Browse content similar to The Unicorn and the Wasp. Check below for episodes and series from the same categories and more!
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TARDIS WHIRRS | 0:00:02 | 0:00:04 | |
Ooh, smell that air! | 0:00:08 | 0:00:10 | |
Grass and lemonade and a little bit of mint, | 0:00:10 | 0:00:14 | |
a hint of mint, must be the 1920s. | 0:00:14 | 0:00:16 | |
You can tell what year it is just by smelling? | 0:00:16 | 0:00:20 | |
-Oh, yeah! -Or maybe that big vintage car coming up the drive gave it away(!) | 0:00:20 | 0:00:25 | |
HORN TOOTS | 0:00:27 | 0:00:29 | |
The professor's luggage, Richard, step lively. | 0:00:32 | 0:00:35 | |
Good afternoon, Professor Peach. | 0:00:37 | 0:00:38 | |
Hello, Greeves old man. | 0:00:38 | 0:00:41 | |
Ah... Reverend! | 0:00:41 | 0:00:43 | |
Professor Peach! Beautiful day. | 0:00:43 | 0:00:45 | |
-The Lord's in his heaven, all's right with the world. -Reverend Golightly. | 0:00:45 | 0:00:49 | |
Lady Eddison requests that you make yourselves comfortable in your rooms. | 0:00:49 | 0:00:52 | |
Cocktails will be served on the lawn from half past four. | 0:00:52 | 0:00:55 | |
You go on up. I need to check something in the library. Alone. | 0:00:55 | 0:00:59 | |
It's supposed to be a party. | 0:00:59 | 0:01:00 | |
All this work, it'll be the death of you! | 0:01:00 | 0:01:03 | |
Never mind Planet Zog... | 0:01:03 | 0:01:05 | |
A party in the 1920s, that's more like it! | 0:01:05 | 0:01:08 | |
Trouble is, we haven't been invited. | 0:01:08 | 0:01:11 | |
Oh, I forgot, yes, we have! | 0:01:11 | 0:01:14 | |
I was right. Kept secret all these years... | 0:01:16 | 0:01:19 | |
It's unbelievable! | 0:01:19 | 0:01:22 | |
But why didn't they ask...? Heavens! | 0:01:22 | 0:01:24 | |
Oh, it's you. | 0:01:24 | 0:01:26 | |
I was just doing a little research... | 0:01:26 | 0:01:28 | |
I say, what are you doing with that lead piping? | 0:01:28 | 0:01:32 | |
But that's impossible... No! No-! | 0:01:33 | 0:01:37 | |
We'll be late for cocktails! | 0:02:14 | 0:02:17 | |
What d'you think? Flapper or slapper? | 0:02:19 | 0:02:22 | |
Flapper. You look lovely! | 0:02:22 | 0:02:25 | |
SLOW PIANO MUSIC PLAYS | 0:02:31 | 0:02:35 | |
Look sharp, we have guests! | 0:02:35 | 0:02:37 | |
Good afternoon! | 0:02:37 | 0:02:38 | |
Drinks, sir? Ma'am? | 0:02:38 | 0:02:41 | |
Sidecar please. | 0:02:41 | 0:02:42 | |
And a lime and soda, thank you. | 0:02:42 | 0:02:44 | |
May I announce Lady Clemency Eddison! | 0:02:44 | 0:02:47 | |
Lady Eddison! | 0:02:47 | 0:02:49 | |
Forgive me, but who exactly might you be and what are you doing here? | 0:02:49 | 0:02:54 | |
I'm the Doctor, and this is Miss Donna Noble, of the Chiswick Nobles. | 0:02:54 | 0:02:57 | |
IN POSH VOICE: Good afternoon, my lady. Topping day, what? | 0:02:57 | 0:03:01 | |
Spiffing! Top hole! | 0:03:01 | 0:03:03 | |
No, no, no, no. No. Don't do that, don't. | 0:03:03 | 0:03:05 | |
We were thrilled to receive your invitation, my lady. | 0:03:05 | 0:03:09 | |
We met at the Ambassador's reception. | 0:03:09 | 0:03:11 | |
Doctor, how could I forget you? | 0:03:11 | 0:03:13 | |
But one must be sure with the Unicorn on the loose. | 0:03:13 | 0:03:15 | |
A unicorn? Brilliant! Where? | 0:03:15 | 0:03:18 | |
The Unicorn. The jewel thief. | 0:03:18 | 0:03:21 | |
Nobody knows who he is. | 0:03:21 | 0:03:23 | |
He's just struck again, snatched Lady Babbington's pearls right from under her nose. | 0:03:23 | 0:03:27 | |
Funny place to wear pearls. | 0:03:27 | 0:03:30 | |
May I announce the Colonel Hugh Curbishley, the Honourable Roger Curbishley. | 0:03:30 | 0:03:34 | |
My husband | 0:03:34 | 0:03:36 | |
-and my son. -Forgive me for not rising. | 0:03:36 | 0:03:38 | |
Never been the same ever since that flu epidemic back in '18. | 0:03:38 | 0:03:42 | |
My word, you are a super lady. | 0:03:42 | 0:03:46 | |
Oh, I like the cut of your jib. | 0:03:46 | 0:03:48 | |
-Chin, chin. -Hello, I'm the Doctor. | 0:03:48 | 0:03:50 | |
-How do you do? -Very well. -Your usual, sir? | 0:03:50 | 0:03:53 | |
Ah, thank you, Davenport. Just how I like it. | 0:03:53 | 0:03:56 | |
How come she's an Eddison but her husband and son are Curbishleys? | 0:03:56 | 0:03:59 | |
The Eddison title ascends through her. | 0:03:59 | 0:04:02 | |
One day Roger will be a lord. | 0:04:02 | 0:04:04 | |
..Miss Robina Redmond! | 0:04:04 | 0:04:07 | |
She's the absolute hit of the social scene. A must! Miss Redmond! | 0:04:07 | 0:04:11 | |
Spiffing to meet you at last, my lady! | 0:04:11 | 0:04:13 | |
-What super fun! -Reverend Arnold Golightly! | 0:04:13 | 0:04:16 | |
Reverend, how are you? | 0:04:16 | 0:04:19 | |
I heard about the church last Thursday night, those ruffians breaking in. | 0:04:19 | 0:04:24 | |
-You apprehended them. -As the Christian Fathers taught me, | 0:04:24 | 0:04:26 | |
we must forgive them their trespasses, quite literally. | 0:04:26 | 0:04:29 | |
Some of these young boys deserve a decent thrashing. | 0:04:29 | 0:04:33 | |
-Couldn't agree more, sir. -Typical. | 0:04:33 | 0:04:36 | |
-All the decent men are on the other bus. -Or Time Lords. | 0:04:36 | 0:04:40 | |
What about this special guest you promised us? | 0:04:40 | 0:04:42 | |
Here she is! | 0:04:42 | 0:04:43 | |
A lady who needs no introduction. | 0:04:43 | 0:04:47 | |
Oh, no, please don't. | 0:04:47 | 0:04:49 | |
Thank you, Lady Eddison. | 0:04:49 | 0:04:51 | |
Honestly, there's no need. | 0:04:51 | 0:04:53 | |
-Agatha Christie. -What about her? | 0:04:53 | 0:04:55 | |
-That's me. -No! | 0:04:55 | 0:04:58 | |
You're kidding! | 0:04:58 | 0:05:00 | |
Agatha Christie! | 0:05:00 | 0:05:02 | |
I was just talking about. I said, I bet she's brilliant! | 0:05:02 | 0:05:04 | |
I'm the Doctor, this is Donna. Oh! I love your stuff! What a mind! | 0:05:04 | 0:05:07 | |
You fool me every time, well, almost every time, well, once or twice, well, once. But it was a good once! | 0:05:07 | 0:05:15 | |
