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Maeve? You OK? | 0:00:45 | 0:00:49 | |
No, love. I'm not. | 0:00:49 | 0:00:51 | |
You want me to call a doctor? | 0:00:51 | 0:00:53 | |
Doctor can't help. | 0:00:53 | 0:00:55 | |
Can't...can't you feel it, Trish? | 0:00:55 | 0:00:58 | |
I can't feel anything. | 0:00:58 | 0:01:00 | |
Boys... get indoors! | 0:01:02 | 0:01:04 | |
Get inside! Get 'em inside! | 0:01:04 | 0:01:07 | |
-What's up with you? They ain't doing nothing wrong. -It's happening again! | 0:01:07 | 0:01:11 | |
# ..in the old gum tree | 0:01:14 | 0:01:15 | |
# Merry, merry king of the bush is he | 0:01:15 | 0:01:20 | |
# Laugh, kookaburra Laugh, kookaburra | 0:01:20 | 0:01:24 | |
# Gay your life must be. # | 0:01:24 | 0:01:27 | |
-They're not safe! -They're in the garden! | 0:01:33 | 0:01:35 | |
That's what it likes! It likes it when they're playing! Get 'em in! I'm begging you! | 0:01:35 | 0:01:39 | |
# Merry, merry king of the bush is he | 0:01:39 | 0:01:44 | |
# Laugh, kookaburra | 0:01:44 | 0:01:47 | |
# Laugh, kookaburra | 0:01:47 | 0:01:49 | |
# Gay your life must be. # | 0:01:49 | 0:01:52 | |
Right, I've got my beady eyes on 'em. Come on, come on. | 0:01:52 | 0:01:57 | |
-No! -Tom? | 0:01:58 | 0:02:00 | |
-What are you? -Where's he gone? | 0:02:00 | 0:02:03 | |
'What do you want with our children?' | 0:02:03 | 0:02:06 | |
SHE HUMS THE KOOKABURRA SONG | 0:02:06 | 0:02:09 | |
Ah. | 0:02:57 | 0:02:59 | |
Aah! | 0:03:09 | 0:03:11 | |
So, near future, yeah? | 0:03:18 | 0:03:21 | |
I had a passing fancy. Only it didn't pass. It stopped. | 0:03:21 | 0:03:24 | |
Thirtieth Olympiad. | 0:03:25 | 0:03:28 | |
-No way! Why didn't I think of this? That's great. -Only seems like yesterday a few naked Greek blokes | 0:03:28 | 0:03:33 | |
were tossing a discus about, | 0:03:33 | 0:03:35 | |
wrestling with each other in the sand as the crowds stood around baying... | 0:03:35 | 0:03:39 | |
No, wait a minute, that was Club Med. | 0:03:39 | 0:03:42 | |
Just in time for the opening ceremony tonight. | 0:03:42 | 0:03:44 | |
Last one they had in London was dynamite. | 0:03:44 | 0:03:46 | |
Wembley, 1948. I loved it so much that I went back and watched it all over again. | 0:03:46 | 0:03:51 | |
Fella carrying the torch. Lovely chap. What was his...? | 0:03:51 | 0:03:54 | |
-John, Mark? Legs like pipe-cleaners but strong as a whippet... -Doctor. | 0:03:54 | 0:03:58 | |
-In those days, everyone had a tea-party to go to. -Doctor! | 0:03:58 | 0:04:00 | |
-You ever have cakes with crunchy ball-bearings on top? -Look at this! -You know...? | 0:04:00 | 0:04:05 | |
Nobody else in this entire galaxy has ever bothered to make edible ball-bearings. Genius! | 0:04:05 | 0:04:11 | |
What's taking them do you think? | 0:04:11 | 0:04:13 | |
Snatching children from a thoroughly ordinary street like this. | 0:04:16 | 0:04:21 | |
And why's it so cold? | 0:04:21 | 0:04:23 | |
Something's reducing the temperature. | 0:04:23 | 0:04:26 | |
Says they all went missing this week. | 0:04:26 | 0:04:28 | |
Why would a person do something like this? | 0:04:30 | 0:04:33 | |
What makes you think it's a person? | 0:04:33 | 0:04:36 | |
Whatever it is, it's got the whole street scared to death. | 0:04:36 | 0:04:40 | |
Doctor, what...? | 0:04:40 | 0:04:43 | |
CAR WON'T START | 0:05:07 | 0:05:09 | |
There you go! Fifth today! That's not natural, is it? | 0:05:09 | 0:05:14 | |
I had it serviced less than a month ago. | 0:05:14 | 0:05:17 | |
Don't even try and explain it, mate. | 0:05:17 | 0:05:19 | |
All the cars are doing it and you know what, it's bonkers. | 0:05:19 | 0:05:22 | |
Bonkers. | 0:05:22 | 0:05:24 | |
Come on, then, pal, I'll help you shift it. | 0:05:24 | 0:05:27 | |
Quicker you're on your way, the happier you'll be. | 0:05:27 | 0:05:30 | |
There we go. | 0:05:30 | 0:05:32 | |
Do you want a hand? | 0:05:32 | 0:05:35 | |
No, we're all right, love. | 0:05:35 | 0:05:38 | |
Well, you're not. I'm tougher than I look, honest. | 0:05:38 | 0:05:41 | |
-Does this happen a lot? -Cheers, mate. | 0:05:48 | 0:05:51 | |
-Been doing it all week. -Since those children started going missing? | 0:05:51 | 0:05:55 | |
Yeah. Suppose so. | 0:05:55 | 0:05:58 | |
Hmm, tickles. | 0:06:00 | 0:06:02 | |
What's your game? | 0:06:06 | 0:06:09 | |
My, um... Snakes And Ladders? | 0:06:09 | 0:06:12 | |
Quite good at squash... Reasonable. | 0:06:12 | 0:06:14 | |
I'm being facetious, aren't I? | 0:06:14 | 0:06:18 | |
There's no call for it. | 0:06:18 | 0:06:20 | |
Every car cuts out. Council are going nuts. | 0:06:20 | 0:06:23 | |
They've given this street the works - renamed it. I've been Tarmacking every pothole. | 0:06:23 | 0:06:27 | |
Look at that. Beauty, innit? | 0:06:27 | 0:06:29 | |
Yep, and this is all because that Olympic torch comes right by the end of this close. Just down there. | 0:06:29 | 0:06:35 | |
Everything's gotta be perfect, ain't it? | 0:06:35 | 0:06:37 | |
-Only it ain't. -It takes 'em when they're playing. | 0:06:37 | 0:06:41 | |
