Browse content similar to The Girl in the Fireplace. Check below for episodes and series from the same categories and more!
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SCREAMING | 0:00:05 | 0:00:08 | |
We are under attack. | 0:00:14 | 0:00:16 | |
There are creatures. | 0:00:16 | 0:00:18 | |
I don't even think they're human. | 0:00:18 | 0:00:19 | |
-We can't stop them. -The clock is broken. | 0:00:19 | 0:00:21 | |
He's coming. | 0:00:21 | 0:00:23 | |
Did you hear what I said? | 0:00:23 | 0:00:26 | |
Listen to me. | 0:00:26 | 0:00:28 | |
There is a man coming to Versailles. | 0:00:28 | 0:00:30 | |
He has watched over me my whole life and he will not desert me tonight. | 0:00:30 | 0:00:34 | |
What are you talking about? What man? | 0:00:34 | 0:00:36 | |
The only man, save you, I have ever loved. | 0:00:36 | 0:00:39 | |
No, don't look like that, there's no time. You have your duties. | 0:00:39 | 0:00:42 | |
I am your mistress, go to your Queen. | 0:00:42 | 0:00:46 | |
Are you there? Can you hear me? | 0:00:46 | 0:00:49 | |
I need you now, you promised. | 0:00:49 | 0:00:53 | |
The clock on the mantel is broken! | 0:00:53 | 0:00:55 | |
It is time! | 0:00:55 | 0:00:56 | |
Doctor! Doctor! | 0:00:56 | 0:00:59 | |
It's a space ship. Brilliant! | 0:01:49 | 0:01:51 | |
I got a space ship on my first go! | 0:01:51 | 0:01:53 | |
Looks kind of abandoned. | 0:01:53 | 0:01:55 | |
-Anyone on board? -Nah, nothing here. | 0:01:55 | 0:01:57 | |
Well, nothing dangerous. | 0:01:57 | 0:01:59 | |
Well, not that dangerous. | 0:01:59 | 0:02:01 | |
You know what? I'll just have a quick scan... | 0:02:01 | 0:02:04 | |
in case there's anything dangerous. | 0:02:04 | 0:02:07 | |
So, what's the date? How far have we gone? | 0:02:07 | 0:02:10 | |
About 3,000 years into your future, give or take. | 0:02:10 | 0:02:15 | |
The 51st Century. | 0:02:15 | 0:02:16 | |
The Dagmar Cluster. You're a long way from home, Mickey! | 0:02:16 | 0:02:20 | |
Two and a half galaxies! | 0:02:20 | 0:02:22 | |
Mickey Smith, meet the universe. | 0:02:22 | 0:02:25 | |
..See anything you like? | 0:02:25 | 0:02:28 | |
-It's so...realistic! -Dear me, had some cowboys in here. | 0:02:28 | 0:02:32 | |
Been a ton of repair work going on. | 0:02:32 | 0:02:36 | |
Now, that's odd, look at that! | 0:02:36 | 0:02:39 | |
All the warp engines are going. | 0:02:39 | 0:02:42 | |
Full capacity! There's enough power running through this ship to punch a hole in the universe. | 0:02:42 | 0:02:48 | |
And we're not moving. | 0:02:48 | 0:02:50 | |
-So where's all that power going? -Where'd all the crew go? | 0:02:50 | 0:02:54 | |
Good question. No life readings on board. | 0:02:54 | 0:02:55 | |
Well, we're in deep space, they didn't just nip out for a quick fag. | 0:02:55 | 0:02:59 | |
No, I've checked all the smoking pods. | 0:02:59 | 0:03:02 | |
You smell that? | 0:03:02 | 0:03:04 | |
-Yeah. Someone's cooking. -Sunday roast, definitely. | 0:03:04 | 0:03:07 | |
Now, there's something you don't see in your average space ship. | 0:03:13 | 0:03:18 | |
18th Century. French. | 0:03:18 | 0:03:21 | |
Nice mantel. | 0:03:21 | 0:03:23 | |
Not a hologram. | 0:03:23 | 0:03:26 | |
Not even a reproduction. This actually is an 18th Century French fireplace. Double-sided. | 0:03:26 | 0:03:30 | |
There's another room through there. | 0:03:30 | 0:03:32 | |
-It can't be, that's the outer hull of the ship. Look! -Hello. | 0:03:32 | 0:03:36 | |
-Hello. -What's your name? -Reinette. | 0:03:36 | 0:03:40 | |
Reinette? That's a lovely name. | 0:03:40 | 0:03:42 | |
Can you tell me where you are, at the moment, Reinette? | 0:03:42 | 0:03:44 | |
-In my bedroom. -Where's your bedroom? Where do you live, Reinette? | 0:03:44 | 0:03:49 | |
-Paris, of course. -Paris! Right. | 0:03:49 | 0:03:52 | |
Monsieur, what are you doing in my fireplace? | 0:03:52 | 0:03:55 | |
Oh, just a routine...fire check. | 0:03:55 | 0:03:59 | |
-Can you tell me what year it is? -Of course I can! 1727. | 0:03:59 | 0:04:04 | |
Right, lovely, one of my favourites. | 0:04:04 | 0:04:06 | |
August is rubbish though - stay indoors. | 0:04:06 | 0:04:09 | |
OK, that's all for now, thanks for your help. | 0:04:09 | 0:04:12 | |
Hope you enjoy the rest of the fire. Night-night! | 0:04:12 | 0:04:14 | |
Good night, Monsieur. | 0:04:14 | 0:04:16 | |
You said this was the 51st Century. | 0:04:16 | 0:04:18 | |
I also said this ship was generating enough power to punch a hole in the universe. We just found the hole. | 0:04:18 | 0:04:22 | |
Must be a spatio-temporal hyperlink. | 0:04:22 | 0:04:24 | |
-What's that? -No idea, just made it up. | 0:04:24 | 0:04:27 | |
Didn't want to say "magic door". | 0:04:27 | 0:04:29 | |
And on the other side of the... "magic door", it's France in 1727? | 0:04:29 | 0:04:34 | |
Well, she was speaking French. | 0:04:34 | 0:04:36 | |
-Right period French too. -She was speaking English, I heard her. | 0:04:36 | 0:04:40 | |
-That's the Tardis, translates for you. -Even French? | 0:04:40 | 0:04:42 | |
