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It is said that in the final days of planet Earth, | 0:00:08 | 0:00:12 | |
everyone had bad dreams. | 0:00:12 | 0:00:15 | |
To the west of the north of that world, the human race did gather, | 0:00:20 | 0:00:24 | |
in celebration of a pagan rite, to banish the cold and the dark. | 0:00:24 | 0:00:30 | |
Each and every one of those people had dreamt of the terrible things to come. | 0:00:34 | 0:00:38 | |
But they forgot. | 0:00:38 | 0:00:40 | |
Because they must. | 0:00:40 | 0:00:43 | |
They forgot their nightmares of fire and war and insanity. | 0:00:43 | 0:00:48 | |
They forgot. | 0:00:49 | 0:00:50 | |
Except for one. | 0:00:51 | 0:00:53 | |
EVIL LAUGHTER | 0:00:53 | 0:00:56 | |
BAND PLAYS: "God Rest Ye Merry, Gentlemen" | 0:00:58 | 0:01:01 | |
CHOIR SINGS | 0:01:11 | 0:01:14 | |
They call it the Legend of the Blue Box. | 0:02:07 | 0:02:09 | |
Oh. | 0:02:09 | 0:02:10 | |
I've never been in here before. I'm not one for churches - too cold. | 0:02:12 | 0:02:17 | |
This was the site of a convent, back in the 1300s. | 0:02:17 | 0:02:21 | |
It's said a demon fell from the sky. | 0:02:23 | 0:02:26 | |
Then a man appeared. | 0:02:26 | 0:02:28 | |
A man in a blue box. | 0:02:28 | 0:02:30 | |
They called him the sainted physician. | 0:02:30 | 0:02:34 | |
He smote the demon | 0:02:34 | 0:02:36 | |
and then disappeared. | 0:02:36 | 0:02:38 | |
That's a bit of a coincidence. | 0:02:38 | 0:02:41 | |
It's said there's no such thing as coincidence. | 0:02:41 | 0:02:45 | |
Who knows? | 0:02:45 | 0:02:48 | |
-Perhaps he's coming back. -Oh, that would make my Christmas! | 0:02:48 | 0:02:52 | |
EVIL LAUGHTER | 0:03:11 | 0:03:13 | |
Ah! Now, sorry, there you are. | 0:04:02 | 0:04:05 | |
So, where were we? | 0:04:07 | 0:04:09 | |
I was summoned, wasn't I? | 0:04:09 | 0:04:11 | |
An Ood, in the snow, calling to me. | 0:04:11 | 0:04:14 | |
I didn't exactly come straight here. Had a bit of fun, y'know? | 0:04:14 | 0:04:17 | |
Travelled about. Did this and that. | 0:04:17 | 0:04:19 | |
Got into trouble, you know me. It was brilliant. | 0:04:19 | 0:04:22 | |
I saw the Phosphorous Carousel of the Great Magellan Gestadt. | 0:04:22 | 0:04:26 | |
Saved a planet from the Red Carnivorous Maw. | 0:04:26 | 0:04:29 | |
Named a galaxy Alison. Got married. That was a mistake. | 0:04:29 | 0:04:33 | |
Good Queen Bess, and let me tell you, her nickname is no longer... | 0:04:33 | 0:04:38 | |
-HE CLEARS HIS THROAT -Anyway... | 0:04:38 | 0:04:40 | |
what d'you want? | 0:04:40 | 0:04:42 | |
You should not have delayed. | 0:04:42 | 0:04:44 | |
The last time I was here, you said my song would be ending soon, | 0:04:44 | 0:04:48 | |
and I'm in no hurry for that. | 0:04:48 | 0:04:49 | |
You will come with me. | 0:04:49 | 0:04:51 | |
Hold on, better lock the TARDIS. | 0:04:51 | 0:04:54 | |
BEEPING | 0:04:55 | 0:04:57 | |
See? Like a car. | 0:04:57 | 0:04:58 | |
I locked it, like a car. | 0:04:59 | 0:05:01 | |
Like...it's funny. | 0:05:03 | 0:05:05 | |
No? Little bit? | 0:05:05 | 0:05:07 | |
Blimey, try to make an Ood laugh. | 0:05:09 | 0:05:11 | |
So how old are you now, Ood Sigma? | 0:05:13 | 0:05:15 | |
Ah! | 0:05:15 | 0:05:17 | |
Magnificent! | 0:05:22 | 0:05:23 | |
Oh, come on! That is...splendid! | 0:05:27 | 0:05:30 | |
-You've achieved all this in how long? -100 years. | 0:05:31 | 0:05:35 | |
Then we've got a problem. | 0:05:38 | 0:05:40 | |
Cos all of this is way too fast. | 0:05:40 | 0:05:42 | |
Not just the city, I mean your ability to call me. | 0:05:42 | 0:05:45 | |
Reaching all the way back to the 21st century. | 0:05:45 | 0:05:48 | |
Something's accelerating your species way beyond normal. | 0:05:49 | 0:05:53 | |
And the Mind of the Ood is troubled. | 0:05:53 | 0:05:55 | |
-Why, what's happened? -Every night, Doctor... | 0:05:55 | 0:05:58 | |
every night, we have bad dreams. | 0:05:58 | 0:06:01 | |
'Returning, returning, returning, it is slowly returning.' | 0:06:01 | 0:06:07 | |
Through the dark and the fire and the blood, always returning, | 0:06:07 | 0:06:12 | |
returning to this world. | 0:06:12 | 0:06:14 | |
It is returning, and he is returning. | 0:06:14 | 0:06:17 | |
And they are returning, but too late, | 0:06:17 | 0:06:20 | |
too late, far too late, he is come. | 0:06:20 | 0:06:24 | |
Sit with the Elder of the Ood and share the dreaming. | 0:06:27 | 0:06:30 | |
So... | 0:06:32 | 0:06:34 | |
Right. | 0:06:34 | 0:06:35 | |
Hallo! | 0:06:38 | 0:06:40 | |
THEY CHANT You will join, you will join, | 0:06:42 | 0:06:45 | |
you will join, you will join, | 0:06:45 | 0:06:48 | |
you will join, you will join, | 0:06:48 | 0:06:51 | |
you will join. | 0:06:51 | 0:06:53 | |
EVIL LAUGHTER | 0:06:53 | 0:06:55 | |
He comes to us. | 0:06:55 | 0:06:57 | |
Every night. | 0:06:57 | 0:06:58 | |
I think all the peoples of the universe dream of him now. | 0:06:58 | 0:07:03 | |
-That man is dead. -There is yet more. | 0:07:03 | 0:07:05 | |
Join us. | 0:07:05 | 0:07:07 | |
Events are taking shape. | 0:07:08 | 0:07:10 | |
So many years ago, and yet changing the now. | 0:07:10 | 0:07:14 | |
There is a man... EVIL LAUGHTER | 0:07:14 | 0:07:16 | |
..so scared. LAUGHTER CONTINUES | 0:07:16 | 0:07:19 | |
Wilfred! Is he all right? | 0:07:19 | 0:07:21 | |
-What about Donna, is she safe? -You should not have delayed, | 0:07:21 | 0:07:24 | |
for the lines of convergence are being drawn across the Earth, even now. | 0:07:24 | 0:07:29 | |
The king is in his counting house. | 0:07:29 | 0:07:31 | |