-What takes them? -Danny, Jane, Dale...snatched in the blink of an eye. | 0:06:41 | 0:06:45 | |
No, I'm not a liar, I'm a police officer. That's what I am. I've got a badge and a police car. | 0:06:45 | 0:06:51 | |
-I can prove it. -We've had coppers poking around here and you don't look or sound like any of 'em. | 0:06:51 | 0:06:56 | |
See? Look! I've got a colleague! | 0:06:56 | 0:06:57 | |
-Lewis! -She looks less like a copper than you do! -Training. | 0:06:57 | 0:07:01 | |
It was either that or hair-dressing, so... Voila! | 0:07:01 | 0:07:03 | |
-What are you going to do? -The police have knocked on every door - no clues, no leads, nothing! | 0:07:03 | 0:07:10 | |
-Kids run off sometimes, all right? That's what they do. -I saw it with my own eyes. | 0:07:10 | 0:07:14 | |
Dale Hicks in your garden playing with your Tommy and then...right in front of me. | 0:07:14 | 0:07:20 | |
Like he was never there. There's no need to look any further than this street. It's right here amongst us! | 0:07:20 | 0:07:27 | |
-Why don't we...? -Why don't we start with him? | 0:07:27 | 0:07:29 | |
-There's been all sorts in this street, day and night. -Fixing things up for the Olympics! | 0:07:29 | 0:07:34 | |
-And taking a long time about it! -I'm of the opinion... | 0:07:34 | 0:07:37 | |
-That's slander! -I don't care what it is! | 0:07:37 | 0:07:39 | |
-I think we need to just... -I want an apology! | 0:07:39 | 0:07:42 | |
-Stop picking on him! -Yeah, stop picking on me! | 0:07:42 | 0:07:44 | |
-And stop pretending to be blind! It's evil! -I don't believe in evil. | 0:07:44 | 0:07:49 | |
You believe in Tarmackers with kidnapped kiddies in their van! | 0:07:49 | 0:07:52 | |
-That's not what she's saying! -Stop ganging up on me? | 0:07:52 | 0:07:55 | |
-Feeling guilty, are we? -FINGERS ON LIPS! | 0:07:55 | 0:07:58 | |
In the last six days, three of your children have been stolen. | 0:08:07 | 0:08:11 | |
Snatched out of thin air, right? | 0:08:11 | 0:08:13 | |
Er, can I...? | 0:08:15 | 0:08:17 | |
Look around you. | 0:08:19 | 0:08:21 | |
This was a safe street till it came. | 0:08:21 | 0:08:24 | |
It's not a person. | 0:08:24 | 0:08:26 | |
I'll say it if no-one else will. | 0:08:26 | 0:08:29 | |
Maybe you're coppers and maybe you're not. | 0:08:29 | 0:08:32 | |
I don't care who you are, can you please help us? | 0:08:32 | 0:08:35 | |
SNIFFING | 0:08:45 | 0:08:47 | |
You want a hanky? | 0:08:56 | 0:08:58 | |
Can you smell it? | 0:08:58 | 0:09:00 | |
What's it remind you of? | 0:09:00 | 0:09:02 | |
-Sort of...metal? -Mm-hmm! -Oh! | 0:09:02 | 0:09:05 | |
Danny Edwards cycled in one end but never came out the other. | 0:09:08 | 0:09:11 | |
Whoa, there it goes again. Look at the hairs on the back of my manly hairy hand. | 0:09:11 | 0:09:17 | |
And there's that smell. It's like a...a burnt fuse plug or something. | 0:09:17 | 0:09:22 | |
There's a residual energy in the spots where the kids vanished. | 0:09:22 | 0:09:26 | |
Whatever it was, it used an awful lot of power to do this. | 0:09:26 | 0:09:30 | |
You have to come down some time, Chloe... | 0:09:37 | 0:09:40 | |
I'm busy, Mum. | 0:09:40 | 0:09:43 | |
Look at it in here. You must've used up half a rainforest. | 0:09:43 | 0:09:46 | |
That's Dale. | 0:09:46 | 0:09:47 | |
Why did you draw him so sad? | 0:09:51 | 0:09:52 | |
I didn't draw him like that. | 0:09:52 | 0:09:55 | |
Dale made himself sad. | 0:09:55 | 0:09:59 | |
So I'm going to draw him a friend. | 0:09:59 | 0:10:00 | |
That's what he needs - more friends. | 0:10:00 | 0:10:04 | |
Have you seen the TV? | 0:10:07 | 0:10:09 | |
Look, this'll cheer you up. The torch is getting close. | 0:10:09 | 0:10:13 | |
It'll pass right by our street. | 0:10:13 | 0:10:15 | |
Tonight they'll light the Olympic flame in the stadium | 0:10:15 | 0:10:17 | |
and the whole world will be looking at our city. | 0:10:17 | 0:10:20 | |
I mean, doesn't that make you feel part of something? ..Sweetheart? | 0:10:20 | 0:10:26 | |
-Chloe? -I'm busy, Mum. | 0:10:27 | 0:10:29 | |
OK. | 0:10:29 | 0:10:32 | |
You're tired, Chloe. | 0:10:37 | 0:10:40 | |
-I heard you calling out again last night. -It's fine. -Nightmares? | 0:10:40 | 0:10:43 | |
I'm drawing! | 0:10:43 | 0:10:46 | |
Whatever they are... | 0:10:46 | 0:10:48 | |
they're just dreams, you do know that? | 0:10:48 | 0:10:52 | |
They can't hurt you. | 0:10:52 | 0:10:54 | |
I'm busy! Unless you want me to draw you...Mum. | 0:10:54 | 0:10:59 | |
If you want to stay cooped up in here, fine. I'll leave you to it. | 0:11:00 | 0:11:04 | |
Well, aren't you a beautiful boy! | 0:11:07 | 0:11:10 | |
Thanks. I'm experimenting with back-combing. | 0:11:10 | 0:11:12 | |
-Oh. -I used to have one like you. | 0:11:12 | 0:11:15 | |
What? | 0:11:16 | 0:11:19 | |
I'm not really a cat person. Once you've been threatened by one in a nun's wimple, | 0:11:19 | 0:11:23 | |
it kind of takes the joy out of it. | 0:11:23 | 0:11:25 | |
Come here, puss. | 0:11:26 | 0:11:29 | |