Yep! | 0:04:42 | 0:04:43 | |
-Gotcha! -Doctor! | 0:04:43 | 0:04:45 | |
HORSE WHINNEYS | 0:05:08 | 0:05:11 | |
It's OK! Don't scream, it's me. It's the fireplace man, look! | 0:05:11 | 0:05:16 | |
We were talking. Just a moment ago. I was in your fireplace. | 0:05:18 | 0:05:21 | |
-Monsieur, that was weeks ago. That was months. -Really? | 0:05:21 | 0:05:26 | |
Must be a loose connection. | 0:05:30 | 0:05:32 | |
-Need to get a man in. -Who are you and what are you doing here? | 0:05:32 | 0:05:36 | |
TICKING | 0:05:36 | 0:05:39 | |
OK. That's scary. | 0:05:39 | 0:05:41 | |
You're scared of a broken clock? | 0:05:41 | 0:05:43 | |
Just a bit scared, yeah, just a little tiny bit. | 0:05:43 | 0:05:45 | |
Cos you see, if this clock's broken, | 0:05:45 | 0:05:48 | |
and it's the only clock in the room...then what's that? | 0:05:48 | 0:05:51 | |
Cos you see, that's not a clock. | 0:05:58 | 0:06:00 | |
You can tell by the resonance. | 0:06:00 | 0:06:02 | |
Too big. | 0:06:02 | 0:06:04 | |
Six feet, I'd say...size of a man. | 0:06:06 | 0:06:11 | |
-What is it? -Now. Let's think. | 0:06:11 | 0:06:15 | |
If you were a thing that ticked and you were hiding in someone's bedroom, first thing you'd do - | 0:06:15 | 0:06:17 | |
break the clock. No-one notices the sound of one clock ticking, but two? | 0:06:17 | 0:06:21 | |
You might start to wonder if you're really alone. | 0:06:24 | 0:06:27 | |
Stay on the bed. Right in the middle. | 0:06:30 | 0:06:31 | |
Don't put your hands or feet over the edge! | 0:06:31 | 0:06:34 | |
Reinette, don't look round. | 0:06:58 | 0:07:01 | |
You stay exactly where you are. | 0:07:03 | 0:07:06 | |
Hold still, let me look. | 0:07:11 | 0:07:13 | |
You've been scanning her brain! | 0:07:16 | 0:07:18 | |
What, you've crossed two galaxies and thousands of years just to scan a child's brain? | 0:07:19 | 0:07:22 | |
What could there be in a little girl's mind worth blowing a hole in the universe? | 0:07:22 | 0:07:26 | |
I don't understand. | 0:07:26 | 0:07:28 | |
It wants me? | 0:07:28 | 0:07:30 | |
You want me? | 0:07:30 | 0:07:32 | |
Not yet. You are incomplete. | 0:07:32 | 0:07:34 | |
Incomplete? | 0:07:34 | 0:07:36 | |
What's that mean, incomplete? | 0:07:36 | 0:07:38 | |
You can answer her, you can answer me. What do you mean, incomplete? | 0:07:38 | 0:07:41 | |
Monsieur, be careful! | 0:07:45 | 0:07:48 | |
It's just a nightmare, Reinette, don't worry about it. Everyone has nightmares. | 0:07:48 | 0:07:51 | |
Even monsters from under the bed have nightmares. Don't you, monster? | 0:07:51 | 0:07:55 | |
-What do monsters have nightmares about? -Me! Ha! | 0:07:55 | 0:07:59 | |
Doctor! | 0:08:02 | 0:08:04 | |
Excellent! Ice gun! | 0:08:14 | 0:08:17 | |
-Fire extinguisher. -Where'd that thing come from? -Here. | 0:08:17 | 0:08:20 | |
So why's it dressed like that? | 0:08:20 | 0:08:21 | |
Field trip to France. Some kind of basic camouflage protocol. | 0:08:21 | 0:08:24 | |
Nice needle-work. Shame about the face! | 0:08:24 | 0:08:28 | |
Oh, you are beautiful! | 0:08:28 | 0:08:31 | |
No, really, you are! You're gorgeous! | 0:08:32 | 0:08:35 | |
Look at that! Space age clockwork! | 0:08:35 | 0:08:37 | |
I Love it! I've got chills! | 0:08:37 | 0:08:39 | |
Listen, seriously, I mean this from the heart, | 0:08:39 | 0:08:42 | |
and by the way, count those, it would be a crime, it would be an act of vandalism, to disassemble you. | 0:08:42 | 0:08:49 | |
But that won't stop me! | 0:08:49 | 0:08:52 | |
-Short-range teleport. Can't have gone far. Could still be on board. -What is it? -Don't go looking for it. | 0:08:57 | 0:09:01 | |
-Where you going? -Back in a sec. | 0:09:01 | 0:09:04 | |
He said not to look for it. | 0:09:09 | 0:09:11 | |
Yeah, he did. | 0:09:11 | 0:09:13 | |
Now you're getting it! | 0:09:17 | 0:09:20 | |
Reinette? | 0:09:24 | 0:09:27 | |
Just checking you're OK. | 0:09:27 | 0:09:28 | |
Hmm-hmm. | 0:09:35 | 0:09:39 | |
Oh! Hello! | 0:09:39 | 0:09:42 | |
I was just looking for Reinette. | 0:09:42 | 0:09:45 | |
This is still her room, isn't it? | 0:09:45 | 0:09:48 | |
I've been away, not sure how long. | 0:09:48 | 0:09:51 | |
Reinette? We are ready to go! | 0:09:51 | 0:09:54 | |
Go to the carriage, mother, I will join you there. | 0:09:54 | 0:09:57 | |
It is customary, I think, to have an imaginary friend only during one's childhood. | 0:10:00 | 0:10:05 | |
You are to be congratulated on your persistence. | 0:10:05 | 0:10:08 | |
Reinette. Well! | 0:10:08 | 0:10:12 | |
Goodness! How you've grown. | 0:10:12 | 0:10:14 | |
And you do not appear to have aged a single day. | 0:10:14 | 0:10:18 | |
That is tremendously impolite of you. | 0:10:18 | 0:10:20 | |
Right, yeah, sorry. | 0:10:20 | 0:10:23 | |
Um, um, um... | 0:10:23 | 0:10:25 | |
Listen, lovely to catch up, but better be off, eh? | 0:10:25 | 0:10:28 | |
Don't want your mother finding you up here with a strange man, do we? | 0:10:28 | 0:10:31 | |
