Browse content similar to The End of Time - Part Two. Check below for episodes and series from the same categories and more!
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'I'm going to die. And I was told, | 0:00:02 | 0:00:05 | |
'"He will knock four times."' | 0:00:05 | 0:00:07 | |
What is it? What's inside your head? | 0:00:08 | 0:00:11 | |
It's real...! | 0:00:11 | 0:00:12 | |
The darkness heralds only one thing. | 0:00:14 | 0:00:17 | |
The end of time itself. | 0:00:19 | 0:00:22 | |
My head! Oh, my head. | 0:00:23 | 0:00:26 | |
If she ever remembers me, her mind will burn and she will die. | 0:00:26 | 0:00:30 | |
What have you done, you monster?! | 0:00:30 | 0:00:32 | |
'And so it came to pass, on Christmas Day, | 0:00:35 | 0:00:38 | |
'that the human race did cease to exist. | 0:00:38 | 0:00:41 | |
'This day | 0:00:42 | 0:00:44 | |
'was the day upon which the whole of creation would change forever.' | 0:00:44 | 0:00:49 | |
This was the day | 0:00:49 | 0:00:51 | |
the Time Lords returned. | 0:00:51 | 0:00:55 | |
What news of the Doctor? | 0:02:02 | 0:02:04 | |
Disappeared, my Lord President. | 0:02:04 | 0:02:07 | |
But we know his intention. He still possesses the Moment. | 0:02:07 | 0:02:11 | |
And he'll use it, to destroy Daleks and Time Lords alike. | 0:02:11 | 0:02:16 | |
The Visionary confirms it. | 0:02:16 | 0:02:19 | |
Ending, burning, falling, all of it falling, | 0:02:19 | 0:02:22 | |
the black and pitch and screaming fire, so burning. | 0:02:22 | 0:02:28 | |
All of her prophecies say the same. | 0:02:28 | 0:02:30 | |
That this is the last day of the Time War. | 0:02:30 | 0:02:34 | |
That Gallifrey falls. That we die, today. | 0:02:34 | 0:02:38 | |
Ending... Ending. Ending. Ending! | 0:02:38 | 0:02:42 | |
Perhaps it's time. | 0:02:42 | 0:02:45 | |
This is only the furthest edge of the Time War. | 0:02:46 | 0:02:49 | |
But at its heart, millions die every second. | 0:02:49 | 0:02:53 | |
Lost in bloodlust and insanity. | 0:02:53 | 0:02:57 | |
With time itself resurrecting them, | 0:02:57 | 0:03:00 | |
to find new ways of dying, over and over again, a travesty of life. | 0:03:00 | 0:03:06 | |
Isn't it better to end it, | 0:03:06 | 0:03:08 | |
-at last? -Thank you for your opinion. | 0:03:08 | 0:03:10 | |
SHE SCREAMS | 0:03:11 | 0:03:13 | |
I will NOT die! | 0:03:14 | 0:03:17 | |
Do you hear me?! | 0:03:18 | 0:03:20 | |
A billion years of Time Lord history riding on our backs. | 0:03:21 | 0:03:27 | |
I will not let this perish. I will not! | 0:03:27 | 0:03:33 | |
There is, um... | 0:03:39 | 0:03:41 | |
..there is one part of the prophecy, my Lord. | 0:03:44 | 0:03:47 | |
Forgive me... | 0:03:48 | 0:03:49 | |
I'm sorry. It's rather difficult to decipher, but... | 0:03:49 | 0:03:55 | |
it talks of two survivors, beyond the Final Day. | 0:03:55 | 0:04:00 | |
Two children of Gallifrey. | 0:04:00 | 0:04:03 | |
Does it name them? | 0:04:03 | 0:04:04 | |
It foresees them locked in their final confrontation, | 0:04:04 | 0:04:08 | |
The Enmity of Ages, | 0:04:08 | 0:04:10 | |
-which would suggest... -The Doctor! | 0:04:10 | 0:04:13 | |
And the Master. | 0:04:14 | 0:04:16 | |
One word keeps being repeated, my Lord. One constant word. | 0:04:16 | 0:04:21 | |
Earth. | 0:04:22 | 0:04:24 | |
Earth... | 0:04:24 | 0:04:25 | |
Earth. Earth. Earth! Earth! | 0:04:25 | 0:04:28 | |
-Earth...! -Planet Earth. | 0:04:28 | 0:04:31 | |
Indigenous species, the human race. | 0:04:31 | 0:04:33 | |
Earth... Earth... Earth... | 0:04:33 | 0:04:36 | |
Maybe that's where the answer lies. | 0:04:37 | 0:04:40 | |
Our salvation. | 0:04:40 | 0:04:42 | |
On Earth. | 0:04:42 | 0:04:44 | |
THE MASTER CACKLES | 0:04:45 | 0:04:47 | |
Now, then. I've got a planet to run. | 0:04:52 | 0:04:55 | |
Is everybody ready? | 0:04:57 | 0:04:59 | |
'Six billion, seven hundred and twenty-seven million, nine hundred and forty-nine thousand | 0:04:59 | 0:05:03 | |
'three hundred and thirty-eight versions of us awaiting orders. | 0:05:03 | 0:05:06 | |
'This is Washington. | 0:05:06 | 0:05:07 | |
'As President of the United States, | 0:05:07 | 0:05:09 | |
'I can transfer all the United Nations protocols to you immediately, | 0:05:09 | 0:05:15 | |
'putting you in charge of all the Earth's defences. | 0:05:15 | 0:05:18 | |
'UNIT HQ, Geneva reporting. All under your command, sir. | 0:05:18 | 0:05:22 | |
'And this is the Central Military Commission here in Beijing, sir.' | 0:05:23 | 0:05:27 | |
With over 2.5 million soldiers, sir. | 0:05:27 | 0:05:31 | |
Present arms! | 0:05:32 | 0:05:34 | |
Enough soldiers and weapons to turn this planet into a warship. | 0:05:36 | 0:05:40 | |
Nothing to say...Doctor? | 0:05:41 | 0:05:45 | |
What's that? Pardon? | 0:05:45 | 0:05:47 | |
-Sorry? -You let him go, you swine. | 0:05:47 | 0:05:50 | |
Oh, your dad's still kicking up a fuss. | 0:05:50 | 0:05:53 | |
-Yeah? Well, I'd be proud if I was. -Hush, now. | 0:05:53 | 0:05:56 | |
Listen to your Master. | 0:05:56 | 0:05:58 | |
MOBILE PHONE RINGS | 0:06:01 | 0:06:04 | |
-That's a mobile. -It's mine, let me turn it off. | 0:06:07 | 0:06:10 | |
No, no, no. I don't think you understand. | 0:06:10 | 0:06:12 | |
Everybody on this planet...is me. And I'm not phoning you, so who the hell is that? | 0:06:12 | 0:06:17 | |
It's nobody. Probably some ring-back call. | 0:06:17 | 0:06:19 | |
Ooh, and look at this. Good man! | 0:06:19 | 0:06:23 | |
-"Donna." Who's Donna? -She's no-one, just leave it. | 0:06:27 | 0:06:30 | |
'Gramps... Don't hang up, you've got to help me.' | 0:06:32 | 0:06:35 | |
I ran out... but everyone was changing. | 0:06:35 | 0:06:39 | |
-Who is she? Why didn't she change? -'Gramps...' | 0:06:39 | 0:06:41 | |
Well, it was this thing the Doctor did... He did it to her. The Metacrisis. | 0:06:41 | 0:06:46 | |
Oh... He loves playing with Earth girls. | 0:06:46 | 0:06:50 | |
-Ugh! -'Are you there?' | 0:06:50 | 0:06:51 | |
'Find her. Trace the call.' | 0:06:51 | 0:06:52 | |
Trace the call. | 0:06:52 | 0:06:54 | |
'Are you still there? | 0:06:57 | 0:06:58 | |
-'Can you hear me?' -Say goodbye to the freak, Grandad. | 0:06:58 | 0:07:01 | |
Donna, get out of there! | 0:07:01 | 0:07:03 | |
'Just get out. Run!' | 0:07:04 | 0:07:05 | |
She's on Wessex Lane, Chiswick. | 0:07:05 | 0:07:07 | |
