Browse content similar to Forest of the Dead. Check below for episodes and series from the same categories and more!
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-The Library! So big it doesn't need a name. -Someone's got in. Someone's in my library. | 0:00:02 | 0:00:05 | |
4,022 saved. | 0:00:05 | 0:00:07 | |
-No survivors. -Others are coming. | 0:00:07 | 0:00:09 | |
What...others? | 0:00:09 | 0:00:11 | |
-Professor River Song, archaeologist. -You've seen me before, then? | 0:00:16 | 0:00:21 | |
The real world is a lie, and your nightmares are real. | 0:00:21 | 0:00:25 | |
-What's CAL?! -The Library is real. | 0:00:26 | 0:00:28 | |
There are people trapped in there, people who need to be saved. | 0:00:28 | 0:00:33 | |
There's a neural relay in the communicator. | 0:00:33 | 0:00:35 | |
Sometimes it can hold an impression of a living consciousness for a short time after death. | 0:00:35 | 0:00:40 | |
The shadows are moving again. Only you can save them. | 0:00:40 | 0:00:43 | |
The piranhas of the air, the Vashta Nerada. | 0:00:43 | 0:00:46 | |
SHE SCREAMS | 0:00:46 | 0:00:47 | |
Donna Noble has been saved. | 0:00:49 | 0:00:51 | |
Donna Noble has been saved. | 0:00:51 | 0:00:53 | |
Donna Noble has left the Library. | 0:00:53 | 0:00:56 | |
-Donna Noble has been saved. -Hey! Who turned out the lights? | 0:00:56 | 0:00:59 | |
Donna Noble has left the Library. Donna Noble has been saved. | 0:00:59 | 0:01:03 | |
-Hey! Who turned out the lights? -Donna Noble has left the Library. | 0:01:03 | 0:01:06 | |
Donna Noble has been saved. | 0:01:06 | 0:01:08 | |
Hey! Who turned out the lights? | 0:01:47 | 0:01:49 | |
Hey! Who turned out the lights? | 0:01:50 | 0:01:52 | |
This way, quickly, move! | 0:01:54 | 0:01:57 | |
Hey! Who turned out the lights? | 0:01:57 | 0:01:59 | |
Dad, the Library, it's on television now. | 0:01:59 | 0:02:03 | |
How many times, darling? | 0:02:03 | 0:02:04 | |
The Library is just your imagination. | 0:02:04 | 0:02:07 | |
Donna? | 0:02:39 | 0:02:41 | |
KNOCK AT DOOR | 0:02:49 | 0:02:51 | |
Hello, Donna. | 0:02:53 | 0:02:55 | |
Who are you? | 0:02:55 | 0:02:57 | |
I'm Dr Moon. | 0:02:57 | 0:02:59 | |
I've been treating you since you came here two years ago. | 0:02:59 | 0:03:03 | |
Oh, God, Dr Moon, I'm so sorry! | 0:03:03 | 0:03:07 | |
What's wrong with me? | 0:03:07 | 0:03:09 | |
I didn't know you for a moment. | 0:03:09 | 0:03:11 | |
And then you remembered. Shall we go for a walk? | 0:03:11 | 0:03:15 | |
No more dreams, then? The Doctor and the blue box, time and space. | 0:03:15 | 0:03:20 | |
How did we get here? | 0:03:22 | 0:03:25 | |
We came down the stairs, out the front door. | 0:03:25 | 0:03:28 | |
We passed Mrs Ali on the way out. | 0:03:28 | 0:03:31 | |
Yeah. Yeah, we did. | 0:03:31 | 0:03:34 | |
-I forgot that. -And then you remembered. | 0:03:35 | 0:03:38 | |
Shall we go down to the river? | 0:03:40 | 0:03:43 | |
You said "river" and suddenly we're feeding ducks. | 0:03:43 | 0:03:47 | |
Dr Moon! | 0:03:47 | 0:03:48 | |
Morning. | 0:03:49 | 0:03:51 | |
Donna Noble, Lee McAvoy. | 0:03:51 | 0:03:54 | |
Hello, Lee. | 0:03:55 | 0:03:56 | |
Hello, D-D... D... | 0:03:56 | 0:03:59 | |
Ooh, you've got bit of a stammer there... Bless! | 0:03:59 | 0:04:03 | |
D... D... | 0:04:03 | 0:04:05 | |
