Browse content similar to Silence in the Library. Check below for episodes and series from the same categories and more!
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Close your eyes and tell me what you see. | 0:00:02 | 0:00:04 | |
The Library. | 0:00:10 | 0:00:11 | |
Open your eyes again. | 0:00:18 | 0:00:21 | |
Where are you now? | 0:00:21 | 0:00:23 | |
My living room, Dr Moon. | 0:00:23 | 0:00:25 | |
When you close your eyes... | 0:00:25 | 0:00:27 | |
I go to the Library. | 0:00:27 | 0:00:29 | |
Go to the Library now. | 0:00:31 | 0:00:34 | |
-Are you back there? -Yes. | 0:00:35 | 0:00:38 | |
The same part? | 0:00:38 | 0:00:40 | |
No, it's always different. | 0:00:40 | 0:00:42 | |
The Library goes on for ever. | 0:00:42 | 0:00:45 | |
How you do move around? | 0:00:45 | 0:00:48 | |
By wishing. | 0:00:48 | 0:00:50 | |
HAMMERING ON DOOR | 0:00:50 | 0:00:52 | |
-What's wrong? -Something's here! | 0:00:53 | 0:00:55 | |
Someone's got in! No-one's supposed to get in! | 0:00:55 | 0:00:58 | |
She's never mentioned anyone else. She's always been alone. | 0:00:58 | 0:01:01 | |
Someone's in my library. | 0:01:01 | 0:01:04 | |
No! No, please! That's not allowed! | 0:01:04 | 0:01:06 | |
Listen to me. | 0:01:06 | 0:01:09 | |
The Library is in your mind. | 0:01:09 | 0:01:11 | |
I know it's in my mind. But something's got inside! | 0:01:11 | 0:01:14 | |
Oh! Hello! | 0:01:25 | 0:01:27 | |
Sorry to burst in on you like this. | 0:01:27 | 0:01:30 | |
OK if we stop here for a bit? | 0:01:30 | 0:01:31 | |
Books! People never really stop loving books. | 0:02:10 | 0:02:15 | |
51st century. | 0:02:16 | 0:02:18 | |
By now you've got holovids, direct to brain downloads, fiction mist, | 0:02:18 | 0:02:22 | |
but you need the smell. The smell of books, Donna. Deep breath. | 0:02:22 | 0:02:26 | |
The Library. | 0:02:30 | 0:02:32 | |
So big it doesn't need a name. | 0:02:33 | 0:02:35 | |
Just a great big "the." | 0:02:35 | 0:02:37 | |
It's like a city. | 0:02:37 | 0:02:38 | |
It's a world. Literally a world. | 0:02:38 | 0:02:41 | |
The core of the planet is the index computer, biggest hard drive ever. | 0:02:41 | 0:02:44 | |
And up here, every book ever written. | 0:02:44 | 0:02:47 | |
Whole continents of Jeffrey Archer, Bridget Jones, Monty Python's Big Red Book. | 0:02:47 | 0:02:53 | |
Brand new editions, specially printed. | 0:02:53 | 0:02:55 | |
We're near the equator, so... | 0:02:58 | 0:03:00 | |
..this must be Biographies! | 0:03:01 | 0:03:04 | |
I love biographies. | 0:03:04 | 0:03:06 | |
Yeah, very you. Always a death at the end. | 0:03:06 | 0:03:08 | |
You need a good death. Without death, there'd only be comedies. | 0:03:08 | 0:03:11 | |
Dying gives us size. Oi! | 0:03:11 | 0:03:14 | |
-Spoilers! -What? | 0:03:14 | 0:03:16 | |
These books are from your future. Don't read ahead - spoil all the surprises. | 0:03:16 | 0:03:20 | |
-Like peeking at the end. -Isn't travelling with you one big spoiler? | 0:03:20 | 0:03:25 | |
I try to keep you away from major plot developments. | 0:03:25 | 0:03:28 | |
Which, to be honest, I seem to be very bad at, | 0:03:28 | 0:03:31 | |
cos you know what? This is the biggest library in the universe. | 0:03:31 | 0:03:35 | |
So where is everyone? | 0:03:37 | 0:03:38 | |
-It's silent. -The Library? | 0:03:42 | 0:03:46 | |
The planet. | 0:03:49 | 0:03:52 | |
The whole planet. | 0:03:52 | 0:03:55 | |
Maybe it's a Sunday. | 0:03:56 | 0:03:58 | |
No, I never land on Sundays. | 0:03:58 | 0:04:01 | |
-Sundays are boring. -Well... | 0:04:01 | 0:04:03 | |
Maybe everyone's really, really quiet. | 0:04:03 | 0:04:08 | |
Yeah, maybe. | 0:04:08 | 0:04:09 | |
But they'd still show up on the system. | 0:04:09 | 0:04:12 | |
Doctor, why are we here? Really, why? | 0:04:12 | 0:04:15 | |
Oh, you know, just passing. | 0:04:15 | 0:04:17 | |
No, seriously. | 0:04:17 | 0:04:19 | |
It was all, "Let's hit the beach," then suddenly we're in a library. | 0:04:19 | 0:04:22 | |
-Why? -Now, that's interesting. | 0:04:22 | 0:04:24 | |
-What? -Scanning for life forms. | 0:04:24 | 0:04:27 | |
If I do a scan looking for your basic humanoids - | 0:04:27 | 0:04:29 | |
your book readers, few limbs and a face - apart from us, I get nothing. | 0:04:29 | 0:04:33 | |
Zippo, nada, see? | 0:04:33 | 0:04:35 | |
Nobody home. But if I widen the parameters to any kind of life... | 0:04:35 | 0:04:40 | |
A million million. | 0:04:44 | 0:04:47 | |
Gives up after that. | 0:04:47 | 0:04:48 | |
A million million. | 0:04:50 | 0:04:53 | |
But there's nothing here. | 0:04:53 | 0:04:55 | |
There's no-one. | 0:04:55 | 0:04:58 | |
And not a sound. | 0:04:58 | 0:05:00 | |
A million million life forms | 0:05:02 | 0:05:05 | |
and silence in the Library. | 0:05:05 | 0:05:07 | |
But there's no-one here. | 0:05:08 | 0:05:11 | |
There's just books. I mean, it's not the books, is it? | 0:05:11 | 0:05:14 | |
I mean, it can't be the books, can it? | 0:05:14 | 0:05:16 | |
I mean, books can't be alive? | 0:05:16 | 0:05:18 | |
Welcome! | 0:05:29 | 0:05:31 | |
-That came from in there, yeah. -Yeah! | 0:05:34 | 0:05:36 | |
I am Courtesy Node 710/aqua. | 0:05:50 | 0:05:54 | |