Open the phone lines. Everyone on Wessex Lane - red alert. | 0:07:07 | 0:07:10 | |
-'What do I do?' -Run, sweetheart, that's all. Run for your life! | 0:07:10 | 0:07:14 | |
-There's more of them. -'Donna? What's happening? Are you still there?' -They're everywhere... | 0:07:18 | 0:07:23 | |
Oh, I'm starving. | 0:07:23 | 0:07:25 | |
-'Look, I'm telling you. Run, Donna!' -I'm still hungry! | 0:07:25 | 0:07:28 | |
Just run, sweetheart. Just run! | 0:07:28 | 0:07:30 | |
It's not just them... | 0:07:34 | 0:07:37 | |
I can see those things again. | 0:07:37 | 0:07:38 | |
Those creatures. | 0:07:38 | 0:07:40 | |
Why can I see a giant wasp? | 0:07:41 | 0:07:43 | |
Donna, don't think about that, Donna, my love... | 0:07:43 | 0:07:46 | |
-'Don't!' -And it hurts. | 0:07:46 | 0:07:48 | |
My head. It keeps getting hotter. And hotter! | 0:07:49 | 0:07:53 | |
And hotter. And hotter. And hotter! | 0:07:53 | 0:07:56 | |
SHE SHRIEKS | 0:07:57 | 0:07:58 | |
What did I...? | 0:08:02 | 0:08:03 | |
Donna? What was that? | 0:08:09 | 0:08:11 | |
Donna...? | 0:08:12 | 0:08:13 | |
Donna, are you there? | 0:08:14 | 0:08:16 | |
Donna...! Donna! | 0:08:16 | 0:08:19 | |
Donna... | 0:08:19 | 0:08:21 | |
That's better. Hello. | 0:08:27 | 0:08:28 | |
-But really, did you think I'd leave my best friend without a defence mechanism? -Doctor? What happened? | 0:08:29 | 0:08:35 | |
She's all right, she's fine, I promise. She'll just sleep. | 0:08:35 | 0:08:39 | |
Tell me... | 0:08:39 | 0:08:40 | |
Where's your TARDIS? | 0:08:41 | 0:08:43 | |
You could be so wonderful. | 0:08:44 | 0:08:45 | |
-Where is it? -You're a genius. | 0:08:45 | 0:08:48 | |
You're stone-cold brilliant. You are, I swear, you really are. | 0:08:48 | 0:08:52 | |
But you could be so much more. | 0:08:52 | 0:08:54 | |
You could be beautiful. | 0:08:54 | 0:08:56 | |
With a mind like that, we could travel the stars. It would be my honour. | 0:08:58 | 0:09:03 | |
Because you don't need to own the universe. Just see it. | 0:09:03 | 0:09:07 | |
To have the privilege of seeing the whole of time and space... | 0:09:08 | 0:09:12 | |
..that's ownership enough. | 0:09:14 | 0:09:16 | |
Would it stop, then? | 0:09:20 | 0:09:21 | |
The noise in my head? | 0:09:24 | 0:09:26 | |
I can help. | 0:09:26 | 0:09:27 | |
I don't know what I'd be without that noise. | 0:09:30 | 0:09:33 | |
Wonder what I'd be, without you. | 0:09:36 | 0:09:39 | |
Yeah. | 0:09:49 | 0:09:51 | |
What does he mean? What noise? | 0:09:52 | 0:09:55 | |
It began on Gallifrey. | 0:09:58 | 0:09:59 | |
'As children.' | 0:10:01 | 0:10:02 | |
Not that you'd call it childhood. | 0:10:02 | 0:10:05 | |
More a life of...duty. | 0:10:08 | 0:10:10 | |
Eight years old - | 0:10:12 | 0:10:13 | |
'I was taken for initiation. To stare into the Untempered Schism.' | 0:10:15 | 0:10:19 | |
-What does that mean? -It's a gap in the fabric of reality. | 0:10:19 | 0:10:24 | |
You can see into the Time Vortex itself. | 0:10:24 | 0:10:27 | |
And it hurts. | 0:10:28 | 0:10:30 | |
They took me there. In the dark. | 0:10:30 | 0:10:35 | |
'I looked into time, old man. | 0:10:36 | 0:10:38 | |
'And I heard it. | 0:10:38 | 0:10:40 | |
'Calling to me. | 0:10:41 | 0:10:43 | |
'Drums...' | 0:10:45 | 0:10:47 | |
The never-ending drums. | 0:10:47 | 0:10:49 | |
The Untempered Schism. | 0:10:53 | 0:10:55 | |
That's when it began. | 0:10:55 | 0:10:57 | |
History says the Master heard a rhythm. | 0:10:57 | 0:11:02 | |
A torment that stayed with him for the rest of his life. | 0:11:02 | 0:11:05 | |
A drumbeat. A warrior's march. | 0:11:05 | 0:11:07 | |
A symptom of insanity, my Lord. | 0:11:07 | 0:11:11 | |
THE VISIONARY TAPS FOUR BEATS REPEATEDLY | 0:11:14 | 0:11:17 | |
A rhythm of four! | 0:11:24 | 0:11:27 | |
The heartbeat of a Time Lord. | 0:11:27 | 0:11:30 | |
SHE TAPS FOUR BEATS | 0:11:30 | 0:11:31 | |
Listen to it. | 0:11:32 | 0:11:34 | |
Listen. | 0:11:36 | 0:11:37 | |
Then let's find it. You and me. | 0:11:38 | 0:11:41 | |
Except... | 0:11:43 | 0:11:45 | |
Oh... | 0:11:47 | 0:11:49 | |
Oh, wait a minute. | 0:11:49 | 0:11:51 | |
Oh, yes. Oh, that's good. | 0:11:51 | 0:11:53 | |
-What? What is? -The noise exists within my head. | 0:11:53 | 0:11:57 | |
And now within six billion heads. Everyone on Earth can hear it. | 0:11:57 | 0:12:00 | |
Imagine! Oh... | 0:12:00 | 0:12:02 | |
Oh, yes! | 0:12:03 | 0:12:04 | |
HE LAUGHS GLOATINGLY | 0:12:05 | 0:12:09 | |
The Gate wasn't enough. You're still dying. | 0:12:12 | 0:12:15 | |
This body was born out of death. All it can do is die. | 0:12:15 | 0:12:18 | |
But what did you say to me, back in the wasteland? | 0:12:20 | 0:12:24 | |
You said, "The end of time." | 0:12:24 | 0:12:26 | |
I said something is returning. I was shown a prophecy. That's why I need your help. | 0:12:26 | 0:12:31 | |
What if I'm part of it? | 0:12:31 | 0:12:32 | |
Don't you see? | 0:12:34 | 0:12:36 | |
The drumbeat is calling from so far away. From the end of time itself. | 0:12:36 | 0:12:40 | |
And now it's been amplified six billion times. | 0:12:40 | 0:12:43 | |
Triangulate all those signals. I could find its source! | 0:12:43 | 0:12:46 | |
Oh, Doctor... | 0:12:46 | 0:12:48 | |
That's what your prophecy was. | 0:12:48 | 0:12:51 | |
Me! | 0:12:52 | 0:12:54 | |
-Where's the TARDIS? -No. Just stop. | 0:12:57 | 0:13:00 | |
Just think. | 0:13:00 | 0:13:02 | |
Kill him. | 0:13:02 | 0:13:03 | |
-I need that technology, Doctor. Tell me where it is, or the old man is dead. -Don't tell him. | 0:13:06 | 0:13:11 | |
I'll kill him, right now! | 0:13:11 | 0:13:12 | |
Actually, the most impressive thing about you is that after all this time, you're still bone-dead stupid. | 0:13:14 | 0:13:19 | |
HIS NECK CRACKS | 0:13:19 | 0:13:21 | |
Take aim. | 0:13:21 | 0:13:22 | |
-You've got six billion pairs of eyes, but you still can't see the obvious, can you? -Like what? | 0:13:22 | 0:13:29 | |
That guard is one inch too tall. | 0:13:29 | 0:13:32 | |
Oh, my God, I hit him. I've never hit anyone in my life. | 0:13:37 | 0:13:40 | |
Well, come on! | 0:13:42 | 0:13:43 | |
We need to get out of here, fast. | 0:13:43 | 0:13:46 | |
-God bless the cactuses! -That's CACTI. | 0:13:46 | 0:13:49 | |
That's racist! | 0:13:49 | 0:13:51 | |