Strange? How could you be a stranger to me? | 0:10:31 | 0:10:34 | |
I've known you since I was seven years old. | 0:10:34 | 0:10:36 | |
Yeah, I suppose you have. | 0:10:36 | 0:10:39 | |
I came the quick route. | 0:10:39 | 0:10:40 | |
Well, you seem to be flesh and blood at any rate. But this is absurd. Reason tells me you cannot be real. | 0:10:45 | 0:10:50 | |
Oh, you never want to listen to reason. | 0:10:50 | 0:10:54 | |
Mademoiselle? | 0:10:54 | 0:10:56 | |
Your mother grows impatient. | 0:10:56 | 0:10:58 | |
A moment! | 0:10:58 | 0:11:00 | |
So many questions. | 0:11:00 | 0:11:02 | |
So little time. | 0:11:02 | 0:11:04 | |
Mademoiselle! Poisson! | 0:11:14 | 0:11:15 | |
Poisson! | 0:11:27 | 0:11:28 | |
Reinette Poisson! No! | 0:11:30 | 0:11:32 | |
No, no, no! | 0:11:32 | 0:11:34 | |
No way! Reinette Poisson! Later Madame d'Etoiles?! | 0:11:34 | 0:11:37 | |
Later still mistress of Louis XV! Uncrowned Queen of France! | 0:11:37 | 0:11:40 | |
Actress, artist, musician, dancer, courtesan, fantastic gardener. | 0:11:40 | 0:11:45 | |
Who the hell are you? | 0:11:47 | 0:11:49 | |
I'm The Doctor! And I just snogged Madame de Pompadour! | 0:11:49 | 0:11:53 | |
Rose? | 0:11:58 | 0:12:00 | |
Mickey? Every time! Every time! | 0:12:00 | 0:12:03 | |
It's rule one...don't wander off! | 0:12:03 | 0:12:05 | |
I tell them, I do! Rule one! There could be anything on this ship! | 0:12:05 | 0:12:08 | |
IT WHINNEYS | 0:12:11 | 0:12:13 | |
Are you looking at me? | 0:12:27 | 0:12:29 | |
Ah! Look at this! | 0:12:32 | 0:12:34 | |
That's an eye in there. | 0:12:37 | 0:12:39 | |
That's a real eye. | 0:12:39 | 0:12:42 | |
RHYTHMIC PUMPING | 0:12:45 | 0:12:47 | |
What is that? | 0:12:57 | 0:12:59 | |
What's that in the middle there? It's like it's wired in. | 0:12:59 | 0:13:02 | |
It's a heart. | 0:13:02 | 0:13:04 | |
Mickey, it's a human heart. | 0:13:04 | 0:13:08 | |
Rose? | 0:13:10 | 0:13:12 | |
Will you stop following me? | 0:13:18 | 0:13:20 | |
I'm not your mother! | 0:13:20 | 0:13:21 | |
So this is where you came from, eh, horsey? | 0:13:26 | 0:13:28 | |
Oh, Katherine, you are too wicked. | 0:13:34 | 0:13:37 | |
Speaking of wicked, I hear Madame de Chateauroux is ill and close to death. | 0:13:39 | 0:13:43 | |
Yes, I am devastated. | 0:13:43 | 0:13:46 | |
Oh, indeed. I, myself, am frequently inconsolable. | 0:13:46 | 0:13:51 | |
The King will, therefore, be requiring a new mistress. You love the King, of course. | 0:13:51 | 0:13:56 | |
He is the King and I love him with all my heart. | 0:13:56 | 0:13:59 | |
And I look forward to meeting him. | 0:13:59 | 0:14:01 | |
Is something wrong, my dear? | 0:14:04 | 0:14:08 | |
Not wrong, no. | 0:14:08 | 0:14:10 | |
Every woman in Paris knows your ambitions. | 0:14:12 | 0:14:14 | |
Every woman in Paris shares them. | 0:14:14 | 0:14:16 | |
You know, of course, that the King is to attend the Yew Tree ball... | 0:14:16 | 0:14:18 | |
Maybe it wasn't a real heart. | 0:14:25 | 0:14:27 | |
Of course it was a real heart. | 0:14:27 | 0:14:28 | |
Is this, like, normal for you? | 0:14:30 | 0:14:31 | |
-Is this an average day? -Life with The Doctor, Mickey. | 0:14:31 | 0:14:34 | |
No more average days. | 0:14:34 | 0:14:36 | |
It's France again. We can see France. | 0:14:36 | 0:14:40 | |
I think we're looking through a mirror. | 0:14:40 | 0:14:42 | |
Blimey, look at this guy! Who does he think he is? | 0:14:44 | 0:14:47 | |
The King of France. | 0:14:47 | 0:14:48 | |
-Oh, here's trouble! What you been up to? -Oh, this and that. | 0:14:48 | 0:14:51 | |
Became the imaginary friend of a future French aristocrat, picked a fight with a clockwork man. | 0:14:51 | 0:14:56 | |
Oh, and I met a horse. | 0:14:56 | 0:14:59 | |
What's a horse doing on a space ship? | 0:14:59 | 0:15:01 | |
Mickey, what's pre-revolutionary France doing on a space ship? Get a little perspective! | 0:15:01 | 0:15:04 | |
See these? They're all over the place, on every deck. | 0:15:04 | 0:15:08 | |
Gateways to history. | 0:15:08 | 0:15:11 | |
But not just any old history. | 0:15:11 | 0:15:12 | |
Hers. Time windows. | 0:15:12 | 0:15:16 | |
Deliberately arranged along the life of one particular woman. | 0:15:16 | 0:15:19 | |
A space ship from the 51st Century stalking a woman from the 18th! | 0:15:19 | 0:15:24 | |
-Why? -Who is she? | 0:15:24 | 0:15:26 | |
Jean-Antoinette Poisson! | 0:15:26 | 0:15:28 | |
Known to her friends as Reinette. One of the most accomplished women who ever lived. | 0:15:28 | 0:15:31 | |
So she got plans on being Queen then? | 0:15:31 | 0:15:33 | |
No, he's already got a queen. She's got plans on being his mistress. | 0:15:33 | 0:15:36 | |
Oh, I get it. Camilla! | 0:15:36 | 0:15:41 | |
I think this is the night they met. | 0:15:41 | 0:15:43 | |
The night of the Yew Tree Ball. | 0:15:43 | 0:15:47 | |
In no time flat she'll get herself established as his official mistress, with her own rooms at the palace. | 0:15:47 | 0:15:50 | |
Even her own title - Madame de Pompadour. | 0:15:50 | 0:15:54 | |
