Browse content similar to Rise of the Cybermen. Check below for episodes and series from the same categories and more!
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The prototype has passed every test, sir. | 0:00:08 | 0:00:12 | |
It's working. | 0:00:12 | 0:00:13 | |
I hardly think "working" | 0:00:13 | 0:00:16 | |
is the correct word. | 0:00:16 | 0:00:17 | |
That would apply only to machines. | 0:00:20 | 0:00:24 | |
I'm sorry. I should say "it's alive". | 0:00:24 | 0:00:27 | |
-Can it hear me? -It might still be in shock. | 0:00:30 | 0:00:32 | |
Bear in mind the brain has been welded to the exoskeleton. | 0:00:32 | 0:00:35 | |
Skin of metal... | 0:00:35 | 0:00:38 | |
..and a body that will never age or die. | 0:00:42 | 0:00:47 | |
I envy it. Do you know me? | 0:00:47 | 0:00:51 | |
Answer. | 0:00:51 | 0:00:53 | |
Do you know me? | 0:00:53 | 0:00:55 | |
You are John Lumic. | 0:00:55 | 0:00:58 | |
My child. | 0:01:00 | 0:01:01 | |
Mark this day, Dr Kendrick. | 0:01:01 | 0:01:04 | |
We are blessed. | 0:01:04 | 0:01:06 | |
Well, it's not quite over yet, sir. We need Geneva's approval. | 0:01:06 | 0:01:10 | |
Technically, this is a new form of life, and that contravenes the Bio-Convention. | 0:01:10 | 0:01:15 | |
-They need to ratify this. -And they will refuse me. | 0:01:15 | 0:01:18 | |
Nonetheless, we need to tell them. | 0:01:18 | 0:01:20 | |
-And if I don't? -Well, I'm sorry, sir, but it's my duty. | 0:01:20 | 0:01:24 | |
I shall have to inform them. | 0:01:24 | 0:01:26 | |
And how will you do that from beyond the grave? | 0:01:26 | 0:01:31 | |
I don't quite understand. | 0:01:31 | 0:01:33 | |
Kill him. | 0:01:33 | 0:01:35 | |
-Captain! -Yes, sir? | 0:01:44 | 0:01:47 | |
Inform all staff, | 0:01:47 | 0:01:49 | |
we have a new destination. | 0:01:49 | 0:01:52 | |
Set sail for Great Britain! | 0:01:52 | 0:01:56 | |
The munchkin lady with the big eyes. Remember how she looked at you? | 0:02:33 | 0:02:36 | |
Then she opens her mouth and fire comes out! | 0:02:36 | 0:02:38 | |
I thought I was gonna get frazzled! | 0:02:38 | 0:02:40 | |
Yeah, one minute she's standing there, next minute, roar! | 0:02:40 | 0:02:43 | |
Where was that, then? What happened? | 0:02:43 | 0:02:45 | |
Oh, it was on this... | 0:02:45 | 0:02:47 | |
this planet thing, asteroid. It's a long story, you had to be there. | 0:02:47 | 0:02:51 | |
Um... What are you doing that for? | 0:02:51 | 0:02:53 | |
Cos you told me to. | 0:02:53 | 0:02:55 | |
When was that? | 0:02:55 | 0:02:57 | |
About half an hour ago. | 0:02:57 | 0:02:59 | |
Um... You can let go now. | 0:02:59 | 0:03:03 | |
Well, how long's it been since I could've stopped? | 0:03:05 | 0:03:07 | |
10 minutes. 20... | 0:03:07 | 0:03:10 | |
29. | 0:03:10 | 0:03:12 | |
-You just forgot me! -No, no, no, I was just... I was... | 0:03:12 | 0:03:15 | |
I was calibrating. I was just... No, I know exactly what I'm doing. | 0:03:15 | 0:03:18 | |
-What's happened? -The time vortex, it's gone! | 0:03:31 | 0:03:33 | |
That's impossible, it's just gone! | 0:03:33 | 0:03:35 | |
Brace yourself! We're gonna crash! | 0:03:38 | 0:03:40 | |
Everyone all right? Rose? Mickey? | 0:03:46 | 0:03:49 | |
I'm fine. I'm OK, sorry, yeah. | 0:03:49 | 0:03:51 | |
She's dead. | 0:03:55 | 0:03:56 | |
The Tardis is dead. | 0:03:59 | 0:04:01 | |
You can fix it. | 0:04:01 | 0:04:03 | |
There's nothing to fix. | 0:04:03 | 0:04:06 | |
She's perished. | 0:04:06 | 0:04:07 | |
The last Tardis in the universe, extinct. | 0:04:10 | 0:04:15 | |
We can get help, yeah? | 0:04:15 | 0:04:18 | |
Where from? | 0:04:18 | 0:04:20 | |
-Well, we've landed, we've got to be somewhere. -We fell out of the Vortex. | 0:04:20 | 0:04:24 | |
Through the Void, into nothingness. | 0:04:24 | 0:04:25 | |
We're in some sort of no-place. | 0:04:27 | 0:04:30 | |
The Silent Realm. | 0:04:30 | 0:04:33 | |
-The Lost Dimension. -Otherwise known as London. | 0:04:33 | 0:04:36 | |
London, England, Earth. | 0:04:40 | 0:04:42 | |
Hold on. | 0:04:42 | 0:04:43 | |
The 1st of February, this year. | 0:04:47 | 0:04:49 | |
Not exactly far flung, is it? | 0:04:49 | 0:04:50 | |
-So this is London? -Yup. | 0:04:50 | 0:04:52 | |
-Your city? -That's the one. -Just as we left it? -Bang on. | 0:04:52 | 0:04:55 | |
And that includes the zeppelins? | 0:04:55 | 0:04:57 | |
What the hell?! | 0:05:01 | 0:05:02 | |
That's beautiful. | 0:05:02 | 0:05:05 | |
OK, so it's London with a big International Zeppelin Festival. | 0:05:05 | 0:05:09 | |
This is not your world. | 0:05:09 | 0:05:11 | |
But if the date's the same... | 0:05:11 | 0:05:14 | |
It's parallel, right? | 0:05:14 | 0:05:16 | |
Am I right? Like a parallel Earth where they've got zeppelins? | 0:05:16 | 0:05:18 | |
-Am I right? I'm right, aren't I? -Must be. | 0:05:18 | 0:05:20 | |
-So, a parallel world where... -Oh, come on! You've seen it on films. | 0:05:20 | 0:05:24 | |
It's like an alternative to our world, where everything's the same, but a little bit different. | 0:05:24 | 0:05:27 | |
-Like, I dunno, traffic lights are blue, Tony Blair never got elected. -And he's still alive. | 0:05:27 | 0:05:32 | |
A parallel world and my dad's still alive. | 0:05:34 | 0:05:37 | |
