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CLOCK TICKS RHYTHMICALLY | 0:00:02 | 0:00:03 | |
FOOTSTEPS APPROACH | 0:00:03 | 0:00:05 | |
METALLIC SQUEAKING | 0:00:05 | 0:00:07 | |
ROBOTIC WHIRRING | 0:00:15 | 0:00:16 | |
CLOCK CHIMES | 0:01:06 | 0:01:07 | |
ELECTRIC GUITAR PLAYS BEETHOVEN'S FIFTH SYMPHONY | 0:01:15 | 0:01:17 | |
SHE CLEARS HER THROAT | 0:01:20 | 0:01:22 | |
GUITAR FEEDBACK | 0:01:26 | 0:01:27 | |
-Potts? -Yeah. | 0:01:35 | 0:01:37 | |
Bill Potts. | 0:01:37 | 0:01:39 | |
You wanted to see me. | 0:01:39 | 0:01:41 | |
Er, you're not a student at this university. | 0:01:41 | 0:01:43 | |
-No, I work in the canteen. -Yeah, but you come to my lectures. | 0:01:43 | 0:01:46 | |
No, I don't. I never do that. | 0:01:46 | 0:01:49 | |
I've seen you. | 0:01:49 | 0:01:50 | |
Love your lectures. They're totally awesome. | 0:01:50 | 0:01:53 | |
Why d'you come to my lectures when you're not a student? | 0:01:53 | 0:01:55 | |
OK, so my first day here, in the canteen, | 0:01:55 | 0:01:58 | |
I was on chips. There was this girl. Student. Beautiful. | 0:01:58 | 0:02:01 | |
Like a model, only with talking and thinking. | 0:02:01 | 0:02:04 | |
She looked at you and you perved. Every time, automatic. Like physics. | 0:02:04 | 0:02:08 | |
Eye contact, perversion. So I gave her extra chips. | 0:02:08 | 0:02:12 | |
Every time, extra chips. Like a reward for all the perversion. | 0:02:12 | 0:02:16 | |
Every day, got myself on chips, rewarded her. | 0:02:16 | 0:02:19 | |
Then, finally - finally - she looked at me. | 0:02:19 | 0:02:22 | |
Like she'd noticed, actually noticed, all the extra chips. | 0:02:22 | 0:02:25 | |
Do you know what I realised? | 0:02:25 | 0:02:27 | |
She was fat. | 0:02:27 | 0:02:28 | |
I'd fatted her. | 0:02:30 | 0:02:31 | |
But that's life, isn't it? Beauty or chips. I like chips. | 0:02:33 | 0:02:36 | |
So did she. So that's OK. | 0:02:36 | 0:02:38 | |
And how does that in any way explain | 0:02:39 | 0:02:41 | |
why you keep coming to my lectures? | 0:02:41 | 0:02:44 | |
Yeah, it doesn't really, does it? I was hoping something would develop. | 0:02:44 | 0:02:48 | |
What's that? | 0:02:48 | 0:02:50 | |
A police telephone box? | 0:02:50 | 0:02:51 | |
-Yeah. -Did you build it from a kit? | 0:02:52 | 0:02:55 | |
-No, it came like that. -Then how did you get it in here? | 0:02:55 | 0:02:58 | |
The door's too small and so are the windows. | 0:02:58 | 0:03:00 | |
I had the window and a part of the wall taken out and it was lifted in. | 0:03:00 | 0:03:03 | |
-What, with a crane? -Yeah, with a crane. | 0:03:03 | 0:03:07 | |
It's heavier than it looks. | 0:03:07 | 0:03:08 | |
-Why do you keep coming to my lectures? -Because I like them. | 0:03:08 | 0:03:11 | |
Everybody likes them, they're amazing. | 0:03:11 | 0:03:14 | |
-Why me? -Why you what? -Plenty of people come to your lectures | 0:03:15 | 0:03:18 | |
that aren't supposed to. | 0:03:18 | 0:03:19 | |
-Why pick on me? -Well, I noticed you. -Yeah, but why? | 0:03:19 | 0:03:23 | |
Well, most people when don't understand something, they frown. | 0:03:25 | 0:03:28 | |
You... | 0:03:28 | 0:03:29 | |
..smile. | 0:03:30 | 0:03:31 | |
I'll tell you what I don't understand. | 0:03:34 | 0:03:35 | |
You've been lecturing here for a long time. 50 years, | 0:03:35 | 0:03:38 | |
some people say. | 0:03:38 | 0:03:40 | |
Nabeela in the office says over 70. | 0:03:40 | 0:03:42 | |
And you're thinking, "Well, he doesn't look old enough"? | 0:03:42 | 0:03:44 | |
No. I'm wondering what you're supposed to be lecturing on. | 0:03:44 | 0:03:47 | |
It's like the university let you do whatever you like. | 0:03:47 | 0:03:50 | |
One time, you were going to give a lecture on quantum physics. | 0:03:50 | 0:03:53 | |
-You talked about poetry. -Poetry, physics, same thing. | 0:03:53 | 0:03:56 | |
How is it the same? | 0:03:56 | 0:03:57 | |
Because of the rhymes. What are you doing at this university? | 0:03:57 | 0:04:00 | |
-I always wanted to come here. -Yeah, to serve chips? | 0:04:00 | 0:04:02 | |
So anyway, am I nearly done? | 0:04:04 | 0:04:06 | |
Do you want to be? | 0:04:06 | 0:04:08 | |
See ya. | 0:04:08 | 0:04:09 | |
You ever get less than a first, then it's over. | 0:04:11 | 0:04:14 | |
-You what? -A first. | 0:04:14 | 0:04:15 | |
-Every time, or I stop immediately. -Stop what? | 0:04:16 | 0:04:20 | |
Being your personal tutor. | 0:04:20 | 0:04:21 | |
But I'm not a student. | 0:04:23 | 0:04:25 | |
I'm not part of the university. | 0:04:25 | 0:04:27 | |
I never even applied. | 0:04:27 | 0:04:29 | |
We'll sort all that out later. | 0:04:29 | 0:04:30 | |
You kind of have to sort that out earlier. | 0:04:30 | 0:04:32 | |
Leave it with me. I'm assuming that it's a yes. | 0:04:32 | 0:04:34 | |
-Yes. -I'll see you at 6pm every weekday. | 0:04:36 | 0:04:39 | |
I don't care who's dying - never, ever be late. | 0:04:39 | 0:04:41 | |