-You make a rather unusual couple. -No, we're not married! | 0:05:15 | 0:05:19 | |
-We're not a couple! -Obviously not. No wedding ring. | 0:05:19 | 0:05:21 | |
Oh, you don't miss a trick. | 0:05:21 | 0:05:24 | |
And I'd stay that way, if I were you. The thrill is in the chase, never in the capture. | 0:05:24 | 0:05:29 | |
Mrs Christie! I'm so glad you could come, I'm one of your greatest followers. | 0:05:29 | 0:05:34 | |
I've read all six of your books! | 0:05:34 | 0:05:37 | |
Is Mr Christie not joining us? | 0:05:37 | 0:05:40 | |
Is he needed? | 0:05:40 | 0:05:41 | |
Can't a woman make her own way in the world? | 0:05:41 | 0:05:44 | |
Don't give my wife ideas! | 0:05:44 | 0:05:46 | |
Now, Mrs Christie, I've a question. Why a Belgian detective? | 0:05:46 | 0:05:49 | |
Belgians make such lovely buns! | 0:05:49 | 0:05:52 | |
I say, where on earth's Professor Peach? | 0:05:55 | 0:05:58 | |
-He'd love to meet Mrs Christie. -Said he was going to the library. | 0:05:58 | 0:06:01 | |
Miss Chandrakala. Would you go and collect the Professor? | 0:06:01 | 0:06:06 | |
-At once, my lady. -The date on this newspaper. | 0:06:06 | 0:06:09 | |
What about it? | 0:06:09 | 0:06:12 | |
It's the day Agatha Christie disappeared. | 0:06:12 | 0:06:14 | |
Professor Peach? | 0:06:18 | 0:06:20 | |
Professor? | 0:06:24 | 0:06:26 | |
She'd just discovered her husband was having an affair. | 0:06:29 | 0:06:32 | |
You'd never think to look at her. Smiling away. | 0:06:32 | 0:06:34 | |
Well, she's British and moneyed. | 0:06:34 | 0:06:37 | |
That's what they do, they carry on. | 0:06:37 | 0:06:40 | |
Except for this one time. | 0:06:40 | 0:06:42 | |
No-one knows exactly what happened, she just vanished... | 0:06:42 | 0:06:46 | |
Her car will be found by the side of a lake. | 0:06:50 | 0:06:52 | |
Ten days later, Agatha Christie turns up in a hotel in Harrogate. | 0:06:52 | 0:06:56 | |
Said she'd lost her memory. | 0:06:58 | 0:07:00 | |
She never spoke about the disappearance, till the day she died. But whatever it was... | 0:07:00 | 0:07:05 | |
It's about to happen. | 0:07:05 | 0:07:07 | |
-Right here, right now. -Professor... | 0:07:07 | 0:07:10 | |
The library! | 0:07:10 | 0:07:11 | |
Murder! Murder! | 0:07:11 | 0:07:13 | |
Oh, my goodness! | 0:07:17 | 0:07:18 | |
Bashed on the head. | 0:07:18 | 0:07:20 | |
A blunt instrument. | 0:07:20 | 0:07:22 | |
Watch broke as he fell, time of death was a quarter past four. | 0:07:22 | 0:07:26 | |
Bit of pipe. | 0:07:26 | 0:07:28 | |
Call me Hercule Poirot, but I reckon that's blunt enough. | 0:07:28 | 0:07:31 | |
Nothing worth killing for in that lot. Dry as dust. | 0:07:36 | 0:07:39 | |
Hold on. The body in the library? | 0:07:39 | 0:07:42 | |
I mean, Professor Peach, in the library, with the lead piping? | 0:07:42 | 0:07:47 | |
-Let me see. -Out of my way! -Gerald! | 0:07:47 | 0:07:49 | |
-Saints preserve us! -Oh, how awful! -Someone should call the police. | 0:07:49 | 0:07:53 | |
No need. Chief Inspector Smith, known as 'the Doctor'. | 0:07:53 | 0:07:56 | |
-Miss Noble's the plucky young girl who helps me out. -I say! | 0:07:56 | 0:07:59 | |
Go into the sitting room. I will question each of you in turn. | 0:07:59 | 0:08:02 | |
Come along. Do as the Doctor says, leave the room undisturbed. | 0:08:02 | 0:08:05 | |
"The plucky young girl who helps me out?" | 0:08:05 | 0:08:08 | |
No policewomen in 1926. | 0:08:08 | 0:08:10 | |
I'll pluck you in a minute. Why don't we phone the real police? | 0:08:10 | 0:08:13 | |
Well, the last thing we want is PC Plod sticking his nose in. | 0:08:13 | 0:08:16 | |
Especially now I've found this. | 0:08:16 | 0:08:20 | |
Morphic residue. | 0:08:20 | 0:08:22 | |
Morphic? Doesn't sound very 1926. | 0:08:22 | 0:08:25 | |
Gets left behind when certain species genetically re-encode. | 0:08:25 | 0:08:27 | |
The murderer's an alien? | 0:08:27 | 0:08:30 | |
Which means one of that lot is an alien in human form. | 0:08:30 | 0:08:33 | |
Yeah, but think about it. | 0:08:33 | 0:08:34 | |
There's a murder, a mystery, and Agatha Christie. | 0:08:34 | 0:08:37 | |
So? Happens to me all the time. | 0:08:37 | 0:08:40 | |
No, but isn't that a bit weird? | 0:08:40 | 0:08:43 | |
Agatha Christie didn't walk around surrounded by murders. | 0:08:43 | 0:08:46 | |
Not really. I mean, that's like meeting Charles Dickens | 0:08:46 | 0:08:50 | |
and he's surrounded by ghosts, at Christmas. | 0:08:50 | 0:08:53 | |
-Well... -Oh, come on! It's not like we | 0:08:53 | 0:08:56 | |
could drive across country and find Enid Blyton having tea with Noddy. | 0:08:56 | 0:08:59 | |
Could we? Noddy's not real, is he? | 0:08:59 | 0:09:03 | |
-Tell me there's no Noddy. -There's no Noddy. | 0:09:03 | 0:09:06 | |
Next thing you know, you'll be telling me it's like Murder On The Orient Express, and they all did it! | 0:09:06 | 0:09:12 | |
Murder on the Orient Express? | 0:09:12 | 0:09:13 | |
Oh, yeah, one of your best! | 0:09:13 | 0:09:15 | |
-But not yet. -Marvellous idea though. | 0:09:15 | 0:09:19 | |
Yeah, tell you what, copyright Donna Noble, OK? | 0:09:19 | 0:09:23 | |
Anyway! Agatha and I will question the suspects, Donna, you search the bedrooms. | 0:09:23 | 0:09:27 | |
Look for clues, any more residue. You'll need this. | 0:09:27 | 0:09:29 | |
Is that for real? | 0:09:29 | 0:09:31 | |
Go on, you're ever so plucky. | 0:09:31 | 0:09:33 | |
Right then! Solving a murder mystery with Agatha Christie, brilliant! | 0:09:35 | 0:09:39 | |
How like a man to have fun, while there's disaster all around him. | 0:09:39 | 0:09:43 | |
-Sorry, yeah. -I'll work with you, gladly. | 0:09:43 | 0:09:45 | |
But for the sake of justice. | 0:09:45 | 0:09:47 | |
Not your own amusement. | 0:09:47 | 0:09:49 | |
Now then, Reverend. | 0:09:53 | 0:09:57 | |
Where were you at a quarter past four? | 0:09:57 | 0:09:59 | |
