Browse content similar to The Shakespeare Code. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# This was like a winter moon | 0:00:02 | 0:00:05 | |
# That lights the traveller's way | 0:00:05 | 0:00:10 | |
# Her smile was like a summer bloom | 0:00:10 | 0:00:14 | |
# That bursts then fades away | 0:00:14 | 0:00:19 | |
# My love is night | 0:00:19 | 0:00:22 | |
# My love is day, my love | 0:00:22 | 0:00:26 | |
# She is my world. # | 0:00:26 | 0:00:29 | |
Such sweet music shows your blood to be afire. | 0:00:29 | 0:00:33 | |
Why wait we on stale custom for consummation? | 0:00:33 | 0:00:35 | |
Oh yes, tonight's the night! | 0:00:35 | 0:00:38 | |
Would you enter, bold sir? | 0:00:43 | 0:00:46 | |
Oh, I would! | 0:00:46 | 0:00:47 | |
Lilith, this cannot be the home of one so beautiful? | 0:00:53 | 0:00:57 | |
Forgive me, this is foul. | 0:00:57 | 0:00:59 | |
Sssh, sad words suit not upon a lover's tongue. | 0:00:59 | 0:01:04 | |
Oh, your kiss transformed me! | 0:01:10 | 0:01:13 | |
A suitor should meet his beloved's parents - | 0:01:13 | 0:01:16 | |
Mother Doomfinger! | 0:01:16 | 0:01:18 | |
HE WHIMPERS | 0:01:18 | 0:01:21 | |
And Mother Bloodtide! | 0:01:21 | 0:01:23 | |
WITCH CACKLES | 0:01:23 | 0:01:25 | |
WIGGINS SCREAMS | 0:01:27 | 0:01:29 | |
Soon, at the Hour of Woven Words, | 0:01:35 | 0:01:39 | |
we shall rise again, | 0:01:39 | 0:01:40 | |
and this fleeting Earth will perish! | 0:01:40 | 0:01:44 | |
SHE CACKLES | 0:01:44 | 0:01:47 | |
But how do you travel in time, what makes it go? | 0:02:26 | 0:02:30 | |
Oh, take the fun and the mystery out of everything. It just does! | 0:02:30 | 0:02:33 | |
Hold on tight! | 0:02:33 | 0:02:34 | |
-Blimey! D'you have to pass a test to fly this thing? -Yes, and I failed. | 0:02:37 | 0:02:42 | |
Now, make the most of it, I promised you one trip and one trip only. | 0:02:42 | 0:02:45 | |
Outside this door... | 0:02:45 | 0:02:47 | |
brave new world. | 0:02:47 | 0:02:49 | |
Where are we? | 0:02:49 | 0:02:51 | |
Take a look... | 0:02:51 | 0:02:52 | |
After you. | 0:02:52 | 0:02:55 | |
Oh, you're kidding me. | 0:03:02 | 0:03:04 | |
You're so kidding me. Oh, my God. We did it! | 0:03:04 | 0:03:08 | |
We travelled in time. | 0:03:08 | 0:03:10 | |
Where are we? | 0:03:11 | 0:03:13 | |
-No, sorry, gotta get used to this, whole new language. WHEN are we? -Mind out! | 0:03:13 | 0:03:18 | |
Gardez-loo! | 0:03:18 | 0:03:20 | |
Somewhere before the invention of the toilet. Sorry about that. | 0:03:20 | 0:03:23 | |
I've seen worse, I've worked late night-shift in A&E. | 0:03:23 | 0:03:27 | |
But, are we safe? I mean, can we move around and stuff? | 0:03:27 | 0:03:30 | |
Course we can, why'd you ask? | 0:03:30 | 0:03:32 | |
In those films, you step on a butterfly, you change the future of the human race. | 0:03:32 | 0:03:36 | |
Tell you what then, don't step on any butterflies. What have butterflies ever done to you? | 0:03:36 | 0:03:41 | |
What if, I dunno, what if I kill my grandfather? | 0:03:41 | 0:03:45 | |
-Are you planning to? -No! -Well then. | 0:03:45 | 0:03:49 | |
This is London? | 0:03:49 | 0:03:50 | |
Think so, round about, em, ooh, 1599. | 0:03:50 | 0:03:55 | |
Oh, but hold on, am I all right? | 0:03:55 | 0:03:58 | |
-I'm not going to get carted off as a slave, am I? -Why? -I'm not exactly white, in case you haven't noticed? | 0:03:58 | 0:04:03 | |
I'm not even human, Walk about like you own the place, works for me. Besides, you'd be surprised... | 0:04:03 | 0:04:08 | |
Elizabethan England, it's not so different from your time. | 0:04:08 | 0:04:12 | |
Look over there | 0:04:12 | 0:04:13 | |
they've got recycling. | 0:04:13 | 0:04:15 | |
-Water cooler moment. -And the Earth will be consumed by flame! | 0:04:18 | 0:04:22 | |
And, global warming. | 0:04:22 | 0:04:24 | |
Oh yes, and entertainment, popular entertainment for the masses. If I'm right, | 0:04:24 | 0:04:31 | |
we're just down the river, by Southwark, right next to... | 0:04:31 | 0:04:37 | |
Ah yes! | 0:04:37 | 0:04:38 | |
..the Globe Theatre, | 0:04:38 | 0:04:40 | |
brand new, just opened! | 0:04:40 | 0:04:42 | |
Though strictly speaking, it's not a globe, it's a tetradecagon, 14 sides, containing the man himself. | 0:04:42 | 0:04:49 | |
Whoa, you don't mean...? | 0:04:49 | 0:04:51 | |
-Is Shakespeare in there!? -Oh, yes. | 0:04:51 | 0:04:54 | |
-Miss Jones, will you accompany me to the theatre? -Mr Smith, I will! | 0:04:54 | 0:04:58 | |
-When you get home, you can tell everyone you've seen Shakespeare! -And then I could get sectioned! | 0:04:58 | 0:05:04 | |
CHEERING AND APPLAUSE | 0:05:04 | 0:05:09 | |
That's amazing! Just amazing! It's worth putting up with the smell! | 0:05:24 | 0:05:29 | |
And those are men dressed up as women, yeah? | 0:05:30 | 0:05:33 | |
London never changes. | 0:05:33 | 0:05:35 | |
Where's Shakespeare? I want to see Shakespeare! Author, author! | 0:05:36 | 0:05:40 | |
-Do people shout that, do they shout "author"? -Author! | 0:05:40 | 0:05:43 | |
Author! | 0:05:43 | 0:05:45 | |
AUDIENCE: Author, author, author! | 0:05:45 | 0:05:49 | |
SHOUTS OF "AUTHOR" CONTINUE | 0:05:49 | 0:05:51 | |
Well, they do know. | 0:05:51 | 0:05:52 | |
CHEERING AND APPLAUSE | 0:05:58 | 0:06:01 | |
He's a bit different to his portraits! | 0:06:11 | 0:06:15 | |
