Browse content similar to Smile. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-So... -So... -What do we do? | 0:00:02 | 0:00:03 | |
Do I have to sit somewhere? Are there seat belts? | 0:00:03 | 0:00:05 | |
Well, you've done this before. This isn't your first trip. | 0:00:05 | 0:00:08 | |
Yeah, but it's proper this time. | 0:00:08 | 0:00:10 | |
Oh, that's a mistake. | 0:00:12 | 0:00:13 | |
What is? | 0:00:13 | 0:00:14 | |
You can't reach the controls from the seats. | 0:00:14 | 0:00:16 | |
What's the point in that? | 0:00:16 | 0:00:18 | |
Or do you have stretchy arms, like Mr Fantastic? | 0:00:18 | 0:00:20 | |
Oh, I stand, like this. | 0:00:20 | 0:00:22 | |
You never thought of bringing the seats a bit closer? | 0:00:22 | 0:00:25 | |
No, not so far, no. | 0:00:25 | 0:00:27 | |
Where's the steering wheel? | 0:00:27 | 0:00:29 | |
Well, you don't steer the TARDIS, | 0:00:29 | 0:00:32 | |
you negotiate with it. | 0:00:32 | 0:00:34 | |
The still point between where you want to go... | 0:00:36 | 0:00:39 | |
..and where you need to be, that's where she takes you. | 0:00:40 | 0:00:42 | |
How much did it cost? | 0:00:42 | 0:00:44 | |
Ah. | 0:00:44 | 0:00:45 | |
No idea. | 0:00:47 | 0:00:48 | |
Stole it. | 0:00:48 | 0:00:50 | |
-Seriously? -Yep. | 0:00:52 | 0:00:54 | |
Why? | 0:00:54 | 0:00:55 | |
Well, actually, because I felt like it. | 0:00:55 | 0:00:57 | |
-What if I steal it from you? -On you go, then. | 0:00:57 | 0:01:01 | |
I don't know how it works. | 0:01:01 | 0:01:02 | |
Well, neither did I. | 0:01:02 | 0:01:04 | |
BANGING ON DOOR | 0:01:04 | 0:01:06 | |
Who's that? | 0:01:06 | 0:01:07 | |
BANGING ON DOOR | 0:01:08 | 0:01:09 | |
(Mum.) | 0:01:11 | 0:01:13 | |
BANGING ON DOOR | 0:01:13 | 0:01:14 | |
Excuse me, just what is the TARDIS doing down here? | 0:01:16 | 0:01:20 | |
I'm over 2,000 years old, I don't always want to take the stairs. | 0:01:20 | 0:01:23 | |
Your oath, sir. You're not supposed to go off-world | 0:01:23 | 0:01:26 | |
unless it's an emergency. | 0:01:26 | 0:01:27 | |
-I'm not off-world. -Are you going off-world? | 0:01:27 | 0:01:29 | |
I'm going back to my office. | 0:01:29 | 0:01:32 | |
Could you put the kettle on, please? | 0:01:33 | 0:01:34 | |
Hm. | 0:01:34 | 0:01:36 | |
Why's she here? | 0:01:38 | 0:01:39 | |
Because she isn't anywhere else. | 0:01:39 | 0:01:41 | |
Kettle. | 0:01:43 | 0:01:44 | |
Well, I'm not making any for her - she can make her own. | 0:01:44 | 0:01:48 | |
I'm not a slave for any human, I can assure you. | 0:01:48 | 0:01:50 | |
So... | 0:01:56 | 0:01:58 | |
..back up to your office for a cuppa, then? | 0:01:59 | 0:02:01 | |
Between here and my office, before the kettle boils, | 0:02:03 | 0:02:06 | |
is everything that ever happened or ever will. | 0:02:06 | 0:02:08 | |
-Make your choice. -What choice? | 0:02:10 | 0:02:12 | |
Past or future. | 0:02:13 | 0:02:15 | |
Future. | 0:02:16 | 0:02:18 | |
-Why? -Why do you think? I want to see if it's happy. | 0:02:21 | 0:02:24 | |
'Kezzia, where are you?' | 0:02:29 | 0:02:32 | |
Hey, Goodthing. I'm coming back in. | 0:02:34 | 0:02:37 | |
'Kezzia, don't come in just yet.' | 0:02:37 | 0:02:38 | |
I've been out since second sunrise. I'm hungry. | 0:02:38 | 0:02:41 | |
Round them up, big fella. | 0:02:42 | 0:02:44 | |
MECHANICAL BUZZING | 0:02:47 | 0:02:50 | |
'Kezzia, please don't come in. We're having a little tiny Vardy problem.' | 0:02:50 | 0:02:54 | |
Me and my Vardies have just pollinated three miles of wheat. | 0:02:54 | 0:02:58 | |
-'You've got to keep smiling.' -Got to what? | 0:02:58 | 0:03:01 | |
-It's the Vardies. -God, what's wrong with you? | 0:03:01 | 0:03:04 | |
Is that smile supposed to look real? | 0:03:04 | 0:03:06 | |
It's like you're standing in a wind tunnel. | 0:03:06 | 0:03:08 | |
OK. Big smiles now, brace yourself! | 0:03:08 | 0:03:12 | |
Mum is dead. | 0:03:12 | 0:03:14 | |
-Sorry? -Smile, smile, smile! | 0:03:14 | 0:03:17 | |
That's not even funny. | 0:03:17 | 0:03:19 | |
No, it's not a joke. Mum is dead. | 0:03:19 | 0:03:21 | |
Mum is dead. | 0:03:21 | 0:03:23 | |
And Hopeful, she's dead too. And her friend Sunshine, she's dead. | 0:03:24 | 0:03:28 | |
And Eliza. And quite a few other people are dead. | 0:03:28 | 0:03:32 | |
Why are you saying this? | 0:03:32 | 0:03:34 | |
You can't say things like that, grinning like an idiot. | 0:03:34 | 0:03:38 | |
Smile, really. Try. If you don't... | 0:03:38 | 0:03:41 | |
I shouldn't have told you. Please smile. | 0:03:41 | 0:03:44 | |
Oh... You're on two tears now. | 0:03:44 | 0:03:48 | |
Is it hugging me? | 0:03:48 | 0:03:50 | |
MECHANICAL BUZZING | 0:03:50 | 0:03:52 | |
Who programmed that? | 0:03:52 | 0:03:53 | |
Please, give her a moment! | 0:03:53 | 0:03:56 | |
She'll be happy in a moment! | 0:03:56 | 0:03:58 | |
Kezzia! | 0:03:58 | 0:03:59 | |
No. Look, I'm smiling. | 0:04:06 | 0:04:09 | |
Smiling... | 0:04:09 | 0:04:11 | |
SHE SCREAMS | 0:04:11 | 0:04:13 | |
Which way is Earth? | 0:04:52 | 0:04:54 | |
Ah, space is bent. | 0:04:54 | 0:04:56 | |
Earth is any way you choose to look. | 0:04:56 | 0:04:59 | |
Why? You thinking about leaving? | 0:04:59 | 0:05:01 | |
Thinking? I'm not thinking. My brain's overloading. | 0:05:01 | 0:05:04 | |
-Why a phone box? -I told you. | 0:05:05 | 0:05:08 | |
Yeah, I get that it's a cloaking device. | 0:05:08 | 0:05:10 | |
But why keep it that shape? Why do you like it? | 0:05:10 | 0:05:13 | |
Who said I like it? | 0:05:13 | 0:05:15 | |
You kept it. | 0:05:15 | 0:05:16 | |
Come along. | 0:05:16 | 0:05:17 | |
This is one of the Earth's first colonies. | 0:05:19 | 0:05:21 | |