Let me think. | 0:09:59 | 0:10:01 | |
Why yes, I remember. | 0:10:01 | 0:10:03 | |
I was unpacking in my room... | 0:10:05 | 0:10:07 | |
-No alibi then. -CHRISTIE: You were alone? | 0:10:07 | 0:10:10 | |
-With the Lord one is never truly alone. -And where were you? | 0:10:10 | 0:10:16 | |
Let me think... I was... | 0:10:16 | 0:10:17 | |
Oh, yes, I was taking a... | 0:10:17 | 0:10:19 | |
constitutional, in the fields behind the house. | 0:10:19 | 0:10:21 | |
Just taking a stroll, that's all. | 0:10:23 | 0:10:26 | |
Alone? | 0:10:26 | 0:10:28 | |
Oh, yes, all alone. | 0:10:28 | 0:10:30 | |
Totally alone! Absolutely alone. | 0:10:30 | 0:10:32 | |
Completely, all of the time, I wandered lonely as the proverbial | 0:10:32 | 0:10:35 | |
cloud, there was no-one else with me not at all. Not ever! | 0:10:35 | 0:10:41 | |
And where were you? | 0:10:41 | 0:10:42 | |
At a quarter past four? Well, I went to the toilet when I arrived, and then erm... | 0:10:42 | 0:10:48 | |
Oh, yes, I remember. | 0:10:50 | 0:10:52 | |
I was preparing myself, positively buzzing with excitement about the party... | 0:10:52 | 0:10:57 | |
and the super fun of meeting Lady Eddy... | 0:10:57 | 0:10:59 | |
We've only got your word for it. | 0:10:59 | 0:11:01 | |
That's your problem. Not mine. | 0:11:01 | 0:11:03 | |
And where were you, sir? | 0:11:03 | 0:11:05 | |
Quarter past four? Dear me, let me think... | 0:11:05 | 0:11:09 | |
Ah yes, I remember... | 0:11:09 | 0:11:11 | |
I was in me study reading through military memoirs. | 0:11:12 | 0:11:16 | |
Fascinating stuff. Took me back to my days in the army. | 0:11:16 | 0:11:22 | |
Started reminiscing... | 0:11:22 | 0:11:24 | |
Mafeking, you know... | 0:11:24 | 0:11:26 | |
Terrible war. | 0:11:26 | 0:11:28 | |
Colonel, snap out of it! | 0:11:28 | 0:11:30 | |
-I was in my study... -No no no, right out of it! -Oh, sorry. | 0:11:33 | 0:11:37 | |
Got a bit carried away there. | 0:11:37 | 0:11:40 | |
And where were you at a quarter past four, my lady? | 0:11:40 | 0:11:43 | |
Now let me see... | 0:11:43 | 0:11:45 | |
Yes, I remember. I was sitting in the Blue Room, taking my afternoon tea. | 0:11:47 | 0:11:52 | |
It's a ritual of mine, I needed to gather strength for the duty of hostess. | 0:11:52 | 0:11:58 | |
I then proceeded to the lawn where I met you, Doctor. | 0:11:58 | 0:12:03 | |
And I said, "And who exactly might you be and what are you doing here?" | 0:12:03 | 0:12:07 | |
And you said, "I'm the Doctor and this is Miss Donna Noble." | 0:12:07 | 0:12:12 | |
Yes, yes, you can stop now, I was there for that bit. | 0:12:12 | 0:12:15 | |
-Of course. -SHE HICCUPS | 0:12:15 | 0:12:18 | |
-SHE BURPS -Excuse me. | 0:12:18 | 0:12:20 | |
No alibis for any of them. | 0:12:20 | 0:12:22 | |
The secret adversary remains hidden! | 0:12:22 | 0:12:26 | |
We must look for a motive, use "the little grey cells." | 0:12:27 | 0:12:32 | |
Oh, yes, little grey cells, good old Poirot. | 0:12:32 | 0:12:36 | |
Do you know, I've been to Belgium, yeah. | 0:12:36 | 0:12:39 | |
I remember... | 0:12:41 | 0:12:43 | |
I was deep in the Ardennes, trying to find Charlemagne. | 0:12:43 | 0:12:47 | |
He'd been kidnapped by an insane computer. | 0:12:47 | 0:12:50 | |
-Doctor! Doctor! -Sorry. | 0:12:50 | 0:12:53 | |
Charlemagne lived centuries ago. | 0:12:53 | 0:12:55 | |
I've got a very good memory. | 0:12:55 | 0:12:57 | |
For such an experienced detective, you missed a big clue. | 0:12:57 | 0:13:00 | |
That bit of paper on the fire? | 0:13:00 | 0:13:02 | |
-You were looking the other way! -Yeah, but I saw your reflection. | 0:13:02 | 0:13:06 | |
You crafty man, and this is all that was left. | 0:13:07 | 0:13:12 | |
-What's that first letter? N or M? -It's an M. The word is maiden. | 0:13:15 | 0:13:19 | |
MAIDEN! What does that mean? | 0:13:19 | 0:13:22 | |
We're still no further forward. | 0:13:22 | 0:13:23 | |
Our nemesis remains at large. | 0:13:23 | 0:13:26 | |
Unless Miss Noble's found something. | 0:13:26 | 0:13:28 | |
You won't find anything in there. | 0:13:37 | 0:13:39 | |
-How come it's locked? -Lady Eddison commands it to be so. | 0:13:40 | 0:13:44 | |
And I "command it" to be otherwise. | 0:13:44 | 0:13:46 | |
Scotland Yard, pip-pip. | 0:13:46 | 0:13:48 | |
Why's it locked in the first place? | 0:13:51 | 0:13:53 | |
Many years ago, when my father was butler to the family, | 0:13:53 | 0:13:57 | |
Lady Eddison returned from India with malaria. | 0:13:57 | 0:14:00 | |
She locked herself in this room for six months until she recovered. | 0:14:00 | 0:14:04 | |
Since then, the room has remained undisturbed. | 0:14:04 | 0:14:08 | |
There's nothing in here. | 0:14:12 | 0:14:14 | |
-How long's it been empty? -Forty years. | 0:14:14 | 0:14:19 | |
Why would she seal it off? | 0:14:19 | 0:14:21 | |
All right, I need to investigate, you just... | 0:14:23 | 0:14:25 | |
buttle off. | 0:14:25 | 0:14:26 | |
BUZZING > | 0:14:41 | 0:14:44 | |
1926, they've still got bees... | 0:14:46 | 0:14:49 | |
Oh, what a noise! All right, busy bee, I'll let you out. Hold on. | 0:14:52 | 0:14:55 | |
I shall find you with my amazing powers of detection. | 0:14:55 | 0:15:01 | |
DONNA SCREAMS | 0:15:10 | 0:15:13 | |
That's impossible! | 0:15:13 | 0:15:16 | |
Doctor! | 0:15:16 | 0:15:17 | |
Doctor! | 0:15:25 | 0:15:28 | |
SHE SCREAMS AGAIN | 0:15:29 | 0:15:31 | |
It's a giant wasp! | 0:15:31 | 0:15:35 | |
-What d'you mean, a giant wasp? -I mean a wasp that's giant! | 0:15:35 | 0:15:39 | |
It's only a silly little insect. | 0:15:39 | 0:15:41 | |
When I say giant, I don't mean big! I mean flippin' enormous! | 0:15:41 | 0:15:47 | |
Look at its sting! | 0:15:47 | 0:15:49 | |
Let me see. | 0:15:49 | 0:15:51 | |
It's gone. | 0:15:51 | 0:15:53 | |
Buzzed off. | 0:15:53 | 0:15:55 | |
But that's fascinating... | 0:15:57 | 0:15:59 | |
D-D-D-on't touch it, don't touch it! | 0:15:59 | 0:16:01 | |