Oh, skip to a vowel, they're easy! | 0:04:05 | 0:04:08 | |
How did we leave it, him and me? | 0:04:08 | 0:04:11 | |
I got the impression he was inviting you fishing tomorrow. | 0:04:11 | 0:04:15 | |
So... | 0:04:18 | 0:04:20 | |
Fishing! | 0:04:20 | 0:04:22 | |
THUNDER RUMBLES | 0:04:22 | 0:04:23 | |
D... D... | 0:04:26 | 0:04:27 | |
Gorgeous and can't speak a word. | 0:04:27 | 0:04:31 | |
What am I going to do with you? | 0:04:32 | 0:04:34 | |
Welcome home, M-Mrs McAvoy. | 0:04:35 | 0:04:38 | |
Stop it! Stop it now, we've got a visitor. | 0:04:42 | 0:04:46 | |
You've done so much in seven years, Donna. | 0:04:46 | 0:04:48 | |
Sometimes it feels more like 70. Mind you, sometimes it feels like no time at all. | 0:04:48 | 0:04:54 | |
Can I just say what a pleasure it is to see you fully integrated? | 0:04:58 | 0:05:01 | |
No, the signal's definitely coming from the moon. I'm blocking it, but it's trying to break through. | 0:05:03 | 0:05:09 | |
Donna! | 0:05:09 | 0:05:11 | |
Oops, sorry. Mrs Angelo's rhubarb surprise. | 0:05:11 | 0:05:15 | |
Will I never learn? | 0:05:15 | 0:05:16 | |
The Doctor! | 0:05:18 | 0:05:20 | |
I saw the Doctor! | 0:05:20 | 0:05:22 | |
Yes, you did, Donna, and then...you forgot. | 0:05:22 | 0:05:26 | |
Dr Moon! Oh, hello! | 0:05:28 | 0:05:30 | |
Shall I make you a cup of tea? | 0:05:30 | 0:05:33 | |
OK, we've got a clear spot. In, in, in! | 0:05:52 | 0:05:53 | |
Right in the centre, in the middle of the light, quickly! | 0:05:53 | 0:05:56 | |
Don't let your shadows cross. Doctor... | 0:05:56 | 0:05:59 | |
I'm doing it. | 0:05:59 | 0:06:01 | |
There's no lights here. Sunset's coming, we can't stay long. | 0:06:01 | 0:06:05 | |
-Have you found a live one? -Maybe, it's getting harder to tell. What's wrong with you? | 0:06:07 | 0:06:12 | |
We're going to need a chicken leg. Who's got a chicken leg? | 0:06:12 | 0:06:15 | |
Thanks, Dave. | 0:06:15 | 0:06:17 | |
OK... OK, we've got a hot one. Watch your feet. | 0:06:21 | 0:06:24 | |
They won't attack until there's enough of them, but they've got our scent now, they're coming. | 0:06:24 | 0:06:29 | |
Who is he? | 0:06:31 | 0:06:33 | |
You haven't even told us. You just expect us to trust him. | 0:06:33 | 0:06:36 | |
He's the Doctor. | 0:06:36 | 0:06:38 | |
And who is the Doctor? | 0:06:38 | 0:06:39 | |
The only story you'll ever tell - if you survive him. | 0:06:39 | 0:06:43 | |
You say he's your friend, but he doesn't even know who you are. | 0:06:45 | 0:06:48 | |
Listen, all you need to know is this... | 0:06:48 | 0:06:50 | |
I'd trust that man to the end of the universe, | 0:06:50 | 0:06:52 | |
and actually we've been. | 0:06:52 | 0:06:54 | |
He doesn't act like he trusts you. | 0:06:58 | 0:07:00 | |
Yeah, there's a tiny problem. | 0:07:00 | 0:07:02 | |
He hasn't met me yet. | 0:07:02 | 0:07:04 | |
BUZZING | 0:07:06 | 0:07:08 | |
-What's wrong with it? -There's a signal coming from somewhere, interfering with it. | 0:07:08 | 0:07:13 | |
-Use the red settings. -It doesn't have a red setting. | 0:07:13 | 0:07:16 | |
-Well, use the dampers. -It doesn't have dampers. | 0:07:16 | 0:07:19 | |
It will do one day. | 0:07:19 | 0:07:20 | |
-So some time in the future, I just give you my screwdriver. -Yeah. | 0:07:24 | 0:07:28 | |
