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-What's happened? -The time vortex has gone! -We've got to be somewhere. | 0:00:02 | 0:00:06 | |
It's a parallel Earth with zeppelins. I'm right, aren't I? | 0:00:06 | 0:00:09 | |
A world where my dad's still alive. | 0:00:09 | 0:00:12 | |
Rose, he's not your father. And she is not your mother. | 0:00:12 | 0:00:15 | |
-What is that? -Mickey, we've got power! | 0:00:15 | 0:00:17 | |
You're a fine businessman, John. But you're not God. | 0:00:17 | 0:00:20 | |
What am I doing there? He doesn't just look like me. | 0:00:20 | 0:00:23 | |
He is exactly the same. | 0:00:23 | 0:00:26 | |
-What are they? -Cybermen. | 0:00:26 | 0:00:27 | |
There's no need to damage us! | 0:00:38 | 0:00:40 | |
We're good stock. We volunteer for the upgrade programme. | 0:00:40 | 0:00:45 | |
-Take us to be processed. -You are rogue elements. -But we surrender. | 0:00:45 | 0:00:49 | |
-You are incompatible. -But this is a surrender! | 0:00:49 | 0:00:52 | |
-You will be deleted. -Listen to me, we surrender! | 0:00:52 | 0:00:57 | |
You are inferior and will be reborn as Cybermen. | 0:00:57 | 0:01:01 | |
But you will perish under maximum deletion. | 0:01:01 | 0:01:05 | |
Delete, delete, delete. | 0:01:06 | 0:01:10 | |
What the hell was that?! | 0:01:52 | 0:01:53 | |
Or, how about instead, run! | 0:01:53 | 0:01:55 | |
CAR HORN BEEPS | 0:01:55 | 0:01:57 | |
Everybody! In! | 0:02:00 | 0:02:01 | |
I've got to go back. My wife's in there. | 0:02:03 | 0:02:05 | |
Anyone inside that house is dead. | 0:02:05 | 0:02:07 | |
Don't let her die for nothing, come with us right now. | 0:02:07 | 0:02:11 | |
Come on! Get a move on! | 0:02:11 | 0:02:14 | |
Rose. She's not your mother. | 0:02:14 | 0:02:16 | |
-I know. -Come on. | 0:02:16 | 0:02:17 | |
Finished chatting? Never seen a slower getaway in my life! | 0:02:19 | 0:02:22 | |
What was that thing? | 0:02:40 | 0:02:41 | |
Little bit of technology from my home. | 0:02:41 | 0:02:44 | |
-Has it run out? -It'll charge back up in about four hours. | 0:02:44 | 0:02:48 | |
-So we don't have a weapon. -We do. | 0:02:48 | 0:02:50 | |
Might not work on those metal things, but they're good enough for men like him. | 0:02:50 | 0:02:54 | |
Leave him alone! What's he done wrong? | 0:02:54 | 0:02:57 | |
Laid a trap that's wiped out the government and left Lumic in charge! | 0:02:57 | 0:03:00 | |
If I was part of that, do you think I'd leave my wife inside? | 0:03:00 | 0:03:03 | |
Maybe it went wrong. Still gives us the right to execute you. | 0:03:03 | 0:03:06 | |
Talk about executions, you'll make me your enemy. You don't want to do that. | 0:03:06 | 0:03:10 | |
All the same, we have evidence that says Pete Tyler's been working for the Lumics since 20.5. | 0:03:10 | 0:03:16 | |
Is that true? | 0:03:19 | 0:03:20 | |
Tell 'em, Mrs M. | 0:03:22 | 0:03:23 | |
We've got a government mole, feeds us information. | 0:03:23 | 0:03:26 | |
Lumic's private files, his South American operations, the lot. | 0:03:26 | 0:03:30 | |
Secret broadcasts twice a week. | 0:03:30 | 0:03:32 | |
-Broadcasts from Gemini? -And how do you know that? | 0:03:32 | 0:03:35 | |
-I'm Gemini! That's me! -You would say that. | 0:03:35 | 0:03:38 | |
Encrypted wavelength 657 using binary nine. | 0:03:38 | 0:03:42 | |
That's the only reason I was working for Lumic. To get information. | 0:03:42 | 0:03:45 | |
I thought it was the security services, what do I get? | 0:03:45 | 0:03:48 | |
The Scooby Doo gang! They've even got the van! | 0:03:48 | 0:03:51 | |
No, no, but the Preachers know what they're doing. Ricky said he's London's most wanted. | 0:03:51 | 0:03:55 | |
Yeah, that's not exactly... | 0:03:55 | 0:03:57 | |
Not exactly what? | 0:03:57 | 0:03:59 | |
I'm London's most wanted for parking tickets. | 0:03:59 | 0:04:02 | |
Oh, great. | 0:04:03 | 0:04:05 | |
I was fighting the system! Park anywhere. | 0:04:05 | 0:04:07 | |
Good policy. I do much the same. | 0:04:07 | 0:04:09 | |
I'm the Doctor, by the way, if anyone's interested. | 0:04:09 | 0:04:12 | |
-And I'm Rose. Hello! -Even better. That's the name of my dog. | 0:04:12 | 0:04:15 | |
Still, at least I've got the catering staff on my side. | 0:04:15 | 0:04:19 | |
I knew you weren't a traitor. | 0:04:19 | 0:04:21 | |
Why's that then? | 0:04:21 | 0:04:23 | |
I just did. | 0:04:24 | 0:04:26 | |
They took my wife. | 0:04:28 | 0:04:30 | |
She might still be alive. | 0:04:30 | 0:04:31 | |
That's even worse. | 0:04:31 | 0:04:33 | |
Cos that's what Lumic does. | 0:04:33 | 0:04:34 | |
He takes the living... | 0:04:34 | 0:04:37 | |
and turns them into those machines. | 0:04:37 | 0:04:40 | |