Don't look at it, Rose. Don't even think about it. It's not your world. | 0:05:39 | 0:05:43 | |
But he's my dad. And... | 0:05:43 | 0:05:46 | |
'Trust me on this.' | 0:05:46 | 0:05:49 | |
Oh, that's weird. | 0:05:49 | 0:05:51 | |
-But he's real... -'Trust me on this.' | 0:05:51 | 0:05:53 | |
He's a success. He was always planning these daft little schemes, health food drinks and stuff. | 0:05:53 | 0:05:58 | |
Everyone said they were useless. | 0:05:58 | 0:06:00 | |
-But he did it. -Rose. If you ever trusted me, then listen to me now. | 0:06:00 | 0:06:04 | |
Stop looking at him. | 0:06:04 | 0:06:06 | |
Your father's dead, he died when you were six months old. That's not your Pete, that is a Pete. | 0:06:06 | 0:06:10 | |
And for all we know he's got his own Jackie, his own Rose. | 0:06:10 | 0:06:14 | |
His own daughter, who's someone else, but not you. | 0:06:14 | 0:06:16 | |
You can't see him. Not ever. | 0:06:16 | 0:06:20 | |
'Trust me on this. Trust me on this.' > | 0:06:20 | 0:06:22 | |
'Trust me on this. Trust me on this.' | 0:06:22 | 0:06:25 | |
Hello? Sweetheart? | 0:06:52 | 0:06:55 | |
Only me. | 0:06:55 | 0:06:57 | |
Oh, the bad penny. Was this your idea? | 0:06:57 | 0:07:00 | |
Don't deny it, it's got your fingerprints all over it. | 0:07:00 | 0:07:03 | |
"Trust me on this!" Oh, I can trust you, all right. | 0:07:03 | 0:07:05 | |
-Trust you to cock it up! -What have I done now? -Have a look! | 0:07:05 | 0:07:09 | |
-What's wrong with that? -40! | 0:07:18 | 0:07:20 | |
-It says 40! -You ARE 40. | 0:07:20 | 0:07:22 | |
I don't want the whole world telling, do I? | 0:07:22 | 0:07:25 | |
-You're having a party tonight. -My 39th! | 0:07:25 | 0:07:28 | |
My official biography says I was born on the same day as Cuba Gooding Junior, | 0:07:28 | 0:07:31 | |
and that makes me 39, thank you very much. Rose! | 0:07:31 | 0:07:35 | |
Come here! Rose! | 0:07:35 | 0:07:38 | |
These are from the girls in the office. | 0:07:38 | 0:07:41 | |
Happy birthday. | 0:07:41 | 0:07:44 | |
I've got hand-sculpted arrangements by Veronica of Reykjavik, and your secretary stopped off at a garage? | 0:07:44 | 0:07:49 | |
I don't think so. And if you're giving out presents, where's my zeppelin? | 0:07:49 | 0:07:52 | |
Everyone else has got one. Rose! | 0:07:52 | 0:07:55 | |
Come on, Rose! | 0:07:55 | 0:07:57 | |
Look, you didn't even notice, did you? Special delivery. | 0:07:57 | 0:07:59 | |
Got sent round today. | 0:07:59 | 0:08:01 | |
Birthday present from Mr Lumic. Latest model, diamond studded. They pick up signals from Venezuela. | 0:08:01 | 0:08:08 | |
Why would you want to pick up signals from Venezuela? | 0:08:08 | 0:08:10 | |
Well, I don't know! But now I can find out! | 0:08:10 | 0:08:13 | |
Oh, for God's sake, where is she? Rose! | 0:08:13 | 0:08:15 | |
She needs a good bath before tonight or she's gonna be honking. | 0:08:15 | 0:08:18 | |
Rose! Come to Mummy! Come on! | 0:08:18 | 0:08:20 | |
There you are, my darling! | 0:08:20 | 0:08:23 | |
PHONE RINGS | 0:08:23 | 0:08:25 | |
Mr Lumic! Jackie was just saying thank you, that's very kind of you. | 0:08:25 | 0:08:30 | |
-Those ear pods are hand made. Tell her to take care. -Course I will. | 0:08:30 | 0:08:36 | |
Um, I don't suppose you'll be joining us tonight for the party? We'd be very honoured. | 0:08:36 | 0:08:41 | |
The world below can party, some of us have work to do. | 0:08:41 | 0:08:44 | |
My plans have advanced, Peter. The President has promised a decision. | 0:08:44 | 0:08:49 | |
-I'm flying in now. We'll be at the airstrip by five o'clock. -Right. | 0:08:49 | 0:08:53 | |
It's just that I promised I'd help the wife out tonight. | 0:08:53 | 0:08:57 | |
If the President of Great Britain can make this meeting, then so can you. | 0:08:57 | 0:09:01 | |
I dunno, he's not married to Jackie, is he? | 0:09:01 | 0:09:03 | |
Five o'clock, Mr Tyler. | 0:09:03 | 0:09:05 | |
A famous day! | 0:09:05 | 0:09:07 | |
Voiceprint access, John Lumic. | 0:09:09 | 0:09:14 | |
Initiate ear pod override. | 0:09:14 | 0:09:17 | |
Subject, Jacqueline Tyler. | 0:09:18 | 0:09:21 | |
Activate. | 0:09:24 | 0:09:26 | |
Download. | 0:09:27 | 0:09:29 | |
Tyler residence, February 1st. | 0:09:29 | 0:09:33 | |
Give me security arrangements for tonight. | 0:09:33 | 0:09:36 | |
Passwords, encryption services. | 0:09:36 | 0:09:39 | |
And restore. | 0:09:48 | 0:09:51 | |
Thank you, Mrs Tyler. | 0:09:56 | 0:09:58 | |
Activate picturelink. | 0:10:00 | 0:10:02 | |
-Mr Crane? -Mr Lumic. | 0:10:03 | 0:10:06 | |
Events are moving faster than I anticipated. | 0:10:06 | 0:10:10 | |
-I need extra staff. -Very good, sir. | 0:10:10 | 0:10:14 | |
I shall go on a recruitment drive. | 0:10:14 | 0:10:16 | |
Back her up. | 0:10:17 | 0:10:19 | |
I told you to keep an eye on her! | 0:10:28 | 0:10:31 | |
-She's all right. -She goes wandering off! | 0:10:31 | 0:10:33 | |
A parallel world, it's like a gingerbread house! | 0:10:33 | 0:10:36 | |
All those temptations, calling her. | 0:10:36 | 0:10:37 | |
Oh, so it's just Rose, then? There's nothing out there to tempt me? | 0:10:37 | 0:10:40 | |
Well, I don't know, I can't worry about everything! If I could just get this thing to... | 0:10:40 | 0:10:45 | |