This prophecy of yours, Doctor... where did it come from? | 0:13:51 | 0:13:55 | |
Doctor? | 0:13:56 | 0:13:57 | |
-Come on! We've got to get out. -There's too many buckles and straps. | 0:13:57 | 0:14:01 | |
Just...wheel him. | 0:14:01 | 0:14:03 | |
No, no, no... Get me out. No... | 0:14:03 | 0:14:06 | |
No, don't... Don't! | 0:14:06 | 0:14:08 | |
No, no, no... | 0:14:08 | 0:14:09 | |
What's going on? Doctor! | 0:14:09 | 0:14:11 | |
-Which way? -This way. -No, no, no, the other way! I've got my TARDIS. | 0:14:11 | 0:14:16 | |
-I know what I'm doing. -No, no, just...just listen to me! | 0:14:16 | 0:14:19 | |
Find him. Find him! | 0:14:22 | 0:14:25 | |
THE DOCTOR: Not the stairs... | 0:14:27 | 0:14:28 | |
Not the stairs! | 0:14:28 | 0:14:30 | |
No...! | 0:14:31 | 0:14:32 | |
Oh! Aaagh! | 0:14:33 | 0:14:35 | |
Worst...rescue...ever! | 0:14:39 | 0:14:42 | |
Underneath the Gate Room, sir. | 0:14:42 | 0:14:44 | |
-Basement. Get him. -Yes, sir. | 0:14:44 | 0:14:46 | |
Just...stop, and listen to me! | 0:14:53 | 0:14:57 | |
-Gotcha. -You think so? | 0:14:59 | 0:15:02 | |
No, no, no - don't, don't! | 0:15:02 | 0:15:03 | |
-Now get me out of this thing! -Don't say thanks, will you(?) | 0:15:07 | 0:15:11 | |
He's not going to let us go. Just hurry up and get me out! | 0:15:11 | 0:15:14 | |
Oh, my goodness me... | 0:15:14 | 0:15:16 | |
We're in space! | 0:15:16 | 0:15:18 | |
-Come on! -All right! -Oh... -Get a move on! | 0:15:18 | 0:15:21 | |
'Open the teleport and follow him!' | 0:15:33 | 0:15:36 | |
HE SIGHS IN EXASPERATION | 0:15:36 | 0:15:38 | |
-Come on! -All right! | 0:15:38 | 0:15:40 | |
He's still up there. | 0:15:48 | 0:15:50 | |
Target practice. | 0:15:53 | 0:15:54 | |
-Where's your flight deck? -But we're safe! We're a hundred thousand miles above the Earth. | 0:15:54 | 0:16:00 | |
And he's got every single missile on the planet ready to fire! | 0:16:00 | 0:16:03 | |
Good point. | 0:16:05 | 0:16:06 | |
-But we're in space...! -Yup. | 0:16:15 | 0:16:17 | |
WILF PANTS | 0:16:29 | 0:16:32 | |
Turn everything you've got to the skies. Find me that ship. | 0:16:32 | 0:16:35 | |
-And prime the missiles. -Open up the radar, maximum scan. | 0:16:35 | 0:16:38 | |
-ALL: -Yes, sir. | 0:16:38 | 0:16:41 | |
We've got to close it down! | 0:16:42 | 0:16:44 | |
No chance, mate, we're going home. | 0:16:44 | 0:16:47 | |
We're a salvage team. Local politics has nothing to do with us. | 0:16:47 | 0:16:50 | |
-Not unless there's a carnival. Sooner we get back to Vinvocci space the better. -You're not leaving. | 0:16:50 | 0:16:55 | |
ENGINES FALL SILENT | 0:16:58 | 0:17:01 | |
Anything? | 0:17:10 | 0:17:11 | |
Shh-shh-shh-shh... | 0:17:19 | 0:17:21 | |
DULL METALLIC GRINDING | 0:17:24 | 0:17:27 | |
I'm sorry, sir. Nothing. | 0:17:35 | 0:17:37 | |
'Lost him.' | 0:17:38 | 0:17:40 | |
What about teleport coordinates? 'I need that information.' | 0:17:40 | 0:17:44 | |
He's cut the link, sir. No trace, all dead. | 0:17:45 | 0:17:48 | |
Still... | 0:17:48 | 0:17:51 | |
Open fire! | 0:17:51 | 0:17:52 | |
No way back now. He's stranded. | 0:17:57 | 0:18:00 | |
No sign of any missiles... | 0:18:08 | 0:18:12 | |
No sign of...anything. | 0:18:14 | 0:18:16 | |
You've wrecked the place! | 0:18:16 | 0:18:18 | |
The engines are burnt out. Just auxiliary lights. Everything else is kaput. | 0:18:18 | 0:18:22 | |
We can't move. We're stuck, in orbit. | 0:18:22 | 0:18:26 | |
Thanks to you. You idiot! | 0:18:26 | 0:18:28 | |
I know you, though. I bet you've got a plan, haven't you? Eh? | 0:18:33 | 0:18:37 | |
Come on! You've always got a trick up your sleeve. | 0:18:37 | 0:18:41 | |
Nice little bit of the old Doctor flimflam, ha-ha-ha, | 0:18:41 | 0:18:45 | |
sort of thing? Eh? | 0:18:45 | 0:18:46 | |
Oh, blimey. | 0:18:51 | 0:18:53 | |
Night has fallen. | 0:19:09 | 0:19:11 | |
-Are we ready? -Every single one of us is prepared. | 0:19:12 | 0:19:15 | |
Then we listen. All of us. | 0:19:16 | 0:19:19 | |
Across the world. | 0:19:19 | 0:19:21 | |
Just...listen. | 0:19:22 | 0:19:25 | |
Concentrate. | 0:19:39 | 0:19:41 | |
Find the signal. | 0:19:41 | 0:19:43 | |
TAPPING BUILDS SLOWLY | 0:19:47 | 0:19:50 | |
There. | 0:19:52 | 0:19:53 | |
-TAPPING IN SETS OF FOUR BEATS -The sound is tangible. | 0:19:53 | 0:19:56 | |
THE TAPPING BECOMES THUMPING | 0:19:58 | 0:19:59 | |
Someone could only have designed this. | 0:19:59 | 0:20:01 | |
But who? | 0:20:03 | 0:20:04 | |
The signal has been sent. A simple task of four beats | 0:20:06 | 0:20:10 | |
transmitted back through time, and implanted in the Master's mind as a child. | 0:20:10 | 0:20:14 | |
Then we have a link, to where the Master is right now. | 0:20:14 | 0:20:18 | |
But we're still trapped inside the Timelock, sir. | 0:20:18 | 0:20:22 | |
The link is nothing more than...a thought, an idea. | 0:20:22 | 0:20:25 | |
Then we need something to make the contact physical. | 0:20:25 | 0:20:28 | |
Something...so simple. | 0:20:29 | 0:20:33 | |
So small and shining. Shining bright and cold. | 0:20:33 | 0:20:36 | |
The tiny, tiny star, falling, falling, burning, burning, burning. | 0:20:36 | 0:20:43 | |
Small enough to follow the link. | 0:20:43 | 0:20:45 | |
And if this were on Earth... | 0:20:45 | 0:20:50 | |
WHOOSHING | 0:21:00 | 0:21:02 | |
The sound... it's coming from above. | 0:21:08 | 0:21:10 | |
It's coming from the sky! | 0:21:11 | 0:21:13 | |
There! | 0:21:18 | 0:21:19 | |
Find it. | 0:21:20 | 0:21:21 | |
Get out there and find it! | 0:21:21 | 0:21:23 | |
-GUARDS: -Yes, sir. -EXPLOSIVE CRASH | 0:21:23 | 0:21:25 | |
It's a diamond, sir. | 0:21:57 | 0:21:58 | |
Oh... | 0:22:02 | 0:22:04 | |
The most impossible diamond. | 0:22:05 | 0:22:07 | |
You won't believe this. | 0:22:07 | 0:22:09 | |
'It's a Whitepoint star!' | 0:22:10 | 0:22:13 | |
HE LAUGHS JOYOUSLY | 0:22:19 | 0:22:23 | |
THE MASTER'S LAUGH ECHOES | 0:22:27 | 0:22:29 | |
-WILF: -Doctor...? | 0:22:32 | 0:22:33 | |
Hello? | 0:22:33 | 0:22:35 | |
Hello? | 0:22:39 | 0:22:41 | |
METALLIC GRINDING | 0:22:41 | 0:22:43 | |
Is that you? | 0:22:45 | 0:22:46 | |
Doctor...? | 0:22:59 | 0:23:01 | |
Anyone? | 0:23:07 | 0:23:09 | |
Anyone?! | 0:23:10 | 0:23:12 | |
Oh, I think I'm lost. | 0:23:14 | 0:23:15 | |
And yet you are found. | 0:23:17 | 0:23:19 | |
