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I wonder what's wrong with her. She's sort of queasy. | 0:00:09 | 0:00:13 | |
Indigestion. Like she didn't want to land. | 0:00:13 | 0:00:16 | |
If you think there's gonna be trouble, we could always get back inside and go somewhere else. | 0:00:16 | 0:00:20 | |
I think we've landed inside a cupboard. Here we go. | 0:00:25 | 0:00:29 | |
-SYNTHESISED VOICE: -'Open door 15.' -WIND HOWLS | 0:00:29 | 0:00:31 | |
Some sort of base. Moon base, sea base, space base. | 0:00:31 | 0:00:35 | |
-They build these things out of kits. -Glad we're indoors. | 0:00:35 | 0:00:37 | |
Sounds like a storm out there. | 0:00:37 | 0:00:40 | |
'Open door 16.' | 0:00:40 | 0:00:42 | |
Human design - you've got a thing about kits. | 0:00:42 | 0:00:44 | |
It's put together like a flatpack wardrobe, only bigger. And easier. | 0:00:44 | 0:00:48 | |
'Open door 17.' | 0:00:48 | 0:00:50 | |
Oh, it's a sanctuary base! | 0:00:50 | 0:00:52 | |
-'Close door 17' -Deep space exploration. We've gone way out. And listen to that. | 0:00:52 | 0:00:56 | |
-CONTINUOUS WHIRRING -Underneath. Someone's drilling. | 0:00:56 | 0:00:59 | |
-"Welcome to hell". -Oh, it's not that bad. | 0:01:01 | 0:01:04 | |
No, over there. | 0:01:04 | 0:01:06 | |
Hold on. What does that say? | 0:01:09 | 0:01:13 | |
That's weird. It won't translate. | 0:01:18 | 0:01:20 | |
I thought the Tardis translated everything, writing as well. | 0:01:20 | 0:01:25 | |
-I should see English. -Exactly. | 0:01:25 | 0:01:27 | |
And if that's not working, then it means | 0:01:27 | 0:01:31 | |
this writing is OLD. Very old. | 0:01:31 | 0:01:35 | |
Impossibly old. | 0:01:37 | 0:01:38 | |
We should find out who's in charge. | 0:01:38 | 0:01:40 | |
We've gone beyond the reach of the Tardis' knowledge. Not a good move. | 0:01:40 | 0:01:43 | |
If someone's looking, we shouldn't... Oh! | 0:01:43 | 0:01:46 | |
Right. Hello. Sorry. I was just saying, nice base. | 0:01:46 | 0:01:51 | |
-We must feed. -You've got to what? | 0:01:51 | 0:01:54 | |
-We must feed. -Yeah - I think they mean us. -We must feed. | 0:01:54 | 0:01:58 | |
We must feed. We must feed. | 0:01:58 | 0:02:02 | |
We must feed. | 0:02:02 | 0:02:04 | |
We must feed. We must feed. | 0:02:04 | 0:02:07 | |
-IN UNISON: -We must feed. We must feed. We must feed. We must feed. We must feed. | 0:02:07 | 0:02:14 | |
We must feed. We must feed. We must feed... | 0:02:14 | 0:02:17 | |
-We must feed... -GLOBE RATTLES | 0:02:55 | 0:02:57 | |
..you, if you are hungry. | 0:02:59 | 0:03:00 | |
-Sorry? -We apologise. | 0:03:01 | 0:03:04 | |
Electromagnetics have interfered with speech systems. | 0:03:04 | 0:03:07 | |
Would you like some refreshment? | 0:03:07 | 0:03:10 | |
-Um... -'Open door 18.' | 0:03:10 | 0:03:12 | |
What the hell? | 0:03:14 | 0:03:16 | |
How did...? | 0:03:17 | 0:03:18 | |
Captain, you're not gonna believe this. We've got people. | 0:03:24 | 0:03:28 | |
Out of nowhere. I mean real people. | 0:03:28 | 0:03:30 | |
I mean two living people, just standing here right in front of me. | 0:03:30 | 0:03:36 | |
'Don't be stupid. That's impossible.' | 0:03:36 | 0:03:38 | |
I suggest telling them that. | 0:03:38 | 0:03:40 | |
But you're a space base. | 0:03:40 | 0:03:42 | |
You must have visitors. It can't be that impossible. | 0:03:42 | 0:03:44 | |
-Are you telling me you don't know where you are? -No idea. More fun, that way! | 0:03:44 | 0:03:49 | |
'Stand by, everyone. Buckle down. We have incoming. | 0:03:49 | 0:03:51 | |
'And it's a big one. Quake 0.5 on its way.' | 0:03:51 | 0:03:55 | |
Through here. Now. | 0:03:55 | 0:03:57 | |
Quickly! Come on. Move! | 0:03:57 | 0:03:59 | |
Keep moving! Keep moving! Come on! Move it! | 0:04:03 | 0:04:08 | |
Oh, my God, you meant it. | 0:04:22 | 0:04:25 | |
People. Look at that! Real people! | 0:04:25 | 0:04:27 | |
-That's us. Hooray! -Yeah, definitely real. | 0:04:27 | 0:04:30 | |
My name's Rose, Rose Tyler, and this is the Doctor. | 0:04:30 | 0:04:34 | |
Come on, the oxygen must be offline. | 0:04:34 | 0:04:37 | |
We're hallucinating, they can't be... No, they're real! | 0:04:37 | 0:04:41 | |
Come on, we're in the middle of an alert. | 0:04:41 | 0:04:43 | |
Danny, strap up, the quake's coming in. | 0:04:43 | 0:04:44 | |
Impact in 30 seconds. ..Sorry, you two, whoever you are, just hold on. | 0:04:44 | 0:04:50 | |
-Tight! -Hold on to what? -Anything. I don't care, just hold on. | 0:04:50 | 0:04:53 | |
Ood, are we fixed? | 0:04:53 | 0:04:55 | |
Your kindness in this emergency is much appreciated. | 0:04:55 | 0:04:58 | |
-What's this planet called, anyway? -Don't be stupid. It hasn't got a name. How could it have a name? | 0:04:58 | 0:05:02 | |
-You really don't know, do you? -And...impact! | 0:05:03 | 0:05:07 | |
Oh, well. That wasn't so... | 0:05:11 | 0:05:14 | |
That's it. Everyone all right? | 0:05:26 | 0:05:28 | |