Genius! He's a genius, THE genius, the most human human there's ever been. | 0:06:34 | 0:06:39 | |
And now we're gonna hear him speak! Always, he chooses the best words, new, beautiful, brilliant words... | 0:06:39 | 0:06:46 | |
Shut your big fat mouths! | 0:06:46 | 0:06:49 | |
LAUGHTER | 0:06:49 | 0:06:51 | |
-Oh, well! -You should never meet your heroes. | 0:06:53 | 0:06:56 | |
You've got excellent taste, I'll give you that! Oh, that's a wig! | 0:06:56 | 0:06:59 | |
Wind the craft of ancient harm, | 0:07:01 | 0:07:05 | |
the time approaches for our charm. | 0:07:05 | 0:07:08 | |
But I know what you're all saying, Love's Labours Lost, that's a funny ending, isn't it? It just stops! | 0:07:08 | 0:07:15 | |
-Will the boys get the girls? Well, don't get your hose in a tangle. You'll find out soon! AUDIENCE: -When? | 0:07:15 | 0:07:20 | |
When? When? | 0:07:20 | 0:07:21 | |
All in good time, you don't rush a genius. | 0:07:22 | 0:07:25 | |
When? | 0:07:30 | 0:07:32 | |
Tomorrow night! CHEERING AND APPLAUSE | 0:07:34 | 0:07:38 | |
The premiere of my brand new play! | 0:07:38 | 0:07:41 | |
A sequel, no less! | 0:07:41 | 0:07:43 | |
And I call it, Love's Labours Won! | 0:07:43 | 0:07:46 | |
CHEERING AND APPLAUSE | 0:07:46 | 0:07:48 | |
I'm not an expert but I've never heard of Love's Labours Won. | 0:07:52 | 0:07:57 | |
Exactly. The lost play. It doesn't exist, only in rumours. | 0:07:57 | 0:08:01 | |
It's mentioned in lists of his plays, but it never, ever turns up. And no-one knows why. | 0:08:01 | 0:08:06 | |
Have you got a mini-disc or something? | 0:08:06 | 0:08:08 | |
We can tape it! We can flog it, sell it when we get home, make a mint. | 0:08:08 | 0:08:12 | |
-No! -That would be bad? | 0:08:12 | 0:08:15 | |
-Yeah, yeah! -But how come it disappeared in the first place? | 0:08:15 | 0:08:18 | |
Well... I was just gonna give you a quick little trip in the Tardis, | 0:08:18 | 0:08:25 | |
but I suppose we could stay a bit longer. | 0:08:25 | 0:08:27 | |
Here you go, Will! Drink up! There's enough beer in this lodging house to sink the Spanish! | 0:08:41 | 0:08:47 | |
Dolly Bailey, you've saved my life! | 0:08:47 | 0:08:50 | |
I'll do more than that, later tonight! | 0:08:50 | 0:08:52 | |
And you girl, hurry up with the tasks, the talk of gentlemen is best not overheard! | 0:08:53 | 0:08:57 | |
-Yes, ma'am. Sorry. -But you must be mad, Will! | 0:08:57 | 0:08:59 | |
Love's Labours Won? We're not ready! It's supposed to be next week! What made you say that? | 0:08:59 | 0:09:04 | |
-It's not finished! -Just the final scene to go, you'll get it by morning. | 0:09:04 | 0:09:08 | |
Hello! Excuse me, not interrupting, am I? Mr Shakespeare, isn't it? | 0:09:08 | 0:09:12 | |
Oh no. No, no, no, who let you in? | 0:09:12 | 0:09:15 | |
No autographs. You can't be sketched with me. Don't ask where I get my ideas. Thanks for the interest. | 0:09:15 | 0:09:21 | |
Now be a good boy and shove... | 0:09:21 | 0:09:23 | |
Hey nonny, nonny... | 0:09:24 | 0:09:27 | |
Sit right down here next to me. You two, get sewing on them costumes, off you go. | 0:09:27 | 0:09:31 | |
Come on, lads, I think our William's found his new muse. | 0:09:31 | 0:09:35 | |
Sweet lady. | 0:09:35 | 0:09:36 | |
Such unusual clothes, so... | 0:09:38 | 0:09:42 | |
-fitted. -Um...Verily, forsooth. Egads. | 0:09:42 | 0:09:46 | |
No, no, don't do that. | 0:09:46 | 0:09:49 | |
Don't. | 0:09:49 | 0:09:50 | |
I'm Sir Doctor of Tardis and this is my companion, Miss Martha Jones. | 0:09:50 | 0:09:55 | |
-Interesting. That bit of paper, it's blank. -Oh, that's... | 0:09:55 | 0:09:59 | |
very clever. | 0:09:59 | 0:10:00 | |
That proves it. Absolute genius. | 0:10:00 | 0:10:03 | |
No, it says right there, Sir Doctor, Martha Jones, it says so. | 0:10:03 | 0:10:06 | |
-And I say, it's blank. -Psychic paper. Um...long story, oh I hate starting from scratch. -"Psychic"? | 0:10:06 | 0:10:13 | |
Never heard that before, and words are my trade. who are you? | 0:10:13 | 0:10:16 | |
-More to the point, who's your delicious blackamoor lady? -What did you say? | 0:10:16 | 0:10:20 | |
Whoops. Isn't that a word we use nowadays? | 0:10:20 | 0:10:23 | |
An Ethiop girl, a swarth, a Queen of Afric? | 0:10:23 | 0:10:26 | |
Can't believe I'm hearing this. | 0:10:26 | 0:10:27 | |
It's political correctness gone mad. Em, Martha's from a far-off land. Freedonia. | 0:10:27 | 0:10:32 | |
Excuse me! Hold hard a moment! | 0:10:32 | 0:10:34 | |
This is abominable behaviour, a new play, with no warning! | 0:10:34 | 0:10:39 | |
I demand to see a script, Mr Shakespeare. | 0:10:39 | 0:10:41 | |
As Master of the Revels, every new script must be registered at my office and examined by me, | 0:10:41 | 0:10:48 | |
-before it can be performed! -Tomorrow first thing, I'll send it round. | 0:10:48 | 0:10:52 | |
I don't work to your schedule, you work to mine! The script, now! | 0:10:52 | 0:10:55 | |
-I can't! -Then tomorrow's performance is cancelled. | 0:10:55 | 0:10:59 | |
-It's all go around here! -I am returning to my Office for a banning order! | 0:10:59 | 0:11:02 | |
If it's the last thing I do - Love's Labours Won will never be played! | 0:11:02 | 0:11:09 | |
Sorry, sir, begging your pardon, sir. Mind you don't hurt that handsome head of yours, sir... | 0:11:11 | 0:11:17 | |
Hold hard, wanton woman! | 0:11:17 | 0:11:18 | |