-Did that help? -Yes. -Did that hurt? | 0:10:45 | 0:10:47 | |
Yes. Ow. | 0:10:47 | 0:10:49 | |
And it's good news for Great Britain, as John Lumic returns to the country of his birth. | 0:11:27 | 0:11:31 | |
Mr Lumic, the inventor of High Content Metal, has denied allegations of ill-health. | 0:11:31 | 0:11:36 | |
We're all flesh and blood. | 0:11:36 | 0:11:38 | |
But the brain is what makes us human. | 0:11:38 | 0:11:41 | |
And my mind is more creative than ever! | 0:11:41 | 0:11:45 | |
'With shares in Cybus Industries doubling in price, Mr Lumic...' | 0:11:45 | 0:11:48 | |
'In other news... The Torchwood Institute has published a study, claiming that male...' | 0:11:51 | 0:11:58 | |
We're not meant to be here. | 0:11:58 | 0:12:00 | |
The Tardis draws its power out of the universe, but it's the wrong universe. | 0:12:00 | 0:12:04 | |
It's like diesel in a petrol engine. | 0:12:04 | 0:12:08 | |
But I've seen it in comics, people go hopping from one alternative world to another. It's easy! | 0:12:08 | 0:12:13 | |
Not in the real world. | 0:12:13 | 0:12:15 | |
Used to be easy. When the Time Lords kept their eye | 0:12:16 | 0:12:19 | |
on everything, you could pop between realities, home in time for tea. | 0:12:19 | 0:12:23 | |
Then they died and took at all with them. | 0:12:23 | 0:12:26 | |
The walls of reality closed. The worlds were sealed. | 0:12:27 | 0:12:30 | |
-Everything became that bit less kind. -Then how did we get here? | 0:12:30 | 0:12:35 | |
I don't know. Accident? | 0:12:35 | 0:12:39 | |
Should've been impossible, now we're trapped. | 0:12:39 | 0:12:41 | |
What's that? | 0:12:45 | 0:12:47 | |
What? | 0:12:47 | 0:12:49 | |
That, there. Is that a reflection? | 0:12:49 | 0:12:51 | |
It's a light! Is it? Is that a light? | 0:12:54 | 0:12:58 | |
I think that's a light, that's all we need! We've got power! | 0:12:58 | 0:13:02 | |
Mickey, we've got power! Ha! | 0:13:02 | 0:13:04 | |
Gentlemen, gentlemen. | 0:13:12 | 0:13:14 | |
I beg your attention. Christmas has come early, so come and get it. | 0:13:14 | 0:13:20 | |
Oh, smell that, comrades. | 0:13:20 | 0:13:23 | |
Burgers and chips, sausage and beans, pork, chicken and hot sweet tea. | 0:13:23 | 0:13:28 | |
All for free! | 0:13:28 | 0:13:30 | |
-Don't go! -But there's food. | 0:13:30 | 0:13:32 | |
All you can eat, free of charge! | 0:13:32 | 0:13:34 | |
Don't just stand there, fill your faces with pasties, pies... | 0:13:34 | 0:13:38 | |
-They're lying. -Easy for you to say. | 0:13:38 | 0:13:40 | |
When did you last starve? | 0:13:40 | 0:13:42 | |
All those people, disappearing off the streets. | 0:13:42 | 0:13:45 | |
It's been going on for months. | 0:13:45 | 0:13:47 | |
It's them. | 0:13:47 | 0:13:48 | |
-They're taking you away. -What for? | 0:13:48 | 0:13:52 | |
Experiments. | 0:13:52 | 0:13:53 | |
But hurry now, charity can't sleep... | 0:13:53 | 0:13:56 | |
I'm so hungry. | 0:13:56 | 0:13:58 | |
So, come and get it while it's hot! | 0:13:58 | 0:14:00 | |
That's it, kind sir! Get in there and fill your face! | 0:14:00 | 0:14:04 | |
Feast yourself brother, | 0:14:04 | 0:14:06 | |
feast yourself. | 0:14:06 | 0:14:08 | |
SHRIEKS AND CRIES Take 'em away. | 0:14:08 | 0:14:12 | |
It's alive! | 0:14:14 | 0:14:17 | |
-What is it? -Nothing, it's tiny. It's one of those | 0:14:17 | 0:14:20 | |
insignificant little power cells that no-one ever bothers about. | 0:14:20 | 0:14:23 | |
And it's clinging on to life! | 0:14:23 | 0:14:25 | |
It's got one little ounce of reality, tucked away inside. | 0:14:25 | 0:14:27 | |
-Enough to get us home? -Not yet. | 0:14:27 | 0:14:31 | |
I need to charge it up. | 0:14:31 | 0:14:33 | |
We could go outside and lash it up to the National Grid. | 0:14:34 | 0:14:36 | |
Wrong sort of energy. It's got to come from our universe. | 0:14:36 | 0:14:39 | |
-But we don't have anything. -There's me. | 0:14:39 | 0:14:42 | |
I just gave away ten years of my life. | 0:14:50 | 0:14:53 | |
Worth every second. | 0:14:53 | 0:14:55 | |
It's going out, is that OK? | 0:15:05 | 0:15:07 | |
It's on a recharging cycle. | 0:15:07 | 0:15:09 | |
It'll loop round, power back up and be ready to take us home in... | 0:15:09 | 0:15:12 | |
Ooh, 24 hours. | 0:15:12 | 0:15:15 | |
So that gives us 24 hours on a parallel world. | 0:15:15 | 0:15:17 | |
Shore leave. So long as we keep our heads down, easy. No problem. | 0:15:17 | 0:15:20 | |
Let's go and tell her. | 0:15:20 | 0:15:22 | |
There you are! It's all right, no applause, I fixed it. | 0:15:22 | 0:15:27 | |
24 hours and then we're flying back to reality. | 0:15:27 | 0:15:29 | |
What is it? | 0:15:32 | 0:15:35 | |
My phone connected. | 0:15:35 | 0:15:36 | |
There's this Cybus network, it finds your phone. | 0:15:36 | 0:15:40 | |
And it gave me internet access. | 0:15:42 | 0:15:44 | |
Rose, whatever it says, this is the wrong world. | 0:15:44 | 0:15:49 | |
-I don't exist. -What do you mean? -There's no Rose Tyler. | 0:15:49 | 0:15:52 | |
I was never born. | 0:15:52 | 0:15:54 | |
There's Pete, my dad, and Jackie. | 0:15:54 | 0:15:56 | |
-He still married Mum. But they never had kids. -Give me that phone. | 0:15:56 | 0:16:00 | |