Cybermen. They're called Cybermen. And I'd take those Ear Pods off if I were you. | 0:04:40 | 0:04:46 | |
You never know, Lumic could be listening. | 0:04:46 | 0:04:49 | |
But he's over-reached himself, he's a businessman who's assassinated the President. | 0:04:49 | 0:04:53 | |
All we need to do is inform the authorities. | 0:04:53 | 0:04:56 | |
Because I promise you, this ends tonight. | 0:04:56 | 0:04:58 | |
-My everlasting children. Tell me, how does it feel? -We feel nothing. | 0:05:00 | 0:05:06 | |
But in your mind. What do you think? | 0:05:06 | 0:05:09 | |
We think the same. | 0:05:09 | 0:05:11 | |
-We are uniform. -But you think of what? | 0:05:11 | 0:05:15 | |
We think of the humans. We think of their difference and their pain. | 0:05:15 | 0:05:19 | |
They suffer in the skin. | 0:05:19 | 0:05:21 | |
They must be upgraded. | 0:05:21 | 0:05:23 | |
Excellent, then let's begin. | 0:05:23 | 0:05:27 | |
Computer, identify John Lumic. | 0:05:27 | 0:05:30 | |
'Voice print acknowledged.' | 0:05:30 | 0:05:32 | |
Activate Ear Pod Primary Sequence. | 0:05:32 | 0:05:34 | |
'Please state area of activation.' | 0:05:34 | 0:05:37 | |
The City of London. I've just declared independence. | 0:05:37 | 0:05:43 | |
Begin transmission! | 0:05:43 | 0:05:44 | |
ALARM BEEPS | 0:05:50 | 0:05:52 | |
They will come to me. | 0:06:05 | 0:06:07 | |
My new children. | 0:06:07 | 0:06:09 | |
The immortal ones. | 0:06:09 | 0:06:11 | |
The whole of London has been sealed off. | 0:06:11 | 0:06:13 | |
There are reports of an army. | 0:06:13 | 0:06:15 | |
An army of metal men. All citizens should remove their Ear Pods. | 0:06:15 | 0:06:18 | |
I repeat, remove all Ear Pods. London has been placed under martial law. | 0:06:18 | 0:06:23 | |
If you are hearing this, stay in your homes. I repeat, stay in your homes. | 0:06:23 | 0:06:26 | |
ELECTRICAL BUZZING, MAN GROANS | 0:06:28 | 0:06:30 | |
Oh, no, you don't! | 0:06:30 | 0:06:33 | |
-What the hell? -What's going on? | 0:06:33 | 0:06:37 | |
-It's the Ear Pods, Lumic's taken control. -Can't we just... | 0:06:37 | 0:06:41 | |
-I dunno, take them off? -Don't! | 0:06:41 | 0:06:43 | |
Cause a brainstorm. | 0:06:43 | 0:06:45 | |
The human race - for such an intelligent lot, you aren't half susceptible. | 0:06:45 | 0:06:49 | |
Give anyone a chance to take control and you submit! | 0:06:49 | 0:06:51 | |
Sometimes I think you like it - an easy life. | 0:06:51 | 0:06:54 | |
Hey! Come and see! | 0:06:54 | 0:06:56 | |
Where are they all going? | 0:07:02 | 0:07:04 | |
I don't know. Lumic must have a base of operations. | 0:07:04 | 0:07:07 | |
Battersea. That's where he was building his prototypes. | 0:07:07 | 0:07:11 | |
-Why's he doing it? -He's dying. | 0:07:11 | 0:07:14 | |
This all started out as a way of prolonging life, keeping the brain alive. | 0:07:14 | 0:07:18 | |
-At any cost. -Thing is, I've seen Cybermen before, haven't I? | 0:07:18 | 0:07:21 | |
The head, those handle shapes. In Van Statten's Museum. | 0:07:21 | 0:07:24 | |
There are Cybermen in our universe. They started on an ordinary world, then swarmed across the galaxy. | 0:07:24 | 0:07:30 | |
This lot are starting from scratch, right here on Earth. | 0:07:30 | 0:07:33 | |
What are you on about? | 0:07:33 | 0:07:34 | |
Never mind that, we need to get out of the city. | 0:07:34 | 0:07:37 | |
OK, split up! Mrs Moore, you look after that lot. | 0:07:37 | 0:07:40 | |
Jake, distract them. We'll meet back at Bridge Street. Move! | 0:07:40 | 0:07:44 | |
I'm going with him. | 0:07:44 | 0:07:46 | |
Come on! Let's go. | 0:07:47 | 0:07:49 | |
There! | 0:07:53 | 0:07:55 | |
Which way? I don't know where we are. | 0:08:08 | 0:08:10 | |
-Did they see us? -Bet they've got satellites. -They saw us in the dark. | 0:08:10 | 0:08:14 | |
BOTH: They know where we are. | 0:08:14 | 0:08:16 | |
I don't get it, what is it with you? | 0:08:16 | 0:08:18 | |
You're exactly like me. | 0:08:18 | 0:08:20 | |
-I dunno. Reckon you're braver. -Ten times. | 0:08:20 | 0:08:22 | |
Still, your friends aren't bad. | 0:08:22 | 0:08:25 | |
That's the Doctor and Rose. I just tag along behind. | 0:08:25 | 0:08:28 | |
Well, then you're not that bad. | 0:08:28 | 0:08:30 | |
-Do you think? -Yeah, suppose. | 0:08:30 | 0:08:32 | |
METALLIC MARCHING | 0:08:32 | 0:08:34 | |
Cybermen! | 0:08:36 | 0:08:37 | |
BOTH: Split up! | 0:08:38 | 0:08:39 | |
(Go!) | 0:09:14 | 0:09:16 | |
TANNOY: 'Chamber 12 now closed for sterilisation. | 0:09:24 | 0:09:29 | |
'All reject stock will be in incinerated.' | 0:09:29 | 0:09:34 | |
Come on! | 0:09:51 | 0:09:53 | |
Come on! | 0:09:53 | 0:09:55 | |
Come on! | 0:09:55 | 0:09:57 | |
HE SCREAMS | 0:09:57 | 0:09:58 | |
