Browse content similar to Love and Monsters. Check below for episodes and series from the same categories and more!
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Doctor! Doctor! Look out! | 0:00:36 | 0:00:38 | |
-Where's he gone? Have you seen him? -There he is. Stop! No! | 0:00:43 | 0:00:47 | |
Watch out! | 0:00:47 | 0:00:50 | |
There! There! | 0:00:50 | 0:00:52 | |
LOW GROWLING | 0:00:56 | 0:00:58 | |
WATER DRIPS | 0:00:58 | 0:01:01 | |
LOW GROWLS | 0:01:04 | 0:01:06 | |
That's what it did. It went ROAR! | 0:01:21 | 0:01:24 | |
And if you think that was the most exciting day of my life, wait till you hear the rest. | 0:01:24 | 0:01:30 | |
Oh, boy! | 0:01:30 | 0:01:32 | |
So there I was, with that thing going ROAR! | 0:02:08 | 0:02:11 | |
Here boy, eat the food. Come on. | 0:02:15 | 0:02:18 | |
Look at the lovely food. Isn't that nice? Yes, it is! | 0:02:18 | 0:02:22 | |
Get out of here, quickly! | 0:02:22 | 0:02:23 | |
Who would like a porkie choppie, then? I said, "RUN!" | 0:02:23 | 0:02:27 | |
Wrong one! You've made it worse! | 0:02:30 | 0:02:32 | |
-You said, "Blue!" -I said NOT blue! | 0:02:32 | 0:02:35 | |
Hold on. | 0:02:38 | 0:02:39 | |
Ahhh! | 0:02:44 | 0:02:47 | |
-Aaagh! -Aaagh! | 0:02:47 | 0:02:50 | |
Hold on. | 0:03:02 | 0:03:04 | |
Don't I know you? | 0:03:05 | 0:03:07 | |
TARDIS WHIRRS | 0:03:15 | 0:03:18 | |
You can't imagine it. The Doctor's machine. | 0:03:18 | 0:03:21 | |
The most beautiful sound in the world. | 0:03:21 | 0:03:25 | |
That wasn't the first time I met the Doctor and it certainly wasn't the last. Oh, no! | 0:03:25 | 0:03:31 | |
I just put that bit at the beginning because it's a brilliant opening. | 0:03:31 | 0:03:35 | |
This is the story of me and my encounters with alien life forms. | 0:03:35 | 0:03:41 | |
But be warned! | 0:03:41 | 0:03:44 | |
Because it is gonna get sca-a-ary. | 0:03:44 | 0:03:47 | |
I need a remote control zoom. | 0:03:49 | 0:03:51 | |
I'm having to do that with the lean, sca-a-a-ary. | 0:03:51 | 0:03:54 | |
But look, don't worry, cos it's not just me sitting here talking. Oh, no. | 0:03:54 | 0:03:59 | |
-That's Ursula on camera. -Hello! | 0:03:59 | 0:04:03 | |
My good friend, Ursula Blake. On my brand new camera. | 0:04:03 | 0:04:06 | |
That was my family home, down there. | 0:04:06 | 0:04:10 | |
I did try, but there's two women live there now. | 0:04:10 | 0:04:14 | |
They're a bit severe. | 0:04:14 | 0:04:16 | |
Never mind, but that's where it all started. | 0:04:16 | 0:04:19 | |
Cos that's when I first met the Doctor. | 0:04:19 | 0:04:22 | |
What was it, I must've been three or four years old. | 0:04:24 | 0:04:28 | |
Middle of the night I went downstairs | 0:04:28 | 0:04:32 | |
and there was this...man. | 0:04:32 | 0:04:34 | |
What happened? | 0:04:38 | 0:04:41 | |
Elton? Tell me. Why was he there? | 0:04:41 | 0:04:43 | |
I dunno. Still don't know. | 0:04:46 | 0:04:48 | |
All those years ago. | 0:04:50 | 0:04:52 | |
OK! First things first. | 0:04:57 | 0:04:59 | |
My name is Elton, not to be confused with... | 0:04:59 | 0:05:03 | |
I left school. I got a job, transport manager for Rita Logistics, | 0:05:04 | 0:05:08 | |
modest little haulage company, perfectly normal life, and then... | 0:05:08 | 0:05:13 | |
it all went mad! | 0:05:13 | 0:05:15 | |
Two years ago, I was in town. | 0:05:15 | 0:05:17 | |
I was stocking up, nothing special, all the usual stuff. | 0:05:17 | 0:05:21 | |
When all of a sudden... | 0:05:21 | 0:05:23 | |
PEOPLE SCREAM | 0:05:23 | 0:05:26 | |
Shop window dummies! | 0:05:31 | 0:05:34 | |
Come to life! | 0:05:34 | 0:05:36 | |
I survived... Obviously. | 0:05:44 | 0:05:47 | |
Twelve months later, I'm back in town, | 0:05:47 | 0:05:51 | |
looking for a new suit, when I hear this plane overhead. | 0:05:51 | 0:05:56 | |
DONG! | 0:06:05 | 0:06:07 | |
But it wasn't over yet! Cos then, Christmas Day... | 0:06:09 | 0:06:12 | |
I'm in bed, fast asleep, nice and cosy, when all of a sudden... | 0:06:12 | 0:06:17 | |
Like, ptscccchhhh! | 0:06:17 | 0:06:20 | |
I'm stuck in bed cos there's glass everywhere and I was barefoot. | 0:06:20 | 0:06:25 | |
I had to invent this rudimentary pulley system just to reach my boots and by the time I'd done that... | 0:06:25 | 0:06:31 | |
that's when it all started happening. | 0:06:38 | 0:06:41 | |
-That's how I met Ursula. -His name is the Doctor. -That's how I met Victor Kennedy. | 0:06:41 | 0:06:46 | |
You stupid man! | 0:06:46 | 0:06:47 | |
-That's how I met Jackie Tyler. -You don't meet many Elton's. | 0:06:47 | 0:06:49 | |
And that's how I finally met the Doctor... | 0:06:49 | 0:06:53 | |
and realised the truth. | 0:06:53 | 0:06:56 | |
I should say, | 0:07:04 | 0:07:05 | |
this isn't my whole life - it's not all spaceships and stuff. | 0:07:05 | 0:07:10 | |
Cos I'm into all sorts of things. | 0:07:10 | 0:07:13 | |
I like football. | 0:07:13 | 0:07:15 | |
I like a drink. I like Spain. | 0:07:15 | 0:07:18 | |
And if there's one thing I really, really love, | 0:07:18 | 0:07:22 | |
then it's Jeff Lynne and the Electric Light Orchestra. | 0:07:22 | 0:07:26 | |
Cos you can't beat a bit of ELO. | 0:07:26 | 0:07:28 | |
