Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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LAUGHTER | 0:01:14 | 0:01:15 | |
This had better be worth waking me for. | 0:01:22 | 0:01:24 | |
Mr Jaggers said I was to put it direct in your hand | 0:01:24 | 0:01:27 | |
and leave nothing to chance, sir. | 0:01:27 | 0:01:29 | |
Boy? | 0:01:34 | 0:01:36 | |
Yes! | 0:01:44 | 0:01:46 | |
It means nothing to you, does it? The ruinous state our family is in. | 0:01:46 | 0:01:49 | |
-Of course it does, but Papa assures me that there is a way through. -And of course, you believe him, | 0:01:49 | 0:01:53 | |
because then you may continue to dance through life, | 0:01:53 | 0:01:56 | |
unencumbered by bitter realities. | 0:01:56 | 0:01:58 | |
Honoria? | 0:02:00 | 0:02:01 | |
I trust Papa. | 0:02:01 | 0:02:03 | |
DOOR OPENS | 0:02:08 | 0:02:09 | |
DOOR SHUTS | 0:02:13 | 0:02:14 | |
You have made me look like a liar, Papa. | 0:02:26 | 0:02:28 | |
We shall be cold for the rest of the week, then. | 0:02:35 | 0:02:37 | |
I will reverse our fortunes. | 0:02:37 | 0:02:39 | |
And in the meantime, we shall all wrap ourselves in blankets | 0:02:39 | 0:02:41 | |
and tell each other that there is nothing to worry about(!) | 0:02:41 | 0:02:45 | |
Scraping, like a miser? | 0:02:48 | 0:02:51 | |
Scraping, scraping, scraping!! | 0:02:51 | 0:02:54 | |
You could have been married, Frances, and far away from this. | 0:02:54 | 0:02:57 | |
You chose to break your engagement | 0:02:57 | 0:02:59 | |
and now you are here - a mouth to feed! | 0:02:59 | 0:03:02 | |
So maybe, it is you that's the problem. | 0:03:05 | 0:03:08 | |
BUCKET'S BACK CRICKS HE GROANS | 0:03:31 | 0:03:33 | |
CLOCK TICKS | 0:03:37 | 0:03:40 | |
CLOCK STRIKES THE HOUR | 0:03:45 | 0:03:47 | |
Mr Scrooge sir, it is nearly time. | 0:03:53 | 0:03:55 | |
Every second has value, Cratchit. | 0:03:56 | 0:03:58 | |
CLOCK STRIKES | 0:04:03 | 0:04:06 | |
NOW it's time. | 0:04:09 | 0:04:11 | |
CHURCH BELL TOLLS | 0:04:11 | 0:04:13 | |
PALLBEARERS COUGH | 0:04:16 | 0:04:18 | |
Nothing but good mahogany can keep in the stench of a putrefying corpse | 0:04:19 | 0:04:24 | |
and Marley left no provision for such a coffin. | 0:04:24 | 0:04:27 | |
Jacob Marley left no provision for a coffin at all, | 0:04:27 | 0:04:31 | |
or, indeed, any funeral. | 0:04:31 | 0:04:33 | |
It's the common pit for him, I'm afraid. | 0:04:34 | 0:04:37 | |
Well, then. There's an end to it. | 0:04:38 | 0:04:40 | |
Mr Scrooge, sir, are we not going along, to say a few words? | 0:04:42 | 0:04:46 | |
Rest in peace, amen. | 0:04:48 | 0:04:50 | |
-Oh, Mr Cratchit, sir? -Oh, John. | 0:04:55 | 0:04:58 | |
There is no need for "sir" or "Mr Cratchit". | 0:04:58 | 0:05:00 | |
I told you, "Mr C" or "Bob". I prefer "Bob". | 0:05:00 | 0:05:03 | |
I was hoping to have a talk with you, sir - Bob, before tomorrow. | 0:05:03 | 0:05:06 | |