Please enjoy the Library and respect the personal access codes | 0:05:54 | 0:05:58 | |
of all your fellow readers regardless of species or hygiene taboo. | 0:05:58 | 0:06:03 | |
That face, it looks real. | 0:06:03 | 0:06:05 | |
Yeah, don't worry about it. | 0:06:05 | 0:06:07 | |
But a statue with a real face, though! | 0:06:07 | 0:06:09 | |
It's a hologram, isn't it? | 0:06:09 | 0:06:11 | |
No, but really, it's fine. | 0:06:11 | 0:06:12 | |
There follows a brief message from the head librarian for your urgent attention. | 0:06:12 | 0:06:17 | |
It has been edited for tone and content by a Felman Lux Automated Decency Filter. | 0:06:17 | 0:06:24 | |
Message follows. "Run. | 0:06:24 | 0:06:27 | |
"For God's sake, run. | 0:06:27 | 0:06:29 | |
"Nowhere is safe. | 0:06:29 | 0:06:31 | |
"The Library has sealed itself, we can't... Oh, they're here. | 0:06:31 | 0:06:37 | |
"Arg. Slarg. Snick." Message ends. | 0:06:37 | 0:06:41 | |
Please switch off your mobile comm units for the comfort of other readers. | 0:06:41 | 0:06:46 | |
So that's why we're here. | 0:06:46 | 0:06:49 | |
-Any other messages, same date stamp? -One additional message. | 0:06:49 | 0:06:53 | |
This message carries a Felman Lux coherency warning of 5, 0, 11... | 0:06:53 | 0:06:57 | |
Yeah, yeah, fine, just play it. | 0:06:57 | 0:06:59 | |
Message follows. | 0:06:59 | 0:07:01 | |
"Count the shadows. | 0:07:01 | 0:07:04 | |
"For God's sake, remember... | 0:07:04 | 0:07:05 | |
"if you want to live, count the shadows." | 0:07:05 | 0:07:08 | |
Message ends. | 0:07:08 | 0:07:10 | |
Donna... | 0:07:14 | 0:07:16 | |
Yeah? | 0:07:16 | 0:07:19 | |
Stay out of the shadows. | 0:07:19 | 0:07:21 | |
Why, what's in the shadows? | 0:07:23 | 0:07:25 | |
So... | 0:07:43 | 0:07:45 | |
We weren't just in the neighbourhood. | 0:07:45 | 0:07:47 | |
Yeah, I kind of, sort of lied a bit. | 0:07:47 | 0:07:50 | |
I got a message on the psychic paper. | 0:07:50 | 0:07:53 | |
What do you think - cry for help? | 0:07:54 | 0:07:57 | |
Cry for help with a kiss? | 0:07:57 | 0:08:01 | |
Oh, we've all done that. | 0:08:01 | 0:08:03 | |
-Who's it from? -No idea. | 0:08:03 | 0:08:05 | |
-So why did we come here, why did you..? -Donna. | 0:08:05 | 0:08:09 | |
BUZZING | 0:08:09 | 0:08:11 | |
-What's happening? -Run! | 0:08:11 | 0:08:15 | |
-What, is it locked? -Jammed! The wood's warped! | 0:08:15 | 0:08:18 | |
Sonic it, use the thingy! | 0:08:19 | 0:08:22 | |
-I can't, it's wood! -What, it doesn't do wood?! | 0:08:22 | 0:08:25 | |
If I can vibrate the molecules, fry the bindings, | 0:08:25 | 0:08:27 | |
-I can shatterline the interface. -Oh, get out of the way! | 0:08:27 | 0:08:31 | |
Oh! Hello! | 0:08:40 | 0:08:42 | |
Sorry to burst in on you like this. OK if we stop here for a bit? | 0:08:42 | 0:08:46 | |
What is it? | 0:08:48 | 0:08:52 | |
Security camera. | 0:08:52 | 0:08:55 | |
Switched itself off. | 0:08:55 | 0:08:57 | |
-They were in my library. How can they be in my library? -Who were they? | 0:09:00 | 0:09:05 | |
-SONIC SCREWDRIVER WHIRRS -What's that? What's that noise? -What noise? | 0:09:05 | 0:09:09 | |
Nice door skills, Donna. | 0:09:11 | 0:09:13 | |
Yeah, well, you know, boyfriends... | 0:09:13 | 0:09:15 | |
sometimes you need the element of surprise. What was that, | 0:09:15 | 0:09:19 | |
what was after us? I mean, did we just run away from a power cut? | 0:09:19 | 0:09:23 | |
Possibly. | 0:09:23 | 0:09:24 | |
-Are we safe here? -Course we're safe. There's a little shop. | 0:09:27 | 0:09:31 | |
Gotcha! | 0:09:37 | 0:09:39 | |
No, stop it, no, no! | 0:09:41 | 0:09:45 | |
Ooh, I'm sorry. | 0:09:47 | 0:09:49 | |
I really am, I'm sorry, I'm so sorry. It's alive. | 0:09:49 | 0:09:53 | |
You said it was a security camera. | 0:09:53 | 0:09:55 | |
It is. | 0:09:55 | 0:09:57 | |
It's an alive one. | 0:09:57 | 0:09:59 | |
Can you hear me? | 0:09:59 | 0:10:01 | |
Are you all right? | 0:10:01 | 0:10:03 | |
-Others are coming. -Who's coming? Who are the others? | 0:10:06 | 0:10:10 | |
The Library is breached. | 0:10:10 | 0:10:12 | |
-Others are coming. -What others? | 0:10:12 | 0:10:15 | |
Others? What does it mean, "others"? | 0:10:15 | 0:10:18 | |
Excuse me, what does it mean, "others"? | 0:10:22 | 0:10:24 | |
That's barely more than a speak your weight machine, it can't help you. | 0:10:24 | 0:10:28 | |
So why's it got a face? | 0:10:28 | 0:10:29 | |
This flesh aspect was donated by Mark Chambers on the occasion of his death. | 0:10:29 | 0:10:35 | |
It's a real face? | 0:10:35 | 0:10:37 | |
It has been actualised individually for you | 0:10:37 | 0:10:40 | |
from the many facial aspects saved to our extensive flesh banks. | 0:10:40 | 0:10:44 | |
Please enjoy. | 0:10:44 | 0:10:46 | |
It chose me a dead face it thought I'd like? That statue's got a real dead person's face on it! | 0:10:46 | 0:10:50 | |
It's the 51st century. | 0:10:50 | 0:10:53 | |
That's basically like donating a park bench. | 0:10:53 | 0:10:55 | |
It's donating a face! | 0:10:55 | 0:10:58 | |
No, wait, no! | 0:10:58 | 0:10:59 | |
-Oi! Hands! -The shadow, look. | 0:10:59 | 0:11:02 | |