I'm very particular about time. | 0:04:41 | 0:04:43 | |
Oh, um... | 0:04:46 | 0:04:48 | |
People just call you the Doctor? | 0:04:49 | 0:04:51 | |
What do I call you? | 0:04:52 | 0:04:54 | |
The Doctor. | 0:04:54 | 0:04:56 | |
But Doctor's not a name. I can't just call you Doctor. | 0:04:56 | 0:04:59 | |
Doctor what? | 0:05:01 | 0:05:02 | |
RHTHYMIC BEEPING | 0:05:41 | 0:05:42 | |
Time! Time doesn't pass. | 0:05:46 | 0:05:49 | |
The passage of time is an illusion, and life is the magician. | 0:05:49 | 0:05:53 | |
Because life only lets you see one day at a time. | 0:05:55 | 0:05:59 | |
You remember being alive yesterday, | 0:06:04 | 0:06:05 | |
you hope you're going to be alive tomorrow. | 0:06:05 | 0:06:07 | |
So it feels like you're travelling from one to the other. | 0:06:07 | 0:06:11 | |
But nobody's moving anywhere. | 0:06:11 | 0:06:14 | |
-Movies don't really move. -BELL CHIMES | 0:06:14 | 0:06:16 | |
They're just pictures, lots and lots of pictures. | 0:06:16 | 0:06:19 | |
All of them still, none of them moving. Just frozen moments. | 0:06:19 | 0:06:23 | |
BELL CONTINUES TO CHIME | 0:06:23 | 0:06:24 | |
But if you experience those pictures one after the other, | 0:06:26 | 0:06:30 | |
then everything comes alive. | 0:06:30 | 0:06:32 | |
-Am I on time? -That's a very big question. | 0:06:36 | 0:06:39 | |
You know you're my foster mum? | 0:06:46 | 0:06:48 | |
He's like my foster tutor. | 0:06:48 | 0:06:50 | |
Am I going to have to break every bone in his body? | 0:06:50 | 0:06:53 | |
It's not like that. | 0:06:53 | 0:06:54 | |
You need to keep your eye on men. | 0:06:54 | 0:06:56 | |
Men aren't where I keep my eye, actually. | 0:06:58 | 0:07:01 | |
Imagine if time all happened at once... | 0:07:01 | 0:07:03 | |
..every moment of your life laid out around you... | 0:07:05 | 0:07:09 | |
..like a city. Streets full of buildings made of days. | 0:07:12 | 0:07:16 | |
The day you were born, the day you die. | 0:07:16 | 0:07:19 | |
The day you fall in love, the day that love ends. | 0:07:19 | 0:07:22 | |
A whole city built from triumph and heartbreak and boredom | 0:07:22 | 0:07:27 | |
and laughter and cutting your toenails. | 0:07:27 | 0:07:30 | |
It's the best place you will ever be. | 0:07:30 | 0:07:32 | |
MUSIC AND LAUGHTER | 0:07:32 | 0:07:34 | |
Time is a structure relative to ourselves. | 0:07:35 | 0:07:40 | |
I'll get them in. | 0:07:44 | 0:07:46 | |
Time is the space made by our lives where we stand together, forever. | 0:07:46 | 0:07:53 | |
Time And Relative Dimension... | 0:07:54 | 0:07:58 | |
..In Space. | 0:07:59 | 0:08:03 | |
It means life. | 0:08:04 | 0:08:06 | |
RHYTHMIC BEEPING | 0:08:06 | 0:08:09 | |
-Just chips, yeah? -Please. | 0:08:09 | 0:08:11 | |
Ooh! | 0:08:29 | 0:08:31 | |
HANDLE CLANKS | 0:08:46 | 0:08:47 | |
METALLIC SCRAPING | 0:08:48 | 0:08:49 | |
So you're tutoring her, then? | 0:09:03 | 0:09:06 | |
-Yes, I am. -Why? | 0:09:07 | 0:09:10 | |
Why not? | 0:09:10 | 0:09:11 | |
You're not supposed to get involved. | 0:09:11 | 0:09:13 | |
What are you teaching her anyway? | 0:09:14 | 0:09:16 | |
Everything. | 0:09:16 | 0:09:17 | |
Well, how can you teach anyone everything? | 0:09:17 | 0:09:19 | |
Because everything rhymes. | 0:09:19 | 0:09:21 | |
Links apple and alpha, synchronous and diverging... | 0:09:23 | 0:09:28 | |
BEEPING | 0:09:28 | 0:09:29 | |
Yeah, you want to turn that. | 0:09:29 | 0:09:31 | |
BEEPING CONTINUES | 0:09:31 | 0:09:33 | |
You want to rotate it. | 0:09:34 | 0:09:35 | |
CLATTERING | 0:09:40 | 0:09:42 | |
The door upstairs, how did you set the security? | 0:09:48 | 0:09:51 | |
Friends only. | 0:09:51 | 0:09:53 | |
BEEPING | 0:09:57 | 0:09:59 | |
So turn it, and then it'll... | 0:10:00 | 0:10:02 | |
-I'm turning it. -All right. | 0:10:02 | 0:10:04 | |
-You OK? -Yeah, I'm fine. | 0:10:31 | 0:10:34 | |
Sorry, can I ask - what's that in your eye? | 0:10:39 | 0:10:41 | |
It's just a defect in the iris. | 0:10:41 | 0:10:43 | |
-Looks like a star. -Well, it's a defect. | 0:10:43 | 0:10:46 | |
-At least it's a defect that looks like a star. -I'm getting it fixed. | 0:10:46 | 0:10:49 | |
OK. | 0:10:51 | 0:10:52 | |
Sorry. None of my business, but are you freaking out about something? | 0:10:55 | 0:10:59 | |
Please. You can say no. Would you come with me? | 0:11:03 | 0:11:07 | |
Can I show you something? | 0:11:07 | 0:11:09 | |
God, yes. | 0:11:09 | 0:11:10 | |
-I love this place, don't you? -Hate it. | 0:11:12 | 0:11:15 | |
-Why? -I don't know. I just do. | 0:11:15 | 0:11:18 | |
Everywhere I go I just want to leave. | 0:11:18 | 0:11:21 | |
Can I come too? | 0:11:21 | 0:11:22 | |
Maybe. | 0:11:24 | 0:11:25 | |
There's a puddle over there. | 0:11:38 | 0:11:40 | |
But it hasn't rained for a week. | 0:11:40 | 0:11:42 | |
Yeah, but, well, you know, half the students here are blokes... | 0:11:42 | 0:11:45 | |
Go and look in it. | 0:11:45 | 0:11:47 | |