They're rich. | 0:16:02 | 0:16:04 | |
They've got a house and cars and everything they want. | 0:16:04 | 0:16:08 | |
But they haven't got me. | 0:16:10 | 0:16:12 | |
I've got to see 'em. | 0:16:15 | 0:16:18 | |
-You can't. -I just want to see 'em. -I can't let you. -You just said 24 hours! | 0:16:18 | 0:16:23 | |
You can't become their daughter, that's not the way it works. Mickey, tell her. | 0:16:23 | 0:16:27 | |
-24 hours, yeah? -Where are you going? -Well, I can do what I want. | 0:16:27 | 0:16:31 | |
-I've got the address and everything, -Stay where you are, both of you! | 0:16:31 | 0:16:33 | |
-Come back! Mickey, come back here, right now! -I just want to see them. | 0:16:33 | 0:16:38 | |
I've got things to see an' all. | 0:16:38 | 0:16:39 | |
-Like what? -Well, you don't know anything about me, do you? | 0:16:39 | 0:16:42 | |
It's all about Rose. I'm just the spare part. | 0:16:42 | 0:16:44 | |
I'm sorry, I've got to go. | 0:16:44 | 0:16:47 | |
Go on then. There's no choice, is there? | 0:16:50 | 0:16:52 | |
You can only chase after one of us. It's never gonna be me, is it? | 0:16:52 | 0:16:55 | |
-Back here, 24 hours. -Yeah. | 0:16:59 | 0:17:03 | |
If I haven't found something better. | 0:17:03 | 0:17:05 | |
-Mr Tyler, what's the matter? Couldn't wait until tonight? -Mr President, honoured. | 0:17:26 | 0:17:31 | |
I'm on the fast-track programme. | 0:17:31 | 0:17:33 | |
Cybus Industries have bought up my company, so I'm part of the firm now. | 0:17:33 | 0:17:36 | |
Some people say they've bought my government. | 0:17:36 | 0:17:39 | |
I've never heard anybody say that. | 0:17:39 | 0:17:40 | |
Never. | 0:17:40 | 0:17:42 | |
-You can trust me on this. -I tried your drink, that Vitex stuff. | 0:17:42 | 0:17:47 | |
-It tastes like pop. -Well, it is pop. | 0:17:47 | 0:17:50 | |
You made money by selling a health food drink to a sick world. | 0:17:50 | 0:17:54 | |
Not quite the ordinary Joe you appear to be, are you? | 0:17:54 | 0:17:57 | |
He does like to keep us waiting. | 0:18:00 | 0:18:04 | |
But tell me, you've had a chance to observe John Lumic more than most. | 0:18:04 | 0:18:10 | |
What's your opinion? | 0:18:10 | 0:18:12 | |
He's very sharp, I'd say. Sharp as ever. | 0:18:12 | 0:18:15 | |
Very clever man. Brilliant, in fact. | 0:18:15 | 0:18:18 | |
Then you don't think he's insane? | 0:18:18 | 0:18:20 | |
-It's not the word I would've used, no. -I see. | 0:18:20 | 0:18:25 | |
Can I see your ID, please? | 0:18:34 | 0:18:37 | |
Yeah, that's in order. | 0:18:38 | 0:18:42 | |
-Am I all right to get past? -Yeah, no bother. | 0:18:47 | 0:18:50 | |
Curfew doesn't start till ten. | 0:18:50 | 0:18:52 | |
-There's a curfew? -Course there is. | 0:18:52 | 0:18:54 | |
Where've you been living, mate? Up there with the toffs? | 0:18:54 | 0:18:58 | |
I wish. | 0:19:01 | 0:19:03 | |
See ya. | 0:19:04 | 0:19:06 | |
Mickey's mum just couldn't cope. | 0:19:16 | 0:19:18 | |
His dad hung around for a while, but then he just sort of wandered off. | 0:19:20 | 0:19:23 | |
He was brought up by his gran. | 0:19:23 | 0:19:25 | |
She was such a great woman. | 0:19:25 | 0:19:29 | |
God, she used to slap him! | 0:19:29 | 0:19:32 | |
But then she died. | 0:19:32 | 0:19:34 | |
She tripped and fell down the stairs. | 0:19:34 | 0:19:36 | |
It was about five years ago now, I was still in school. | 0:19:36 | 0:19:40 | |
-I never knew. -Well, you never asked. -You never said. | 0:19:40 | 0:19:43 | |
That's Mickey. | 0:19:43 | 0:19:46 | |
I suppose I... | 0:19:46 | 0:19:47 | |
We just take him for granted. | 0:19:47 | 0:19:50 | |
-Do you think she's alive, his gran? -Could be. | 0:19:51 | 0:19:54 | |
Like I said, parallel world, gingerbread house. | 0:19:54 | 0:19:57 | |
We need to get out here as fast as we can. | 0:19:57 | 0:19:59 | |
TWO-TONE BEEPS | 0:19:59 | 0:20:02 | |
What are they all doing? | 0:20:06 | 0:20:08 | |
They've stopped. | 0:20:08 | 0:20:10 | |
It's the earpieces. | 0:20:27 | 0:20:29 | |
Like Bluetooth attachments, but everyone's connected together. | 0:20:31 | 0:20:35 | |
PHONE BEEPS | 0:20:35 | 0:20:37 | |
It's on my phone. It's automatic, look. It's downloading. | 0:20:37 | 0:20:41 | |
Is that what they're all getting? | 0:20:41 | 0:20:44 | |
News, international news, sport, weather. | 0:20:46 | 0:20:51 | |
They get it direct. | 0:20:51 | 0:20:53 | |
Downloaded right into their heads. | 0:20:53 | 0:20:55 | |
TV schedules, lottery numbers. | 0:20:55 | 0:20:58 | |
Everyone shares the same information. | 0:20:58 | 0:21:00 | |
"The Daily Download, published by Cybus Industries." | 0:21:02 | 0:21:05 | |
You lot, you're obsessed. You'll do anything for the latest upgrade. | 0:21:14 | 0:21:17 | |
Oi, they're not my lot. Different world, remember? | 0:21:17 | 0:21:20 | |
It's not so far off your world, this place is only parallel. | 0:21:20 | 0:21:23 | |
Ooh, look at that. | 0:21:23 | 0:21:25 | |
Cybus Industries, owners of just about every company in Britain, including Vitex. | 0:21:25 | 0:21:30 | |
Mr Pete Tyler's very well connected. | 0:21:30 | 0:21:34 | |
OK, I give up. Let's go and see him. | 0:21:39 | 0:21:42 | |