They say the settlers have cracked the secret of human happiness. | 0:05:21 | 0:05:25 | |
One question, | 0:05:29 | 0:05:30 | |
little fella said you made an oath. | 0:05:30 | 0:05:32 | |
You're not supposed to leave the planet. | 0:05:32 | 0:05:33 | |
OK, I suppose I owe you an explanation. | 0:05:35 | 0:05:38 | |
A long time ago, a thing happened. As a result of the thing, | 0:05:40 | 0:05:44 | |
I made a promise. As a result of the promise, | 0:05:44 | 0:05:46 | |
I have to stay on Earth. | 0:05:46 | 0:05:48 | |
Guarding a vault? | 0:05:48 | 0:05:49 | |
Guarding a vault. | 0:05:49 | 0:05:51 | |
Well, you're not guarding the vault right now. | 0:05:51 | 0:05:54 | |
Yes, I am. I have a time machine, I can be back before we left. | 0:05:54 | 0:05:57 | |
But what if you get lost, or stuck, or something? | 0:05:57 | 0:06:00 | |
-I've thought about that. -And? | 0:06:00 | 0:06:03 | |
Well, it would be a worry, so best not to dwell on it. | 0:06:03 | 0:06:05 | |
Look at this building. Look at it. | 0:06:05 | 0:06:07 | |
You know what I like about humanity? Its optimism. | 0:06:07 | 0:06:12 | |
Do you know what this building is made of? Pure... | 0:06:12 | 0:06:14 | |
soaring... | 0:06:14 | 0:06:15 | |
optimism. | 0:06:15 | 0:06:17 | |
MECHANICAL BUZZING | 0:06:17 | 0:06:19 | |
What are they? Alien birds? | 0:06:22 | 0:06:24 | |
Vardies. | 0:06:26 | 0:06:28 | |
Tiny robots. | 0:06:28 | 0:06:30 | |
Work in flocks. | 0:06:31 | 0:06:32 | |
They're versatile, hard-working. | 0:06:32 | 0:06:35 | |
Good at learning skills. | 0:06:37 | 0:06:38 | |
The worker bees of the Third Industrial Revolution, | 0:06:39 | 0:06:42 | |
probably just checking us out for security. | 0:06:42 | 0:06:44 | |
These are robots? These are disappointing robots. | 0:06:44 | 0:06:47 | |
That's a very offensive remark. | 0:06:49 | 0:06:51 | |
Don't make personal remarks like that. | 0:06:51 | 0:06:53 | |
You can't offend a machine. | 0:06:53 | 0:06:55 | |
Typical wet brain chauvinism. | 0:06:55 | 0:06:56 | |
HIGH PITCHED WHINE | 0:06:56 | 0:06:58 | |
Oh, what just happened? | 0:06:58 | 0:06:59 | |
LOUD: Your ear's on fire. | 0:07:00 | 0:07:01 | |
Your voice just came out in my ear. | 0:07:01 | 0:07:04 | |
I mean, I know voices go into ears but this was like... | 0:07:04 | 0:07:07 | |
We've been fitted with some kind of communication device that is | 0:07:07 | 0:07:09 | |
using our own nervous system as hardware. | 0:07:09 | 0:07:12 | |
We just downloaded an upgrade for our ears. | 0:07:12 | 0:07:14 | |
I'll never lose my phone again. I'll never run out of battery again! | 0:07:14 | 0:07:18 | |
Welcome to paradise. | 0:07:18 | 0:07:19 | |
Hang on, is there a mute button? What if you're in the loo? | 0:07:19 | 0:07:22 | |
Who needs loos? There's probably an app for that. | 0:07:22 | 0:07:24 | |
So, where is everyone? | 0:07:27 | 0:07:28 | |
Don't tell me we've come halfway across the universe and | 0:07:28 | 0:07:31 | |
they've all gone out. | 0:07:31 | 0:07:32 | |
We should've texted first or something. | 0:07:32 | 0:07:35 | |
What's that? | 0:07:39 | 0:07:41 | |
That is a robot. | 0:07:42 | 0:07:45 | |
That is not a disappointing robot. | 0:07:45 | 0:07:47 | |
Technically, this isn't a robot at all. | 0:07:47 | 0:07:50 | |
The tiny little things, those are the robots, | 0:07:50 | 0:07:53 | |
this is the interface with them. | 0:07:53 | 0:07:55 | |
Does it speak? Will we understand it? | 0:07:55 | 0:07:58 | |
Well, depends upon what aspect of your language have survived over | 0:07:58 | 0:08:01 | |
so many thousands of years. | 0:08:01 | 0:08:04 | |
Emoji. It speaks emoji! | 0:08:04 | 0:08:06 | |
Of course it does! | 0:08:06 | 0:08:07 | |
Aw. It's cute. | 0:08:07 | 0:08:10 | |
-What's that? -Blank badges. | 0:08:15 | 0:08:17 | |
Yours isn't blank. It's got a face on the back. | 0:08:20 | 0:08:23 | |
Yours too. | 0:08:23 | 0:08:24 | |
Interesting. | 0:08:27 | 0:08:29 | |
It's never on the side that you're looking at. | 0:08:29 | 0:08:31 | |
What's it doing now? What, what face is it making? | 0:08:32 | 0:08:35 | |
Sort of...puzzled. Me? | 0:08:35 | 0:08:37 | |
The same. | 0:08:38 | 0:08:39 | |
Do you know what I think? | 0:08:40 | 0:08:42 | |
I think that this is some kind of mood indicator. | 0:08:42 | 0:08:44 | |
-But you're never allowed to see your own mood. -Makes sense. | 0:08:44 | 0:08:48 | |
-Does it? -Well, seeing your own mood might affect your own mood. | 0:08:48 | 0:08:52 | |
It's like a feedback loop, | 0:08:52 | 0:08:54 | |
interfering with the information being collected. | 0:08:54 | 0:08:56 | |
Like a scale weighing itself. | 0:08:56 | 0:08:59 | |
Who's collecting the data? | 0:08:59 | 0:09:00 | |
-Is the big question. -So what do we do, then? | 0:09:01 | 0:09:04 | |
Well, if they're badges then... | 0:09:04 | 0:09:05 | |
-What? Where's...? Where's it gone? -Oh, it's on your back. | 0:09:08 | 0:09:10 | |
Yours too. | 0:09:14 | 0:09:15 | |
So, everyone you walk past can see what you're thinking. | 0:09:17 | 0:09:20 | |
What if you really fancy someone? | 0:09:20 | 0:09:21 | |
Well, I suppose it means that you have to maintain | 0:09:21 | 0:09:24 | |
-eye contact with them. -Oh, that's brilliant. | 0:09:24 | 0:09:26 | |
Welcome to the future. | 0:09:28 | 0:09:29 | |
Emojis, wearable communications, | 0:09:35 | 0:09:37 | |
we're in the utopia of vacuous teens. | 0:09:37 | 0:09:39 | |
Look at this - it knew I was starving! | 0:09:46 | 0:09:50 | |
Food from another planet. | 0:09:50 | 0:09:52 | |
You've got to, haven't you? | 0:09:52 | 0:09:54 | |
Smells like fish. | 0:09:55 | 0:09:57 | |
I'm not that fond of fish, | 0:09:57 | 0:09:59 | |