What d'you want to go in there for? | 0:11:29 | 0:11:32 | |
FAINT MIAOWING | 0:11:36 | 0:11:38 | |
Doctor! | 0:11:43 | 0:11:45 | |
-Ohh! -Whoa! Hoo-hoo! | 0:11:49 | 0:11:53 | |
Ion residue. Blimey! That takes some doing. Just to snatch a living organism out of space-time. | 0:11:54 | 0:12:00 | |
This baby's like, "I'm having some of that!" I'm impressed. | 0:12:00 | 0:12:04 | |
-So the cat's been transported. -It can harness huge reserves of ionic power. | 0:12:04 | 0:12:08 | |
We need to find the source of that power. | 0:12:08 | 0:12:11 | |
Find the source and you will find...whatever has taken to stealing children and fluffy animals. | 0:12:11 | 0:12:16 | |
See what you can see. Keep 'em peeled, Lewis. | 0:12:16 | 0:12:20 | |
I've given you friends and you still moan. | 0:12:20 | 0:12:23 | |
Moan, moan, moan. You're lucky. | 0:12:23 | 0:12:26 | |
You're all together. You don't know what it is to be alone. | 0:12:26 | 0:12:29 | |
If you did, you'd be thanking me. | 0:12:29 | 0:12:32 | |
-PENCIL LEAD SNAPS -NO! | 0:12:36 | 0:12:39 | |
THUD | 0:12:50 | 0:12:52 | |
CLATTERING | 0:12:52 | 0:12:54 | |
Is that you, puss cat? You trapped? | 0:13:04 | 0:13:05 | |
METAL CLATTERS | 0:13:07 | 0:13:10 | |
BANG! | 0:13:11 | 0:13:13 | |
Not gonna open it, not gonna open it, not gonna open it... | 0:13:14 | 0:13:18 | |
Stay still! | 0:13:39 | 0:13:41 | |
Okey-dokey? | 0:13:46 | 0:13:48 | |
Yeah. Cheers. | 0:13:48 | 0:13:49 | |
No probs. | 0:13:49 | 0:13:51 | |
I'll give you a fiver if you can tell me what the hell it is cos I haven't got the foggiest. | 0:13:53 | 0:13:58 | |
-Well, I can tell you you've just killed it. -It was never living. | 0:13:58 | 0:14:01 | |
It's animated by energy. The same energy that's snatching people. So dinky! | 0:14:01 | 0:14:05 | |
The go-anywhere creature. | 0:14:05 | 0:14:07 | |
Fits in the pocket. Makes friends. Impresses your boss. Breaks the ice at parties. | 0:14:07 | 0:14:13 | |
Hi, ho, here we go. | 0:14:13 | 0:14:14 | |
Let's have a look. | 0:14:14 | 0:14:15 | |
-Get out of here! -What's it say? | 0:14:18 | 0:14:20 | |
It is! | 0:14:26 | 0:14:28 | |
It's graphite! | 0:14:28 | 0:14:30 | |
Basically the same material as an HB pencil. | 0:14:30 | 0:14:33 | |
-I was attacked by a pencil scribble?! -A scribble creature, | 0:14:33 | 0:14:37 | |
brought into being with ionic energy. | 0:14:37 | 0:14:39 | |
Whatever we're dealing with, it can create things as well as take them. | 0:14:39 | 0:14:42 | |
-But why make a scribble creature? -Maybe it was a mistake. | 0:14:42 | 0:14:47 | |
I mean, you scribble over something when you want to get rid of it, like a drawing. | 0:14:47 | 0:14:51 | |
Like a... | 0:14:51 | 0:14:53 | |
child's...drawing. | 0:14:53 | 0:14:56 | |
You said it was in the street. | 0:14:56 | 0:14:58 | |
-Probably. -The girl. -Of course! ..What girl? | 0:14:58 | 0:15:01 | |
Something about her gave me the creeps. | 0:15:01 | 0:15:04 | |
-Even her own mum looked scared of her. -Are you deducting? | 0:15:04 | 0:15:07 | |
-I think I am. -Copper's hunch? -Permission to follow it up, Sarge? | 0:15:07 | 0:15:12 | |
DOORBELL RINGS | 0:15:12 | 0:15:14 | |
DOOR KNOCKER RATTLES | 0:15:19 | 0:15:21 | |
-Hello, I'm the Doctor and this is Rose. Can we see your daughter? -No! You can't. -OK. Bye. | 0:15:25 | 0:15:31 | |
Why? Why do you want to see Chloe? | 0:15:34 | 0:15:36 | |
Well, there's some interesting stuff going on in this street | 0:15:36 | 0:15:39 | |
and I just thought... Well, we thought that she might like to give us a hand. | 0:15:39 | 0:15:43 | |
-Sorry to bother you. -Yeah, sorry. | 0:15:43 | 0:15:45 | |
We'll let you get on with things. On your own. Bye again. | 0:15:45 | 0:15:49 | |
Wait... | 0:15:50 | 0:15:51 | |
Can you help her? | 0:15:53 | 0:15:56 | |
Yes, I can. | 0:15:57 | 0:15:59 | |
'The torch-bearer is running up towards the Mall...' | 0:15:59 | 0:16:02 | |
She stays in her room most of the time. | 0:16:02 | 0:16:05 | |
I try talking to her, but it's like trying to speak to a brick wall. | 0:16:05 | 0:16:09 | |
She gives me nothing, just asks to be left alone. | 0:16:09 | 0:16:13 | |
What about Chloe's dad? | 0:16:13 | 0:16:16 | |
-Chloe's dad died a year ago. -I'm sorry. | 0:16:16 | 0:16:20 | |
You wouldn't be if you'd known him. | 0:16:20 | 0:16:22 | |
Well, let's go and say hi. | 0:16:22 | 0:16:25 | |
I should check on her first, she might be asleep. | 0:16:25 | 0:16:29 | |
Why are you afraid of her, Trish? | 0:16:29 | 0:16:31 | |
I want you to know, before you see her, that she's really a great kid. | 0:16:33 | 0:16:36 | |
-I'm sure she is. -She's never been in trouble at school. You should see her report | 0:16:36 | 0:16:42 | |
from last year. As and Bs. | 0:16:42 | 0:16:45 | |
Can I use your loo? | 0:16:46 | 0:16:48 | |
She's in the choir. | 0:16:53 | 0:16:55 | |
She sings in old folks' homes. | 0:16:55 | 0:16:57 | |
Any mum would be proud, you know? | 0:16:57 | 0:16:59 | |
I want you to know these things before you see her, Doctor, | 0:16:59 | 0:17:03 | |