< Who's that there? | 0:21:59 | 0:22:02 | |
Who is it? I know you're there. | 0:22:04 | 0:22:06 | |
Shame on you, tricking an old lady. I've got nothing worth stealing. | 0:22:06 | 0:22:10 | |
And don't think I'm gonna disappear, you're not gonna take me! | 0:22:10 | 0:22:14 | |
Hi. | 0:22:14 | 0:22:15 | |
Is that you? | 0:22:17 | 0:22:20 | |
It's me. I came home. | 0:22:20 | 0:22:22 | |
-Ricky? -It's Mickey. | 0:22:22 | 0:22:23 | |
I know my own grandson's name, | 0:22:23 | 0:22:27 | |
it's Ricky. Now come here. | 0:22:27 | 0:22:30 | |
OK. I'm Ricky. | 0:22:34 | 0:22:36 | |
Course I am. Ricky, that's me. | 0:22:36 | 0:22:38 | |
-You stupid boy! -Ow! -Where've you been? | 0:22:38 | 0:22:41 | |
Stop hitting me! | 0:22:41 | 0:22:43 | |
It's been days and days! I keep hearing all these stories, people disappearing off the street. | 0:22:43 | 0:22:48 | |
There's nothing official on the download. But there's all these rumours and whispers. | 0:22:48 | 0:22:54 | |
I thought they'd gone and disappeared you! | 0:22:54 | 0:22:56 | |
That carpet on the stairs, I told you to get it fixed. You're gonna... | 0:22:56 | 0:23:00 | |
-fall and break your neck. -Well, you get it fixed for me! | 0:23:00 | 0:23:04 | |
I should've done, way back. | 0:23:04 | 0:23:05 | |
-Guess I'm just kind of useless. -Now, I never said that. | 0:23:05 | 0:23:09 | |
I am though. | 0:23:09 | 0:23:11 | |
And I'm sorry, Gran. I'm so sorry. | 0:23:11 | 0:23:13 | |
Don't talk like that. Do you know what you need? | 0:23:13 | 0:23:17 | |
A nice sit down and a cup of tea. | 0:23:17 | 0:23:21 | |
-You got time? -For you, I've got all the time in the world. | 0:23:21 | 0:23:24 | |
Oh, you say that, but you're all talk. | 0:23:24 | 0:23:28 | |
It's those new friends of yours, I don't trust them. | 0:23:28 | 0:23:32 | |
-What friends are they? -Don't pretend you don't know. | 0:23:32 | 0:23:35 | |
You've been seen, Mrs Chan told me. | 0:23:35 | 0:23:38 | |
-Driving about, all helter-skelter in that van. -What van's that then? | 0:23:38 | 0:23:42 | |
You know full well. | 0:23:42 | 0:23:44 | |
Don't play games with me, now get inside! | 0:23:44 | 0:23:47 | |
-I've been looking for you everywhere! -Ricky? | 0:23:51 | 0:23:54 | |
Ricky? | 0:23:57 | 0:24:00 | |
Ricky, you were the one who told us. | 0:24:00 | 0:24:02 | |
You don't contact your family, cos it puts them in danger. | 0:24:02 | 0:24:04 | |
Yeah. Ricky said that. | 0:24:04 | 0:24:06 | |
Course I did, just testing. | 0:24:06 | 0:24:08 | |
I saw them, I taped them. | 0:24:08 | 0:24:10 | |
They went round Blackfriars, gathering up the homeless like the Child Catcher. | 0:24:10 | 0:24:13 | |
-They must have took four dozen. -The vans were hired out to a company called International Electromatics. | 0:24:13 | 0:24:19 | |
But I did a protocol search. | 0:24:19 | 0:24:22 | |
Turns out that's a dummy company established by, guess who? | 0:24:22 | 0:24:25 | |
I don't know, who? | 0:24:25 | 0:24:27 | |
Cybus Industries! | 0:24:27 | 0:24:29 | |
Well, now we've got evidence! | 0:24:29 | 0:24:31 | |
Bad news is, they've arrested Thin Jimmy. | 0:24:31 | 0:24:33 | |
So that just leaves you. | 0:24:33 | 0:24:35 | |
-Leaves me what? -The number one. | 0:24:35 | 0:24:38 | |
Top of the list, London's most wanted. | 0:24:38 | 0:24:41 | |
OK, cool. | 0:24:41 | 0:24:44 | |
Say that again. | 0:24:44 | 0:24:46 | |
The most precious thing on this earth is the human brain and yet we allow it to die. | 0:24:46 | 0:24:51 | |
But now, Cybus Industries has perfected a way of sustaining | 0:24:51 | 0:24:55 | |
the brain indefinitely, within a cradle of copyrighted chemicals. | 0:24:55 | 0:24:59 | |
The latest advances in synapse research allows cyberkinetic impulses | 0:24:59 | 0:25:05 | |
to be bonded onto a metal exoskeleton. | 0:25:05 | 0:25:08 | |
This is the ultimate upgrade. | 0:25:08 | 0:25:10 | |
-Our greatest step into cyberspace. -I'm sorry, | 0:25:10 | 0:25:14 | |
could we stop at that? | 0:25:14 | 0:25:16 | |
I don't need the pitch. I think we all know what this ultimate upgrade entails. | 0:25:16 | 0:25:22 | |
And I'm here to tell you, John, the answer is no. | 0:25:22 | 0:25:25 | |
My government does not give you permission. | 0:25:25 | 0:25:30 | |
And I think no government ever will. | 0:25:30 | 0:25:32 | |
I've prepared a paper for the Ethical Committee. | 0:25:32 | 0:25:35 | |
Oh, come on! It's not just unethical, it's obscene. | 0:25:35 | 0:25:40 | |
Mr President, if I might make a personal plea. | 0:25:40 | 0:25:43 | |
I am dying, sir. | 0:25:43 | 0:25:45 | |
I'm aware of that. | 0:25:45 | 0:25:47 | |
And I'm very sorry. | 0:25:47 | 0:25:49 | |
Without this project, you have condemned me. | 0:25:49 | 0:25:52 | |
My inventions have advanced this whole planet. | 0:25:52 | 0:25:57 | |
Would you have all that perish? | 0:25:57 | 0:25:59 | |
You're a fine businessman, John. | 0:25:59 | 0:26:01 | |
But you're not God. | 0:26:01 | 0:26:03 | |
I'm really very sorry, but I think we should end it there. | 0:26:05 | 0:26:09 | |
Mr Tyler, I'll see you tonight. | 0:26:11 | 0:26:13 | |
I think we could all do with a drink. | 0:26:13 | 0:26:15 | |
Mr Lumic. | 0:26:15 | 0:26:18 | |