I don't know who they are. | 0:07:37 | 0:07:38 | |
And there is another. | 0:07:38 | 0:07:40 | |
The most lonely of all, lost and forgotten. | 0:07:40 | 0:07:44 | |
The Master's wife. | 0:07:46 | 0:07:48 | |
We see so much, | 0:07:48 | 0:07:50 | |
but understand little. | 0:07:50 | 0:07:52 | |
The woman in the cage, who is she? | 0:07:52 | 0:07:55 | |
She was... | 0:07:56 | 0:07:58 | |
It w-wasn't her fault, she was... | 0:07:58 | 0:08:00 | |
The Master, he's a Time Lord, like me. | 0:08:01 | 0:08:05 | |
I can show you. | 0:08:07 | 0:08:08 | |
The Master took the name of Saxon. | 0:08:10 | 0:08:12 | |
He married a human, a woman called Lucy. And he corrupted her. | 0:08:12 | 0:08:16 | |
She stood at his side while he conquered the Earth. | 0:08:19 | 0:08:22 | |
I reversed everything he'd done, so it never even happened. | 0:08:22 | 0:08:25 | |
But Lucy Saxon remembered. | 0:08:25 | 0:08:27 | |
I held him in my arms. | 0:08:32 | 0:08:34 | |
I burnt his body! | 0:08:34 | 0:08:36 | |
The Master is dead! | 0:08:38 | 0:08:39 | |
And yet, you did not see... | 0:08:39 | 0:08:42 | |
WHISPERING | 0:08:42 | 0:08:44 | |
What's that? | 0:08:46 | 0:08:47 | |
EVIL LAUGHTER | 0:08:48 | 0:08:50 | |
Part of him survived. | 0:08:58 | 0:08:59 | |
I have to go! | 0:09:01 | 0:09:02 | |
But something more is happening, Doctor. | 0:09:02 | 0:09:05 | |
The Master is part of a greater design. | 0:09:05 | 0:09:07 | |
Because a shadow is falling over creation. | 0:09:07 | 0:09:12 | |
Something vast is stirring in the dark. | 0:09:12 | 0:09:14 | |
GENTLE ROARING | 0:09:14 | 0:09:16 | |
The Ood have gained this power to see through time | 0:09:16 | 0:09:20 | |
because time is bleeding. | 0:09:20 | 0:09:23 | |
Shapes of things once lost are moving through the veil. | 0:09:23 | 0:09:27 | |
And these events from years ago threaten to destroy this future, | 0:09:27 | 0:09:32 | |
and the present, and the past. | 0:09:32 | 0:09:33 | |
-What do you mean? -This is what we have seen, Doctor. | 0:09:33 | 0:09:37 | |
The darkness heralds only one thing. | 0:09:37 | 0:09:41 | |
The end of time itself. | 0:09:41 | 0:09:44 | |
Events that have happened are happening now. | 0:09:55 | 0:10:00 | |
Mrs Saxon. | 0:10:38 | 0:10:40 | |
Let me introduce myself. | 0:10:40 | 0:10:43 | |
I'm your new Governor. | 0:10:43 | 0:10:45 | |
I'm afraid the previous Governor met with something of an accident, | 0:10:45 | 0:10:49 | |
which took quite some time to arrange. | 0:10:49 | 0:10:53 | |
Miss Trefusis, if you will prepare. | 0:10:53 | 0:10:56 | |
You kept your silence well, Mrs Saxon. | 0:11:00 | 0:11:03 | |
Your trial was held in secret, with no jury. | 0:11:03 | 0:11:07 | |
So, no-one knows who Harold Saxon was. | 0:11:09 | 0:11:13 | |
Where he came from. | 0:11:13 | 0:11:15 | |
Why you killed him. | 0:11:15 | 0:11:17 | |
Make her kneel. | 0:11:17 | 0:11:19 | |
There are those of us who never lost faith. | 0:11:23 | 0:11:28 | |
And in his wisdom, Harold Saxon prepared for this moment. | 0:11:28 | 0:11:33 | |
He knew that he might die and he made us ready. | 0:11:33 | 0:11:36 | |
Tonight, Mrs Saxon... | 0:11:38 | 0:11:40 | |
..he returns. | 0:11:43 | 0:11:44 | |
EVIL LAUGHTER | 0:11:46 | 0:11:48 | |
TV DROWNED OUT BY LIGHTNING | 0:11:56 | 0:12:00 | |
As it was written in the Secret Books of Saxon, | 0:12:05 | 0:12:11 | |
these... | 0:12:11 | 0:12:13 | |
are the Potions of Life. | 0:12:13 | 0:12:15 | |
Listen to me! Whatever he told you... | 0:12:15 | 0:12:17 | |
-you've got no idea what you're doing! -Miss Trefusis... | 0:12:17 | 0:12:21 | |
-the catalyst. -What are you doing? | 0:12:21 | 0:12:24 | |
Leave me alone! Don't. Don't! | 0:12:24 | 0:12:26 | |
You were Saxon's wife. | 0:12:26 | 0:12:29 | |
You bore his imprint. | 0:12:29 | 0:12:30 | |
That's all we needed - | 0:12:30 | 0:12:32 | |
the final biometrical signature. | 0:12:32 | 0:12:37 | |
You can't bring him back, you can't! | 0:12:39 | 0:12:42 | |
I'm begging you! | 0:12:55 | 0:12:58 | |
Stop this now before it's too late! | 0:12:58 | 0:13:00 | |
We give ourselves... | 0:13:00 | 0:13:02 | |
that Saxon might live! | 0:13:02 | 0:13:06 | |
Can't you see?! He lied to you! | 0:13:09 | 0:13:12 | |
His name isn't even Harold Saxon! | 0:13:12 | 0:13:15 | |
And this was written also. | 0:13:15 | 0:13:17 | |
For his name is... | 0:13:19 | 0:13:21 | |
the Master! | 0:13:21 | 0:13:23 | |
Never. Never. Never. Never. | 0:13:23 | 0:13:28 | |
Never dying. Never dying! | 0:13:28 | 0:13:31 | |
Never dying! Never dying! | 0:13:31 | 0:13:34 | |
-Never dying! -EVIL LAUGHTER | 0:13:34 | 0:13:36 | |
Oh, Lucy... | 0:13:46 | 0:13:49 | |
sweet Lucy Saxon. | 0:13:49 | 0:13:51 | |
My ever faithful. | 0:13:51 | 0:13:53 | |
Did the widow's kiss bring me back to life? | 0:13:53 | 0:13:57 | |
-You're killing them! -Oh, let them die. | 0:13:57 | 0:13:59 | |
They're just the first. | 0:13:59 | 0:14:02 | |
The whole stupid stinking human disgrace can fall into the pit. | 0:14:02 | 0:14:07 | |
Can't you hear it, Lucy? | 0:14:09 | 0:14:11 | |
The noise? | 0:14:11 | 0:14:14 | |
The drumbeat? Louder than ever before. | 0:14:14 | 0:14:17 | |
The drums, the never-ending drums. | 0:14:20 | 0:14:23 | |
Oh, I have missed them! | 0:14:24 | 0:14:26 | |
But no-one knew you better than I did. | 0:14:28 | 0:14:30 | |
I knew you'd come back. | 0:14:30 | 0:14:31 | |
And all this time, your disciples have prepared. But so have we! | 0:14:31 | 0:14:36 | |
What are you doing? | 0:14:38 | 0:14:40 | |