-And why would I do that? -I didn't pluck it from your cold dead hands, | 0:07:28 | 0:07:31 | |
-if that's what you're worried about. -I know that because...? | 0:07:31 | 0:07:34 | |
Listen to me. | 0:07:34 | 0:07:36 | |
You've lost your friend, you're angry, I understand. | 0:07:36 | 0:07:39 | |
-But you need to be less emotional, Doctor. -I'm not emotional. | 0:07:39 | 0:07:42 | |
There are five people in this room still alive, focus on that. | 0:07:42 | 0:07:46 | |
-Dear God, you're hard work young. -Young? Who are you?! | 0:07:46 | 0:07:49 | |
Oh, for heaven's sake! Look at the pair of you! | 0:07:49 | 0:07:51 | |
We're all going to die right here, and you're just squabbling like an old married couple. | 0:07:51 | 0:07:56 | |
Doctor... | 0:07:59 | 0:08:00 | |
..one day I'm going to be someone that you trust completely, | 0:08:02 | 0:08:06 | |
but I can't wait for you to find that out. So I'm going to prove it to you. | 0:08:06 | 0:08:11 | |
And I'm sorry. | 0:08:11 | 0:08:13 | |
I'm really very sorry. | 0:08:16 | 0:08:19 | |
Are we good? | 0:08:31 | 0:08:32 | |
Doctor...are we good? | 0:08:34 | 0:08:37 | |
Yeah... | 0:08:39 | 0:08:40 | |
Yeah, we're good. | 0:08:41 | 0:08:43 | |
Good. | 0:08:46 | 0:08:48 | |
Know what's interesting about my screwdriver? | 0:08:56 | 0:08:58 | |
Very hard to interfere with, nothing's strong enough... | 0:08:58 | 0:09:01 | |
Well, some hairdryers, but I'm working on that. | 0:09:01 | 0:09:03 | |
So there is a very strong signal coming from somewhere, and it wasn't there before, so what's changed? | 0:09:03 | 0:09:09 | |
Come on! What's new? | 0:09:09 | 0:09:11 | |
-What's different? -I dunno, nothing. | 0:09:11 | 0:09:13 | |
-It's getting dark. -It's a screwdriver, it works in the dark. | 0:09:14 | 0:09:18 | |
Moonrise. | 0:09:18 | 0:09:20 | |
-Tell me about the moon. What's there? -It's not real, it was built as part of the Library. | 0:09:22 | 0:09:28 | |
-It's just a doctor moon. -What's a doctor moon? -A virus checker. | 0:09:28 | 0:09:31 | |
It supports and maintains the main computer at the core of the planet. | 0:09:31 | 0:09:35 | |
-BUZZING -Well, it's still active, it's signalling, look. | 0:09:35 | 0:09:39 | |
Someone somewhere in this Library is alive and communicating with the | 0:09:39 | 0:09:43 | |
moon, or possibly alive and drying their hair. | 0:09:43 | 0:09:46 | |
No, the signal's definitely coming from the moon. | 0:09:46 | 0:09:50 | |
-I'm blocking it, but it's trying to break through. -Doctor! -Donna! | 0:09:50 | 0:09:53 | |
That was her, that was your friend. | 0:09:53 | 0:09:55 | |
Can you get her back? What was that? | 0:09:55 | 0:09:58 | |
Hold on, hold on, hold on. I'm trying to find the wavelength. | 0:09:58 | 0:10:02 | |
-I'm being blocked. -Professor? | 0:10:02 | 0:10:04 | |
-Just a moment. -It's important. | 0:10:04 | 0:10:06 | |
I have two shadows. | 0:10:06 | 0:10:08 | |
OK. Helmets on, everyone. | 0:10:09 | 0:10:12 | |
Anita, I'll get yours. | 0:10:12 | 0:10:14 | |
-It didn't do Proper Dave any good. -Just keep it together, OK? | 0:10:14 | 0:10:18 | |
I'm keeping it together, | 0:10:18 | 0:10:20 | |
I'm only crying. | 0:10:20 | 0:10:23 | |
I'm about to die, it's not an overreaction. | 0:10:23 | 0:10:25 | |
Hang on. | 0:10:30 | 0:10:31 | |