-What about it? -Count the shadows. | 0:11:04 | 0:11:08 | |
One. There, I counted it, one shadow. | 0:11:08 | 0:11:12 | |
Yeah... But what's casting it? | 0:11:12 | 0:11:16 | |
Oh! I'm thick! Look at me, I'm old and thick! | 0:11:26 | 0:11:29 | |
Head's too full of stuff, I need a bigger head! | 0:11:29 | 0:11:32 | |
BUZZING | 0:11:33 | 0:11:36 | |
Power must be going. | 0:11:36 | 0:11:37 | |
This place runs on fission cells. They'll outburn the sun. | 0:11:37 | 0:11:40 | |
-Then why's it dark? -It's not dark. | 0:11:40 | 0:11:43 | |
That shadow. | 0:11:47 | 0:11:49 | |
It's gone. | 0:11:49 | 0:11:51 | |
-We need to get back to the TARDIS. -Why? | 0:11:51 | 0:11:54 | |
Because that shadow hasn't gone. It's moved. | 0:11:54 | 0:11:56 | |
Reminder - the Library has been breached, others are coming. | 0:11:56 | 0:12:01 | |
Reminder - the Library has been breached, others are coming. | 0:12:01 | 0:12:05 | |
Reminder - the Library has been breached... | 0:12:05 | 0:12:08 | |
Hello, sweetie. | 0:12:29 | 0:12:31 | |
-Get out. -Doctor? | 0:12:31 | 0:12:33 | |
Get back in your rocket and fly away. | 0:12:33 | 0:12:35 | |
Tell your grandchildren you came to the Library and lived, they won't believe you. | 0:12:35 | 0:12:39 | |
Pop your helmets, everyone. We've got breathers. | 0:12:39 | 0:12:42 | |
-How do you know they're not androids? -Cos I've dated androids. | 0:12:42 | 0:12:46 | |
-They're rubbish. -Who is this? | 0:12:46 | 0:12:47 | |
You said we were the only expedition, I paid for exclusives. | 0:12:47 | 0:12:51 | |
-I lied, I'm always lying. Bound to be others. -Miss Evangelista, I want to see the contracts. | 0:12:51 | 0:12:56 | |
You came through the north door? Much damage? | 0:12:56 | 0:12:58 | |
Please, just leave. I'm asking you seriously and properly, just lea... Did you say expedition? | 0:12:58 | 0:13:03 | |
My expedition, I funded it. | 0:13:03 | 0:13:05 | |
Oh, you're not, are you? Tell me you're not archaeologists. | 0:13:05 | 0:13:09 | |
Got a problem with archaeologists? | 0:13:09 | 0:13:11 | |
-I'm a time traveller. I point and laugh at archaeologists. -Ah! | 0:13:11 | 0:13:16 | |
Professor River Song, archaeologist. | 0:13:16 | 0:13:18 | |
Lovely name. As you're leaving, | 0:13:18 | 0:13:20 | |
you need to set up a quarantine beacon. | 0:13:20 | 0:13:22 | |
Code-wall the planet, the whole planet. Nobody comes here, not ever again. | 0:13:22 | 0:13:27 | |
-Stop right there! What's your name? -Anita. | 0:13:27 | 0:13:30 | |
Anita, stay out of the shadows. | 0:13:30 | 0:13:32 | |
Not a finger in the shadows till you're safely back in your ship. | 0:13:32 | 0:13:35 | |
Stay in the light. Find a nice, bright spot and just stand. | 0:13:35 | 0:13:40 | |
If you understand me, look very, very scared. | 0:13:40 | 0:13:43 | |
No, bit more scared than that. | 0:13:48 | 0:13:51 | |
-OK, do for now. You, who are you? -Er, Dave. -OK, Dave... | 0:13:53 | 0:13:56 | |
Oh, well Other Dave, because that's Proper Dave the pilot, he was the first Dave, so when we... | 0:13:56 | 0:14:03 | |
-The way you came, does it look the same as before? -Yeah. | 0:14:03 | 0:14:06 | |
Oh, it's a bit darker. | 0:14:06 | 0:14:07 | |
-How much darker? -I could see where we came through just a moment ago. I can't now. | 0:14:07 | 0:14:12 | |
Seal the door. | 0:14:12 | 0:14:14 | |
We're not looking for a way out. Miss Evangelista? | 0:14:14 | 0:14:17 | |
I'm Mr Lux's personal...everything. | 0:14:17 | 0:14:20 | |
Sign these contracts agreeing that your experiences inside the Library | 0:14:20 | 0:14:24 | |
are the intellectual property of the Felman Lux Corporation. | 0:14:24 | 0:14:29 | |
-Right, give it here. -Yeah, lovely. Thanks. | 0:14:29 | 0:14:32 | |
My family built this library. I have rights. | 0:14:33 | 0:14:36 | |
You have a mouth that won't stop. You think there's danger here? | 0:14:36 | 0:14:40 | |
Something came to this library and killed everything in it, killed a whole world. | 0:14:40 | 0:14:44 | |
-Danger? Could be. -That was 100 years ago. | 0:14:44 | 0:14:46 | |
The Library's been silent for 100 years. Whatever came here is long dead. | 0:14:46 | 0:14:50 | |
Bet your life? | 0:14:50 | 0:14:51 | |
Always. | 0:14:51 | 0:14:53 | |
What are you doing? | 0:14:53 | 0:14:56 | |
-He said seal the door. -Torch! | 0:14:56 | 0:14:58 | |
You're taking orders from him? | 0:14:58 | 0:15:00 | |
Spooky, isn't it? | 0:15:00 | 0:15:01 | |
Almost every species in the universe has an irrational fear of the dark. | 0:15:10 | 0:15:15 | |
But they're wrong. Cos it's not irrational. | 0:15:15 | 0:15:20 | |
It's Vashta Nerada. | 0:15:20 | 0:15:22 | |
What's Vashta Nerada? | 0:15:22 | 0:15:24 | |
It's what's in the dark. | 0:15:24 | 0:15:27 | |
It's what's always in the dark. | 0:15:27 | 0:15:29 | |
-Lights! You got lights? -What for? | 0:15:31 | 0:15:34 | |
-Form a circle, safe area, big as you can, lights pointing out. -Oi! | 0:15:34 | 0:15:38 | |
-Do as he says. -You're not listening to him?! | 0:15:38 | 0:15:40 | |
Apparently, I am. Unpack the lights. | 0:15:40 | 0:15:42 | |