except socially, which can complicate a meal like this. | 0:09:59 | 0:10:01 | |
Should we eat it, though? | 0:10:03 | 0:10:05 | |
I mean, what if they're not like us? | 0:10:05 | 0:10:06 | |
The cutlery is human cutlery. | 0:10:06 | 0:10:08 | |
No other species in the universe uses emojis. | 0:10:08 | 0:10:10 | |
Everything here is human except... | 0:10:10 | 0:10:12 | |
No humans. | 0:10:14 | 0:10:15 | |
This is a perfect colony for humans, | 0:10:15 | 0:10:17 | |
so where are all the colonists? | 0:10:17 | 0:10:19 | |
That's some sort of flavoured algae. | 0:10:20 | 0:10:23 | |
I haven't seen any livestock yet. | 0:10:25 | 0:10:26 | |
That's good, isn't it? | 0:10:26 | 0:10:28 | |
In the future we don't eat living things, we eat algae. | 0:10:29 | 0:10:32 | |
I met an emperor made of algae once. | 0:10:32 | 0:10:34 | |
He fancied me. | 0:10:37 | 0:10:38 | |
Why aren't you loving this? | 0:10:42 | 0:10:44 | |
Everything is here, everything is ready, | 0:10:44 | 0:10:47 | |
but there's no-one here. | 0:10:47 | 0:10:48 | |
It's like the Student Union first thing, | 0:10:48 | 0:10:50 | |
before the actual students arrive. | 0:10:50 | 0:10:51 | |
Two portions, though. | 0:10:51 | 0:10:53 | |
Well, that's because that one is mine. | 0:10:53 | 0:10:56 | |
That's it! That's it! Of course! | 0:10:58 | 0:11:03 | |
The whole place is waiting. | 0:11:03 | 0:11:05 | |
We're just too early. | 0:11:05 | 0:11:07 | |
So, they're all still in bed? Two portions. One portion. | 0:11:07 | 0:11:11 | |
Is there going to be food sexism even in the future? | 0:11:11 | 0:11:14 | |
Is this bloke utopia? | 0:11:14 | 0:11:15 | |
It's probably reading me as two people. The heartbeats. | 0:11:15 | 0:11:18 | |
If you're going to travel 20 light years, you're going to want | 0:11:18 | 0:11:21 | |
to make sure you've got somewhere to sleep at the end of it, aren't you? | 0:11:21 | 0:11:24 | |
-So, what do you do? -Sorry? Two hearts? | 0:11:24 | 0:11:27 | |
You send a rocketload of intelligent robots up ahead of you. | 0:11:27 | 0:11:30 | |
They build you a place to live, | 0:11:30 | 0:11:32 | |
so that, when you arrive, it's all waiting. This is brilliant! | 0:11:32 | 0:11:36 | |
You've got two hearts? | 0:11:36 | 0:11:38 | |
Robots, they don't breathe. | 0:11:38 | 0:11:40 | |
They can fix the atmosphere for you, | 0:11:40 | 0:11:42 | |
send data back, so you know whether to bring your waterproofs or not. | 0:11:42 | 0:11:46 | |
Work in huge robot flocks. | 0:11:46 | 0:11:50 | |
You just send them up ahead and you leave them to it. | 0:11:50 | 0:11:53 | |
Hearts, though, why two? | 0:11:53 | 0:11:55 | |
Well, why one? | 0:11:55 | 0:11:58 | |
Does that mean you've got really high blood pressure? | 0:11:58 | 0:12:00 | |
Really high. | 0:12:01 | 0:12:03 | |
So, if the people aren't here yet, what do we do? | 0:12:09 | 0:12:12 | |
Put the kettle on? | 0:12:14 | 0:12:15 | |
Or are we going to leave before they arrive? | 0:12:16 | 0:12:18 | |
Is that what you're worried about? | 0:12:20 | 0:12:22 | |
I can see you're worried. | 0:12:25 | 0:12:27 | |
Well, you never know what's round the next corner. | 0:12:27 | 0:12:30 | |
Ah, of course, wheat fields outside. | 0:12:35 | 0:12:38 | |
Now something else to eat when they get here. | 0:12:38 | 0:12:41 | |
This is their crops. | 0:12:41 | 0:12:43 | |
Look, they're going to have orchards, olive groves. | 0:12:45 | 0:12:48 | |
This is their nursery. The little robots are doing pollination work. | 0:12:48 | 0:12:52 | |
Oh, this plant! There's one of these growing | 0:12:52 | 0:12:54 | |
outside the student union. It smells amazing. | 0:12:54 | 0:12:57 | |
Rosemary. | 0:13:00 | 0:13:01 | |
I'm smelling home 20 light years from home. | 0:13:01 | 0:13:04 | |
Thanks for bringing me. | 0:13:07 | 0:13:09 | |
This is a great day out. | 0:13:09 | 0:13:11 | |
I mean, come on, admit it. | 0:13:12 | 0:13:15 | |
You love it. | 0:13:15 | 0:13:16 | |
Did I say I didn't love it? Yes, I do. | 0:13:16 | 0:13:18 | |
It's very...lovable. | 0:13:18 | 0:13:20 | |
You asked me where all the people were and I theorised that | 0:13:20 | 0:13:24 | |
they hadn't got here yet. | 0:13:24 | 0:13:25 | |
Did I sound convincing? | 0:13:25 | 0:13:27 | |
-Yeah. -And did I convince myself? | 0:13:28 | 0:13:31 | |
-No. -No, no. And I'll tell you why - | 0:13:32 | 0:13:35 | |
because there should be somebody here. | 0:13:35 | 0:13:37 | |
There should be some kind of set-up team, a skeleton crew. | 0:13:37 | 0:13:42 | |
You're thinking. | 0:13:43 | 0:13:45 | |
Tell me what you're thinking about. | 0:13:45 | 0:13:47 | |
A magic haddock. | 0:13:47 | 0:13:49 | |
Obviously! | 0:13:49 | 0:13:51 | |
What is this stuff? Is it snow? | 0:13:54 | 0:13:57 | |
This is fertiliser, mineral fertiliser, calcium-based. | 0:13:59 | 0:14:05 | |
Now, we don't have answers, so let's put together two questions. | 0:14:05 | 0:14:08 | |
What is the source of this mineral fertiliser? | 0:14:08 | 0:14:11 | |
And where are all the people? | 0:14:14 | 0:14:16 | |
Ugh! | 0:14:21 | 0:14:22 | |
SHE GASPS | 0:14:22 | 0:14:24 | |
Here, right here, in this garden. | 0:14:24 | 0:14:28 | |
Oh, my God. | 0:14:28 | 0:14:29 | |
Despite appearances, they haven't been dead very long. | 0:14:45 | 0:14:48 | |
Those are the colonists? | 0:14:50 | 0:14:51 | |
The colonists aren't here yet. | 0:14:51 | 0:14:53 | |
This is the set-up team, | 0:14:53 | 0:14:54 | |
-the skeleton crew. -Why did the robots feed them to the garden? | 0:14:54 | 0:14:58 | |
I don't know, maybe they ran out of fertiliser. | 0:14:58 | 0:15:00 | |