Let me... | 0:16:01 | 0:16:03 | |
Giant wasp... well, tons of amorphous insectivorous lifeforms, | 0:16:03 | 0:16:09 | |
but none in this galactic vector. | 0:16:09 | 0:16:11 | |
I think I understood some of those words. | 0:16:11 | 0:16:14 | |
Enough to know that you're completely potty. | 0:16:14 | 0:16:16 | |
Lost its sting though, that makes it defenceless. | 0:16:16 | 0:16:18 | |
Creature this size, got to be able to grow a new one. | 0:16:18 | 0:16:21 | |
Can we return to sanity? | 0:16:21 | 0:16:23 | |
There are no such things as giant wasps! | 0:16:23 | 0:16:25 | |
Exactly. So the question is... | 0:16:25 | 0:16:28 | |
what's it doing here? | 0:16:28 | 0:16:30 | |
A murder! That's put the cat among the pigeons, and no mistake! | 0:16:32 | 0:16:36 | |
It's not the stuff of gossip, Mrs Hart. Continue with your work. | 0:16:36 | 0:16:39 | |
But who'd want to do in the old Professor? | 0:16:39 | 0:16:41 | |
He was always asking questions about that book of his, what was all that about? | 0:16:41 | 0:16:45 | |
A dead man's folly, nothing more. | 0:16:45 | 0:16:48 | |
Though perhaps, if he asked about... | 0:16:49 | 0:16:52 | |
I must go and see my lady. | 0:16:52 | 0:16:55 | |
AR-GG-GH-HH! | 0:17:03 | 0:17:05 | |
THUMP! | 0:17:05 | 0:17:07 | |
The poor | 0:17:15 | 0:17:16 | |
little child... | 0:17:16 | 0:17:20 | |
BUZZING > | 0:17:20 | 0:17:22 | |
There! | 0:17:22 | 0:17:24 | |
Come on! | 0:17:27 | 0:17:28 | |
Hey, this makes a change... there's a monster, and we're chasing IT. | 0:17:28 | 0:17:32 | |
Can't be a monster! It's a trick, they do it with mirrors! | 0:17:32 | 0:17:35 | |
-By all that's holy! -Oh, but you are wonderful! | 0:17:40 | 0:17:44 | |
Now just stop, stop there... | 0:17:47 | 0:17:51 | |
Oi! Fly boy! | 0:17:54 | 0:17:57 | |
Don't let it get away! Quick, before it reverts back to human form. | 0:18:00 | 0:18:03 | |
Where are you? | 0:18:03 | 0:18:04 | |
Come on, there's nowhere to run! Show yourself! | 0:18:04 | 0:18:08 | |
Oh... | 0:18:10 | 0:18:12 | |
..that's just cheating! | 0:18:14 | 0:18:17 | |
My faithful companion. This is terrible. | 0:18:17 | 0:18:20 | |
Excuse me, my lady, but... She was on her way to tell you something. | 0:18:20 | 0:18:23 | |
She never found me. | 0:18:23 | 0:18:26 | |
She had an appointment with death instead. | 0:18:26 | 0:18:29 | |
She said, "The poor little child." Does that mean anything to anyone? | 0:18:29 | 0:18:32 | |
No children in this house for years. | 0:18:32 | 0:18:35 | |
Highly unlikely there will be. | 0:18:35 | 0:18:38 | |
Mrs Christie, you must have twigged something! | 0:18:38 | 0:18:43 | |
You've written simply the best detective stories. | 0:18:43 | 0:18:46 | |
Tell us, what would Poirot do? | 0:18:46 | 0:18:49 | |
Heaven's sake, cards on the table woman! You should be helping us! | 0:18:49 | 0:18:53 | |
But... I'm merely a writer. | 0:18:53 | 0:18:56 | |
Surely you can crack it. | 0:18:56 | 0:18:59 | |
These events, they're exactly like one of your plots. | 0:18:59 | 0:19:02 | |
That's what I've been saying! Agatha, that's gotta mean something. | 0:19:02 | 0:19:05 | |
But what? I've no answers. None. | 0:19:05 | 0:19:10 | |
I'm sorry, all of you, I'm truly sorry. | 0:19:10 | 0:19:13 | |
But I've failed. | 0:19:13 | 0:19:15 | |
If anyone can help us, then it's the Doctor, not me. | 0:19:15 | 0:19:17 | |
Do you know what I think? | 0:19:27 | 0:19:28 | |
Those books of yours, one day, they could turn them into films! | 0:19:28 | 0:19:32 | |
They could be talking pictures! | 0:19:32 | 0:19:35 | |
Talking pictures? Pictures that talk? | 0:19:35 | 0:19:38 | |
-What do you mean? -Oh, blimey, I've done it again. -I appreciate you trying to be kind. | 0:19:38 | 0:19:43 | |
But you're right, | 0:19:43 | 0:19:45 | |
these murders are like my own creations. | 0:19:45 | 0:19:48 | |
It's as though someone's mocking me. | 0:19:48 | 0:19:50 | |
-And I've had enough scorn for one lifetime. -Yeah... | 0:19:50 | 0:19:53 | |
Thing is, | 0:19:53 | 0:19:55 | |
I had this bloke once, I was engaged, and I loved him, I really did. | 0:19:55 | 0:20:01 | |
Turns out, he was lying through his teeth. But d'you know what? | 0:20:01 | 0:20:05 | |
I moved on. | 0:20:05 | 0:20:07 | |
I was lucky, I found the Doctor. | 0:20:07 | 0:20:08 | |
It's changed my life. | 0:20:08 | 0:20:10 | |
There's always someone else. | 0:20:10 | 0:20:13 | |
I see. Is my marriage the stuff of gossip, now? | 0:20:13 | 0:20:16 | |
No, I just... | 0:20:16 | 0:20:17 | |
Sorry. | 0:20:17 | 0:20:20 | |
No matter. | 0:20:20 | 0:20:22 | |
The stories are true. I found my husband with another woman. | 0:20:22 | 0:20:25 | |
A younger, prettier woman. Isn't it always the way? | 0:20:25 | 0:20:28 | |
Well, mine was with a Giant Spider, but same difference. | 0:20:28 | 0:20:33 | |
You and the Doctor talk such wonderful nonsense. | 0:20:33 | 0:20:37 | |
Agatha, people love your books, they really do. | 0:20:37 | 0:20:40 | |
They're gonna be reading them for years to come. | 0:20:40 | 0:20:43 | |
If only. Try as I might, it's hardly great literature. | 0:20:43 | 0:20:46 | |
Now that's beyond me. | 0:20:46 | 0:20:48 | |
I'm afraid my books will be forgotten, like ephemera. | 0:20:48 | 0:20:53 | |
Hello, what's that? | 0:20:55 | 0:20:58 | |
Those flower beds were perfectly neat earlier. | 0:20:58 | 0:21:00 | |
Now some of the stalks are bent over. | 0:21:00 | 0:21:02 | |
There you go! Who'd ever notice that? You're brilliant! | 0:21:07 | 0:21:12 | |
Oh, someone came here tooled up. | 0:21:12 | 0:21:17 | |
The sort of stuff a thief would use. | 0:21:17 | 0:21:20 | |
The Unicorn? He's here! | 0:21:20 | 0:21:22 | |
The Unicorn and the wasp... | 0:21:22 | 0:21:23 | |
Your drinks, ladies. Doctor. | 0:21:23 | 0:21:27 | |
Very good, Greeves. | 0:21:27 | 0:21:28 | |
How about the science stuff? What did you find? | 0:21:31 | 0:21:34 | |