Other Dave, make sure the door's secure, then help Anita. | 0:15:42 | 0:15:45 | |
Mr Lux, put your helmet back on, block the visor. | 0:15:45 | 0:15:48 | |
Proper Dave, I want you to access the library database, | 0:15:48 | 0:15:51 | |
see what you can find about what happened here a hundred years ago. Pretty Boy, you're with me. | 0:15:51 | 0:15:56 | |
Step into my office. | 0:15:56 | 0:15:58 | |
Professor Song, why am I the only one wearing my helmet? | 0:15:58 | 0:16:01 | |
I don't fancy you. | 0:16:01 | 0:16:04 | |
Probably, I can help you. | 0:16:04 | 0:16:06 | |
Pretty Boy, with me, I said. | 0:16:06 | 0:16:08 | |
-Oh, I'm Pretty Boy? -Yes. | 0:16:12 | 0:16:14 | |
Ooh, that came out a bit quick! | 0:16:14 | 0:16:16 | |
Pretty?! | 0:16:16 | 0:16:19 | |
Don't let your shadows cross! | 0:16:19 | 0:16:21 | |
Seriously, don't even let them touch. | 0:16:21 | 0:16:24 | |
-Any of them could be infected. -How can a shadow be infected? | 0:16:24 | 0:16:27 | |
Can I help? | 0:16:27 | 0:16:28 | |
-No, we're fine. -I could just... | 0:16:28 | 0:16:30 | |
you know, hold things. | 0:16:30 | 0:16:32 | |
Really, we're OK. | 0:16:32 | 0:16:35 | |
Couldn't she help? | 0:16:41 | 0:16:43 | |
I just spent four days on a ship with that woman. She's... | 0:16:43 | 0:16:45 | |
Couldn't tell the difference between the escape pod and the bathroom. | 0:16:45 | 0:16:49 | |
We had to go back for her. | 0:16:49 | 0:16:51 | |
Twice. | 0:16:51 | 0:16:53 | |
-Thanks. -For what? -The usual. For coming when I call. | 0:17:05 | 0:17:08 | |
That was you? | 0:17:08 | 0:17:10 | |
You're doing a good job, acting like you don't know me. I assume there's a reason. | 0:17:10 | 0:17:14 | |
-A fairly good one, actually. -OK, shall we do diaries, then? | 0:17:14 | 0:17:18 | |
Where are we this time? | 0:17:18 | 0:17:19 | |
Going by your face, I'd say it's early days for you, yeah? So, erm... | 0:17:19 | 0:17:24 | |
Crash of the Byzantium... have we done that yet? | 0:17:24 | 0:17:27 | |
Obviously ringing no bells. | 0:17:29 | 0:17:32 | |
Right, Picnic at Asgard. | 0:17:32 | 0:17:37 | |
Have we done Asgard yet? | 0:17:37 | 0:17:39 | |
Obviously not. | 0:17:41 | 0:17:43 | |
Blimey, very early days, then. Hoo! | 0:17:43 | 0:17:46 | |
Life with a time traveller - never knew it could be such hard work. | 0:17:46 | 0:17:49 | |
Look at you! | 0:17:54 | 0:17:55 | |
-You're young. -I'm really not, you know. | 0:17:58 | 0:18:01 | |
No, but you are. | 0:18:01 | 0:18:02 | |
Your eyes. | 0:18:03 | 0:18:05 | |
You're younger than I've ever seen you. | 0:18:07 | 0:18:10 | |
You've seen me before, then? | 0:18:11 | 0:18:14 | |
Doctor... | 0:18:16 | 0:18:18 | |
please tell me you know who I am? | 0:18:18 | 0:18:21 | |
Who are you? | 0:18:22 | 0:18:24 | |
BEEPING | 0:18:30 | 0:18:33 | |
Sorry, that was me. Trying to get through into the security protocols, I seem to have set something off. | 0:18:33 | 0:18:38 | |
-What is that, is that an alarm? -Doctor. | 0:18:38 | 0:18:42 | |
Doctor, that sounds like... | 0:18:42 | 0:18:44 | |
It is. It's a phone! | 0:18:44 | 0:18:45 | |
PHONE RINGING | 0:18:45 | 0:18:51 | |
Dad! | 0:19:02 | 0:19:04 | |
In a minute. | 0:19:04 | 0:19:07 | |
PHONE CONTINUES RINGING | 0:19:07 | 0:19:10 | |
I'm trying to call up the data core, but it's not responding. | 0:19:10 | 0:19:14 | |
-Just that noise. -But it's a phone! | 0:19:14 | 0:19:17 | |
Let me try something. | 0:19:17 | 0:19:19 | |
PHONE CONTINUES RINGING | 0:19:19 | 0:19:21 | |
Dad! The phone, aren't you going to answer it? | 0:19:21 | 0:19:25 | |
It's not ringing, sweetie. | 0:19:25 | 0:19:27 | |
PHONE CONTINUES RINGING | 0:19:27 | 0:19:31 | |
OK, doesn't like that, let's try something else. | 0:19:41 | 0:19:44 | |
'OK, here it comes.' | 0:19:55 | 0:19:56 | |
Hello? | 0:19:59 | 0:20:01 | |
Hello. Are you in my television? | 0:20:01 | 0:20:05 | |
Well, no, I'm... | 0:20:05 | 0:20:08 | |
I'm sort of in space. I was trying to call up the data core of a triple-grid security processor. | 0:20:08 | 0:20:14 | |
Would you like to speak to my dad? | 0:20:14 | 0:20:16 | |
Your dad or your mum, that would be lovely. | 0:20:16 | 0:20:19 | |
I know you! You were in my library. | 0:20:21 | 0:20:23 | |
YOUR library? | 0:20:23 | 0:20:25 | |
The Library's never been on the television before. | 0:20:25 | 0:20:28 | |
-What have you done? -Ah, I... I just rerouted the interface... | 0:20:28 | 0:20:35 | |
What happened. Who was that? | 0:20:35 | 0:20:39 | |
I need another terminal. Keep working on those lights, we need those lights! | 0:20:50 | 0:20:53 | |
You heard him, people, let there be light. | 0:20:53 | 0:20:57 | |
-Sorry. You're not allowed to see inside the book, it's against the rules. -What rules? | 0:21:11 | 0:21:16 | |
Your rules. | 0:21:16 | 0:21:18 | |
What's that? | 0:21:45 | 0:21:47 | |
-I didn't do that, did you do that? -Not me. | 0:21:49 | 0:21:52 | |
What's CAL? | 0:21:55 | 0:21:57 | |
You all right? | 0:22:16 | 0:22:18 | |
What's that? What's happening? | 0:22:18 | 0:22:21 | |
I don't know. | 0:22:21 | 0:22:22 | |
Oh, thanks for...you know... | 0:22:22 | 0:22:24 | |
offering to help with the lights. | 0:22:24 | 0:22:26 | |