Getting cold feet about the wedding? | 0:05:06 | 0:05:08 | |
No! No, sir, my feet is blazin' hot! My feet is a furnace! | 0:05:08 | 0:05:12 | |
I just thought - man to man, just us two - | 0:05:12 | 0:05:15 | |
I could buy you an ale, sir, Cratchit, mister? | 0:05:15 | 0:05:18 | |
-That's a splendid idea, John... -Cratchit! -..but not right now. | 0:05:18 | 0:05:21 | |
Another time. | 0:05:21 | 0:05:22 | |
(Stone me...) | 0:05:24 | 0:05:26 | |
Your order, sir. | 0:05:34 | 0:05:36 | |
Thank you. | 0:05:36 | 0:05:37 | |
You're a fine cook, madam. | 0:05:38 | 0:05:40 | |
Thank you, sir. | 0:05:40 | 0:05:41 | |
Can't show 'em your fear, the law. | 0:05:46 | 0:05:49 | |
Cos they'll twist you - twist your words, twist it all. | 0:05:49 | 0:05:52 | |
That's what they do. | 0:05:52 | 0:05:54 | |
No fear. | 0:05:55 | 0:05:56 | |
She'll be late. Don't be late. Go. Go! | 0:05:56 | 0:05:59 | |
Be easy in yourself and in your manner - but not too easy. | 0:06:02 | 0:06:06 | |
Helping the law without helping them, hm? Go. | 0:06:06 | 0:06:10 | |
No fear, Nancy. | 0:06:10 | 0:06:11 | |
Don't give 'em nothing! | 0:06:12 | 0:06:14 | |
Champagne and Cognac for the Havisham party. | 0:06:34 | 0:06:37 | |
I'll take that. | 0:06:44 | 0:06:45 | |
What do you think? | 0:06:56 | 0:06:57 | |
It's beautiful, Honoria. | 0:06:57 | 0:06:59 | |
Isn't it perfect? You will look so lovely tonight. | 0:06:59 | 0:07:03 | |
Mary told me you were awake all night - again. | 0:07:03 | 0:07:07 | |
I've only had a few days to learn everything I can about the brewery. | 0:07:07 | 0:07:10 | |
And now, I have it all, up here. | 0:07:10 | 0:07:14 | |
So, if the shareholders want to question me about hops, or malt, | 0:07:14 | 0:07:18 | |
or harvest, or import costs, or distillation, | 0:07:18 | 0:07:21 | |
-I can give them chapter and verse. -It's a party, Amelia. | 0:07:21 | 0:07:25 | |
No-one's going to want to talk to you about hops. | 0:07:25 | 0:07:27 | |
No-one's judging you. | 0:07:27 | 0:07:29 | |
I'm a woman in a man's world. Of course they'll be judging me. | 0:07:29 | 0:07:32 | |
And Father, too. | 0:07:32 | 0:07:34 | |
They'll think he'd lost his mind, leaving the daughter in charge. | 0:07:34 | 0:07:37 | |
-But I will not have that. -Well, why shouldn't you be in charge? | 0:07:37 | 0:07:41 | |
A woman rules our country, our whole Empire. | 0:07:41 | 0:07:44 | |
Think of her, Queen Amelia(!) THEY GIGGLE | 0:07:44 | 0:07:48 | |
That's better. Come on, I'll walk with you. | 0:07:48 | 0:07:51 | |
Come along, Jip. | 0:07:52 | 0:07:53 | |
I don't break bread with bluebottles. | 0:08:29 | 0:08:31 | |
How did that happen? | 0:08:45 | 0:08:46 | |
Oh, Marley did it. | 0:08:48 | 0:08:50 | |
Why? | 0:08:50 | 0:08:51 | |
Well, why does any rich man hit a poor woman? | 0:08:51 | 0:08:53 | |
Because he wants to, and he knows he'll get away with it. | 0:08:53 | 0:08:56 | |
Come, now. | 0:08:56 | 0:08:58 | |