-You want me to look in a puddle? -Please. | 0:11:47 | 0:11:49 | |
OK, I'm looking. | 0:11:58 | 0:11:59 | |
-What am I looking at? -Your reflection. | 0:12:00 | 0:12:03 | |
-Yep. There it is. -Do you see what's wrong with it? | 0:12:05 | 0:12:08 | |
My name's Bill, by the way. | 0:12:08 | 0:12:11 | |
Heather. | 0:12:11 | 0:12:12 | |
Can you see what's wrong? | 0:12:12 | 0:12:14 | |
Nothing. It just looks like me. | 0:12:14 | 0:12:16 | |
Oh! | 0:12:18 | 0:12:20 | |
What is that? | 0:12:20 | 0:12:21 | |
That's me, that's my face, but... | 0:12:23 | 0:12:25 | |
It's wrong. | 0:12:25 | 0:12:27 | |
-Hey! -Sorry. Some other time. | 0:12:29 | 0:12:32 | |
Promise? | 0:12:34 | 0:12:35 | |
-ALIEN VOICE: -Pilot is located. | 0:12:40 | 0:12:43 | |
Link is established. | 0:12:44 | 0:12:47 | |
CHOIR SINGS JINGLE BELLS | 0:12:48 | 0:12:52 | |
BELL CHIMES | 0:12:52 | 0:12:53 | |
It's a rug. | 0:13:08 | 0:13:10 | |
Haven't got you anything. | 0:13:10 | 0:13:12 | |
It's OK, it was cheap. | 0:13:12 | 0:13:14 | |
# Oh, what fun it is to ride in a one-horse open sleigh... # | 0:13:17 | 0:13:21 | |
Going anywhere for Christmas? | 0:13:23 | 0:13:25 | |
I never go anywhere. | 0:13:25 | 0:13:26 | |
That's not true. | 0:13:26 | 0:13:28 | |
You go places, I can tell. | 0:13:28 | 0:13:30 | |
My mum always said, | 0:13:30 | 0:13:31 | |
"With some people you can smell the wind in their clothes." | 0:13:31 | 0:13:34 | |
Oh. | 0:13:34 | 0:13:35 | |
She sounds...nice. | 0:13:35 | 0:13:38 | |
She died when I was a baby. | 0:13:39 | 0:13:41 | |
-Oh. -Yeah. | 0:13:41 | 0:13:43 | |
If she died when you were a baby, when did she say that? | 0:13:46 | 0:13:50 | |
In my head. | 0:13:50 | 0:13:51 | |
I'm supposed to look like her, but I don't really know. | 0:13:53 | 0:13:57 | |
There's hardly any photographs. | 0:13:57 | 0:13:59 | |
She hated having her picture taken. | 0:13:59 | 0:14:01 | |
But if someone's gone, do pictures really help? | 0:14:02 | 0:14:05 | |
I thought you'd enjoy choosing something for yourself, | 0:14:09 | 0:14:12 | |
as you're always passing judgments. | 0:14:12 | 0:14:15 | |
I hope you didn't spend too much on this. | 0:14:16 | 0:14:18 | |
Nah. This should cover it. | 0:14:18 | 0:14:20 | |
What's that? | 0:14:20 | 0:14:22 | |
Ooh, I found that at the back of the cupboard | 0:14:22 | 0:14:24 | |
with all your old stuff. Just photographs of your mum. | 0:14:24 | 0:14:27 | |
I didn't know we had 'em. | 0:14:28 | 0:14:30 | |
SHE SNIFFS | 0:14:49 | 0:14:50 | |
BELL CHIMES | 0:15:16 | 0:15:18 | |
Happy new term! | 0:15:18 | 0:15:19 | |
With you in a moment. | 0:15:19 | 0:15:21 | |
You said you needed a crane to lift your box. | 0:15:26 | 0:15:29 | |
Sorry, what did you say? | 0:15:29 | 0:15:30 | |
Hey! | 0:15:58 | 0:15:59 | |
Still making eyes at a puddle? | 0:16:02 | 0:16:04 | |
Did you ever work out what was wrong with your reflection? | 0:16:05 | 0:16:08 | |
Nah. | 0:16:08 | 0:16:10 | |
Come round. I'll show you. | 0:16:10 | 0:16:11 | |
Promise you won't go? | 0:16:12 | 0:16:14 | |
Promise. | 0:16:15 | 0:16:16 | |
OK. | 0:16:37 | 0:16:38 | |
Yeah, no worries. | 0:16:38 | 0:16:40 | |
-ALIEN VOICE: -Pilot confirmed. Pilot engaged. | 0:16:42 | 0:16:47 | |
DOOR CREAKS SHUT | 0:16:51 | 0:16:52 | |
What's wrong? | 0:16:57 | 0:16:58 | |
She said it was a defect, but what kind of defect | 0:17:00 | 0:17:03 | |
puts a star in your eye? | 0:17:03 | 0:17:05 | |
But that doesn't even matter because she was right. | 0:17:06 | 0:17:10 | |
There was something wrong when you looked in the puddle. | 0:17:10 | 0:17:14 | |
That was definitely my face. I see my face all the time. | 0:17:14 | 0:17:17 | |
I've never liked it, it's all over the place. | 0:17:17 | 0:17:19 | |
It's always doing expressions when I'm trying to be enigmatic. | 0:17:19 | 0:17:22 | |
I know my face, | 0:17:22 | 0:17:24 | |
and there was something wrong with my face in the puddle. | 0:17:24 | 0:17:27 | |
What could be wrong with your own face? | 0:17:28 | 0:17:31 | |
Doctor! | 0:17:43 | 0:17:45 | |
Doctor! | 0:17:49 | 0:17:51 | |
-Why do you run like that? -Like what? | 0:18:00 | 0:18:02 | |
Like a penguin with its arse on fire. | 0:18:02 | 0:18:04 | |
Ergonomics. | 0:18:04 | 0:18:05 | |
That's my face, yeah? | 0:18:06 | 0:18:08 | |
You seem a bit flexible on the subject. | 0:18:08 | 0:18:10 | |
Oh, you've no idea. | 0:18:10 | 0:18:11 | |
-Maybe it's got to do with that thing in her eye. -How? | 0:18:11 | 0:18:14 | |
-Maybe she's like...affected by something. -Like what? | 0:18:14 | 0:18:17 | |
I don't know. Look, I know you know lots of stuff about, | 0:18:17 | 0:18:20 | |
well, basically everything, but do you know any sci-fi? | 0:18:20 | 0:18:23 | |
Go on. | 0:18:29 | 0:18:30 | |
Well, what if she's...possessed. | 0:18:30 | 0:18:33 | |
Something like that. | 0:18:33 | 0:18:35 | |
Possessed by what? | 0:18:35 | 0:18:36 | |