No! | 0:09:58 | 0:09:59 | |
Cyberman: This one is unprogrammed. | 0:10:16 | 0:10:18 | |
Mr Crane, I thought you were one of the faithful. | 0:10:18 | 0:10:22 | |
Oh, that I am, sir. | 0:10:22 | 0:10:23 | |
My Ear Pod must have malfunctioned. | 0:10:23 | 0:10:25 | |
For which I apologise. | 0:10:25 | 0:10:27 | |
If I might? | 0:10:27 | 0:10:29 | |
I'd like to request an upgrade, sir. | 0:10:32 | 0:10:35 | |
I've seen the future and its copyright Cybus Industries. | 0:10:35 | 0:10:38 | |
-Sign me up! -A willing volunteer? | 0:10:38 | 0:10:41 | |
You've known me a long time, sir. | 0:10:41 | 0:10:43 | |
Quite a team, you and me. | 0:10:43 | 0:10:45 | |
I've been with you all the way. | 0:10:45 | 0:10:47 | |
But believe me, sir. | 0:10:47 | 0:10:49 | |
Knowing you so well, I know exactly what to do. | 0:10:49 | 0:10:53 | |
No! No! Help me! | 0:10:58 | 0:10:59 | |
Die! | 0:11:03 | 0:11:03 | |
-Help me! -You are in pain. | 0:11:06 | 0:11:08 | |
We can remove pain forever. | 0:11:08 | 0:11:10 | |
No. Not yet. I'm not ready! | 0:11:10 | 0:11:14 | |
We will give you immortality. | 0:11:14 | 0:11:16 | |
I've told you, I will upgrade... | 0:11:16 | 0:11:19 | |
only with my last breath. | 0:11:19 | 0:11:21 | |
Then breathe no more. | 0:11:21 | 0:11:24 | |
No, no! I command you! No! | 0:11:26 | 0:11:30 | |
I ran past the river, you should've seen it - the whole city's on the march. | 0:11:33 | 0:11:37 | |
Hundreds of Cybermen all down the Thames. | 0:11:37 | 0:11:39 | |
Here he is! | 0:11:40 | 0:11:42 | |
Which one are you? | 0:11:44 | 0:11:46 | |
-I'm sorry. The Cybermen... He couldn't... -Are you Ricky? | 0:11:46 | 0:11:49 | |
Are you Ricky? | 0:11:50 | 0:11:51 | |
Mickey, that's you, isn't it? | 0:11:51 | 0:11:53 | |
Yeah. | 0:11:53 | 0:11:55 | |
He tried. He was running. | 0:12:00 | 0:12:02 | |
-There was too many of them. -Shut it. | 0:12:02 | 0:12:04 | |
-There was nothing I could do. -I said just shut it! | 0:12:04 | 0:12:07 | |
Don't even talk about him. | 0:12:07 | 0:12:09 | |
You're nothing, you are. | 0:12:09 | 0:12:12 | |
Nothing. | 0:12:14 | 0:12:15 | |
We can mourn him when London is safe. | 0:12:16 | 0:12:19 | |
For now, we move on. | 0:12:19 | 0:12:22 | |
The whole of London's been sealed off and the entire population's been taken inside that place. | 0:12:44 | 0:12:49 | |
To be converted. | 0:12:49 | 0:12:51 | |
We've got to get in there and shut it down. | 0:12:51 | 0:12:53 | |
How do we do that? | 0:12:53 | 0:12:55 | |
Oh, I'll think of something. | 0:12:55 | 0:12:57 | |
-You're just making this up as you go along! -Yep. | 0:12:57 | 0:13:00 | |
But I do it brilliantly. | 0:13:00 | 0:13:02 | |
MRS MOORE: That's a schematic of the old factory. | 0:13:04 | 0:13:07 | |
Look, cooling tunnels underneath the plant, | 0:13:09 | 0:13:12 | |
-big enough to walk through. -We go under, then up into the control centre. | 0:13:12 | 0:13:16 | |
There's another way in. Through the front door. | 0:13:16 | 0:13:19 | |
If they've taken Jackie, that's how she'll get in. | 0:13:19 | 0:13:22 | |
We can't just go strolling up. | 0:13:22 | 0:13:24 | |
Oh, we could. With these. | 0:13:24 | 0:13:28 | |
Fake Ear Pods. | 0:13:28 | 0:13:30 | |
Dead, no signal, but put them on and the Cybermen would mistake you for one of the crowd. | 0:13:30 | 0:13:35 | |
Then that's my job. | 0:13:35 | 0:13:36 | |
You'd have to show no emotion. Any sign of emotion gives you away. | 0:13:36 | 0:13:40 | |
- How many of those have you got? - Just two sets. | 0:13:40 | 0:13:42 | |
OK. | 0:13:42 | 0:13:44 | |
If that's the best way of finding Jackie, then I'm coming with you. | 0:13:44 | 0:13:49 | |
-Why does she matter to you? -We haven't got time. Doctor, I'm going with him. | 0:13:49 | 0:13:53 | |
No stopping you, is there? | 0:13:53 | 0:13:55 | |
Nope. | 0:13:55 | 0:13:57 | |
Tell you what, we can attack the Ear Pods at the same time. | 0:13:57 | 0:14:00 | |
Give people their minds back, so they don't walk into that place like sheep. Jakey-boy... | 0:14:00 | 0:14:07 | |
Lumic's transmitting the control signal. It must be from over there. | 0:14:10 | 0:14:13 | |
There it is. On the zeppelin, do you see? | 0:14:16 | 0:14:18 | |
Great big transmitter. It's a good thing Lumic likes showing off. | 0:14:18 | 0:14:22 | |
Reckon you can take it out? | 0:14:22 | 0:14:24 | |
Consider it done. | 0:14:24 | 0:14:27 | |
Mrs Moore, would you care to accompany me into the cooling tunnels? | 0:14:27 | 0:14:31 | |
-How could I refuse? -We attack on three sides. | 0:14:31 | 0:14:34 | |
-Above, between, below. Into the control centre, stop the conversion machines. -What about me? | 0:14:34 | 0:14:40 | |