-Speak to me, Ida? -Yeah, yeah. | 0:05:30 | 0:05:32 | |
-Danny? -Fine. -Toby? | 0:05:32 | 0:05:35 | |
-Fine. -Scooti? -No damage. -Jefferson? -Check! | 0:05:35 | 0:05:37 | |
We're fine, thanks. Don't worry about us. | 0:05:37 | 0:05:40 | |
Surface caved in. I deflected it onto Storage five through eight, | 0:05:40 | 0:05:44 | |
we've lost them completely. | 0:05:44 | 0:05:46 | |
Toby, go and check the rocket-link. | 0:05:46 | 0:05:48 | |
That's not my department. | 0:05:48 | 0:05:51 | |
Just do as I say, yeah? | 0:05:51 | 0:05:52 | |
METAL CREAKS AND GROANS | 0:05:52 | 0:05:55 | |
-Oxygen holding. -METALLIC CREAKS -Internal gravity at 56.6. | 0:05:57 | 0:06:01 | |
We should be OK. | 0:06:01 | 0:06:03 | |
Never mind the earthquake, that's... | 0:06:03 | 0:06:06 | |
That's one hell of a storm. What is that, a hurricane? | 0:06:06 | 0:06:09 | |
You need an atmosphere for a hurricane. There's no air out there. It's a complete vacuum. | 0:06:09 | 0:06:14 | |
-Then what's shaking the roof? -You're not joking. | 0:06:14 | 0:06:17 | |
You really don't know. Well. | 0:06:17 | 0:06:21 | |
Introductions! | 0:06:21 | 0:06:23 | |
FYI, as they said in the olden days, I'm Ida Scott, Science Officer. | 0:06:23 | 0:06:28 | |
Zachary Cross Flane, Acting Captain, sir! | 0:06:28 | 0:06:32 | |
You've met Mr Jefferson, he's Head of Security. Danny Bartock, Ethics Committee. | 0:06:32 | 0:06:37 | |
Not as boring as it sounds. | 0:06:37 | 0:06:39 | |
And that man who just left, that's Toby Zed, Archaeology, and this... | 0:06:39 | 0:06:43 | |
Scooti Manista, Trainee Maintenance, | 0:06:43 | 0:06:47 | |
and this... | 0:06:47 | 0:06:49 | |
This is home. | 0:06:51 | 0:06:53 | |
Brace yourselves. | 0:06:53 | 0:06:55 | |
The sight of it sends some people mad. | 0:06:55 | 0:06:57 | |
That's a black hole. | 0:07:20 | 0:07:22 | |
That's impossible... | 0:07:22 | 0:07:24 | |
-I did warn you. -We're standing under a black hole! | 0:07:24 | 0:07:27 | |
-In orbit. -We can't be. | 0:07:27 | 0:07:29 | |
You can see for yourself. We're in orbit. | 0:07:29 | 0:07:32 | |
But we can't be. | 0:07:34 | 0:07:35 | |
"This lump of rock is suspended in perpetual geostationary orbit around that black hole | 0:07:35 | 0:07:41 | |
"without falling in - | 0:07:41 | 0:07:43 | |
"discuss"(!) | 0:07:43 | 0:07:44 | |
And that's bad, yeah? | 0:07:44 | 0:07:46 | |
Bad doesn't cover it. A black hole's a dead star, it collapses in on itself, in and in and in, | 0:07:47 | 0:07:53 | |
until the matter's so dense and tight it starts to pull everything else in too. | 0:07:53 | 0:07:57 | |
Nothing in the universe can escape it. | 0:07:57 | 0:07:59 | |
Light, gravity, time - everything gets pulled inside. | 0:07:59 | 0:08:04 | |
And crushed. | 0:08:04 | 0:08:06 | |
So there can't be an orbit? | 0:08:06 | 0:08:08 | |
We should be pulled right in? | 0:08:08 | 0:08:10 | |
-We should be dead. -And yet | 0:08:10 | 0:08:12 | |
here we are, | 0:08:12 | 0:08:14 | |
-beyond the laws of physics. -THUDS AND CREAKS | 0:08:14 | 0:08:17 | |
-Welcome on board. -But if there's no atmosphere out there, what's that? | 0:08:17 | 0:08:21 | |
Stars breaking up. | 0:08:21 | 0:08:24 | |
Gas clouds. | 0:08:24 | 0:08:25 | |
We have whole solar systems being ripped apart above our heads, | 0:08:25 | 0:08:30 | |
before falling into that thing. | 0:08:30 | 0:08:32 | |
So a bit worse than a storm, then? | 0:08:32 | 0:08:34 | |
-Just a bit. -Just a bit, yeah. | 0:08:34 | 0:08:36 | |
-WHISPERY ECHO: -Toby-y-y-y... | 0:08:53 | 0:08:56 | |
ELECTRICS FIZZ AND POP | 0:08:57 | 0:09:00 | |
Who's that? | 0:09:02 | 0:09:03 | |
Danny? | 0:09:08 | 0:09:09 | |
-'Close Door one.' -The rocket-link's fine. | 0:09:16 | 0:09:19 | |
That's the black hole, officially designated K-3-7 Gem 5. | 0:09:22 | 0:09:27 | |
In the scriptures of the Veltino, | 0:09:27 | 0:09:29 | |
this planet's called Krop Tor... The bitter pill. | 0:09:29 | 0:09:34 | |
And the black hole is supposed to be a mighty demon who was tricked into devouring the planet | 0:09:34 | 0:09:41 | |
only to spit it out | 0:09:41 | 0:09:43 | |
because it was poison. | 0:09:43 | 0:09:45 | |
"The Bitter Pill." I like that. | 0:09:45 | 0:09:47 | |
We're so far out. | 0:09:47 | 0:09:49 | |
Lost in the drifts of the universe. How did you even get here? | 0:09:49 | 0:09:52 | |
We flew in, d'you see? | 0:09:52 | 0:09:55 | |
This planet's generating a gravity field. | 0:09:55 | 0:09:59 | |
We don't know how, we've no idea. | 0:09:59 | 0:10:01 | |
But it's kept in constant balance against the black hole. | 0:10:01 | 0:10:05 | |
And the field extends out there, | 0:10:05 | 0:10:08 | |
as a funnel, a distinct... | 0:10:08 | 0:10:11 | |
gravity funnel, reaching out into clear space. That was our way in. | 0:10:11 | 0:10:15 | |
You flew down that thing? | 0:10:15 | 0:10:17 | |
Like a rollercoaster. | 0:10:17 | 0:10:19 | |
By rights, the ship should've been torn apart. | 0:10:19 | 0:10:21 | |