# The sun is shining in the sky | 0:07:33 | 0:07:36 | |
# There ain't a cloud in sight | 0:07:36 | 0:07:39 | |
# It's stopped raining | 0:07:39 | 0:07:41 | |
# Everybody's in the play | 0:07:41 | 0:07:43 | |
# And don't you know it's a beautiful day | 0:07:43 | 0:07:46 | |
# Hey, hey, hey... # | 0:07:47 | 0:07:49 | |
So! | 0:07:50 | 0:07:52 | |
Great big spaceship hanging over London, imagine the theories! | 0:07:52 | 0:07:55 | |
The internet went into meltdown! | 0:07:55 | 0:07:58 | |
But I kept on digging. | 0:07:58 | 0:08:00 | |
Something was going on. | 0:08:00 | 0:08:02 | |
Oh, yes! And then one day, on some obscure little blog | 0:08:02 | 0:08:06 | |
by someone called Ursula Blake, it was like a chance in a million. | 0:08:06 | 0:08:13 | |
'It was him. It was that man again, but the photo was new, it was taken on Christmas Day. | 0:08:13 | 0:08:19 | |
-'But Christmas just gone and he looked exactly the same.' -His name is the Doctor. | 0:08:19 | 0:08:25 | |
-Doctor what? -That's all anyone knows. | 0:08:25 | 0:08:29 | |
But Christmas Day, I was taking photos all over the place. | 0:08:29 | 0:08:32 | |
I went mad with it all, spaceships and lasers and everything. | 0:08:32 | 0:08:36 | |
We all went to Trafalgar Square that night, cos everyone was celebrating, just being alive. | 0:08:36 | 0:08:42 | |
I snapped him in passing, that's all. He was just some bloke. | 0:08:42 | 0:08:46 | |
I didn't realise he was significant, until Mr Skinner pointed it out. | 0:08:46 | 0:08:50 | |
Who's Mr Skinner? | 0:08:50 | 0:08:52 | |
Oh, there's a few of us. | 0:08:52 | 0:08:55 | |
The inner sanctum. All studying this Doctor. | 0:08:55 | 0:08:59 | |
I've seen him, the Doctor, I swear to you. | 0:08:59 | 0:09:03 | |
I saw him when I was a kid. He was in my house and he was downstairs. | 0:09:03 | 0:09:06 | |
-Don't tell me. He looked exactly the same then as he does now. -Yes! | 0:09:06 | 0:09:11 | |
Yes! | 0:09:11 | 0:09:13 | |
Oh, my God, you believe me! | 0:09:16 | 0:09:19 | |
'So that's how I met Ursula. All thanks to the Doctor. | 0:09:20 | 0:09:23 | |
'Turns out we read all the same sites and she only lived half a mile away. | 0:09:23 | 0:09:27 | |
She was like a proper mate. Poor Ursula.' | 0:09:27 | 0:09:31 | |
But like she said, there was this little community, the select few, | 0:09:34 | 0:09:38 | |
all with their stories of the Doctor. | 0:09:38 | 0:09:41 | |
'This little gang used to meet up, underneath the old library on Maccateer Street. | 0:09:41 | 0:09:45 | |
'Mr Skinner, first name Colin, but we always called him Mr Skinner. | 0:09:45 | 0:09:50 | |
-'I don't know why, we just did.' -To me, the Doctor isn't a man, | 0:09:50 | 0:09:54 | |
he's more a collection of archetypes... | 0:09:54 | 0:09:58 | |
-'Then there was Bridget.' -All these different Doctors come and go, | 0:09:58 | 0:10:02 | |
but the single constant factor is this faux-police box. It keeps cropping up, throughout history. | 0:10:02 | 0:10:08 | |
'She lived way up north but she travelled down just for the meetings. | 0:10:08 | 0:10:12 | |
-'Then there was Bliss...' -What I'm trying to do, | 0:10:12 | 0:10:15 | |
is sum up the Doctor, what he means to us. | 0:10:15 | 0:10:18 | |
'She was ever so sweet, Bliss. | 0:10:18 | 0:10:20 | |
-'"Bless Bliss," we used to say.' -What he could represent and what he should represent | 0:10:20 | 0:10:26 | |
and what he... | 0:10:26 | 0:10:29 | |
-never won't represent, sort of thing. -We should have a name. | 0:10:29 | 0:10:33 | |
You know, as a group. | 0:10:33 | 0:10:37 | |
Names are very important. | 0:10:37 | 0:10:39 | |
What we need is a good, strong name, like a team, something like... | 0:10:39 | 0:10:44 | |
London Investigation 'n' Detective Agency. | 0:10:44 | 0:10:48 | |
-LINDA for short. -Say it again? | 0:10:48 | 0:10:50 | |
London Investigation 'n' Detective Agency. | 0:10:50 | 0:10:54 | |
-'N'? -Fish 'n' chips! | 0:10:54 | 0:10:56 | |
Rock 'n' roll! Chakademus 'n' Pliers! | 0:10:56 | 0:11:00 | |
-LINDA! Oh, I like it, it's not too solemn! -I like the 'N'! | 0:11:00 | 0:11:04 | |
-We're the men from LINDA! -And the women! -LINDA united! | 0:11:04 | 0:11:07 | |
-Did you think of that on the spot? -No, I've wanted to use it for years. | 0:11:07 | 0:11:10 | |
-I give you, LINDA! -ALL: LINDA! | 0:11:10 | 0:11:14 | |
So we'd all meet up, every week. | 0:11:14 | 0:11:16 | |
We'd talk about the Doctor for a bit, | 0:11:16 | 0:11:19 | |
but after a while, Bridget started cooking. | 0:11:19 | 0:11:21 | |
Oh, my God, that's gorgeous! | 0:11:21 | 0:11:24 | |
No, really. Wow! Oh, rest of you, get your hands off! | 0:11:24 | 0:11:27 | |
'Next thing you know, Mr Skinner started his readings, cos he was writing his own novel.' | 0:11:27 | 0:11:32 | |
"That's the last time you ride the Ghost Train, Johnny Franzetta, now say your prayers!" | 0:11:32 | 0:11:37 | |
To be continued. | 0:11:37 | 0:11:40 | |
-No-o-o-o! -'Time went on, we got to know each other better and better.' | 0:11:40 | 0:11:44 | |
I only started all this because my daughter disappeared. | 0:11:44 | 0:11:48 | |
But it wasn't aliens that took her away. | 0:11:50 | 0:11:52 | |
It was just drugs. | 0:11:52 | 0:11:56 | |
I come down to London every week and I just keep looking for her. | 0:11:56 | 0:12:01 | |
Oh, Bridget... | 0:12:03 | 0:12:06 | |