They don't want me. They think I'm stupid cos I'm pretty. | 0:22:28 | 0:22:32 | |
Course they don't, nobody thinks that. | 0:22:32 | 0:22:34 | |
No, they're right though. I'm a moron, me. | 0:22:34 | 0:22:38 | |
My dad said I have the IQ of plankton. And I was pleased. | 0:22:38 | 0:22:42 | |
See, that's funny. | 0:22:42 | 0:22:44 | |
No, I really was pleased. | 0:22:46 | 0:22:50 | |
-Is that funny? -No, no. | 0:22:50 | 0:22:52 | |
What's causing that? Is it the little girl? | 0:22:55 | 0:22:59 | |
But who is the little girl? | 0:22:59 | 0:23:00 | |
What's she got to do with this place? | 0:23:00 | 0:23:02 | |
How does the data core work? What's the principle? | 0:23:07 | 0:23:09 | |
-What's CAL? -Ask Mr Lux. | 0:23:09 | 0:23:12 | |
CAL, what is it? | 0:23:12 | 0:23:14 | |
Sorry. You didn't sign your Personal Experience contracts. | 0:23:14 | 0:23:18 | |
Mr Lux, | 0:23:18 | 0:23:20 | |
right now, you're in more danger than you've ever been in your whole life. | 0:23:20 | 0:23:24 | |
And you're protecting a patent? | 0:23:24 | 0:23:26 | |
I'm protecting my family's pride. | 0:23:26 | 0:23:29 | |
Well, funny thing, Mr Lux, | 0:23:29 | 0:23:31 | |
I don't want to see everyone in this room dead | 0:23:31 | 0:23:34 | |
because some idiot thinks his pride is more important. | 0:23:34 | 0:23:38 | |
Then why don't you sign his contract? | 0:23:38 | 0:23:42 | |
I didn't either. I'm getting worse than you. | 0:23:43 | 0:23:47 | |
Let's start at the beginning. What happened here? | 0:23:49 | 0:23:52 | |
On the actual day, a hundred years ago, what physically happened? | 0:23:52 | 0:23:56 | |
There was a message from the library. Just one. | 0:23:59 | 0:24:03 | |
"The lights are going out". Then the computer sealed the planet and there was nothing for a hundred years. | 0:24:03 | 0:24:09 | |
It's taken three generations of my family just to decode the seals and get back in. | 0:24:09 | 0:24:14 | |
-Um...excuse me... -Not just now. | 0:24:14 | 0:24:17 | |
There was one other thing in the last message... | 0:24:19 | 0:24:22 | |
-That's confidential. -I trust this man. | 0:24:22 | 0:24:24 | |
With my life, with everything. | 0:24:24 | 0:24:26 | |
-You've only just met him. -No, he's only just met me. -Erm. | 0:24:26 | 0:24:30 | |
This might be important actually... | 0:24:32 | 0:24:34 | |
In a moment! | 0:24:34 | 0:24:36 | |
This is a data extract that came with the message. | 0:24:38 | 0:24:41 | |
4022 saved. No survivors. | 0:24:41 | 0:24:44 | |
4022, that's the exact number of people who were in the Library when the planet was sealed. | 0:24:46 | 0:24:51 | |
But how can 4022 people have been saved if there were no survivors? | 0:24:51 | 0:24:55 | |
That's what we're here to find out. | 0:24:55 | 0:24:57 | |
And so far, what we haven't found, are any bodies. | 0:24:57 | 0:25:01 | |
SHE SCREAMS | 0:26:06 | 0:26:08 | |
Everybody, careful. Stay in the light. | 0:26:19 | 0:26:22 | |
-So you keep saying. I don't see the point! -Who screamed? | 0:26:22 | 0:26:24 | |
-Miss Evangelista. -Where is she? | 0:26:24 | 0:26:28 | |
Miss Evangelista, please state your current... | 0:26:28 | 0:26:30 | |
RADIO ECHOES | 0:26:30 | 0:26:32 | |
Please state your current... | 0:26:36 | 0:26:39 | |
position. | 0:26:39 | 0:26:41 | |
It's her. | 0:26:52 | 0:26:54 | |
It's Miss Evangelista. | 0:26:57 | 0:26:59 | |
We heard her scream a few seconds ago. | 0:26:59 | 0:27:01 | |
What could do that to a person in a few seconds? | 0:27:01 | 0:27:03 | |
-It took less than a few seconds. -What did? | 0:27:03 | 0:27:05 | |
"Hello?" | 0:27:05 | 0:27:07 | |
Erm, I'm sorry everyone, | 0:27:07 | 0:27:09 | |
this isn't going to be pleasant. | 0:27:09 | 0:27:13 | |
-She's ghosting. -She's what? | 0:27:13 | 0:27:16 | |
"Hello, excuse me?" | 0:27:16 | 0:27:19 | |
"I'm sorry, hello, excuse me?" | 0:27:19 | 0:27:22 | |
That's... | 0:27:22 | 0:27:24 | |
That's Miss Evangelista! | 0:27:24 | 0:27:26 | |
I don't want to sound horrible, but couldn't we...you know? | 0:27:26 | 0:27:29 | |
This is her last moment... no, we can't. | 0:27:29 | 0:27:31 | |
A little respect, thank you. | 0:27:31 | 0:27:34 | |
"Sorry, where am I? Excuse me?" | 0:27:34 | 0:27:36 | |
But that's Miss Evangelista. | 0:27:36 | 0:27:38 | |
It's a Data Ghost, she'll be gone in a moment. | 0:27:38 | 0:27:42 | |
Miss Evangelista, you're fine, just relax. | 0:27:42 | 0:27:46 | |
We'll be with you presently. | 0:27:46 | 0:27:48 | |
What's a Data Ghost? | 0:27:48 | 0:27:50 | |
There's a neural relay in the communicator. | 0:27:50 | 0:27:53 | |
Let's you send thought mails. That's it there, those green lights. | 0:27:53 | 0:27:57 | |
Sometimes it can hold an impression of a living consciousness for a short time after death. | 0:27:57 | 0:28:03 | |
Like an after image. | 0:28:03 | 0:28:05 | |
My grandfather lasted a day. | 0:28:06 | 0:28:09 | |
Kept talking about his shoelaces. | 0:28:09 | 0:28:12 | |
She's in there! | 0:28:13 | 0:28:15 | |
"I can't see, I can't... Where am I?" | 0:28:15 | 0:28:19 | |
She's just brain waves now. The pattern won't hold for long. | 0:28:19 | 0:28:21 | |