Queen must have loved her. | 0:15:58 | 0:16:00 | |
Oh, she did. They got on very well. | 0:16:00 | 0:16:03 | |
-The King's wife and the King's girlfriend? -France. | 0:16:03 | 0:16:05 | |
It's a different planet. | 0:16:05 | 0:16:07 | |
How long have you been standing there? Show yourself! | 0:16:12 | 0:16:16 | |
-Hello, Reinette, hasn't time flown! -Fireplace man! | 0:16:19 | 0:16:23 | |
-What's it doing? -Switching back on. | 0:16:30 | 0:16:33 | |
-Melting the ice. -And then what? | 0:16:33 | 0:16:35 | |
Then it kills everyone in the room. | 0:16:35 | 0:16:37 | |
Focuses the mind, doesn't it? | 0:16:37 | 0:16:38 | |
Who are you? Identify yourself! | 0:16:38 | 0:16:41 | |
Order it to answer me. | 0:16:41 | 0:16:43 | |
Why should it listen to me? | 0:16:43 | 0:16:45 | |
I don't know, but it did when you were a child. | 0:16:45 | 0:16:48 | |
Let's see if you've still got it. | 0:16:48 | 0:16:50 | |
Answer his question. | 0:16:50 | 0:16:52 | |
Answer any and all questions put to you. | 0:16:52 | 0:16:56 | |
I am Repair Droid Seven. | 0:17:00 | 0:17:01 | |
So what happened to the ship then? | 0:17:01 | 0:17:03 | |
There was a lot of damage. | 0:17:03 | 0:17:06 | |
Ion storm. 82% systems failure. | 0:17:06 | 0:17:08 | |
That ship hasn't moved in over a year. What's taken you so long? | 0:17:08 | 0:17:11 | |
We did not have the parts. | 0:17:11 | 0:17:13 | |
Always comes down to that, doesn't it? The parts. | 0:17:15 | 0:17:18 | |
-What happened to the crew? Where are they? -We did not have the parts. | 0:17:18 | 0:17:21 | |
-There should've been over 50 people on your ship. Where did they go? -We did not have the parts. | 0:17:21 | 0:17:26 | |
50 people don't just disappear... | 0:17:26 | 0:17:28 | |
Oh... | 0:17:29 | 0:17:31 | |
you didn't have the parts. So you used the crew. | 0:17:31 | 0:17:36 | |
The crew?! | 0:17:36 | 0:17:39 | |
We found a camera with an eye in it. | 0:17:39 | 0:17:42 | |
And there was a heart wired into machinery. | 0:17:42 | 0:17:48 | |
It's just doing what it's programmed to...repairing the ship any way it can, with whatever it can find. | 0:17:48 | 0:17:54 | |
No-one told it the crew weren't on the menu. | 0:17:54 | 0:17:57 | |
What did you say the flight deck smelled of? | 0:17:57 | 0:18:00 | |
-..Someone cooking... -Flesh plus heat. | 0:18:01 | 0:18:05 | |
Barbecue. | 0:18:05 | 0:18:07 | |
But what are you doing here? | 0:18:08 | 0:18:10 | |
You've opened up time windows, that takes colossal energy. | 0:18:10 | 0:18:13 | |
Why come here, you could've gone to your repair yard. | 0:18:13 | 0:18:16 | |
Instead you come to 18th century France. Why? | 0:18:16 | 0:18:18 | |
One more part is required. | 0:18:18 | 0:18:21 | |
Then why haven't you taken it? | 0:18:25 | 0:18:27 | |
She is incomplete. | 0:18:27 | 0:18:29 | |
What? So that's the plan then? | 0:18:30 | 0:18:32 | |
You just keep opening up more and more time windows, scanning her brain, checking if she's done yet? | 0:18:32 | 0:18:38 | |
Why her? | 0:18:38 | 0:18:40 | |
If you've got all of history to choose from, why specifically her? | 0:18:40 | 0:18:46 | |
< We are the same. | 0:18:46 | 0:18:48 | |
We are not the same! We are in no sense the same! | 0:18:48 | 0:18:51 | |
-- We are the same. - Get out of here! Get out of here this instant! -Reinette, no! | 0:18:51 | 0:18:56 | |
It's back on the ship! Rose, take Mickey and Arthur, | 0:18:56 | 0:18:58 | |
-don't approach it, just watch what it does. -Arthur? -Good name for a horse. -You're not keeping the horse! | 0:18:58 | 0:19:03 | |
I let you keep Mickey. Now go, go, go! | 0:19:03 | 0:19:06 | |
You must trust me. I need to find out what they're looking for. There's only one way to do that. | 0:19:09 | 0:19:14 | |
Won't hurt a bit. | 0:19:14 | 0:19:16 | |
Fireplace man! | 0:19:17 | 0:19:20 | |
You are inside my mind. | 0:19:20 | 0:19:22 | |
Oh, dear, Reinette. | 0:19:22 | 0:19:24 | |
You've had some cowboys in here! | 0:19:24 | 0:19:27 | |
So! That Doctor, eh? | 0:19:27 | 0:19:29 | |
What are you talking about? | 0:19:29 | 0:19:31 | |
Well, Madame de Pompadour, Sarah Jane Smith... Cleopatra... | 0:19:31 | 0:19:35 | |
-Oh, Cleopatra! He mentioned her once! -Yeah, but he called her Cleo. -Mickey! | 0:19:35 | 0:19:39 | |
You are in my memories. You walk among them. | 0:19:47 | 0:19:51 | |
If there's anything you don't want me to see, just imagine a door and close it. I won't look. | 0:19:51 | 0:19:55 | |
Actually there's a door just there, you might want to close. | 0:19:58 | 0:20:02 | |
Actually, several. | 0:20:02 | 0:20:04 | |
To walk among the memories of another living soul. Do you ever get used to this? | 0:20:04 | 0:20:09 | |
I don't make a habit of it. | 0:20:09 | 0:20:11 | |
-How can you resist? -What age are you? | 0:20:11 | 0:20:14 | |
So impertinent a question, so early in the conversation. | 0:20:14 | 0:20:18 | |
-How promising. -Not my question. | 0:20:18 | 0:20:20 | |
Theirs. You're 23. | 0:20:20 | 0:20:22 | |