The Secret Books of Saxon spoke of the Potions of Life. | 0:14:40 | 0:14:44 | |
And I was never that bright, but my family had contacts. | 0:14:45 | 0:14:48 | |
People who were clever enough to calculate the opposite. | 0:14:48 | 0:14:52 | |
Don't you dare! | 0:14:52 | 0:14:54 | |
I'm ordering you, Lucy. | 0:14:54 | 0:14:56 | |
You will obey me! | 0:14:56 | 0:14:58 | |
Till death do us part, Harry! | 0:14:58 | 0:15:01 | |
NO-O-O-O! | 0:15:01 | 0:15:02 | |
I think we might be in luck, darling. | 0:15:34 | 0:15:36 | |
It's the footage from Broadfell Prison the night it burnt down. | 0:15:36 | 0:15:40 | |
Take a look at this. | 0:15:40 | 0:15:41 | |
Someone survived! Do you think it's him? | 0:15:45 | 0:15:48 | |
Oh, that would be such a Christmas present. HE CHUCKLES | 0:15:50 | 0:15:54 | |
You just leave it to Daddy. | 0:15:54 | 0:15:56 | |
Ladies and gentlemen, it seems help is at hand. | 0:16:03 | 0:16:07 | |
Christmas is cancelled. | 0:16:07 | 0:16:09 | |
Prepare the gate. | 0:16:09 | 0:16:11 | |
ELECTRICAL WHIRRING | 0:16:15 | 0:16:17 | |
HE WHISTLES Just going down to the Lion. | 0:16:28 | 0:16:31 | |
Quick little snifter. Christmas drinks. | 0:16:31 | 0:16:34 | |
Right, ta-ra. | 0:16:34 | 0:16:35 | |
Paratroop One to Paratroop Two, we are mobilised, I repeat, we are mobilised. | 0:16:39 | 0:16:44 | |
Rendezvous 1300 hours. | 0:16:44 | 0:16:47 | |
Over and out. | 0:16:47 | 0:16:49 | |
Come on! | 0:16:53 | 0:16:54 | |
HE CHUCKLES Wa-hey, shake a leg! | 0:16:54 | 0:16:57 | |
Ye-hey. | 0:16:57 | 0:16:58 | |
Oh! | 0:16:58 | 0:17:00 | |
WOLF WHISTLING | 0:17:03 | 0:17:05 | |
Right, come on, let's get going. CHEERING | 0:17:05 | 0:17:07 | |
Everybody all right? Who's got the chocolates, then? | 0:17:08 | 0:17:11 | |
He's tall and thin, wears a brown suit, maybe a blue suit, he's got a long brown coat. | 0:17:15 | 0:17:20 | |
Modern sort of hair, all sticky-uppy, right? | 0:17:20 | 0:17:24 | |
Oh, and on page two, be on the lookout for a police box. | 0:17:24 | 0:17:27 | |
Exactly like the old ones. | 0:17:27 | 0:17:29 | |
I got locked inside one of them - August Bank Holiday 1962. | 0:17:29 | 0:17:34 | |
-Were you misbehaving, Minnie? -I certainly was. Wa-hey! | 0:17:34 | 0:17:38 | |
Yeah, all right, all right. Listen, this is important. | 0:17:40 | 0:17:43 | |
We have got to find it, so phone around, phone everybody. | 0:17:43 | 0:17:46 | |
Sally, will you get onto the Bridge Club? Winston, you try the Old Boys. | 0:17:46 | 0:17:50 | |
Bobby, want you to ring the skiffle band, right? Between us, we've got the city covered. | 0:17:50 | 0:17:55 | |
-The Silver Cloak. -Yeah. | 0:17:55 | 0:17:58 | |
Who is he, then, this Doctor? | 0:17:58 | 0:18:00 | |
No, I can't tell you that. I swear. | 0:18:00 | 0:18:03 | |
But answer me this - | 0:18:04 | 0:18:06 | |
have you been having bad dreams? All of you? | 0:18:06 | 0:18:09 | |
Dreams you can't remember? | 0:18:10 | 0:18:12 | |
Yeah, well, that's why we need him. | 0:18:14 | 0:18:17 | |
We need the Doctor. | 0:18:17 | 0:18:20 | |
More than ever. | 0:18:20 | 0:18:21 | |
-Onions with that? -Oh, yeah, go on, pile 'em on. | 0:18:25 | 0:18:27 | |
What about you, Ginger? Onions? | 0:18:27 | 0:18:30 | |
He don't say much. Give him onions. | 0:18:31 | 0:18:34 | |
-He's down from Huddersfield. -Well, you look after him. | 0:18:34 | 0:18:38 | |
And don't forget tomorrow night, the Christmas broadcast. | 0:18:38 | 0:18:42 | |
President Obama, he's promised to end the recession. | 0:18:42 | 0:18:46 | |
-Bad times will soon be over, Ginger. -Well, season's greetings to you. | 0:18:46 | 0:18:50 | |
And you. Happy Christmas. | 0:18:50 | 0:18:53 | |
Now, what can we get you, sir? | 0:18:56 | 0:18:58 | |
Everything. | 0:19:00 | 0:19:01 | |
I am so hungry. | 0:19:05 | 0:19:08 | |
EVIL LAUGHTER | 0:19:08 | 0:19:11 | |
They're saying that the President's got this grand plan. | 0:19:12 | 0:19:15 | |
He's going to save the world with some big financial scheme. | 0:19:15 | 0:19:19 | |
Whatever it is, I bet it won't reach you and me. | 0:19:19 | 0:19:23 | |
Somebody's lively on his feet. | 0:19:25 | 0:19:27 | |
Starving. | 0:19:29 | 0:19:31 | |
Now, y'see, that's what you don't want to do - eat it all at once. | 0:19:42 | 0:19:46 | |
Tempting, I know. ..But if you make it last, it can last all day. | 0:19:46 | 0:19:49 | |
Want more. Want cheese and chips. | 0:19:49 | 0:19:52 | |
And meat and gravy, and cream and beer, | 0:19:52 | 0:19:54 | |
and pork and beef and fat, and great big chunks of hot, wet red. | 0:19:54 | 0:19:58 | |
Good for you, mate(!) ..Maybe we'd better be going. | 0:19:58 | 0:20:02 | |
You look like that bloke. Harold Saxon. | 0:20:02 | 0:20:06 | |
The one that went mad. | 0:20:06 | 0:20:09 | |
Isn't that funny? Isn't that just the best thing of all? | 0:20:11 | 0:20:16 | |
The master of disguise, stuck looking like the old Prime Minister. | 0:20:18 | 0:20:24 | |
I can't hide anywhere! He can see me, | 0:20:24 | 0:20:28 | |
he can smell me... Can't let him smell me! | 0:20:28 | 0:20:31 | |
Doctor, Doctor, shockter stopped-her, got to stop the smell! | 0:20:31 | 0:20:35 | |
The stink, the filthy, filthy stink! | 0:20:35 | 0:20:37 | |
Ginger. Come with me, right now! | 0:20:37 | 0:20:41 | |
Because it's funny...! | 0:20:41 | 0:20:43 | |
Don't you see? | 0:20:43 | 0:20:45 | |
Look at me! I'm splitting my sides. | 0:20:45 | 0:20:49 | |
I am hilarious! | 0:20:49 | 0:20:51 | |
I am the funniest thing in the whole wide world! | 0:20:51 | 0:20:54 | |
Sarah! God help us! | 0:21:07 | 0:21:10 | |