We lost the captain, which is what put me in charge. | 0:10:21 | 0:10:24 | |
-And you're doing a good job. -Yeah, well. Needs must. | 0:10:24 | 0:10:28 | |
But if that gravity funnel closes, there's no way out. | 0:10:28 | 0:10:32 | |
Oh, we have fun speculating about that. | 0:10:32 | 0:10:34 | |
Yeah, that's the word, fun. | 0:10:34 | 0:10:36 | |
But that field would take phenomenal amounts of power. | 0:10:36 | 0:10:41 | |
Not just big, but off the scale! | 0:10:41 | 0:10:43 | |
Can I? | 0:10:43 | 0:10:44 | |
Sure, help yourself. | 0:10:44 | 0:10:46 | |
Your refreshment. | 0:10:49 | 0:10:51 | |
Oh, yeah, thanks. Thank you! | 0:10:51 | 0:10:53 | |
I'm sorry, what was your name? | 0:10:53 | 0:10:55 | |
We have no titles. | 0:10:55 | 0:10:57 | |
We are as one. | 0:10:57 | 0:10:59 | |
Um... What are they called? | 0:10:59 | 0:11:02 | |
Oh, come on! Where've you been living? Everyone's got one! | 0:11:02 | 0:11:06 | |
Well, not me. So what are they? | 0:11:06 | 0:11:08 | |
They're the Ood. The Ood? | 0:11:08 | 0:11:11 | |
The Ood. That's...Ood. | 0:11:11 | 0:11:15 | |
Very Ood. But handy! | 0:11:15 | 0:11:17 | |
They work the mineshaft, all the drilling and stuff, supervision and maintenance. They're born for it. | 0:11:17 | 0:11:23 | |
Basic slave race. You've got slaves? | 0:11:23 | 0:11:26 | |
Don't start! She's like one of that lot, the Friends of the Ood. | 0:11:26 | 0:11:28 | |
Well, maybe I am, yeah. Since when did humans need slaves? | 0:11:28 | 0:11:32 | |
But the Ood offer themselves. | 0:11:32 | 0:11:34 | |
If you don't give them orders, they just pine away and die. | 0:11:34 | 0:11:38 | |
Seriously? You like being ordered about? | 0:11:38 | 0:11:42 | |
-It is all we crave. -Why's that, then? | 0:11:42 | 0:11:44 | |
We have nothing else in life. | 0:11:44 | 0:11:46 | |
Yeah, well. I used to think like that. | 0:11:46 | 0:11:49 | |
-Long time ago. -There we go! D'you see? | 0:11:49 | 0:11:52 | |
To generate that gravity field and the funnel you need a power source | 0:11:52 | 0:11:54 | |
-with an inverted self-extrapolating reflex of six to the power of six every six seconds. -All the sixes. | 0:11:54 | 0:11:59 | |
-And it's impossible. -It took us two years to work that out. | 0:11:59 | 0:12:02 | |
I'm very good. | 0:12:02 | 0:12:04 | |
But that's why we're here. | 0:12:04 | 0:12:06 | |
This power source is ten miles below, through solid rock. | 0:12:06 | 0:12:11 | |
Point Zero. We're drilling down to try and find it. | 0:12:11 | 0:12:13 | |
-It's giving off readings of over 90 Statts on the Blazen Scale. -It could revolutionise modern science. | 0:12:13 | 0:12:18 | |
We could use it to fuel the Empire. | 0:12:18 | 0:12:20 | |
Or start a war. | 0:12:20 | 0:12:22 | |
It's buried beneath us... In the darkness. Waiting. | 0:12:22 | 0:12:26 | |
What's your job? | 0:12:26 | 0:12:27 | |
Chief dramatist? | 0:12:27 | 0:12:28 | |
Whatever it is down there, it's not a natural phenomenon. | 0:12:28 | 0:12:32 | |
This planet once supported life, | 0:12:32 | 0:12:34 | |
aeons ago, before the human race had even learned to walk. | 0:12:34 | 0:12:37 | |
-I saw that lettering on the wall. Did you do that? -I copied it from fragments we've found, | 0:12:37 | 0:12:42 | |
-unearthed by the drilling. I can't translate it. -No, neither can I. | 0:12:42 | 0:12:45 | |
-And that's saying something. -There was some form of civilisation. | 0:12:45 | 0:12:50 | |
They buried something. And now it's reaching out, | 0:12:50 | 0:12:54 | |
-calling us in. -And you came. | 0:12:54 | 0:12:57 | |
How could we not? | 0:12:57 | 0:12:59 | |
So when it comes right down to it, why did you come here? | 0:12:59 | 0:13:03 | |
Why did you do that? Why? | 0:13:03 | 0:13:05 | |
I'll tell you why. | 0:13:05 | 0:13:07 | |
Because it was there! Brilliant! | 0:13:07 | 0:13:10 | |
Scuse me... Er, Zack, wasn't it? | 0:13:10 | 0:13:12 | |
-That's me. -Just stand there, cos I'm gonna...HUG you. Is that all right? | 0:13:12 | 0:13:17 | |
-Suppose so. -Here we go. Coming in. | 0:13:17 | 0:13:20 | |
Human beings. You are amazing! | 0:13:22 | 0:13:26 | |
Thank you. | 0:13:28 | 0:13:30 | |
-Not at all. -You're also completely mad. You should pack your bags, get on that ship and fly for your lives! | 0:13:30 | 0:13:36 | |
You can talk. How the hell did YOU get here? | 0:13:36 | 0:13:38 | |
I've got this... | 0:13:38 | 0:13:40 | |
Um...this...ship. It's hard to explain, it just sort of appears. | 0:13:40 | 0:13:44 | |
We can show you. We parked down the corridor from uh... What's it called? Habitation Area... | 0:13:44 | 0:13:50 | |
-Three. -Three. | 0:13:50 | 0:13:51 | |
D'you mean Storage Six? | 0:13:51 | 0:13:53 | |
It was a bit of a cupboard, yeah... | 0:13:53 | 0:13:55 | |
Storage Six? But you said... | 0:13:55 | 0:13:58 | |
You said... | 0:13:58 | 0:14:00 | |
You said Storage Five to Eight... | 0:14:00 | 0:14:02 | |