Still, it's not the only country in the world. There's always New Germany. | 0:26:26 | 0:26:31 | |
This is the homeland. | 0:26:31 | 0:26:32 | |
My birthplace. | 0:26:32 | 0:26:35 | |
-You may leave. -Thank you, sir. | 0:26:35 | 0:26:37 | |
Mr Crane! | 0:26:43 | 0:26:45 | |
-Ready and waiting, sir. -Did the override work? | 0:26:45 | 0:26:49 | |
Well, needs a bit of fine tuning. | 0:26:49 | 0:26:51 | |
We weren't exactly delicate, given the rush. But, yeah, yeah. | 0:26:51 | 0:26:54 | |
It's all working. | 0:26:54 | 0:26:56 | |
I've been testing the system, sir. | 0:26:56 | 0:26:59 | |
They've grafted on a treat, these have. | 0:27:01 | 0:27:05 | |
Given a little persuasion. | 0:27:05 | 0:27:07 | |
If you'd care to observe, sir. | 0:27:07 | 0:27:09 | |
A-a-and, turn to the right. | 0:27:12 | 0:27:14 | |
A-a-a-and, back to the left. | 0:27:17 | 0:27:19 | |
Are you having fun, Mr Crane? | 0:27:19 | 0:27:22 | |
No, no. Not at all, sir, no. | 0:27:22 | 0:27:24 | |
It's just...well, it's irresistible. | 0:27:24 | 0:27:26 | |
Then resist. And start the Upgrade. | 0:27:26 | 0:27:30 | |
-Did we get permission? -I am governed by greater laws, old friend. | 0:27:30 | 0:27:33 | |
The right of a man to survive. | 0:27:33 | 0:27:37 | |
Now begin. | 0:27:37 | 0:27:38 | |
And turn to the left. | 0:27:40 | 0:27:44 | |
Forward march. | 0:27:44 | 0:27:46 | |
SHRIEKS | 0:27:49 | 0:27:52 | |
Let's cover up that noise! | 0:27:53 | 0:27:55 | |
Give us track number 19. | 0:27:55 | 0:27:57 | |
MUSIC PLAYS: # In the jungle The mighty jungle | 0:27:57 | 0:28:01 | |
# The lion sleeps tonight | 0:28:01 | 0:28:04 | |
# In the jungle, the quiet jungle | 0:28:04 | 0:28:08 | |
# The lion sleeps tonight | 0:28:08 | 0:28:12 | |
# A wim-o-weh | 0:28:12 | 0:28:14 | |
# A wim-o-weh | 0:28:14 | 0:28:15 | |
# A wim-o-weh | 0:28:15 | 0:28:17 | |
# A wim-o-weh | 0:28:17 | 0:28:20 | |
# Ooh | 0:28:21 | 0:28:22 | |
# A wee-um-um-a-weh... # | 0:28:22 | 0:28:28 | |
MAN SCREAMS | 0:28:28 | 0:28:31 | |
There's a light on. There's someone inside the base. | 0:28:35 | 0:28:37 | |
Mrs Moore, we've got visitors. | 0:28:37 | 0:28:40 | |
One, two, three. | 0:28:44 | 0:28:47 | |
Go! | 0:28:47 | 0:28:49 | |
What the hell are you doing? | 0:28:49 | 0:28:53 | |
What are you doing there? | 0:28:53 | 0:28:54 | |
What am I doing here? | 0:28:54 | 0:28:57 | |
What am I doing there? | 0:28:59 | 0:29:01 | |
They've got visitors. | 0:29:08 | 0:29:10 | |
February 1st. Mum's birthday. | 0:29:10 | 0:29:14 | |
Even in a parallel universe, she still loves a party. | 0:29:14 | 0:29:18 | |
Well, given Pete Tyler's guest list, I wouldn't mind a look. | 0:29:18 | 0:29:21 | |
And there is one guaranteed way of getting inside. | 0:29:21 | 0:29:23 | |
-Psychic paper! -Who do you want to be? | 0:29:23 | 0:29:26 | |
-We could've been anyone. -It got us in, didn't it? | 0:29:39 | 0:29:41 | |
You're in charge of the psychic paper, we could've been guests. | 0:29:41 | 0:29:45 | |
Celebrities, Sir Doctor, Dame Rose. | 0:29:45 | 0:29:48 | |
We end up serving. | 0:29:48 | 0:29:49 | |
I did enough of this back home. | 0:29:49 | 0:29:51 | |
If you want to know what's going on, work in the kitchens. | 0:29:51 | 0:29:54 | |
-According to Lucy, that man over there... -Who's Lucy? | 0:29:58 | 0:30:03 | |
She's carrying the salmon pinwheels. | 0:30:03 | 0:30:06 | |
Oh, that's Lucy, is it? | 0:30:06 | 0:30:08 | |
Yeah. Lucy says, that is the President of Great Britain. | 0:30:08 | 0:30:12 | |
-What, there's a President, not a Prime Minister? -Seems so. | 0:30:12 | 0:30:15 | |
Or maybe Lucy's just a bit thick. | 0:30:15 | 0:30:18 | |
Excuse me, thank you very much. | 0:30:24 | 0:30:26 | |
Thank you. If I could have your attention, please. | 0:30:26 | 0:30:29 | |
Go on, Pete, about time you did some work! | 0:30:29 | 0:30:32 | |
I thought you liked 'em young? | 0:30:32 | 0:30:34 | |
I'd like to say thank you to you all for coming, on this very special occasion. | 0:30:35 | 0:30:42 | |
My wife's 39th. | 0:30:42 | 0:30:44 | |
Don't believe that one! | 0:30:44 | 0:30:47 | |
Trust me on this. Yeah, yeah, yeah. | 0:30:47 | 0:30:49 | |
So, without any further ado, here she is. | 0:30:49 | 0:30:51 | |
The birthday girl, my lovely wife, Jackie Tyler. | 0:30:51 | 0:30:57 | |
THEY APPLAUD AND CHEER | 0:30:57 | 0:31:00 | |
Now, I'm not giving a speech. That's what my parties are famous for. | 0:31:05 | 0:31:09 | |
No work, no politics, just a few good mates and plenty of black-market whisky. | 0:31:09 | 0:31:14 | |
Pardon me, Mr President! So, yeah. | 0:31:16 | 0:31:19 | |
Get on with it, enjoy, enjoy! | 0:31:19 | 0:31:21 | |
APPLAUSE CAMERA SHUTTERS WHIRR | 0:31:21 | 0:31:25 | |
You can't stay, even if there was some way of telling them. | 0:31:25 | 0:31:29 | |
Of course I can't. | 0:31:29 | 0:31:31 | |
I've still got Mum at home, my real mum. | 0:31:31 | 0:31:33 | |
I couldn't just leave her, could I? It's just... | 0:31:33 | 0:31:36 | |
They've got each other. | 0:31:38 | 0:31:41 | |
-Mum's got no-one. -She's got you, those two haven't. | 0:31:41 | 0:31:44 | |
All these different worlds, not one of them gets it right. | 0:31:46 | 0:31:49 | |