I don't know. | 0:18:36 | 0:18:38 | |
I saw this thing on Netflix. Lizards in people's brains. | 0:18:38 | 0:18:43 | |
Right. So, you meet a girl with a discoloured iris | 0:18:43 | 0:18:45 | |
and your first thought is she might have a lizard in her brain? | 0:18:45 | 0:18:48 | |
I can see I'm going to have to up my game. | 0:18:48 | 0:18:50 | |
-Oh... -What? -Oh! | 0:18:53 | 0:18:56 | |
-What is it, what? -Oh, I get it. I see it. | 0:18:56 | 0:19:00 | |
It was easy for your friend because of her eye. | 0:19:01 | 0:19:03 | |
Because it gives her special powers? | 0:19:03 | 0:19:05 | |
No! Because her face isn't symmetrical. Look! | 0:19:05 | 0:19:08 | |
Look into the puddle. | 0:19:10 | 0:19:12 | |
Your face looks wrong, because it looks right. | 0:19:13 | 0:19:16 | |
What's the one thing you never see when you look in a reflection? | 0:19:16 | 0:19:19 | |
Your face. You never see your face the right way round. | 0:19:19 | 0:19:22 | |
Right. Look for a freckle or a funny tooth. | 0:19:24 | 0:19:27 | |
-Something that's not symmetrical. -My badge! | 0:19:27 | 0:19:29 | |
See, your friend saw it straightaway because of her eye. | 0:19:29 | 0:19:32 | |
But...it's moving like a reflection. | 0:19:32 | 0:19:35 | |
It's not reflecting you. | 0:19:42 | 0:19:45 | |
It's mimicking you. | 0:19:45 | 0:19:47 | |
There's something in the water pretending to be you. | 0:19:48 | 0:19:51 | |
Of course, it isn't water. | 0:19:53 | 0:19:56 | |
Now what are these? Let's have a look. | 0:19:58 | 0:20:01 | |
What are they? | 0:20:01 | 0:20:02 | |
Scorch marks. | 0:20:03 | 0:20:04 | |
Interesting. | 0:20:05 | 0:20:07 | |
Right, you. | 0:20:14 | 0:20:15 | |
-Let's get you on the bus! -The what, the bus? | 0:20:17 | 0:20:19 | |
Tutorial's over, take the night off. | 0:20:19 | 0:20:21 | |
It's all cancelled. Go and be a proper student - | 0:20:21 | 0:20:24 | |
texts, snogging, a vegan wrap. | 0:20:24 | 0:20:26 | |
But what about the puddle? | 0:20:26 | 0:20:28 | |
Oh, it's just some freak optical effect. I'm bored already. | 0:20:28 | 0:20:32 | |
-ALIEN VOICE: -Passenger selected. Pursuit engaged. | 0:20:34 | 0:20:38 | |
WATER RUNS | 0:20:44 | 0:20:46 | |
Hey! | 0:20:53 | 0:20:54 | |
-SHE KNOCKS -I'll make you a cuppa for the bath. | 0:20:54 | 0:20:57 | |
PHONE RINGS | 0:21:07 | 0:21:08 | |
Hey. | 0:21:12 | 0:21:14 | |
Sorry I'm not there, love, | 0:21:14 | 0:21:15 | |
but I think we both know it's time I treated myself. | 0:21:15 | 0:21:18 | |
Are you with Neville? | 0:21:18 | 0:21:20 | |
Why would I be back with Neville after last time? | 0:21:20 | 0:21:23 | |
Why do you think I'm such an idiot? | 0:21:23 | 0:21:26 | |
Well, you're calling from his phone. | 0:21:26 | 0:21:27 | |
Is there someone staying here in the flat? | 0:21:30 | 0:21:33 | |
Of course not, no. What are you talking about? | 0:21:33 | 0:21:35 | |
Er...nothing, never mind. I'll see you tomorrow. | 0:21:36 | 0:21:40 | |
GENTLE SPLASHING | 0:21:51 | 0:21:53 | |
Hello? | 0:21:57 | 0:21:58 | |
Is someone in there? | 0:22:01 | 0:22:02 | |
WATER SPLASHES | 0:22:02 | 0:22:04 | |
Is that Barry? | 0:22:04 | 0:22:06 | |
Because she's with Neville, and it's not my fault. | 0:22:06 | 0:22:09 | |
WET FOOTSTEPS APPROACH | 0:22:11 | 0:22:13 | |
Sorry, I need to know who's in there. | 0:22:19 | 0:22:21 | |
I'm coming in. | 0:22:23 | 0:22:25 | |
Do you hear me? | 0:22:25 | 0:22:27 | |
Make yourself...decent. | 0:22:30 | 0:22:32 | |
If that's Barry, let's not make this worse. Just say it's you. | 0:22:57 | 0:23:00 | |
BILL SCREAMS | 0:23:28 | 0:23:30 | |
Hey! | 0:23:43 | 0:23:44 | |
BILL PANTS HEAVILY | 0:23:49 | 0:23:50 | |
LIQUID TRICKLES | 0:23:55 | 0:23:56 | |
Hello. | 0:24:26 | 0:24:28 | |
Hello. | 0:24:28 | 0:24:29 | |
You scared me. | 0:24:35 | 0:24:36 | |
You scared me. | 0:24:36 | 0:24:38 | |
You're dead. | 0:25:12 | 0:25:13 | |
You're dead. | 0:25:13 | 0:25:15 | |
DOOR OPENS | 0:25:20 | 0:25:21 | |
-LIQUID GUSHES -Hello, Bill. | 0:25:29 | 0:25:32 | |
Oh! | 0:25:32 | 0:25:33 | |
What's that? | 0:25:37 | 0:25:39 | |
I'll tell you what it isn't. | 0:25:47 | 0:25:49 | |
It isn't a freak optical effect... | 0:25:49 | 0:25:51 | |
..and it's following me. | 0:26:00 | 0:26:02 | |
BILL WHIMPERS | 0:26:02 | 0:26:03 | |
No, no, what are you doing? | 0:26:09 | 0:26:11 | |
I'll tell you what, let's just pop into my box. | 0:26:13 | 0:26:16 | |
Your box? What good is getting in your box going to do? | 0:26:16 | 0:26:19 | |
What an extraordinarily long and involved answer this is going to be. | 0:26:19 | 0:26:22 | |
How do we stop it getting in? We're trapped in here! | 0:26:25 | 0:26:27 | |
Nothing gets through these doors. | 0:26:27 | 0:26:29 | |
They're made of wood. | 0:26:29 | 0:26:31 | |
They've got windows! | 0:26:31 | 0:26:33 | |
Look, this is all mad, I know. | 0:26:38 | 0:26:40 | |
But that's the girl I told you about - Heather... | 0:26:40 | 0:26:43 | |