# I gave my love a chicken | 0:12:08 | 0:12:11 | |
# It had no bone | 0:12:11 | 0:12:15 | |
# I gave my love a cherry | 0:12:16 | 0:12:19 | |
# It had no stone... # | 0:12:19 | 0:12:23 | |
# I've got a brand new pair of roller-skates | 0:12:23 | 0:12:28 | |
# You've got a brand-new key... # | 0:12:28 | 0:12:30 | |
'Then it turned out that Bridget could play the piano | 0:12:30 | 0:12:33 | |
and I confessed my love of ELO. Next thing you know, musical LINDA! | 0:12:33 | 0:12:38 | |
# You got me running going out of my mind | 0:12:47 | 0:12:50 | |
# You got me thinking that I'm wasting my time | 0:12:50 | 0:12:54 | |
# Don't bring me down... # | 0:12:54 | 0:12:57 | |
Just for fun. | 0:12:57 | 0:12:58 | |
# Don't bring me down... # | 0:12:58 | 0:13:00 | |
Your go. | 0:13:00 | 0:13:03 | |
-Grooves! -Your go. | 0:13:03 | 0:13:07 | |
Now, careful, mind the cables. | 0:13:09 | 0:13:11 | |
'And that's when it all changed. | 0:13:24 | 0:13:26 | |
'That Tuesday night in March. | 0:13:26 | 0:13:28 | |
'That's when he arrived.' | 0:13:28 | 0:13:31 | |
-Lights. -'That's when we met Victor Kennedy and the Golden Age was gone.' | 0:13:33 | 0:13:39 | |
So, we meet at last. | 0:13:39 | 0:13:42 | |
-"LINDA". -Pleased to meet you, sir. I'm sorry, was the music too loud? | 0:13:42 | 0:13:46 | |
No, no, no, I don't shake hands. | 0:13:46 | 0:13:47 | |
Back, back. I suffer from a skin complaint. | 0:13:47 | 0:13:49 | |
-Ex-ee-ma. -Oh, you mean Eczema. | 0:13:49 | 0:13:51 | |
Oh, this is worse, much worse, I blister to the touch. Back, back, all of you further, further. | 0:13:51 | 0:13:58 | |
Thank you. | 0:13:58 | 0:14:00 | |
Sorry, don't mind me asking, but who are you? | 0:14:00 | 0:14:05 | |
I am your salvation. | 0:14:05 | 0:14:09 | |
-That's the Doctor. -That's really him. | 0:14:09 | 0:14:11 | |
You've forgotten your purpose in life. | 0:14:11 | 0:14:14 | |
You with your band and your cakes and your blubbing and all the while he still exists. | 0:14:14 | 0:14:19 | |
-The Doctor. -Look at him. Just look! | 0:14:19 | 0:14:21 | |
Move back! Move back all of you. | 0:14:21 | 0:14:25 | |
Wait for this bit. The picture cuts out but the sound continues. | 0:14:25 | 0:14:29 | |
Listen. Just listen. Listen to the sound of the universe. | 0:14:29 | 0:14:33 | |
SOUND OF THE TARDIS | 0:14:33 | 0:14:35 | |
That's... | 0:14:40 | 0:14:43 | |
-What is it? What's wrong? -Leave him! | 0:14:45 | 0:14:48 | |
You've heard it before, haven't you? | 0:14:48 | 0:14:50 | |
When? When was it? Where? Where were you? | 0:14:50 | 0:14:53 | |
I'd forgotten... | 0:14:53 | 0:14:55 | |
till now. | 0:14:55 | 0:14:58 | |
But it was that night. | 0:14:58 | 0:15:01 | |
What night? | 0:15:01 | 0:15:02 | |
I was just a kid. | 0:15:04 | 0:15:05 | |
That's why I went downstairs. | 0:15:07 | 0:15:09 | |
It woke me up. | 0:15:09 | 0:15:12 | |
That noise... TARDIS WHIRRS | 0:15:12 | 0:15:16 | |
But what is it? | 0:15:19 | 0:15:21 | |
-What does it mean? -That is the sound of his spaceship. | 0:15:21 | 0:15:27 | |
Right then! Homework! Using the Torchwood files, | 0:15:27 | 0:15:30 | |
we can look at the old databases in a completely new light. | 0:15:30 | 0:15:33 | |
We are able to build up a more detailed profile of the Doctor. I've allocated tasks to each of you. | 0:15:33 | 0:15:39 | |
I'd like you to... Careful! Watch the ex-ee-ma! | 0:15:39 | 0:15:42 | |
I would like you to complete your targets. | 0:15:42 | 0:15:44 | |
We'll meet back here this time next week, one step closer to catching the Doctor. | 0:15:44 | 0:15:49 | |
Well, don't just sit there! Move! | 0:15:49 | 0:15:52 | |
Um, Bliss. It is Bliss, isn't it? | 0:15:52 | 0:15:55 | |
-Yes. -Could I have a word with you in private, please? | 0:15:55 | 0:15:59 | |
-Course you can, yeah. -Thank you. | 0:15:59 | 0:16:03 | |
Goodbye, goodbye. | 0:16:03 | 0:16:05 | |
Better get to work. Lots to do. | 0:16:06 | 0:16:09 | |
-I never thought of it as work. -It's what we always wanted, though - | 0:16:09 | 0:16:13 | |
-to find the Doctor. -Yeah, I suppose. | 0:16:13 | 0:16:16 | |
GIRL SCREAMS | 0:16:16 | 0:16:18 | |
All of a sudden, without anyone saying so, we were working for Victor Kennedy. | 0:16:18 | 0:16:23 | |
'And we had to admit, he was right, his methods were much more rigorous. | 0:16:26 | 0:16:32 | |
'It felt like we were getting closer and closer to the Doctor.' | 0:16:32 | 0:16:36 | |
-Mr Kennedy? -Yes. | 0:16:36 | 0:16:39 | |
We were wondering... No sign of Bliss, do you know where she is? | 0:16:39 | 0:16:44 | |
Yes. Didn't she tell you? She's getting married. She left a message. | 0:16:44 | 0:16:49 | |
It'll never last. Stupid girl. Come on, back to work! | 0:16:49 | 0:16:53 | |
-But we did get lucky once. -A police box, newly-arrived... | 0:16:55 | 0:16:58 | |
It says newly arrived today in Woolwich. | 0:16:58 | 0:17:01 | |
Well, don't just stand there! Move! Move! Go! Go! | 0:17:01 | 0:17:04 | |
But don't get excited. That's where you came in. | 0:17:04 | 0:17:08 | |
Woolwich, police box, red bucket, blue bucket, | 0:17:08 | 0:17:12 | |
me so stupid, etc... | 0:17:12 | 0:17:14 | |
-Useless! -I just froze! | 0:17:14 | 0:17:16 | |
You met him and you froze?! You stupid man! | 0:17:16 | 0:17:19 | |
-You can't hit me cos you don't touch, you said so. -I can use this! | 0:17:19 | 0:17:23 | |