because right now, she's not herself. | 0:17:03 | 0:17:05 | |
FOOTSTEPS ON STAIRS | 0:17:20 | 0:17:22 | |
DOOR RATTLES | 0:17:55 | 0:17:57 | |
All right there? | 0:18:13 | 0:18:15 | |
I'm the Doctor. | 0:18:19 | 0:18:21 | |
-I'm Chloe Webber. -How are you doing, Chloe Webber? | 0:18:21 | 0:18:24 | |
I'm busy. I'm making something. | 0:18:24 | 0:18:27 | |
Aren't I, Mum? | 0:18:27 | 0:18:28 | |
And like I said, she's not been sleeping. | 0:18:28 | 0:18:30 | |
But you've been drawing, though. | 0:18:30 | 0:18:33 | |
I'm rubbish. Stick men are about my limit. | 0:18:33 | 0:18:36 | |
Can do this though. | 0:18:36 | 0:18:38 | |
Can you do that? | 0:18:38 | 0:18:41 | |
-They don't stop moaning. -Chloe? | 0:18:41 | 0:18:44 | |
I try to help them but they don't stop moaning! | 0:18:44 | 0:18:47 | |
-Who don't? -We can be together. | 0:18:47 | 0:18:50 | |
-Sweetheart... -Don't touch me, Mum! | 0:18:50 | 0:18:55 | |
THUDS > | 0:18:56 | 0:18:58 | |
GROWLING: I'm coming! | 0:19:24 | 0:19:27 | |
I'm busy...Doctor. | 0:19:27 | 0:19:29 | |
Come on, Chloe, don't be a spoil-sport. What's the big project? | 0:19:29 | 0:19:34 | |
I'm dying to know. | 0:19:34 | 0:19:35 | |
-What are you making up there? -Doctor! | 0:19:35 | 0:19:37 | |
GROWLING: I'm coming to hurt you! | 0:19:40 | 0:19:42 | |
Look at it! | 0:19:44 | 0:19:46 | |
-No, ta. -What the hell was that? | 0:19:46 | 0:19:48 | |
-A drawing - face of a man. -What face? -Best not. -What have you been drawing? | 0:19:48 | 0:19:53 | |
-I drew him yesterday. -Who? | 0:19:53 | 0:19:55 | |
-Dad. -Your dad? | 0:19:55 | 0:19:58 | |
But he's long gone. | 0:19:58 | 0:19:59 | |
Chloe, with all the lovely things in the world, why him? | 0:19:59 | 0:20:02 | |
-I dream about him...staring at me. -I thought we were putting him behind us. | 0:20:02 | 0:20:07 | |
What's the matter with you? | 0:20:07 | 0:20:09 | |
-We need to stay together. -Yes, we do. | 0:20:09 | 0:20:11 | |
No, not you, us. | 0:20:11 | 0:20:14 | |
We need to stay together and then it will be all right. | 0:20:14 | 0:20:18 | |
Trish...the drawings. Have you seen what Chloe's drawings can do? | 0:20:19 | 0:20:23 | |
Who gave you permission to come into her room? Get out! | 0:20:23 | 0:20:26 | |
-Tell us about the drawings, Chloe. -No more. | 0:20:26 | 0:20:29 | |
But that drawing of her dad... I heard a voice, he spoke! | 0:20:29 | 0:20:32 | |
He's dead! And these? They're kids' pictures! Now get out! | 0:20:32 | 0:20:35 | |
Chloe has a power and I don't know how, but she's used it to take Danny Edwards, Dale Hicks. | 0:20:35 | 0:20:41 | |
-She's using it to snatch the kids! -Get out! -Have you seen those drawings move? -No! -Yes, you have. | 0:20:41 | 0:20:47 | |
-Out of the corner of your eye. -No. | 0:20:47 | 0:20:48 | |
And you dismissed it because you can't explain it. | 0:20:48 | 0:20:52 | |
-If anyone mentions it, you get angry, so it's never spoken of ever again. -She's a child. | 0:20:52 | 0:20:56 | |
And you're terrified of her. | 0:20:56 | 0:20:59 | |
But who's going to believe the things you see in the corner of your eye? No-one. | 0:20:59 | 0:21:03 | |
Except me. | 0:21:03 | 0:21:05 | |
Who are you? | 0:21:05 | 0:21:07 | |
I'm help. | 0:21:07 | 0:21:09 | |
ROSE CLEARS HER THROAT | 0:21:12 | 0:21:14 | |
Those pictures, they're alive. | 0:21:21 | 0:21:23 | |
-She draws people and they end up in her pictures. -Ionic energy. | 0:21:23 | 0:21:26 | |
Chloe's harnessing it to place those kids in a holding pen made up of ionic power. | 0:21:26 | 0:21:30 | |
-And what about the dad from hell in her wardrobe? -I've told you, he's dead. | 0:21:30 | 0:21:35 | |
Well, he's got a very loud voice for a dead bloke. | 0:21:35 | 0:21:39 | |
If living things can become drawings then maybe drawings can become living things. ..Uh! | 0:21:39 | 0:21:45 | |
Chloe's real dad is dead. But not the one who visits her in her nightmares. | 0:21:46 | 0:21:50 | |
That dad seems very real, and he's a heartbeat away from crashing into this world. | 0:21:50 | 0:21:54 | |
She always got the worst of it when he was alive. | 0:21:54 | 0:21:57 | |
Doctor, how can a 12-year-old girl be doing any of this? | 0:21:57 | 0:22:01 | |
Let's find out. | 0:22:03 | 0:22:04 | |
Nice one. | 0:22:20 | 0:22:22 | |
-There we go. -I can't let him... -Ssh, it's OK. Trust him. | 0:22:32 | 0:22:35 | |
Now we can talk. | 0:22:37 | 0:22:39 | |
(I want Chloe! | 0:22:39 | 0:22:42 | |
(Wake her up! I want Chloe!) | 0:22:42 | 0:22:45 | |
-Who are you? -(I want Chloe Webber!) | 0:22:45 | 0:22:49 | |
-What have you done to my little girl? -Doctor, what is it? -I'm speaking to you, | 0:22:49 | 0:22:54 | |
the entity that is using this human child. | 0:22:54 | 0:22:57 | |
I request parlez in compliance with The Shadow Proclamation. | 0:22:57 | 0:23:01 | |
(I don't care about shadows or parlezes!) | 0:23:01 | 0:23:04 | |
So what do you care about? | 0:23:04 | 0:23:07 | |
(I want my friends!) | 0:23:07 | 0:23:09 | |