Events are closing. | 0:23:25 | 0:23:27 | |
The day is almost upon us. | 0:23:27 | 0:23:30 | |
But tell me, old soldier. | 0:23:31 | 0:23:33 | |
Did you take arms? | 0:23:33 | 0:23:35 | |
I brought this. But...what am I supposed to do? | 0:23:37 | 0:23:40 | |
This is the Doctor's final battle. | 0:23:40 | 0:23:43 | |
At the end of his life, | 0:23:44 | 0:23:46 | |
he must stand at arms, | 0:23:46 | 0:23:49 | |
or lose himself and all this world, to the end of time. | 0:23:49 | 0:23:54 | |
But he...he never carries guns. He doesn't do... | 0:23:54 | 0:23:57 | |
Who are you? | 0:23:59 | 0:24:01 | |
I was lost... | 0:24:03 | 0:24:05 | |
so very long ago. | 0:24:05 | 0:24:07 | |
Aye, aye. | 0:24:35 | 0:24:36 | |
Got this old tub mended? | 0:24:36 | 0:24:38 | |
Just trying to fix the heating. | 0:24:38 | 0:24:41 | |
-Oh... -HE SIGHS | 0:24:42 | 0:24:44 | |
D'you know, I've always dreamt of a view like that. | 0:24:44 | 0:24:48 | |
Hey-hey! | 0:24:49 | 0:24:50 | |
I'm an astronaut. | 0:24:50 | 0:24:52 | |
It's dawn over England, look. | 0:24:53 | 0:24:56 | |
Brand new day. | 0:24:57 | 0:24:59 | |
My wife's buried down there. | 0:25:00 | 0:25:02 | |
I might never visit her again, now. | 0:25:04 | 0:25:06 | |
D'you think he changed them? | 0:25:10 | 0:25:12 | |
In their graves? | 0:25:12 | 0:25:14 | |
I'm sorry. | 0:25:16 | 0:25:17 | |
No, not your fault. | 0:25:18 | 0:25:20 | |
Isn't it? | 0:25:21 | 0:25:23 | |
Ooh... 1948, I was over there. | 0:25:24 | 0:25:28 | |
End of the Mandate in Palestine. | 0:25:28 | 0:25:30 | |
Private Mott. Skinny little idiot, I was. | 0:25:30 | 0:25:34 | |
Stood on this rooftop, the middle of a skirmish... | 0:25:35 | 0:25:39 | |
It was like a blizzard, all them bullets in the air. | 0:25:39 | 0:25:43 | |
The world gone mad. | 0:25:44 | 0:25:45 | |
Yeah, you don't want to listen to an old man's tales, do you? | 0:25:47 | 0:25:51 | |
-I'm older than you. -Get away. | 0:25:51 | 0:25:53 | |
I'm 906. | 0:25:53 | 0:25:55 | |
-What, really, though? -Yeah. | 0:25:57 | 0:26:00 | |
900 years... | 0:26:00 | 0:26:02 | |
We must look like insects to you. | 0:26:04 | 0:26:06 | |
I think you look like giants. | 0:26:07 | 0:26:09 | |
Listen, I... | 0:26:14 | 0:26:15 | |
I want you to have this. I've kept it all this time, and I thought... | 0:26:15 | 0:26:20 | |
No. | 0:26:21 | 0:26:22 | |
No, but if you take it, you could... | 0:26:22 | 0:26:24 | |
No. | 0:26:24 | 0:26:25 | |
You had that gun in the mansion. | 0:26:31 | 0:26:33 | |
You could have shot the Master there and then. | 0:26:34 | 0:26:38 | |
Too scared, I suppose. | 0:26:39 | 0:26:42 | |
I'd be proud. | 0:26:42 | 0:26:44 | |
-Of what? -If you were my dad. | 0:26:44 | 0:26:47 | |
Oh, come on, don't start. | 0:26:48 | 0:26:50 | |
But you said...you were told... | 0:26:54 | 0:26:57 | |
..he will knock four times, and then you die. | 0:26:58 | 0:27:00 | |
Well, that's him, isn't it? The Master. | 0:27:01 | 0:27:05 | |
That noise in his head? | 0:27:05 | 0:27:07 | |
The Master is going to kill you. | 0:27:07 | 0:27:10 | |
Yeah. | 0:27:11 | 0:27:12 | |
Then kill him first. | 0:27:13 | 0:27:16 | |
And that's how the Master started. | 0:27:17 | 0:27:19 | |
It's not like I'm an innocent. | 0:27:25 | 0:27:28 | |
I've taken lives. | 0:27:28 | 0:27:29 | |
I got worse - I got clever. | 0:27:34 | 0:27:36 | |
Manipulated people into taking their own. | 0:27:40 | 0:27:42 | |
Sometimes I think a Time Lord lives too long. | 0:27:47 | 0:27:51 | |
I can't. | 0:27:57 | 0:27:59 | |
I just can't. | 0:28:01 | 0:28:03 | |
If the Master dies... | 0:28:07 | 0:28:10 | |
what happens to all the people? | 0:28:10 | 0:28:12 | |
-I don't know. -Doctor... | 0:28:15 | 0:28:17 | |
what happens? | 0:28:17 | 0:28:19 | |
The template snaps. | 0:28:20 | 0:28:22 | |
What, they go back to being human? | 0:28:23 | 0:28:25 | |
They're alive? | 0:28:26 | 0:28:28 | |
And human? | 0:28:29 | 0:28:31 | |
Then don't you dare, sir. | 0:28:33 | 0:28:35 | |
Don't you DARE put him before them. | 0:28:36 | 0:28:39 | |
Now you take this, that's an order, Doctor. Take the gun. | 0:28:40 | 0:28:43 | |
You take the gun and save your life. | 0:28:43 | 0:28:46 | |
And...please don't die. | 0:28:46 | 0:28:48 | |
You're the most wonderful man and I don't...want you to die! | 0:28:48 | 0:28:52 | |
WILF SOBS QUIETLY | 0:28:52 | 0:28:54 | |
Never. | 0:29:01 | 0:29:03 | |
'A star...fell from the sky.' | 0:29:05 | 0:29:08 | |
Don't you want to know where from? | 0:29:11 | 0:29:13 | |
'Because now it makes sense, Doctor.' | 0:29:14 | 0:29:16 | |
It's an open broadcast. Don't reply, | 0:29:16 | 0:29:19 | |
or he'll know where we are. | 0:29:19 | 0:29:20 | |
'The whole of my life. | 0:29:20 | 0:29:21 | |
'My destiny. | 0:29:21 | 0:29:23 | |
'The star was a diamond.' | 0:29:25 | 0:29:28 | |
And the diamond... | 0:29:29 | 0:29:31 | |
-..is a Whitepoint star. -THE DOCTOR GASPS | 0:29:32 | 0:29:36 | |
'And I have worked all night, | 0:29:36 | 0:29:37 | |
'to sanctify that gift.' | 0:29:37 | 0:29:40 | |
Now the star is mine, | 0:29:40 | 0:29:44 | |
I can increase the signal... | 0:29:44 | 0:29:46 | |
and use it as a lifeline. | 0:29:46 | 0:29:49 | |
Do you get it now? Do you see? | 0:29:49 | 0:29:51 | |
Keep watching, Doctor. | 0:29:54 | 0:29:57 | |
This should be...spectacular. | 0:29:57 | 0:30:01 | |
'Over and out.' | 0:30:02 | 0:30:03 | |
What's he on about? What's he doing? Doctor, what does that mean? | 0:30:03 | 0:30:07 | |
A Whitepoint star is only found on one planet - | 0:30:07 | 0:30:10 | |
Gallifrey. | 0:30:10 | 0:30:12 | |
Which means... | 0:30:12 | 0:30:14 | |
it's the Time Lords. | 0:30:14 | 0:30:15 | |
The Time Lords are returning. | 0:30:17 | 0:30:18 | |
Well, that's good, isn't it? That's your people. | 0:30:18 | 0:30:21 | |
Open up the nuclear bolt. Infuse the power lines to maximum. | 0:30:29 | 0:30:33 | |
BUZZING | 0:30:35 | 0:30:36 | |
Nuclear bolt accelerating, sir. | 0:30:39 | 0:30:41 | |
Send the signal back and the link becomes a pathway. | 0:30:42 | 0:30:46 | |
BLEEPING IN GROUPS OF FOUR | 0:30:52 | 0:30:55 | |
Come home. | 0:31:11 | 0:31:13 | |
BLEEPING IN GROUPS OF FOUR | 0:31:16 | 0:31:19 | |
What's that? | 0:31:19 | 0:31:20 | |
Coming from Earth. | 0:31:21 | 0:31:24 | |