Vespiform sting. | 0:21:34 | 0:21:36 | |
Vespiforms have got hives in the Silfrax galaxy. | 0:21:36 | 0:21:39 | |
Again, you talk like Edward Lear. | 0:21:39 | 0:21:41 | |
But for some reason, this one's behaving like a character in one of your books. | 0:21:41 | 0:21:44 | |
Come on, Agatha, what would Miss Marple do? | 0:21:44 | 0:21:47 | |
She'd have overheard something vital because the murderer thinks she's a harmless old lady. | 0:21:47 | 0:21:51 | |
Clever idea. | 0:21:51 | 0:21:54 | |
Miss Marple? Who writes those? | 0:21:54 | 0:21:56 | |
-Um... Copyright Donna Noble, add it to the list. -Donna... | 0:21:56 | 0:22:00 | |
OK, we could split the copyright. | 0:22:00 | 0:22:03 | |
No. Something's inhibiting my enzymes. | 0:22:03 | 0:22:06 | |
Ah! I've been poisoned! | 0:22:06 | 0:22:09 | |
What do we do? | 0:22:09 | 0:22:11 | |
-What do we do?! -Bitter almonds! | 0:22:11 | 0:22:13 | |
It's cyanide! Sparkling cyanide! | 0:22:13 | 0:22:16 | |
-Ginger beer! -I beg your pardon? -I need ginger beer! | 0:22:24 | 0:22:25 | |
The gentleman's gone mad! | 0:22:25 | 0:22:28 | |
I'm an expert in poisons, Doctor. | 0:22:28 | 0:22:30 | |
There's no cure! It's fatal! | 0:22:30 | 0:22:33 | |
Not for me! I can stimulate the inhibited enzymes into reversal... | 0:22:33 | 0:22:36 | |
Protein! I need protein! | 0:22:36 | 0:22:38 | |
-Walnuts? -Brilliant! | 0:22:38 | 0:22:40 | |
I can't understand you! How many words? One! One word! | 0:22:43 | 0:22:47 | |
Shake, milk shake, milk? | 0:22:47 | 0:22:49 | |
Milk? No, not milk? Um! Shake shake shake... Cocktail shaker! | 0:22:49 | 0:22:52 | |
-What do you want, a Harvey Wallbanger? -Harvey Wallbanger?! | 0:22:52 | 0:22:55 | |
-Well, I don't know! -How is Harvey Wallbanger one word?! | 0:22:55 | 0:22:58 | |
What do you need, Doctor?! | 0:22:58 | 0:23:00 | |
Salt, I was miming salt! Salt! I need something salty! | 0:23:00 | 0:23:02 | |
What about this? | 0:23:02 | 0:23:04 | |
-What is it? -Salt! -That's too salty! | 0:23:04 | 0:23:06 | |
-Oh, that's too salty! -What about this?! | 0:23:06 | 0:23:08 | |
-What's that? -Anchovies! | 0:23:08 | 0:23:11 | |
What is it? What else? | 0:23:11 | 0:23:13 | |
Um. It's a song? Mammy? | 0:23:13 | 0:23:16 | |
I don't know, Camptown Races? | 0:23:16 | 0:23:18 | |
Camptown Races? | 0:23:18 | 0:23:20 | |
All right then, Towering Inferno! | 0:23:20 | 0:23:23 | |
It's a shock! Look! Shock! I need a shock! | 0:23:23 | 0:23:25 | |
Right then, big shock coming up. | 0:23:25 | 0:23:27 | |
Detox! | 0:23:42 | 0:23:44 | |
I must do that more often! | 0:23:44 | 0:23:47 | |
I mean the detox. | 0:23:47 | 0:23:49 | |
Doctor, you are impossible! Who are you? | 0:23:49 | 0:23:53 | |
THUNDER CLAP | 0:23:53 | 0:23:58 | |
A terrible day for all of us. | 0:23:58 | 0:24:01 | |
The Professor struck down. Miss Chandrakala, cruelly taken from us. | 0:24:01 | 0:24:07 | |
And yet, we still take dinner. | 0:24:07 | 0:24:09 | |
We are British, Doctor. | 0:24:09 | 0:24:11 | |
What else must we do? | 0:24:11 | 0:24:13 | |
Then, someone tried to poison me. | 0:24:13 | 0:24:17 | |
Any one of you had the chance to put cyanide in my drink. | 0:24:17 | 0:24:20 | |
But it rather gave me an idea. | 0:24:20 | 0:24:22 | |
And what would that be? | 0:24:22 | 0:24:24 | |
Well. | 0:24:24 | 0:24:25 | |
Poison. Drink up! | 0:24:25 | 0:24:28 | |
I've laced the soup with pepper. | 0:24:30 | 0:24:34 | |
Ah, I thought it was jolly spicy. | 0:24:34 | 0:24:36 | |
But the active ingredient of pepper is piperine. | 0:24:36 | 0:24:39 | |
Traditionally used as an insecticide. | 0:24:39 | 0:24:43 | |
So... Anyone got the shivers? | 0:24:45 | 0:24:48 | |
THUNDERCLAP | 0:24:49 | 0:24:52 | |
What the deuce is that?! | 0:24:52 | 0:24:54 | |
Listen! Listen! | 0:24:54 | 0:24:55 | |
BUZZING | 0:24:55 | 0:24:56 | |
No, it can't be... | 0:24:56 | 0:24:58 | |
BUZZING CONTINUES | 0:24:58 | 0:25:02 | |
Show yourself, demon! | 0:25:04 | 0:25:06 | |
No, don't... stay where you are! | 0:25:09 | 0:25:13 | |
Out, out, out! | 0:25:18 | 0:25:21 | |
Not you, Agatha. You've got a long life to lead yet. | 0:25:23 | 0:25:26 | |
Well, we know the butler didn't do it! | 0:25:26 | 0:25:28 | |
Then who did? | 0:25:28 | 0:25:30 | |
My jewellery. The Firestone, it's gone! | 0:25:38 | 0:25:42 | |
-Stolen! -Roger. | 0:25:42 | 0:25:45 | |
A-A-RR-GGH-HH! | 0:25:45 | 0:25:48 | |
-My son. My child! -SHE WEEPS | 0:25:50 | 0:25:56 | |
THUNDER CONTINUES | 0:25:56 | 0:25:59 | |
That poor footman. Roger's dead and he can't even mourn him. | 0:26:13 | 0:26:19 | |
1926, it's more like the Dark Ages. | 0:26:19 | 0:26:23 | |
Did you enquire after the necklace? | 0:26:23 | 0:26:25 | |
Lady Eddison brought it back from India. It's worth thousands. | 0:26:25 | 0:26:28 | |
This thing can sting, it can fly, | 0:26:28 | 0:26:32 | |
it could wipe us all out in seconds. Why's it playing this game? | 0:26:32 | 0:26:36 | |
Every murder is essentially the same. | 0:26:36 | 0:26:38 | |
They are committed because somebody wants something. | 0:26:38 | 0:26:41 | |
-But what does a Vespiform want? -Doctor, stop it. | 0:26:41 | 0:26:44 | |
The murderer is as human as you or I. | 0:26:44 | 0:26:47 | |
You're right... I've been so caught up with Giant Wasps, I've forgotten. | 0:26:47 | 0:26:53 | |
-You're the expert! -I'm not, I've told you. | 0:26:53 | 0:26:55 | |
I'm just a purveyor of nonsense. | 0:26:55 | 0:26:58 | |
No, no, no, cos plenty of people write detective stories, but yours are the best, and why? | 0:26:58 | 0:27:03 | |
Why are you so good, Agatha Christie? | 0:27:03 | 0:27:05 | |
Because you understand! | 0:27:05 | 0:27:08 | |
You've lived, | 0:27:08 | 0:27:10 | |
you've fought, you've had your heart broken. | 0:27:10 | 0:27:13 | |
You know about people, | 0:27:13 | 0:27:15 | |
their passions, their hope and despair and anger, all of those | 0:27:15 | 0:27:19 | |