..only I don't think it's really her. | 0:26:44 | 0:26:47 | |
I know this is hard to believe. | 0:26:49 | 0:26:51 | |
I know you're not exactly a sci-fi person... | 0:26:51 | 0:26:53 | |
Time And Relative Dimension In Space. | 0:26:57 | 0:27:00 | |
TARDIS for short. | 0:27:02 | 0:27:04 | |
You're safe in here. | 0:27:07 | 0:27:09 | |
You're safe in here and you always will be. | 0:27:09 | 0:27:12 | |
Any questions? | 0:27:18 | 0:27:20 | |
Is this a knock-through? | 0:27:24 | 0:27:25 | |
Well, in a way, yes. | 0:27:27 | 0:27:28 | |
Look at this place. | 0:27:30 | 0:27:32 | |
-It's like a... -..spaceship. -..kitchen. | 0:27:34 | 0:27:37 | |
-A what? -A really posh kitchen, all metal. | 0:27:37 | 0:27:40 | |
What happened with the doors, though? Did you run out of money? | 0:27:40 | 0:27:42 | |
What you are standing in is a technological marvel. | 0:27:42 | 0:27:47 | |
It is science beyond magic. | 0:27:47 | 0:27:49 | |
This is the gateway to everything that ever was...or ever can be. | 0:27:51 | 0:27:56 | |
Can I use the toilet? | 0:27:58 | 0:28:00 | |
-Pardon? -I've had a fright. | 0:28:01 | 0:28:04 | |
I need the toilet. | 0:28:04 | 0:28:06 | |
It's down there, first right, second left, past the macaroon dispenser. | 0:28:06 | 0:28:09 | |
Thanks. | 0:28:09 | 0:28:11 | |
Oh, human! Human alert. Do you want me to repel her? | 0:28:11 | 0:28:15 | |
She's just passing through. She wants to use the toilet. | 0:28:15 | 0:28:17 | |
Oh. I'd give it a minute if I were you. | 0:28:17 | 0:28:19 | |
-THUD! -Oh, what was that? | 0:28:19 | 0:28:21 | |
We have an incursion on campus. Extra-terrestrial. | 0:28:21 | 0:28:25 | |
We're under attack. | 0:28:25 | 0:28:26 | |
Let's move. | 0:28:28 | 0:28:29 | |
Oh, my God! This isn't just a room, is it? | 0:28:31 | 0:28:34 | |
No, it's not just a room. | 0:28:34 | 0:28:37 | |
This is a lift! | 0:28:37 | 0:28:38 | |
Well, come on, then. | 0:28:44 | 0:28:45 | |
No interference here, as far as I can see. The vault's secure. | 0:28:57 | 0:29:00 | |
So your box can move? | 0:29:02 | 0:29:04 | |
It can go anywhere it likes? | 0:29:05 | 0:29:06 | |
Mm. Good, isn't it? | 0:29:06 | 0:29:09 | |
Anywhere at all, in the whole university? | 0:29:09 | 0:29:11 | |
Is it my imagination, or is this taking longer than normal? | 0:29:11 | 0:29:14 | |
Hang on. | 0:29:17 | 0:29:19 | |
The room's still inside the box. | 0:29:19 | 0:29:21 | |
-This isn't a knock-through. -Nope. | 0:29:21 | 0:29:24 | |
Doctor! It's bigger on the inside than it is on the outside! | 0:29:24 | 0:29:27 | |
Wey-hey! We got there! | 0:29:27 | 0:29:29 | |
How is that possible? How do you do that? | 0:29:31 | 0:29:34 | |
Well, first, you have to imagine a very big box | 0:29:34 | 0:29:38 | |
fitting inside a very small box. | 0:29:38 | 0:29:41 | |
-OK. -Then you have to make one. | 0:29:41 | 0:29:45 | |
It's the second part people normally get stuck on. | 0:29:45 | 0:29:47 | |
Can we shut up, please? Busy, busy. | 0:29:47 | 0:29:49 | |
I need to know if there's any interest in what's inside | 0:29:49 | 0:29:51 | |
-this vault. -Why, what's inside it? | 0:29:51 | 0:29:54 | |
Something I don't want anyone being too curious about. | 0:29:54 | 0:29:56 | |
So you put it in the middle of a university? | 0:29:56 | 0:29:58 | |
Ooh, valid point. Yeah, nice. | 0:29:58 | 0:30:02 | |
Either the creature came here specifically for what's in here, | 0:30:02 | 0:30:05 | |
-or it's just a coincidence. -It's just a coincidence. | 0:30:05 | 0:30:08 | |
Well, we can't know that for sure. | 0:30:08 | 0:30:09 | |
Yeah, we can. It was here for ages before it did anything. | 0:30:09 | 0:30:13 | |
If it had work to do, why would it lie around in a puddle? | 0:30:13 | 0:30:16 | |
-I don't know, maybe it's a student. -Oh, banter. | 0:30:16 | 0:30:19 | |
It's good, this. | 0:30:19 | 0:30:21 | |
Your go again. | 0:30:22 | 0:30:23 | |
LIQUID GUSHES | 0:30:23 | 0:30:26 | |
Nardole... | 0:30:30 | 0:30:32 | |
..we need to move away from the doors and towards the TARDIS. | 0:30:34 | 0:30:38 | |
LIQUID TRICKLES | 0:30:52 | 0:30:53 | |
What if it attacks us? | 0:31:13 | 0:31:14 | |
Well, that's good news. | 0:31:17 | 0:31:19 | |
It means it's not interested in what's inside the vault. | 0:31:19 | 0:31:21 | |
It just wants to kill us. | 0:31:21 | 0:31:23 | |
Oh. | 0:31:23 | 0:31:25 | |
Run! | 0:31:31 | 0:31:32 | |
It's not interested in the vault, it's chasing us. | 0:31:34 | 0:31:37 | |
Let's give it a proper challenge, | 0:31:37 | 0:31:38 | |
let's see how far she's prepared to go. | 0:31:38 | 0:31:41 | |
But what about my friend, what about Heather? Can you save her? | 0:31:41 | 0:31:44 | |
First things first. Let's see if we can survive her. | 0:31:45 | 0:31:48 | |
SEAGULLS CALL | 0:31:53 | 0:31:55 | |
But... | 0:32:12 | 0:32:13 | |
Yes. | 0:32:13 | 0:32:15 | |
-..we've moved again. -We have. | 0:32:15 | 0:32:17 | |