Use that cane on him and you'll get one hell of a smack off me! | 0:17:23 | 0:17:27 | |
And then a good kick. Is that completely understood, Mr Kennedy? | 0:17:27 | 0:17:31 | |
Duly noted. | 0:17:31 | 0:17:34 | |
Ursula Blake, | 0:17:34 | 0:17:37 | |
most likely to fight back. | 0:17:37 | 0:17:39 | |
Right then! We'll change tack. We'll approach this sideways. | 0:17:41 | 0:17:45 | |
If we're to discover the truth about the Doctor, | 0:17:45 | 0:17:49 | |
then we should try to find...her. | 0:17:49 | 0:17:52 | |
When it comes to the Doctor's companion, the Torchwood files are strangely lacking. | 0:17:52 | 0:17:56 | |
It seems the evidence has been corrupted, something called Bad Wolf virus. | 0:17:56 | 0:18:02 | |
At least we've got these photographs. | 0:18:02 | 0:18:04 | |
They're first-hand evidence... Elton? | 0:18:04 | 0:18:06 | |
Oh, it was a London accent, definitely, she's from London. | 0:18:06 | 0:18:10 | |
So we hit the streets. We get out there. | 0:18:10 | 0:18:13 | |
We take the photograph. Someone's got to know who she is. Somewhere. | 0:18:13 | 0:18:15 | |
Yes, but London's a big place. I should know - my own daughter's out there. | 0:18:15 | 0:18:20 | |
Bridget, don't make this personal. | 0:18:20 | 0:18:23 | |
I don't like to be touched literally or metaphorically. I haven't got the time. | 0:18:23 | 0:18:29 | |
Find me that girl! Go! | 0:18:29 | 0:18:31 | |
Now! Move! | 0:18:31 | 0:18:33 | |
'And so it began. The impossible task - | 0:18:33 | 0:18:37 | |
'to scour the mean streets. | 0:18:37 | 0:18:40 | |
'To search a major capital city for an unknown girl. | 0:18:40 | 0:18:43 | |
To hunt down that face in a seething metropolis of lost souls, | 0:18:43 | 0:18:47 | |
'to find that one girl in ten million.' | 0:18:47 | 0:18:50 | |
Oh, that's Rose Tyler, she lives just down there, | 0:18:50 | 0:18:54 | |
Bucknall House, number 48, her mother's Jackie Tyler. Nice family, bit odd. | 0:18:54 | 0:19:00 | |
# Don't you know it's a beautiful new day | 0:19:03 | 0:19:08 | |
# Hey, hey, hey... # | 0:19:08 | 0:19:10 | |
-Oi! Jackie! -Hello, sweetheart! | 0:19:12 | 0:19:16 | |
I'll see you down the Spinning Wheel tonight, yeah? Pub quiz. Get 'em in! | 0:19:16 | 0:19:20 | |
'I'd been trained for this. | 0:19:27 | 0:19:29 | |
'Victor Kennedy's classes covered basic surveillance and espionage. | 0:19:29 | 0:19:33 | |
'Step one, engage your target. | 0:19:33 | 0:19:36 | |
'Find some excuse to start a conversation. | 0:19:36 | 0:19:39 | |
'But how was I gonna do this?' | 0:19:39 | 0:19:42 | |
-'Scuse me, you couldn't give us quid for two fifties, could you? -Yeah. | 0:19:42 | 0:19:47 | |
-Ta-dah! -Lovely, cheers. | 0:19:51 | 0:19:53 | |
'Step Two, without provoking suspicion, get on | 0:19:53 | 0:19:57 | |
-'first-name terms with the target.' -My name's Jackie, by the way. | 0:19:57 | 0:20:02 | |
-Um! Elton. -Oh, you don't meet many Eltons, do you? | 0:20:02 | 0:20:06 | |
Apart from the obvious. | 0:20:06 | 0:20:09 | |
'Step three, ingratiate yourself with a joke or some humorous device.' | 0:20:10 | 0:20:16 | |
I tell you what, Elton, here we are, complete strangers and I'm flashing you my knickers! | 0:20:16 | 0:20:22 | |
'Step four, find some subtle way to integrate yourself into the target's household.' | 0:20:22 | 0:20:27 | |
Mind you, I'm only down here cos my washing machine's knackered. | 0:20:27 | 0:20:31 | |
I don't suppose you're any good at fixing things, are you? | 0:20:31 | 0:20:35 | |
There we are, it was the fuse! | 0:20:35 | 0:20:39 | |
Nothing wrong with the machine, that's fine, all working. | 0:20:39 | 0:20:42 | |
Oh, Elton, I should have you on tap! | 0:20:42 | 0:20:45 | |
I used to have this little mate called Mickey, he did all that stuff. | 0:20:45 | 0:20:50 | |
He's gone now, bless him. | 0:20:50 | 0:20:52 | |
Well, if you need me, give us a call, I'll jot down my number. | 0:20:52 | 0:20:56 | |
You do that, and I'll make us a cup of tea, go and sit down. | 0:20:56 | 0:20:59 | |
Put the telly on if you want, | 0:20:59 | 0:21:01 | |
I can't bear it silent. | 0:21:01 | 0:21:04 | |
It's just me, these days, rattling about. | 0:21:11 | 0:21:14 | |
There's my daughter, but she's gone travelling. | 0:21:14 | 0:21:17 | |
-I keep her bedroom all nice and ready though, just in case she comes back. -And her name is? -Rose. | 0:21:17 | 0:21:23 | |
That's a nice name - Rose. | 0:21:25 | 0:21:27 | |
So, where is she travelling? | 0:21:27 | 0:21:29 | |
All over. She's got her mobile, I get a call, now and then. Not as often as I'd like. | 0:21:29 | 0:21:35 | |
Still - that age, who can be bothered phoning home? | 0:21:35 | 0:21:39 | |
-Who's she with, is it mates, or...? -Just mates. | 0:21:41 | 0:21:44 | |
Well, if I had you, making a nice cuppa tea like this, I wouldn't stray far from home. | 0:21:48 | 0:21:53 | |
You're a charmer. | 0:21:53 | 0:21:55 | |
Say it again! | 0:21:55 | 0:21:57 | |
Magnificent! Oh, I could kiss you, except I can't. The ex-ee-ma! | 0:22:00 | 0:22:04 | |
-I even got a picture of her on my phone. -That's amazing. | 0:22:04 | 0:22:07 | |
You've achieved Steps 1-4 in precise order, how did you manage it? | 0:22:07 | 0:22:10 | |
Oh, I had to work hard. She keeps everything very close to her chest. | 0:22:10 | 0:22:13 | |