-Oh, God, they've got inside. -No, no, no, I just tinted her visor. | 0:10:32 | 0:10:36 | |
Maybe they'll think they're already in there, leave her alone. | 0:10:36 | 0:10:39 | |
-Do you think they can be fooled like that? -Maybe. I don't know. | 0:10:39 | 0:10:43 | |
It's a swarm, it's not like we chat. | 0:10:43 | 0:10:45 | |
-Can you still see in there? -Just about. | 0:10:45 | 0:10:48 | |
Just... Just stay back. | 0:10:48 | 0:10:50 | |
-Professor, a quick word, please. -What? -Down here. -What is it? | 0:10:50 | 0:10:53 | |
-Like you said, there are five people still alive in this room. -Yeah, so? | 0:10:53 | 0:10:57 | |
So... | 0:10:57 | 0:10:59 | |
why are there six? | 0:10:59 | 0:11:01 | |
-Hey! Who turned out the lights? -Run! | 0:11:05 | 0:11:08 | |
Hey! Who turned out the lights? | 0:11:08 | 0:11:11 | |
Hey! Who turned out the lights? Hey! Who turned out the lights? | 0:11:15 | 0:11:19 | |
Here we are, Dr Moon. | 0:11:19 | 0:11:21 | |
Mummy, I made you! | 0:11:21 | 0:11:23 | |
Ooh, that's nice, Ella. Where's the face? | 0:11:23 | 0:11:26 | |
I don't know. | 0:11:26 | 0:11:28 | |
Did you see Dr Moon? Did he leave? | 0:11:28 | 0:11:31 | |
Daddy! | 0:11:31 | 0:11:32 | |
Hey! Hello, you two, come here! Big hugs, big Daddy hugs! | 0:11:32 | 0:11:35 | |
Look what I made! | 0:11:35 | 0:11:37 | |
-Oh, it's Mummy. -It hasn't got a face. | 0:11:37 | 0:11:40 | |
Did you see Dr Moon? | 0:11:40 | 0:11:42 | |
-No, why, was he here? -Yeah, just a second ago. | 0:11:42 | 0:11:44 | |
You must have passed him. | 0:11:44 | 0:11:47 | |
Are you all right? | 0:11:49 | 0:11:52 | |
-Yeah. Yeah, I'm fine, it's just... -Just... | 0:11:52 | 0:11:56 | |
Nothing. | 0:11:59 | 0:12:00 | |
It's been a long day, that's all. | 0:12:03 | 0:12:06 | |
I'm just tired. | 0:12:06 | 0:12:07 | |
Are you OK? | 0:12:10 | 0:12:12 | |
I said I was tired and... | 0:12:12 | 0:12:15 | |
..and we put the kids to bed, | 0:12:16 | 0:12:19 | |
and we watched television. | 0:12:19 | 0:12:20 | |
SQUEAK | 0:12:21 | 0:12:23 | |
-Was that a letter? -It's midnight. -Go and see what it is. | 0:12:23 | 0:12:27 | |
-"The world is wrong." -What? | 0:12:44 | 0:12:46 | |
For you. Weird, though. | 0:12:46 | 0:12:48 | |
"Dear Donna, the world is wrong. | 0:12:48 | 0:12:51 | |
"Meet me at your usual playpark, two o'clock tomorrow." | 0:12:51 | 0:12:54 | |
Nutter. | 0:13:06 | 0:13:07 | |
Don't go. Please don't go. | 0:13:11 | 0:13:13 | |
All right, you two, off you go, no fighting. | 0:13:20 | 0:13:23 | |
I got your note last night. | 0:13:44 | 0:13:47 | |
The world is wrong, what's that mean? | 0:13:47 | 0:13:49 | |
-No, you didn't. -I'm sorry, what? | 0:13:49 | 0:13:51 | |
You didn't get my note last night. | 0:13:51 | 0:13:54 | |
You got it a few seconds ago. | 0:13:54 | 0:13:55 | |
Having decided to come, you suddenly found yourself arriving. | 0:13:56 | 0:14:00 | |
That is how time progresses here, in the manner of a dream. | 0:14:00 | 0:14:03 | |
You've suspected that before, haven't you, Donna Noble? | 0:14:03 | 0:14:07 | |
-How do you know me? -We met before, in the Library. | 0:14:10 | 0:14:14 | |
You were kind to me. | 0:14:14 | 0:14:16 | |
I hope now to return that kindness. | 0:14:16 | 0:14:19 | |
Your voice... | 0:14:21 | 0:14:23 | |
-I recognise it. -Yes, you do. | 0:14:24 | 0:14:26 | |