There's this man...! | 0:21:10 | 0:21:13 | |
Dinnerti-i-i-ime! | 0:21:17 | 0:21:20 | |
SEAGULLS CRY | 0:21:30 | 0:21:32 | |
HE ROARS | 0:23:01 | 0:23:05 | |
Please, let me help! You're burning up your own life force. | 0:23:38 | 0:23:44 | |
-Oh, my gosh, Doctor, you're a sight for sore eyes. -Out of my way! | 0:23:47 | 0:23:50 | |
Did we do it? Is that him? | 0:23:52 | 0:23:54 | |
-Tall and thin, big brown coat. -The Silver Cloak. It worked. | 0:23:54 | 0:23:58 | |
Cos Wilf phoned Netty, who phoned June, and her sister lives opposite | 0:23:58 | 0:24:01 | |
Broadfell, and she saw the police box, and her neighbour saw this man heading east. | 0:24:01 | 0:24:08 | |
-Wilfred? -Yeah? -Have you told them who I am? You promised! -No, I just said you were a doctor, that's all. | 0:24:08 | 0:24:13 | |
And might I say, sir, it is an honour to see you again. | 0:24:13 | 0:24:17 | |
Ooh, but you never said he was a looker! He's gorgeous, take a photo! | 0:24:19 | 0:24:24 | |
Not bad, eh? | 0:24:24 | 0:24:26 | |
-Me next! -I'm Minnie. Minnie the Menace. It's a long time since I had a photo with a handsome man. | 0:24:26 | 0:24:32 | |
Just get off him, leave him alone, will you? | 0:24:32 | 0:24:35 | |
Hush, you old misery. | 0:24:35 | 0:24:37 | |
Come on, Doctor. Give us a smile. | 0:24:37 | 0:24:40 | |
-That's it. -Hold on... | 0:24:40 | 0:24:42 | |
-Did it flash? -No, there's a blue light, try again. | 0:24:42 | 0:24:45 | |
I'm all fingers and thumbs. | 0:24:45 | 0:24:47 | |
-I'm really kind of busy, y'know? -Oh, it won't take a tick. | 0:24:47 | 0:24:50 | |
Keep smiling. | 0:24:50 | 0:24:52 | |
Is that your HAND, Minnie?! | 0:24:53 | 0:24:55 | |
Good boy. | 0:24:55 | 0:24:57 | |
Come on, then. Here we are, hurry up. | 0:25:03 | 0:25:06 | |
Bye. You behave, bye. | 0:25:06 | 0:25:08 | |
Over here, come on. | 0:25:11 | 0:25:13 | |
What's so special about this place? We passed 15 cafes on the way. | 0:25:13 | 0:25:16 | |
Yeah. Afternoon. | 0:25:16 | 0:25:18 | |
Oh, we had some good times, didn't we, though? All those Atmos things. | 0:25:20 | 0:25:25 | |
And planets in the sky. And me with that paint gun, and... | 0:25:25 | 0:25:29 | |
I keep seeing things, Doctor, I... | 0:25:34 | 0:25:37 | |
This face. At night. | 0:25:37 | 0:25:39 | |
-Who are you? -I'm Wilfred Mott. -No, people have waited | 0:25:39 | 0:25:45 | |
hundreds of years to find me and then you manage it in a few hours. | 0:25:45 | 0:25:48 | |
-Well, I'm just lucky, I s'pose. -No, we keep on meeting, Wilf. | 0:25:48 | 0:25:52 | |
Over and over again. Like something's still connecting us. | 0:25:52 | 0:25:55 | |
-What's so important about me? -Exactly. Why you? | 0:25:55 | 0:25:59 | |
-I'm going to die. -Well, so am I, one day. | 0:26:07 | 0:26:11 | |
-Don't you dare. -All right, I'll try not to. | 0:26:11 | 0:26:16 | |
But I was told. | 0:26:17 | 0:26:19 | |
"He will knock four times." | 0:26:19 | 0:26:22 | |
That was the prophecy. | 0:26:24 | 0:26:26 | |
Knock four times, and then... | 0:26:26 | 0:26:29 | |
But I thought when I saw you before, you said your people | 0:26:29 | 0:26:33 | |
could change, like, your whole body. | 0:26:33 | 0:26:36 | |
I can still die. | 0:26:36 | 0:26:39 | |
If I'm killed before regeneration, then I'm dead. | 0:26:39 | 0:26:42 | |
Even then. | 0:26:44 | 0:26:46 | |
Even if I change, | 0:26:46 | 0:26:48 | |
it feels like dying. | 0:26:48 | 0:26:49 | |
Everything I am dies. | 0:26:54 | 0:26:56 | |
Some new man goes sauntering away... | 0:26:56 | 0:26:59 | |
And I'm dead. | 0:27:04 | 0:27:07 | |
What? | 0:27:09 | 0:27:11 | |
I'm sorry. But I had to. Look, can't you make her better? | 0:27:12 | 0:27:15 | |
-Stop it. -No, but you're so clever. Can't you bring her memory back? | 0:27:15 | 0:27:18 | |
Just go to her now, go on, just run across the street, go up and say hello. | 0:27:18 | 0:27:22 | |
If she ever remembers me, her mind will burn, and she will die. | 0:27:22 | 0:27:27 | |
Don't you touch this car! | 0:27:28 | 0:27:31 | |
-She's not changed. -Nah. | 0:27:31 | 0:27:35 | |
Oh, there he is... | 0:27:37 | 0:27:39 | |
Shaun Temple. They're engaged. Getting married in the spring. | 0:27:39 | 0:27:44 | |
-Another wedding. -Yeah. | 0:27:45 | 0:27:48 | |
Hold on, she's not gonna be called Noble-Temple? | 0:27:48 | 0:27:51 | |
-Sounds like a tourist spot. -No, it's Temple-Noble. -Right. | 0:27:51 | 0:27:56 | |
Is she happy, is he nice? | 0:27:57 | 0:28:01 | |
Yeah, he's sweet enough, he's a bit of a dreamer. | 0:28:01 | 0:28:04 | |
Mind you, he's on minimum wage, she's earning tuppence, so all they can afford is a tiny little flat. | 0:28:04 | 0:28:09 | |
And then sometimes I see this look on her face, like she's so sad. | 0:28:11 | 0:28:16 | |
-But she can't remember why. -She's got him. | 0:28:17 | 0:28:22 | |
-She's making do. -Aren't we all? | 0:28:23 | 0:28:26 | |
Yeah, how about you? Who've you got, now? | 0:28:29 | 0:28:32 | |
No-one. | 0:28:32 | 0:28:35 | |
Travelling alone. | 0:28:36 | 0:28:39 | |
I thought it was better. | 0:28:41 | 0:28:43 | |
But I did some things. It went wrong. I need... | 0:28:46 | 0:28:50 | |
Oh, my word. | 0:28:51 | 0:28:53 | |
-Merry Christmas. -Yeah, and you! | 0:28:57 | 0:29:00 | |
Look at us. | 0:29:01 | 0:29:04 | |
But don't you see? | 0:29:04 | 0:29:06 | |
You need her, Doctor. I mean, look, wouldn't she make you laugh again? | 0:29:06 | 0:29:10 | |
Good old Donna? | 0:29:10 | 0:29:13 | |
Eh? | 0:29:18 | 0:29:19 | |