I shall return later. | 0:11:19 | 0:11:22 | |
Oh, my mothers! | 0:11:30 | 0:11:32 | |
There's one seeks to stop the performance tomorrow! | 0:11:32 | 0:11:35 | |
-But it must be tomorrow. -Love's Labours Won must be performed! | 0:11:37 | 0:11:41 | |
Fear not! | 0:11:41 | 0:11:43 | |
Chant with me. | 0:11:43 | 0:11:45 | |
ALL: Water damps the fiercest flame, drowns down girls and boys the same! | 0:11:45 | 0:11:52 | |
Well then, mystery solved! That's Love's Labours Won over and done with. | 0:12:02 | 0:12:07 | |
Thought it might be something more, you know, more mysterious? | 0:12:07 | 0:12:10 | |
GROANING AND WOMAN'S SCREAMS | 0:12:10 | 0:12:13 | |
Help me! > | 0:12:13 | 0:12:15 | |
CONTINUED SCREAMING | 0:12:15 | 0:12:20 | |
-It's that Lynley bloke. -What's wrong with him? | 0:12:29 | 0:12:32 | |
-Leave it to me, I'm a doctor. -So am I, near enough. | 0:12:32 | 0:12:37 | |
WITCHES: Now to halt the vital part, stab the flesh... | 0:12:38 | 0:12:42 | |
And stop the heart! | 0:12:42 | 0:12:44 | |
Eternal sleep is thine. | 0:12:46 | 0:12:49 | |
Get the heart going, Mr Lynley, come on, can you hear me? | 0:12:53 | 0:12:57 | |
You're gonna be all right. | 0:12:57 | 0:13:01 | |
What the hell is that?! | 0:13:01 | 0:13:03 | |
I've never seen a death like it. His lungs are full of water, he drowned. | 0:13:03 | 0:13:06 | |
I dunno, like a...blow to the heart? An invisible blow. | 0:13:09 | 0:13:13 | |
Good mistress, this poor fellow has died from a sudden imbalance of the humours. | 0:13:15 | 0:13:19 | |
-A natural, if unfortunate demise. Call a constable, have him taken away. -Yes, sir. -I'll do it, ma'am. | 0:13:19 | 0:13:24 | |
And why are you telling them that? | 0:13:27 | 0:13:29 | |
They're still in the Dark Ages. If I tell them the truth they'll think it was witchcraft. | 0:13:29 | 0:13:33 | |
OK, what was it then? | 0:13:33 | 0:13:35 | |
Witchcraft. | 0:13:35 | 0:13:38 | |
The potion is prepared, now take it. | 0:13:38 | 0:13:43 | |
Magic words for the playwright's fevered mind. | 0:13:43 | 0:13:47 | |
Shakespeare will release us! | 0:13:47 | 0:13:49 | |
The mind of a genius will unlock the Tide of Blood! | 0:13:49 | 0:13:53 | |
Upon this night, the work is done, | 0:13:54 | 0:13:57 | |
a muse to pen Love's Labours Won! | 0:13:57 | 0:14:00 | |
I've got you a room, Sir Doctor, you and Miss Jones are just across the landing. | 0:14:12 | 0:14:17 | |
Poor Lynley. So many strange events. | 0:14:17 | 0:14:20 | |
Not least of all, this land of Freedonia, where a woman can be a doctor? | 0:14:20 | 0:14:24 | |
Where a woman can do what she likes. | 0:14:24 | 0:14:26 | |
And you, Sir Doctor. How can a man so young have eyes so old? | 0:14:26 | 0:14:30 | |
I do a lot of reading. | 0:14:30 | 0:14:33 | |
A trite reply, yeah, that's what I do. | 0:14:33 | 0:14:37 | |
And you, you look at him like you're surprised he exists. | 0:14:37 | 0:14:42 | |
He's as much of a puzzle to you as he is to me. | 0:14:42 | 0:14:45 | |
I think we should say goodnight. | 0:14:45 | 0:14:47 | |
I must to work, I have a play to complete. | 0:14:50 | 0:14:55 | |
But I'll get my answers tomorrow, Doctor, | 0:14:55 | 0:14:58 | |
and I'll discover more about you, and why this constant performance of yours. | 0:14:58 | 0:15:03 | |
-All the world's a stage. -Hmm. | 0:15:03 | 0:15:06 | |
I might use that. Good night, Doctor. | 0:15:06 | 0:15:09 | |
Nighty night, Shakespeare. | 0:15:09 | 0:15:12 | |
It's not exactly five star, is it? | 0:15:20 | 0:15:22 | |
Oh, it'll do, I've seen worse. | 0:15:22 | 0:15:25 | |
I haven't even got a toothbrush. | 0:15:25 | 0:15:26 | |
Oh, contains Venusian spearmint. | 0:15:28 | 0:15:31 | |
-So, who's going where? I mean, there's only one bed. -We'll manage! | 0:15:31 | 0:15:35 | |
Come on... | 0:15:35 | 0:15:37 | |
So, magic and stuff, that's a surprise. It's all a bit Harry Potter. | 0:15:40 | 0:15:44 | |
Wait till you read book seven. Oh, I cried. | 0:15:44 | 0:15:49 | |
But is it real? I mean, witches, Black magic and all that, it's real? | 0:15:49 | 0:15:52 | |
-Of course it isn't(!) -How am I supposed to know? | 0:15:52 | 0:15:55 | |
I've only just started believing in time travel. | 0:15:55 | 0:15:58 | |
It looks like witchcraft. But it isn't, it can't be... | 0:15:58 | 0:16:01 | |
You gonna stand there all night? | 0:16:01 | 0:16:03 | |
Budge up a bit then. | 0:16:09 | 0:16:10 | |
Sorry. Not much room. Us two here. | 0:16:11 | 0:16:15 | |
Same bed. Tongues will wag. | 0:16:15 | 0:16:17 | |
There's psychic energy, but a human couldn't channel it, | 0:16:17 | 0:16:20 | |
not without a generator the size of Taunton, and we'd have spotted that. No. | 0:16:20 | 0:16:24 | |
There's something I'm missing, Martha. | 0:16:27 | 0:16:29 | |
Something really close... | 0:16:31 | 0:16:33 | |
staring me right in the face, and I can't see it. | 0:16:34 | 0:16:37 | |
Rose would know. | 0:16:41 | 0:16:42 | |
That friend of mine, Rose, right now, she'd say exactly the right thing. | 0:16:44 | 0:16:49 | |
Still, can't be helped, you're a novice. Never mind! | 0:16:51 | 0:16:54 | |
I'll take you back home tomorrow. | 0:16:54 | 0:16:57 | |
Great! | 0:16:57 | 0:16:58 | |
EERIE WHISPERING | 0:17:37 | 0:17:43 | |
Bind the mind and take the man, | 0:17:49 | 0:17:53 | |
speed the words | 0:17:53 | 0:17:56 | |
to writer's hand! | 0:17:56 | 0:17:59 | |