Mickey, you can, um... | 0:14:40 | 0:14:44 | |
What? Stay out of trouble? Be the tin dog? | 0:14:44 | 0:14:47 | |
No, those days are over. | 0:14:47 | 0:14:48 | |
-I'm going with Jake. -I don't need you, idiot. | 0:14:48 | 0:14:51 | |
I'm not an idiot. You got that? | 0:14:51 | 0:14:53 | |
I'm offering to help. | 0:14:53 | 0:14:55 | |
Whatever. | 0:14:57 | 0:14:59 | |
Mickey! | 0:15:01 | 0:15:03 | |
Good luck. | 0:15:03 | 0:15:05 | |
Yeah, you too. | 0:15:05 | 0:15:06 | |
-Rose, I'll see you later. -Yeah! You'd better. | 0:15:06 | 0:15:09 | |
If we survive, I'll see you at the Tardis. | 0:15:09 | 0:15:12 | |
That's a promise. | 0:15:16 | 0:15:18 | |
Good luck. | 0:15:23 | 0:15:25 | |
It's freezing. | 0:15:41 | 0:15:43 | |
Any sign of a light switch? | 0:15:43 | 0:15:46 | |
Can't see a thing. But I've got these. | 0:15:46 | 0:15:49 | |
-A device for every occasion. -Ooh! | 0:15:49 | 0:15:51 | |
Put it on. | 0:15:51 | 0:15:53 | |
Haven't got a hot dog in there, have you? I'm starving. | 0:15:55 | 0:15:58 | |
Of all the things to wish for, that's mechanically recovered meat. | 0:15:58 | 0:16:02 | |
I know, it's the Cyberman of food. But it's tasty! | 0:16:02 | 0:16:06 | |
A proper torch as well. | 0:16:06 | 0:16:08 | |
Let's see where we are. | 0:16:08 | 0:16:10 | |
Already converted, just put on ice. Come on. | 0:16:14 | 0:16:18 | |
Let's go slowly. | 0:16:29 | 0:16:30 | |
Keep an eye out for trip systems. | 0:16:34 | 0:16:36 | |
TANNOY MAKES AN ANNOUNCEMENT | 0:16:57 | 0:17:00 | |
Just put them on. Don't show any emotion. | 0:17:13 | 0:17:17 | |
No signs, nothing. OK? | 0:17:17 | 0:17:19 | |
Don't worry. We can do it. | 0:17:19 | 0:17:21 | |
We could die in there. Why you doing this? | 0:17:21 | 0:17:24 | |
Let's just say I'm doing it for my mum and dad. | 0:17:24 | 0:17:27 | |
Right, let's go. | 0:17:28 | 0:17:30 | |
TANNOY: 'Chamber eight now open for human upgrading. | 0:17:31 | 0:17:35 | |
'Chamber nine now open for human upgrading. | 0:17:35 | 0:17:41 | |
'Chamber ten now open for human upgrading. | 0:17:41 | 0:17:46 | |
'Chamber 11 now open for human upgrading.' | 0:17:51 | 0:17:56 | |
Two guards. We can take them. | 0:18:29 | 0:18:31 | |
-Don't kill them. -Who put you in charge? | 0:18:31 | 0:18:33 | |
If you kill them, what's the difference between you and a Cyberman? | 0:18:33 | 0:18:37 | |
Well, I suppose we could use these. | 0:18:39 | 0:18:41 | |
Smelling salts? | 0:18:43 | 0:18:44 | |
Bit stronger than that. One of Mrs Moore's little tricks. | 0:18:44 | 0:18:48 | |
Should knock 'em out. | 0:18:48 | 0:18:50 | |
(Three, two, one.) | 0:18:50 | 0:18:52 | |
There's got to be more guards on board. | 0:19:06 | 0:19:08 | |
Then let's go get them. | 0:19:09 | 0:19:10 | |
How did you get into this, then? | 0:19:16 | 0:19:18 | |
Rattling along with the Preachers. | 0:19:18 | 0:19:20 | |
Oh, I used to be ordinary! | 0:19:20 | 0:19:23 | |
Worked at Cybus Industries, nine to five. | 0:19:23 | 0:19:27 | |
Till one day I find something I'm not supposed to. | 0:19:27 | 0:19:31 | |
A file on the mainframe. | 0:19:31 | 0:19:34 | |
All I did was read it. | 0:19:34 | 0:19:36 | |
Then suddenly I've got men with guns knocking in the middle of the night. | 0:19:36 | 0:19:41 | |
A life on the run. | 0:19:41 | 0:19:43 | |
Then I found the Preachers. | 0:19:43 | 0:19:46 | |
They needed a techie, so I... | 0:19:46 | 0:19:49 | |
just sat down and taught myself everything. | 0:19:49 | 0:19:51 | |
What about Mr Moore? | 0:19:51 | 0:19:53 | |
Well, he's not called Moore. | 0:19:53 | 0:19:55 | |
I got that from a book, | 0:19:57 | 0:19:59 | |
Mrs Moore. | 0:19:59 | 0:20:01 | |
It's safer not to use real names. | 0:20:01 | 0:20:03 | |
But he thinks I'm dead. It was the only way to keep him safe. | 0:20:05 | 0:20:09 | |
Him and the kids. | 0:20:09 | 0:20:11 | |
What about you, | 0:20:13 | 0:20:15 | |
got any family? | 0:20:15 | 0:20:16 | |
Who needs family? | 0:20:16 | 0:20:18 | |
I've got the whole world on my shoulders. | 0:20:18 | 0:20:21 | |
Go on then, what's your real name? | 0:20:21 | 0:20:25 | |
Angela Price. | 0:20:25 | 0:20:28 | |
Don't tell a soul. | 0:20:28 | 0:20:30 | |
Not a word. | 0:20:30 | 0:20:31 | |
Movement in Deepcold Six. | 0:20:43 | 0:20:45 | |
Awaken the army. | 0:20:46 | 0:20:48 | |
Doctor? Did that one move? | 0:20:51 | 0:20:54 | |
It's just the torchlight. | 0:20:54 | 0:20:56 | |
Keep going, come on. | 0:20:56 | 0:20:58 | |
They're waking up! Run! | 0:20:58 | 0:21:00 | |
Get up! Quick, they're coming! | 0:21:12 | 0:21:15 | |
Open it! Open it! | 0:21:15 | 0:21:19 | |
Get up, quick! | 0:21:19 | 0:21:21 | |
-Quick! -Angela! Come on! | 0:21:21 | 0:21:24 | |