-That's hell of a chest. -But how do you move on? | 0:22:13 | 0:22:16 | |
-Step five, that's the problem. -Step Five. | 0:22:16 | 0:22:18 | |
This week's homework! I want a full plan of attack from each of you! | 0:22:18 | 0:22:22 | |
Now go on! Vamoose! | 0:22:22 | 0:22:24 | |
Avanti! There's work to do! | 0:22:24 | 0:22:27 | |
And Elton, keep infiltrating! | 0:22:27 | 0:22:30 | |
-You will do anything to get that information, boy, anything! -Yes, sir! | 0:22:30 | 0:22:35 | |
Oh, oh, Bridget... | 0:22:35 | 0:22:37 | |
-Bridget? Oh, yes. Could I have a word with you in private? -Um. | 0:22:37 | 0:22:43 | |
Mr Skinner's giving me a lift. | 0:22:43 | 0:22:45 | |
I can drop you to the station. I'm sure Mr Skinner won't mind? | 0:22:45 | 0:22:48 | |
Not at all. | 0:22:48 | 0:22:50 | |
-Bridget, I'll see you next week. -All right, then. | 0:22:50 | 0:22:54 | |
Bye bye. | 0:22:58 | 0:23:00 | |
Now Mr Skinner, I don't mean to pry. | 0:23:01 | 0:23:03 | |
-But did you give Bridget a little kiss back there? -I think I did. | 0:23:03 | 0:23:07 | |
-And, if you get your way, might there be more little kisses between the two of you? -I think there might. | 0:23:07 | 0:23:13 | |
-I knew it! -That's brilliant. | 0:23:13 | 0:23:15 | |
Now don't get excited. We'll see. | 0:23:15 | 0:23:17 | |
WOMAN SCREAMS IN DISTANCE | 0:23:17 | 0:23:20 | |
Infiltration went well, cos Jackie kept phoning up, needing this and needing that. | 0:23:23 | 0:23:28 | |
It was strange, the amount of things that needed doing, it's like that flat was jinxed. | 0:23:28 | 0:23:35 | |
ROMANTIC MUSIC PLAYS It's weird, these fuses keep blowing. | 0:23:42 | 0:23:45 | |
You must be near a sub-station, cos then you get power surges. | 0:23:45 | 0:23:49 | |
Still, there we go, fixed! | 0:23:49 | 0:23:51 | |
There we are. Little reward for my favourite handyman. | 0:23:53 | 0:23:57 | |
Oh, well I shouldn't really, I've got the car outside. | 0:23:57 | 0:23:59 | |
You can always splash out on a taxi, | 0:23:59 | 0:24:02 | |
or...whatever. | 0:24:02 | 0:24:04 | |
See what happens. | 0:24:04 | 0:24:07 | |
Right, yeah. Cheers. | 0:24:07 | 0:24:10 | |
Cheers! | 0:24:10 | 0:24:11 | |
Very nice, what's that, French? | 0:24:14 | 0:24:17 | |
Suppose so. They know how to do things, the French. | 0:24:17 | 0:24:23 | |
Is that from Rose? I mean, is she in France? | 0:24:23 | 0:24:26 | |
My daughter won't be coming back tonight, just in case you're wondering. | 0:24:26 | 0:24:29 | |
We've got the place to ourselves. | 0:24:29 | 0:24:32 | |
Right. | 0:24:32 | 0:24:33 | |
Nice music. | 0:24:38 | 0:24:39 | |
-Il Divo. -Yeah. | 0:24:39 | 0:24:42 | |
You were saying. | 0:24:42 | 0:24:44 | |
-Power surges. -From the sub-station, yeah. | 0:24:44 | 0:24:47 | |
Is that why it gets so hot in here? | 0:24:47 | 0:24:49 | |
-Is it hot? -Oh, I think so. You should take your jacket off. | 0:24:49 | 0:24:53 | |
-No, I'm fine. -Oh, look at you, you must be boiling. Oh, your shirt! | 0:24:53 | 0:24:56 | |
-Sorry! -No, I'm fine, it's all right. -I've ruined it. | 0:24:56 | 0:25:00 | |
-No, honestly, it's fine. -Take it off, I'll put it in the wash. | 0:25:00 | 0:25:03 | |
Oh, come on, it's only a little drop. | 0:25:03 | 0:25:05 | |
There now. | 0:25:07 | 0:25:09 | |
Ruined. | 0:25:09 | 0:25:11 | |
And there I was. | 0:25:11 | 0:25:13 | |
The ultimate Step Five! | 0:25:13 | 0:25:16 | |
The perfect infiltration. | 0:25:16 | 0:25:18 | |
Target... | 0:25:18 | 0:25:20 | |
Jackie Tyler. | 0:25:20 | 0:25:21 | |
You're right - it is a bit hot! But it's about to get hotter! | 0:25:24 | 0:25:27 | |
I'll see you soon. | 0:25:27 | 0:25:29 | |
All right, be careful. Bye. | 0:25:29 | 0:25:32 | |
Everything all right? | 0:25:34 | 0:25:37 | |
That was my daughter. | 0:25:37 | 0:25:38 | |
Oh, look at you. I'm sorry. | 0:25:40 | 0:25:44 | |
I was just being stupid. | 0:25:44 | 0:25:46 | |
Is she OK? | 0:25:46 | 0:25:48 | |
She's so far away. | 0:25:48 | 0:25:50 | |
I get left here sometimes... | 0:25:50 | 0:25:53 | |
and I don't know where she is. | 0:25:53 | 0:25:56 | |
Anything could be happening to her, anything. | 0:25:56 | 0:25:59 | |
And I just go a bit mad. | 0:25:59 | 0:26:01 | |
Put your shirt back on. | 0:26:03 | 0:26:06 | |
Where is she? | 0:26:09 | 0:26:11 | |
Doesn't matter. | 0:26:11 | 0:26:14 | |
I'm sorry. | 0:26:14 | 0:26:16 | |
You'd better go. | 0:26:16 | 0:26:18 | |
Actually... | 0:26:23 | 0:26:24 | |
'And that's when it struck me. | 0:26:24 | 0:26:28 | |
'Funny, the things you think of, with your shirt off. | 0:26:28 | 0:26:31 | |
'But that's when I realised what was really important.' | 0:26:31 | 0:26:35 | |
Never mind about Rose. | 0:26:35 | 0:26:37 | |
I'm not even gonna ask. | 0:26:37 | 0:26:39 | |
And I will put my shirt back on, because I am gonna go out and get us both a pizza. | 0:26:39 | 0:26:44 | |
Cos I reckon you need cheering up. She goes swanning off and who's left to care about you, eh? | 0:26:44 | 0:26:49 | |
So I say, nice bit of pizza, we'll put the telly on nice and loud, | 0:26:49 | 0:26:53 | |
we'll annoy that woman next door, just you and me, as proper mates. Yeah? | 0:26:53 | 0:26:58 | |
Mates! Go on, | 0:26:58 | 0:27:01 | |
say, "Yes." | 0:27:01 | 0:27:03 | |
Yes! | 0:27:03 | 0:27:05 | |
All of a sudden, a lot of things made sense. | 0:27:07 | 0:27:11 | |