Will! | 0:18:39 | 0:18:41 | |
I've finished cleaning, just in time for your special treat... Oh aye, I'm not the first then! | 0:18:41 | 0:18:47 | |
I'll take that, to aid my flight and you shall speak no more, this night. | 0:18:49 | 0:18:54 | |
What...? | 0:19:01 | 0:19:03 | |
What was that? | 0:19:03 | 0:19:06 | |
-DISTANT CACKLING -Her heart gave out. | 0:19:08 | 0:19:10 | |
-She died of fright. -Doctor... | 0:19:11 | 0:19:14 | |
What did you see? | 0:19:14 | 0:19:16 | |
A witch. | 0:19:16 | 0:19:18 | |
COCKEREL CROWS | 0:19:19 | 0:19:21 | |
Oh, sweet Dolly Bailey. | 0:19:24 | 0:19:26 | |
She sat out three bouts of the plague in this place. We all ran like rats. | 0:19:26 | 0:19:31 | |
But what could have scared her so? She had such enormous spirit. | 0:19:31 | 0:19:34 | |
Rage, rage against the dying of the light. | 0:19:34 | 0:19:37 | |
-I might use that. -You can't, it's someone else's. | 0:19:37 | 0:19:40 | |
But the thing is, Lynley drowned on dry land, Dolly died of fright, and they were both connected to you. | 0:19:40 | 0:19:46 | |
-You're accusing me? -No, but I saw a witch - | 0:19:46 | 0:19:49 | |
big as you like, | 0:19:49 | 0:19:51 | |
-flying, cackling away - and you've written about witches. -I have? When was that? | 0:19:51 | 0:19:55 | |
Not...quite yet. | 0:19:55 | 0:19:57 | |
-Peter Streete spoke of witches. -Who's Peter Streete? -Our builder. | 0:19:57 | 0:20:00 | |
-He sketched the plans to the Globe. -The architect. | 0:20:00 | 0:20:03 | |
Hold on, the architect! The Globe! Come on! | 0:20:03 | 0:20:06 | |
The columns there, right, and 14 sides... | 0:20:07 | 0:20:12 | |
I've always wondered but I've never asked, Will, why 14 sides? | 0:20:12 | 0:20:15 | |
It was the shape Peter Streete thought best, that's all. | 0:20:15 | 0:20:18 | |
-He said it carried the sound well. -But 14?Why does that ring a bell? | 0:20:18 | 0:20:21 | |
-14? -There's 14 lines in a sonnet. -So there is. | 0:20:21 | 0:20:25 | |
Good point! Words, and shapes, following the same design. | 0:20:25 | 0:20:28 | |
14 lines, 14 sides, 14 facets. | 0:20:28 | 0:20:31 | |
Oh, my head! Tetradecagon! Think! Words, letters, numbers, lines... | 0:20:31 | 0:20:35 | |
-But this is just a theatre. -Yes, but a theatre's magic, isn't it? | 0:20:35 | 0:20:38 | |
You should know! Stand on this stage. | 0:20:38 | 0:20:41 | |
Say the right words, with the right emphasis, at the right time. Oh, you can make men weep. | 0:20:41 | 0:20:46 | |
Or cry with joy. Change them... | 0:20:46 | 0:20:51 | |
Yu can change people's minds, just with words in this place! | 0:20:51 | 0:20:56 | |
-And if you exaggerate that... -It's like your police box. Small wooden box, but with all that power inside. | 0:20:57 | 0:21:03 | |
Oh! Oh, Martha Jones, I like you! Tell you what though, | 0:21:03 | 0:21:07 | |
-Peter would know, can I talk to him? -You won't get an answer. | 0:21:07 | 0:21:10 | |
-A month after finishing this place, lost his mind. -Why, what happened? | 0:21:10 | 0:21:14 | |
He started raving about witches, hearing voices, babbling. | 0:21:14 | 0:21:17 | |
-His mind was addled. -Where is he now? -Bedlam. -What's Bedlam? -Bethlem Hospital, the madhouse. | 0:21:17 | 0:21:21 | |
-We've gotta go there, right now, come on! -I'm coming with you! I want to witness this at first hand. Ralph, | 0:21:21 | 0:21:27 | |
the last scene, as promised, copy it, hand it round, learn it, speak it. | 0:21:27 | 0:21:31 | |
Back before curtain-up, and remember, kid, project, eyes and teeth, you never know the Queen might turn up! | 0:21:31 | 0:21:37 | |
As if! She never does. | 0:21:37 | 0:21:40 | |
So tell me of Freedonia - where women can be doctors, writers, actors? | 0:21:40 | 0:21:45 | |
-This country's ruled by a woman. -She's Royal, that's God's business. | 0:21:45 | 0:21:48 | |
Though you are a Royal beauty. | 0:21:48 | 0:21:50 | |
Whoa, Nelly. I know for a fact you've got a wife in the country. | 0:21:50 | 0:21:54 | |
-But Martha, this is town. -Come on! | 0:21:54 | 0:21:56 | |
-We can all have a good flirt later! -Is that a promise, Doctor? | 0:21:56 | 0:21:59 | |
Oh, 57 academics just punched the air, now move! | 0:22:00 | 0:22:04 | |
Love's Labours Won. I don't think much of sequels, they're never as good as the original. | 0:22:07 | 0:22:12 | |
Have you seen this bit? He must've been dozing off! | 0:22:12 | 0:22:14 | |
-I don't even know what it means. -That goes for most of his stuff. | 0:22:14 | 0:22:17 | |
Ah, but at least it's my speech! | 0:22:17 | 0:22:20 | |
I get centre stage! | 0:22:20 | 0:22:22 | |
"The light of Shadmoch's hollow moon, doth shine on to a point in space, | 0:22:24 | 0:22:29 | |
"betwixt Dravidian shores..." | 0:22:29 | 0:22:31 | |
HOWLING WIND | 0:22:31 | 0:22:34 | |
What was that? | 0:22:34 | 0:22:36 | |
"..Dravidian shores and linear five, nine three o one six." | 0:22:36 | 0:22:42 | |
A spirit stirs the ether! | 0:22:42 | 0:22:44 | |
Too soon! Too soon! | 0:22:46 | 0:22:48 | |
Naught to fear, my mothers, | 0:22:48 | 0:22:52 | |
it is merely a rehearsal of what's to come. | 0:22:52 | 0:22:55 | |
"And strikes the fulsome grove of Rexel Four..." | 0:22:56 | 0:23:00 | |
By all the saints! | 0:23:03 | 0:23:05 | |
It's a spirit! | 0:23:05 | 0:23:07 | |
-CREATURE SHRIEKS -It's a vile shade. | 0:23:07 | 0:23:10 | |