It's on every single wavelength. | 0:31:24 | 0:31:26 | |
HE BREATHES HEAVILY | 0:31:28 | 0:31:30 | |
Contact! | 0:31:33 | 0:31:35 | |
At last. | 0:31:35 | 0:31:37 | |
We have contact. | 0:31:40 | 0:31:42 | |
Now the High Council of Time Lords must vote. | 0:31:43 | 0:31:46 | |
Whether we die here, today, | 0:31:48 | 0:31:50 | |
or return to the waking world and complete the Ultimate Sanction. | 0:31:51 | 0:31:56 | |
For this is the hour | 0:31:57 | 0:31:58 | |
when either Gallifrey falls, | 0:31:58 | 0:32:02 | |
or Gallifrey rises! | 0:32:02 | 0:32:05 | |
ALL: Gallifrey rises! | 0:32:05 | 0:32:07 | |
Gallifrey rises! | 0:32:07 | 0:32:11 | |
But you said your people were dead. | 0:32:11 | 0:32:13 | |
-Past tense. -Inside the Time War! | 0:32:13 | 0:32:15 | |
And the whole War was Timelocked - like, sealed inside a bubble. | 0:32:15 | 0:32:18 | |
It's not a bubble but think of a bubble. Nothing can get in or get out of the Timelock. | 0:32:18 | 0:32:22 | |
-Nothing can get in or get out, except something that was already there. -The signal. Since he was a kid. | 0:32:22 | 0:32:27 | |
If they can follow the signal, they can escape, before they die. | 0:32:27 | 0:32:31 | |
-Well, big reunion. We'll have a party. -There will be no party. | 0:32:31 | 0:32:34 | |
But I've heard you talk about your people like they're wonderful. | 0:32:34 | 0:32:37 | |
That's how I choose to remember the Time Lords of old. | 0:32:37 | 0:32:39 | |
But then they went to war, an endless war, and it changed them. Right to the core. | 0:32:39 | 0:32:45 | |
The Time Lords are more dangerous than any of my enemies. | 0:32:45 | 0:32:47 | |
Time Lords... What lords? Anyone want to explain? | 0:32:47 | 0:32:51 | |
Right, you! This is a salvage ship, yes? | 0:32:51 | 0:32:53 | |
-You go trawling the asteroid fields for junk? -Yeah, what about it? | 0:32:53 | 0:32:56 | |
-So, you've got asteroid lasers! -Yeah, but they're all frazzled. | 0:32:56 | 0:33:01 | |
Consider them unfrazzled. | 0:33:01 | 0:33:02 | |
You there - I'm going to need you on navigation. | 0:33:05 | 0:33:08 | |
And you, get in the laser-pod. | 0:33:08 | 0:33:10 | |
-Wilfred... -Yeah? | 0:33:10 | 0:33:11 | |
Laser number two. | 0:33:11 | 0:33:12 | |
-The old soldier's got one more battle. -Right. | 0:33:12 | 0:33:15 | |
This ship...can't move. | 0:33:16 | 0:33:17 | |
It's dead! | 0:33:17 | 0:33:19 | |
Fix the heating. | 0:33:19 | 0:33:20 | |
-But now they can see us. -Oh, yes! | 0:33:25 | 0:33:27 | |
Sir. We've got a fix. 105,000 miles in orbit. | 0:33:28 | 0:33:31 | |
This is my ship. And you're not moving it. Step away from the wheel. | 0:33:32 | 0:33:36 | |
There's an old Earth saying, Captain. | 0:33:36 | 0:33:38 | |
A phrase of great power, and wisdom, and consolation to the soul in times of need. | 0:33:38 | 0:33:43 | |
-What's that, then? -Allons-y! | 0:33:43 | 0:33:46 | |
-He's moving, sir. -Get a fix on him. | 0:33:51 | 0:33:54 | |
He's moving very fast. | 0:33:54 | 0:33:56 | |
Come on! | 0:33:56 | 0:33:58 | |
Come on...! | 0:34:06 | 0:34:09 | |
You are blinkin', flippin' mad. | 0:34:09 | 0:34:11 | |
You two. What did I say? Lasers. | 0:34:13 | 0:34:14 | |
-What for? -Because of the missiles. | 0:34:14 | 0:34:17 | |
We've got to fight off the entire planet! | 0:34:19 | 0:34:22 | |
All NATO defences coordinated, sir, awaiting your command. | 0:34:23 | 0:34:26 | |
I don't need HIM. Any second now, I'll have Time Lords to spare. | 0:34:26 | 0:34:30 | |
Take him out. Launch missiles! | 0:34:30 | 0:34:32 | |
Launch missiles. | 0:34:32 | 0:34:33 | |
-ALL: -Missiles launching in three, two... | 0:34:33 | 0:34:37 | |
one, zero. | 0:34:37 | 0:34:40 | |
Hey...! | 0:34:48 | 0:34:50 | |
-HE WHISTLES -How does this thing work? | 0:34:51 | 0:34:54 | |
The tracking's automatic. Just deploy the trigger on the joystick. | 0:34:54 | 0:34:57 | |
Oh... Whoa, whoa, whoa, whoa! | 0:34:59 | 0:35:01 | |
-We've got incoming. -Look at this one! Oh, my God! | 0:35:06 | 0:35:09 | |
You two! Open fire! | 0:35:09 | 0:35:11 | |
Oh, my God! | 0:35:11 | 0:35:12 | |
Whoa. Whoa! | 0:35:14 | 0:35:16 | |
No, no, no, no, no! | 0:35:16 | 0:35:17 | |
Open fire! Come on, Wilf! | 0:35:20 | 0:35:22 | |
Ahh...waahh... Whoo! | 0:35:24 | 0:35:27 | |
Oh, I wish Donna could see me now. | 0:35:27 | 0:35:30 | |
Second wave. Launch missiles. | 0:35:30 | 0:35:32 | |
Yes, sir. | 0:35:32 | 0:35:34 | |
And there's more. 16 of them. | 0:35:40 | 0:35:42 | |
Oh! And another 16. | 0:35:43 | 0:35:44 | |
Go to the rear-gun lasers! | 0:35:44 | 0:35:46 | |
You two, open fire! | 0:35:49 | 0:35:50 | |
NOW! | 0:35:50 | 0:35:52 | |
-Yes! -No, you don't! | 0:36:06 | 0:36:07 | |
HE WAILS | 0:36:18 | 0:36:20 | |
Come on! | 0:36:20 | 0:36:22 | |
Come on! Fire! | 0:36:22 | 0:36:25 | |
Whoa! Wow! | 0:36:27 | 0:36:29 | |
Yes! | 0:36:30 | 0:36:31 | |
-Lock the navigation. -Onto what? -England. | 0:36:35 | 0:36:38 | |
The Naismith mansion. | 0:36:38 | 0:36:41 | |
-'He's heading straight for you.' -But too late. | 0:36:41 | 0:36:45 | |
They are coming. | 0:36:45 | 0:36:46 | |
The vote is taken. | 0:36:46 | 0:36:47 | |
Only two stand against. | 0:36:47 | 0:36:49 | |
And will stand as monument to their shame, | 0:36:49 | 0:36:52 | |
like the Weeping Angels of old. | 0:36:52 | 0:36:55 | |
Now the vanguard stands prepared, | 0:36:55 | 0:36:58 | |
as the children of Gallifrey return to the universe. | 0:36:58 | 0:37:02 | |
To Earth. | 0:37:02 | 0:37:04 | |
HE LAUGHS ECSTATICALLY | 0:37:07 | 0:37:09 | |
Destination? | 0:37:12 | 0:37:14 | |
50 kliks and closing. | 0:37:14 | 0:37:15 | |
We've locked on to the house. | 0:37:18 | 0:37:20 | |
We are going to stop, though? | 0:37:20 | 0:37:22 | |
Doctor? | 0:37:22 | 0:37:24 | |
We are going to stop?! | 0:37:24 | 0:37:27 | |
Closer! And closer! | 0:37:29 | 0:37:32 | |
And closer! | 0:37:32 | 0:37:34 | |
Doctor! | 0:37:36 | 0:37:39 | |
Doctor, you said you were going to die. | 0:37:39 | 0:37:41 | |
He said what?! | 0:37:41 | 0:37:43 | |
But is that all of us? | 0:37:43 | 0:37:44 | |
I won't stop you, sir. But is this it? | 0:37:46 | 0:37:49 | |
-I think I should warn you... -Not now! | 0:38:00 | 0:38:02 | |
HE GROANS | 0:38:35 | 0:38:36 | |
HE BREATHES HEAVILY | 0:38:36 | 0:38:39 | |
My Lord Doctor. | 0:38:46 | 0:38:49 | |