-What is it, what's wrong? -'Open door 19...' | 0:14:06 | 0:14:09 | |
'Close Door 19.' | 0:14:11 | 0:14:13 | |
-Grr! Come ON! -'Open door 17.' | 0:14:14 | 0:14:17 | |
'Open door 15.' | 0:14:19 | 0:14:21 | |
-'Door 16 out of commission.' -It can't be! | 0:14:23 | 0:14:25 | |
What's wrong? What is it? | 0:14:25 | 0:14:27 | |
Doctor, the Tardis is in there - what's happened? | 0:14:27 | 0:14:30 | |
The Tardis has gone. | 0:14:31 | 0:14:33 | |
'Door 16, out of commission.' | 0:14:33 | 0:14:36 | |
The earthquake. | 0:14:38 | 0:14:40 | |
This section collapsed. | 0:14:40 | 0:14:42 | |
But it's got to be out there somewhere. | 0:14:42 | 0:14:44 | |
Look down. | 0:14:47 | 0:14:49 | |
..The ground gave way. My Tardis must've fallen right into the heart of the planet, | 0:14:55 | 0:15:00 | |
-but you've robot drills heading the same way. -We can't divert the drilling. | 0:15:00 | 0:15:03 | |
But I need my ship! It's all I've got! | 0:15:04 | 0:15:07 | |
Literally, the only thing! | 0:15:07 | 0:15:09 | |
Doctor, WE'VE only got the resources to dig one, central shaft down to the power source, and that's it. | 0:15:09 | 0:15:15 | |
No diversions, no distractions, no exceptions. | 0:15:15 | 0:15:20 | |
Your machine is lost. All I can do is offer you a lift if we ever get to leave this place. | 0:15:20 | 0:15:24 | |
And that's the end of it. | 0:15:24 | 0:15:27 | |
I'll put you on the duty roster. | 0:15:30 | 0:15:33 | |
We need someone in the laundry. | 0:15:33 | 0:15:35 | |
'Open door one.' | 0:15:38 | 0:15:40 | |
'Close door one.' | 0:15:42 | 0:15:44 | |
-I've trapped you here. -No, don't worry about me. | 0:15:49 | 0:15:52 | |
OK. We're on a planet that shouldn't exist, | 0:15:55 | 0:15:58 | |
underneath a black hole, | 0:15:58 | 0:16:01 | |
with no way out. | 0:16:01 | 0:16:03 | |
Yeah - changed my mind. Start worrying about me. | 0:16:04 | 0:16:07 | |
'Entering night shift.' | 0:16:19 | 0:16:20 | |
'Your chosen track for transition is Ravel's "Bolero".' | 0:16:20 | 0:16:25 | |
MUSIC PLAYS | 0:16:25 | 0:16:29 | |
All finished. | 0:16:53 | 0:16:55 | |
Heading back inside. | 0:16:56 | 0:16:57 | |
7 Gamma 10... MUSIC CONTINUES | 0:17:02 | 0:17:06 | |
7 Gamma 11... | 0:17:06 | 0:17:08 | |
7 Gamma 12... | 0:17:08 | 0:17:11 | |
MUSIC ON PA | 0:17:11 | 0:17:13 | |
PA CRACKLES MID-NOTE | 0:17:20 | 0:17:22 | |
PA SILENT | 0:17:22 | 0:17:24 | |
(Toby-y-y?) | 0:17:25 | 0:17:26 | |
-(I can see you.) -Danny, is that you?! | 0:17:31 | 0:17:35 | |
It's not funny, all right? | 0:17:36 | 0:17:38 | |
Dan? | 0:17:39 | 0:17:41 | |
I'm trying to work, Daniel. | 0:17:44 | 0:17:47 | |
If that's you, then can you just stop it? | 0:17:49 | 0:17:52 | |
ELECTRICS FIZZ AND WHINE | 0:17:52 | 0:17:55 | |
Danny, check the temperature in Ood Habitation. It seems to be rising. | 0:18:05 | 0:18:11 | |
Help yourself, just don't have the green. | 0:18:15 | 0:18:18 | |
Or the blue. | 0:18:18 | 0:18:19 | |
Um... Bit of that, thanks. | 0:18:23 | 0:18:25 | |
Would you like sauce with that? | 0:18:27 | 0:18:29 | |
I'll have a go, yeah. | 0:18:29 | 0:18:31 | |
I did that job once. I was a dinner lady. | 0:18:34 | 0:18:39 | |
Not that I'm calling you a lady. | 0:18:39 | 0:18:42 | |
Although, I don't know, you might be. | 0:18:42 | 0:18:44 | |
D'you actually get paid, though, do they give you money? | 0:18:44 | 0:18:48 | |
"The Beast and his armies shall rise from the Pit to make war against God." | 0:18:48 | 0:18:54 | |
I'm sorry? | 0:18:54 | 0:18:56 | |
Apologies. I said, I hope you enjoy your meal. | 0:18:57 | 0:19:02 | |
Yeah. | 0:19:02 | 0:19:03 | |
'Drillhead now at Point 16.' | 0:19:08 | 0:19:13 | |
'Drillhead speed increasing.' | 0:19:13 | 0:19:15 | |
Keep pressure at 60. | 0:19:15 | 0:19:17 | |
'Close Door three.' | 0:19:33 | 0:19:34 | |
Close Door three. | 0:19:34 | 0:19:37 | |
'He is awake.' | 0:19:37 | 0:19:38 | |
What did you say? | 0:19:40 | 0:19:42 | |
'Close Door three.' | 0:19:42 | 0:19:43 | |
(Toby?) | 0:19:54 | 0:19:55 | |
-DEEP VOICE: -Don't turn around. | 0:19:58 | 0:20:02 | |
Dan? | 0:20:02 | 0:20:04 | |
-That's not Dan. -Don't look at me. | 0:20:07 | 0:20:10 | |
Who are you? | 0:20:10 | 0:20:12 | |
I have so many names. | 0:20:12 | 0:20:15 | |
If I could... | 0:20:15 | 0:20:17 | |
If you look at me, you will die. | 0:20:17 | 0:20:20 | |
But who are you? | 0:20:20 | 0:20:22 | |
I'm behind you, Toby. | 0:20:22 | 0:20:25 | |
I'm right behind you. | 0:20:25 | 0:20:27 | |
Don't look. Don't look at me. | 0:20:27 | 0:20:30 | |
One look and you will die. | 0:20:31 | 0:20:34 | |
I'm reaching out, Toby. | 0:20:35 | 0:20:38 | |
I'm so close. | 0:20:38 | 0:20:40 | |
Don't turn around. | 0:20:41 | 0:20:44 | |
Oh-h... I can touch you! | 0:20:44 | 0:20:46 | |
No...! | 0:21:21 | 0:21:24 | |
ELECTRICAL FIZZ | 0:21:38 | 0:21:40 | |
Zack, we got a problem? | 0:21:41 | 0:21:43 | |
-ZAK: -No more than usual. We've just got the Scarlet System burning up. Might be worth a look. | 0:21:43 | 0:21:48 | |