tiny, huge things that can turn the most ordinary person into a killer. | 0:27:19 | 0:27:24 | |
Just think, Agatha! | 0:27:26 | 0:27:27 | |
If anyone can solve this, | 0:27:27 | 0:27:29 | |
it's you! | 0:27:29 | 0:27:31 | |
THUNDERCLAP | 0:27:31 | 0:27:35 | |
I've called you here, on this endless night, | 0:27:35 | 0:27:38 | |
because we have a murderer in our midst. And when it comes to detection, there's none finer. | 0:27:38 | 0:27:44 | |
Ladies and gentlemen. I give you... | 0:27:44 | 0:27:46 | |
Agatha Christie. | 0:27:46 | 0:27:48 | |
This is a crooked house. | 0:27:51 | 0:27:53 | |
A house of secrets. | 0:27:53 | 0:27:56 | |
To understand the solution we must examine them all. | 0:27:56 | 0:28:00 | |
Starting with you, | 0:28:00 | 0:28:02 | |
Miss Redmond. | 0:28:02 | 0:28:04 | |
But I'm innocent, surely? | 0:28:06 | 0:28:08 | |
You've never met these people. | 0:28:08 | 0:28:10 | |
And these people had never met you! | 0:28:10 | 0:28:13 | |
I think the real Robina Redmond never left London. You're impersonating her! | 0:28:13 | 0:28:18 | |
How silly! What proof do you have? | 0:28:18 | 0:28:21 | |
You said you'd been to the toilet. | 0:28:21 | 0:28:23 | |
Oh, I know this! If she was really posh, she'd say loo. | 0:28:23 | 0:28:27 | |
Earlier today, Miss Noble and I found this on the lawn. | 0:28:27 | 0:28:32 | |
Right beneath your bathroom window. | 0:28:32 | 0:28:34 | |
You heard Miss Noble was searching the bedrooms and panicked. | 0:28:34 | 0:28:37 | |
You ran upstairs and disposed of the evidence... | 0:28:37 | 0:28:40 | |
I've never seen that thing before in my life! | 0:28:44 | 0:28:46 | |
-What's inside it? -The tools of your trade, Miss Redmond. | 0:28:46 | 0:28:52 | |
Or should I say... | 0:28:52 | 0:28:54 | |
the Unicorn! | 0:28:54 | 0:28:57 | |
You came to this house with one sole intention. | 0:28:57 | 0:29:00 | |
To steal the Firestone! | 0:29:00 | 0:29:02 | |
Oh, all right then. It's a fair cop. | 0:29:03 | 0:29:07 | |
Yes, I'm the bleedin' Unicorn! | 0:29:07 | 0:29:11 | |
Ever so nice to meet ya, I don't fink. I took my chance in the dark, and nabbed it. | 0:29:11 | 0:29:15 | |
Well, go on then, you knobs. | 0:29:15 | 0:29:19 | |
Arrest me, sling me in jail! | 0:29:19 | 0:29:22 | |
-So is she the murderer? -Don't be so thick! | 0:29:22 | 0:29:26 | |
-I might be a thief, but I ain't no killer. -Quite. | 0:29:26 | 0:29:30 | |
There are darker motives at work. | 0:29:30 | 0:29:32 | |
And in examining this household, we come to you, | 0:29:32 | 0:29:37 | |
Colonel! | 0:29:37 | 0:29:39 | |
Damn it, woman! | 0:29:42 | 0:29:44 | |
You with your perspicacity! | 0:29:44 | 0:29:46 | |
You've rumbled me! | 0:29:46 | 0:29:49 | |
Hugh! You can walk! But why?! | 0:29:49 | 0:29:53 | |
My darling, how else could I be certain of keeping you by my side? | 0:29:53 | 0:29:59 | |
-I don't understand. -You're still a beautiful woman, Clemency. | 0:29:59 | 0:30:02 | |
Sooner or later some chap will turn your head. | 0:30:02 | 0:30:04 | |
I couldn't bear that. | 0:30:04 | 0:30:07 | |
Staying in the chair was the only way I could be certain of keeping you. | 0:30:07 | 0:30:11 | |
Confound it, Mrs Christie, how did you discover the truth? | 0:30:11 | 0:30:16 | |
Um. Actually, I had no idea. | 0:30:16 | 0:30:18 | |
-I was just going to say you're completely innocent. -Oh! | 0:30:18 | 0:30:21 | |
Sorry. | 0:30:21 | 0:30:23 | |
-Shall I sit down then? -I think you better had. | 0:30:23 | 0:30:26 | |
So he's not the murderer? | 0:30:28 | 0:30:29 | |
Indeed not. To find the truth, | 0:30:29 | 0:30:32 | |
let's return to this. | 0:30:32 | 0:30:37 | |
Far more than the Unicorn's object of desire. | 0:30:39 | 0:30:42 | |
The Firestone has quite a history. | 0:30:42 | 0:30:45 | |
-Lady Eddison... -I've done nothing! | 0:30:47 | 0:30:50 | |
You brought it back from India, did you not? | 0:30:50 | 0:30:52 | |
Before you met the Colonel. | 0:30:52 | 0:30:54 | |
You came home with malaria, and confined yourself to this | 0:30:54 | 0:30:58 | |
house for six months, in a room that has been kept locked ever since. Which I rather think means... | 0:30:58 | 0:31:04 | |
-Stop. Please. -I'm so sorry. | 0:31:04 | 0:31:06 | |
But you had fallen pregnant in India. | 0:31:06 | 0:31:08 | |
Unmarried and ashamed, you hurried back to England with your confidante, a young maid, | 0:31:08 | 0:31:13 | |
later to become housekeeper. Miss Chandrakala. | 0:31:13 | 0:31:16 | |
Clemency, is this true? | 0:31:16 | 0:31:18 | |
My poor baby. | 0:31:18 | 0:31:20 | |
I had to give him away. | 0:31:20 | 0:31:22 | |
-The shame of it. -But you've never said a word... | 0:31:22 | 0:31:25 | |
I had no choice. Imagine the scandal. | 0:31:25 | 0:31:28 | |
The family name! | 0:31:28 | 0:31:30 | |
I'm British, I carry on! | 0:31:30 | 0:31:32 | |
And it was no ordinary pregnancy. | 0:31:32 | 0:31:35 | |
How can you know that? | 0:31:35 | 0:31:38 | |
Scuse me, Agatha, this is my territory. | 0:31:38 | 0:31:39 | |
But when you heard that buzzing sound in the dining room, you said, "It can't be." | 0:31:39 | 0:31:44 | |
Why did you say that? | 0:31:44 | 0:31:46 | |
You'd never believe it. | 0:31:46 | 0:31:48 | |
The Doctor has opened my mind to believe many things. | 0:31:48 | 0:31:53 | |
It was forty years ago in the heat of Delhi, late one night... | 0:31:53 | 0:31:56 | |
I was alone. And that's when I saw it... | 0:32:00 | 0:32:03 | |
A dazzling light in the sky. | 0:32:03 | 0:32:05 | |
The next day, he came to the house... | 0:32:05 | 0:32:08 | |
Christopher. The most handsome man I'd ever seen. | 0:32:08 | 0:32:12 | |
Our love blazed like a wildfire. | 0:32:12 | 0:32:17 | |
I held nothing back. | 0:32:17 | 0:32:19 | |
And in return he showed me the incredible truth about himself... | 0:32:22 | 0:32:28 | |
He'd made himself human, to learn about us. This was his true shape. | 0:32:28 | 0:32:32 | |