-It was night. -Yep. | 0:32:18 | 0:32:19 | |
Now it's...day. | 0:32:19 | 0:32:22 | |
-Definitely day. -Oh, my God! Have we travelled in time? | 0:32:23 | 0:32:27 | |
No, of course not. We've travelled to Australia. | 0:32:27 | 0:32:30 | |
-How are you doing? -How do you think? | 0:32:43 | 0:32:45 | |
Right, um... | 0:32:51 | 0:32:52 | |
How do I help? | 0:32:55 | 0:32:56 | |
-Can I ask you a personal question? -No. | 0:32:57 | 0:32:59 | |
-Can I anyway? -Yes. | 0:32:59 | 0:33:02 | |
Are you from space? | 0:33:02 | 0:33:03 | |
No, of course not. | 0:33:03 | 0:33:05 | |
Nobody's from space. | 0:33:05 | 0:33:07 | |
I'm from a planet like everybody else. | 0:33:07 | 0:33:09 | |
This planet? | 0:33:09 | 0:33:11 | |
-No, not specifically this one. -Doesn't make sense, then. | 0:33:12 | 0:33:15 | |
What doesn't? | 0:33:16 | 0:33:18 | |
TARDIS. If you're from another planet, why would you name your box | 0:33:18 | 0:33:21 | |
in English? Those initials wouldn't work in any other language! | 0:33:21 | 0:33:24 | |
-People don't generally bring that up. -It looks like a phone box. | 0:33:24 | 0:33:27 | |
Yes, well, that's the cloaking device. It sort of hides itself. | 0:33:27 | 0:33:31 | |
It's hidden itself as a box with "pull to enter" on the front? | 0:33:31 | 0:33:33 | |
Uh-huh. It's stuck. It's supposed to blend in, but it's broken. | 0:33:33 | 0:33:37 | |
GURGLING FROM SINK | 0:33:41 | 0:33:43 | |
Doctor... | 0:33:48 | 0:33:49 | |
Out, out, everybody out, shark attack! | 0:33:51 | 0:33:53 | |
HEATHER SCREAMS | 0:33:53 | 0:33:54 | |
Where are we going? | 0:33:59 | 0:34:00 | |
As far as we can. She made Australia in a minute - | 0:34:00 | 0:34:03 | |
let's see what she can really do. | 0:34:03 | 0:34:04 | |
Sir, we're leaving Earth. What about the vault? | 0:34:04 | 0:34:07 | |
Oh, we're fine. | 0:34:07 | 0:34:08 | |
If there's any trouble, I'll get a message on this. | 0:34:08 | 0:34:10 | |
Let's see how long it takes her to get here. | 0:34:10 | 0:34:13 | |
Where are we? | 0:34:13 | 0:34:15 | |
Other end of the universe. | 0:34:16 | 0:34:17 | |
23 million years in the future. | 0:34:18 | 0:34:24 | |
Oh, yes, it's a time machine too. | 0:34:26 | 0:34:29 | |
So this is...somewhere else? | 0:34:52 | 0:34:55 | |
This is a different planet? | 0:34:55 | 0:34:57 | |
Not Earth, a different one? | 0:34:57 | 0:34:58 | |
That's the general idea. | 0:34:58 | 0:35:00 | |
That's different sky? Is it made of something different? | 0:35:04 | 0:35:06 | |
-What is sky made of? -Lemon drops. -Really? | 0:35:06 | 0:35:09 | |
No, but wouldn't that be nice? | 0:35:09 | 0:35:11 | |
You can be very silly sometimes, do you know that? | 0:35:11 | 0:35:14 | |
So how do we know this... water thing is actually dangerous? | 0:35:14 | 0:35:18 | |
Ah, because most things are. | 0:35:18 | 0:35:20 | |
-Mm, that's true. -Why? Is everything out here evil? | 0:35:20 | 0:35:22 | |
Hardly anything is evil, but most things are hungry. | 0:35:22 | 0:35:26 | |
Hunger looks very like evil from the wrong end of the cutlery. | 0:35:26 | 0:35:28 | |
Or do you think that your bacon sandwich loves you back? | 0:35:28 | 0:35:31 | |
So what is it and what was it doing on Earth? | 0:35:31 | 0:35:34 | |
Well, there were scorch marks on the concrete where we found it. | 0:35:34 | 0:35:38 | |
Could have been left by a shuttle craft. | 0:35:38 | 0:35:40 | |
The puddle, what did it look like? | 0:35:40 | 0:35:43 | |
If that was a car, what would you say that was? | 0:35:43 | 0:35:45 | |
An oil leak? | 0:35:47 | 0:35:48 | |
So it's space engine oil? | 0:35:49 | 0:35:51 | |
Intelligent oil. Super intelligent space oil. | 0:35:51 | 0:35:54 | |
No, part of the ship itself. Shape-shifting fluid that becomes | 0:35:54 | 0:35:57 | |
anything it needs to be. | 0:35:57 | 0:35:58 | |
Seriously? | 0:35:59 | 0:36:00 | |
But it spent ages laying around, being a puddle, what changed? | 0:36:00 | 0:36:03 | |
Your friend. | 0:36:03 | 0:36:05 | |
She looked into it, didn't she? More than once. | 0:36:05 | 0:36:08 | |
So? | 0:36:08 | 0:36:09 | |
Maybe it saw something it needed. What was she like, your friend? | 0:36:09 | 0:36:13 | |
What did she want? What did she need? | 0:36:13 | 0:36:15 | |
Everywhere I go, I just want to leave. | 0:36:16 | 0:36:19 | |
I think she wanted to leave. | 0:36:22 | 0:36:24 | |
You see? | 0:36:24 | 0:36:25 | |
The puddle found a passenger. | 0:36:26 | 0:36:28 | |
A left-behind droplet of a liquid spaceship. | 0:36:28 | 0:36:32 | |
A single tear drop, alone in a strange world. | 0:36:32 | 0:36:36 | |
Then, one day, it finds someone who wants to fly away. | 0:36:36 | 0:36:40 | |
Not just a passenger, | 0:36:40 | 0:36:41 | |
more than a passenger - it found a pilot, so it ate her. | 0:36:41 | 0:36:45 | |
-So why is it chasing this one? -Everything wants, everything needs. | 0:36:46 | 0:36:50 | |