I'd got so lost in conspiracies and aliens and targets, I'd been missing the obvious. | 0:27:11 | 0:27:17 | |
Cos I did like Jackie. | 0:27:17 | 0:27:19 | |
But I liked someone else even more. | 0:27:19 | 0:27:21 | |
# Hey you with the pretty face | 0:27:24 | 0:27:26 | |
# Welcome to the human race | 0:27:26 | 0:27:29 | |
# A celebration Mr Blue Sky's up there waiting | 0:27:29 | 0:27:34 | |
# And today is the day we've waited for | 0:27:34 | 0:27:38 | |
# Oh ho-ho | 0:27:38 | 0:27:40 | |
# Mr Blue Sky, please tell us why... | 0:27:40 | 0:27:43 | |
Right. Let's get inside, then. | 0:27:46 | 0:27:48 | |
The pizza's getting cold. | 0:27:48 | 0:27:50 | |
I went in your coat. | 0:27:50 | 0:27:53 | |
For once in my life, I thought, I'll pay. | 0:27:53 | 0:27:55 | |
I thought, he's such a nice man, he won't accept anything | 0:27:55 | 0:27:58 | |
so I'll just slip a tenner in his pocket and look what I found. | 0:27:58 | 0:28:03 | |
A photograph of my daughter. | 0:28:03 | 0:28:05 | |
-No, no, no. It's not like that. I can explain. -I bet you can. | 0:28:05 | 0:28:08 | |
I wasn't being pervy or anything, I wasn't after her. | 0:28:08 | 0:28:12 | |
I was looking for the Doctor. | 0:28:12 | 0:28:13 | |
Oh, I know that. I worked that out. Cos it's never me, is it? | 0:28:13 | 0:28:18 | |
No, that's how it started, but I changed my mind. | 0:28:18 | 0:28:21 | |
Let me tell you something about those who get left behind. | 0:28:21 | 0:28:25 | |
Because it's hard and that's what you become. Hard. | 0:28:25 | 0:28:29 | |
But if there's one thing I've learnt, it's that I will never let her down. | 0:28:29 | 0:28:34 | |
And I will protect them both, until the end of my life. | 0:28:34 | 0:28:38 | |
So whatever you want, I'm warning you. Back off. | 0:28:38 | 0:28:42 | |
-But Jackie, I only wanted to meet him. -I thought you liked me. | 0:28:42 | 0:28:45 | |
-I do. -Just get out of here! | 0:28:45 | 0:28:48 | |
I said get out! | 0:28:48 | 0:28:51 | |
And leave me alone! | 0:28:51 | 0:28:52 | |
And she was right. It's shameful. We used that woman! | 0:28:59 | 0:29:01 | |
I knew I couldn't trust you! You broke cover, you stupid little man, you failed Step Five. | 0:29:01 | 0:29:06 | |
I don't care about Step Five! | 0:29:06 | 0:29:08 | |
Cos it's all gone wrong, Mr Kennedy, ever since you turned up. | 0:29:08 | 0:29:12 | |
We used to come here, every week and we'd have a laugh. | 0:29:13 | 0:29:17 | |
We were friends. | 0:29:17 | 0:29:19 | |
No wonder they stopped coming, I mean there's no Bliss any more and even Bridget, she hasn't turned up. | 0:29:19 | 0:29:24 | |
-I've been phoning and phoning, there's no reply. -Who can blame her? | 0:29:24 | 0:29:28 | |
I'm sorry, Victor, but you're on your own. | 0:29:28 | 0:29:31 | |
Cos I'm leaving, and so are you, Mr Skinner. | 0:29:31 | 0:29:34 | |
And as for you, Ursula, you're coming with me | 0:29:34 | 0:29:38 | |
and we're going to the Golden Locust and we're gonna have a Chinese! | 0:29:38 | 0:29:42 | |
-What's that got to do with it? -I mean, you and me, together. | 0:29:42 | 0:29:46 | |
Having a meal. | 0:29:46 | 0:29:48 | |
If you want. | 0:29:48 | 0:29:51 | |
Oh, I'd love it! | 0:29:53 | 0:29:55 | |
But you can't leave. You'll never know what he was doing. | 0:29:55 | 0:29:58 | |
You'll never know what he was doing in your house, all those years ago. | 0:29:58 | 0:30:02 | |
No, I'll never know. | 0:30:02 | 0:30:06 | |
Ursula? | 0:30:08 | 0:30:10 | |
Get your stuff. | 0:30:10 | 0:30:12 | |
Mr Skinner, are you coming? | 0:30:12 | 0:30:15 | |
Not to the Chinese, if you don't mind, just sort of walking out. | 0:30:15 | 0:30:18 | |
-I certainly am! -Victor.... | 0:30:18 | 0:30:22 | |
Good luck. | 0:30:22 | 0:30:24 | |
Goodbye. | 0:30:24 | 0:30:26 | |
Mr Skinner? | 0:30:26 | 0:30:28 | |
W-would you stay for a minute, please? | 0:30:28 | 0:30:31 | |
We're walking out. | 0:30:31 | 0:30:33 | |
I've got numbers for Bridget. | 0:30:33 | 0:30:34 | |
I've kept records. I've got old numbers. We could track her down. Together, you and I. | 0:30:34 | 0:30:39 | |
That's more like the old team spirit. | 0:30:39 | 0:30:42 | |
-You two have a nice time. -I hope you find her. | 0:30:42 | 0:30:45 | |
I'll e-mail you. | 0:30:45 | 0:30:47 | |
Just come a little closer. | 0:30:47 | 0:30:50 | |
-Mm! -Yeah, I love prawns. DISTANT SCREAM | 0:30:53 | 0:30:56 | |
Oh, I left my phone. | 0:30:56 | 0:30:59 | |
-Really? -Yeah. It's not in my pocket. | 0:30:59 | 0:31:02 | |
So much for the big exit. | 0:31:02 | 0:31:04 | |
Yeah. C'mon, hurry up. | 0:31:04 | 0:31:06 | |
I'm not stopping, I just left my... | 0:31:13 | 0:31:15 | |
phone. | 0:31:15 | 0:31:17 | |
-Victor? -Take your phone and go. | 0:31:17 | 0:31:20 | |
Where's Mr Skinner? | 0:31:21 | 0:31:23 | |
He's gone to the toilet. | 0:31:23 | 0:31:26 | |
But we haven't got toilets. We have to use the pub on the corner. | 0:31:26 | 0:31:31 | |
Well, that's where he is, then. | 0:31:31 | 0:31:34 | |
Help me! | 0:31:34 | 0:31:35 | |
-What was that? -It was nothing. It was nothing! -Help me! -Get out. | 0:31:37 | 0:31:41 | |
That's Mr Skinner. | 0:31:41 | 0:31:44 | |
Victor, look at your hands. | 0:31:44 | 0:31:47 | |
Look at the rest of me! | 0:31:49 | 0:31:52 | |
You've dabbled with aliens. | 0:31:52 | 0:31:54 | |