And so it came to pass that the players took their final places, | 0:29:37 | 0:29:42 | |
making ready the events that were to come. | 0:29:42 | 0:29:45 | |
The madman sat in his empire of dust and ashes, | 0:29:50 | 0:29:57 | |
little knowing of the glory he would achieve. | 0:29:57 | 0:30:01 | |
While his saviour looked upon the wilderness, | 0:30:03 | 0:30:07 | |
in the hope of changing his inevitable fate. | 0:30:07 | 0:30:11 | |
Far away, the idiots and fools dreamt of a shining new future. | 0:30:14 | 0:30:20 | |
A future now doomed to never happen. | 0:30:22 | 0:30:24 | |
As Earth rolled onwards into night, | 0:30:26 | 0:30:28 | |
the people of that world did sleep, | 0:30:28 | 0:30:32 | |
and shiver, | 0:30:32 | 0:30:34 | |
somehow knowing that dawn would bring only one thing... | 0:30:34 | 0:30:40 | |
The final day. | 0:30:44 | 0:30:47 | |
I had estates. | 0:32:22 | 0:32:25 | |
Do you remember my father's land, back home? | 0:32:25 | 0:32:29 | |
Pastures of red grass, | 0:32:30 | 0:32:33 | |
stretching far across the slopes of Mount Perdition. | 0:32:33 | 0:32:37 | |
We used to run across those fields all day, | 0:32:40 | 0:32:44 | |
calling up at the sky. | 0:32:44 | 0:32:47 | |
Look at us now. | 0:32:50 | 0:32:53 | |
All that eloquence. | 0:32:55 | 0:32:58 | |
But how many people have you killed? | 0:32:58 | 0:33:00 | |
-I am so hungry. -Your resurrection went wrong. | 0:33:03 | 0:33:07 | |
That energy... | 0:33:07 | 0:33:08 | |
Your body's ripped open. Now you're killing yourself. | 0:33:10 | 0:33:14 | |
That human Christmas out there, | 0:33:14 | 0:33:17 | |
they eat so much. | 0:33:17 | 0:33:19 | |
All that roasting meat. | 0:33:19 | 0:33:22 | |
Cakes and red wine. | 0:33:22 | 0:33:24 | |
Hot, fat, blood, food. | 0:33:24 | 0:33:27 | |
Pots, plates of meat and flesh and grease and juice, | 0:33:27 | 0:33:33 | |
and baking, burnt, sticky hot skin, hot, it's so hot! | 0:33:33 | 0:33:37 | |
-Stop it. -Sliced, sliced...! | 0:33:37 | 0:33:40 | |
-Sliced, it's mine, it's mine, it's mine to eat and eat and eat...! -Stop it. | 0:33:40 | 0:33:44 | |
And feast, and eat and eat and eat and eat...! | 0:33:44 | 0:33:47 | |
What if I ask you for help? | 0:33:50 | 0:33:53 | |
-There's more at work tonight than you and me. -Oh, yeah? | 0:33:57 | 0:34:02 | |
-I've been told something is returning. -And here I am! | 0:34:02 | 0:34:08 | |
-No, it was something more. -But it hurts. | 0:34:08 | 0:34:11 | |
-I was told the end of time. -It hurts, Doctor, the noise... | 0:34:11 | 0:34:14 | |
The noise in my head, Doctor, | 0:34:14 | 0:34:18 | |
one, two, three, four, one, two, three, four, stronger than ever before! | 0:34:18 | 0:34:23 | |
RHYTHMIC TAPPING | 0:34:23 | 0:34:25 | |
-Can't you hear it? -I'm sorry. | 0:34:25 | 0:34:28 | |
(Listen, listen, listen, listen!) | 0:34:28 | 0:34:30 | |
Every minute, every second, | 0:34:33 | 0:34:37 | |
every beat of my hearts, | 0:34:37 | 0:34:40 | |
there it is...calling to me. | 0:34:40 | 0:34:44 | |
-Please, listen. -I can't hear it. | 0:34:46 | 0:34:49 | |
Listen. | 0:34:51 | 0:34:53 | |
-But that's... -What?! | 0:35:03 | 0:35:06 | |
I heard it. | 0:35:06 | 0:35:08 | |
But there's no noise, there never has been, it's just your insanity, it's the... | 0:35:08 | 0:35:14 | |
What is it? What's inside your head? | 0:35:14 | 0:35:18 | |
It's real! | 0:35:18 | 0:35:21 | |
It's real! | 0:35:22 | 0:35:24 | |
It's REAL! | 0:35:25 | 0:35:27 | |
All these years, | 0:35:45 | 0:35:47 | |
you thought I was mad. | 0:35:47 | 0:35:50 | |
King of the wasteland. | 0:35:52 | 0:35:55 | |
But something is calling me, Doctor, what is it, what is it, what is it? | 0:35:55 | 0:36:01 | |
Don't...! | 0:36:23 | 0:36:25 | |
MACHINE GUNFIRE | 0:36:26 | 0:36:29 | |
Let him go! | 0:36:37 | 0:36:39 | |
MUSIC ON RADIO: "Merry Xmas Everybody" by Slade | 0:36:55 | 0:36:58 | |
Now then, steady on, never too early for margaritas, that's what I say. | 0:37:05 | 0:37:08 | |
I forgot to get lemons so I used oranges instead. It's all fruit, same difference. | 0:37:08 | 0:37:13 | |
Oh, now that's lovely, look at that. Absolutely beautiful. | 0:37:13 | 0:37:18 | |
-"Love from Donna." Did you keep the receipt? -Yes, I did. | 0:37:18 | 0:37:23 | |
Come on, Gramps, you've been a right misery ever since you got up. | 0:37:23 | 0:37:26 | |
-Do you like it, then? The book? -I mean, what d'you get me this for? | 0:37:26 | 0:37:30 | |
I dunno. I just saw it in the shop, and thought of you, | 0:37:32 | 0:37:37 | |
it just felt like the sort of thing you should have. | 0:37:37 | 0:37:41 | |
Oh, now look at that, that's from Charlie Morton, isn't that rude? | 0:37:43 | 0:37:47 | |
If you would, Mr Danes... | 0:37:55 | 0:37:58 | |
-I'm starving. -You've my daughter to thank for this, | 0:38:03 | 0:38:07 | |
it's all her idea. | 0:38:07 | 0:38:09 | |
She heard rumours of Harold Saxon. His disciples. His return. | 0:38:09 | 0:38:14 | |
It's the sort of thing she finds rather thrilling. | 0:38:14 | 0:38:17 | |
And I was right. He's back. | 0:38:17 | 0:38:19 | |
The very man we need, and he's here. | 0:38:19 | 0:38:23 | |
Oh, this is going to be wonderful. | 0:38:24 | 0:38:28 | |
Aye-aye. Here are the presents. I couldn't afford much, | 0:38:32 | 0:38:36 | |
but not for long, if President Obama ends the recession tonight! C'mere! | 0:38:36 | 0:38:40 | |
Woah, woah, woah. Keep it quiet, you lot, it's the Queen's Speech. Now come on, sit down, show respect. | 0:38:40 | 0:38:46 | |