You're lonely, I know. | 0:23:09 | 0:23:12 | |
Identify yourself. | 0:23:12 | 0:23:14 | |
(I am one of many. | 0:23:14 | 0:23:15 | |
(I travel with my brothers and sisters. | 0:23:15 | 0:23:18 | |
(We take an endless journey. A thousand of your lifetimes. | 0:23:18 | 0:23:22 | |
(But now I am alone. I hate it. It's not fair | 0:23:22 | 0:23:26 | |
-(and I hate it!) -Name yourself. | 0:23:26 | 0:23:28 | |
(Isolus.) | 0:23:28 | 0:23:29 | |
You're Isolus, of course! | 0:23:30 | 0:23:34 | |
Our journey began in the Deep Realms when we were a family. | 0:23:34 | 0:23:38 | |
-What's that? -The Isolus mother, drifting in deep space. | 0:23:38 | 0:23:42 | |
See, she jettisons millions of fledgling spores - her children. | 0:23:42 | 0:23:47 | |
The Isolus are empathic beings of intense emotion. | 0:23:47 | 0:23:49 | |
When they're cast off from their mother, | 0:23:49 | 0:23:52 | |
their need for each other is what sustains them. | 0:23:52 | 0:23:55 | |
They need to be together. They cannot be alone. | 0:23:55 | 0:23:58 | |
Our journey is long. | 0:23:58 | 0:24:00 | |
The Isolus children travel, each inside a pod. | 0:24:00 | 0:24:03 | |
They ride the heat and energy of solar tides. | 0:24:03 | 0:24:05 | |
And it takes thousands and thousands of years for them to grow up. | 0:24:05 | 0:24:09 | |
Thousands of years just floating through space? Poor things. | 0:24:09 | 0:24:12 | |
Don't they go mad with boredom? | 0:24:12 | 0:24:15 | |
We play. | 0:24:15 | 0:24:17 | |
You...play? | 0:24:17 | 0:24:19 | |
While they travel, they play games. | 0:24:19 | 0:24:22 | |
They use their ionic power to literally create make-believe worlds in which to play. | 0:24:22 | 0:24:27 | |
-In-flight entertainment. -It helps keep them happy. | 0:24:27 | 0:24:30 | |
While they're happy they can feed off each other's love. Without it, they're lost. | 0:24:30 | 0:24:35 | |
Why did you come to Earth? | 0:24:37 | 0:24:40 | |
We were too close! | 0:24:40 | 0:24:42 | |
That's a solar flare from your sun. | 0:24:45 | 0:24:47 | |
Would have made a tidal wave of solar energy that scattered the Isolus pods. | 0:24:47 | 0:24:52 | |
Only I fell to Earth. | 0:24:52 | 0:24:53 | |
My brothers and sisters are left up there | 0:24:53 | 0:24:56 | |
and I can not reach them. | 0:24:56 | 0:24:58 | |
So alone! | 0:24:58 | 0:25:00 | |
Your pod crashed? Where is it? | 0:25:00 | 0:25:03 | |
My pod was drawn to heat | 0:25:03 | 0:25:05 | |
and I was drawn to Chloe Webber. | 0:25:05 | 0:25:07 | |
She was like me - alone. | 0:25:12 | 0:25:14 | |
She needed me and I her. | 0:25:14 | 0:25:17 | |
You empathized with her. | 0:25:18 | 0:25:20 | |
-You wanted to be with her because she was alone like you. -I want my family! | 0:25:20 | 0:25:25 | |
-It's not fair! -I understand, you want to make a family. | 0:25:25 | 0:25:28 | |
But you can't stay in this child, it's wrong. | 0:25:28 | 0:25:31 | |
-You can't steal any more friends for yourself. -I am alone! | 0:25:31 | 0:25:36 | |
-CRASH AND GROWLING -I'm coming to hurt you. | 0:25:36 | 0:25:39 | |
-I'm coming! -Trish! How do you calm her? -What?! | 0:25:39 | 0:25:43 | |
-When she has nightmares, what do you do? -I... -What do you DO? -I sing. | 0:25:43 | 0:25:46 | |
Start singing. | 0:25:46 | 0:25:48 | |
-GROWLING: -Chloe, I'm coming. | 0:25:48 | 0:25:50 | |
# Kookaburra sits in the old gum tree | 0:25:50 | 0:25:54 | |
# Merry, merry king of the bush is he | 0:25:54 | 0:25:57 | |
SINGING AND GROWLING CONTINUE | 0:25:57 | 0:26:00 | |
GROWLING FADES | 0:26:02 | 0:26:05 | |
# ..kookaburra Gay your life must be | 0:26:05 | 0:26:08 | |
It came to her because she was lonely. | 0:26:09 | 0:26:12 | |
Oh, Chloe, I'm sorry. | 0:26:12 | 0:26:14 | |
Chloe usually got the brunt of his temper, when he'd had a drink. | 0:26:17 | 0:26:21 | |
The day he crashed the car, I thought we were free. I thought it was over. | 0:26:21 | 0:26:25 | |
Did you talk to her about it? | 0:26:25 | 0:26:27 | |
I didn't want to. | 0:26:27 | 0:26:29 | |
But maybe that's why Chloe feels so alone. | 0:26:30 | 0:26:33 | |
Because she has these terrible dreams about her dad but she can't talk to you about them. | 0:26:33 | 0:26:38 | |
Her and the Isolus - | 0:26:38 | 0:26:40 | |
two lonely kids who needed each other. | 0:26:40 | 0:26:42 | |
It won't stop, will it, Doctor? | 0:26:42 | 0:26:45 | |
It'll just keep pulling kids in. | 0:26:45 | 0:26:48 | |
It's desperate to be loved. | 0:26:48 | 0:26:50 | |
-It's used to a pretty big family. -How big? | 0:26:50 | 0:26:53 | |
Say around four billion? | 0:26:54 | 0:26:58 | |
'The queue started a week ago | 0:27:01 | 0:27:03 | |
'for those desperate enough to be inside - there are lots of them. | 0:27:03 | 0:27:07 | |
'We're expecting a capacity crowd of 80,000 for this evening's opening ceremony. There's been...' | 0:27:07 | 0:27:13 | |
We need that pod. | 0:27:13 | 0:27:15 | |
It crashed. Won't it be destroyed? | 0:27:15 | 0:27:17 | |
It's been sucking in heat. That should keep it fit to launch. | 0:27:17 | 0:27:20 | |