Now meet the genuine article! | 0:31:54 | 0:31:57 | |
-Oh, my God! -You're a... | 0:31:57 | 0:32:01 | |
-thing. -A thing? | 0:32:01 | 0:32:04 | |
This thing is my true form. | 0:32:04 | 0:32:07 | |
Better than that crude pink shape you call a body. | 0:32:07 | 0:32:11 | |
What happened? Where am I? | 0:32:11 | 0:32:13 | |
Ursula, is that you? | 0:32:13 | 0:32:16 | |
That's Mr Skinner. | 0:32:16 | 0:32:18 | |
-What have you done to him? -I've absorbed him. | 0:32:18 | 0:32:22 | |
-Colin? Is that you? Colin? -Bridget, my love? | 0:32:22 | 0:32:25 | |
Oh, my God, that's Bridget! | 0:32:25 | 0:32:28 | |
-Colin, where are you? -I'm here, Bridget. It's all right. | 0:32:28 | 0:32:30 | |
I'm close. | 0:32:30 | 0:32:32 | |
You've absorbed them both. | 0:32:32 | 0:32:34 | |
What about Bliss? Where is she? | 0:32:34 | 0:32:37 | |
MUFFLED YELP What? | 0:32:37 | 0:32:39 | |
-I said you really don't want to know. -You've absorbed them. | 0:32:39 | 0:32:43 | |
You're some sort of... | 0:32:43 | 0:32:46 | |
Absorbathon. An Absorbaling. | 0:32:46 | 0:32:50 | |
An Abzorbaloff! | 0:32:50 | 0:32:52 | |
-Yes. I like that. -Let them go. | 0:32:52 | 0:32:54 | |
I'm ordering you. | 0:32:54 | 0:32:56 | |
Let those people go! | 0:32:56 | 0:32:58 | |
But they taste so sweet. | 0:32:58 | 0:33:00 | |
Just think about the Doctor. | 0:33:00 | 0:33:02 | |
Oh, how will HE taste? | 0:33:02 | 0:33:05 | |
All that experience, all that knowledge. | 0:33:05 | 0:33:08 | |
And if I've got to absorb Jackie Tyler to get to him, then so be it. | 0:33:08 | 0:33:12 | |
Don't you dare! | 0:33:12 | 0:33:14 | |
If I have to beat them out of you... | 0:33:14 | 0:33:18 | |
No, no, please don't hit me! | 0:33:18 | 0:33:20 | |
Look at me! I'm such a slow and clumsy beast. | 0:33:20 | 0:33:23 | |
Please don't hit me. | 0:33:23 | 0:33:25 | |
Well, then, give them back. | 0:33:28 | 0:33:30 | |
What, you mean like this?! | 0:33:30 | 0:33:33 | |
Just one touch! That's all it takes! | 0:33:35 | 0:33:38 | |
-No! -No! | 0:33:44 | 0:33:45 | |
-Leave her alone! -Don't touch me. | 0:33:45 | 0:33:48 | |
Oh, Elton. I'm so sorry. You can't touch me. | 0:33:50 | 0:33:53 | |
Ursula! | 0:33:53 | 0:33:56 | |
"Most likely to fight back" indeed! | 0:33:56 | 0:33:58 | |
Leave her alone! | 0:33:58 | 0:34:00 | |
-Yes! -No! That's not fair! | 0:34:15 | 0:34:17 | |
She tastes like chicken. | 0:34:19 | 0:34:20 | |
Elton, where are you? | 0:34:20 | 0:34:23 | |
Please. | 0:34:23 | 0:34:25 | |
Mr Kennedy, please. | 0:34:25 | 0:34:28 | |
I'm asking you. | 0:34:28 | 0:34:30 | |
I'm begging you. | 0:34:30 | 0:34:33 | |
-Give her back to me. -I can't. | 0:34:33 | 0:34:36 | |
Once they've been absorbed, the process is irreversible. | 0:34:36 | 0:34:40 | |
Wait a minute. | 0:34:40 | 0:34:42 | |
Now I've been absorbed, I can read his thoughts! | 0:34:42 | 0:34:45 | |
Oh, my God. | 0:34:45 | 0:34:48 | |
Elton, you're next! Get out of here! | 0:34:48 | 0:34:51 | |
Now you've seen him, he can't let you go. Just run! | 0:34:51 | 0:34:56 | |
Go on! Never mind me, get out! | 0:34:56 | 0:34:59 | |
-Isn't she the clever one? -Run, Elton! | 0:34:59 | 0:35:02 | |
-RUN! -Save yourself, boy! -Run for your life! | 0:35:02 | 0:35:05 | |
Oh, what's the matter? | 0:35:28 | 0:35:30 | |
Have you given up so soon? | 0:35:30 | 0:35:32 | |
There's no point. | 0:35:32 | 0:35:34 | |
Where would I go? | 0:35:34 | 0:35:37 | |
Everything I ever wanted... | 0:35:37 | 0:35:39 | |
-Has been absorbed. -Oh, Elton. Don't say that. | 0:35:39 | 0:35:43 | |
But it's true! | 0:35:43 | 0:35:44 | |
Then join us. Join us, little man. | 0:35:44 | 0:35:48 | |
Come on. There's everlasting peace. Come on, join us - | 0:35:48 | 0:35:52 | |
dissolve into me. | 0:35:52 | 0:35:55 | |
TARDIS WHIRRS | 0:35:58 | 0:36:01 | |
Someone wants a word with you. | 0:36:16 | 0:36:19 | |
You've upset my mum. | 0:36:21 | 0:36:22 | |
A great big absorbing creature from outer space, and you're having a go at me? | 0:36:23 | 0:36:29 | |
-No-one upsets my mum. -At last. | 0:36:29 | 0:36:31 | |
-The greatest feast of all - the Doctor. -Interesting. | 0:36:31 | 0:36:35 | |
Some sort of Absorbatrix. | 0:36:35 | 0:36:38 | |
Absorbaklon, Abzorbaloff... | 0:36:38 | 0:36:40 | |
-Abzorbaloff, yes. -Is it me, or is he a bit Slitheen? | 0:36:40 | 0:36:44 | |
Not from Raxacoricofallapatorius, are you? | 0:36:44 | 0:36:47 | |
No, I'm not! They're swine. | 0:36:47 | 0:36:48 | |
I spit on them. I was born on their twin planet. | 0:36:48 | 0:36:51 | |
-Really? What's the twin planet of Raxacoricofallapatorius? -Clom. | 0:36:51 | 0:36:55 | |
-Clom? -Clom, yes. And I'll return there victorious, once I possess your travelling machine. | 0:36:55 | 0:37:01 | |
-Well, that's never gonna happen. -Oh, it will. | 0:37:01 | 0:37:04 | |
You'll surrender yourself to me, Doctor, or this one dies. | 0:37:04 | 0:37:09 | |
You see, I've read about you, Doctor. | 0:37:09 | 0:37:10 | |
I've studied you. So passionate. | 0:37:10 | 0:37:13 | |
So sweet. You wouldn't let an innocent man die. | 0:37:13 | 0:37:17 | |
And I'll absorb him unless you give yourself to me. | 0:37:17 | 0:37:22 | |
Sweet, maybe. | 0:37:24 | 0:37:26 | |
Passionate, I suppose. But don't ever mistake that for nice. | 0:37:26 | 0:37:29 | |