A man doesn't hit a woman for no reason. | 0:08:58 | 0:09:00 | |
You don't know men the way I do. | 0:09:00 | 0:09:02 | |
Miss Nancy, you were the last to see Jacob Marley alive. | 0:09:06 | 0:09:11 | |
No, that'd be his killer. | 0:09:11 | 0:09:13 | |
One of the last. What did you talk about? | 0:09:13 | 0:09:16 | |
Well, I weren't there for conversing with, was I? | 0:09:16 | 0:09:19 | |
Mr Fagin wouldn't be happy with this now, would he? | 0:09:19 | 0:09:22 | |
Being your protector. | 0:09:22 | 0:09:24 | |
This ain't nothing special. | 0:09:25 | 0:09:27 | |
Our lives are different from yours. | 0:09:27 | 0:09:30 | |
Well, Mr Sikes would be upset. | 0:09:30 | 0:09:32 | |
Him being your young man and a hothead. | 0:09:32 | 0:09:35 | |
Bill dropped me home, then went out drinking. | 0:09:35 | 0:09:39 | |
I didn't ask you where he went. | 0:09:39 | 0:09:40 | |
Have you been tutored in your answers? | 0:09:42 | 0:09:45 | |
You think Mr Sikes could kill a man? | 0:09:49 | 0:09:52 | |
You pin this on Bill to get an easy result, | 0:09:52 | 0:09:55 | |
you'll be missing the real felon. | 0:09:55 | 0:09:56 | |
I'm not pinning anything on anyone. That is not my way. | 0:09:56 | 0:10:00 | |
I just want the truth. | 0:10:00 | 0:10:02 | |
You can trust me. | 0:10:04 | 0:10:05 | |
You don't believe me? | 0:10:07 | 0:10:09 | |
Right, Marley dies, | 0:10:13 | 0:10:15 | |
and here's you, with your books and your maps and your questions, | 0:10:15 | 0:10:18 | |
but girls like me are found dead every day and who cares? | 0:10:18 | 0:10:21 | |
I've no cause to believe or trust the law. | 0:10:22 | 0:10:25 | |
I'm going to be the one to change that, miss. | 0:10:25 | 0:10:28 | |
Is there something you want to say? | 0:10:37 | 0:10:39 | |
No-one's listening. It's just me and you. | 0:10:39 | 0:10:41 | |
So, if there's something you want to say... | 0:10:43 | 0:10:45 | |
There ain't nothing. I'm done. | 0:10:45 | 0:10:48 | |
Take the pie. | 0:10:48 | 0:10:49 | |
Eat it at your leisure. | 0:10:51 | 0:10:52 | |
And he ain't my young man - Mr Sikes. | 0:10:59 | 0:11:02 | |
I don't have a young man. | 0:11:02 | 0:11:04 | |
I just have a lot of old ones. | 0:11:04 | 0:11:06 | |
KNOCKS AT DOOR | 0:11:15 | 0:11:16 | |
-Just one piece of cake? -The gallery at Greenwich? | 0:11:18 | 0:11:20 | |
-No, we shall faint... -Very well. | 0:11:20 | 0:11:23 | |
Miss Barbary? | 0:11:24 | 0:11:25 | |
Miss Frances. | 0:11:26 | 0:11:28 | |
Sir Leicester. | 0:11:29 | 0:11:31 | |
What a surprise! | 0:11:31 | 0:11:32 | |
This sounds important, Jaggers. | 0:11:36 | 0:11:38 | |
-It is. -Let me guess - | 0:11:38 | 0:11:39 | |
the shareholders refuse to trust my sister with their money, | 0:11:39 | 0:11:42 | |
as I told you they would. | 0:11:42 | 0:11:44 | |
I am ready to take my rightful place. | 0:11:44 | 0:11:46 | |
Arthur, the New Year reception is going ahead | 0:11:51 | 0:11:54 | |