It should have a weak energy signature the Tardis can trace. | 0:27:20 | 0:27:24 | |
Once we find it, then we can stop the Isolus. | 0:27:24 | 0:27:26 | |
She's running a temperature. | 0:27:28 | 0:27:31 | |
..I can't go into that now, Kirsty. | 0:27:31 | 0:27:32 | |
Yes, we've got a doctor. | 0:27:34 | 0:27:35 | |
..Yes, he said he can help her. | 0:27:37 | 0:27:40 | |
We can scan for the same trace I picked up from the scribble creature. Just need to widen the field a bit. | 0:27:40 | 0:27:45 | |
You knew the Isolus was lonely before it told you. How? | 0:27:57 | 0:28:00 | |
I know what it's like to travel a long way on your own. Give me the steino-magnetic... | 0:28:00 | 0:28:05 | |
-the thing in your left hand. -Sounds like you're on its side. | 0:28:05 | 0:28:08 | |
-I sympathize, that's all. -The Isolus has caused a lot of pain for these people. -It's a child. | 0:28:08 | 0:28:13 | |
-That's why it went to Chloe. -Hmm. | 0:28:13 | 0:28:16 | |
Feels to me like a temper tantrum cos it can't get its own way. | 0:28:16 | 0:28:19 | |
It's scared. Come on, you were a kid once. Binary dot. | 0:28:19 | 0:28:22 | |
Yes, and I know what kids can be like. Right little...terrors. | 0:28:22 | 0:28:26 | |
-Gum. -Hey, I've got cousins. Kids can't have it all their own way. | 0:28:32 | 0:28:35 | |
-That's part of being a family. -And what about trying to understand them? | 0:28:35 | 0:28:39 | |
Easy for you to say, you don't have kids. | 0:28:39 | 0:28:42 | |
-I was a dad... once. -What did you say? | 0:28:42 | 0:28:45 | |
I think we're there. | 0:28:46 | 0:28:48 | |
Fear. Loneliness. They're the big ones, Rose. | 0:28:48 | 0:28:51 | |
Some terrible acts have been inspired by them. | 0:28:51 | 0:28:54 | |
This isn't something that wants to conquer or destroy. | 0:28:54 | 0:28:57 | |
There's a lot of things you need to get across this universe - warp drive, wormhole refractors. | 0:28:57 | 0:29:03 | |
Do you know the thing you need most of all? You need a hand to hold. | 0:29:03 | 0:29:08 | |
No, look, I'm pointing. | 0:29:08 | 0:29:10 | |
It's the pod! It IS in the street! | 0:29:12 | 0:29:15 | |
Everything's coming up Doctor! | 0:29:15 | 0:29:17 | |
It's about two inches across. Dull grey, like a gull's egg. Very light. | 0:29:23 | 0:29:27 | |
So these pods, they travel from sun to sun, using the heat, yeah? So it's not all about love and stuff. | 0:29:27 | 0:29:33 | |
-Doesn't the pod just need heat? -GLASS SMASHES | 0:29:33 | 0:29:36 | |
Doctor? | 0:29:36 | 0:29:38 | |
DOCTOR! | 0:29:40 | 0:29:42 | |
It's OK, I've taken all the pencils off her. | 0:29:46 | 0:29:48 | |
Leave me alone! I want to be with Chloe Webber! | 0:29:53 | 0:29:57 | |
I love Chloe Webber. | 0:29:57 | 0:29:58 | |
-Bring him back now. -No! | 0:29:58 | 0:30:00 | |
Don't you realise what you've done? | 0:30:01 | 0:30:04 | |
-He was the only one who could help you. Now bring him back! -Leave me alone! I love Chloe Webber! | 0:30:04 | 0:30:09 | |
I know. | 0:30:11 | 0:30:14 | |
I know. | 0:30:16 | 0:30:18 | |
Doctor, if you can hear me, I'm going to get you out of there. I'll find the pod. | 0:30:20 | 0:30:24 | |
Don't leave her alone, no matter what. | 0:30:24 | 0:30:27 | |
'The torchbearer is getting closer to the Olympic Stadium, | 0:30:27 | 0:30:30 | |
'heading down The Strand | 0:30:30 | 0:30:31 | |
'before turning east...' | 0:30:31 | 0:30:33 | |
Heat. | 0:30:34 | 0:30:36 | |
They travel on heat. | 0:30:36 | 0:30:38 | |
Look at this finish. Smooth as a baby's bottom. | 0:30:38 | 0:30:42 | |
-Not a bump or a lump. -Kel, was there anything in this street the last few days giving off a lot of heat? | 0:30:42 | 0:30:47 | |
I mean, you could eat your dinner off this. | 0:30:47 | 0:30:50 | |
Beautiful. So you tell me why the other one's got a lump in it | 0:30:50 | 0:30:53 | |
when I gave it the same craftsmanship as I did this one? | 0:30:53 | 0:30:56 | |
Well, when you've worked it out put it in a big book about Tarmacking. | 0:30:56 | 0:31:00 | |
But before you do that, think back six days. | 0:31:00 | 0:31:03 | |
Six days? | 0:31:03 | 0:31:05 | |
-When I was laying this the first time round? -What? | 0:31:05 | 0:31:09 | |
-That's when filled in this pothole for the first time. -Six days ago. -Yeah. | 0:31:09 | 0:31:14 | |
Hot, fresh tar. | 0:31:14 | 0:31:16 | |
Blended to a secret council recipe. | 0:31:16 | 0:31:18 | |
And I don't keep it in the van. | 0:31:18 | 0:31:20 | |
Hey! That's a council van! Out! | 0:31:22 | 0:31:24 | |
Whoa! Wait a minute! | 0:31:26 | 0:31:27 | |
You've just removed a council axe from a council van. | 0:31:27 | 0:31:30 | |
Put it back. No, don't. That's my van. | 0:31:30 | 0:31:33 | |
Give me the axe. Wait! No! No! Stop! | 0:31:33 | 0:31:37 | |
You just took a council axe from a council van | 0:31:37 | 0:31:40 | |
and now you're digging up a council road! | 0:31:40 | 0:31:43 | |
I'm reporting you to the council! | 0:31:43 | 0:31:45 | |