Oh, good team, Mrs Moore! | 0:21:32 | 0:21:34 | |
TANNOY: 'Units upgraded. Now 6,500. | 0:21:37 | 0:21:42 | |
'Repeat, 6,500 and rising.' | 0:21:42 | 0:21:47 | |
You will wait. | 0:21:53 | 0:21:54 | |
You OK? | 0:21:56 | 0:21:57 | |
No. | 0:21:58 | 0:22:00 | |
TANNOY: 'Chamber six now open for human upgrading. | 0:22:00 | 0:22:03 | |
'All reject stock will be incinerated.' | 0:22:06 | 0:22:09 | |
Any sign of Jackie? | 0:22:45 | 0:22:47 | |
You are Peter Tyler. | 0:22:50 | 0:22:53 | |
Confirm. You are Peter Tyler. | 0:22:53 | 0:22:55 | |
Confirm. | 0:22:55 | 0:22:57 | |
I recognise you. I went first - my name was Jacqueline Tyler. | 0:22:57 | 0:23:02 | |
-No! -What? -They are unprogrammed. Restrain. | 0:23:02 | 0:23:06 | |
You're lying, you're not her, you're not my Jackie. | 0:23:06 | 0:23:10 | |
No, I am Cyberform. | 0:23:10 | 0:23:11 | |
Once I was Jacqueline Tyler. | 0:23:11 | 0:23:14 | |
But you can't be. | 0:23:14 | 0:23:15 | |
-Not her... -Her brain is inside this body. | 0:23:16 | 0:23:20 | |
Jacks. I came to save you! | 0:23:20 | 0:23:22 | |
This man worked with Cybus Industries to create our species. | 0:23:22 | 0:23:27 | |
He will be rewarded by force. | 0:23:27 | 0:23:29 | |
Take them to Cybercontrol. | 0:23:29 | 0:23:32 | |
They killed her. | 0:23:34 | 0:23:36 | |
-They took her and killed her. -Maybe there's a chance. | 0:23:36 | 0:23:38 | |
-I don't know, maybe we can reverse it. -There's nothing we can do. | 0:23:38 | 0:23:42 | |
But if she remembers... | 0:23:42 | 0:23:44 | |
Where is she? Which one was it? Which one was her? | 0:23:46 | 0:23:49 | |
They all look the same. | 0:23:51 | 0:23:53 | |
Nice one, nobody's home. | 0:23:57 | 0:24:00 | |
-Find the controls. -What do they look like? | 0:24:00 | 0:24:02 | |
They might have transmitter controls written in red letters, just look! | 0:24:02 | 0:24:05 | |
-Whoa! -Cyberman! | 0:24:12 | 0:24:15 | |
It's dead. | 0:24:32 | 0:24:35 | |
I don't think it was ever alive. | 0:24:35 | 0:24:37 | |
It's empty. No brain, just the robot suit. It's for display. | 0:24:41 | 0:24:46 | |
OK. | 0:24:46 | 0:24:48 | |
Transmitter! | 0:24:48 | 0:24:50 | |
You are not upgraded. | 0:24:59 | 0:25:01 | |
Yeah, well, upgrade this. | 0:25:01 | 0:25:04 | |
-What the hell was that thing? -Electromagnetic bomb. | 0:25:11 | 0:25:15 | |
It takes out computers, I figured it might stop a cybersuit. | 0:25:15 | 0:25:19 | |
Well, you figured right. Now let's have a look. | 0:25:19 | 0:25:21 | |
Know your enemy. They've even got the logo on the front. | 0:25:21 | 0:25:25 | |
Lumic's turned them into a brand. | 0:25:25 | 0:25:28 | |
Heart of steel. | 0:25:30 | 0:25:32 | |
But look... | 0:25:35 | 0:25:36 | |
-Is that flesh? -Mmm. | 0:25:39 | 0:25:42 | |
A central nervous system. | 0:25:42 | 0:25:44 | |
Artificially grown, threaded through the suit so it responds like a living thing. | 0:25:44 | 0:25:47 | |
Well, it is a living thing. | 0:25:47 | 0:25:51 | |
Oh, but look! | 0:25:51 | 0:25:52 | |
Emotional inhibitor. | 0:25:53 | 0:25:56 | |
Stops them feeling anything. | 0:25:56 | 0:25:58 | |
But why? | 0:25:58 | 0:26:00 | |
It's still got a human brain. | 0:26:00 | 0:26:01 | |
Imagine its reaction | 0:26:01 | 0:26:03 | |
if it could see itself, realise itself, inside this thing. | 0:26:03 | 0:26:07 | |
It would go insane. | 0:26:07 | 0:26:10 | |
So they cut out the one thing that makes them human. | 0:26:10 | 0:26:13 | |
Because they have to. | 0:26:13 | 0:26:15 | |
Why...am I...cold? | 0:26:15 | 0:26:18 | |
Oh, my God, it's alive. | 0:26:18 | 0:26:20 | |
-It can feel. -We broke the inhibitor. | 0:26:20 | 0:26:22 | |
I'm sorry. I'm so sorry. | 0:26:22 | 0:26:25 | |
Why so cold? | 0:26:25 | 0:26:27 | |
Can you remember your name? | 0:26:27 | 0:26:29 | |
Sally. Sally Phelan. | 0:26:29 | 0:26:32 | |
You're a woman. | 0:26:32 | 0:26:34 | |
Where's Gareth? | 0:26:34 | 0:26:36 | |
Who's Gareth? | 0:26:36 | 0:26:38 | |
He can't see me. | 0:26:38 | 0:26:40 | |
It's unlucky the night before. | 0:26:40 | 0:26:44 | |
You're getting married? | 0:26:44 | 0:26:46 | |
I'm cold. | 0:26:46 | 0:26:48 | |
I'm so cold. | 0:26:48 | 0:26:51 | |
It's all right. You sleep now, Sally. | 0:26:51 | 0:26:55 | |
Just go to sleep. | 0:26:55 | 0:26:58 | |
Sally Phelan didn't die for nothing. | 0:27:01 | 0:27:04 | |
Because that's the key, | 0:27:04 | 0:27:07 | |
the emotional inhibitor. | 0:27:07 | 0:27:09 | |
If we can find the cancellation code, feed it throughout the system | 0:27:09 | 0:27:12 | |
into every Cyberman's head, they'd realise what they are. | 0:27:12 | 0:27:15 | |
And what happens then? | 0:27:15 | 0:27:18 | |
I think it would kill them. | 0:27:18 | 0:27:19 | |