-Merry Christmas, Mr Mott. -Thank you. Will you behave?! Honestly, all right now. She's on. | 0:38:46 | 0:38:51 | |
She's on, it's our sovereign. | 0:38:51 | 0:38:55 | |
Eh? | 0:38:58 | 0:39:00 | |
-Events are moving, Wilfred. -Eh? | 0:39:00 | 0:39:04 | |
-Faster than we thought. -Can you see that? | 0:39:04 | 0:39:07 | |
Frankly, I'd tell Her Majesty, it's time for trouser-suits. | 0:39:07 | 0:39:10 | |
-No, no, no, no. That's not... -Only you can see. | 0:39:10 | 0:39:15 | |
-Only you stand at the heart of coincidence. -Why, what have I done? | 0:39:15 | 0:39:20 | |
You're an old soldier, sir. | 0:39:20 | 0:39:22 | |
Only you were too late. | 0:39:22 | 0:39:24 | |
-The war was won and passed you by. -I did my duty. | 0:39:24 | 0:39:29 | |
You never killed a man. | 0:39:29 | 0:39:31 | |
No, I didn't. | 0:39:31 | 0:39:33 | |
No, I did not, no. | 0:39:33 | 0:39:35 | |
Don't say that like it's shameful. | 0:39:35 | 0:39:38 | |
The time will come... when you must take arms. | 0:39:38 | 0:39:43 | |
Who are you? | 0:39:43 | 0:39:45 | |
Tell the Doctor nothing of this. | 0:39:45 | 0:39:47 | |
His life could still be saved. | 0:39:47 | 0:39:50 | |
So long as you tell him nothing. | 0:39:50 | 0:39:54 | |
DONNA AND SYLVIA LAUGHING | 0:40:08 | 0:40:10 | |
I lost him, I was unconscious. | 0:40:56 | 0:40:58 | |
He's still on Earth, but he's too far away. | 0:40:58 | 0:41:00 | |
Listen, you can't park there, what if Donna sees it? | 0:41:00 | 0:41:03 | |
You're the only one, the only connection I can think of, you're involved, if I could work out how... | 0:41:03 | 0:41:08 | |
Tell me, have you seen anything, I don't know, anything strange, anything odd? | 0:41:08 | 0:41:13 | |
Well, there was... | 0:41:13 | 0:41:14 | |
-What is it? Tell me. -Well, there was... No, it's nothing. | 0:41:14 | 0:41:18 | |
-Maybe something out of the blue, connected to your life, something. -Well, Donna was a bit strange. | 0:41:18 | 0:41:24 | |
-She had a funny little moment, this morning, all because of that book. -What book? | 0:41:24 | 0:41:28 | |
-His name's Joshua Naismith. -That's the man. I was shown him, by the Ood. -By the what? -By the Ood. | 0:41:28 | 0:41:33 | |
What's the Ood? | 0:41:33 | 0:41:35 | |
They're just Ood. But it's all part of the convergence, maybe touching Donna's subconscious. | 0:41:35 | 0:41:41 | |
Oh, she's still fighting for us, even now. The Doctor-Donna. | 0:41:44 | 0:41:47 | |
Dad, what are you up to? | 0:41:47 | 0:41:49 | |
You! | 0:41:49 | 0:41:51 | |
But... Get out of here! | 0:41:51 | 0:41:53 | |
-Merry Christmas. -Merry Christmas, but she can't see you, what if she remembers? | 0:41:53 | 0:41:58 | |
Mum, where are those tweezers? | 0:41:58 | 0:41:59 | |
-Go! -I'm going. -Me, too. -Oh, no, you don't! | 0:41:59 | 0:42:03 | |
Mum? Gramps? | 0:42:05 | 0:42:08 | |
Dad, I'm warning you... | 0:42:08 | 0:42:10 | |
Bye, see you later. | 0:42:10 | 0:42:12 | |
-Bit old for hide and seek. -Stay right where you are! | 0:42:12 | 0:42:16 | |
-You can't come with me. -You're not leaving me with her. -Dad! | 0:42:16 | 0:42:19 | |
-Fair enough. -Mum? | 0:42:19 | 0:42:20 | |
Just you listen to me. I forbid it. Get out of there! | 0:42:20 | 0:42:23 | |
Doctor, bring my father back, right now! | 0:42:23 | 0:42:28 | |
Come back here! | 0:42:28 | 0:42:30 | |
Come back here, I said. Come back! | 0:42:30 | 0:42:33 | |
Are you shouting at thin air? | 0:42:33 | 0:42:37 | |
Yes. | 0:42:37 | 0:42:40 | |
Possibly. Yes. | 0:42:40 | 0:42:42 | |
Naismith, if I can track him down... | 0:42:44 | 0:42:47 | |
Ah. Right. Yes. | 0:42:50 | 0:42:53 | |
Bigger on the inside. D'you like it? | 0:42:53 | 0:42:55 | |
I thought it'd be cleaner. | 0:42:55 | 0:42:57 | |
Cleaner? | 0:42:57 | 0:43:00 | |
I could take you back home, right now. | 0:43:00 | 0:43:02 | |
Listen, Doctor, if this is a time machine - that man you're chasing, | 0:43:02 | 0:43:05 | |
why can't you just pop back to yesterday and catch him? | 0:43:05 | 0:43:08 | |
I can't go back inside my own timeline, I have to stay relative to | 0:43:08 | 0:43:12 | |
-the Master within the causal nexus, understand? -Not a word. -Welcome aboard. | 0:43:12 | 0:43:16 | |
Thank you. | 0:43:16 | 0:43:18 | |
Demonstrate. | 0:43:30 | 0:43:31 | |
-Ooh, that's not from Earth. -And neither are you. | 0:43:42 | 0:43:46 | |
A perfect combination, don't you think? | 0:43:46 | 0:43:49 | |
Excuse me, sir. If I could check the basement? We're getting fluctuation | 0:43:49 | 0:43:53 | |
-on the power cords. -Of course. | 0:43:53 | 0:43:56 | |
Miss Addams? If you could bring the calibration statistics. | 0:43:56 | 0:43:59 | |
Who the hell is he? What if he finds out? | 0:44:14 | 0:44:17 | |
An expert, they said, what sort of expert, who is he? | 0:44:17 | 0:44:22 | |
I don't know. According to the records, | 0:44:22 | 0:44:24 | |
Harold Saxon was Prime Minister of this stupid country. | 0:44:24 | 0:44:30 | |
I'm choking in this thing, I'm sorry. | 0:44:30 | 0:44:33 | |
By the saints, that's better. These people are so flat! | 0:44:37 | 0:44:42 | |
But what do we do? We were so close, we almost had it working. | 0:44:47 | 0:44:51 | |
What if this visitor is some sort of genius? | 0:44:51 | 0:44:54 | |
Well, think about it. | 0:44:54 | 0:44:56 | |
We're hijacking this project, maybe we can use him, too. | 0:44:56 | 0:45:00 | |
Harold Saxon, or whatever he is, | 0:45:00 | 0:45:03 | |
might be exactly what we need. | 0:45:03 | 0:45:07 | |
The Gate was found inside a spaceship, buried at the foot of Mount Snowdon. | 0:45:07 | 0:45:13 | |