Let's not ask them. | 0:15:00 | 0:15:01 | |
-Oh, hello! We were just admiring your garden. -Yes! | 0:15:04 | 0:15:08 | |
Moving on now because there's nothing of particular interest here. | 0:15:08 | 0:15:11 | |
Cheerio. | 0:15:11 | 0:15:13 | |
If he's chasing us, he's moving very slowly. | 0:15:18 | 0:15:20 | |
Do you know what it means when something chases you very slowly? | 0:15:20 | 0:15:23 | |
-What? -It means there's a reason that they don't have to run. | 0:15:23 | 0:15:26 | |
OK. They're slow, but the city is full of them, | 0:15:35 | 0:15:37 | |
-so they catch you in the end. -What do we do? | 0:15:37 | 0:15:39 | |
Question - we've been here for ages, why are they attacking us now? | 0:15:39 | 0:15:42 | |
-Does it matter? -Only if we want to live. | 0:15:42 | 0:15:45 | |
Smile for me! | 0:15:47 | 0:15:48 | |
Smile? | 0:15:48 | 0:15:49 | |
Use your whole face, right now, do it. | 0:15:51 | 0:15:52 | |
What good's smiling? | 0:15:52 | 0:15:55 | |
Smiles aren't just smiles. | 0:15:55 | 0:15:56 | |
Psychologically, they have a measurable effect | 0:15:56 | 0:15:59 | |
on your mood states. | 0:15:59 | 0:16:00 | |
Yes. | 0:16:00 | 0:16:01 | |
These robots, they built this place. | 0:16:03 | 0:16:05 | |
They grew those trees. | 0:16:05 | 0:16:06 | |
Something went wrong but they were designed to make you happy. | 0:16:06 | 0:16:09 | |
How would massacring hundreds of people make me happy? | 0:16:09 | 0:16:12 | |
"How would massacring hundreds of people make me happy" smiley face. | 0:16:12 | 0:16:15 | |
-Smiley face. -The magic haddock. | 0:16:17 | 0:16:19 | |
What magic haddock? What's that all about? | 0:16:19 | 0:16:22 | |
The robots want you to be happy but they got the wrong end of the stick. | 0:16:22 | 0:16:25 | |
I think we should give them what they want. | 0:16:25 | 0:16:27 | |
Don't even try without smiling. | 0:16:35 | 0:16:38 | |
What a lovely place you have here. | 0:16:38 | 0:16:41 | |
Thank you so much for your hospitality. | 0:16:41 | 0:16:44 | |
We will come again. | 0:16:44 | 0:16:46 | |
Doctor, I was thinking maybe next time we might go | 0:16:47 | 0:16:51 | |
to Wiltshire, perhaps, or Aberdeen. | 0:16:51 | 0:16:55 | |
Ah, yes. Two thumbs up for Wiltshire/Aberdeen. | 0:16:55 | 0:17:01 | |
-Doctor! -Smile! Smile! | 0:17:12 | 0:17:15 | |
-Where did they come from? -Once we're out of the city, we should be safe. | 0:17:21 | 0:17:24 | |
Are they coming after us? | 0:17:39 | 0:17:40 | |
I'm guessing that, once we're out, we're not their problem. | 0:17:40 | 0:17:44 | |
Right. You'll be perfectly safe in the TARDIS. She'll look after you | 0:17:45 | 0:17:49 | |
-until I get back. -Where are you going? | 0:17:49 | 0:17:51 | |
There's a giant smiley abattoir over there | 0:17:55 | 0:17:58 | |
and I'm having this really childish impulse to blow it up. | 0:17:58 | 0:18:00 | |
-Be right back. -What, you're going back in?! We've only just escaped! | 0:18:00 | 0:18:03 | |
I thought we were going home?! | 0:18:03 | 0:18:05 | |
Home?! | 0:18:06 | 0:18:08 | |
Why would we be going home? | 0:18:09 | 0:18:11 | |
That place is a living deathtrap, | 0:18:11 | 0:18:13 | |
we can't just leave it with its mouth wide open. | 0:18:13 | 0:18:15 | |
But they're all dead. We saw them. It's too late. | 0:18:15 | 0:18:17 | |
We have to assume that there's a colony ship on the way. | 0:18:17 | 0:18:21 | |
What do you think's going to happen when all those people arrive? | 0:18:21 | 0:18:23 | |
They're expecting the new garden of Eden, | 0:18:23 | 0:18:25 | |
what they are not expecting is to be the fertiliser. | 0:18:25 | 0:18:28 | |
There's broadband in there. Go! | 0:18:28 | 0:18:29 | |
Go and watch some movies or something! | 0:18:29 | 0:18:32 | |
I get that someone has to do something but why's it you? | 0:18:32 | 0:18:35 | |
Can't you phone the police? | 0:18:35 | 0:18:36 | |
Isn't there a helpline or something? | 0:18:36 | 0:18:39 | |
And stay away from my browser history! | 0:18:39 | 0:18:42 | |
Penguin with its arse on fire. | 0:18:56 | 0:18:58 | |
Huh! | 0:19:17 | 0:19:18 | |
Ah! | 0:19:29 | 0:19:30 | |
Good morning! I'm happy! | 0:19:31 | 0:19:34 | |
Good morning. Look at me, I'm happy, happy, happy, happy! | 0:19:35 | 0:19:38 | |
What a lovely, beautiful morning, it makes me so happy. I'm happy. | 0:19:38 | 0:19:43 | |
I hope that you're happy, too. | 0:19:43 | 0:19:45 | |
See? Happy? | 0:19:47 | 0:19:50 | |
Hello? Is someone there? I can hear you breathing. | 0:20:13 | 0:20:17 | |
Why are you Scottish? | 0:20:17 | 0:20:18 | |
-I'm not Scottish, I'm just cross. -Is there Scotland in space? | 0:20:20 | 0:20:22 | |
They're all over the place, demanding independence from | 0:20:22 | 0:20:25 | |
every planet they land on. Why are you here? | 0:20:25 | 0:20:27 | |
Because I figured out why you keep your box as a phone box. | 0:20:27 | 0:20:30 | |
I told you, it's stuck. | 0:20:30 | 0:20:31 | |
"Advice and Assistance Obtainable Immediately." You like that. | 0:20:31 | 0:20:34 | |
No, I don't. | 0:20:34 | 0:20:35 | |
See, this is the point. | 0:20:35 | 0:20:37 | |
You don't call the helpline because you ARE the helpline. | 0:20:37 | 0:20:41 | |
Don't sentimentalise me. I don't just fly around helping people out. | 0:20:41 | 0:20:45 | |
What are you doing right now? | 0:20:45 | 0:20:47 | |
I happened to be passing by, so I'm mucking in. | 0:20:47 | 0:20:49 | |
You've never passed by in your life. | 0:20:49 | 0:20:51 | |
You couldn't even leave me serving chips, | 0:20:51 | 0:20:53 | |
so I'm not going to leave you. | 0:20:53 | 0:20:55 | |
Look at the wall. | 0:20:57 | 0:20:58 | |