And for some reason that means you're not old enough. | 0:20:22 | 0:20:24 | |
Sorry. You might find old memories reawakening. Side effect. | 0:20:24 | 0:20:29 | |
Oh, such a lonely childhood! | 0:20:29 | 0:20:31 | |
It'll pass. Stay with me. | 0:20:31 | 0:20:33 | |
Oh, Doctor! So lonely. | 0:20:34 | 0:20:37 | |
So very, very alone. | 0:20:37 | 0:20:38 | |
What do you mean, alone? You've never been alone in your life. | 0:20:38 | 0:20:42 | |
When did you start calling me Doctor? | 0:20:42 | 0:20:44 | |
Such a lonely little boy! | 0:20:44 | 0:20:46 | |
Lonely then and lonelier now. | 0:20:46 | 0:20:49 | |
-How can you bear it? -How did you do that? | 0:20:50 | 0:20:54 | |
A door, once opened, may be stepped through in either direction. | 0:20:54 | 0:20:57 | |
Oh, Doctor! | 0:21:00 | 0:21:01 | |
My lonely Doctor... | 0:21:01 | 0:21:03 | |
-dance with me. -I can't. | 0:21:07 | 0:21:09 | |
Dance with me! | 0:21:09 | 0:21:11 | |
This is the night you dance with the King. | 0:21:11 | 0:21:13 | |
Then first I shall make him jealous. | 0:21:13 | 0:21:15 | |
-I can't. -Doctor. | 0:21:15 | 0:21:19 | |
Doctor who? | 0:21:19 | 0:21:21 | |
It's more than just a secret, isn't it? | 0:21:23 | 0:21:27 | |
What did you see? | 0:21:27 | 0:21:30 | |
That there comes a time, Time Lord, | 0:21:30 | 0:21:32 | |
when every lonely little boy must learn how to dance. | 0:21:32 | 0:21:36 | |
What is this? What's going on? Doctor? | 0:21:48 | 0:21:51 | |
Rose! | 0:21:51 | 0:21:54 | |
They're going to chop us up. Just like the crew! | 0:21:54 | 0:21:57 | |
They're going to chop us and stick us all over their stupid space ship! | 0:21:57 | 0:21:59 | |
And where's The Doctor? Where's the precious Doctor now? | 0:21:59 | 0:22:03 | |
-Been gone for flippin' hours, that's where he is! -You are compatible. | 0:22:03 | 0:22:08 | |
Well, you might want to think about that. You really, really might, because me and Mickey, | 0:22:10 | 0:22:17 | |
we didn't come here alone. Oh, no, and trust me, you wouldn't want | 0:22:17 | 0:22:20 | |
to mess with our designated driver. | 0:22:20 | 0:22:22 | |
Ever heard of the Daleks? Remember them? | 0:22:28 | 0:22:31 | |
They had a name for our friend. | 0:22:31 | 0:22:33 | |
They had myths about him and a name. | 0:22:33 | 0:22:36 | |
They called him the... | 0:22:36 | 0:22:38 | |
# I could have danced all night I could have danced all night...! # | 0:22:38 | 0:22:42 | |
They called him the... | 0:22:42 | 0:22:44 | |
# And still have begged for more! | 0:22:44 | 0:22:48 | |
# I could have spread my wings | 0:22:48 | 0:22:50 | |
# And done a thousand... Have you met the French? | 0:22:50 | 0:22:53 | |
# My God, they know how to party! # | 0:22:53 | 0:22:56 | |
Well, look at what the cat dragged in. The oncoming storm! | 0:22:56 | 0:22:59 | |
-Ooh, you sound just like your mother! -What have you been doing? Where have you been? | 0:22:59 | 0:23:03 | |
Well, among other things, I think I just invented the Banana Daiquiri a couple of centuries early. | 0:23:03 | 0:23:09 | |
D'you know, they'd never even seen a banana before? | 0:23:09 | 0:23:12 | |
Always take a banana to a party, Rose. Bananas are good! | 0:23:12 | 0:23:16 | |
Oh, brilliant! | 0:23:16 | 0:23:19 | |
It's you! | 0:23:19 | 0:23:21 | |
You're my favourite, you are! | 0:23:21 | 0:23:23 | |
You are the best! You know why? | 0:23:23 | 0:23:25 | |
Cos you're so thick! | 0:23:25 | 0:23:28 | |
You're Mr Thick, Thick, Thicketty, Thick-face from Thick-town, Thickania. | 0:23:28 | 0:23:34 | |
And so's your Dad! | 0:23:34 | 0:23:36 | |
Do you know what they were scanning Reinette's brain for? | 0:23:36 | 0:23:38 | |
Her mileometer. | 0:23:38 | 0:23:42 | |
They wanted to know how old she is. | 0:23:42 | 0:23:44 | |
Know why? Cos this ship is 37 years old. | 0:23:44 | 0:23:48 | |
And they think when Reinette is 37, when she's "complete", then her brain will be compatible. | 0:23:48 | 0:23:55 | |
Cos that's what you're missing, isn't it, mmm? The command circuit from your computer. | 0:23:55 | 0:24:00 | |
Your ship needs a brain. | 0:24:00 | 0:24:02 | |
And for some reason, God knows what, only the brain of Madame de Pompadour will do. | 0:24:02 | 0:24:08 | |
The brain is compatible. | 0:24:08 | 0:24:10 | |
Compatible? | 0:24:10 | 0:24:12 | |
If you believe that then you probably believe this is a glass of wine. | 0:24:12 | 0:24:16 | |
Multi-grade anti-oil. | 0:24:25 | 0:24:27 | |
"If it moves, it doesn't." | 0:24:27 | 0:24:29 | |
Right, you two, that's enough lying about. | 0:24:33 | 0:24:35 | |
Time we got the rest of the ship turned off. | 0:24:35 | 0:24:38 | |
-Those things safe? -Yep, safe. | 0:24:38 | 0:24:40 | |
Safe and thick. Way I like 'em. | 0:24:40 | 0:24:42 | |
OK, all the time windows are controlled from here. | 0:24:42 | 0:24:44 | |
Need to close them all down. Zeus plugs, where are my Zeus plugs? | 0:24:44 | 0:24:47 | |
Had them a minute ago, I was using them as castanets. | 0:24:47 | 0:24:50 | |