You might want to see this. Moment in history. | 0:21:48 | 0:21:51 | |
There. | 0:22:00 | 0:22:02 | |
On the edge. | 0:22:02 | 0:22:04 | |
That red cloud. | 0:22:04 | 0:22:07 | |
That used to be the Scarlet System. | 0:22:07 | 0:22:11 | |
Home to the Pallushi, | 0:22:12 | 0:22:14 | |
a mighty civilisation spanning a billion years - | 0:22:14 | 0:22:19 | |
disappearing...forever, | 0:22:19 | 0:22:22 | |
their planets and suns, consumed. | 0:22:22 | 0:22:25 | |
Ladies and gentlemen, | 0:22:27 | 0:22:30 | |
we have witnessed its passing. | 0:22:30 | 0:22:33 | |
No, could you leave it open? | 0:22:33 | 0:22:35 | |
Just for a bit? | 0:22:35 | 0:22:37 | |
I won't go mad, I promise. | 0:22:37 | 0:22:39 | |
How would you know? | 0:22:39 | 0:22:41 | |
Scooti, check the lockdown. Jefferson, sign off the airlock seals for me. | 0:22:41 | 0:22:46 | |
-SYNTHETIC VOICE: -'Open door 18.' | 0:22:46 | 0:22:48 | |
I've seen films and things, yeah. They say black holes are like gateways to another universe. | 0:22:48 | 0:22:54 | |
'Close Door 18.' | 0:22:54 | 0:22:55 | |
Not that one. | 0:22:55 | 0:22:57 | |
It just eats. | 0:22:57 | 0:22:59 | |
Long way from home. | 0:22:59 | 0:23:02 | |
Go that way. | 0:23:04 | 0:23:06 | |
Turn right. Keep going for, er... | 0:23:06 | 0:23:09 | |
about 500 years, then you'll reach the Earth. | 0:23:09 | 0:23:14 | |
No signal. That's the first time we've gone out of range. | 0:23:17 | 0:23:21 | |
Mind you, even if I could... | 0:23:21 | 0:23:23 | |
What would I tell her? | 0:23:25 | 0:23:26 | |
Can you build another Tardis? | 0:23:29 | 0:23:31 | |
They were grown, not built. | 0:23:33 | 0:23:35 | |
And with my home planet gone... | 0:23:35 | 0:23:38 | |
we're kind of stuck. | 0:23:39 | 0:23:41 | |
Well, could be worse. This lot said they'd give us a lift. | 0:23:41 | 0:23:45 | |
-And then what? -I dunno. | 0:23:45 | 0:23:50 | |
Find a planet. | 0:23:50 | 0:23:51 | |
Get a job. Live a life. | 0:23:51 | 0:23:53 | |
Same as the rest of the universe. | 0:23:53 | 0:23:55 | |
I'd have to settle down. | 0:23:55 | 0:23:58 | |
Get a house or something. A proper house with... | 0:23:58 | 0:24:01 | |
Doors and things. Carpets. | 0:24:01 | 0:24:03 | |
Me! Living in a house! Now, THAT... | 0:24:03 | 0:24:06 | |
That... That is terrifying! | 0:24:06 | 0:24:08 | |
-You'd have to get a mortgage! -No! -Oh, yes! -I'm dying. That's it, I'm dying, it's all over. | 0:24:08 | 0:24:13 | |
What about me? I'd have to get one, too! | 0:24:13 | 0:24:16 | |
I dunno, could be the same one, we could both... | 0:24:16 | 0:24:21 | |
I dunno, share. | 0:24:21 | 0:24:23 | |
Or not. Whatever. I dunno. | 0:24:23 | 0:24:26 | |
-All sorts of... -Anyway! -We'll see. | 0:24:26 | 0:24:28 | |
I promised Jackie I'd always take you back home. | 0:24:32 | 0:24:35 | |
Everyone leaves home in the end. | 0:24:37 | 0:24:40 | |
Not to end up stuck here. | 0:24:40 | 0:24:43 | |
-Yeah, but stuck with you, that's not so bad. -..Yeah? | 0:24:43 | 0:24:48 | |
Yes. | 0:24:48 | 0:24:49 | |
MOBILE RINGS | 0:24:49 | 0:24:52 | |
-DEEP VOICE: -He is awake. | 0:24:56 | 0:24:58 | |
Evening! | 0:25:05 | 0:25:06 | |
Only us. The mysterious couple. | 0:25:06 | 0:25:09 | |
-How are you, then, settling in? -Yeah, sorry, straight to business. The Ood, | 0:25:09 | 0:25:13 | |
-how do they communicate? I mean, with each other. -Oh, just empaths. | 0:25:13 | 0:25:18 | |
There's a low-level telepathic field connecting them. | 0:25:18 | 0:25:22 | |
-Not that that does THEM much good, they're basically a herd race. Like cattle. -This telepathic field, | 0:25:22 | 0:25:28 | |
-can it pick up messages? -Cos I was having dinner and one of the Ood said something...well, odd. | 0:25:28 | 0:25:34 | |
An odd Ood. And then I got something else on my er... | 0:25:34 | 0:25:39 | |
Communicator-thing. Well, be fair. | 0:25:39 | 0:25:42 | |
We've got whole star systems burning up around us. | 0:25:42 | 0:25:46 | |
There's all sorts of stray transmissions. Probably nothing. | 0:25:46 | 0:25:50 | |
Look, if there was something wrong, it would show. | 0:25:50 | 0:25:54 | |
We monitor the telepathic field. It's the only way to look after them. | 0:25:54 | 0:25:58 | |
They're so stupid, they don't even tell us when they're ill. | 0:25:58 | 0:26:03 | |
Monitor the field. That's this thing? | 0:26:03 | 0:26:05 | |
Yeah, but like I said, it's low-level telepathy. | 0:26:05 | 0:26:08 | |
They only register basic-5. | 0:26:08 | 0:26:10 | |
That's not basic-5. 10... | 0:26:10 | 0:26:13 | |
20... | 0:26:14 | 0:26:15 | |
They've gone up to basic-30. | 0:26:15 | 0:26:18 | |
- But they can't! - Doctor, the Ood. | 0:26:18 | 0:26:20 | |
What does basic-30 mean? | 0:26:23 | 0:26:25 | |
It means that they're shouting. Screaming inside their heads. | 0:26:25 | 0:26:30 | |
Or something's shouting at them. | 0:26:30 | 0:26:33 | |
