loved? | 0:50:20 | 0:50:24 | |
There had to be something we were missing. | 0:50:25 | 0:50:27 | |
Something that connected you both. | 0:50:27 | 0:50:29 | |
Another motive, something hidden. Something darker. | 0:50:29 | 0:50:34 | |
And then it clicked. | 0:50:34 | 0:50:35 | |
Judith, you were an orphan here yourself, weren't you, | 0:50:35 | 0:50:38 | |
when you were a baby? | 0:50:38 | 0:50:39 | |
That got me thinking. | 0:50:39 | 0:50:41 | |
Your parents, your mother and father, they must've been here | 0:50:41 | 0:50:43 | |
in the island when you were born. | 0:50:43 | 0:50:45 | |
But who were they? | 0:50:45 | 0:50:47 | |
Who were these people? | 0:50:47 | 0:50:48 | |
Mr Baxter, you told us about a rumour you heard saying that | 0:50:49 | 0:50:53 | |
Victor Pearce had a daughter that nobody knew about. | 0:50:53 | 0:50:56 | |
-I don't suppose you happen to know who she is, do you? -No. | 0:50:56 | 0:50:59 | |
I'd heard he'd got a girl pregnant and wanted nothing to do with her. | 0:50:59 | 0:51:02 | |
That was about it. | 0:51:02 | 0:51:04 | |
Well, we know of one girl he abandoned already, don't we? | 0:51:04 | 0:51:08 | |
Edwina. | 0:51:09 | 0:51:11 | |
We know that Victor broke your heart. You admitted as much. | 0:51:11 | 0:51:14 | |
But what you neglected to tell us was that, despite what you said, | 0:51:14 | 0:51:19 | |
he didn't just suddenly leave to go and start his own business, did he? | 0:51:19 | 0:51:23 | |
Something happened. | 0:51:23 | 0:51:25 | |
He left because you were pregnant. | 0:51:25 | 0:51:27 | |
And I assume you being in love with him, and a Christian woman, | 0:51:29 | 0:51:33 | |
wanted to marry and keep the baby. | 0:51:33 | 0:51:35 | |
But that's not how Victor saw it, is it? | 0:51:36 | 0:51:38 | |
He had a career to build. | 0:51:38 | 0:51:40 | |
Edwina, I can only imagine how difficult it was for you. | 0:51:41 | 0:51:45 | |
The shame that a young girl would be made to feel | 0:51:45 | 0:51:48 | |
in such a devout and strict religious home. | 0:51:48 | 0:51:51 | |
Are you saying Judith is Edwina's daughter? | 0:51:53 | 0:51:57 | |
Yes. Yes, I am. | 0:51:57 | 0:51:59 | |
And Victor Pearce was her father. | 0:51:59 | 0:52:01 | |
It's all in here. | 0:52:05 | 0:52:06 | |
They are the original records... | 0:52:09 | 0:52:12 | |
..which Judith was perfectly placed to keep hidden. | 0:52:14 | 0:52:18 | |
I'm... I'm so sorry. | 0:52:21 | 0:52:23 | |
Judith, | 0:52:27 | 0:52:29 | |
I think you turned to Edwina for help. To your mother. | 0:52:29 | 0:52:31 | |
She saw how much those children meant to you. | 0:52:32 | 0:52:35 | |
She saw someone who, like herself all those years ago, | 0:52:35 | 0:52:38 | |
faced losing the children that she loved, | 0:52:38 | 0:52:40 | |
all because of Victor Pearce. | 0:52:40 | 0:52:42 | |
History, as they say, was repeating itself. | 0:52:42 | 0:52:45 | |
And I think it was then, Edwina, that you decided to help Judith. | 0:52:45 | 0:52:49 | |