and I would very much like you to be there. | 0:11:54 | 0:11:56 | |
Oh, of course you would. | 0:11:56 | 0:11:57 | |
But my absence will scream. | 0:11:59 | 0:12:01 | |
You think anyone will invest in a woman? | 0:12:03 | 0:12:06 | |
In you? | 0:12:06 | 0:12:08 | |
If you have a brewery at all within six months, I will be surprised, | 0:12:09 | 0:12:13 | |
and you will have no-one except yourself to blame! | 0:12:13 | 0:12:16 | |
I wonder if you might allow us some privacy? | 0:12:20 | 0:12:23 | |
Now, you are going to give me a talk. | 0:12:30 | 0:12:32 | |
But what can she do? | 0:12:33 | 0:12:36 | |
Take away my meagre 10%? | 0:12:36 | 0:12:39 | |
It is guaranteed to me, she has no leverage. | 0:12:39 | 0:12:41 | |
You're quite correct. Your sister cannot take away your money. | 0:12:41 | 0:12:44 | |
-Exactly. -I can. | 0:12:44 | 0:12:46 | |
Your father's will. | 0:12:48 | 0:12:50 | |
I urge you to read the codicil. | 0:12:50 | 0:12:52 | |
Should you behave in a way that is damaging to the property - | 0:12:55 | 0:12:58 | |
by which is meant the business - | 0:12:58 | 0:12:59 | |
I am empowered to take away the means by which you live | 0:12:59 | 0:13:02 | |
and cede them to your sister. | 0:13:02 | 0:13:04 | |
All monies. | 0:13:06 | 0:13:07 | |
You see his signature. | 0:13:08 | 0:13:10 | |
You forced him to this! | 0:13:13 | 0:13:15 | |
No, your father was never forced into anything. | 0:13:15 | 0:13:17 | |
You will attend the reception. You will stand by your sister. | 0:13:17 | 0:13:21 | |
You will act in a manner appropriate to your name and status. | 0:13:21 | 0:13:24 | |
..Or you'll cut me off without a penny? | 0:13:26 | 0:13:29 | |
Let me go destitute? | 0:13:29 | 0:13:30 | |
Or I will exercise the codicil. | 0:13:30 | 0:13:32 | |
Get yourself cleaned up. | 0:13:34 | 0:13:36 | |
Wash out your mouth. | 0:13:37 | 0:13:39 | |
You stink of brandy and it is not yet ten of the clock. | 0:13:39 | 0:13:42 | |
DOOR SLAMS | 0:13:51 | 0:13:52 | |
He'll do as he's told. | 0:13:55 | 0:13:56 | |
Really? Did you say that? Tell me everything. | 0:14:00 | 0:14:04 | |
I have charge of them for the day. | 0:14:04 | 0:14:07 | |
I had intended the Gallery at Greenwich. It's fascinating. | 0:14:07 | 0:14:12 | |
But they have no interest in our naval history. | 0:14:12 | 0:14:14 | |
Pester me instead for cakes and hats. | 0:14:14 | 0:14:17 | |
They are lucky girls to have such a benevolent uncle. | 0:14:17 | 0:14:20 | |
You are much missed from the county, Miss Barbary. | 0:14:24 | 0:14:27 | |
I was most distressed | 0:14:27 | 0:14:28 | |
when I learned you were not to be a permanent neighbour. | 0:14:28 | 0:14:31 | |
For a man to make promises of matrimony, then to break them? | 0:14:33 | 0:14:37 | |
I have shunned him completely from my house and company. | 0:14:37 | 0:14:40 | |
Sir Leicester, I have told my family | 0:14:42 | 0:14:45 | |
it was I who broke off the engagement. | 0:14:45 | 0:14:47 | |