Can we do that? | 0:27:21 | 0:27:23 | |
We've got to. Before they kill everyone else. | 0:27:23 | 0:27:26 | |
There's no choice, Doctor. | 0:27:27 | 0:27:30 | |
It's got to be done. | 0:27:30 | 0:27:32 | |
No! No, you didn't have to kill her! | 0:27:39 | 0:27:42 | |
Sensors detect a binary vascular system. | 0:27:42 | 0:27:45 | |
You are an unknown upgrade. | 0:27:45 | 0:27:47 | |
You will be taken for analysis. | 0:27:47 | 0:27:51 | |
The transmitter controls are sealed behind here, we need oxy-acetylene. | 0:27:59 | 0:28:03 | |
-Oh, and I forgot to bring it with me. -Then what do we do? | 0:28:03 | 0:28:05 | |
We crash the zeppelin. | 0:28:05 | 0:28:07 | |
-With us inside it? -We could set it on automatic and then just leg it. | 0:28:07 | 0:28:10 | |
Let's have a look. | 0:28:10 | 0:28:12 | |
It's locked. There's gotta be an override. | 0:28:17 | 0:28:20 | |
Let me have a go. I'm good with computers, trust me. | 0:28:20 | 0:28:22 | |
I've been captured, but don't worry, Rose and Pete are still out there, | 0:28:43 | 0:28:47 | |
they can rescue me. Never mind. You OK? | 0:28:47 | 0:28:49 | |
Yeah. | 0:28:49 | 0:28:51 | |
But they got Jackie. | 0:28:51 | 0:28:52 | |
We were too late. Lumic killed her. | 0:28:52 | 0:28:55 | |
Then where is he? | 0:28:55 | 0:28:56 | |
The famous Mr Lumic. | 0:28:56 | 0:28:58 | |
Don't we get the chance to meet our lord and master? | 0:28:58 | 0:29:01 | |
He has been upgraded. | 0:29:01 | 0:29:04 | |
-So he's just like you. -He is superior. | 0:29:04 | 0:29:07 | |
The Lumic unit has been designated Cybercontroller. | 0:29:07 | 0:29:11 | |
This is the Age of Steel. | 0:29:20 | 0:29:22 | |
And I am its creator. | 0:29:22 | 0:29:25 | |
I'm almost there. | 0:29:30 | 0:29:32 | |
Not bad work. | 0:29:32 | 0:29:34 | |
It's moving! | 0:29:39 | 0:29:41 | |
You said it was dead! | 0:29:42 | 0:29:44 | |
A robot suit's still a good robot! Wait! | 0:29:44 | 0:29:46 | |
Hey, Cyberman! Over here! | 0:29:46 | 0:29:48 | |
Come on, you brainless lump of metal! Come and have a go! | 0:29:50 | 0:29:53 | |
Oh, no! | 0:30:05 | 0:30:06 | |
THEY SCREAM | 0:30:06 | 0:30:08 | |
The transmitter's down! | 0:30:09 | 0:30:11 | |
MUFFLED SCREAMS | 0:30:19 | 0:30:22 | |
That's my friends at work. Good boys! | 0:30:22 | 0:30:24 | |
Mr Lumic, I think that's a vote for free will! | 0:30:24 | 0:30:28 | |
I have factories waiting on seven continents. | 0:30:28 | 0:30:33 | |
If the Ear Pods have failed, then the Cybermen will take humanity by force. | 0:30:33 | 0:30:39 | |
London has fallen. | 0:30:39 | 0:30:42 | |
So shall the world. | 0:30:42 | 0:30:45 | |
Hold on, I've logged on to Cybercontrol. They're alive! The Doctor and Rose, there they are! | 0:30:45 | 0:30:50 | |
What the hell is that thing? | 0:30:50 | 0:30:51 | |
Shh! Has this thing got sound? | 0:30:51 | 0:30:54 | |
'I will bring peace to the world. | 0:30:54 | 0:30:58 | |
'Everlasting peace...' | 0:30:58 | 0:30:59 | |
and unity and uniformity. | 0:30:59 | 0:31:03 | |
And imagination? What about that? | 0:31:03 | 0:31:05 | |
The one thing that led you here, imagination, you're killing it dead. | 0:31:05 | 0:31:09 | |
What is your name? | 0:31:09 | 0:31:11 | |
-I'm the Doctor. -A redundant title. | 0:31:11 | 0:31:14 | |
Doctors need not exist. | 0:31:14 | 0:31:16 | |
Cybermen never sicken. | 0:31:16 | 0:31:18 | |
Yeah, but that's it, that's exactly the point. | 0:31:18 | 0:31:21 | |
Oh, Lumic, you're a clever man. | 0:31:21 | 0:31:23 | |
I'd call you a genius, except I'm here. Everything you've invented, | 0:31:23 | 0:31:27 | |
you did to fight your sickness - brilliant. | 0:31:27 | 0:31:29 | |
That is so human. | 0:31:29 | 0:31:31 | |
But once you get rid of sickness and mortality, then what's there to strive for? Eh? | 0:31:31 | 0:31:37 | |
The Cybermen won't advance. | 0:31:37 | 0:31:39 | |
You'll just stop. | 0:31:39 | 0:31:40 | |
You'll stay like this for ever. | 0:31:40 | 0:31:42 | |
A metal Earth with metal men and metal thoughts. | 0:31:42 | 0:31:46 | |
Lacking the one thing that makes this planet so alive. People! | 0:31:46 | 0:31:51 | |
Ordinary, stupid, brilliant, people! | 0:31:51 | 0:31:54 | |
You are proud of your emotions? | 0:31:54 | 0:31:57 | |
Oh, yes! | 0:31:57 | 0:31:58 | |
Then tell me, Doctor, | 0:31:58 | 0:32:00 | |
have you known grief? | 0:32:00 | 0:32:02 | |
And rage? And pain? | 0:32:02 | 0:32:04 | |
Yes. Yes, I have. | 0:32:04 | 0:32:06 | |
And they hurt? | 0:32:06 | 0:32:08 | |
Oh, yes. | 0:32:08 | 0:32:10 | |
I can set you free. | 0:32:10 | 0:32:12 | |
Would you not want that? | 0:32:12 | 0:32:14 | |
A life without pain. | 0:32:14 | 0:32:16 | |