I am what is left of Miss Evangelista. | 0:14:26 | 0:14:30 | |
Professor, go ahead, find a safe spot. | 0:14:41 | 0:14:43 | |
-It's a carnivorous swarm in a suit, you can't reason with it. -Five minutes. | 0:14:43 | 0:14:46 | |
Other Dave, stay with him, pull him out when he's too stupid to live. | 0:14:46 | 0:14:50 | |
Two minutes, Doctor. | 0:14:50 | 0:14:52 | |
Hey! Who turned out the lights? | 0:14:54 | 0:14:55 | |
You hear that? Those words? That is the very last thought | 0:14:55 | 0:14:58 | |
of the man who wore that suit before you climbed inside it and stripped his flesh. | 0:14:58 | 0:15:02 | |
That's a man's soul trapped inside a neural relay, going round and round forever. | 0:15:02 | 0:15:07 | |
Now, if you don't have the decency to let him go, how about this? | 0:15:07 | 0:15:10 | |
Use him. Talk to me. | 0:15:10 | 0:15:12 | |
It's easy, neural relay. Just point and think. | 0:15:12 | 0:15:15 | |
-Use him, talk to me. -Hey! Who turned out the lights? | 0:15:15 | 0:15:18 | |
The Vashta Nerada live on all the worlds in this system, but you hunt in forests. | 0:15:18 | 0:15:23 | |
-What are you doing in a library? -We should go. Doctor! -In a minute. | 0:15:23 | 0:15:26 | |
You came to a library to hunt, why? Just tell me why? | 0:15:26 | 0:15:29 | |
We...did not. | 0:15:35 | 0:15:37 | |
Oh, hello. | 0:15:37 | 0:15:39 | |
We did not. | 0:15:39 | 0:15:41 | |
Take it easy, you'll get the hang of it. Did not what? | 0:15:41 | 0:15:45 | |
We...did not...come...here. | 0:15:45 | 0:15:47 | |
Well, of course you did, of course you came here. | 0:15:47 | 0:15:51 | |
We come from here. | 0:15:51 | 0:15:53 | |
From here? | 0:15:53 | 0:15:55 | |
We hatched here. | 0:15:55 | 0:15:57 | |
But you hatch from trees, from spores in trees. | 0:15:57 | 0:16:00 | |
These are our forests. | 0:16:00 | 0:16:03 | |
You're nowhere near a forest, look around you. | 0:16:04 | 0:16:07 | |
These are our forests. | 0:16:07 | 0:16:10 | |
You're not in a forest, you're in a library. | 0:16:10 | 0:16:12 | |
There are no trees in a... | 0:16:12 | 0:16:14 | |
-..library. -We should go. Doctor! | 0:16:15 | 0:16:19 | |
Books. | 0:16:19 | 0:16:21 | |
You came in the books. | 0:16:21 | 0:16:22 | |
-Microspores in a million, million books. -We should go. Doctor! | 0:16:25 | 0:16:30 | |
Oh, look at that. | 0:16:30 | 0:16:32 | |
The forests of the Vashta Nerada, | 0:16:32 | 0:16:34 | |
pulped and printed and bound. | 0:16:34 | 0:16:37 | |
A million, million books, hatching shadows. | 0:16:37 | 0:16:41 | |
We should go. Doctor! | 0:16:41 | 0:16:43 | |
Oh... | 0:16:45 | 0:16:47 | |
Dave! Oh, Dave, I'm so sorry. | 0:16:47 | 0:16:50 | |
-Hey! Who turned out the lights? -We should go. Doctor! | 0:16:52 | 0:16:55 | |
I'm stupid, I talk too much, this gob doesn't stop for anything. | 0:16:55 | 0:16:58 | |
Want to know the only reason I'm still alive? Always stay near the door. | 0:16:58 | 0:17:03 | |
I suggested we meet here because a playground is the easiest place to see it, to see the lie. | 0:17:23 | 0:17:28 | |
-What lie? -The children, look at the children. | 0:17:28 | 0:17:32 | |
Why do you wear that veil? | 0:17:33 | 0:17:35 | |
If I had a face like yours, I wouldn't hide it. | 0:17:35 | 0:17:38 | |