I couldn't bear for them to know the truth. | 0:14:47 | 0:14:50 | |
I... I would never dream... | 0:14:51 | 0:14:54 | |
No, never. | 0:14:54 | 0:14:55 | |
Well, the blasted fool would have made a sorry excuse for a husband. | 0:14:58 | 0:15:02 | |
But a lady like yourself, my dear Miss Barbary, | 0:15:02 | 0:15:06 | |
why, any man would be proud to call you his wife. | 0:15:06 | 0:15:09 | |
Be comforted. | 0:15:10 | 0:15:11 | |
If you are free tomorrow, Sir Leicester, | 0:15:15 | 0:15:17 | |
perhaps you'd like to come for tea? | 0:15:17 | 0:15:19 | |
It would be my very great pleasure, Miss Barbary. | 0:15:20 | 0:15:23 | |
Are you mad? The Havisham party is far too public. | 0:15:27 | 0:15:30 | |
We cannot be seen together. I forbid it. | 0:15:30 | 0:15:32 | |
No, no, Arthur. The reception is the perfect opportunity. | 0:15:32 | 0:15:35 | |
-Get me an invitation, I'll be... -Who do you think you are?! | 0:15:35 | 0:15:38 | |
Damn you! | 0:15:38 | 0:15:39 | |
You do not give me orders! I am master here! | 0:15:39 | 0:15:43 | |
Know your place! | 0:15:47 | 0:15:49 | |
Well, my dear? | 0:16:05 | 0:16:06 | |
Well, nothing. | 0:16:08 | 0:16:09 | |
I told him nothing, he got nothing. | 0:16:09 | 0:16:11 | |
Who's this from? | 0:16:13 | 0:16:14 | |
Just lifted it. | 0:16:14 | 0:16:16 | |
Mr Scrooge has received your request | 0:16:26 | 0:16:28 | |
for a further loan to cover the shipping costs of your stock. | 0:16:28 | 0:16:31 | |
I cannot say why he has not answered yet. | 0:16:31 | 0:16:33 | |
Go back to him, tell him I demand an answer now! | 0:16:33 | 0:16:36 | |
Demanding makes a man look needy. | 0:16:36 | 0:16:38 | |
Mr Scrooge will answer in due course. | 0:16:38 | 0:16:41 | |
-I do not have due course! -DOOR OPENS | 0:16:41 | 0:16:44 | |
DOOR SHUTS | 0:16:44 | 0:16:45 | |
Miss Barbary. | 0:16:49 | 0:16:50 | |
Frances... | 0:16:54 | 0:16:56 | |
my behaviour towards you was disgraceful. | 0:16:56 | 0:16:59 | |
Forgive me, please? | 0:16:59 | 0:17:01 | |
You shouldn't even have to ask, Papa. | 0:17:01 | 0:17:03 | |
We have a visitor tomorrow. A friend. | 0:17:05 | 0:17:07 | |
We shall pile coal on the fire and drink good Assam tea. | 0:17:08 | 0:17:12 | |
I look forward to it. | 0:17:13 | 0:17:15 | |
What are you doing, John? | 0:17:32 | 0:17:34 | |
Surprise for Martha. Don't say nothing to her. | 0:17:34 | 0:17:37 | |
There's young ladies here, miss, | 0:17:45 | 0:17:47 | |
wanting to see the early spring modes. | 0:17:47 | 0:17:49 | |
They've asked to see the white ballgown. | 0:17:49 | 0:17:51 | |
Oh, your wedding dress! | 0:17:51 | 0:17:53 | |
It's so pretty. Is it nearly finished? | 0:17:54 | 0:17:56 | |
Nearly. | 0:17:56 | 0:17:58 | |
Have you seen the fans? | 0:18:00 | 0:18:01 | |
Oh, they're exquisite! | 0:18:01 | 0:18:03 | |
Miss Barbary will be with you all shortly. | 0:18:05 | 0:18:08 | |