I think we should never speak of this again, | 0:23:17 | 0:23:20 | |
else we'll end up in Bedlam ourselves. | 0:23:20 | 0:23:23 | |
MOANS, WAILS AND CLATTER OF SHACKLES | 0:23:24 | 0:23:29 | |
Does my Lord Doctor wish some entertainment while he waits? | 0:23:29 | 0:23:33 | |
I can whip these mad men, they'll put on a good show for you. | 0:23:34 | 0:23:37 | |
-Bandog and Bedlam! -No. I don't. | 0:23:37 | 0:23:40 | |
Wait here, my lords while I... | 0:23:40 | 0:23:43 | |
make him decent for the lady. | 0:23:43 | 0:23:45 | |
So, you call this a hospital?! Where patients are whipped to entertain the gentry. | 0:23:45 | 0:23:49 | |
-And you put your friend in here? -Oh, it's all so different in Freedonia. | 0:23:49 | 0:23:53 | |
But you're clever! D'you honestly think this place does any good? | 0:23:53 | 0:23:56 | |
I've been mad, I've lost my mind. The fear of this place set me right again, it serves its purpose. | 0:23:56 | 0:24:01 | |
-Mad in what way? -You lost your son. | 0:24:01 | 0:24:03 | |
My only boy. | 0:24:03 | 0:24:05 | |
The Black Death took him. I wasn't even there. | 0:24:05 | 0:24:08 | |
I didn't know, I'm sorry. | 0:24:08 | 0:24:09 | |
It made me question everything. The futility of this fleeting existence. To be or not to be... | 0:24:09 | 0:24:15 | |
Ooh... | 0:24:15 | 0:24:16 | |
that's quite good. | 0:24:16 | 0:24:18 | |
You should write that down. | 0:24:18 | 0:24:20 | |
Maybe not, bit pretentious. | 0:24:20 | 0:24:21 | |
This way, my lord. | 0:24:21 | 0:24:23 | |
WAILING | 0:24:25 | 0:24:30 | |
-They can be dangerous. Don't know their own strength. -It helps if you don't whip them. Now, get out. | 0:24:39 | 0:24:44 | |
Peter... | 0:24:49 | 0:24:51 | |
Peter Streete? | 0:24:51 | 0:24:53 | |
He's the same as he was. | 0:24:53 | 0:24:56 | |
You'll get nothing out of him. | 0:24:56 | 0:24:58 | |
Peter? | 0:24:59 | 0:25:01 | |
What is this? I must see. | 0:25:06 | 0:25:10 | |
That stranger! | 0:25:16 | 0:25:17 | |
He was at the inn with Shakespeare. | 0:25:17 | 0:25:21 | |
I thought then, he smelt of something new. | 0:25:21 | 0:25:23 | |
Now he visits the madhouse - the architect! | 0:25:23 | 0:25:27 | |
Peter, I'm the Doctor. | 0:25:35 | 0:25:36 | |
Go into the past. | 0:25:38 | 0:25:41 | |
One year ago. | 0:25:41 | 0:25:43 | |
Let your mind go back. Back, to when everything was fine and shining. | 0:25:43 | 0:25:48 | |
Everything that happened in this year since, happened to somebody else. | 0:25:48 | 0:25:53 | |
It was just a story, | 0:25:53 | 0:25:57 | |
a winter's tale. | 0:25:57 | 0:25:59 | |
Let go... | 0:25:59 | 0:26:01 | |
That's it. | 0:26:01 | 0:26:03 | |
That's it. | 0:26:03 | 0:26:05 | |
Just let go... | 0:26:05 | 0:26:06 | |
Tell me the story, Peter. | 0:26:11 | 0:26:13 | |
Tell me about the witches. | 0:26:13 | 0:26:16 | |
Who is this Doctor? | 0:26:16 | 0:26:17 | |
Why does he come now, at our time of glory? | 0:26:17 | 0:26:21 | |
Doomfinger! Transport yourself! | 0:26:21 | 0:26:24 | |
Doom the Doctor, | 0:26:24 | 0:26:26 | |
doom his hide! | 0:26:26 | 0:26:28 | |
Hide... | 0:26:28 | 0:26:30 | |
The witches...spoke to Peter. | 0:26:31 | 0:26:34 | |
In the night, they whispered. | 0:26:34 | 0:26:37 | |
Whispered... | 0:26:37 | 0:26:38 | |
Got Peter to build the Globe to their design. THEIR design. | 0:26:43 | 0:26:47 | |
The 14 walls. | 0:26:47 | 0:26:49 | |
Always 14. | 0:26:49 | 0:26:53 | |
When the work was done... | 0:26:53 | 0:26:55 | |
..they snapped poor Peter's wits... | 0:26:57 | 0:27:01 | |
But where did Peter see the witches? Where in the city? | 0:27:01 | 0:27:04 | |
Peter, tell me. | 0:27:04 | 0:27:07 | |
You've got to tell me, where were they? | 0:27:07 | 0:27:09 | |
Allhallows Street... | 0:27:12 | 0:27:14 | |
-Too many words... -What the hell? Just one touch of the heart. | 0:27:14 | 0:27:19 | |
NO! | 0:27:20 | 0:27:22 | |
WITCH WAILS | 0:27:24 | 0:27:26 | |
A witch, I'm seeing a witch! | 0:27:26 | 0:27:28 | |
Who would be next, mmm? | 0:27:28 | 0:27:30 | |
Just one touch... | 0:27:30 | 0:27:34 | |
WITCHES CACKLE | 0:27:34 | 0:27:36 | |
I'll stop your frantic hearts. | 0:27:36 | 0:27:40 | |
Poor fragile mortals. | 0:27:40 | 0:27:43 | |
-Let us out! -That's not gonna work, the whole building's shouting that! | 0:27:43 | 0:27:46 | |
Who would die first? Mmm? | 0:27:46 | 0:27:49 | |
-Well, if you're looking for volunteers. -No don't! -Doctor, can you stop her? | 0:27:49 | 0:27:54 | |
-No mortal has power over me. -Oh, but there's a power in words. | 0:27:54 | 0:27:57 | |
-If I can find the right one, if I could just know you... -None on Earth has knowledge of us. | 0:27:57 | 0:28:03 | |
Then it's a good thing I'm here. Now, think. Humanoid, female, uses shapes and words to channel energy. | 0:28:03 | 0:28:08 | |
Ah! 14! | 0:28:08 | 0:28:09 | |
That's it! 14! The 14 stars of the Rexel Planetary Configuration! | 0:28:09 | 0:28:14 | |
Creature, I name you...Carrionite! | 0:28:14 | 0:28:18 | |
CREATURE SCREAMS | 0:28:18 | 0:28:22 | |
What did you do? | 0:28:23 | 0:28:26 | |
I named her. The power of a name. That's old magic. | 0:28:26 | 0:28:30 | |
But there's no such thing as magic! | 0:28:30 | 0:28:32 | |
It's a different sort of science. You chose mathematics. | 0:28:32 | 0:28:35 | |
The right numbers, the right equation, can split the atom. Carrionites use words. | 0:28:35 | 0:28:39 | |