HE GROANS IN PAIN | 0:38:49 | 0:38:51 | |
My Lord Master. | 0:38:52 | 0:38:54 | |
We are gathered...for the end. | 0:38:54 | 0:38:58 | |
Just...just turn it round, land it! | 0:39:06 | 0:39:08 | |
-We are not going in there. -I am NOT leaving that man on his own. | 0:39:08 | 0:39:13 | |
Not today. | 0:39:13 | 0:39:14 | |
Land it! | 0:39:15 | 0:39:17 | |
Listen to me. | 0:39:23 | 0:39:26 | |
You can't! | 0:39:26 | 0:39:27 | |
It is a fitting paradox that our salvation comes at the hands of our most infamous child. | 0:39:27 | 0:39:33 | |
Oh, he's not saving you. | 0:39:33 | 0:39:35 | |
Don't you realise what he's doing? | 0:39:35 | 0:39:37 | |
Hey, no, hey! That's mine. Hush. | 0:39:37 | 0:39:39 | |
Look around you. | 0:39:39 | 0:39:41 | |
I've transplanted myself into every single human being. | 0:39:41 | 0:39:45 | |
But who wants a mongrel little species like them? | 0:39:46 | 0:39:48 | |
Because now I can transplant myself into every single Time Lord. | 0:39:48 | 0:39:53 | |
Oh, yes, Mr President, sir, standing there all noble | 0:39:53 | 0:39:59 | |
and resplendent and decrepit, | 0:39:59 | 0:40:02 | |
think how much better you're going to look... | 0:40:02 | 0:40:04 | |
as me! | 0:40:04 | 0:40:07 | |
No, don't...! | 0:40:11 | 0:40:13 | |
No, no, no, stop it! | 0:40:13 | 0:40:15 | |
No, no! No, no! Don't! | 0:40:15 | 0:40:18 | |
On your knees, mankind. | 0:40:38 | 0:40:41 | |
No, that's fine, that's good, because you said salvation. | 0:40:45 | 0:40:48 | |
I still saved you, don't forget that. | 0:40:48 | 0:40:51 | |
-The approach begins. -LOW RUMBLING | 0:40:51 | 0:40:53 | |
Approach of what?! | 0:40:53 | 0:40:54 | |
Something is returning. Don't you ever listen? | 0:40:54 | 0:40:58 | |
That was the prophecy. | 0:40:58 | 0:40:59 | |
-Not someone, something. -What is it? | 0:40:59 | 0:41:03 | |
They're not just bringing back the species. It's Gallifrey. | 0:41:03 | 0:41:07 | |
Right here, right now. | 0:41:07 | 0:41:10 | |
Donna. Where's Donna? | 0:41:16 | 0:41:18 | |
SCREAMING | 0:41:23 | 0:41:25 | |
Donna? Donna! | 0:41:36 | 0:41:38 | |
Donna! | 0:41:38 | 0:41:40 | |
Oh, Doctor...please! | 0:41:43 | 0:41:47 | |
We're getting out of here. This whole planet's going to be knocked out of orbit. | 0:41:50 | 0:41:54 | |
What about the Doctor? | 0:41:54 | 0:41:56 | |
Well...he said he was dying. | 0:41:56 | 0:41:58 | |
SHOUTING | 0:41:59 | 0:42:01 | |
But I...I did this. I get the credit! | 0:42:03 | 0:42:07 | |
I'm on your side. | 0:42:07 | 0:42:09 | |
Come on, get out of the way, get out of the way! | 0:42:26 | 0:42:29 | |
Doctor... | 0:42:29 | 0:42:30 | |
KNOCKING | 0:42:30 | 0:42:32 | |
Somebody, please! | 0:42:32 | 0:42:33 | |
All right! I've got you. | 0:42:33 | 0:42:35 | |
Wilf, don't... Don't! | 0:42:35 | 0:42:38 | |
I've got you. Come on. Go on. | 0:42:39 | 0:42:42 | |
But...this is fantastic, isn't it? | 0:42:53 | 0:42:57 | |
-The Time Lords restored. -You weren't there... | 0:42:59 | 0:43:02 | |
in the final days of the War. | 0:43:02 | 0:43:04 | |
You never saw what was born. | 0:43:04 | 0:43:06 | |
If the Timelock's broken, everything's coming through, not just the Daleks, | 0:43:06 | 0:43:10 | |
but the Skaro Degradations, the Horde of Travesties, | 0:43:10 | 0:43:14 | |
the Nightmare Child, | 0:43:14 | 0:43:16 | |
the Could-have-been King with his army of Meanwhiles and Never-weres. | 0:43:16 | 0:43:20 | |
The War turned into hell. | 0:43:20 | 0:43:22 | |
And that's what you opened, right above the Earth. | 0:43:22 | 0:43:26 | |
Hell is descending. | 0:43:26 | 0:43:28 | |
-My kind of world. -Just listen! | 0:43:29 | 0:43:32 | |
Cos even the Time Lords can't survive that. | 0:43:32 | 0:43:35 | |
We will initiate the Final Sanction. | 0:43:35 | 0:43:38 | |
The end of time will come... | 0:43:38 | 0:43:41 | |
at my hand. | 0:43:41 | 0:43:43 | |
The rupture will continue, until it rips the Time Vortex apart. | 0:43:43 | 0:43:48 | |
That's suicide. | 0:43:48 | 0:43:49 | |
We will ascend... | 0:43:51 | 0:43:54 | |
to become creatures of consciousness alone. | 0:43:54 | 0:43:58 | |
Free of these bodies, free of time, | 0:43:58 | 0:44:02 | |
and cause and effect, | 0:44:02 | 0:44:04 | |
while creation itself ceases to be. | 0:44:04 | 0:44:07 | |
You see now? | 0:44:07 | 0:44:09 | |
That's what they were planning | 0:44:09 | 0:44:12 | |
in the final days of the War. | 0:44:12 | 0:44:15 | |
I had to stop them. | 0:44:16 | 0:44:18 | |
Then... | 0:44:18 | 0:44:20 | |
take me with you, Lord President. | 0:44:20 | 0:44:24 | |
Let me ascend into glory. | 0:44:24 | 0:44:27 | |
You are diseased. | 0:44:31 | 0:44:33 | |
Albeit a disease of our own making. | 0:44:33 | 0:44:35 | |
No more. | 0:44:37 | 0:44:39 | |
HIGH-PITCHED WHIRRING | 0:44:39 | 0:44:42 | |
GUN CLICKS | 0:44:42 | 0:44:44 | |
Choose your enemy well. | 0:44:50 | 0:44:52 | |
We are many. The Master is but one. | 0:44:52 | 0:44:56 | |
But he's the President. | 0:44:56 | 0:44:58 | |
Kill him, and Gallifrey could be yours. | 0:44:58 | 0:45:00 | |
GUN CLICKS | 0:45:02 | 0:45:04 | |
He's to blame, not me! | 0:45:04 | 0:45:07 | |
Oh...the link is inside my head. | 0:45:09 | 0:45:13 | |
Kill me, | 0:45:15 | 0:45:18 | |
the link gets broken, they go back. | 0:45:18 | 0:45:20 | |
You never would, you coward. | 0:45:27 | 0:45:30 | |
Go on then. Do it. | 0:45:35 | 0:45:40 | |
-GUN CLICKS -Exactly. | 0:45:51 | 0:45:54 | |
It's not just me, it's him. He's the link, kill him! | 0:45:54 | 0:45:57 | |
The final act of your life | 0:45:57 | 0:46:00 | |
is murder. | 0:46:00 | 0:46:02 | |
But which one of us? | 0:46:02 | 0:46:04 | |
GUN CLICKS | 0:46:43 | 0:46:45 | |
Get out of the way. | 0:46:55 | 0:46:57 | |
The link is broken. Back into the Time War, Rassilon. | 0:47:05 | 0:47:09 | |
Back into hell. | 0:47:09 | 0:47:11 | |
-THE VISIONARY: -Gallifrey falling! | 0:47:13 | 0:47:15 | |
Gallifrey falls! | 0:47:17 | 0:47:21 | |
You'll die with me, Doctor. | 0:47:21 | 0:47:24 | |
I know. | 0:47:24 | 0:47:26 | |
Get out of the way. | 0:47:39 | 0:47:42 | |
You did this to me! | 0:47:45 | 0:47:48 | |
All of my life! | 0:47:49 | 0:47:51 | |
You made me! | 0:47:54 | 0:47:57 | |
One! | 0:47:57 | 0:48:00 | |
Two! | 0:48:00 | 0:48:01 | |
Three! | 0:48:02 | 0:48:03 | |