I loved him so much, it didn't matter. | 0:32:35 | 0:32:38 | |
But he was stolen from me. | 0:32:38 | 0:32:40 | |
1885, the year of the great monsoon. | 0:32:40 | 0:32:44 | |
The River Jumna rose up and broke its banks. | 0:32:44 | 0:32:47 | |
He was taken at the flood. | 0:32:47 | 0:32:50 | |
But Christopher left me a gift, a jewel like no other. | 0:32:51 | 0:32:55 | |
I wore it always. Part of me never forgot. | 0:32:55 | 0:32:58 | |
I kept it close. | 0:32:58 | 0:33:01 | |
Always. | 0:33:01 | 0:33:03 | |
Just like a man, flashes his family jewels, and you end up with a bun in the oven! | 0:33:03 | 0:33:07 | |
A "poor little child." | 0:33:07 | 0:33:10 | |
Forty years ago, Miss Chandrakala took that newborn babe to an orphanage. | 0:33:10 | 0:33:14 | |
But Professor Peach worked it out. | 0:33:14 | 0:33:16 | |
He found the birth certificate. | 0:33:16 | 0:33:18 | |
Oh, that's Maiden... maiden name! | 0:33:18 | 0:33:20 | |
-Precisely. -So she killed him? | 0:33:20 | 0:33:22 | |
-I did not! -Miss Chandrakala feared that the Professor had unearthed your secret. | 0:33:22 | 0:33:26 | |
She was coming to warn you. | 0:33:26 | 0:33:28 | |
-So she killed her? -I did not! -Lady Eddison | 0:33:28 | 0:33:31 | |
is innocent. | 0:33:31 | 0:33:34 | |
Because at this point... Doctor. | 0:33:34 | 0:33:36 | |
Thank you. At this point, when we consider the lies and the secrets, | 0:33:36 | 0:33:42 | |
and the key to these events, then we have to consider... | 0:33:42 | 0:33:46 | |
It was you, Donna Noble! | 0:33:46 | 0:33:49 | |
-What?! Who did I kill?! -No, but you said it, all along, the vital clue... | 0:33:49 | 0:33:54 | |
That this whole thing is being acted out like a murder mystery. | 0:33:54 | 0:33:58 | |
Which means... | 0:33:58 | 0:33:59 | |
It was you, Agatha Christie! | 0:33:59 | 0:34:02 | |
-I beg your pardon, sir! -So she killed them? | 0:34:02 | 0:34:06 | |
No, but she wrote! She wrote those brilliant, clever books! And who's her greatest admirer? | 0:34:06 | 0:34:11 | |
The moving finger points... | 0:34:11 | 0:34:13 | |
At you, Lady Eddison! | 0:34:13 | 0:34:16 | |
-Leave me alone! -So she did kill them? | 0:34:16 | 0:34:19 | |
No! But just think... | 0:34:19 | 0:34:21 | |
Last Thursday night, what were you doing? | 0:34:21 | 0:34:25 | |
I was... I was in the library... | 0:34:25 | 0:34:27 | |
I was reading my favourite Agatha Christie, thinking about her plots, and how clever she must be. | 0:34:30 | 0:34:35 | |
-How is that relevant? -Just think. | 0:34:35 | 0:34:38 | |
What else happened on Thursday night? | 0:34:38 | 0:34:41 | |
I'm sorry? | 0:34:43 | 0:34:45 | |
You said, on the lawn, this afternoon. Last Thursday night, those boys broke into your church. | 0:34:45 | 0:34:51 | |
That's correct, | 0:34:51 | 0:34:53 | |
they did... | 0:34:53 | 0:34:54 | |
I discovered the two of them. | 0:34:58 | 0:34:59 | |
Thieves in the night, I was most perturbed... | 0:34:59 | 0:35:02 | |
What the blazes are you doing boys? | 0:35:04 | 0:35:07 | |
But I apprehended them. | 0:35:09 | 0:35:11 | |
Really? A man of God, against two strong lads? A man in his forties? | 0:35:11 | 0:35:17 | |
Or should I say, forty years old, exactly? | 0:35:17 | 0:35:22 | |
Oh, my God..! | 0:35:22 | 0:35:23 | |
Lady Eddison. Your child, | 0:35:25 | 0:35:27 | |
how old would he be now? | 0:35:27 | 0:35:30 | |
Forty. He's forty! | 0:35:30 | 0:35:33 | |
Your child has come home. | 0:35:33 | 0:35:35 | |
This is poppycock! | 0:35:35 | 0:35:37 | |
Oh? You said you were taught by the Christian Fathers. Meaning, raised in an orphanage! | 0:35:37 | 0:35:43 | |
My son... Can it be? | 0:35:43 | 0:35:46 | |
You found those thieves, Reverend. | 0:35:46 | 0:35:48 | |
And you got angry! A proper, deep anger, for the first time in your life, and it broke the genetic lock! | 0:35:48 | 0:35:54 | |
You've changed! | 0:35:54 | 0:35:56 | |
Put tho-z-z-ze thing-z-z-z | 0:35:59 | 0:36:02 | |
back where you found them. ZZ-zz-z-zz-z-zz-zz... | 0:36:02 | 0:36:07 | |
You realised your inheritance! | 0:36:16 | 0:36:18 | |
After all those years, | 0:36:18 | 0:36:20 | |
you knew who you were. | 0:36:20 | 0:36:22 | |
Oh, and then it all kicks off. | 0:36:22 | 0:36:24 | |
Cos this isn't just a jewel, it's a Vespiform Telepathic Recorder! | 0:36:24 | 0:36:27 | |
It's part of you, your brain, your very essence. | 0:36:27 | 0:36:32 | |
And when you activated... | 0:36:32 | 0:36:34 | |
so did the Firestone! It beamed your full identity directly into your mind, and at the same time... | 0:36:34 | 0:36:40 | |
It absorbed the works of Agatha Christie, directly from Lady Eddison. | 0:36:40 | 0:36:45 | |
It all became part of you! | 0:36:45 | 0:36:47 | |
The mechanics of those novels formed a template in your brain! | 0:36:47 | 0:36:51 | |
You've killed, in this pattern, because that's what you think the world is! | 0:36:51 | 0:36:56 | |
Turns out we are in the middle of a murder mystery! | 0:36:56 | 0:36:59 | |
One of yours, Dame Agatha! | 0:36:59 | 0:37:00 | |
Dame? | 0:37:00 | 0:37:02 | |
-Oh, sorry, not yet. -So he killed them, yes? Definitely? | 0:37:02 | 0:37:07 | |
Yes. | 0:37:07 | 0:37:09 | |
Well... | 0:37:09 | 0:37:11 | |
This has certainly been an entertaining evening. | 0:37:11 | 0:37:15 | |
Really, you can't believe any of this surely, Lady Eddiz-z-z-z-on? | 0:37:15 | 0:37:20 | |
Lady who? | 0:37:20 | 0:37:22 | |
Lady Eddiz-z-z-z-on. | 0:37:22 | 0:37:24 | |
-Little bit of buzzing there, Vicar. -Don't make me angry! | 0:37:24 | 0:37:27 | |
Why, what happens then? | 0:37:27 | 0:37:30 | |
Damn it, you humanz-z-z-z-z-z-z! | 0:37:31 | 0:37:34 | |
Worshipping your tribal sky godz-z-z-z! | 0:37:34 | 0:37:37 | |
I am so much more! That night... | 0:37:37 | 0:37:40 | |
the universe exploded in my mind! | 0:37:40 | 0:37:42 | |