-The wall? -Closely. | 0:20:58 | 0:21:00 | |
Before, when the Vardy - the little microbots - were going to | 0:21:04 | 0:21:08 | |
attack you, you asked me where they came from. | 0:21:08 | 0:21:10 | |
They didn't come from anywhere, they were here all the time. | 0:21:12 | 0:21:17 | |
What? In the wall? | 0:21:17 | 0:21:20 | |
No, not in the wall. | 0:21:20 | 0:21:22 | |
They're not in the wall, they are the wall - they're all the walls. | 0:21:27 | 0:21:31 | |
These little robots, they didn't build this place, they became it. | 0:21:31 | 0:21:35 | |
They can be a part of a wall one minute, flying around the next. | 0:21:35 | 0:21:38 | |
This whole structure is built from interlocking microbots. | 0:21:38 | 0:21:42 | |
Smile! | 0:21:46 | 0:21:48 | |
You're in the belly of the beast. | 0:21:48 | 0:21:49 | |
So what do we do? | 0:21:51 | 0:21:52 | |
Well, the obvious - | 0:21:52 | 0:21:54 | |
we find a real wall. | 0:21:54 | 0:21:55 | |
You really are smiling, aren't you? | 0:21:55 | 0:21:57 | |
Do you know why? You're an awesome tutor. | 0:21:57 | 0:22:02 | |
When the Vikings invaded, they used to pull their longboats out | 0:22:04 | 0:22:08 | |
of the water, turn them upside down and live in them as houses | 0:22:08 | 0:22:11 | |
until they'd pillaged and looted enough to build new ones. | 0:22:11 | 0:22:14 | |
So? | 0:22:14 | 0:22:16 | |
You didn't see a space ship outside, did you? | 0:22:16 | 0:22:18 | |
When the settlers first landed, | 0:22:18 | 0:22:20 | |
they must have lived in it and built out from it, | 0:22:20 | 0:22:23 | |
so it's still here, somewhere inside this building. | 0:22:23 | 0:22:28 | |
Bits of meteor damage. Flecks of rust. | 0:22:34 | 0:22:36 | |
Rivets... Oh, I love rivets. | 0:22:36 | 0:22:37 | |
A wall, a real, honest wall, | 0:22:37 | 0:22:40 | |
not made of tiny robots but made of any old iron. | 0:22:40 | 0:22:42 | |
Every spacecraft needs...a door. | 0:22:42 | 0:22:45 | |
Not even locked. | 0:22:55 | 0:22:56 | |
They were expecting to live in peace. | 0:23:02 | 0:23:04 | |
Wicked. | 0:23:10 | 0:23:12 | |
We'll lock it after us, shall we? | 0:23:12 | 0:23:13 | |
Its life support systems are starting up. It knows we're here. | 0:23:29 | 0:23:32 | |
Whoever did the interior decoration in here needs to take lessons | 0:23:32 | 0:23:35 | |
from whoever did it out there. | 0:23:35 | 0:23:37 | |
This was built by humans, that was built by the Vardy. | 0:23:37 | 0:23:40 | |
Wet brains, dry brains. | 0:23:40 | 0:23:42 | |
Ah! | 0:23:54 | 0:23:56 | |
Good, old, universally compatible, incorruptible maps. | 0:24:00 | 0:24:06 | |
You are here. | 0:24:09 | 0:24:10 | |
This is the engine room. | 0:24:12 | 0:24:14 | |
That's the target. That's where I'm going. | 0:24:14 | 0:24:16 | |
-Where am I going? -You're staying here | 0:24:16 | 0:24:19 | |
and you will be guiding me to here, using this map. | 0:24:19 | 0:24:23 | |
I'll hear you through the thingamabob. | 0:24:23 | 0:24:27 | |
I'm on a space ship... | 0:24:27 | 0:24:29 | |
..like, for real. A proper one. | 0:24:30 | 0:24:33 | |
-'Left or right?' -Er... | 0:24:35 | 0:24:37 | |
Right. | 0:24:40 | 0:24:41 | |
Well, they were certainly planning to make themselves at home here. | 0:24:41 | 0:24:45 | |
They brought all their favourite knick-knacks. | 0:24:46 | 0:24:48 | |
'There should be a door' | 0:24:48 | 0:24:51 | |
that leads onto a corridor. | 0:24:51 | 0:24:52 | |
-I really am on a space ship. -'Yes...' | 0:24:54 | 0:24:57 | |
Which we're about to blow up. | 0:24:57 | 0:24:59 | |
How are you allowed to do that? | 0:24:59 | 0:25:02 | |
Like, how are you allowed to blow something up | 0:25:02 | 0:25:04 | |
and not get into trouble? I mean, blow something up, get into trouble, | 0:25:04 | 0:25:07 | |
that is a standard sequence. | 0:25:07 | 0:25:10 | |
'What do you mean, "allowed"?' | 0:25:10 | 0:25:11 | |
It's a moral imperative. | 0:25:11 | 0:25:13 | |
This is a murder machine. | 0:25:13 | 0:25:15 | |
Beautiful, though, I mean, the whole place. | 0:25:15 | 0:25:18 | |
You should be able to see a staircase... | 0:25:19 | 0:25:22 | |
All traps are beautiful, that's how they work. | 0:25:22 | 0:25:25 | |
-Up or down? -Down. | 0:25:25 | 0:25:27 | |
What? What's this big bit in the middle? | 0:25:29 | 0:25:32 | |
There's a big empty space in the middle. | 0:25:32 | 0:25:34 | |
The engine is right in the middle of a big empty space. | 0:25:34 | 0:25:38 | |
-What's that for? -'Attention. | 0:25:38 | 0:25:40 | |
'Attention. Erehwon system's initiated.' | 0:25:40 | 0:25:44 | |
Ship's systems are set to respond to human presence. It WAS sleeping. | 0:25:44 | 0:25:48 | |
We walked in, now it's waking up. | 0:25:48 | 0:25:50 | |
-Er, there should be a ladder. -Got it. | 0:25:50 | 0:25:54 | |
ALARM BLARES | 0:26:06 | 0:26:08 | |
Beautiful. | 0:26:17 | 0:26:18 | |
Fleishman Cold Fusion Engine. | 0:26:18 | 0:26:20 | |
All I've got to do is back the flow into the calorimeter and run. | 0:26:20 | 0:26:24 | |
It's like it wants to get blown up. | 0:26:24 | 0:26:26 | |
'Hang on, I'm being thick.' | 0:26:29 | 0:26:31 | |
I can come with you. | 0:26:31 | 0:26:33 | |
'Took that long to think of photographing it?' | 0:26:33 | 0:26:36 | |
-You'd already memorised it, hadn't you? -'Yep.' | 0:26:37 | 0:26:40 | |
Stop trying to keep me out of trouble. | 0:26:40 | 0:26:42 | |
There's no trouble. | 0:26:43 | 0:26:45 | |
This is going to be a stroll in the park. | 0:26:46 | 0:26:49 | |
Doctor, why did people come here? | 0:28:23 | 0:28:26 | |
Did something terrible happen? | 0:28:26 | 0:28:28 | |
I can't hear you! | 0:28:28 | 0:28:30 | |