FOUR! | 0:48:05 | 0:48:07 | |
I'm alive. | 0:48:54 | 0:48:56 | |
I've... | 0:48:58 | 0:49:00 | |
There was... | 0:49:02 | 0:49:03 | |
I'm still alive. | 0:49:08 | 0:49:10 | |
FOUR KNOCKS | 0:49:22 | 0:49:25 | |
FOUR KNOCKS | 0:49:28 | 0:49:31 | |
FOUR LOUD KNOCKS | 0:49:36 | 0:49:39 | |
ELECTRIC FIZZING | 0:49:41 | 0:49:44 | |
They've gone, then? | 0:49:55 | 0:49:57 | |
Good-oh. If you could let me out...? | 0:49:57 | 0:50:02 | |
Yeah. | 0:50:03 | 0:50:04 | |
Only, this thing seems to be making a bit of a noise. | 0:50:04 | 0:50:09 | |
The Master...left the nuclear bolt running. | 0:50:10 | 0:50:16 | |
It's gone into overload. | 0:50:18 | 0:50:19 | |
And that's bad, is it? | 0:50:19 | 0:50:21 | |
No... | 0:50:21 | 0:50:23 | |
cos all the excess radiation gets vented inside there. | 0:50:23 | 0:50:26 | |
Vinvocci glass. Contains it. | 0:50:27 | 0:50:31 | |
All 500,000 rads, about to flood that thing. | 0:50:33 | 0:50:36 | |
-Oh! -HE CHUCKLES | 0:50:36 | 0:50:37 | |
Well, you'd better let me out, then. | 0:50:37 | 0:50:40 | |
Except it's gone critical. | 0:50:42 | 0:50:43 | |
Touch one control and it floods. | 0:50:46 | 0:50:48 | |
Even this would set it off. | 0:50:53 | 0:50:55 | |
I'm sorry. | 0:50:59 | 0:51:00 | |
(Sure.) | 0:51:02 | 0:51:03 | |
Look, just leave me. | 0:51:03 | 0:51:06 | |
OK. Right, then...I will. | 0:51:11 | 0:51:13 | |
Cos you had to go in there, didn't you? | 0:51:13 | 0:51:17 | |
You had to go and get stuck, oh, yes! | 0:51:17 | 0:51:21 | |
Cos that's who you are, Wilfred. | 0:51:24 | 0:51:26 | |
You were always this. | 0:51:28 | 0:51:29 | |
Waiting for me all this time. | 0:51:31 | 0:51:34 | |
Oh, really, just leave me. | 0:51:34 | 0:51:38 | |
I'm an old man, Doctor. I've had my time. | 0:51:38 | 0:51:41 | |
Well, exactly. Look at you. | 0:51:41 | 0:51:43 | |
Not remotely important. | 0:51:43 | 0:51:45 | |
But me... | 0:51:48 | 0:51:49 | |
..I could do so much more. | 0:51:51 | 0:51:55 | |
So much more! | 0:51:56 | 0:51:58 | |
But this is what I get. | 0:52:00 | 0:52:02 | |
My reward. | 0:52:03 | 0:52:05 | |
And it's not fair! | 0:52:05 | 0:52:07 | |
Ohhh... | 0:52:21 | 0:52:24 | |
Lived too long. | 0:52:30 | 0:52:32 | |
No...no, no, please, please don't. No, don't. | 0:52:32 | 0:52:36 | |
Don't... Please don't! Please! | 0:52:36 | 0:52:40 | |
Wilfred...it's my honour. | 0:52:43 | 0:52:47 | |
Better be quick. Three, two, one. BUZZER | 0:52:50 | 0:52:54 | |
Ah... | 0:53:41 | 0:53:43 | |
What...? | 0:53:44 | 0:53:46 | |
-Hello. -Hi. | 0:53:55 | 0:53:59 | |
Still with us? | 0:53:59 | 0:54:01 | |
The system's dead. | 0:54:03 | 0:54:05 | |
I absorbed it all. | 0:54:08 | 0:54:10 | |
Whole thing's kaput. | 0:54:11 | 0:54:13 | |
Oh. Now it opens, yeah. | 0:54:14 | 0:54:18 | |
There we are then. Safe and sound. | 0:54:21 | 0:54:24 | |
Mind you, you're in hell of a state. | 0:54:26 | 0:54:28 | |
-You've got some battle scars there. -THE DOCTOR GROANS | 0:54:28 | 0:54:31 | |
CRINKLING | 0:54:33 | 0:54:36 | |
But they've... | 0:54:38 | 0:54:41 | |
Your face! | 0:54:41 | 0:54:43 | |
How did you do that? | 0:54:43 | 0:54:45 | |
It's started. | 0:54:53 | 0:54:55 | |
It's no good. She's freezing. How long was she lying there? It's like hypothermia! | 0:55:08 | 0:55:13 | |
Try them again. | 0:55:13 | 0:55:14 | |
I did, it's engaged. Everyone's dialling 999, I can't get through. | 0:55:14 | 0:55:18 | |
We've got to do something. Wake her up. Donna? | 0:55:18 | 0:55:20 | |
Can you hear me? | 0:55:20 | 0:55:23 | |
-FAINT METALLIC THRUMMING -Donna? | 0:55:23 | 0:55:26 | |
METALLIC THRUMMING | 0:55:26 | 0:55:30 | |
Donna? It's me, I'm here. | 0:55:32 | 0:55:35 | |
You're safe, you're home. | 0:55:35 | 0:55:38 | |
But...I was... | 0:55:38 | 0:55:41 | |
What happened? | 0:55:43 | 0:55:45 | |
Did I miss something...again? | 0:55:47 | 0:55:49 | |
Oh, she's smiling. | 0:56:01 | 0:56:04 | |
As if today wasn't bad enough. | 0:56:04 | 0:56:07 | |
Anyway... | 0:56:09 | 0:56:10 | |
Don't go thinking this is goodbye, Wilf. | 0:56:12 | 0:56:15 | |
I'll see you again, | 0:56:15 | 0:56:16 | |
-one more time. -What do you mean, when's that? | 0:56:16 | 0:56:19 | |
Just keep looking. I'll be there. | 0:56:20 | 0:56:23 | |
Where are you going? | 0:56:23 | 0:56:25 | |
To get my reward. | 0:56:31 | 0:56:33 | |
-I told you to stay behind. -You looked like you needed help. | 0:56:54 | 0:56:57 | |
Besides, you're the one who persuaded me to go freelance. | 0:56:57 | 0:57:00 | |
Yeah, but we're being fired at by a Sontaran. | 0:57:00 | 0:57:03 | |
A dumpling with a gun. And this is no place for a married woman. | 0:57:03 | 0:57:07 | |
Well, then. You shouldn't have married me. | 0:57:07 | 0:57:09 | |
CRASH! | 0:57:26 | 0:57:27 | |
If we go in here and down to the factory floor | 0:57:30 | 0:57:33 | |
-and down past that corridor, then he won't know that we're here. -Mickey... | 0:57:33 | 0:57:37 | |
Mickey! | 0:57:39 | 0:57:40 | |
Hey! | 0:57:46 | 0:57:49 | |
METALLIC THRUMMING | 0:58:03 | 0:58:06 | |
That was the maddest Christmas ever. | 0:58:12 | 0:58:14 | |
Mum doesn't know what happened. She got Mr Smith to put out a story saying wi-fi went mad, | 0:58:14 | 0:58:19 | |
all over the world, giving everyone hallucinations. How else do you explain it? | 0:58:19 | 0:58:23 | |
Everyone with a different face... HORN HONKS | 0:58:23 | 0:58:26 | |
But it's you! | 0:58:28 | 0:58:30 | |
You're... | 0:58:33 | 0:58:34 | |
Mum! | 0:58:38 | 0:58:39 | |
Mum! | 0:58:41 | 0:58:43 | |
-What? What is it? -It's him. | 0:58:43 | 0:58:46 | |
It's the Doctor. | 0:58:46 | 0:58:48 | |
SWING JAZZ PLAYS | 0:59:06 | 0:59:09 | |
ADIPOSE SQUEALS | 0:59:22 | 0:59:24 | |
Cho. No. Fro. Jo. Ko. Fo. To. Do. | 0:59:29 | 0:59:32 | |
MUSIC: "My Angel Put The Devil In Me" by Yamit Mamo | 0:59:32 | 0:59:37 | |
From the man over there. | 0:59:38 | 0:59:40 | |
# ..And an apple of love fell off my apple cart | 0:59:40 | 0:59:43 | |
# You looked at me, my heart began to pound | 0:59:43 | 0:59:47 | |
# You weren't the sort of guy I thought would stick around | 0:59:47 | 0:59:50 | |
# Hey, but it don't have to be eternally | 0:59:50 | 0:59:53 | |
# My bad, bad angel put the Devil in me! | 0:59:53 | 0:59:57 | |
# You put the Devil in me... # | 1:00:00 | 1:00:03 | |
So, Alonso... | 1:00:09 | 1:00:10 | |