Use them for what? | 0:28:39 | 0:28:40 | |
The end of the world. | 0:28:42 | 0:28:44 | |
CARRIONITE GASPS | 0:28:45 | 0:28:49 | |
He knows us! | 0:28:49 | 0:28:52 | |
He spoke our name! | 0:28:52 | 0:28:54 | |
Then he will know death! | 0:28:54 | 0:28:57 | |
He will perish at my hand! | 0:28:57 | 0:28:59 | |
-BELL TOLLS -My mothers, the time approaches, you must away to the Globe, go! | 0:28:59 | 0:29:05 | |
I will join you, as soon as this Doctor screams his last! | 0:29:05 | 0:29:10 | |
The Carrionites disappeared way back at the dawn of the universe. | 0:29:10 | 0:29:14 | |
-Nobody was sure if they were real or legend. -I'm going for real. -But what do they want? | 0:29:14 | 0:29:18 | |
A new empire on Earth. | 0:29:18 | 0:29:21 | |
-A world of bones and blood and witchcraft. -But how? | 0:29:21 | 0:29:25 | |
I'm looking at the man with the words. | 0:29:25 | 0:29:29 | |
Me? But I've done nothing. | 0:29:29 | 0:29:31 | |
Hold on, what were you doing last night, when that Carrionite was in the room? | 0:29:31 | 0:29:35 | |
Finishing the play. | 0:29:35 | 0:29:36 | |
What happens on the last page? | 0:29:37 | 0:29:39 | |
The boys get the girls, they have a bit of a dance, it's all as funny and thought-provoking as usual. | 0:29:39 | 0:29:44 | |
Except those last few line. | 0:29:45 | 0:29:47 | |
Funny thing is, I don't actually remember writing them. | 0:29:47 | 0:29:51 | |
That's it! | 0:29:51 | 0:29:54 | |
They used you! | 0:29:54 | 0:29:56 | |
They gave you the final words, like a spell, like a code! Love's Labour's Won, it's a weapon! | 0:29:56 | 0:30:01 | |
The right words, spoken in the right place, with the shape of the Globe as an energy-converter! | 0:30:01 | 0:30:06 | |
The play's the thing! And yes, you can have that! | 0:30:06 | 0:30:08 | |
FANFARE PLAYS | 0:30:10 | 0:30:14 | |
We left the lovers of Navarre by cruel chance sep'rated, | 0:30:17 | 0:30:21 | |
none to claim his heart, their labours lost, now will they find Love's Labours Won? | 0:30:21 | 0:30:27 | |
CHEERS AND APPLAUSE | 0:30:27 | 0:30:29 | |
Allhallows Street, there it is. Martha, we'll track them down, Will, get to the Globe. | 0:30:34 | 0:30:38 | |
Whatever you do, stop that play! | 0:30:38 | 0:30:40 | |
I'll do it! All these years I've been the cleverest man around. Next to you, I know nothing! | 0:30:40 | 0:30:45 | |
-Oh, don't complain(!) -I'm not, it's marvellous! Good luck, Doctor! | 0:30:45 | 0:30:48 | |
-Good luck, Shakespeare! Once more unto the breach! -I like that... | 0:30:48 | 0:30:52 | |
Wait a minute, that's one of mine! | 0:30:52 | 0:30:54 | |
Oh, just shift! | 0:30:54 | 0:30:57 | |
The eye should have contentment where it rests. | 0:30:57 | 0:30:59 | |
This spun-out year I watch on... | 0:30:59 | 0:31:02 | |
Patience, my sisters, patience... | 0:31:02 | 0:31:06 | |
-And mewling poor, drooped men in stench'd... -Stop the play! | 0:31:06 | 0:31:09 | |
I'm sorry, ladies and gentlemen, but stop! This performance must end, immediately. | 0:31:09 | 0:31:15 | |
Oh, everyone's a critic. | 0:31:15 | 0:31:16 | |
-The wordsmith! -Fear not! | 0:31:16 | 0:31:19 | |
I have the doll! | 0:31:19 | 0:31:20 | |
I'm sorry, you'll get a refund, but this play must not be performed. | 0:31:20 | 0:31:26 | |
-Is he drunk or what? -Get him out of the way! | 0:31:29 | 0:31:32 | |
You must forgive, our irksome Will, | 0:31:36 | 0:31:39 | |
he's been on the beer and feeling ill. | 0:31:39 | 0:31:42 | |
LAUGHTER AND APPLAUSE | 0:31:42 | 0:31:46 | |
There is naught can stop us now! | 0:31:48 | 0:31:51 | |
Allhallows Street. | 0:31:53 | 0:31:55 | |
But which house? | 0:31:55 | 0:31:57 | |
Thing is though, am I missing something here? | 0:31:57 | 0:32:00 | |
The world didn't end in 1599, it just didn't. Look at me, I'm living proof. | 0:32:00 | 0:32:04 | |
Oh, how to explain the mechanics of the Infinite Temporal Flux? I know! | 0:32:04 | 0:32:07 | |
-Back to the Future! It's like Back to the Future! -The film? | 0:32:07 | 0:32:11 | |
No, the novelisation, yes the film! Marty McFly goes back and changes history... | 0:32:11 | 0:32:15 | |
And he starts fading away! Oh, my God, am I gonna fade? | 0:32:15 | 0:32:19 | |
You and the entire future of the human race - it ends, right now, | 0:32:19 | 0:32:23 | |
in 1599, if we don't stop it. | 0:32:23 | 0:32:25 | |
But which house? | 0:32:25 | 0:32:27 | |
Make that "witch" house. | 0:32:32 | 0:32:36 | |
I take it we're expected? | 0:32:47 | 0:32:49 | |
Oh, I think death has been waiting for you a very long time. | 0:32:49 | 0:32:53 | |
Right then! It's my turn. | 0:32:53 | 0:32:55 | |
I know how to do this. | 0:32:55 | 0:32:57 | |
I name thee, Carrionite! | 0:32:57 | 0:33:00 | |
Argh! Huh... | 0:33:00 | 0:33:02 | |
What was wrong? The finger? | 0:33:02 | 0:33:04 | |
The power of a name works only once. | 0:33:04 | 0:33:06 | |
Observe. | 0:33:06 | 0:33:07 | |
I gaze upon this bag of bones, and now I name thee Martha Jones! | 0:33:07 | 0:33:12 | |
What have you done? | 0:33:12 | 0:33:13 | |
Only sleeping, alas. It's curious, | 0:33:15 | 0:33:18 | |
the name has less impact, she's somehow out of her time. | 0:33:18 | 0:33:22 | |
And as for you, Sir Doctor... | 0:33:22 | 0:33:25 | |
Fascinating. | 0:33:26 | 0:33:27 | |
There is no name. | 0:33:29 | 0:33:30 | |