She's conscious! She's thinking. | 0:28:23 | 0:28:27 | |
"I can't see, I can't..." | 0:28:27 | 0:28:29 | |
-"I don't know what I'm thinking." -She's a footprint on the beach. | 0:28:29 | 0:28:33 | |
And the tide's coming in. | 0:28:33 | 0:28:34 | |
"Where's that woman?" | 0:28:34 | 0:28:37 | |
"The nice woman... is she there?" | 0:28:37 | 0:28:40 | |
-What woman? -She means... | 0:28:40 | 0:28:45 | |
I think she means me. | 0:28:45 | 0:28:47 | |
"Is she there? The nice woman?" | 0:28:47 | 0:28:51 | |
Yeah, she's here, hang on. | 0:28:51 | 0:28:54 | |
Go ahead. She can hear you. | 0:28:56 | 0:28:58 | |
"Hello? Are you there?" | 0:28:58 | 0:28:59 | |
Help her. | 0:29:01 | 0:29:02 | |
-She's dead. -Yeah. Help her. | 0:29:02 | 0:29:05 | |
"Hello? Is that the nice woman?" | 0:29:06 | 0:29:10 | |
Yeah. Hello. | 0:29:10 | 0:29:12 | |
Yeah, I'm I'm... I'm here. You OK? | 0:29:12 | 0:29:15 | |
"What I said before... | 0:29:16 | 0:29:18 | |
"about being stupid... | 0:29:18 | 0:29:20 | |
"don't tell the others, they'll only laugh." | 0:29:20 | 0:29:22 | |
Course I won't. | 0:29:22 | 0:29:24 | |
Course I won't tell them. | 0:29:24 | 0:29:25 | |
"Don't tell the others, they'll only laugh..." | 0:29:25 | 0:29:28 | |
I won't tell them. | 0:29:28 | 0:29:31 | |
I said I won't. | 0:29:31 | 0:29:32 | |
"Don't tell the others, they'll only laugh." | 0:29:32 | 0:29:35 | |
I'm not going to tell them. | 0:29:35 | 0:29:38 | |
"Don't tell the others, they'll only laugh." | 0:29:38 | 0:29:39 | |
She's looping now. The pattern's degrading. | 0:29:39 | 0:29:42 | |
"I can't think, I...don't know, I... | 0:29:42 | 0:29:45 | |
"I... | 0:29:46 | 0:29:48 | |
"I... | 0:29:48 | 0:29:49 | |
"Ice cream. | 0:29:49 | 0:29:51 | |
"Ice cream. Ice cream. | 0:29:51 | 0:29:55 | |
"Ice cream." | 0:29:55 | 0:29:57 | |
Does anybody mind if I..? | 0:29:57 | 0:29:59 | |
SWITCH CLICKS | 0:30:05 | 0:30:07 | |
That was horrible. That was the most horrible thing I've ever seen. | 0:30:10 | 0:30:15 | |
No. It's just a freak of technology. | 0:30:17 | 0:30:19 | |
But whatever did this to her, | 0:30:21 | 0:30:23 | |
whatever killed her... | 0:30:23 | 0:30:26 | |
I'd like a word with that. | 0:30:26 | 0:30:28 | |
I'll introduce you. | 0:30:28 | 0:30:29 | |
-I'm going to need a packed lunch. -Hang on. | 0:30:39 | 0:30:41 | |
-What's in that book? -Spoilers. | 0:30:44 | 0:30:47 | |
Who are you? | 0:30:47 | 0:30:49 | |
Professor River Song, University of... | 0:30:49 | 0:30:51 | |
-To me. Who are you to me? -Again... | 0:30:51 | 0:30:53 | |
spoilers. | 0:30:53 | 0:30:56 | |
Chicken, and a bit of salad. | 0:30:56 | 0:30:58 | |
Knock yourself out. | 0:30:58 | 0:31:00 | |
Right, you lot. | 0:31:03 | 0:31:05 | |
Let's meet the Vashta Nerada! | 0:31:05 | 0:31:06 | |
Darling, Dr Moon is going now. But he'd like a word with you alone, is that all right? | 0:31:12 | 0:31:17 | |
-Yes, of course, Dr Moon. -Thank you. | 0:31:17 | 0:31:19 | |
Now, listen. | 0:31:23 | 0:31:26 | |
This is important. | 0:31:27 | 0:31:29 | |
There's the real world, and there's the world of nightmares. | 0:31:29 | 0:31:35 | |
Isn't there? You understand? | 0:31:35 | 0:31:37 | |
Yes, I know, Dr Moon. | 0:31:37 | 0:31:39 | |
What I want you to remember is this... | 0:31:39 | 0:31:42 | |
and I know it's hard. | 0:31:42 | 0:31:44 | |
The real world is a lie, | 0:31:44 | 0:31:47 | |
and your nightmares are real. | 0:31:47 | 0:31:50 | |
The Library is real. | 0:31:50 | 0:31:51 | |
There are people trapped in there, people who need to be saved. | 0:31:51 | 0:31:57 | |
The shadows are moving again. | 0:31:57 | 0:31:59 | |
Those people | 0:31:59 | 0:32:01 | |
are depending on you. | 0:32:01 | 0:32:02 | |
Only you can save them. | 0:32:02 | 0:32:06 | |
Only you. | 0:32:06 | 0:32:07 | |
You travel with him, don't you? | 0:32:15 | 0:32:17 | |
The Doctor, you travel with him. | 0:32:17 | 0:32:20 | |
What of it? | 0:32:20 | 0:32:22 | |
Proper Dave, could you move over a bit? | 0:32:22 | 0:32:24 | |
-Why? -Just over there by the water cooler. Thanks. | 0:32:24 | 0:32:27 | |
You know him, don't you? | 0:32:30 | 0:32:31 | |
Oh, God, do I know that man. | 0:32:31 | 0:32:35 | |
We go way back, that man and me. | 0:32:35 | 0:32:37 | |
Just not this far back. | 0:32:37 | 0:32:39 | |
I'm sorry, what? | 0:32:39 | 0:32:41 | |
He hasn't met me yet. | 0:32:41 | 0:32:43 | |
I sent him a message but it went wrong, it arrived too early. | 0:32:45 | 0:32:49 | |
This is the Doctor in the days before he knew me. | 0:32:49 | 0:32:52 | |
And he looks at me, | 0:32:54 | 0:32:56 | |
and he looks right through me. And it shouldn't kill me, but it does. | 0:32:56 | 0:33:01 | |
What are you talking about? | 0:33:01 | 0:33:03 | |
Are you just talking rubbish? | 0:33:03 | 0:33:04 | |
Do you know him or don't you? | 0:33:04 | 0:33:06 | |
-Donna, quiet, I'm working! -Sorry! | 0:33:06 | 0:33:09 | |
Donna? You're Donna? Donna Noble? | 0:33:09 | 0:33:12 | |
Yeah, why? | 0:33:12 | 0:33:14 | |
I do know the Doctor. | 0:33:16 | 0:33:18 | |
But in the future. | 0:33:18 | 0:33:20 | |
His personal future. | 0:33:20 | 0:33:22 | |