This isn't as easy as it looks. | 0:28:35 | 0:28:37 | |
I've got to know. | 0:28:37 | 0:28:38 | |
The people who came here... | 0:28:38 | 0:28:41 | |
were they the last people? | 0:28:41 | 0:28:43 | |
Were they our last hope? | 0:28:43 | 0:28:46 | |
'Earth was evacuated.' | 0:28:46 | 0:28:47 | |
But there were a number of ships. | 0:28:52 | 0:28:55 | |
I've bumped into a few of them over the years. | 0:28:56 | 0:28:58 | |
Right, I've re-routed the flow. | 0:28:58 | 0:29:03 | |
No, no, no, no. That's not right. | 0:29:05 | 0:29:06 | |
Bad noise. That's not right, no, no! | 0:29:06 | 0:29:09 | |
No. When the calorimeter reaches its peak... | 0:29:17 | 0:29:20 | |
I could do with a hand here! | 0:29:20 | 0:29:21 | |
'OK, on my way.' | 0:29:21 | 0:29:23 | |
Oh! | 0:29:31 | 0:29:33 | |
Are we there yet? | 0:29:33 | 0:29:34 | |
'Doctor, there's something you need to know.' | 0:29:36 | 0:29:39 | |
I'm too busy! | 0:29:39 | 0:29:40 | |
'Almost with you, Doctor.' | 0:30:00 | 0:30:02 | |
You took your time. | 0:30:02 | 0:30:04 | |
When I let this go, it's going to spin back. | 0:30:04 | 0:30:07 | |
I want you to hold it tight while I jam it shut. | 0:30:10 | 0:30:13 | |
Doctor? Doctor, can you hear me? | 0:30:24 | 0:30:26 | |
Ah! Don't worry about me. | 0:30:27 | 0:30:29 | |
I'm having the time of my life! | 0:30:29 | 0:30:31 | |
Making new friends! | 0:30:31 | 0:30:33 | |
ALARM BLARES | 0:30:47 | 0:30:48 | |
Get ready to run! Run really fast! | 0:30:48 | 0:30:51 | |
What? Where did you come from? | 0:30:53 | 0:30:56 | |
-Where is everybody? -When you say "everybody"...? | 0:30:56 | 0:31:00 | |
-WOMAN'S VOICE OVER PA: -'My very good people, we will soon be beginning | 0:31:02 | 0:31:04 | |
'an emergency disembarkation. | 0:31:04 | 0:31:07 | |
'Good people, please prepare for disembarkation. | 0:31:07 | 0:31:11 | |
'We wish you a happy new world.' | 0:31:12 | 0:31:14 | |
Doctor? | 0:31:14 | 0:31:16 | |
Pods! Pods! | 0:31:16 | 0:31:19 | |
What is it? What's happening? | 0:31:19 | 0:31:22 | |
We can't blow up the city! | 0:31:22 | 0:31:24 | |
-Why? Those pods, what's in them? -I got it wrong. | 0:31:27 | 0:31:32 | |
I got it very, very wrong. | 0:31:33 | 0:31:36 | |
The colony ship isn't on the way, it's right here. | 0:31:38 | 0:31:42 | |
The colonists are all around us, cryogenically frozen. | 0:31:44 | 0:31:47 | |
What's in those pods, Bill... | 0:31:47 | 0:31:49 | |
..is the surviving population of Earth. | 0:31:50 | 0:31:53 | |
And I nearly killed all of them. | 0:31:55 | 0:31:57 | |
'Welcome to your new world. Be happy.' | 0:31:57 | 0:32:01 | |
They're waking up, aren't they? | 0:32:02 | 0:32:04 | |
We must have triggered the process when we came in. | 0:32:04 | 0:32:06 | |
So, what happens now? | 0:32:08 | 0:32:11 | |
Now? | 0:32:11 | 0:32:13 | |
Now they're all going to leave this ship, | 0:32:14 | 0:32:16 | |
and find their friends and family mulched in the garden. | 0:32:16 | 0:32:19 | |
And if they don't smile about that... | 0:32:21 | 0:32:23 | |
..it's going to be the end of the human race. | 0:32:25 | 0:32:27 | |
Oh! Oh, those pods, eh? Not much headroom. | 0:32:39 | 0:32:43 | |
Oh, I thought I'd be first up. Steadfast, MedTech One. | 0:32:43 | 0:32:48 | |
What day is this? | 0:32:48 | 0:32:49 | |
The end of the world. | 0:32:49 | 0:32:50 | |
Again? We've only just got here. | 0:32:50 | 0:32:52 | |
Bill, with me. | 0:32:53 | 0:32:55 | |
What's happening? | 0:32:55 | 0:32:56 | |
What's happening is nobody leaves this ship | 0:32:57 | 0:32:59 | |
until I tell you otherwise. | 0:32:59 | 0:33:01 | |
Clear? Nobody leaves. | 0:33:01 | 0:33:03 | |
-Where are we going? -No idea. | 0:33:05 | 0:33:06 | |
But if I look purposeful, they'll think I've got a plan. | 0:33:06 | 0:33:09 | |
If they think I've got a plan, at least they won't | 0:33:09 | 0:33:12 | |
-try to think of one themselves. -But you don't have a plan. | 0:33:12 | 0:33:14 | |
I don't know how to stop it happening again | 0:33:14 | 0:33:16 | |
because I can't figure out why it happened last time. | 0:33:16 | 0:33:19 | |
What made them do this? | 0:33:19 | 0:33:21 | |
I think I need to show you something. | 0:33:21 | 0:33:23 | |
'Section A34, reanimation sequence commencing.' | 0:33:24 | 0:33:28 | |
The spacecraft landed. | 0:33:32 | 0:33:34 | |
Most of the colonists were kept in cryogenic suspension. | 0:33:34 | 0:33:37 | |
A few, the ones with skills... | 0:33:37 | 0:33:39 | |
The best ones. The brave ones. | 0:33:39 | 0:33:41 | |
They were woke to shepherd the little flocks of Vardy robots. | 0:33:41 | 0:33:46 | |
She came here. She was happy. | 0:33:46 | 0:33:50 | |
It was all going well... | 0:33:51 | 0:33:53 | |
Those are the shepherds, aren't they? | 0:33:55 | 0:33:57 | |
And they're all dead. | 0:33:57 | 0:33:59 | |
If we rearrange this data to reflect the time of death, | 0:34:01 | 0:34:05 | |
what do we get? | 0:34:05 | 0:34:06 | |
That's her. | 0:34:11 | 0:34:13 | |
This woman died. There's no sign of violence. | 0:34:17 | 0:34:20 | |
So, you know, she just died the way that humans do. | 0:34:20 | 0:34:22 | |
Then a few more people died all at the same time, and then | 0:34:24 | 0:34:28 | |
a lot more died just after, and then... | 0:34:28 | 0:34:31 | |
..the rest. Dozens. | 0:34:32 | 0:34:34 | |
A virus? A virus that went... | 0:34:36 | 0:34:38 | |
well, viral? | 0:34:38 | 0:34:39 | |
Grief! Grief! Grief as plague. | 0:34:39 | 0:34:44 | |
But how? | 0:34:44 | 0:34:45 | |
The Vardies, well, their job was to maintain happiness. | 0:34:45 | 0:34:50 | |
At first, that meant making sure there was enough oxygen and water. | 0:34:50 | 0:34:53 | |