Why would a man hide his title in such despair? | 0:33:30 | 0:33:34 | |
Oh! But look! | 0:33:36 | 0:33:38 | |
-There's still one word with a power that aches... -The naming won't work on me. | 0:33:38 | 0:33:42 | |
But your heart grows cold, the north wind blows | 0:33:42 | 0:33:46 | |
and carries down, the distant... | 0:33:46 | 0:33:48 | |
Rose. | 0:33:48 | 0:33:50 | |
Oh, big mistake | 0:33:50 | 0:33:53 | |
cos that name keeps me fighting. | 0:33:53 | 0:33:55 | |
The Carrionites vanished, where did you go? | 0:33:55 | 0:33:58 | |
The Eternals found the right word to banish us into Deep Darkness. | 0:33:58 | 0:34:02 | |
-Then how did you escape? -New words, new and glittering. | 0:34:02 | 0:34:06 | |
From a mind like no other. | 0:34:06 | 0:34:08 | |
Shakespeare? | 0:34:08 | 0:34:11 | |
His son perished! | 0:34:11 | 0:34:13 | |
The grief of a genius - | 0:34:13 | 0:34:16 | |
grief without measure, | 0:34:16 | 0:34:18 | |
madness enough to allow us entrance. | 0:34:18 | 0:34:21 | |
-How many of you? -Just the three. But the play tonight shall restore the rest. | 0:34:21 | 0:34:26 | |
Then the human race will be purged, as pestilence. | 0:34:26 | 0:34:30 | |
And from this world, we will lead the universe back into the old ways of blood and magic. | 0:34:30 | 0:34:36 | |
Mmm, busy schedule. But first... | 0:34:36 | 0:34:40 | |
you've got to get past me. | 0:34:40 | 0:34:42 | |
Oh, that should be a pleasure... | 0:34:42 | 0:34:44 | |
considering my enemy has such a handsome shape. | 0:34:45 | 0:34:49 | |
Now that's one form of magic that's definitely not going to work on me. | 0:34:49 | 0:34:54 | |
-Oh, we'll see. -SNIP! | 0:34:54 | 0:34:56 | |
What was that for, what did you do? | 0:34:56 | 0:34:58 | |
A souvenir. | 0:34:58 | 0:35:00 | |
Well, give it back! | 0:35:00 | 0:35:01 | |
Well, that's just cheating. | 0:35:05 | 0:35:07 | |
Behold, Doctor. | 0:35:07 | 0:35:09 | |
Men, to Carrionites, are nothing | 0:35:09 | 0:35:11 | |
but puppets. | 0:35:11 | 0:35:13 | |
Now, you might call that magic, I'd call that a DNA Replication Module. | 0:35:14 | 0:35:19 | |
What use is your science now? | 0:35:19 | 0:35:21 | |
Oh, my God, Doctor! Don't worry, I've got you. | 0:35:27 | 0:35:31 | |
Hold on, mister. | 0:35:34 | 0:35:36 | |
Two hearts?! | 0:35:36 | 0:35:38 | |
You're making a habit of this. | 0:35:38 | 0:35:40 | |
Ow! | 0:35:40 | 0:35:42 | |
I've only got one heart working, how do you people cope? | 0:35:42 | 0:35:47 | |
I gotta get the other one started, hit me! Hit me on the chest. Argh! | 0:35:47 | 0:35:51 | |
Other side! Argh! On the back, on the back. | 0:35:51 | 0:35:55 | |
Left a bit. Argh! | 0:35:56 | 0:35:59 | |
Lovely. There we go! Ba-da-boom! Well what are you standing there for? Come on, the Globe! | 0:35:59 | 0:36:05 | |
The Doctor? | 0:36:07 | 0:36:10 | |
-Dead. -The ladies have prepared a show. | 0:36:10 | 0:36:13 | |
Maria means to present Isis descending from the dewy orb of Heav'n. | 0:36:13 | 0:36:17 | |
Ah, here comes Costard. | 0:36:17 | 0:36:19 | |
CHEERS | 0:36:19 | 0:36:21 | |
Masters! | 0:36:23 | 0:36:26 | |
AUDIENCE WHISTLES | 0:36:26 | 0:36:27 | |
-We're going the wrong way! -No, we're not! | 0:36:27 | 0:36:31 | |
We're going the wrong way! | 0:36:31 | 0:36:33 | |
Behold the swinish sight of woman's love! | 0:36:36 | 0:36:38 | |
Pish, it's out of season to be heavy disposed. | 0:36:38 | 0:36:42 | |
It is now, my mothers! | 0:36:42 | 0:36:44 | |
The final words, to activate the tetradecagon! | 0:36:44 | 0:36:46 | |
Betwixt Dravidian shores and linear five, nine, three, o, one, six, seven, point, o, two | 0:36:46 | 0:36:53 | |
and strikes the fulsome grove of Rexel Four. Co-radiating crystal activate! | 0:36:53 | 0:36:59 | |
The portal opens! It begins! | 0:36:59 | 0:37:03 | |
THEY CACKLE | 0:37:03 | 0:37:05 | |
PEOPLE SCREAM | 0:37:05 | 0:37:08 | |
I told thee so! I told thee! | 0:37:08 | 0:37:10 | |
Stage door! | 0:37:13 | 0:37:14 | |
Stop the play! I think that was it. Yes, I said, "Stop the play!" | 0:37:33 | 0:37:37 | |
-I hit my head. -Yeah, don't rub it, you'll go bald. | 0:37:37 | 0:37:39 | |
I think that's my cue. | 0:37:39 | 0:37:42 | |
CARRIONITES: Now begins the Millennium of Blood! | 0:37:43 | 0:37:48 | |
The Doctor, he lives! | 0:37:51 | 0:37:53 | |
Then watch this world become a blasted heath! | 0:37:53 | 0:37:57 | |
They come! They come! | 0:37:57 | 0:37:59 | |
-Come on, Will! History needs you! -But what can I do? -Reverse it! -How am I supposed to do that? | 0:38:32 | 0:38:37 | |
The shape of the Globe gives words power, you're the wordsmith - | 0:38:37 | 0:38:40 | |
the one, true genius, the only man clever enough to do it. | 0:38:40 | 0:38:43 | |
-What words? I have none. -You're William Shakespeare! | 0:38:43 | 0:38:46 | |
-But these Carrionite phrases, they need such precision. -Trust yourself. | 0:38:46 | 0:38:51 | |
With you the words just come like magic! | 0:38:51 | 0:38:54 | |
The right sound, the right shape, the right rhythm, words that last forever. | 0:38:54 | 0:38:58 | |
That's what you do, Will, you choose perfect words, do it! Improvise! | 0:38:58 | 0:39:03 | |
Close up this din of hateful dire decay! | 0:39:09 | 0:39:13 | |
Decomposition of your witches' plot. | 0:39:13 | 0:39:15 | |
You thieve my brains, consider me your toy | 0:39:15 | 0:39:18 | |