You might as well kill me. | 0:32:16 | 0:32:18 | |
Then I take that option. | 0:32:18 | 0:32:21 | |
It's not yours to take! | 0:32:21 | 0:32:23 | |
You're a Cybercontroller. | 0:32:23 | 0:32:24 | |
You don't control me, or anything with a heart. | 0:32:24 | 0:32:27 | |
You have no means of stopping me. | 0:32:27 | 0:32:30 | |
I have an army. A species of my own. | 0:32:30 | 0:32:34 | |
You just don't get it, do you? | 0:32:34 | 0:32:36 | |
An army's nothing. | 0:32:36 | 0:32:38 | |
Cos those ordinary people, they're the key. The most ordinary person can change the world. | 0:32:38 | 0:32:43 | |
Some ordinary man or woman, | 0:32:43 | 0:32:45 | |
some idiot. All it takes is for him to find, say, the right numbers... | 0:32:45 | 0:32:50 | |
Say, the right code, say, for example, the code behind the emotional inhibitor. | 0:32:50 | 0:32:54 | |
The code right in front of him. Cos even an idiot knows his computers, these days. | 0:32:54 | 0:32:59 | |
Knows how to get past firewalls and passwords. | 0:32:59 | 0:33:03 | |
How to find something encrypted in the Lumic Family database, under what was it, Pete, binary what? | 0:33:03 | 0:33:08 | |
-Binary nine. -Binary nine!! -An idiot could find that code! | 0:33:08 | 0:33:12 | |
A cancellation code. He'd keep on typing, keep on fighting, anything to save his friends. | 0:33:12 | 0:33:19 | |
Your words are irrelevant. | 0:33:19 | 0:33:21 | |
Yeah, talk too much, that's my problem. | 0:33:21 | 0:33:24 | |
Lucky I got you that cheap tariff, Rose. For all our chats. | 0:33:24 | 0:33:27 | |
-On your phone. -The phone! | 0:33:27 | 0:33:29 | |
You will be deleted. | 0:33:29 | 0:33:31 | |
Yes. Delete. Control. Hash. | 0:33:31 | 0:33:33 | |
Then, of course, my particular favourite. Send! | 0:33:33 | 0:33:36 | |
Let's not forget how you seduced all those ordinary people. | 0:33:36 | 0:33:41 | |
-MESSAGE ALERT -By making technology compatible with everything else. | 0:33:41 | 0:33:44 | |
It's for you! | 0:33:44 | 0:33:45 | |
Like this! | 0:33:45 | 0:33:46 | |
Yes! | 0:33:57 | 0:33:58 | |
I'm sorry. | 0:34:09 | 0:34:10 | |
-What have you done? -I gave them back their souls. | 0:34:19 | 0:34:23 | |
They can see what you've done, Lumic. | 0:34:23 | 0:34:25 | |
-And it's killing them. -Delete! Delete! Delete! | 0:34:25 | 0:34:28 | |
LUMIC GROANS | 0:34:28 | 0:34:31 | |
There's no way out! | 0:34:45 | 0:34:46 | |
-What are you doing? -If that factory blows, this balloon'll ignite. -Take it back! | 0:34:47 | 0:34:51 | |
-Mickey, they've had it. -I said, take it back! | 0:34:51 | 0:34:54 | |
We're not leaving them behind. | 0:34:57 | 0:35:00 | |
There's no way we are leaving them behind. | 0:35:00 | 0:35:02 | |
Hold it! | 0:35:08 | 0:35:10 | |
Rose, can you hear me? Head for the roof! | 0:35:13 | 0:35:15 | |
He says head for the roof. | 0:35:15 | 0:35:17 | |
HE GROANS | 0:35:31 | 0:35:33 | |
No! | 0:35:35 | 0:35:38 | |
Mickey, where did you learn to fly that thing?! | 0:35:47 | 0:35:51 | |
Playstation! Just hold on, Rose, I'm coming to get you. | 0:35:51 | 0:35:54 | |
-You can't go any lower! -I've got to! | 0:36:03 | 0:36:06 | |
You're gonna crush them! | 0:36:06 | 0:36:08 | |
There's gotta be something, there's got to be. | 0:36:08 | 0:36:11 | |
Oh, yes! | 0:36:11 | 0:36:12 | |
-You've got to be kidding. -Rose, get on! | 0:36:17 | 0:36:20 | |
Hold on tight, we're going up! | 0:36:23 | 0:36:25 | |
Welcome to Mickey Smith airlines, please enjoy your flight! | 0:36:27 | 0:36:30 | |
We did it! We did it! | 0:36:38 | 0:36:40 | |
SHE SHRIEKS | 0:36:45 | 0:36:47 | |
Pete! Take this! | 0:37:04 | 0:37:07 | |
Use it! | 0:37:08 | 0:37:10 | |
Hold the button down and press it against the rope. Just do it! | 0:37:10 | 0:37:14 | |
Jackie Tyler. | 0:37:16 | 0:37:18 | |
This is for her. | 0:37:18 | 0:37:20 | |
HE SCREAMS | 0:37:32 | 0:37:34 | |
-So, what happens inside that thing then? -Do you want to see? | 0:38:14 | 0:38:18 | |
I don't think so. | 0:38:18 | 0:38:19 | |
But you two, all that stuff you said. | 0:38:21 | 0:38:24 | |
About different worlds. | 0:38:24 | 0:38:26 | |
Who are you? | 0:38:28 | 0:38:29 | |
It's like you said. | 0:38:31 | 0:38:34 | |
Imagine there are different worlds, | 0:38:34 | 0:38:38 | |
parallel worlds. | 0:38:38 | 0:38:40 | |
Worlds with another Pete Tyler. | 0:38:40 | 0:38:42 | |
And Jackie Tyler, still alive. | 0:38:44 | 0:38:46 | |
And their daughter. | 0:38:46 | 0:38:49 | |
-I've got to go. -But if you just look inside... | 0:38:52 | 0:38:54 | |
I can't. There's all those Lumic factories out there, all those Cybermen in storage. | 0:38:54 | 0:39:00 | |
Someone's got to tell the authorities what happened. | 0:39:00 | 0:39:03 | |