It went for the hottest thing in the street - your tar! | 0:31:49 | 0:31:53 | |
-What is it? -It's a spaceship! | 0:31:53 | 0:31:55 | |
Not a council spaceship, I'm afraid. | 0:31:55 | 0:31:57 | |
'We are live on BBC News 24. The opening ceremony of the London Olympics of 2012 is well under way. | 0:31:57 | 0:32:05 | |
'Athletes are streaming into the stadium right now. They all have their dreams. | 0:32:05 | 0:32:10 | |
'They've all put in years of hard work...' | 0:32:10 | 0:32:13 | |
I found it! | 0:32:14 | 0:32:15 | |
Don't know what to do with it but maybe the Isolus will just hop on board. | 0:32:15 | 0:32:20 | |
Hang on, I told you not to leave her. | 0:32:20 | 0:32:22 | |
'My God! | 0:32:22 | 0:32:24 | |
'What is going on here?' | 0:32:24 | 0:32:26 | |
-I don't care if Snow White and the Seven Dwarves buried under there, you do not... -Shut up! | 0:32:26 | 0:32:31 | |
'The crowd has vanished. Em, everyone has gone. | 0:32:31 | 0:32:34 | |
'Thousands of people have just gone, er, | 0:32:34 | 0:32:38 | |
'er, right in front of my eyes. It's impossible. | 0:32:38 | 0:32:42 | |
'Bob, can we join you in the box? | 0:32:42 | 0:32:45 | |
'Bob?! | 0:32:45 | 0:32:47 | |
'Not you too, Bob?' | 0:32:48 | 0:32:50 | |
A stadium won't be enough. | 0:32:50 | 0:32:51 | |
The Isolus has four billion brothers and sisters. | 0:32:51 | 0:32:55 | |
'Over 80,000 spectators and 13,000 athletes...' | 0:32:55 | 0:33:01 | |
-Not enough. -'..they're gone. | 0:33:01 | 0:33:05 | |
'All of those people. | 0:33:05 | 0:33:07 | |
'It's a terrible, terrible turn of events...' | 0:33:09 | 0:33:11 | |
We won't be alone, Chloe Webber. | 0:33:11 | 0:33:14 | |
We'll have all of them. And then we'll never feel alone ever again. | 0:33:14 | 0:33:19 | |
-Chloe? -Chloe? It's Rose. Open the door! | 0:33:22 | 0:33:25 | |
We found your ship! We can send you home. | 0:33:27 | 0:33:29 | |
-Chloe! -Open up! | 0:33:29 | 0:33:31 | |
-Right, stand back. -GROWLING: I'm coming to hurt you. | 0:33:31 | 0:33:35 | |
I'm coming. Coming to hurt you. | 0:33:40 | 0:33:43 | |
-Chloe! -I'm coming to hurt you. | 0:33:48 | 0:33:50 | |
-I'm coming... -I have to stop her. | 0:33:52 | 0:33:54 | |
If you stop Chloe Webber, I will let him out. | 0:33:55 | 0:33:58 | |
We will let him out together! | 0:33:58 | 0:34:01 | |
I cannot be alone! | 0:34:01 | 0:34:02 | |
It's not fair! | 0:34:02 | 0:34:04 | |
I've got your pod! | 0:34:04 | 0:34:06 | |
-The pod is dead! -No, no. It only needs heat. | 0:34:06 | 0:34:09 | |
-It needs more than heat. -What, then? | 0:34:09 | 0:34:10 | |
I'm not being funny or nothing... but that picture just moved. | 0:34:10 | 0:34:14 | |
And that one! | 0:34:14 | 0:34:16 | |
She didn't draw that, he did. | 0:34:19 | 0:34:22 | |
But it needs more than heat, Doctor! | 0:34:22 | 0:34:26 | |
'..is still on its way. I suppose it's more than a torch now. | 0:34:26 | 0:34:29 | |
'It's a beacon. It's a beacon of hope and fortitude and courage. | 0:34:29 | 0:34:33 | |
'And it's a beacon of love.' | 0:34:33 | 0:34:36 | |
-Love! -'So let's have a look from the helicopter. | 0:34:36 | 0:34:39 | |
'The torchbearer...' | 0:34:39 | 0:34:41 | |
I know how to charge up the pod! | 0:34:41 | 0:34:43 | |
'..past Dame Kelly Holmes Close...' | 0:34:43 | 0:34:45 | |
CHEERING | 0:34:47 | 0:34:49 | |
-Sorry, you'll have to watch from here. -I've got to get closer! -No. -I can stop this happening! | 0:34:59 | 0:35:03 | |
-GROWLING: Chloe... -Chloe! -I'm coming to hurt you. -She's my baby! | 0:35:03 | 0:35:08 | |
-You're not going to hurt her again! -Chloe! I'm coming! | 0:35:08 | 0:35:11 | |
TWITTERING | 0:35:13 | 0:35:16 | |
You felt it, didn't you? | 0:35:16 | 0:35:18 | |
Feel the love. | 0:35:25 | 0:35:28 | |
Yeah! | 0:35:43 | 0:35:44 | |
I can go home. | 0:35:48 | 0:35:50 | |
Goodbye, Chloe Webber. | 0:35:50 | 0:35:53 | |
I love you. | 0:35:53 | 0:35:54 | |
-Mum? -I'm here. | 0:36:02 | 0:36:05 | |
Mummy! | 0:36:05 | 0:36:07 | |
Nice one! You did it! | 0:36:11 | 0:36:14 | |
What was it you did? | 0:36:14 | 0:36:16 | |
Mummy. | 0:36:28 | 0:36:31 | |
Jane! | 0:36:31 | 0:36:33 | |
Doctor? | 0:36:36 | 0:36:38 | |
I don't know who you are or what you did but thank you, darling. | 0:36:41 | 0:36:47 | |
And thank that man for me too. | 0:36:47 | 0:36:49 | |
Where is he? He should be here? | 0:36:51 | 0:36:54 | |
All the drawings have come to life. | 0:36:57 | 0:36:59 | |
That means all of them. | 0:37:01 | 0:37:03 | |
Oh, no. | 0:37:03 | 0:37:04 | |
-Get out! -I can't. The door's stuck. | 0:37:14 | 0:37:16 | |
-Is the Doctor in there? -I don't think so. -Mummy! | 0:37:16 | 0:37:19 | |
GROWLING: Chloe, I'm coming to hurt you! | 0:37:19 | 0:37:24 | |
Please, Dad...no more. | 0:37:24 | 0:37:26 | |
-Chloe! -Chloe, listen to me. | 0:37:26 | 0:37:28 | |
It isn't real like the others. It's just energy left over by the Isolus. | 0:37:28 | 0:37:32 | |
You can get rid of it! | 0:37:32 | 0:37:33 | |
-Help us! -It's because you're so scared that he's real. But you can get shot of him, Chloe. -Mummy! | 0:37:33 | 0:37:38 | |