Why didn't they just open a time window to when she was 37? | 0:24:50 | 0:24:52 | |
Amount of damage in these circuits, they did well to hit the right century. Trial and error after that. | 0:24:52 | 0:24:56 | |
The windows aren't closing. | 0:24:56 | 0:24:58 | |
Why won't they close? | 0:24:58 | 0:25:01 | |
-What's that? -I dunno. | 0:25:01 | 0:25:03 | |
-Incoming message? -From who? | 0:25:03 | 0:25:05 | |
Report from the field. One of them must still be out there with Reinette. | 0:25:05 | 0:25:09 | |
That's why I can't close the windows, there's an override. | 0:25:09 | 0:25:13 | |
Oh. That was a bit clever. | 0:25:17 | 0:25:19 | |
Right, many things about this are not good. | 0:25:22 | 0:25:27 | |
Message from one of your little friends? Anything interesting? | 0:25:27 | 0:25:31 | |
She is complete. It begins. | 0:25:31 | 0:25:33 | |
What's happening? | 0:25:37 | 0:25:39 | |
One of them must have found the right time window. Now it's time to send in the troops. | 0:25:39 | 0:25:42 | |
And this time they're bringing back her head. | 0:25:42 | 0:25:44 | |
Madame de Pompadour... Please, don't scream or anything. | 0:25:57 | 0:25:59 | |
We haven't got a lot of time! I have come to warn you that they will be here in five years. | 0:25:59 | 0:26:04 | |
-Five years? -Some time after your 37th birthday. | 0:26:04 | 0:26:09 | |
I can't give you an exact date, it's a bit random. But they're coming. | 0:26:09 | 0:26:14 | |
It's gonna happen. | 0:26:14 | 0:26:16 | |
In a way...for us...it's already happening. | 0:26:16 | 0:26:20 | |
I'm sorry, it's hard to explain - The Doctor does this better. | 0:26:20 | 0:26:24 | |
-Then be exact and I will be attentive. -There isn't time. | 0:26:24 | 0:26:28 | |
There are five years. | 0:26:28 | 0:26:29 | |
For you. I haven't got five minutes. | 0:26:29 | 0:26:32 | |
Then also be concise. | 0:26:32 | 0:26:34 | |
Um...there's a...vessel. | 0:26:36 | 0:26:42 | |
A ship. A sort of sky ship. | 0:26:42 | 0:26:45 | |
And it's full of...well, you. | 0:26:45 | 0:26:49 | |
Different bits of your life, in different rooms all jumbled up. I told you it was complicated. Sorry. | 0:26:49 | 0:26:55 | |
There is a vessel in your world, | 0:26:55 | 0:26:59 | |
where the days of my life are pressed together, like the chapters of a book, so that he may step from one | 0:26:59 | 0:27:04 | |
to the other without increase of age, | 0:27:04 | 0:27:07 | |
while I, weary traveller, must always take the slower path. | 0:27:07 | 0:27:12 | |
He was right about you! | 0:27:12 | 0:27:15 | |
So! In five years these creatures will return. | 0:27:15 | 0:27:17 | |
-What can be done? -The Doctor says, keep them talking. | 0:27:17 | 0:27:20 | |
They're kind of programmed to respond to you. | 0:27:20 | 0:27:22 | |
-Now, you won't be able to stop them, but you might be able to delay them a bit. -Until? | 0:27:22 | 0:27:27 | |
Until The Doctor can get there. | 0:27:27 | 0:27:29 | |
-He's coming then? -He promises. | 0:27:29 | 0:27:32 | |
But he cannot make his promises in person? | 0:27:32 | 0:27:35 | |
He'll be there when you need him. That's the way | 0:27:35 | 0:27:40 | |
-it's got to be. -It's the way it has always been. | 0:27:40 | 0:27:42 | |
The monsters and The Doctor. | 0:27:42 | 0:27:45 | |
It seems you cannot have one without the other. | 0:27:45 | 0:27:48 | |
Tell me about it. | 0:27:48 | 0:27:50 | |
The thing is, you weren't supposed to have either. | 0:27:50 | 0:27:55 | |
Those creatures are messing with history. | 0:27:55 | 0:27:58 | |
-None of this was ever supposed to happen to you. -Supposed to happen? | 0:27:58 | 0:28:02 | |
What does that mean? | 0:28:02 | 0:28:03 | |
It happened, child, and I would not have had it any other way. | 0:28:03 | 0:28:08 | |
One may tolerate a world of demons for the sake of an angel. | 0:28:08 | 0:28:12 | |
Rose? Rose? | 0:28:15 | 0:28:18 | |
Rose? | 0:28:18 | 0:28:20 | |
The Time Window where she's 37. | 0:28:20 | 0:28:22 | |
We've found it, right under our noses! | 0:28:22 | 0:28:24 | |
No, you can't go in there! | 0:28:27 | 0:28:29 | |
The Doctor will go mad! | 0:28:29 | 0:28:31 | |
So this is his world. | 0:28:38 | 0:28:40 | |
-SCREAMING What was that? -The Time Window. | 0:28:40 | 0:28:45 | |
-The Doctor fixed an audio link. -Those screams. | 0:28:45 | 0:28:48 | |
Is that my future? | 0:28:48 | 0:28:50 | |
Yes. I'm sorry. | 0:28:50 | 0:28:51 | |
Then I must take the slower path. | 0:28:51 | 0:28:54 | |
REINETTE'S VOICE: 'Are you there? Can you hear me? | 0:28:54 | 0:28:57 | |
'I need you now, you promised! The clock on the mantel is broken! It is time!' | 0:28:57 | 0:29:01 | |
-That's my voice. -Rose, come on, we've got to go. | 0:29:01 | 0:29:04 | |
-There's a problem! -Give me a moment! | 0:29:04 | 0:29:07 | |
-Are you OK? -No. I am very afraid. | 0:29:14 | 0:29:17 | |
But you and I both know, don't we, Rose? | 0:29:17 | 0:29:20 | |
The Doctor is worth the monsters. | 0:29:20 | 0:29:23 | |
'Doctor! Doctor!' | 0:29:30 | 0:29:33 | |