It was moved to an institute known as Torchwood, but when Torchwood fell, | 0:45:13 | 0:45:17 | |
let's just say, I acquired it. | 0:45:17 | 0:45:20 | |
I like you. | 0:45:23 | 0:45:25 | |
Thank you. | 0:45:25 | 0:45:26 | |
You'd taste great. | 0:45:26 | 0:45:29 | |
Mr Danes? | 0:45:31 | 0:45:32 | |
The visitor will be given food. | 0:45:34 | 0:45:35 | |
Anyway. The device came equipped with its own power supply, | 0:46:08 | 0:46:12 | |
a Nuclear Bolt. | 0:46:12 | 0:46:16 | |
One technician remains in charge of the feedback, 24 hours a day. | 0:46:16 | 0:46:21 | |
The power feeds through to the Gate, | 0:46:21 | 0:46:23 | |
where it encourages some sort of cellular regeneration. Miss Collins was our test subject. | 0:46:23 | 0:46:29 | |
She carried some burns, as a result of an accident when she was a child, down her left side. If you could? | 0:46:29 | 0:46:34 | |
The Gate mended her. | 0:46:37 | 0:46:39 | |
Thank you. | 0:46:39 | 0:46:41 | |
-But what do you want it for? -We calculate | 0:46:41 | 0:46:44 | |
that if this device can be fully repaired by your good self, it can restore the body, forever. | 0:46:44 | 0:46:50 | |
Hence its given title. The Immortality Gate. | 0:46:50 | 0:46:53 | |
Because that's what I want. | 0:46:53 | 0:46:55 | |
Not for me. But for my daughter. | 0:46:55 | 0:46:58 | |
I want her never to die. | 0:46:58 | 0:47:00 | |
My gift to her. | 0:47:00 | 0:47:02 | |
She will be immortal. | 0:47:02 | 0:47:07 | |
Abigail. | 0:47:07 | 0:47:08 | |
It means "bringer of joy". | 0:47:08 | 0:47:12 | |
METALLIC THRUMMING | 0:47:12 | 0:47:14 | |
Better get to work. | 0:47:25 | 0:47:26 | |
-We've moved! We've really moved! -You should stay here. | 0:47:31 | 0:47:34 | |
-Not bloody likely! -And don't swear. Hold on. | 0:47:34 | 0:47:37 | |
Just a second out of sync. Don't want the Master finding the TARDIS, that's the last thing we need. | 0:47:38 | 0:47:43 | |
That book said he's a billionaire, he's got his own private army. | 0:47:55 | 0:47:59 | |
Down here. | 0:47:59 | 0:48:01 | |
Miss Addams, we're getting encouraging results from the ratio-foldback. | 0:48:14 | 0:48:18 | |
The man's a miracle. All the systems are slotting back into place. | 0:48:18 | 0:48:21 | |
The shatterthreads have harmonised and the multiple overshots have triplicated. | 0:48:21 | 0:48:26 | |
-Nice Gate! -Hello. Sorry. -Don't call security, or I'll tell them you're wearing a Shimmer, | 0:48:26 | 0:48:31 | |
cos I reckon anyone wearing a Shimmer doesn't want the Shimmer to be noticed. | 0:48:31 | 0:48:36 | |
I'm sorry? What's a Shimmer? | 0:48:36 | 0:48:38 | |
Shimmer. | 0:48:38 | 0:48:39 | |
Oh, my Lord. She's a cactus! | 0:48:43 | 0:48:45 | |
'Miss Addams?' | 0:48:45 | 0:48:46 | |
Miss Addams. | 0:48:46 | 0:48:48 | |
If you'll just excuse me. | 0:48:48 | 0:48:52 | |
Now, please don't imagine I'm a slave-driver. | 0:48:53 | 0:48:57 | |
We can resume work on Boxing Day, Mr Saxon. | 0:48:57 | 0:49:00 | |
My name... | 0:49:00 | 0:49:01 | |
is the Master. | 0:49:03 | 0:49:05 | |
Excellent. Excellent! | 0:49:17 | 0:49:22 | |
Mr Danes? | 0:49:22 | 0:49:24 | |
The visitor will be restrained. | 0:49:24 | 0:49:26 | |
-What? But I repaired it. -I'm not an idiot. | 0:49:26 | 0:49:30 | |
Don't let him anywhere near that thing. | 0:49:30 | 0:49:33 | |
He's got it working, but what is it, what's working? | 0:49:40 | 0:49:44 | |
What are you doing here? | 0:49:44 | 0:49:45 | |
Shimm-err! | 0:49:45 | 0:49:48 | |
Now tell me, quickly, what's going on? The Master, Harold Saxon, | 0:49:50 | 0:49:54 | |
Skeletor, whatever you're calling him, what's he doing? | 0:49:54 | 0:49:57 | |
Your reputation precedes you, sir. | 0:49:58 | 0:50:01 | |
I have no doubt you've laid traps. | 0:50:01 | 0:50:03 | |
Perhaps explosives. A means of escape. | 0:50:03 | 0:50:06 | |
Or murder. But everything you've done to the Gate will be checked | 0:50:06 | 0:50:11 | |
and double-checked before anyone stands inside. | 0:50:11 | 0:50:13 | |
But I checked the readings, he's done good work, it's operational. | 0:50:15 | 0:50:20 | |
Who are you? I met someone like you, he was brilliant, but he was little and red. | 0:50:20 | 0:50:24 | |
No, that's a Zocci. | 0:50:24 | 0:50:26 | |
We're not Zocci, we're Vinvocci. Completely different. | 0:50:26 | 0:50:29 | |
And the Gate is Vinvocci. We're a salvage team. | 0:50:29 | 0:50:33 | |
We picked up the signal when the humans reactivated it, | 0:50:33 | 0:50:35 | |
-and as soon as it's working, we can transport it to the ship. -But what does it do? | 0:50:35 | 0:50:40 | |
Well, it mends, it's a simple as that, it's a medical device to repair the body, it makes people better. | 0:50:40 | 0:50:45 | |
No, there's got to be more. | 0:50:48 | 0:50:50 | |
Every single warning says the Master's going to do something colossal. | 0:50:50 | 0:50:54 | |
So that thing's like a sickbed, yes? | 0:50:54 | 0:50:56 | |
-More or less. -Well, pardon me for asking, but why is it so big? | 0:50:56 | 0:51:01 | |
Oh, good question. Why's it so big? | 0:51:01 | 0:51:03 | |
It doesn't just mend one person at a time. | 0:51:03 | 0:51:07 | |
That would be ridiculous. | 0:51:07 | 0:51:09 | |
It mends whole planets. | 0:51:09 | 0:51:12 | |
It does what?! | 0:51:13 | 0:51:15 | |
It transmits the medical template across the entire population. | 0:51:15 | 0:51:19 | |
But it's time for the broadcast. | 0:51:29 | 0:51:32 | |
The President's grand initiative. | 0:51:32 | 0:51:34 | |