-You can do it, Chloe! -I can't! | 0:37:38 | 0:37:41 | |
-Chloe, I'm coming! -I can't! | 0:37:41 | 0:37:46 | |
-I'm coming... -I can't. | 0:37:46 | 0:37:49 | |
-I'm coming... -Mummy! | 0:37:49 | 0:37:51 | |
-Chloe! -I'm with you, Chloe. You're not alone. | 0:37:51 | 0:37:56 | |
You'll never be alone again. | 0:37:56 | 0:37:58 | |
-Chloe! -Chloe, sing! | 0:37:58 | 0:38:01 | |
# Kookaburra sits... # | 0:38:01 | 0:38:04 | |
Chloe! Chloe! | 0:38:04 | 0:38:06 | |
Chloe! | 0:38:06 | 0:38:08 | |
Chloe! I'm coming to hurt you. | 0:38:08 | 0:38:12 | |
CHLOE AND HER MUM SING # Laugh kookaburra, laugh kookaburra Gay your life must be. | 0:38:12 | 0:38:17 | |
# Laugh kookaburra, laugh Kookaburra Gay your life must be... # | 0:38:17 | 0:38:22 | |
< GROWLING FADES # Kookaburra sits in the old gum tree | 0:38:22 | 0:38:26 | |
# Merry, merry king of the bush is he | 0:38:26 | 0:38:29 | |
# Laugh kookaburra, laugh kookaburra Gay your life must be. # | 0:38:29 | 0:38:36 | |
Maybe he's gone somewhere. | 0:38:41 | 0:38:44 | |
Who's gonna hold his hand now? | 0:38:46 | 0:38:48 | |
'Just look at this - utterly incredible scenes at the Olympic Stadium. | 0:38:54 | 0:38:59 | |
'80,000 athletes and spectators, they disappeared, they've come back. | 0:38:59 | 0:39:03 | |
'They've re-appeared. It's quite incredible. | 0:39:03 | 0:39:06 | |
'Bob, this was certainly...' | 0:39:06 | 0:39:08 | |
80,000 people, so where's the Doctor? | 0:39:08 | 0:39:11 | |
-I need him! -'Hang on! The torch-bearer seems to be in trouble. | 0:39:11 | 0:39:14 | |
'We did see a flash of lightning earlier that seemed to strike him. | 0:39:14 | 0:39:20 | |
'Maybe he's injured. He's definitely in trouble. | 0:39:20 | 0:39:22 | |
'Does this mean that the Olympic dream is dead?' | 0:39:22 | 0:39:28 | |
Doctor... | 0:39:28 | 0:39:29 | |
'There's a mystery man. | 0:39:29 | 0:39:31 | |
'He's picked up the flame and we've no idea who he is. | 0:39:31 | 0:39:34 | |
'He's carrying the flame. Yes, he's carrying the flame and no-one wants to stop him. | 0:39:34 | 0:39:39 | |
'It's more than a flame now, Bob. | 0:39:39 | 0:39:42 | |
'It's more than heat and light - it's hope | 0:39:42 | 0:39:44 | |
and it's courage and it's love. | 0:39:44 | 0:39:46 | |
CROWD CHEERS | 0:39:46 | 0:39:48 | |
Woo-hoo-hoo-hoo! | 0:39:53 | 0:39:56 | |
Go on, join your brothers and sisters. | 0:40:05 | 0:40:09 | |
They'll be waiting. | 0:40:09 | 0:40:12 | |
Cake? | 0:40:38 | 0:40:39 | |
Top banana! | 0:40:45 | 0:40:46 | |
I can't stress this enough - ball-bearings you can eat. | 0:40:50 | 0:40:54 | |
Masterpiece! | 0:40:54 | 0:40:57 | |
I thought I'd lost you. | 0:40:57 | 0:41:00 | |
Nah, not on a night like this. | 0:41:00 | 0:41:01 | |
-This is a night for lost things being found. Come on. -What now? | 0:41:01 | 0:41:06 | |
I want to go to the Games, it's what we came for. | 0:41:06 | 0:41:09 | |
Go on, give us a clue. | 0:41:09 | 0:41:11 | |
Which events do we do well in? | 0:41:11 | 0:41:13 | |
I will tell you this, | 0:41:13 | 0:41:15 | |
Papua New Guinea surprise everyone in the shot-put. | 0:41:15 | 0:41:19 | |
Really? You're joking, aren't you? | 0:41:19 | 0:41:21 | |
Doctor? | 0:41:21 | 0:41:23 | |
-Are you serious or are you joking? -Wait and see. | 0:41:23 | 0:41:26 | |
You know what? They keep on trying to split us up, but they never ever will. | 0:41:28 | 0:41:34 | |
Never say "never ever". | 0:41:34 | 0:41:37 | |
Nah, we'll always be OK, you and me. | 0:41:37 | 0:41:39 | |
Don't you reckon, Doctor? | 0:41:41 | 0:41:43 | |
-Something in the air. Something coming. -What? | 0:41:45 | 0:41:48 | |
A storm's approaching. | 0:41:50 | 0:41:51 | |
This is the story of war on Earth. | 0:41:59 | 0:42:02 | |
The valiant child who will die in battle so very soon. | 0:42:02 | 0:42:08 | |
-Said I was going to die in battle. -Then it lied. | 0:42:08 | 0:42:11 | |
Welcome to Torchwood! | 0:42:11 | 0:42:13 | |
I woke up one morning and there they all were - ghosts everywhere. | 0:42:13 | 0:42:18 | |
-If I'm the enemy, does that mean I'm the prisoner? -Oh, yes. | 0:42:18 | 0:42:21 | |
Oi, where are you taking that? | 0:42:21 | 0:42:23 | |
If it's alien, it's ours. | 0:42:23 | 0:42:25 | |
-We've got a problem down here. Yvonne, can you hear me? -Send that thing back into hell! | 0:42:25 | 0:42:30 | |
The Doctor, assuming alien authority over the rights of man. | 0:42:30 | 0:42:33 | |
They're bleeding through the fault lines, walking from their world across the void and into yours. | 0:42:33 | 0:42:39 | |
-You can't stop us, Doctor. -This world is colliding with another. -Positions! | 0:42:40 | 0:42:44 | |
Who are they? | 0:42:44 | 0:42:47 | |
-Cybermen! -Uh! -SCREAMING | 0:42:47 | 0:42:51 | |
That's when it all ended. | 0:42:53 | 0:42:56 | |
This is the last story I'll ever tell. | 0:42:56 | 0:42:58 | |
Subtitles by Red Bee Media Ltd 2006 | 0:43:40 | 0:43:43 | |
E-mail [email protected] | 0:43:43 | 0:43:46 |