But why does it want her? | 0:36:50 | 0:36:52 | |
I don't know. I don't know everything, Nardole. | 0:36:52 | 0:36:54 | |
-I don't have it all written down. -You act like you do. | 0:36:54 | 0:36:57 | |
-I act like I do, because I don't. -It must be looking for something. | 0:36:57 | 0:37:01 | |
-Of course it is, everything is. -But what? | 0:37:01 | 0:37:04 | |
What, in the end are any of us looking for? | 0:37:04 | 0:37:08 | |
We're looking for someone who's looking for us. | 0:37:08 | 0:37:11 | |
Hey, still making eyes at a puddle? | 0:37:13 | 0:37:15 | |
-HEATHER SCREAMS -Bill! | 0:37:19 | 0:37:20 | |
Bill! | 0:37:22 | 0:37:23 | |
Quick! | 0:37:24 | 0:37:25 | |
Back to the TARDIS! | 0:37:25 | 0:37:27 | |
OK, it's fast. It time travels, it never gives up. | 0:37:33 | 0:37:37 | |
Plan! Basic sterilisation. | 0:37:39 | 0:37:41 | |
We're going to run that thing through the deadliest fire | 0:37:41 | 0:37:44 | |
-in the universe. -Yes, that sounds excellent. | 0:37:44 | 0:37:47 | |
The deadliest fire in the universe. That's definitely good. | 0:37:47 | 0:37:50 | |
How do we do that? | 0:37:50 | 0:37:51 | |
-The only way we can. We run through it first. -Less good now. | 0:37:51 | 0:37:55 | |
No, not there. I don't like it there! | 0:37:57 | 0:37:59 | |
-Nardole! -I don't like there. | 0:38:02 | 0:38:04 | |
I want you running interference. Can you do that? | 0:38:07 | 0:38:10 | |
-Can I say no, sir? -No. -Yes, then. -Thank you. | 0:38:10 | 0:38:12 | |
-But no really. -Where are we? | 0:38:12 | 0:38:15 | |
Well, we're basically in the middle of a war. | 0:38:15 | 0:38:17 | |
No... Well, it's a war zone, and this is just your basic skirmish, | 0:38:17 | 0:38:21 | |
and it's not as bad as it sounds, I promise you. | 0:38:21 | 0:38:24 | |
-Come on, I've got friends here, old friends. -Oh... | 0:38:24 | 0:38:27 | |
I say friends... | 0:38:27 | 0:38:29 | |
-DALEK: -The Doctor is detected. | 0:38:29 | 0:38:32 | |
Seek. Locate. | 0:38:32 | 0:38:34 | |
-NARDOLE GROANS -Destroy. | 0:38:34 | 0:38:36 | |
-Are we still in the future? -No. This is the past. | 0:38:38 | 0:38:41 | |
Doesn't...look like the past. | 0:38:41 | 0:38:44 | |
-Are we safe here? -Well, that's up to Nardole, so probably not. | 0:38:46 | 0:38:50 | |
Oh! Oh, I don't.... | 0:38:51 | 0:38:53 | |
Oh! Oh, I don't... | 0:38:54 | 0:38:57 | |
-Keep moving, Doctor! -Where are we going? | 0:38:57 | 0:38:59 | |
Into the fire, come on. | 0:38:59 | 0:39:00 | |
DISTANT SCREAMING | 0:39:00 | 0:39:02 | |
Who are those guys? | 0:39:12 | 0:39:13 | |
Never mind them, it's who they're firing at. | 0:39:16 | 0:39:19 | |
Come on. | 0:39:31 | 0:39:33 | |
-What's that? -The deadliest fire in the universe. | 0:39:36 | 0:39:39 | |
Identify intruder. Identify. | 0:39:39 | 0:39:42 | |
Scan this device and identify me! | 0:39:43 | 0:39:45 | |
You are the Doctor. You are an enemy of the Daleks! | 0:39:45 | 0:39:48 | |
-Oh, yes, I am! -Exterminate! | 0:39:48 | 0:39:51 | |
Exterminate. | 0:39:53 | 0:39:55 | |
Exterminate! | 0:39:55 | 0:39:56 | |
Exterminate. | 0:39:58 | 0:39:59 | |
-Exterminate! -NARDOLE SCREAMS | 0:40:02 | 0:40:04 | |
-What was that thing? -A Dalek. -A what? -A Dalek. | 0:40:09 | 0:40:12 | |
-What's a Dalek? -Never mind, it's a Dalek. | 0:40:12 | 0:40:15 | |
Exterminate! | 0:40:17 | 0:40:18 | |
-WEAKLY: -Exterminate... | 0:40:25 | 0:40:28 | |
That's wrong. I know my Daleks, and that's wrong. | 0:40:28 | 0:40:32 | |
Oh, I see. | 0:40:36 | 0:40:39 | |
You see what? | 0:40:39 | 0:40:40 | |
I've sealed the area, all the Daleks are quarantined... | 0:40:40 | 0:40:42 | |
except that one. | 0:40:42 | 0:40:44 | |
It's OK. This isn't a Dalek. | 0:40:44 | 0:40:46 | |
Look. | 0:40:46 | 0:40:48 | |
Look at the eye. | 0:40:48 | 0:40:49 | |
Heather. | 0:40:50 | 0:40:52 | |
-Heather. -Interesting, you had a gun but you didn't use it. Why? | 0:41:10 | 0:41:15 | |
You've already taken one person from the Earth. | 0:41:15 | 0:41:17 | |
I'm going to let that pass, because I have to, | 0:41:17 | 0:41:20 | |
but I will not let you take another. | 0:41:20 | 0:41:22 | |
Go. | 0:41:24 | 0:41:26 | |
Just go, now. Fly away. | 0:41:27 | 0:41:30 | |
Why won't you just go? | 0:41:35 | 0:41:37 | |
Promise you won't go? | 0:41:45 | 0:41:46 | |
Promise. | 0:41:46 | 0:41:48 | |
Oh, my God. I understand. | 0:41:49 | 0:41:52 | |
-You what? -The last thing she said to me. | 0:41:52 | 0:41:54 | |
She promised she wouldn't leave without me. | 0:41:54 | 0:41:57 | |
Her last conscious thought, driving her across the universe. | 0:41:57 | 0:42:01 | |
Never underestimate a crush. | 0:42:01 | 0:42:02 | |
Oh, you don't have to tell me! | 0:42:02 | 0:42:04 | |
What do we do? | 0:42:04 | 0:42:06 | |
I don't know. | 0:42:06 | 0:42:08 | |
She's not chasing you, she's inviting you. | 0:42:08 | 0:42:12 | |
Release her. | 0:42:12 | 0:42:14 | |
Release her from her promise. | 0:42:14 | 0:42:16 | |