You have to have a fan for the ball. | 0:18:10 | 0:18:12 | |
And in fact, these shoes go perfectly with your new dress. | 0:18:12 | 0:18:15 | |
Oh, I forgot - Captain Hawdon came by and left you this. | 0:18:15 | 0:18:20 | |
SHE GIGGLES | 0:18:28 | 0:18:30 | |
Mesdemoiselles et Monsieur... | 0:18:38 | 0:18:41 | |
an example from our early spring modes. | 0:18:41 | 0:18:44 | |
Doesn't she look exquisite? | 0:18:49 | 0:18:51 | |
It's beautiful, isn't it? | 0:18:54 | 0:18:56 | |
That is divine, look at the detail. | 0:18:56 | 0:18:58 | |
Yes, and look at the shoulder... | 0:18:58 | 0:19:01 | |
What are you waiting for? | 0:19:28 | 0:19:29 | |
Go home, Cratchit. | 0:19:36 | 0:19:37 | |
If you recall Mr Scrooge, sir, | 0:19:44 | 0:19:47 | |
tomorrow, my Martha is getting married. | 0:19:47 | 0:19:49 | |
And you are taking a day's unpaid leave of absence. | 0:19:49 | 0:19:52 | |
Yes, yes, I remember. Now, get out! | 0:19:52 | 0:19:54 | |
DOOR OPENS | 0:19:55 | 0:19:57 | |
DOOR SHUTS | 0:19:57 | 0:19:59 | |
Inspector. Don't look, pretend to be doing something else. | 0:20:28 | 0:20:32 | |
There was shouting, that night. | 0:20:36 | 0:20:39 | |
It was before I went to meet Marley. | 0:20:40 | 0:20:42 | |
And him and Mr Scrooge, rowing in the street. | 0:20:42 | 0:20:46 | |
What about? | 0:20:46 | 0:20:47 | |
All I heard was, "Jaggers shall settle it." | 0:20:48 | 0:20:51 | |
It's why Marley was so riled. | 0:20:53 | 0:20:55 | |
And that can't come from me, Inspector. It just can't. | 0:20:55 | 0:20:58 | |
I understand, miss. You can trust me. | 0:20:58 | 0:21:00 | |
-SHOP BELL RINGS -I forgot my newspaper. | 0:21:13 | 0:21:17 | |
It's under your arm, sir. | 0:21:17 | 0:21:19 | |
So it is. How foolish of me. | 0:21:21 | 0:21:24 | |
The young lady... | 0:21:27 | 0:21:29 | |
..you called her Miss Barbary? | 0:21:30 | 0:21:32 | |
I'm acquainted with Miss Barbary, a Miss Frances. | 0:21:32 | 0:21:36 | |
-I wondered...? -Yes, indeed, sir, they are sisters. | 0:21:36 | 0:21:40 | |
Our young lady is Miss Honoria. | 0:21:40 | 0:21:42 | |
Honoria... | 0:21:42 | 0:21:43 | |
Well... | 0:21:45 | 0:21:46 | |
Small world. | 0:21:47 | 0:21:49 | |
For you. | 0:22:03 | 0:22:04 | |
It's only tiny, but I saw it and I thought, "That is for the bride" | 0:22:04 | 0:22:08 | |
and I had to get it. | 0:22:08 | 0:22:10 | |
It's your "something new", Martha. | 0:22:10 | 0:22:12 | |
And when I get married, you can lend it to me | 0:22:12 | 0:22:14 | |
and it can be my "something borrowed". | 0:22:14 | 0:22:17 | |
I'll treasure it. Thank you! | 0:22:17 | 0:22:19 | |
Come on. | 0:22:20 | 0:22:22 | |
I can't buy you no wedding present, Martha. | 0:22:32 | 0:22:35 | |
But I thought, well... | 0:22:35 | 0:22:38 | |
It's us. | 0:22:40 | 0:22:42 | |
Oh, John! They're so lovely. | 0:22:42 | 0:22:45 | |
Yeah? | 0:22:45 | 0:22:47 | |
CLOCK CHIMES THE HOUR | 0:23:19 | 0:23:21 | |
I knew nothing about the codicil. | 0:23:40 | 0:23:42 | |