I wanted to take what waz-z-z mine. | 0:37:42 | 0:37:45 | |
And you, | 0:37:45 | 0:37:46 | |
Agatha Christie, with your railway station bookstall romancez-z-z... | 0:37:46 | 0:37:51 | |
What'z-z-z- to stop me killing you? | 0:37:51 | 0:37:54 | |
Oh, my dear God, my child! | 0:37:54 | 0:37:56 | |
What'z-z-z to stop me killing you all? | 0:37:56 | 0:38:00 | |
Forgive me! | 0:38:03 | 0:38:05 | |
No, no Clemency, come back! Keep away, keep away my darling! | 0:38:05 | 0:38:08 | |
No! No more murder! | 0:38:08 | 0:38:10 | |
If my imagination made you kill, then my imagination will find a way to stop you, foul creature! | 0:38:10 | 0:38:16 | |
Great! Now it's chasing us! | 0:38:21 | 0:38:23 | |
TOOTS HORN | 0:38:25 | 0:38:28 | |
Over here! Come and get me, Reverend! | 0:38:30 | 0:38:32 | |
-Agatha, what are you doing? -If I started this, Doctor, then I must stop it! | 0:38:32 | 0:38:37 | |
Come on! | 0:38:39 | 0:38:41 | |
It's all my fault, it's all my fault, it's all my fault! | 0:38:53 | 0:38:58 | |
You said this is the night Agatha Christie loses her memory. | 0:38:58 | 0:39:01 | |
Time is in flux, Donna! | 0:39:01 | 0:39:03 | |
This could be the night Agatha Christie loses her life | 0:39:03 | 0:39:06 | |
-and history gets changed! -Where's she going? | 0:39:06 | 0:39:08 | |
The lake! She's heading for the lake. What's she doing? | 0:39:19 | 0:39:22 | |
Here I am! The honey in the trap! | 0:39:31 | 0:39:34 | |
-Come to me, Vespiform... -She's controlling it. | 0:39:34 | 0:39:37 | |
Its mind is based on her thought processes, they're linked. | 0:39:37 | 0:39:40 | |
Quite so, Doctor! If I die, then this creature might die with me. | 0:39:40 | 0:39:44 | |
Don't hurt her! You're not meant to be like this, | 0:39:44 | 0:39:47 | |
-you've got the wrong template in your mind. -It's not listening. | 0:39:47 | 0:39:51 | |
How do you kill a wasp? | 0:40:14 | 0:40:18 | |
Drown it. Just like his father. | 0:40:18 | 0:40:21 | |
Donna, that thing couldn't help itself. | 0:40:21 | 0:40:23 | |
Neither could I. | 0:40:23 | 0:40:25 | |
Death comes as the end. And justice is served. | 0:40:31 | 0:40:34 | |
Murder at the Vicar's Rage. | 0:40:34 | 0:40:37 | |
Needs a bit of work. | 0:40:38 | 0:40:40 | |
Just one mystery left, Doctor. | 0:40:40 | 0:40:43 | |
Who exactly are you? | 0:40:43 | 0:40:46 | |
Ar-gh-hh! | 0:40:46 | 0:40:49 | |
Oh, it's the Firestone, it's part of the Vespiform's mind! It's dying, and it's connected to Agatha. | 0:40:49 | 0:40:54 | |
It let her go. | 0:41:03 | 0:41:06 | |
Right at the end, the Vespiform chose to save someone's life. | 0:41:06 | 0:41:09 | |
Is she all right, though? | 0:41:09 | 0:41:11 | |
Oh, of course. The amnesia! | 0:41:11 | 0:41:12 | |
Wiped her mind of everything - the wasp, the murders... | 0:41:12 | 0:41:16 | |
And us. | 0:41:16 | 0:41:17 | |
-She'll forget about us. -Yeah but we've solved another riddle. The Mystery of Agatha Christie. | 0:41:17 | 0:41:22 | |
And tomorrow morning, her car gets found by the side of a lake. | 0:41:22 | 0:41:28 | |
A few days later she turns up in a hotel in Harrogate with no idea of what just happened. | 0:41:28 | 0:41:34 | |
No-one'll ever know. | 0:41:40 | 0:41:42 | |
Lady Eddison, and the Colonel and all the staff, what about them? | 0:41:43 | 0:41:47 | |
A shameful story. They'd never talk of it. Too British. | 0:41:47 | 0:41:50 | |
While the Unicorn does a bunk, back to London town. | 0:41:50 | 0:41:54 | |
She could never even say she was there. | 0:41:54 | 0:41:56 | |
-But what happens to Agatha? -Oh, great life! | 0:41:58 | 0:42:00 | |
Met another man, married again, saw the world, wrote and wrote and wrote. | 0:42:00 | 0:42:06 | |
She never thought her books were any good, though. | 0:42:06 | 0:42:08 | |
And she must've spent all those years wondering... | 0:42:08 | 0:42:10 | |
Thing is, I don't think she ever quite forgot. | 0:42:13 | 0:42:18 | |
A great mind like that! Some of the details kept bleeding through, | 0:42:18 | 0:42:22 | |
all the stuff her imagination could use. | 0:42:22 | 0:42:24 | |
-Like Miss Marple! -I should've made her sign a contract. | 0:42:24 | 0:42:27 | |
And where is it, where is it? | 0:42:27 | 0:42:29 | |
Hold on... | 0:42:29 | 0:42:30 | |
Here we go. | 0:42:30 | 0:42:33 | |
C... | 0:42:35 | 0:42:38 | |
..that is C for Cybermen, | 0:42:39 | 0:42:42 | |
C for Carrionites... | 0:42:42 | 0:42:44 | |
And... | 0:42:44 | 0:42:48 | |
Christie, Agatha! Look at that. | 0:42:48 | 0:42:52 | |
She did remember. | 0:42:52 | 0:42:54 | |
Somewhere in the back of her mind, it all lingered. | 0:42:54 | 0:42:57 | |
And that's not all. | 0:42:57 | 0:42:59 | |
Look at the copyright page. | 0:42:59 | 0:43:01 | |
Facsimile edition... published in the year.. | 0:43:05 | 0:43:09 | |
-5 billion! -People never stop reading them. | 0:43:11 | 0:43:15 | |
She is the best selling novelist of all time. | 0:43:15 | 0:43:19 | |
-But she never knew. -Well, no-one knows how they're going to be remembered. | 0:43:21 | 0:43:25 | |
All you can do is hope for the best. Maybe that's what kept her writing. | 0:43:25 | 0:43:28 | |
Same thing keeps me travelling. | 0:43:28 | 0:43:31 | |
Onwards? | 0:43:31 | 0:43:33 | |
Onwards! | 0:43:33 | 0:43:35 | |
This is the biggest library in the universe. So where is everyone? | 0:43:40 | 0:43:43 | |
-Run, for God's sake run. -Run! | 0:43:46 | 0:43:49 | |
Professor River Song, archaeologist. | 0:43:54 | 0:43:57 | |
The shadows are moving again. | 0:43:57 | 0:43:58 | |
-How could a shadow be infected? -It's Vashta Nerada. | 0:43:58 | 0:44:01 | |
Run! | 0:44:01 | 0:44:03 | |
Something came to this library and killed everything in it. Donna? | 0:44:03 | 0:44:06 | |
Yeah? | 0:44:06 | 0:44:08 | |
Stay out of the shadows. | 0:44:08 | 0:44:10 | |
SCREAMS | 0:44:10 | 0:44:11 | |
Subtitles by Red Bee Media | 0:44:21 | 0:44:24 | |
E-mail [email protected] | 0:44:24 | 0:44:27 |