PEOPLE SCREAM | 0:29:33 | 0:29:36 | |
Doctor! | 0:29:49 | 0:29:50 | |
We must go! No-one is coming to help us. | 0:29:50 | 0:29:54 | |
You are complete. You will come. | 0:30:01 | 0:30:05 | |
-You found it, then! -They knew I was coming, they've blocked it off. | 0:30:13 | 0:30:17 | |
-Where are we going? -The teleport has limited range. | 0:30:17 | 0:30:20 | |
We must have proximity to the time portal. | 0:30:20 | 0:30:23 | |
Your words mean nothing. | 0:30:23 | 0:30:25 | |
You are nothing. | 0:30:25 | 0:30:26 | |
-I don't get it. How come they got in there? -They teleported, you saw them. As long as the ship | 0:30:28 | 0:30:31 | |
and the ballroom are linked, their short-range teleports will do the trick. | 0:30:31 | 0:30:34 | |
-We'll go in the Tardis! -I can't use the Tardis, we're part of events now! -Can't we just smash through? | 0:30:34 | 0:30:38 | |
Hyperplex this side, plate glass the other. We'd need a truck. | 0:30:38 | 0:30:40 | |
-We don't have a truck! -I know we don't have a truck! -Well, we've got to try something! | 0:30:40 | 0:30:44 | |
No, smash the glass, smash the Time Window, there'd be no way back. | 0:30:44 | 0:30:47 | |
Could everyone just calm down! Please! | 0:30:47 | 0:30:52 | |
Such a commotion, such distressing noise. | 0:30:52 | 0:30:57 | |
Kindly remember that this is Versailles. | 0:30:57 | 0:31:00 | |
This is the Royal Court. And we are French. | 0:31:00 | 0:31:03 | |
I have made a decision. | 0:31:09 | 0:31:11 | |
And my decision is "no". | 0:31:11 | 0:31:14 | |
I shall not be going with you today. | 0:31:14 | 0:31:16 | |
I have seen your world, I have no desire to set foot there again. | 0:31:16 | 0:31:21 | |
We do not require your feet. | 0:31:21 | 0:31:24 | |
ALL SCREAM | 0:31:26 | 0:31:28 | |
You think I fear you, | 0:31:33 | 0:31:36 | |
but I do not fear you even now. | 0:31:36 | 0:31:39 | |
You are merely the nightmare of my childhood. | 0:31:39 | 0:31:43 | |
The monster from under my bed. | 0:31:43 | 0:31:45 | |
And if my nightmare can return to plague me, then rest assured, so will yours! | 0:31:45 | 0:31:50 | |
HORSE NEIGHS | 0:31:50 | 0:31:53 | |
HORSE GALLOPS IN DISTANCE | 0:31:54 | 0:31:57 | |
Madame de Pompadour. | 0:32:23 | 0:32:25 | |
You look younger ever day. | 0:32:25 | 0:32:26 | |
What the hell is going on? | 0:32:26 | 0:32:29 | |
Oh! | 0:32:29 | 0:32:30 | |
This is my lover, the King of France. | 0:32:30 | 0:32:34 | |
Yeah, well I'm the Lord of Time. | 0:32:34 | 0:32:36 | |
And I'm here to fix the clock! | 0:32:39 | 0:32:40 | |
Forget it. It's over. | 0:32:43 | 0:32:46 | |
For you and for me. | 0:32:46 | 0:32:48 | |
Talk about seven years' bad luck. | 0:32:48 | 0:32:51 | |
Try three thousand! | 0:32:53 | 0:32:55 | |
What happened? | 0:33:01 | 0:33:03 | |
Where did the Time Window go? | 0:33:03 | 0:33:05 | |
How's he gonna get back? | 0:33:05 | 0:33:07 | |
The link with the ship is broken. | 0:33:22 | 0:33:25 | |
No way back. | 0:33:25 | 0:33:27 | |
You don't have the parts. | 0:33:27 | 0:33:31 | |
How many ticks left in that clockwork heart? | 0:33:31 | 0:33:35 | |
A day? An hour? It's over. | 0:33:35 | 0:33:39 | |
Accept that. | 0:33:39 | 0:33:42 | |
I'm not winding you up. | 0:33:42 | 0:33:45 | |
You all right? | 0:33:45 | 0:33:46 | |
What's happened to them? | 0:34:03 | 0:34:04 | |
They've stopped. | 0:34:06 | 0:34:09 | |
They have no purpose now. | 0:34:09 | 0:34:11 | |
We can't fly the Tardis without him. | 0:34:21 | 0:34:25 | |
How is he going to get back? | 0:34:25 | 0:34:26 | |
You know all their names, don't you? | 0:34:42 | 0:34:46 | |
I saw that in your mind. | 0:34:46 | 0:34:48 | |
The name of every star. | 0:34:48 | 0:34:50 | |
What's in a name? Names are just titles. Titles don't tell you anything. | 0:34:50 | 0:34:54 | |
Like "The Doctor"? | 0:34:54 | 0:34:56 | |
Like "Madame de Pompadour". | 0:34:56 | 0:34:58 | |
I have often wished to see those stars a little closer. | 0:35:01 | 0:35:04 | |
Just as you have, I think. | 0:35:04 | 0:35:07 | |
From time to time. | 0:35:07 | 0:35:08 | |
In saving me, you trapped yourself. | 0:35:08 | 0:35:12 | |
Did you know that would happen? | 0:35:12 | 0:35:14 | |
-Pretty much. -Yet still you came. | 0:35:14 | 0:35:17 | |
Yeah, I did, didn't I? | 0:35:17 | 0:35:20 | |
Catch me doing that again! | 0:35:20 | 0:35:23 | |
There were many doors between my world and yours. | 0:35:23 | 0:35:26 | |
Can you not use one of the others? | 0:35:26 | 0:35:28 | |
When the mirror broke, the shock would've severed all the links with the ship. | 0:35:28 | 0:35:32 | |
There'll be a few more broken mirrors and torn tapestries around here, I'm afraid. | 0:35:32 | 0:35:37 | |
Wherever there was a time window. | 0:35:37 | 0:35:39 | |
I'll, I'll pay for any damage. | 0:35:39 | 0:35:42 | |
That's a thought, I'm going to need money. Always been a bit vague about money. | 0:35:44 | 0:35:48 | |
..Where do you get money? | 0:35:48 | 0:35:51 | |
So here you are. | 0:35:51 | 0:35:53 | |