Rose! Here's my little girl! | 0:31:49 | 0:31:52 | |
Come to Mummy, come to Mummy! Good girl! | 0:31:52 | 0:31:55 | |
Good girl, aren't you? | 0:31:55 | 0:31:58 | |
Sorry. | 0:32:02 | 0:32:04 | |
'Platoon zero-two now boarding. Platoon zero-two now boarding.' | 0:32:08 | 0:32:14 | |
-Stop staring. -But what are they, sir? | 0:32:18 | 0:32:20 | |
I'm told they're the future. | 0:32:20 | 0:32:22 | |
Ain't technology wonderful? | 0:32:22 | 0:32:24 | |
Go on, get to the cab, start her up. | 0:32:24 | 0:32:27 | |
-Sir. -MOBILE RINGS | 0:32:27 | 0:32:31 | |
Mr Crane...are we mobile? | 0:32:31 | 0:32:34 | |
Just about to hit the road, sir. And yourself? | 0:32:34 | 0:32:37 | |
I am arriving, Mr Crane. | 0:32:37 | 0:32:39 | |
Prepare the factory. | 0:32:39 | 0:32:42 | |
Now send them forth, old friend. | 0:32:42 | 0:32:45 | |
Let the good work begin. | 0:32:45 | 0:32:46 | |
He's clean. No bugs. | 0:33:02 | 0:33:04 | |
This is off the scale. He's flesh and blood. How did that happen? | 0:33:04 | 0:33:09 | |
Well, it could be that Cybus Industries have perfected | 0:33:09 | 0:33:12 | |
the science of human cloning, or your father had a bike. | 0:33:12 | 0:33:16 | |
And your name's Mickey, not Ricky? | 0:33:21 | 0:33:24 | |
Mickey. | 0:33:24 | 0:33:25 | |
My dad was Jackson Smith, he used to work at the key cutter's on Clifton's Parade. | 0:33:25 | 0:33:29 | |
He went to Spain, never came back. | 0:33:29 | 0:33:30 | |
But that's my dad. | 0:33:32 | 0:33:34 | |
So...we're brothers? | 0:33:36 | 0:33:39 | |
Be fair, what else could it be? | 0:33:39 | 0:33:41 | |
I don't know... | 0:33:41 | 0:33:43 | |
But he doesn't just look like me, he is exactly the same. | 0:33:44 | 0:33:48 | |
-Something else is going on here, Jake. -So who are you lot? -We... | 0:33:48 | 0:33:54 | |
We are the Preachers. | 0:33:54 | 0:33:55 | |
As in Gospel Truth. | 0:33:55 | 0:33:57 | |
You see? | 0:33:57 | 0:33:59 | |
No Ear Pods. While rest of the world downloads from Cybus Industries, | 0:33:59 | 0:34:05 | |
we have got freedom. You're talking to London's most wanted. | 0:34:05 | 0:34:11 | |
But target number one is Lumic, and we are going to bring him down. | 0:34:11 | 0:34:16 | |
From your kitchen? | 0:34:16 | 0:34:18 | |
Have you got a problem with that? | 0:34:21 | 0:34:23 | |
No, it's a good kitchen. | 0:34:23 | 0:34:25 | |
It's an upload from Gemini. | 0:34:27 | 0:34:29 | |
-Who's Gemini? -The vans are back. | 0:34:29 | 0:34:31 | |
They're moving out of Battersea. | 0:34:31 | 0:34:33 | |
It looks like Gemini was right, | 0:34:33 | 0:34:36 | |
Lumic's finally making a move. | 0:34:36 | 0:34:38 | |
Then we are right behind him. Pack up, we're leaving. | 0:34:38 | 0:34:40 | |
AIR HORN BLARES | 0:34:40 | 0:34:43 | |
SHE LAUGHS | 0:35:42 | 0:35:44 | |
I remember her 21st, a pint of cider in the George. | 0:35:48 | 0:35:53 | |
Sorry...champagne? | 0:35:53 | 0:35:56 | |
Might as well, I'm paying for it. | 0:35:56 | 0:35:58 | |
A big night for you. | 0:36:00 | 0:36:02 | |
For her. | 0:36:02 | 0:36:04 | |
Still, she's happy. | 0:36:04 | 0:36:06 | |
She should be. Great party. | 0:36:06 | 0:36:09 | |
Do you think? | 0:36:09 | 0:36:11 | |
You can trust me! | 0:36:11 | 0:36:13 | |
-"You can trust me on this!" -That's it, sorry, yeah. | 0:36:13 | 0:36:17 | |
So, erm...how long have you two been married? | 0:36:17 | 0:36:21 | |
20 years. | 0:36:21 | 0:36:23 | |
No kids or...? | 0:36:23 | 0:36:25 | |
We kept putting it off. | 0:36:25 | 0:36:27 | |
She said she didn't want to spoil her figure. | 0:36:29 | 0:36:31 | |
-It's not too late, she's only 40. -39. | 0:36:33 | 0:36:36 | |
All right, 39. | 0:36:36 | 0:36:38 | |
It's still too late. | 0:36:41 | 0:36:42 | |
I moved out last month. | 0:36:42 | 0:36:45 | |
But we're gonna keep it quiet, you know, it's bad for business. | 0:36:45 | 0:36:48 | |
Why am I telling you all this? We haven't met before, have we? | 0:36:52 | 0:36:56 | |
-I don't know, you just seem sort of... -What? | 0:36:56 | 0:36:58 | |
I don't know, just sort of... | 0:37:00 | 0:37:02 | |
right. | 0:37:04 | 0:37:06 | |
Stevie, how's things? How's it going at Torchwood? | 0:37:08 | 0:37:12 | |
I don't what they're doing, but this seems to be the target. | 0:37:17 | 0:37:20 | |
Big house, fair bit of money. | 0:37:20 | 0:37:22 | |
Now we've got to find a way to get in there. | 0:37:22 | 0:37:24 | |
I've identified the address. | 0:37:24 | 0:37:26 | |
-It belongs to Peter Tyler, the Vitex millionaire. -Pete Tyler? | 0:37:26 | 0:37:32 | |
He's listed as one of Lumic's henchmen, a traitor to the state. | 0:37:32 | 0:37:36 | |
-But... We gotta get in there! -Shut it, duplicate, that's what I just said. | 0:37:38 | 0:37:41 | |
What are they doing? | 0:37:44 | 0:37:46 | |
-What the hell are they? -RHYTHMIC METALLIC BANGING | 0:37:49 | 0:37:52 | |
-LUMIC: -'The most precious thing on this earth is the human brain.' | 0:37:56 | 0:38:02 | |
Mrs Tyler, is there anything I can get you? | 0:38:10 | 0:38:14 | |
The last 20 years back. | 0:38:14 | 0:38:16 | |
I can manage a glass of champagne, | 0:38:19 | 0:38:22 | |
-or a nice cup of tea? -Oh, that'd do me. | 0:38:22 | 0:38:24 | |