..going my way? | 1:00:12 | 1:00:14 | |
How do you know my name? | 1:00:15 | 1:00:17 | |
I'm kinda psychic. | 1:00:17 | 1:00:19 | |
-Really? -Yeah. | 1:00:19 | 1:00:20 | |
Do you know what I'm thinking right now? | 1:00:21 | 1:00:24 | |
Oh, yeah. | 1:00:24 | 1:00:26 | |
No, it's not just a story, no. Every word of it is true. | 1:00:34 | 1:00:37 | |
I found my great grandmother's diary in the loft. | 1:00:37 | 1:00:40 | |
She was a nurse in 1913, and she fell in love with this man called John Smith. | 1:00:40 | 1:00:44 | |
Except he was a visitor... from another world. | 1:00:44 | 1:00:47 | |
She fell in love with a man from the stars. | 1:00:47 | 1:00:50 | |
And she wrote it all down. | 1:00:50 | 1:00:52 | |
Thank you. | 1:00:54 | 1:00:55 | |
And who's it for? | 1:00:58 | 1:01:00 | |
-The Doctor. -To the Doctor. | 1:01:00 | 1:01:04 | |
Funny, that's the name he used. | 1:01:04 | 1:01:07 | |
Was she happy...in the end? | 1:01:15 | 1:01:18 | |
Yes. Yes, she was. | 1:01:21 | 1:01:23 | |
Were you? | 1:01:27 | 1:01:29 | |
CHURCH BELLS RING | 1:01:39 | 1:01:42 | |
CHEERING | 1:01:49 | 1:01:50 | |
Three cheers. Hip, hip... | 1:02:02 | 1:02:04 | |
-ALL: -Hooray! | 1:02:04 | 1:02:06 | |
-Hip, hip... -Hooray! -Hip, hip... -Hooray! | 1:02:06 | 1:02:10 | |
Right, come on then, you lot. | 1:02:10 | 1:02:11 | |
Get in! This photo is just with friends. | 1:02:11 | 1:02:14 | |
Come on. And I want all of you in it, come on. That's it. | 1:02:14 | 1:02:17 | |
-Well, friends, and Nerys. -LAUGHTER | 1:02:17 | 1:02:21 | |
I'm only joking. Oh, look at her! | 1:02:22 | 1:02:25 | |
-You made me wear peach. -That's cos you are a peach. | 1:02:25 | 1:02:28 | |
-Furry skin, stone inside, going off. -OK, smile. | 1:02:28 | 1:02:32 | |
-ALL: -Cheese! | 1:02:32 | 1:02:35 | |
How about it, Wilfred? | 1:02:35 | 1:02:38 | |
-Eh? -Well, it's never too late. | 1:02:38 | 1:02:39 | |
Will you behave, Minnie! Honestly! | 1:02:39 | 1:02:43 | |
I'm going to catch that bouquet. | 1:02:43 | 1:02:45 | |
-HE CHUCKLES -Oh, dear. | 1:02:45 | 1:02:47 | |
Dad... | 1:02:53 | 1:02:55 | |
And here you are, same old face. | 1:03:04 | 1:03:07 | |
Didn't I tell you you'd be all right? | 1:03:07 | 1:03:09 | |
Oh! They've arrested Mr Naismith. | 1:03:09 | 1:03:11 | |
It was on the news. Crimes undisclosed. And his daughter. | 1:03:11 | 1:03:14 | |
Both of 'em, locked up. | 1:03:14 | 1:03:16 | |
But I keep thinking, Doctor, there's one thing you never told me. | 1:03:16 | 1:03:20 | |
That woman. Who was she? | 1:03:20 | 1:03:23 | |
I just wanted to give you this. | 1:03:31 | 1:03:32 | |
Wedding present. | 1:03:32 | 1:03:35 | |
Thing is, I never carry money. So I just popped back in time, | 1:03:35 | 1:03:38 | |
borrowed a quid off a really lovely man. | 1:03:38 | 1:03:41 | |
Geoffrey Noble, his name was. | 1:03:41 | 1:03:44 | |
"Have it," he said. | 1:03:46 | 1:03:47 | |
"Have that on me." | 1:03:48 | 1:03:50 | |
-Smile! -CAMERA CLICKS | 1:03:59 | 1:04:01 | |
Oh, don't tell me, it's a bill. | 1:04:04 | 1:04:06 | |
Just what I need, right now. | 1:04:06 | 1:04:08 | |
A lottery ticket?! | 1:04:08 | 1:04:10 | |
What a cheap present. Who was that? | 1:04:10 | 1:04:14 | |
Still, you never know, it's a triple rollover this week, I might get lucky. | 1:04:14 | 1:04:18 | |
Oi! Shaun! | 1:04:18 | 1:04:20 | |
Come on, we're on a tight schedule, oxtail soup at 2.30. | 1:04:20 | 1:04:24 | |
METALLIC THRUMMING | 1:04:59 | 1:05:01 | |
I'm late now, I've missed it. It's midnight. | 1:05:05 | 1:05:08 | |
Mickey'll be calling me everything. This is your fault. | 1:05:08 | 1:05:11 | |
No, it's Jimbo! He said he was going to give us a lift, | 1:05:11 | 1:05:13 | |
then he said his axle broke. I can't help it. | 1:05:13 | 1:05:16 | |
-Get rid of him, Mum, he's useless. -Listen to you! With a mechanic. | 1:05:16 | 1:05:20 | |
Be fair though, my time of life, I'm not gonna do much better. | 1:05:20 | 1:05:25 | |
Don't be like that. You never know. | 1:05:27 | 1:05:30 | |
There could be someone out there. | 1:05:30 | 1:05:31 | |
Maybe. One day. | 1:05:31 | 1:05:35 | |
-Happy New Year. -Happy New Year! | 1:05:36 | 1:05:39 | |
-Don't stay out all night. -Try and stop me. | 1:05:41 | 1:05:44 | |
THE DOCTOR GROANS | 1:05:50 | 1:05:52 | |
-You all right, mate? -Yeah. | 1:05:53 | 1:05:55 | |
Too much to drink? | 1:05:55 | 1:05:57 | |
Something like that. | 1:05:57 | 1:06:00 | |
Maybe it's time you went home. | 1:06:00 | 1:06:02 | |
-Yeah. -Anyway... | 1:06:02 | 1:06:04 | |
-Happy New Year. -And you. | 1:06:04 | 1:06:06 | |
What year is this? | 1:06:08 | 1:06:09 | |
Blimey, how much have you had?! | 1:06:11 | 1:06:14 | |
2005. January 1st. | 1:06:14 | 1:06:16 | |
2005. | 1:06:18 | 1:06:20 | |
Tell you what... | 1:06:21 | 1:06:23 | |
..I bet you're going to have a really great year. | 1:06:24 | 1:06:27 | |
Yeah? | 1:06:27 | 1:06:29 | |
See ya. | 1:06:34 | 1:06:35 | |
HE SHOUTS OUT IN PAIN | 1:07:18 | 1:07:20 | |
ETHEREAL SINGING | 1:07:31 | 1:07:35 | |
THE DOCTOR WHIMPERS | 1:07:37 | 1:07:39 | |
We will sing to you, Doctor. | 1:07:39 | 1:07:42 | |
The universe will sing you to your sleep. | 1:07:42 | 1:07:44 | |
POIGNANT SINGING | 1:07:49 | 1:07:52 | |
This song is ending. | 1:08:27 | 1:08:29 | |
But the story never ends. | 1:08:29 | 1:08:32 | |
I don't want to go. | 1:10:01 | 1:10:02 | |
CHORAL SINGING SWELLS | 1:10:14 | 1:10:17 | |
HE YELLS | 1:10:51 | 1:10:53 | |
Legs. I've still got legs, good. | 1:11:00 | 1:11:04 | |
Arms. | 1:11:04 | 1:11:06 | |
Hands. Ooh, fingers, lots of fingers. | 1:11:06 | 1:11:10 | |
Ears, yes. Eyes, two. | 1:11:10 | 1:11:12 | |
Nose, I've had worse. Chin, blimey. | 1:11:12 | 1:11:16 | |
Hair... | 1:11:16 | 1:11:17 | |
I'm a girl! | 1:11:17 | 1:11:19 | |
No! No... I'm not a girl. And still not ginger! | 1:11:19 | 1:11:25 | |
And something else, something important, I'm, I'm... | 1:11:25 | 1:11:29 | |
I'm... LOUD EXPLOSION | 1:11:29 | 1:11:32 | |
Ha! Crashing! | 1:11:32 | 1:11:34 | |
Ha-ha! | 1:11:42 | 1:11:43 | |
HE WHOOPS | 1:11:43 | 1:11:46 | |
Whoo-hoo-hoo! | 1:11:46 | 1:11:48 | |
Geronimo! | 1:11:51 | 1:11:55 | |
Subtitles by Red Bee Media Ltd | 1:12:26 | 1:12:30 | |
E-mail [email protected] | 1:12:30 | 1:12:33 |