But where's it coming from? What's it saying? | 0:26:33 | 0:26:35 | |
What did it say to you? Something about the "beast" and the "pit". | 0:26:35 | 0:26:40 | |
What about your communicator, what did that say? | 0:26:40 | 0:26:43 | |
"He is awake." | 0:26:46 | 0:26:47 | |
-ALL OOD: -And you will worship him. | 0:26:47 | 0:26:49 | |
-What the hell? -He is awake. | 0:26:49 | 0:26:52 | |
And you will worship him. | 0:26:52 | 0:26:55 | |
Worship who? | 0:26:55 | 0:26:56 | |
Who's talking to you? Who is it? | 0:26:57 | 0:27:01 | |
Toby, I've got your expenditure. | 0:27:01 | 0:27:03 | |
'Open door 41.' | 0:27:06 | 0:27:09 | |
-'Close Door 41.' -DOOR MECHANISM HISSES | 0:27:09 | 0:27:11 | |
41?! | 0:27:13 | 0:27:14 | |
'Close Door 40.' | 0:27:14 | 0:27:16 | |
-Computer, did you open and close Door 41? -'Confirmed.' | 0:27:18 | 0:27:21 | |
But...that's the airlock. Why would you open the airlock? | 0:27:21 | 0:27:25 | |
It's the night shift, we're not allowed outside. | 0:27:25 | 0:27:27 | |
-Has someone gone out? -'Confirmed.' | 0:27:27 | 0:27:30 | |
-But who was it? -'Cannot confirm.' | 0:27:30 | 0:27:33 | |
OK. Right, hold on, I know. Tell me whose space suit's been logged out. | 0:27:34 | 0:27:38 | |
-'No space suit has been logged out.' -But... You're not making any sense. You can't go outside without... | 0:27:38 | 0:27:45 | |
Zack, I think we've got a breakdown on Door 41, it's saying somebody's gone out onto the planet's surface. | 0:27:45 | 0:27:50 | |
STATIC HISS Zack? | 0:27:50 | 0:27:53 | |
Zack? | 0:27:53 | 0:27:54 | |
-Computer, trace fault. -'There is no fault.' | 0:27:55 | 0:27:58 | |
Tell me, who went through that door? | 0:27:58 | 0:28:01 | |
'He is awake.' | 0:28:01 | 0:28:03 | |
-What? -'He is awake.' | 0:28:03 | 0:28:05 | |
-What's that supposed to mean? -'He bathes in the black sun.' | 0:28:07 | 0:28:11 | |
Toby? | 0:28:34 | 0:28:35 | |
There's no air, there's no... | 0:28:35 | 0:28:38 | |
No! Stop it! You can't be. | 0:29:00 | 0:29:03 | |
Open door 40! Open door 40! Open door 40! | 0:29:09 | 0:29:13 | |
OPEN DOOR 40! | 0:29:13 | 0:29:16 | |
Open door 40! Open... | 0:29:16 | 0:29:17 | |
'Emergency, hull breach.' | 0:29:23 | 0:29:25 | |
'Emergency, hull breach. Emergency, hull breach.' | 0:29:25 | 0:29:28 | |
-Which section? -Everyone, evacuate 11 to 13. We've got a breach. | 0:29:28 | 0:29:34 | |
The Base is open, repeat, the Base is open! | 0:29:34 | 0:29:38 | |
'Open door 19.' | 0:29:42 | 0:29:45 | |
'Close Door 19.' | 0:29:46 | 0:29:49 | |
-I can't contain the oxygen field, we're gonna lose it! -COME ON! | 0:29:49 | 0:29:54 | |
KEEP MOVING! | 0:29:54 | 0:29:56 | |
And you, sunshine, get in! | 0:29:57 | 0:29:59 | |
-'Breach sealed. Breach sealed.' -What happened? What was it? | 0:30:02 | 0:30:04 | |
Hull breach. We were open to the elements. | 0:30:04 | 0:30:08 | |
-Another minute, we'd be inspecting that black hole close up. -That wasn't a quake. What caused it? | 0:30:08 | 0:30:13 | |
We've lost sections 11 to 13. Everyone all right? | 0:30:13 | 0:30:17 | |
We've got everyone except Scooti. | 0:30:17 | 0:30:20 | |
Scooti, report. | 0:30:20 | 0:30:21 | |
Scooti Manista, this is an order. Report! | 0:30:23 | 0:30:26 | |
She's all right, I've picked up her biochip, she's in habitation three. | 0:30:26 | 0:30:30 | |
Better go and check. If she's not responding, she might be unconscious. | 0:30:30 | 0:30:34 | |
But how about that, eh? We survived! | 0:30:34 | 0:30:37 | |
Habitation three, come on. I don't often say this, but I think we could all do with a drink. | 0:30:37 | 0:30:43 | |
Come on. | 0:30:43 | 0:30:44 | |
-What happened? -I-I don't know. I was working, and then - I can't remember. | 0:30:44 | 0:30:50 | |
A-All that noise. The room was falling apart. There was no air... | 0:30:50 | 0:30:54 | |
Come on. Up you get, come and have some protein-1. | 0:30:54 | 0:30:58 | |
-Ooh! You've gone native. -Oi, don't knock it, it's nice. Protein-1 with just a dash of '3. | 0:30:58 | 0:31:03 | |
-Check habitation four... -There's no sign, but the biochip says she's in this area. | 0:31:03 | 0:31:07 | |
-Scooti, please respond. If you can hear this, please respond. Habitation six? -Nowhere here... | 0:31:07 | 0:31:13 | |
Zack, we've got a problem, Scooti's still missing. | 0:31:13 | 0:31:15 | |
-ZACK: -But it says habitation three. | 0:31:15 | 0:31:17 | |
Yeah, well that's where I am, and I'm telling you, she's not here. | 0:31:17 | 0:31:20 | |
I've found her. | 0:31:20 | 0:31:22 | |
Oh, my God. | 0:31:22 | 0:31:24 | |
Sorry. I'm so sorry. | 0:31:30 | 0:31:32 | |
Captain. | 0:31:38 | 0:31:39 | |
Report Officer Scootori Manista, PKD... | 0:31:41 | 0:31:46 | |
deceased. | 0:31:46 | 0:31:48 | |
43-K, 2.1. | 0:31:48 | 0:31:51 | |
She was 20. | 0:31:54 | 0:31:56 | |
20 years old. | 0:31:57 | 0:31:59 | |
"For how should man die better Than facing fearful odds | 0:32:15 | 0:32:21 | |