I honestly knew nothing. | 0:23:43 | 0:23:45 | |
We used to be such friends once, Arthur. | 0:23:58 | 0:24:01 | |
Such happy friends. | 0:24:03 | 0:24:04 | |
I miss that so much, don't you? | 0:24:07 | 0:24:09 | |
Can we not be friends again? | 0:24:12 | 0:24:14 | |
Because neither of us are happy now, are we? | 0:24:15 | 0:24:17 | |
DOOR OPENS GUESTS MURMUR AND CHATTER | 0:24:26 | 0:24:29 | |
-Good evening. -Good evening. -Good evening. | 0:24:37 | 0:24:40 | |
Marley wanted to leave the partnership with Scrooge. | 0:24:40 | 0:24:43 | |
You made no mention of this when we spoke. | 0:24:43 | 0:24:45 | |
Then it seemed robbery was the motive. | 0:24:45 | 0:24:48 | |
It would not have been appropriate for me to infer some other agenda. | 0:24:49 | 0:24:52 | |
Why did Marley want to leave? | 0:24:52 | 0:24:55 | |
If it made him angry, why did he want to part ways? | 0:24:55 | 0:24:58 | |
He gave me no reason. | 0:24:58 | 0:25:00 | |
And it's not so unusual to want to dissolve a long partnership. | 0:25:00 | 0:25:04 | |
I myself... | 0:25:04 | 0:25:05 | |
..consider it often. | 0:25:07 | 0:25:08 | |
GUESTS CHATTER | 0:25:16 | 0:25:19 | |
What? | 0:26:01 | 0:26:03 | |
What are you doing here? | 0:26:03 | 0:26:05 | |
Looking. | 0:26:05 | 0:26:07 | |
How did you get in? | 0:26:07 | 0:26:08 | |
Through the front door. | 0:26:09 | 0:26:11 | |
Get out. Get out now. | 0:26:11 | 0:26:14 | |
Why are you crying? | 0:26:14 | 0:26:15 | |
I'm not. | 0:26:18 | 0:26:20 | |
-AMELIA: -Arthur? | 0:26:20 | 0:26:21 | |
Oh, God. Oh, God... | 0:26:22 | 0:26:25 | |
Arthur? | 0:26:25 | 0:26:26 | |
Not a word. Don't breathe, don't move. | 0:26:26 | 0:26:30 | |
DOOR OPENS | 0:26:30 | 0:26:32 | |
Are you unwell? | 0:26:32 | 0:26:33 | |
I just needed a moment. | 0:26:35 | 0:26:36 | |
Yes. They're all very kind, but one does feel a little on show. | 0:26:38 | 0:26:42 | |
ORCHESTRA TUNES UP | 0:26:42 | 0:26:44 | |
It's time for the dancing. You should go. | 0:26:44 | 0:26:47 | |
Arthur, this argument of ours... | 0:26:49 | 0:26:52 | |
..Is at an end. | 0:26:52 | 0:26:55 | |
We should begin the dancing together. Come. | 0:26:58 | 0:27:01 | |
LIVELY MUSIC BEGINS | 0:27:01 | 0:27:04 | |
I don't recall inviting you, sir. | 0:27:38 | 0:27:40 | |
No, a friend brought me. | 0:27:40 | 0:27:42 | |
I have a small legacy, | 0:27:43 | 0:27:44 | |
which he suggested I might want to invest here. | 0:27:44 | 0:27:47 | |
Well, in that case, | 0:27:47 | 0:27:49 | |
I can arrange to give you more information about the brewery. | 0:27:49 | 0:27:53 | |
I didn't know you were the director. | 0:27:53 | 0:27:55 | |
I'm happy to go to a party organised by a woman, | 0:27:56 | 0:27:59 | |
but...invest in your business? | 0:27:59 | 0:28:01 | |
HE SNIGGERS | 0:28:03 | 0:28:04 | |
I might as well set fire to my money. | 0:28:04 | 0:28:06 | |
Goodnight, Miss Havisham. | 0:28:06 | 0:28:09 |