Rose, I've only got five minutes of power. | 0:39:05 | 0:39:09 | |
-We've got to go. -The Doctor could show you. -Thank you...for everything. | 0:39:09 | 0:39:14 | |
Dad... | 0:39:14 | 0:39:16 | |
Don't. Just don't. | 0:39:18 | 0:39:20 | |
Here it is. | 0:39:34 | 0:39:37 | |
I found it, not a crease. | 0:39:38 | 0:39:41 | |
My suit! Good man! | 0:39:41 | 0:39:44 | |
Now then, Jake, we've got to run, but one more thing. | 0:39:44 | 0:39:47 | |
Mrs Moore. Her real name was Angela Price. | 0:39:47 | 0:39:50 | |
She's got a husband out there, and children. | 0:39:50 | 0:39:53 | |
Find them. Tell them how she died saving the world. | 0:39:53 | 0:39:56 | |
Yeah. Course I will. | 0:39:56 | 0:39:58 | |
Off we go then. | 0:39:58 | 0:40:00 | |
Um... | 0:40:00 | 0:40:02 | |
Thing is, I'm staying. | 0:40:02 | 0:40:03 | |
You're doing what? | 0:40:03 | 0:40:06 | |
-But you can't. -It sort of balances out. | 0:40:06 | 0:40:09 | |
Cos this world lost its Ricky, but there's me. | 0:40:09 | 0:40:12 | |
And there's work to be done with all those Cybermen still out there. | 0:40:12 | 0:40:16 | |
But you can't stay. | 0:40:16 | 0:40:19 | |
Rose, my gran's here. | 0:40:19 | 0:40:20 | |
-She's still alive. My old gran, remember her? -Yeah. | 0:40:22 | 0:40:26 | |
She needs me. | 0:40:26 | 0:40:28 | |
What about me, what if I need you? | 0:40:28 | 0:40:30 | |
Yeah, but Rose, | 0:40:30 | 0:40:32 | |
you don't. | 0:40:32 | 0:40:35 | |
It's just you and him, isn't it? | 0:40:35 | 0:40:37 | |
We had something a long time ago, but... | 0:40:40 | 0:40:42 | |
not any more. | 0:40:42 | 0:40:45 | |
Well, we'll come back. | 0:40:45 | 0:40:47 | |
We can travel anywhere! Come and see you, yeah? | 0:40:47 | 0:40:50 | |
We can't. | 0:40:50 | 0:40:51 | |
I told you, travel between parallel worlds is impossible. | 0:40:53 | 0:40:57 | |
We got here by accident. We fell through a crack in time. | 0:40:57 | 0:41:00 | |
When we leave, I've got to close it. | 0:41:00 | 0:41:02 | |
We can't ever return. | 0:41:05 | 0:41:07 | |
Doctor. | 0:41:13 | 0:41:15 | |
Take Rose's phone. It's got the Code, get it out there, | 0:41:15 | 0:41:18 | |
stop those factories. | 0:41:18 | 0:41:20 | |
And good luck... | 0:41:23 | 0:41:24 | |
-Mickey the Idiot. -Watch it! | 0:41:26 | 0:41:29 | |
Thanks. | 0:41:42 | 0:41:44 | |
We've had a laugh though, haven't we? | 0:41:45 | 0:41:48 | |
Seen it all. Been there and back. | 0:41:48 | 0:41:50 | |
Who'd have thought - me and you off that old estate, flying through the stars. | 0:41:53 | 0:41:57 | |
All those years, just sitting there. | 0:41:57 | 0:42:00 | |
Imagining what we'd do one day. | 0:42:01 | 0:42:05 | |
We never saw this, did we? | 0:42:05 | 0:42:07 | |
Go on. Don't miss your flight. | 0:42:15 | 0:42:17 | |
Jake, you want to watch this. | 0:42:43 | 0:42:46 | |
What the hell?! | 0:42:50 | 0:42:53 | |
That's the Doctor. In the Tardis. | 0:42:53 | 0:42:56 | |
With Rose Tyler. | 0:42:56 | 0:42:58 | |
TARDIS PULSATES | 0:43:05 | 0:43:07 | |
You're alive! | 0:43:12 | 0:43:14 | |
Oh, Mum, you're alive! | 0:43:14 | 0:43:16 | |
Well, I was the last time I looked. | 0:43:16 | 0:43:19 | |
What is it? What happened, sweetheart? | 0:43:19 | 0:43:21 | |
What's wrong? Where did you go? | 0:43:21 | 0:43:24 | |
Far away. That was...far away. | 0:43:24 | 0:43:29 | |
-Where's Mickey? -He's gone home. | 0:43:29 | 0:43:32 | |
I know it's not easy, with my face looking exactly like Ricky. | 0:43:45 | 0:43:48 | |
But I'm different, I'm not replacing him. | 0:43:48 | 0:43:50 | |
But we can remember him, by fighting in his name. | 0:43:50 | 0:43:53 | |
All those cyberfactories out there, do you think there'd be one in Paris? | 0:43:55 | 0:43:59 | |
-Yeah. -Then let's go and liberate Paris! | 0:43:59 | 0:44:02 | |
What, you and me? In a van? | 0:44:02 | 0:44:05 | |
Nothing wrong with a van! | 0:44:05 | 0:44:07 | |
I once saved the universe with a big yellow truck! | 0:44:07 | 0:44:10 | |
There you go, sir. All wired up for the grand occasion. | 0:44:31 | 0:44:34 | |
-WOMAN: -Someone help me please! | 0:44:34 | 0:44:36 | |
It's happening all over the place. They're turning into monsters. | 0:44:36 | 0:44:40 | |
Ordinary people are being struck down and changed and the only new thing is a television. | 0:44:44 | 0:44:49 | |
Men in black? | 0:44:49 | 0:44:51 | |
Vanishing police cars? | 0:44:51 | 0:44:52 | |
This is Churchill's England, not Stalin's Russia! | 0:44:52 | 0:44:55 | |
Are you sitting comfortably? Good. | 0:44:55 | 0:44:58 | |
Then we'll begin. | 0:44:58 | 0:45:00 | |
Subtitles by Red Bee Media Ltd 2006 | 0:45:12 | 0:45:14 | |
Email [email protected] | 0:45:14 | 0:45:18 |