Do what you want. | 0:37:29 | 0:37:33 | |
-He'll die, Doctor! -Go on, then. | 0:37:34 | 0:37:37 | |
-So be it. -Mind you, the others might have something to say. -Others? | 0:37:39 | 0:37:45 | |
He's right! The Doctor's right! We can't let him. | 0:37:45 | 0:37:48 | |
Oh, Mr Skinner, Bridget, pull. | 0:37:48 | 0:37:53 | |
-No! -For God's sake, pull, if it's the last thing we ever do! | 0:37:53 | 0:37:57 | |
Bliss! All of us, together - | 0:37:57 | 0:38:00 | |
come on! Pull! | 0:38:00 | 0:38:02 | |
LINDA united! | 0:38:02 | 0:38:05 | |
PU-U-U-ULL! | 0:38:05 | 0:38:07 | |
Elton! The cane! Break it! | 0:38:11 | 0:38:15 | |
My cane! | 0:38:15 | 0:38:16 | |
Y'stupid man! | 0:38:16 | 0:38:18 | |
Oh, no! | 0:38:18 | 0:38:21 | |
-What did I do? -The cane created a limitation field. | 0:38:26 | 0:38:31 | |
Now it's broken, he can't stop. | 0:38:31 | 0:38:34 | |
-The absorber is being absorbed. -By what? | 0:38:34 | 0:38:37 | |
By the Earth. | 0:38:39 | 0:38:41 | |
Bye-bye, Elton. | 0:38:47 | 0:38:50 | |
Bye-bye. | 0:38:51 | 0:38:52 | |
Who was she? | 0:39:00 | 0:39:02 | |
That was Ursula. | 0:39:04 | 0:39:06 | |
And that's it. | 0:39:22 | 0:39:25 | |
Almost. | 0:39:25 | 0:39:27 | |
Because the Doctor still had more to say. | 0:39:27 | 0:39:30 | |
-You don't remember, do you? -And then he explained. | 0:39:30 | 0:39:34 | |
That night, all those years ago... | 0:39:34 | 0:39:37 | |
There was a shadow in your house. | 0:39:37 | 0:39:40 | |
A living shadow in the darkness. | 0:39:42 | 0:39:44 | |
An elemental shade had escaped from the Howling Halls. | 0:39:44 | 0:39:48 | |
I stopped it, but... | 0:39:48 | 0:39:51 | |
I wasn't in time to save her. | 0:39:51 | 0:39:53 | |
I'm sorry. | 0:39:55 | 0:39:57 | |
Because that was the night my mother died. | 0:40:03 | 0:40:06 | |
We forget because we must. | 0:40:46 | 0:40:48 | |
So, there you go. | 0:40:54 | 0:40:57 | |
Turns out I've had the most terrible things happen and the most brilliant things, | 0:40:57 | 0:41:03 | |
and sometimes, well, I can't tell the difference - | 0:41:03 | 0:41:06 | |
they're all the same thing, they're just me. | 0:41:06 | 0:41:10 | |
You know, Stephen King said once, he said, | 0:41:10 | 0:41:14 | |
"Salvation and damnation are the same thing," | 0:41:14 | 0:41:17 | |
and I never knew what he meant. | 0:41:17 | 0:41:21 | |
But I do now... | 0:41:21 | 0:41:24 | |
Cos the Doctor might be wonderful, but, thinking back, | 0:41:24 | 0:41:28 | |
I was having such a special time. | 0:41:28 | 0:41:30 | |
Just for a bit, I had this nice little gang. | 0:41:30 | 0:41:34 | |
# I'll tell you once more, before I get off the floor... # | 0:41:34 | 0:41:37 | |
And they were destroyed. | 0:41:37 | 0:41:40 | |
It's not his fault, | 0:41:40 | 0:41:43 | |
but maybe that's what happens if you touch the Doctor, | 0:41:43 | 0:41:47 | |
even for a second. | 0:41:47 | 0:41:49 | |
I keep thinking of Rose and Jackie | 0:41:50 | 0:41:53 | |
and how much longer before they pay the price? | 0:41:53 | 0:41:56 | |
Oh, now don't get all miserable. | 0:41:56 | 0:41:59 | |
Come on, Elton, you've still got me. | 0:41:59 | 0:42:01 | |
Oh, yeah, | 0:42:01 | 0:42:03 | |
cos the Doctor said he could do one last thing with his magic wand. | 0:42:03 | 0:42:08 | |
If I can key into the absorption matrix and separate the last victim... | 0:42:08 | 0:42:13 | |
It's too late for total reconstruction, but... | 0:42:13 | 0:42:16 | |
Elton! Fetch a spade! | 0:42:18 | 0:42:21 | |
Even then, after all that, | 0:42:21 | 0:42:24 | |
the Doctor saved me one last time. | 0:42:24 | 0:42:27 | |
-Here she is. -Could be worse. | 0:42:34 | 0:42:36 | |
At least I'll never age. | 0:42:36 | 0:42:38 | |
And it really is quite peaceful. You'd be surprised. | 0:42:38 | 0:42:41 | |
It's a relationship. Of sorts. | 0:42:41 | 0:42:45 | |
We manage. | 0:42:45 | 0:42:47 | |
We've even got a bit of a love life. | 0:42:47 | 0:42:49 | |
Oh, let's not go into that. | 0:42:49 | 0:42:51 | |
And I don't care what anyone thinks - I love her. | 0:42:51 | 0:42:56 | |
Aaah! | 0:42:56 | 0:42:58 | |
But the thing is... | 0:43:00 | 0:43:02 | |
There y'are. | 0:43:02 | 0:43:04 | |
I've even bought a remote zoom. | 0:43:04 | 0:43:06 | |
But what I wanted to say is... | 0:43:08 | 0:43:10 | |
..y'know, when you're a kid, | 0:43:12 | 0:43:14 | |
they tell you it's all "grow up, get a job, get married, get a house, | 0:43:14 | 0:43:19 | |
"have a kid and that's it". | 0:43:19 | 0:43:22 | |
No. | 0:43:23 | 0:43:26 | |
But the truth is, the world is so much stranger than that... | 0:43:26 | 0:43:29 | |
..and so much darker... | 0:43:31 | 0:43:33 | |
and so much madder. | 0:43:33 | 0:43:35 | |
And SO much better. | 0:43:38 | 0:43:41 | |
-30th Olympiad! -That's great! | 0:43:45 | 0:43:49 | |
-They're not safe! -They're in the garden! -I'm begging you! | 0:43:51 | 0:43:55 | |
In the last six days, three of your children have been stolen. | 0:43:55 | 0:43:59 | |
If we find the source of that power... | 0:44:01 | 0:44:04 | |
They're kids' pictures. Now get out! | 0:44:04 | 0:44:06 | |
-Chloe has a power. She's using it to snatch the kids. -Get out. | 0:44:06 | 0:44:09 | |
If living things can become drawings, | 0:44:09 | 0:44:12 | |
then maybe drawings can become living things. | 0:44:12 | 0:44:16 |