My lonely angel. | 0:35:53 | 0:35:56 | |
Stuck on the slow path with me. | 0:35:56 | 0:35:58 | |
Yep! The slow path! | 0:35:58 | 0:36:02 | |
Here's to the slow path. | 0:36:02 | 0:36:03 | |
It's a pity. I think I would have enjoyed the slow path. | 0:36:09 | 0:36:14 | |
Well, I'm not going anywhere. | 0:36:14 | 0:36:17 | |
Oh, aren't you? | 0:36:17 | 0:36:18 | |
Take my hand. | 0:36:20 | 0:36:21 | |
It is not a copy, it is the original. | 0:36:42 | 0:36:46 | |
I had it moved here and was exact in every detail. | 0:36:46 | 0:36:49 | |
The fireplace. | 0:36:51 | 0:36:52 | |
The fireplace from your bedroom! ..When did you do this? | 0:36:55 | 0:37:02 | |
Many years ago. | 0:37:02 | 0:37:04 | |
In the hope that a door once opened may some day open again. | 0:37:04 | 0:37:08 | |
One never quite knows when one needs one's doctor. | 0:37:10 | 0:37:13 | |
It appears undamaged. Do you think it will still work? | 0:37:15 | 0:37:18 | |
You broke the bond with the ship when you moved it. | 0:37:18 | 0:37:21 | |
Which means it was off-line when the mirror broke, that's what saved it. | 0:37:21 | 0:37:24 | |
But the link is basically physical, | 0:37:28 | 0:37:31 | |
and it's still physically here, | 0:37:31 | 0:37:34 | |
which might just mean, if I'm lucky, | 0:37:34 | 0:37:37 | |
if I'm very, very, very, very lucky... | 0:37:37 | 0:37:41 | |
-A-ha! -What? -Loose connection! | 0:37:42 | 0:37:45 | |
Need to get a man in! Wish me luck! | 0:37:45 | 0:37:48 | |
No. | 0:37:51 | 0:37:52 | |
Madame de Pompadour? ..Still want to see those stars? | 0:37:57 | 0:38:02 | |
-More than anything. -Gimme two minutes. Pack a bag! | 0:38:02 | 0:38:05 | |
Am I going somewhere? | 0:38:05 | 0:38:06 | |
Go to the window. Pick a star. Any star. | 0:38:06 | 0:38:09 | |
-How long did you wait? -5½ hours. -Great! | 0:38:22 | 0:38:24 | |
Always wait 5½ hours. | 0:38:24 | 0:38:26 | |
-Where've you been? -Explain later, into the Tardis. With you in a sec! | 0:38:26 | 0:38:29 | |
Reinette, are you there? Reinette? | 0:38:32 | 0:38:35 | |
Reinette? | 0:38:47 | 0:38:49 | |
Oh, hello! | 0:38:49 | 0:38:52 | |
You just missed her. | 0:38:52 | 0:38:55 | |
She'll be in Paris by six. | 0:38:55 | 0:38:57 | |
Oh. | 0:38:57 | 0:38:58 | |
Good Lord! | 0:39:01 | 0:39:04 | |
She was right. | 0:39:04 | 0:39:05 | |
She said you never looked a day older. | 0:39:07 | 0:39:09 | |
So many years since I saw you last, but not a day of it on your face. | 0:39:09 | 0:39:13 | |
She spoke of you many times. | 0:39:25 | 0:39:28 | |
Often wished you would visit again. | 0:39:28 | 0:39:31 | |
You know how women are. | 0:39:31 | 0:39:34 | |
HORSE NEIGHS | 0:39:35 | 0:39:38 | |
And there she goes. | 0:39:45 | 0:39:48 | |
Leaving Versailles for the last time. | 0:39:48 | 0:39:51 | |
Only 43 when she died. | 0:39:52 | 0:39:54 | |
Too young. | 0:39:56 | 0:39:59 | |
Too young. | 0:39:59 | 0:40:00 | |
Illness took her in the end. | 0:40:02 | 0:40:05 | |
She always did work too hard. | 0:40:05 | 0:40:07 | |
What does she say? | 0:40:13 | 0:40:15 | |
Of course. | 0:40:25 | 0:40:28 | |
Quite right. | 0:40:28 | 0:40:30 | |
Why her? | 0:40:48 | 0:40:50 | |
Why did they think they could repair the ship with the head of Madame de Pompadour? | 0:40:52 | 0:40:55 | |
We'll probably never know. | 0:40:55 | 0:40:57 | |
There's massive damage in the computer memory decks, it probably got confused. | 0:40:57 | 0:41:02 | |
The Tardis can close down the Time Windows, now the droids have gone - | 0:41:02 | 0:41:07 | |
should stop it causing any more trouble. | 0:41:07 | 0:41:09 | |
You all right? | 0:41:12 | 0:41:14 | |
I'm always all right. | 0:41:15 | 0:41:17 | |
Come on, Rose, time you showed me round the rest of this place. | 0:41:23 | 0:41:26 | |
"My dear Doctor. | 0:41:46 | 0:41:48 | |
"The path has never seemed more slow and yet I fear I am nearing its end. | 0:41:49 | 0:41:54 | |
"Reason tells me that you and I are unlikely to meet again, but I think I shall not listen to reason. | 0:41:54 | 0:42:01 | |
"I have seen the world inside your head, and know that all things are possible. | 0:42:01 | 0:42:06 | |
"Hurry though, my love. | 0:42:06 | 0:42:09 | |
"My days grow shorter now, and I am so very weak. | 0:42:09 | 0:42:13 | |
"Godspeed, my lonely angel." | 0:42:13 | 0:42:15 | |
-So this is London. -An alternative to our world, | 0:43:21 | 0:43:24 | |
where everything's the same but a little bit different. | 0:43:24 | 0:43:26 | |
Loads of people are disappearing! | 0:43:28 | 0:43:31 | |
It's been going on for months! | 0:43:31 | 0:43:33 | |
-What are they all doing? -It's the earpieces... | 0:43:33 | 0:43:37 | |
The prototype has passed every test, sir. It's working! | 0:43:37 | 0:43:42 | |
-I've seen them before... -What are they? | 0:43:42 | 0:43:45 | |
A skin of metal and a body that will never age! | 0:43:46 | 0:43:51 | |
Subtitles by Red Bee Media Ltd - 2006 | 0:43:58 | 0:44:01 | |
E-mail [email protected] | 0:44:01 | 0:44:05 |