My mum loves that. End of a long night, she never goes straight to bed. | 0:38:27 | 0:38:31 | |
-She always stays up just to have that last cup of tea. -Oh, I'm the same. | 0:38:31 | 0:38:35 | |
-Two sugars. -And me. | 0:38:35 | 0:38:37 | |
And Pete always says, "You know..." | 0:38:37 | 0:38:39 | |
Ah, never mind him. | 0:38:41 | 0:38:43 | |
I was talking to him earlier. | 0:38:44 | 0:38:46 | |
He's a nice man. | 0:38:46 | 0:38:49 | |
You know, a bit of a Jack the lad, I suppose, even if he has got money, | 0:38:49 | 0:38:53 | |
but he's a good bloke. | 0:38:53 | 0:38:56 | |
Better than most. | 0:38:56 | 0:38:58 | |
He's worth a second chance. | 0:39:00 | 0:39:02 | |
Are you commenting on my marriage? | 0:39:02 | 0:39:05 | |
-No, I was just... -Who the hell do you think you are? | 0:39:05 | 0:39:08 | |
You're staff. You're nothing but staff, you're just the serving girl, for God's sake. | 0:39:08 | 0:39:13 | |
And you are certainly not getting paid. Don't you dare talk to me. | 0:39:13 | 0:39:18 | |
'This is the ultimate upgrade, our greatest step into cyberspace.' | 0:39:39 | 0:39:45 | |
Cybus! | 0:39:45 | 0:39:46 | |
It's happening again. | 0:40:12 | 0:40:15 | |
What do you mean? | 0:40:15 | 0:40:17 | |
-I've seen them before. -What are they? -Cybermen! | 0:40:17 | 0:40:23 | |
SCREAMING | 0:40:23 | 0:40:25 | |
-PHONE RINGS -Mr Lumic. | 0:40:42 | 0:40:46 | |
Mr President. I suppose a remark about crashing the party would be appropriate at this point. | 0:40:46 | 0:40:52 | |
I forbade this. | 0:40:52 | 0:40:54 | |
These are my children, sir. | 0:40:54 | 0:40:56 | |
Would you deny my family? | 0:40:56 | 0:40:58 | |
What are they, robots? | 0:40:58 | 0:41:00 | |
-Worse than that. -Who were these people? | 0:41:00 | 0:41:03 | |
-It doesn't matter. -They're people? | 0:41:03 | 0:41:06 | |
They were - till they had all their humanity taken away. | 0:41:06 | 0:41:10 | |
It's a living brain jammed inside a cybernetic body, with a heart of steel, | 0:41:10 | 0:41:15 | |
all emotions removed. | 0:41:15 | 0:41:17 | |
Why no emotions? | 0:41:17 | 0:41:19 | |
Because it hurts. | 0:41:19 | 0:41:21 | |
I demand to know, Lumic! These people, who were they? | 0:41:21 | 0:41:25 | |
They were homeless and wretched and useless, | 0:41:25 | 0:41:27 | |
until I saved them and elevated them and gave them life eternal. | 0:41:27 | 0:41:31 | |
And now I leave you in their capable hands. Good night, sir. | 0:41:31 | 0:41:35 | |
Good night, Mr President. | 0:41:35 | 0:41:38 | |
-We have been upgraded. -Into what? | 0:41:39 | 0:41:43 | |
The next level of mankind. We are Human 0.2. | 0:41:43 | 0:41:48 | |
Every citizen will receive a free upgrade, you will become like us. | 0:41:48 | 0:41:53 | |
I'm sorry. | 0:41:53 | 0:41:55 | |
I'm so sorry for what's been done to you. | 0:41:55 | 0:41:59 | |
But listen to me... | 0:41:59 | 0:42:01 | |
This experiment ends! Tonight. | 0:42:01 | 0:42:05 | |
Upgrading is compulsory. | 0:42:05 | 0:42:08 | |
-And if I refuse? -Don't. | 0:42:08 | 0:42:10 | |
What if I refuse? | 0:42:10 | 0:42:12 | |
I'm telling you, don't! | 0:42:12 | 0:42:13 | |
What happens if I refuse? | 0:42:13 | 0:42:16 | |
Then you are not compatible. | 0:42:16 | 0:42:20 | |
What happens then? | 0:42:20 | 0:42:22 | |
You will be deleted. | 0:42:22 | 0:42:25 | |
SCREAMS | 0:42:30 | 0:42:32 | |
Jackie! | 0:42:32 | 0:42:34 | |
Jackie! | 0:42:35 | 0:42:37 | |
There's nothing we can do! | 0:42:47 | 0:42:49 | |
-My mum's in there! -She's not your mother, come on! | 0:42:49 | 0:42:52 | |
Pete! Pete! | 0:43:00 | 0:43:02 | |
Pete, is there a way out? | 0:43:30 | 0:43:32 | |
The side gates! | 0:43:32 | 0:43:34 | |
-Who are you? How do you know so much? -You wouldn't believe it in a million years. | 0:43:34 | 0:43:36 | |
Who's that? | 0:43:43 | 0:43:45 | |
Get behind me! | 0:43:45 | 0:43:46 | |
Oh, my God, look at you! | 0:43:58 | 0:43:59 | |
I thought I'd never see you again! | 0:43:59 | 0:44:03 | |
-Yeah, no offence, sweetheart, but who the hell are you? -Rose! | 0:44:03 | 0:44:07 | |
That's not me, that's like...the other one. | 0:44:09 | 0:44:12 | |
Oh, as if things weren't bad enough, there's two Mickeys! | 0:44:12 | 0:44:14 | |
-It's Ricky. -But there's more of them. | 0:44:14 | 0:44:17 | |
-We're surrounded. -Put the guns down, bullets won't stop them. | 0:44:20 | 0:44:24 | |
You! Stop shooting, now! | 0:44:24 | 0:44:28 | |
We surrender! | 0:44:28 | 0:44:31 | |
Hands up! | 0:44:31 | 0:44:34 | |
There's no need to damage us. | 0:44:34 | 0:44:36 | |
We're good stock. We volunteer for the upgrade programme. | 0:44:36 | 0:44:41 | |
-Take us to be processed. -You are rogue elements. -But we surrender. | 0:44:41 | 0:44:45 | |
-You are incompatible. -But this is a surrender! | 0:44:45 | 0:44:49 | |
You will be deleted. | 0:44:49 | 0:44:51 | |
But we're surrendering! Listen to me, we surrender! | 0:44:51 | 0:44:53 | |
You are inferior. | 0:44:53 | 0:44:55 | |
Men will be reborn as Cybermen, but you will perish upon maximum deletion. | 0:44:55 | 0:45:00 | |
Delete! Delete! Delete! Delete! | 0:45:03 | 0:45:06 | |
Subtitles by Red Bee Media Ltd - 2006 | 0:45:20 | 0:45:24 | |
E-mail [email protected] | 0:45:34 | 0:45:37 |