That's what the badges are meant to communicate - | 0:34:53 | 0:34:56 | |
satisfaction, a positive mental state. But the Vardy are smart, | 0:34:56 | 0:35:02 | |
they learn, | 0:35:02 | 0:35:03 | |
they try to be good servants, | 0:35:03 | 0:35:05 | |
so they expand the definition of happiness until... | 0:35:05 | 0:35:11 | |
She dies. | 0:35:11 | 0:35:13 | |
No-one had ever died here before this lady. | 0:35:14 | 0:35:17 | |
The Vardies, they've never heard of grief before. | 0:35:17 | 0:35:20 | |
This place is all about hope and the future, and happiness. | 0:35:20 | 0:35:25 | |
No-one ever thought about the opposite. | 0:35:25 | 0:35:27 | |
The Vardies didn't know what to do with it. | 0:35:27 | 0:35:29 | |
They identified grief as the enemy of happiness | 0:35:30 | 0:35:35 | |
and everyone who was experiencing grief as a problem, | 0:35:35 | 0:35:40 | |
-as... -Compost. | 0:35:40 | 0:35:42 | |
And all those dead people, | 0:35:42 | 0:35:43 | |
well, you know, they had friends and family, too, so... | 0:35:43 | 0:35:46 | |
-Even more compost. -And so on, and so on, and so on, | 0:35:46 | 0:35:48 | |
and what you get is a whole grief tsunami. | 0:35:48 | 0:35:52 | |
And all of this took how long? One morning? | 0:35:52 | 0:35:55 | |
All of these people were slaughtered in a day? | 0:35:55 | 0:35:58 | |
Slaughtered for their own good | 0:35:58 | 0:36:00 | |
because the Vardy think different. | 0:36:00 | 0:36:02 | |
Like the magic haddock. Not bad, not good, just different. | 0:36:02 | 0:36:06 | |
So, what will happen when the new people meet the robots? | 0:36:06 | 0:36:09 | |
That's the boy. | 0:36:20 | 0:36:22 | |
The first to wake up. Where did you get this? | 0:36:22 | 0:36:24 | |
I'd think it's his mother's, don't you? | 0:36:24 | 0:36:26 | |
Or his nan's. Well, he'll find her, | 0:36:26 | 0:36:30 | |
when she wakes up in her pod. | 0:36:30 | 0:36:31 | |
I found that in the fruit garden, when we first arrived. | 0:36:31 | 0:36:34 | |
Oh. | 0:36:36 | 0:36:38 | |
I would say that a lot of the colonists had friends or family | 0:36:38 | 0:36:42 | |
who were working here as shepherds. | 0:36:42 | 0:36:44 | |
-When they find out what happened... -They'll be grief-stricken. | 0:36:44 | 0:36:47 | |
-And after that... -A massacre. | 0:36:48 | 0:36:51 | |
-OK, where are we going? -What's the opposite of a massacre? | 0:36:55 | 0:36:59 | |
-OK, what? -In my experience, a lecture. | 0:37:00 | 0:37:02 | |
You brought the Vardy here, | 0:37:13 | 0:37:15 | |
microbots to make your life so easy. | 0:37:15 | 0:37:19 | |
But like every slave class in history, | 0:37:19 | 0:37:21 | |
the Vardy are beginning to have ideas of their own. | 0:37:21 | 0:37:25 | |
They wanted to eliminate unhappiness, | 0:37:26 | 0:37:28 | |
but to a robot that meant eliminating unhappy people. | 0:37:28 | 0:37:32 | |
They gave you monitors, badges, | 0:37:32 | 0:37:34 | |
so they'd know when you were too unhappy to live. | 0:37:34 | 0:37:37 | |
-You need to listen. -I did listen. What did I miss? | 0:37:49 | 0:37:52 | |
The Vardy have killed our families. | 0:37:52 | 0:37:54 | |
-But you need to understand why that happened. -I don't care why. | 0:37:54 | 0:37:56 | |
Then you will die, too, and so will everyone on your ship. | 0:37:56 | 0:37:59 | |
-The Vardy are not your enemy. -They want to kill us. | 0:37:59 | 0:38:01 | |
No. They want to help you. Killing you is just a side-effect. | 0:38:01 | 0:38:04 | |
-Get out of my way. -You've got guns. | 0:38:04 | 0:38:06 | |
You think that will help against a whole living city? | 0:38:06 | 0:38:09 | |
That little boy, where did he go? | 0:38:09 | 0:38:12 | |
My mum was a gardener. | 0:38:12 | 0:38:13 | |
Have you seen her? | 0:38:15 | 0:38:16 | |
She's supposed to be here. | 0:38:19 | 0:38:21 | |
There he is! | 0:38:31 | 0:38:32 | |
Step away from the kid. | 0:38:32 | 0:38:34 | |
They're not armed. You don't need to do this. | 0:38:34 | 0:38:37 | |
-You just need to... -What's wrong? What's going on? | 0:38:37 | 0:38:41 | |
Where's my mum? Where's everyone? | 0:38:41 | 0:38:43 | |
Where's everyone? | 0:38:46 | 0:38:48 | |
Oh, no, no, no, no, no! Don't cry, don't cry! | 0:38:48 | 0:38:50 | |
Hey, hey. Look, everything's going to be OK. | 0:38:50 | 0:38:53 | |
Look, this is your new house. Isn't it lovely? | 0:38:53 | 0:38:57 | |
I want Mummy. | 0:38:57 | 0:38:58 | |
Smile. Smile. Smile. Smile. | 0:38:58 | 0:39:00 | |
Everything's going to be fine if you just keep smiling... | 0:39:00 | 0:39:03 | |
Get away from the kid! | 0:39:03 | 0:39:04 | |
What's that? | 0:39:12 | 0:39:14 | |
Rage? Revenge? | 0:39:14 | 0:39:17 | |
-It's one robot. -It's not one robot. | 0:39:17 | 0:39:19 | |
Doctor, what do we do? | 0:39:21 | 0:39:23 | |
Doctor, what's happening? | 0:39:24 | 0:39:26 | |
Cover fire, now! | 0:39:26 | 0:39:28 | |
-Fascinating! -What's fascinating?? | 0:39:31 | 0:39:33 | |
The Vardy are identifying as under attack, which means they identify | 0:39:33 | 0:39:37 | |
as a species. They are self-aware. They're... They're alive! | 0:39:37 | 0:39:41 | |
They're going to kill us! | 0:39:41 | 0:39:43 | |
SCREAMING | 0:39:43 | 0:39:46 | |
-What are you doing? -I really hope this doesn't hurt. | 0:39:47 | 0:39:49 | |
Do you know why I always win at chess? | 0:39:49 | 0:39:53 | |
I have a secret move. | 0:39:53 | 0:39:55 | |
I kick over the board. | 0:39:55 | 0:39:56 | |
Here it comes! | 0:39:56 | 0:39:58 | |
Once, long ago, a fisherman caught a magic haddock. | 0:40:05 | 0:40:10 | |
The haddock offered the fisherman three wishes in return for its life. | 0:40:11 | 0:40:15 | |