"For the ashes of his father And the temples... | 0:32:21 | 0:32:26 | |
"of his gods." | 0:32:28 | 0:32:30 | |
BACKGROUND WHIRR DIES AWAY | 0:32:31 | 0:32:33 | |
It's stopped. | 0:32:35 | 0:32:37 | |
FAINT, CLASHING ECHO What was that? | 0:32:37 | 0:32:40 | |
-What was it? -The drill. | 0:32:40 | 0:32:43 | |
We've stopped drilling. We've made it. Point Zero. | 0:32:44 | 0:32:50 | |
-ZACK: -All non-essential Oods to be confined. | 0:32:50 | 0:32:54 | |
Capsule established, all systems functioning! | 0:32:54 | 0:32:57 | |
The mineshaft is go! | 0:32:57 | 0:32:59 | |
Bring systems online now! | 0:32:59 | 0:33:02 | |
-Reporting as volunteer for the expeditionary force, sir! -Doctor, this breaks every single protocol. | 0:33:02 | 0:33:08 | |
-We don't even know who you are. -Yeah, but you trust me, don't you? | 0:33:08 | 0:33:11 | |
And you can't let Ida go down there on her own. Go on. | 0:33:11 | 0:33:16 | |
Look me in the eye. Yes, you do. I can see it. Trust. | 0:33:16 | 0:33:20 | |
-I should be going down. -The captain doesn't lead the mission. He stays here, in charge. | 0:33:20 | 0:33:26 | |
Not much good at it, am I? | 0:33:26 | 0:33:29 | |
Positions! We're going down in two! | 0:33:32 | 0:33:34 | |
Everyone, positions! | 0:33:34 | 0:33:36 | |
Mr Jefferson, I want maximum systems... | 0:33:36 | 0:33:39 | |
Oxygen. Nitrobalance. Gravity. It's ages since I wore one of these. | 0:33:39 | 0:33:43 | |
-I want that spacesuit back in one piece, you got that? -Yes, sir. | 0:33:43 | 0:33:47 | |
S'funny, cos, people back home think that space travel's gonna be all... | 0:33:49 | 0:33:54 | |
whizzing about and... | 0:33:54 | 0:33:56 | |
teleports, anti-gravity. | 0:33:56 | 0:33:58 | |
But it's not, is it? It's tough. | 0:34:00 | 0:34:02 | |
I'll see you later. | 0:34:02 | 0:34:04 | |
Not if I see you first. | 0:34:05 | 0:34:07 | |
You will remain here. | 0:34:14 | 0:34:17 | |
No command can override this. | 0:34:17 | 0:34:20 | |
Have you got that? | 0:34:20 | 0:34:22 | |
My instructions only. | 0:34:22 | 0:34:25 | |
Capsule active. | 0:34:28 | 0:34:31 | |
Counting down, in ten...nine... | 0:34:32 | 0:34:35 | |
eight, seven, six, | 0:34:35 | 0:34:39 | |
five, four, three | 0:34:39 | 0:34:43 | |
two, one. Release. | 0:34:43 | 0:34:48 | |
You've gone beyond the oxygen field. You're on your own. | 0:35:27 | 0:35:32 | |
Don't forget to breathe. | 0:35:41 | 0:35:43 | |
Breathing's good. | 0:35:43 | 0:35:44 | |
-Rose, stay off the comm. -No chance. | 0:35:44 | 0:35:48 | |
KLAXON | 0:36:14 | 0:36:16 | |
Doctor? | 0:36:18 | 0:36:20 | |
Doctor, are you all right? | 0:36:20 | 0:36:22 | |
Ida. Report to me. ..Doctor? | 0:36:22 | 0:36:26 | |
It's all right. We've made it. We're getting out of the capsule now. | 0:36:26 | 0:36:29 | |
'What's it like down there?' | 0:36:35 | 0:36:37 | |
Hard to tell. | 0:36:37 | 0:36:40 | |
Some sort of...cave, cavern. It's massive. | 0:36:40 | 0:36:44 | |
This should help. | 0:36:44 | 0:36:46 | |
Gravity globe. | 0:36:46 | 0:36:47 | |
That's... That's... | 0:36:56 | 0:36:59 | |
Oh, my God. That's beautiful. | 0:37:01 | 0:37:04 | |
Rose... | 0:37:06 | 0:37:07 | |
You can tell Toby... | 0:37:07 | 0:37:09 | |
we've found his civilisation. | 0:37:11 | 0:37:14 | |
Oi, Toby, sounds like you've got plenty of work. | 0:37:15 | 0:37:19 | |
Good, good.... Good. | 0:37:19 | 0:37:22 | |
Concentrate now, people, keep on the mission. Ida, what about the power source? | 0:37:22 | 0:37:28 | |
We're close. Energy signature indicates north-north-west. | 0:37:28 | 0:37:32 | |
Are you getting pictures up there? | 0:37:32 | 0:37:36 | |
Too much interference. | 0:37:36 | 0:37:38 | |
We're in your hands. | 0:37:38 | 0:37:39 | |
Well, we've come this far. There's no turning back. | 0:37:39 | 0:37:43 | |
Oh, did you have to? "No turning back"?! | 0:37:43 | 0:37:46 | |
That's almost as bad as "nothing can possibly go wrong", or, | 0:37:46 | 0:37:49 | |
-"It's gonna be the best Christmas Walford's ever had". -Have you finished(?) | 0:37:49 | 0:37:54 | |
Yeah. I've finished. | 0:37:56 | 0:37:58 | |
Captain, sir, there's something happening with the Ood. | 0:38:04 | 0:38:10 | |
What are they doing? | 0:38:10 | 0:38:12 | |
They're staring at me. I've told them to stop, but they won't. | 0:38:12 | 0:38:16 | |
Danny, you're a big boy, I think you can take being stared at. | 0:38:16 | 0:38:20 | |
But the telepathic field, sir, it's at basic-100. I've checked, | 0:38:20 | 0:38:26 | |
but there isn't any fault. | 0:38:26 | 0:38:28 | |
It's definitely 100. | 0:38:28 | 0:38:31 | |
-But that's impossible. -What's basic-100 mean? | 0:38:31 | 0:38:33 | |
- They should be dead. - Basic 100 is brain-death. | 0:38:33 | 0:38:36 | |
But they're safe? They're not actually moving? | 0:38:36 | 0:38:38 | |
-No, sir. -Keep watching them. | 0:38:38 | 0:38:41 | |
-And you, Jefferson, keep a guard on the Ood. -Officer at arms. | 0:38:41 | 0:38:46 | |