So why don't you know me? | 0:33:22 | 0:33:25 | |
Where am I in the future? | 0:33:25 | 0:33:26 | |
OK! | 0:33:29 | 0:33:31 | |
We've got a live one. | 0:33:31 | 0:33:33 | |
That's not darkness down those tunnels, this is not a shadow. | 0:33:33 | 0:33:37 | |
It's a swarm. | 0:33:37 | 0:33:39 | |
A man-eating swarm. | 0:33:39 | 0:33:41 | |
The piranhas of the air, the Vashta Nerada. | 0:33:44 | 0:33:48 | |
Literally "the shadows that melt the flesh". | 0:33:48 | 0:33:51 | |
Most planets have them, but usually in small clusters. | 0:33:51 | 0:33:55 | |
I've never seen an infestation on this scale, or this aggressive. | 0:33:55 | 0:33:58 | |
What d'you mean, most planets? | 0:33:58 | 0:34:00 | |
-Not Earth? -Mmmm, Earth, and a billion other worlds. | 0:34:00 | 0:34:03 | |
Where there's meat, there's Vashta Nerada. | 0:34:03 | 0:34:05 | |
You can see them sometimes, if you look. | 0:34:05 | 0:34:08 | |
The dust in sunbeams. | 0:34:08 | 0:34:11 | |
If they were on Earth, we'd know. | 0:34:11 | 0:34:14 | |
Nah, normally they live on road kill. | 0:34:14 | 0:34:16 | |
But sometimes people go missing. | 0:34:16 | 0:34:20 | |
Not everyone comes back out of the dark. | 0:34:20 | 0:34:22 | |
-Every shadow? -No. | 0:34:22 | 0:34:26 | |
But any shadow. | 0:34:26 | 0:34:27 | |
So what do we do? | 0:34:27 | 0:34:29 | |
Daleks - aim for the eyestalk. Sontarans - back of the neck. | 0:34:29 | 0:34:33 | |
Vashta Nerada... | 0:34:33 | 0:34:35 | |
Run! Just run. | 0:34:36 | 0:34:38 | |
-Run where? -This is an index point. There must be an exit teleport. | 0:34:38 | 0:34:41 | |
Don't look at me, I haven't memorised the schematics! | 0:34:41 | 0:34:44 | |
Doctor, the little shop! | 0:34:44 | 0:34:46 | |
They always make you go through the little shop on the way out so they can sell you stuff. | 0:34:46 | 0:34:51 | |
-You're right! That's why I like the little shop! -OK, let's move it. | 0:34:51 | 0:34:54 | |
-Actually, Proper Dave, could you stay where you are for a moment? -Why? | 0:34:54 | 0:34:59 | |
I'm sorry. | 0:34:59 | 0:35:01 | |
I am so, so sorry. | 0:35:01 | 0:35:05 | |
But you've got two shadows. | 0:35:05 | 0:35:07 | |
It's how they hunt, they latch on to a food source and keep it fresh. | 0:35:14 | 0:35:20 | |
-What do I do? -You stay absolutely still. | 0:35:20 | 0:35:22 | |
Like there's a wasp in the room, a million wasps. | 0:35:22 | 0:35:25 | |
We're not leaving you, Dave. | 0:35:25 | 0:35:26 | |
Of course not. Where's your helmet? Don't point, tell me. | 0:35:26 | 0:35:29 | |
On the floor, by my bag. | 0:35:29 | 0:35:32 | |
Don't cross his shadow! | 0:35:32 | 0:35:33 | |
Thanks. Now, the rest of you, | 0:35:41 | 0:35:43 | |
helmets on and sealed up. We'll need everything we've got. | 0:35:43 | 0:35:46 | |
-Doctor, we haven't got any helmets. -We're safe anyway. | 0:35:46 | 0:35:49 | |
-How are we safe? -We're not, that was a clever lie to shut you up. | 0:35:49 | 0:35:52 | |
Professor, anything I can do with the suit? | 0:35:52 | 0:35:54 | |
What good are suits? Miss Evangelista was wearing one, there was nothing left. | 0:35:54 | 0:35:58 | |
We can increase the mesh-density, dial it up 400%. | 0:35:58 | 0:36:00 | |
-Make it a tougher meal. -OK. | 0:36:00 | 0:36:02 | |
-800%! Pass it on. -Gotcha! | 0:36:04 | 0:36:07 | |
-What's that? -It's a screwdriver. | 0:36:07 | 0:36:09 | |
It's sonic. | 0:36:09 | 0:36:11 | |
Yeah, I know. Snap! | 0:36:11 | 0:36:13 | |
With me, come on! | 0:36:20 | 0:36:23 | |
Are we shopping? Is it a good time to shop? | 0:36:26 | 0:36:28 | |
No talking! It's a teleport, stand in the middle. | 0:36:28 | 0:36:31 | |
Can't send the others, TARDIS won't recognise them. | 0:36:31 | 0:36:33 | |
You don't have a suit, you're not safe! | 0:36:33 | 0:36:36 | |
You don't have a suit, you're in just as much danger as me... | 0:36:36 | 0:36:38 | |
Donna! Let me explain. | 0:36:38 | 0:36:40 | |
Oh, that's how you do it! | 0:36:40 | 0:36:42 | |
Doctor! | 0:36:42 | 0:36:44 | |
SHE SCREAMS | 0:36:50 | 0:36:51 | |
Where did it go? | 0:36:56 | 0:36:57 | |
It's just gone. | 0:36:57 | 0:36:59 | |
I looked round, one shadow. See. | 0:36:59 | 0:37:01 | |
Does that mean we can leave? | 0:37:01 | 0:37:03 | |
I don't know why we're still here. We can leave him, can't we? | 0:37:03 | 0:37:06 | |
-I mean, no offence. -Shut up, Mr Lux. | 0:37:06 | 0:37:09 | |
Did you feel anything? Like an energy transfer? | 0:37:09 | 0:37:12 | |
No, no, but, look, it's gone. | 0:37:12 | 0:37:15 | |
Stop there, stop moving. | 0:37:15 | 0:37:16 | |
They're never just gone. And they never give up. | 0:37:16 | 0:37:19 | |
SCREWDRIVER BLEEPS | 0:37:20 | 0:37:22 | |
Well, this one's benign. | 0:37:22 | 0:37:25 | |
Hey, who turned out the lights? | 0:37:25 | 0:37:28 | |
-No-one, they're fine. -No, seriously, turn them back on! -They are on. | 0:37:28 | 0:37:32 | |
I can't see a ruddy thing. | 0:37:32 | 0:37:34 | |
Dave, turn round. | 0:37:34 | 0:37:36 | |
What's going on? Why can't I see? | 0:37:36 | 0:37:39 | |
Is the power gone, are we safe here? | 0:37:39 | 0:37:42 | |