And with Victor's impending election as mayor almost guaranteed, | 0:52:51 | 0:52:53 | |
it had to be soon. | 0:52:53 | 0:52:55 | |
But where, and how? | 0:52:55 | 0:52:57 | |
You said that Victor, he was never one for meeting people | 0:52:59 | 0:53:02 | |
that he didn't have to. | 0:53:02 | 0:53:03 | |
He was a hard man to make an appointment with. | 0:53:03 | 0:53:06 | |
So your opportunity to commit murder, it was limited. | 0:53:06 | 0:53:09 | |
That's why you chose polling day. The one day he was sure to be here, | 0:53:09 | 0:53:12 | |
in your parish, giving you the limited chance | 0:53:12 | 0:53:15 | |
that you needed to kill him. | 0:53:15 | 0:53:16 | |
That's why it happened when it did, where it did and how it did. | 0:53:19 | 0:53:23 | |
I'm sorry we have to do this. | 0:53:27 | 0:53:30 | |
Dwayne, JP, | 0:53:30 | 0:53:32 | |
could you please arrest Miss Bousquet and Mrs Dawson? | 0:53:32 | 0:53:36 | |
I'm not sure how you worked it all out, but that was brilliant, sir. | 0:54:16 | 0:54:21 | |
No, no, no. Don't be silly. It was team work. | 0:54:22 | 0:54:24 | |
Well, we are very lucky you were here. | 0:54:24 | 0:54:28 | |
-Right, so that's Mrs Dawson and Miss Bousquet locked up. -Yep. | 0:54:28 | 0:54:31 | |
Good stuff. Thank you, Dwayne, JP. | 0:54:31 | 0:54:33 | |
Florence, are you OK to finish up here? | 0:54:35 | 0:54:37 | |
Of course. You want to get home? | 0:54:37 | 0:54:40 | |
Actually, I need to pay a visit to your commissioner. | 0:54:40 | 0:54:43 | |
Do you want to take the Jeep? | 0:54:43 | 0:54:44 | |
Do you know what? I fancy stretching my legs. | 0:54:46 | 0:54:49 | |
See you later. Catherine's Bar. | 0:54:49 | 0:54:50 | |
Well, this is very good news, isn't it? | 0:55:52 | 0:55:53 | |
Do we know what happened? Peter Baxter just stood down? | 0:55:53 | 0:55:57 | |
Well, sir. | 0:55:57 | 0:55:58 | |
Um, apparently, he wants to spend more time with the family. | 0:55:58 | 0:56:01 | |
Really? And do we know what prompted this change of heart? | 0:56:01 | 0:56:04 | |
No idea. | 0:56:04 | 0:56:06 | |
-Ah, Sarge. -So, sir. Siobhan just told me the news, | 0:56:08 | 0:56:12 | |
that you've decided to stay here, permanently. | 0:56:12 | 0:56:14 | |
Yeah, we have indeed. And you know what this means? | 0:56:14 | 0:56:17 | |
Like it or not, you're lumped with me. | 0:56:17 | 0:56:19 | |
-Oh! -Well, I for one am delighted, sir. | 0:56:19 | 0:56:21 | |
-Me too. -Yes. Me three, sir. -And me! | 0:56:21 | 0:56:25 | |
Ah. Silver Flame! | 0:56:25 | 0:56:26 | |
Well, I know I can overdo it a bit on the toasting. | 0:56:28 | 0:56:31 | |
But if ever there was an occasion to raise a glass, | 0:56:31 | 0:56:33 | |
I think this is it. What do you say? | 0:56:33 | 0:56:36 | |
-To us. -To us. -To you. -To me. | 0:56:36 | 0:56:40 | |
Now, if you don't mind, I think it's time | 0:56:42 | 0:56:44 | |
for some world-class dad dancing. | 0:56:44 | 0:56:46 | |
Siobhan, you're on. | 0:56:46 | 0:56:47 | |
ISLAND MUSIC PLAYS | 0:56:47 | 0:56:50 | |
-Madame Mayor... -Oh! | 0:57:00 | 0:57:02 |