You can't fire a gun in here. What if you hit a wall? | 0:38:46 | 0:38:49 | |
Firing-stock 15 - only impacts upon organics. Keep watch! Guard them! Yes, sir. | 0:38:49 | 0:38:55 | |
-Is everything all right up there? -Yeah, yeah. -It's fine(!) | 0:38:55 | 0:38:58 | |
Great! | 0:38:58 | 0:38:59 | |
We've found something. | 0:39:03 | 0:39:05 | |
It looks like metal, like some sort of seal | 0:39:05 | 0:39:08 | |
I've got a nasty feeling the word might be "trapdoor". | 0:39:08 | 0:39:12 | |
Not a good word, "trapdoor". Never met a trapdoor I liked. | 0:39:12 | 0:39:16 | |
-The edge is covered with those symbols. -D'you think it opens? -That's what trapdoors tend to do. | 0:39:16 | 0:39:22 | |
Trapdoor doesn't do it justice. It's massive, Zack. | 0:39:22 | 0:39:25 | |
About 30 feet in diameter. | 0:39:25 | 0:39:28 | |
-Any way of opening it? -Don't know. I can't see any sort of mechanism. | 0:39:28 | 0:39:33 | |
I suppose that's the writing. It'll tell us what to do. | 0:39:33 | 0:39:36 | |
The letters that defy translation. | 0:39:36 | 0:39:39 | |
Toby, did you get anywhere decoding it? | 0:39:39 | 0:39:41 | |
Toby, they need to know - that lettering, does it make any sense? | 0:39:41 | 0:39:45 | |
I know what it says. Then tell them! | 0:39:45 | 0:39:48 | |
When did you work that out? Just tell them! | 0:39:48 | 0:39:51 | |
DEEP VOICE: These are the words of the Beast. | 0:39:51 | 0:39:55 | |
And he has woken. He is the heart that beats in the darkness, he is the blood that will never cease. | 0:39:55 | 0:40:02 | |
And now he will rise. | 0:40:02 | 0:40:05 | |
Officer, you will stand down. Stand down! | 0:40:05 | 0:40:08 | |
What is it? What's he done? What's happening? | 0:40:08 | 0:40:10 | |
Rose? What going on? | 0:40:10 | 0:40:12 | |
Jefferson, report...! Report! | 0:40:12 | 0:40:15 | |
Officer, you've compromised security. You will stand down and be confined - immediately! | 0:40:15 | 0:40:20 | |
Mr Jefferson, tell me, sir... | 0:40:20 | 0:40:23 | |
did your wife ever forgive you? | 0:40:23 | 0:40:25 | |
I don't know what you mean. | 0:40:27 | 0:40:29 | |
Let me tell you a secret. She never did. | 0:40:29 | 0:40:33 | |
Officer! You will stand down and be confined! | 0:40:35 | 0:40:39 | |
Or what? | 0:40:39 | 0:40:40 | |
Under Condition Red, I'm authorised to shoot you. | 0:40:40 | 0:40:43 | |
But how many can you kill? | 0:40:43 | 0:40:46 | |
-IN UNISON: -We are the Legion of the Beast. | 0:41:05 | 0:41:09 | |
Rose? What is it, Rose? | 0:41:09 | 0:41:13 | |
-I'm going back up. -ZACK: -Report! Report! | 0:41:13 | 0:41:17 | |
Jefferson, report! | 0:41:17 | 0:41:19 | |
SOMEONE REPORT! | 0:41:19 | 0:41:21 | |
The Legion shall be many, and the Legion shall be few. | 0:41:23 | 0:41:28 | |
It's the Ood. | 0:41:28 | 0:41:30 | |
Sir, we have contamination of the livestock. | 0:41:30 | 0:41:33 | |
Doctor, I don't know what it is. It's like they're possessed. | 0:41:33 | 0:41:35 | |
They won't listen to us. | 0:41:35 | 0:41:37 | |
He has woven himself through the fabric of your life | 0:41:37 | 0:41:42 | |
since the dawn of time. | 0:41:42 | 0:41:44 | |
Some may call him Abbadon, some may call him Krop Tor. | 0:41:44 | 0:41:50 | |
Some may call him Satan or... | 0:41:50 | 0:41:52 | |
Captain, it's the Ood. They're out of control! | 0:41:52 | 0:41:55 | |
..King Of Despair, | 0:41:55 | 0:41:57 | |
the Deathless Prince, the Bringer of Night. | 0:41:57 | 0:42:02 | |
These are the words that shall set him free. | 0:42:05 | 0:42:09 | |
-Back up to the door! -I am become manifest. | 0:42:10 | 0:42:15 | |
-I shall walk in the light. -To the door! | 0:42:15 | 0:42:17 | |
-And my legions will swarm... -Get out! -..across the worlds. | 0:42:17 | 0:42:22 | |
Doctor! | 0:42:30 | 0:42:32 | |
It's opening! | 0:42:33 | 0:42:35 | |
We're moving! | 0:42:37 | 0:42:39 | |
The whole thing's moving, the planet's moving! | 0:42:39 | 0:42:43 | |
I am the sin and the temptation | 0:43:02 | 0:43:05 | |
and the desire. | 0:43:05 | 0:43:07 | |
-I am the pain and the loss and the death of hope. -Get that door open! | 0:43:07 | 0:43:11 | |
The gravity field, it's going! | 0:43:20 | 0:43:23 | |
We're losing orbit! | 0:43:23 | 0:43:26 | |
We're gonna fall into the black hole! | 0:43:27 | 0:43:30 | |
DEEP VOICE: I have been imprisoned for eternity, | 0:43:34 | 0:43:37 | |
But no more. | 0:43:38 | 0:43:40 | |
'Door seal.' | 0:43:40 | 0:43:41 | |
-Move! -'Door seal.' | 0:43:41 | 0:43:43 | |
The Pit is open. | 0:43:45 | 0:43:46 | |
And I am free. | 0:43:49 | 0:43:51 | |
EVIL LAUGH | 0:43:51 | 0:43:52 | |
It's the Ood - they've gone mad. | 0:44:48 | 0:44:50 | |
Doctor, can you hear me? Doctor, Ida, are you there? | 0:44:53 | 0:44:56 | |
-Danny, turn right. -That thing is playing on very basic fears. | 0:44:56 | 0:45:00 | |
-The cable's snapped. -Get out! | 0:45:04 | 0:45:05 | |
You will die. And I will live. | 0:45:09 | 0:45:12 |