You have to let me go. | 0:42:27 | 0:42:29 | |
You have to let me go. | 0:42:29 | 0:42:30 | |
I will. | 0:42:32 | 0:42:34 | |
I will. | 0:42:34 | 0:42:35 | |
I really liked you. | 0:42:42 | 0:42:44 | |
I really liked you. | 0:42:44 | 0:42:46 | |
Bill... | 0:42:55 | 0:42:57 | |
..don't, don't! | 0:42:58 | 0:43:00 | |
Don't do that! | 0:43:00 | 0:43:02 | |
Listen, please, just listen to him. | 0:43:02 | 0:43:04 | |
Don't, don't! Bill, let go! | 0:43:08 | 0:43:10 | |
Bill, listen to me. | 0:43:12 | 0:43:14 | |
Whatever she's showing you, whatever she's letting you see. | 0:43:14 | 0:43:16 | |
It's a lure, it's a trap. | 0:43:16 | 0:43:19 | |
She's making you part of her, and you can never come back. | 0:43:19 | 0:43:23 | |
I see what you see. | 0:43:23 | 0:43:25 | |
It's beautiful. | 0:43:28 | 0:43:30 | |
Bill, let go! You have to let go! | 0:43:30 | 0:43:32 | |
She is not human any more. | 0:43:32 | 0:43:35 | |
Goodbye, Heather. | 0:43:37 | 0:43:38 | |
Goodbye...Bill. | 0:43:41 | 0:43:44 | |
Bill! | 0:43:49 | 0:43:50 | |
You all right? | 0:43:59 | 0:44:01 | |
Yeah, I think so. | 0:44:03 | 0:44:04 | |
You don't look all right. | 0:44:13 | 0:44:15 | |
She's fine. | 0:44:15 | 0:44:16 | |
That's the Doctor for you. Never notices the tears. | 0:44:18 | 0:44:21 | |
I don't think they're mine. | 0:44:30 | 0:44:32 | |
The vault alarm went off, but it was nothing. | 0:44:41 | 0:44:43 | |
A student was sick outside and it registered as a biological attack. | 0:44:43 | 0:44:47 | |
I saw it all for a moment... | 0:44:49 | 0:44:51 | |
..everything out there. | 0:44:52 | 0:44:54 | |
She was going to let me fly with her. She was inviting me. | 0:44:54 | 0:44:57 | |
-But I was too scared. -Scared is good. | 0:44:57 | 0:44:59 | |
Scared is rational. She wasn't human any more. | 0:45:00 | 0:45:03 | |
Will we see her again? | 0:45:03 | 0:45:05 | |
I don't see how. | 0:45:07 | 0:45:08 | |
No, no, no. No, no. You have to forget about that. | 0:45:15 | 0:45:17 | |
I don't see how I can. | 0:45:17 | 0:45:18 | |
I do. | 0:45:20 | 0:45:21 | |
Come here, Bill. | 0:45:24 | 0:45:25 | |
What's up? | 0:45:27 | 0:45:29 | |
-I just want to fix something. -Whoa, what are you doing? | 0:45:29 | 0:45:32 | |
-Don't worry. This won't hurt at all. -No, but tell me. -Nothing. | 0:45:32 | 0:45:37 | |
Yeah, cos I think you're going to wipe my memory. | 0:45:37 | 0:45:39 | |
I'm not stupid, you know. | 0:45:40 | 0:45:42 | |
That's the trouble with you. | 0:45:42 | 0:45:44 | |
You don't think anyone's ever seen a movie. | 0:45:44 | 0:45:46 | |
-I know what a mind-wipe looks like! -I have no choice. | 0:45:46 | 0:45:48 | |
I'm here for a reason, I'm in disguise. I have promises to keep. | 0:45:48 | 0:45:53 | |
No-one can know about me. | 0:45:53 | 0:45:55 | |
This is the most exciting thing | 0:45:55 | 0:45:57 | |
that's ever happened to me in my life. The only exciting thing! | 0:45:57 | 0:46:00 | |
I'm sorry. | 0:46:00 | 0:46:01 | |
OK. Let me remember just for a week. Just a week. | 0:46:03 | 0:46:07 | |
OK, well, just for tonight. Just one night. | 0:46:07 | 0:46:09 | |
Come on, let me have some good dreams for once. | 0:46:09 | 0:46:12 | |
OK. | 0:46:15 | 0:46:17 | |
Do what you've got to do. | 0:46:19 | 0:46:21 | |
But imagine... | 0:46:23 | 0:46:24 | |
..just imagine how it would feel if someone did this to you. | 0:46:26 | 0:46:29 | |
-Get out! -What? | 0:46:45 | 0:46:47 | |
You can keep your memories. Now get out before I change my mind! | 0:46:47 | 0:46:50 | |
Don't speak, don't start, just run! Now. Go! | 0:46:50 | 0:46:54 | |
Shut up. | 0:47:01 | 0:47:03 | |
You shut up as well. | 0:47:03 | 0:47:04 | |
METALLIC THRUMMING | 0:47:04 | 0:47:07 | |
Will you all please just leave me alone? | 0:47:07 | 0:47:10 | |
I can't do that any more. I promised! | 0:47:10 | 0:47:12 | |
It's a big universe, but maybe one day we'll find her. | 0:47:39 | 0:47:43 | |
What changed your mind? | 0:47:53 | 0:47:54 | |
Time... | 0:47:59 | 0:48:00 | |
Time? | 0:48:02 | 0:48:04 | |
..And Relative Dimension In Space. | 0:48:06 | 0:48:09 | |
It means... | 0:48:20 | 0:48:22 | |
what the hell?! | 0:48:22 | 0:48:24 | |
This is one of Earth's first colonies. | 0:48:35 | 0:48:37 | |
-What are they? Alien birds? -Tiny robots. | 0:48:37 | 0:48:39 | |
That is a robot. It speaks emoji! | 0:48:39 | 0:48:43 | |
And where are all the people? | 0:48:43 | 0:48:44 | |
Argh! | 0:48:44 | 0:48:46 | |
What, you're going back in? | 0:48:46 | 0:48:47 | |
I'm having this really childish impulse to blow it up. | 0:48:47 | 0:48:49 | |
-You're the one who should be afraid. -Never. | 0:48:54 | 0:48:56 | |
Get ready. | 0:48:56 | 0:48:58 | |
HE SCREAMS | 0:48:58 | 0:48:59 | |
I'm the Doctor. | 0:48:59 | 0:49:01 | |
I've been standing by the gates of your world, keeping you all safe. | 0:49:01 | 0:49:05 | |
I'm not stopping now. Any questions? | 0:49:05 | 0:49:07 |