Dave, I want you stay still, absolutely still. | 0:37:42 | 0:37:45 | |
Dave, Dave? Dave, can you hear me, are you all right? Talk to me, Dave. | 0:37:45 | 0:37:49 | |
I'm fine, I'm OK, I'm...fine. | 0:37:51 | 0:37:53 | |
I want you to stay still, absolutely still. | 0:37:53 | 0:37:56 | |
I'm fine, I'm OK, I'm...fine. | 0:37:56 | 0:38:00 | |
I can't... | 0:38:01 | 0:38:03 | |
Why can't I? I... | 0:38:03 | 0:38:05 | |
I can't... | 0:38:05 | 0:38:08 | |
Why can't I? I... | 0:38:08 | 0:38:09 | |
I can't... | 0:38:10 | 0:38:12 | |
Why can't I? | 0:38:12 | 0:38:14 | |
I... | 0:38:14 | 0:38:16 | |
He's gone. He's ghosting. | 0:38:16 | 0:38:18 | |
Then why is he still standing? | 0:38:18 | 0:38:21 | |
Hey! Who turned out the lights? | 0:38:21 | 0:38:23 | |
Hey! Who turned out the lights? | 0:38:24 | 0:38:26 | |
Doctor, don't! | 0:38:26 | 0:38:27 | |
Dave, can you hear me? | 0:38:27 | 0:38:29 | |
Hey! Who turned out the lights? | 0:38:29 | 0:38:30 | |
Who turned out the lights? | 0:38:35 | 0:38:36 | |
-Hey! Who turned out the lights? -S'cuse me! | 0:38:37 | 0:38:40 | |
Back from it, get back, right back! | 0:38:40 | 0:38:44 | |
Doesn't move very fast does it? | 0:38:48 | 0:38:50 | |
It's a swarm in a suit. | 0:38:50 | 0:38:52 | |
But it's learning. | 0:38:52 | 0:38:53 | |
-What do we do? Where do we go? -See that wall behind you? | 0:38:59 | 0:39:02 | |
DUCK! | 0:39:02 | 0:39:03 | |
Squareness gun! | 0:39:05 | 0:39:07 | |
Everybody out. Go, go, go! | 0:39:07 | 0:39:10 | |
Move it, move, move! | 0:39:10 | 0:39:12 | |
Move it, move, move! | 0:39:12 | 0:39:14 | |
-You said not every shadow. -But any shadow! | 0:39:14 | 0:39:17 | |
Hey! Who turned out the lights? | 0:39:20 | 0:39:22 | |
Run! | 0:39:22 | 0:39:23 | |
Sweetie, dinner's ready. | 0:39:37 | 0:39:40 | |
Donna Noble has been saved. | 0:39:40 | 0:39:42 | |
Sweetie? | 0:39:43 | 0:39:45 | |
Trying to boost the power. | 0:40:07 | 0:40:10 | |
Light doesn't stop them, but it slows them down. | 0:40:10 | 0:40:13 | |
So what's the plan? Do we have a plan? | 0:40:13 | 0:40:16 | |
Your screwdriver... | 0:40:16 | 0:40:17 | |
-Looks exactly like mine. -Yeah. | 0:40:20 | 0:40:22 | |
You gave it to me. | 0:40:22 | 0:40:24 | |
-I don't give my screwdriver to anyone. -I'm not anyone. | 0:40:24 | 0:40:27 | |
Who are you? | 0:40:27 | 0:40:29 | |
What's the plan? | 0:40:29 | 0:40:31 | |
I teleported Donna back to the TARDIS. | 0:40:31 | 0:40:34 | |
-If we don't get back in five hours, emergency program one activates. -Take her home. | 0:40:34 | 0:40:38 | |
-We need to get a shift on. -She's not there. | 0:40:38 | 0:40:40 | |
I should've received a signal, the console signals me if there's a teleport breach. | 0:40:40 | 0:40:45 | |
Maybe the co-ordinates slipped. The equipment here's ancient. | 0:40:45 | 0:40:48 | |
Donna Noble. | 0:40:48 | 0:40:50 | |
There's a Donna Noble in this library, do you have the software to locate her? | 0:40:50 | 0:40:54 | |
Donna Noble has left the Library. | 0:40:54 | 0:40:56 | |
Donna Noble has been saved. | 0:40:56 | 0:40:59 | |
Donna! | 0:40:59 | 0:41:01 | |
Donna Noble has left the Library. | 0:41:01 | 0:41:04 | |
-Donna Noble has been saved. -How can it be Donna? | 0:41:04 | 0:41:06 | |
How's that possible? | 0:41:06 | 0:41:08 | |
Donna Noble has left the Library. | 0:41:08 | 0:41:11 | |
-Donna Noble has been saved. -Oh, Donna! | 0:41:11 | 0:41:15 | |
-Hey! Who turned out the lights? -Doctor! | 0:41:15 | 0:41:19 | |
Hey! Who turned out the lights? | 0:41:19 | 0:41:21 | |
Donna Noble has left the Library. Donna Noble has been saved. | 0:41:21 | 0:41:26 | |
Hey! Who turned out the lights? | 0:41:26 | 0:41:28 | |
Donna Noble has left the Library. | 0:41:28 | 0:41:30 | |
Donna Noble has been saved. | 0:41:30 | 0:41:33 | |
Hey! Who turned out the lights? | 0:41:33 | 0:41:34 | |
Donna Noble has left the Library. | 0:41:34 | 0:41:36 | |
Donna Noble has been saved. | 0:41:36 | 0:41:39 | |
-Hey! Who turned out the lights? -Donna Noble has left the Library. | 0:41:39 | 0:41:42 | |
-Donna Noble has been saved. -Hey! Who turned out the lights? | 0:41:42 | 0:41:45 | |
Donna Noble has left the Library. | 0:41:45 | 0:41:47 | |
Doctor, what are we going to do? | 0:41:47 | 0:41:49 | |
Hey! Who turned out the lights? | 0:41:49 | 0:41:51 | |
Donna Noble has left the Library. Donna Noble has been saved. | 0:41:51 | 0:41:56 | |
Subtitles by Red Bee Media Ltd | 0:42:18 | 0:42:20 | |
Email [email protected] | 0:42:20 | 0:42:23 | |
I'd trust that man to the end of the universe. Actually, we've been. | 0:42:27 | 0:42:30 | |
-Who are you? -And then you forgot. | 0:42:30 | 0:42:33 | |
You just killed someone I like and it's not a safe place to stand. | 0:42:33 | 0:42:36 | |
SHE SCREAMS | 0:42:37 | 0:42:38 | |
This planet's going to crack like an egg. | 0:42:38 | 0:42:40 | |
Daddy, no, Daddy! | 0:42:40 | 0:42:42 | |
-I hate you sometimes! -I know! | 0:42:42 | 0:42:45 | |
-Don't play games with me. -We need to stop this, we've got to save CAL. | 0:42:47 | 0:42:51 | |
-What is it, what is CAL? -Spoilers. -Spoilers. | 0:42:51 | 0:42:54 | |
No, don't tell, you mustn't tell! | 0:42:54 | 0:42:55 |