my doting Doctor tells me I am not! | 0:39:18 | 0:39:21 | |
No! Words of power! | 0:39:21 | 0:39:24 | |
Foul Carrionite spectres cease your show between the points... | 0:39:24 | 0:39:30 | |
Seven, six, one, three, nine, o... | 0:39:30 | 0:39:32 | |
Sev'n, six, one, three, nine, o.. | 0:39:32 | 0:39:34 | |
And banished like a tinker's cuss, I say to thee... | 0:39:34 | 0:39:39 | |
Expelliamus! | 0:39:41 | 0:39:44 | |
-Expelliamus! -Expelliamus! -Good old JK! | 0:39:44 | 0:39:48 | |
CARRIONITES SHRIEK | 0:39:48 | 0:39:52 | |
The Deep Darkness... They are consumed! No...! | 0:39:52 | 0:39:57 | |
Love's Labours Won! | 0:40:11 | 0:40:13 | |
There it goes! | 0:40:13 | 0:40:14 | |
CARRIONITES SCREAM | 0:40:14 | 0:40:18 | |
AUDIENCE GASPS | 0:40:23 | 0:40:26 | |
RIPPLE OF APPLAUSE | 0:40:29 | 0:40:32 | |
CHEERS AND APPLAUSE | 0:40:36 | 0:40:41 | |
They think it was all special effects. | 0:40:46 | 0:40:48 | |
Your effect is special indeed. | 0:40:48 | 0:40:51 | |
That's not your best line. | 0:40:51 | 0:40:53 | |
WHISTLES AND WHOOPS | 0:40:53 | 0:40:57 | |
And I say, a heart for a hart, a dear for a deer. | 0:41:23 | 0:41:28 | |
-I don't get it. -Then give me a joke from Freedonia. | 0:41:28 | 0:41:31 | |
OK. Shakespeare walks into a pub | 0:41:31 | 0:41:34 | |
and the landlord says, "Oi, mate, you're barred." | 0:41:34 | 0:41:39 | |
Oh, that's brilliant! Doesn't make sense, mind you, but never mind that, come here. | 0:41:39 | 0:41:43 | |
I've only just met you. | 0:41:43 | 0:41:45 | |
The Doctor might never kiss you. Why not entertain a man who will? | 0:41:45 | 0:41:48 | |
I don't know how to tell you this, oh, great genius, but your breath doesn't half stink. | 0:41:50 | 0:41:55 | |
Good props store, back there. | 0:41:55 | 0:41:58 | |
Not sure about this, though, | 0:41:58 | 0:42:00 | |
reminds me of a Sycorax. | 0:42:00 | 0:42:02 | |
Sycorax? Nice word. I'll have that off you as well. | 0:42:02 | 0:42:05 | |
-I should be on 10%. How's your head? -Still aching. -'Ere... | 0:42:05 | 0:42:09 | |
I got you this... | 0:42:09 | 0:42:11 | |
Neck brace. | 0:42:11 | 0:42:12 | |
Wear that for a few days, till it's better. Although, | 0:42:12 | 0:42:16 | |
-you might want to keep it, suits you. -What about the play? | 0:42:16 | 0:42:19 | |
Gone. I looked all over, every single copy of Love's Labours Won, went up in the sky. | 0:42:19 | 0:42:23 | |
-My lost masterpiece. -You could write it up again. | 0:42:23 | 0:42:27 | |
Yeah, better not, Will. | 0:42:27 | 0:42:29 | |
There's still power in those words, maybe it'd best stay forgotten. | 0:42:29 | 0:42:32 | |
Oh, but I've got new ideas! | 0:42:32 | 0:42:34 | |
Perhaps it's time I wrote about fathers and sons. | 0:42:34 | 0:42:37 | |
In memory of my boy. My precious Hamnet. | 0:42:37 | 0:42:39 | |
-Hamnet? -That's him. -Ham...net? -What's wrong with that? -Anyway, | 0:42:39 | 0:42:43 | |
time we were off. I've got a nice attic in the Tardis, where this lot can scream for all eternity. | 0:42:43 | 0:42:49 | |
-I've gotta take Martha back to Freedonia. -You mean travel on through time and space? | 0:42:49 | 0:42:54 | |
-You what? -You're from another world, like the Carrionites. Martha's from the future. | 0:42:54 | 0:42:58 | |
It's not that hard to work out. | 0:42:58 | 0:43:00 | |
-That's incredible. You are incredible! -We're alike in many ways, Doctor. | 0:43:00 | 0:43:05 | |
Martha, let me say goodbye to you with a new verse. | 0:43:05 | 0:43:09 | |
A sonnet for my Dark Lady. | 0:43:09 | 0:43:12 | |
Shall I compare thee to a summer's day? | 0:43:14 | 0:43:16 | |
Thou art more lovely and more temperate... | 0:43:16 | 0:43:20 | |
Will! You'll never believe it! She's here! She's turned up! | 0:43:20 | 0:43:24 | |
We're the talk of the town. She heard about last night, she wants us to perform it again! | 0:43:24 | 0:43:29 | |
-Who? -Her Majesty, she's here. | 0:43:29 | 0:43:31 | |
FANFARE PLAYS | 0:43:31 | 0:43:33 | |
Queen Elizabeth the First! | 0:43:35 | 0:43:36 | |
Doctor! | 0:43:36 | 0:43:38 | |
-What? -My sworn enemy! | 0:43:38 | 0:43:41 | |
-What? -Off with his head! -What?! | 0:43:41 | 0:43:44 | |
-Never mind what, run! See you, Will! And thanks! -Stop that pernicious Doctor! | 0:43:44 | 0:43:49 | |
Stop, in the name of the Queen! | 0:43:54 | 0:43:56 | |
-What have you done to upset her? -I don't know. I haven't met her yet! | 0:43:56 | 0:43:59 | |
That's time travel for you! Still, can't wait to find out... | 0:43:59 | 0:44:03 | |
that's something to look forward to! | 0:44:03 | 0:44:05 | |
Oh... | 0:44:05 | 0:44:07 | |
We're in the middle of New New York... | 0:44:12 | 0:44:14 | |
He has arrived. | 0:44:14 | 0:44:16 | |
You've got to let her go! | 0:44:20 | 0:44:21 | |
-Doctor! -No! | 0:44:21 | 0:44:24 | |
-I need to talk to the police. -HORNS BEEP | 0:44:24 | 0:44:27 | |
-You want happy? -Bucket of anger. -How much do you want forgetting? | 0:44:27 | 0:44:31 | |
Well dressed for a hitch-hiker. | 0:44:31 | 0:44:32 | |
They say people go missing on the motorway. | 0:44:32 | 0:44:35 | |
Some cars just vanish, never to be seen again. | 0:44:35 | 0:44:38 | |
Is there something living down there? | 0:44:38 | 0:44:40 | |
What the hell are they? | 0:44:40 | 0:44:42 | |
Subtitles by Red Bee Media Ltd - 2007 | 0:44:42 | 0:44:46 | |
E-mail [email protected] | 0:44:46 | 0:44:49 |