You might want to see this, sir, proof that the human race can mend its own problems. | 0:51:34 | 0:51:39 | |
And now, anticipation is rising as we go live to Washington. | 0:51:39 | 0:51:44 | |
'Here, on Christmas Day, the President has promised | 0:51:44 | 0:51:48 | |
'an instant and radical solution to the worldwide depression. | 0:51:48 | 0:51:52 | |
'Barack Obama will lead us all into a new age of prosperity.' | 0:51:52 | 0:51:57 | |
Ladies and gentlemen, the President of the United States. | 0:51:57 | 0:52:01 | |
I'd like to speak briefly about the state of our economy... | 0:52:03 | 0:52:06 | |
-Turn the Gate off, right now! -At arms! | 0:52:06 | 0:52:09 | |
No, no, no, no, whatever you do, just don't let him near that device. | 0:52:09 | 0:52:13 | |
Oh, like that was ever gonna happen. | 0:52:13 | 0:52:15 | |
Homeless, was I? | 0:52:27 | 0:52:29 | |
Destitute and dying? | 0:52:29 | 0:52:31 | |
Well, look at me now. | 0:52:31 | 0:52:33 | |
Deactivate it. All of you, turn the whole thing off! | 0:52:33 | 0:52:37 | |
THE MASTER LAUGHS | 0:52:37 | 0:52:38 | |
He's...inside my head. | 0:52:38 | 0:52:41 | |
Get out of there! | 0:52:44 | 0:52:46 | |
Doctor! | 0:52:48 | 0:52:50 | |
Doctor, there's this face... | 0:52:50 | 0:52:52 | |
What is it? What can you see? | 0:52:52 | 0:52:55 | |
It's him. I can see him! | 0:52:55 | 0:52:57 | |
There's something wrong... | 0:52:57 | 0:53:00 | |
It seems to be affecting the President. | 0:53:00 | 0:53:02 | |
-I can't turn it off. -That's because I locked it, idiot. | 0:53:08 | 0:53:11 | |
Wilfred! Get inside, get him out. | 0:53:11 | 0:53:15 | |
Just need to filter the levels. | 0:53:20 | 0:53:23 | |
-I can see again. He's gone. -Radiation shielding. Press the button, let me out. | 0:53:24 | 0:53:28 | |
-You what? -I can't get out until you press the button, that button there. | 0:53:28 | 0:53:32 | |
-50 seconds and counting. -To what? | 0:53:34 | 0:53:37 | |
Ohhh, you're gonna love this. | 0:53:37 | 0:53:39 | |
He was hiding the codes. He's extrapolated the Gate's power, a million times over. | 0:53:40 | 0:53:44 | |
But it's not affecting us. | 0:53:44 | 0:53:47 | |
He's set the template to human! | 0:53:47 | 0:53:49 | |
WILF'S MOBILE RINGS | 0:53:50 | 0:53:52 | |
Hello? Oh, Gawd. | 0:53:52 | 0:53:55 | |
Donna? | 0:53:59 | 0:54:00 | |
Where are you? It's Mum and Shaun, something's wrong with them. | 0:54:00 | 0:54:04 | |
There's this face... | 0:54:04 | 0:54:06 | |
But wait a minute, I mean, what about you? Can't you see anything? | 0:54:06 | 0:54:10 | |
I can see them, that's bad enough. | 0:54:10 | 0:54:13 | |
Not now, Winston! | 0:54:13 | 0:54:14 | |
'Wilfred!' | 0:54:14 | 0:54:16 | |
Those dreams - I can remember that face. | 0:54:16 | 0:54:21 | |
There's a face. In my head. | 0:54:21 | 0:54:25 | |
Wilfred. It's everyone! | 0:54:25 | 0:54:29 | |
What is it? Hypnotism? Mind control? You're grafting your thoughts inside them, is that it? | 0:54:29 | 0:54:34 | |
Oh, that's way too easy. No, no, no, they're not gonna think like me. | 0:54:34 | 0:54:39 | |
They're gonna BECOME me. | 0:54:39 | 0:54:41 | |
A-a-a-and, zero! | 0:54:43 | 0:54:45 | |
You can't have! | 0:55:17 | 0:55:19 | |
What is it? | 0:55:19 | 0:55:20 | |
But they've changed! | 0:55:32 | 0:55:33 | |
Granddad, that's like...like the sort of thing that happened before! | 0:55:33 | 0:55:40 | |
My head. Ohh, my head! | 0:55:40 | 0:55:44 | |
Doctor! She's starting to remember. | 0:55:45 | 0:55:49 | |
What is it? What have you done, you monster? | 0:55:52 | 0:55:55 | |
-Oh, I'm sorry, are you talking to me? -Or to me? | 0:55:55 | 0:56:00 | |
Or to me? | 0:56:02 | 0:56:04 | |
Or to me? | 0:56:04 | 0:56:05 | |
Or to us? | 0:56:07 | 0:56:10 | |
Breaking news - I'm everyone. | 0:56:10 | 0:56:12 | |
And everyone in the world is me! | 0:56:12 | 0:56:15 | |
I'm President. | 0:56:15 | 0:56:17 | |
President of the United States. | 0:56:17 | 0:56:19 | |
Look at me! | 0:56:19 | 0:56:20 | |
Ooh, financial solution. | 0:56:23 | 0:56:25 | |
Deleted. Ha ha! | 0:56:25 | 0:56:28 | |
The human race was always your favourite, Doctor. | 0:56:32 | 0:56:35 | |
But now, there is no human race. | 0:56:35 | 0:56:39 | |
There is only... | 0:56:39 | 0:56:41 | |
the Master race. | 0:56:41 | 0:56:43 | |
THEY ALL LAUGH | 0:56:43 | 0:56:46 | |
And so it came to pass, | 0:57:39 | 0:57:41 | |
on Christmas Day, | 0:57:41 | 0:57:43 | |
that the human race did cease to exist. | 0:57:43 | 0:57:48 | |
But even then, the Master had no concept | 0:57:48 | 0:57:51 | |
of his greater role in events. | 0:57:51 | 0:57:54 | |
For this was far more than humanity's end. | 0:57:54 | 0:57:58 | |
This day was the day upon which | 0:58:00 | 0:58:02 | |
the whole of creation would change forever. | 0:58:02 | 0:58:07 | |
This was the day... | 0:58:07 | 0:58:09 | |
the Time Lords returned. | 0:58:09 | 0:58:12 | |
For Gallifrey. | 0:58:12 | 0:58:14 | |
(ALL:) For Gallifrey! | 0:58:14 | 0:58:15 | |
-For victory! -For victory! | 0:58:15 | 0:58:18 | |
For the end of time itself! | 0:58:18 | 0:58:22 | |
For the end of time itself! | 0:58:22 | 0:58:25 | |
This is the Doctor's final battle. | 0:59:03 | 0:59:06 | |
He must stand at arms. Or lose himself and all this world. | 0:59:08 | 0:59:12 | |
A rhythm of four. | 0:59:14 | 0:59:15 | |
The heartbeat of a Time Lord. | 0:59:17 | 0:59:21 | |
The Master is going to kill you. | 0:59:22 | 0:59:24 | |
Then kill him first. | 0:59:26 | 0:59:27 | |
At last. | 0:59:28 | 0:59:30 | |
Sometimes I think a Time Lord lives too long. | 0:59:30 | 0:59:33 |