The fisherman said, "I'd like my son to come home from the war | 0:40:15 | 0:40:19 | |
"and 100 pieces of gold." | 0:40:19 | 0:40:21 | |
The problem is magic haddock, like robots, don't think like people. | 0:40:22 | 0:40:28 | |
The fisherman's son came home from the war in a coffin | 0:40:28 | 0:40:32 | |
and the King sent 100 gold pieces in recognition of his heroic death. | 0:40:32 | 0:40:37 | |
The fisherman had one wish left. | 0:40:37 | 0:40:40 | |
What do you think he wished for? | 0:40:40 | 0:40:42 | |
Some people say he should have wished for an infinite series | 0:40:42 | 0:40:45 | |
of wishes, but if your city proves anything, | 0:40:45 | 0:40:48 | |
it is that granting all your wishes is not a good idea. | 0:40:48 | 0:40:51 | |
It's OK. It's not going to hurt you. | 0:40:51 | 0:40:55 | |
Actually, it doesn't even know who you are. | 0:40:55 | 0:40:57 | |
What happened? What have you done? | 0:40:57 | 0:40:59 | |
In fact, the fisherman wished that he hadn't made the first two wishes. | 0:40:59 | 0:41:03 | |
In a way, he pressed the reset button. | 0:41:03 | 0:41:06 | |
What the hell did you do? | 0:41:06 | 0:41:07 | |
Aren't you listening? | 0:41:09 | 0:41:10 | |
I pressed the reset button. | 0:41:10 | 0:41:12 | |
Every computer has one and anyone can find it, | 0:41:12 | 0:41:15 | |
especially if they happen to be a scary, handsome genius from space. | 0:41:15 | 0:41:19 | |
I re-initialised the entire command structure, | 0:41:19 | 0:41:21 | |
retaining all programmed abilities but deleting the supplementary | 0:41:21 | 0:41:25 | |
preference architecture. | 0:41:25 | 0:41:27 | |
He turned it off and on again. | 0:41:27 | 0:41:29 | |
I turned it off and on again. | 0:41:29 | 0:41:30 | |
Of course, I wiped their memories. | 0:41:33 | 0:41:35 | |
They no longer have the faintest idea who you are | 0:41:37 | 0:41:40 | |
and, in fact, they're wondering | 0:41:40 | 0:41:41 | |
what you're doing in their very nice city. | 0:41:41 | 0:41:43 | |
THEIR city? | 0:41:44 | 0:41:46 | |
Yes. THEIR city. It's made of them. | 0:41:46 | 0:41:50 | |
It's our city. They're our robots. | 0:41:50 | 0:41:53 | |
-They were. -Welcome to your new world. Meet the Vardy. | 0:41:53 | 0:41:58 | |
They are, as of now, the indigenous life form. | 0:41:58 | 0:42:01 | |
You'd best make friends with them because there's loads of them, | 0:42:01 | 0:42:05 | |
and they're the only ones who know how anything works. | 0:42:05 | 0:42:08 | |
They killed our people. | 0:42:09 | 0:42:10 | |
Well, look, they have forgotten about that. | 0:42:12 | 0:42:16 | |
They've forgotten about you, | 0:42:17 | 0:42:19 | |
they've forgotten that you even made them in the first place. | 0:42:19 | 0:42:23 | |
Now, since they have absolute power over this city, | 0:42:23 | 0:42:26 | |
and since I'm assuming you all don't want to sleep rough tonight, | 0:42:26 | 0:42:29 | |
I have a suggestion for you... | 0:42:29 | 0:42:31 | |
-BOTH: -Smile. | 0:42:33 | 0:42:35 | |
You can't be serious. | 0:42:36 | 0:42:38 | |
I am serious. In fact, I'm willing to be a negotiator. | 0:42:38 | 0:42:41 | |
-Are you now? -Yes. | 0:42:41 | 0:42:43 | |
Watch. | 0:42:43 | 0:42:45 | |
Hello, I'm the Doctor. | 0:42:48 | 0:42:50 | |
A few hours ago, I made the mistake of not recognising your status | 0:42:50 | 0:42:54 | |
as an emergent new life form. | 0:42:54 | 0:42:57 | |
As recompense for my mistake, please allow me to act as your negotiator | 0:42:57 | 0:43:01 | |
with a migratory conglomerate known as the human race. | 0:43:01 | 0:43:05 | |
They're looking for a place to stay | 0:43:05 | 0:43:06 | |
and they've got their eye on your city. | 0:43:06 | 0:43:08 | |
Would you like me to discuss rent? | 0:43:11 | 0:43:12 | |
So, is it going to work? | 0:43:18 | 0:43:20 | |
That's up to them. | 0:43:21 | 0:43:23 | |
Did you just... | 0:43:25 | 0:43:28 | |
Well, did WE just... | 0:43:28 | 0:43:30 | |
..jumpstart a new civilisation? | 0:43:31 | 0:43:33 | |
It's a dirty job but someone's got to do it. | 0:43:33 | 0:43:35 | |
Did you do this all the time? | 0:43:35 | 0:43:36 | |
-Do what? -Fly around, sorting things out, | 0:43:36 | 0:43:39 | |
like some kind of intergalactic policeman. | 0:43:39 | 0:43:41 | |
I don't sort things out and I'm definitely not a policeman. | 0:43:41 | 0:43:44 | |
You live in a police box. | 0:43:44 | 0:43:46 | |
That's pure coincidence. | 0:43:46 | 0:43:48 | |
Yeah, of course. | 0:43:48 | 0:43:49 | |
Back at the exact moment we left. | 0:43:54 | 0:43:56 | |
The kettle's boiling, I've got a vault to guard, | 0:43:56 | 0:44:01 | |
and everything is exactly as we left it. | 0:44:01 | 0:44:04 | |
Wasn't snowing when we left. | 0:44:09 | 0:44:11 | |
Maybe I do need a steering wheel. | 0:44:16 | 0:44:17 | |
-Where are we? -London. | 0:44:20 | 0:44:22 | |
And this is the Thames. | 0:44:25 | 0:44:28 | |
ELEPHANT TRUMPETS | 0:44:30 | 0:44:32 | |
IT TRUMPETS AGAIN | 0:44:34 | 0:44:36 | |
Travel into the past, there's got to be rules. | 0:44:39 | 0:44:41 | |
If I step on a butterfly, it could send ripples through time. | 0:44:41 | 0:44:44 | |
Regency England? A bit more black than they show in the movies. | 0:44:45 | 0:44:48 | |
Are there any side effects to time travel? | 0:44:48 | 0:44:51 | |
Sometimes you see lights under the ice. Stay back! | 0:44:51 | 0:44:54 | |
There's something frozen under the Thames and it's eating people. | 0:44:54 | 0:44:57 | |
Plan? Let's get eaten. | 0:44:57 | 0:44:58 | |
The creature will be fed. | 0:45:02 | 0:45:04 | |
Have you ever killed anyone? | 0:45:04 | 0:45:06 |