You remember my face, then? | 0:17:38 | 0:17:40 | |
The memories are all still there - the Library, the Doctor, me. | 0:17:42 | 0:17:46 | |
You've just been programmed not to look. | 0:17:46 | 0:17:49 | |
Sorry, but...you're dead. | 0:17:52 | 0:17:54 | |
In a way, we're all dead here, Donna. | 0:17:54 | 0:17:58 | |
We are the dead of the Library. | 0:17:58 | 0:18:00 | |
Well, what about the children? | 0:18:00 | 0:18:02 | |
The children aren't dead. My children aren't dead. | 0:18:02 | 0:18:05 | |
Your children were never alive. | 0:18:05 | 0:18:07 | |
Don't you say that. Don't you dare say that about my children! | 0:18:07 | 0:18:10 | |
Look at your children. | 0:18:10 | 0:18:12 | |
Look at all of them, really look. They're not real. | 0:18:12 | 0:18:15 | |
Do you see it now? They're all the same. | 0:18:15 | 0:18:18 | |
All the children of this world, the same boy and the same girl, over and over again. | 0:18:19 | 0:18:24 | |
Stop it. | 0:18:24 | 0:18:26 | |
Just stop it! Why are you doing this? Why are you wearing that veil? | 0:18:26 | 0:18:30 | |
SHE SCREAMS | 0:18:32 | 0:18:35 | |
You know...it's funny, I keep wishing the Doctor was here. | 0:18:53 | 0:18:58 | |
The Doctor is here, isn't he? | 0:18:58 | 0:19:00 | |
He's coming back, right? | 0:19:00 | 0:19:02 | |
You know when you see a photograph of someone you know, but it's from years before you knew them? | 0:19:06 | 0:19:12 | |
It's like they're not quite...finished, they're not done yet. | 0:19:12 | 0:19:16 | |
Well...yes, the Doctor's here. | 0:19:17 | 0:19:20 | |
He came when I called, just like he always does. | 0:19:20 | 0:19:24 | |
But not MY Doctor. | 0:19:25 | 0:19:28 | |
Now my Doctor... | 0:19:31 | 0:19:33 | |
I've seen whole armies turn and run away. | 0:19:35 | 0:19:39 | |
And he'd just swagger off back to his TARDIS | 0:19:40 | 0:19:45 | |
and open the doors with a snap of his fingers. | 0:19:45 | 0:19:48 | |
The Doctor...in the TARDIS... | 0:19:49 | 0:19:53 | |
-Next stop - everywhere. -Spoilers! | 0:19:54 | 0:19:58 | |
Nobody can open a TARDIS by snapping their fingers. | 0:20:00 | 0:20:04 | |
-It doesn't work like that. -It does for the Doctor. | 0:20:04 | 0:20:06 | |
I am the Doctor. | 0:20:06 | 0:20:08 | |
Yeah. Some day. | 0:20:08 | 0:20:10 | |
-How are you doing? -Where's Other Dave? | 0:20:13 | 0:20:15 | |
Not coming, sorry. | 0:20:15 | 0:20:17 | |
-Well, if they've taken him, why haven't they gotten me yet? -I don't know. | 0:20:18 | 0:20:23 | |
Maybe tinting your visor's making a difference. | 0:20:23 | 0:20:26 | |
It's making a difference all right. | 0:20:26 | 0:20:28 | |
No-one's ever going to see my face again. | 0:20:28 | 0:20:31 | |
-Can I get you anything? -An old age would be nice. | 0:20:31 | 0:20:35 | |
Anything you can do? | 0:20:35 | 0:20:37 | |
-I'm all over it. -Doctor... | 0:20:37 | 0:20:39 | |
When we first met you... | 0:20:41 | 0:20:43 | |
..you didn't trust Professor Song. | 0:20:44 | 0:20:46 | |
And then she whispered a word in your ear, and you did. | 0:20:46 | 0:20:50 | |
My life so far... | 0:20:51 | 0:20:54 | |
I could do with a word like that. | 0:20:54 | 0:20:55 | |
What did she say? | 0:20:55 | 0:20:58 | |
Give a dead girl a break. Your secrets are safe with me. | 0:21:01 | 0:21:05 | |
Safe. | 0:21:05 | 0:21:06 | |
What? | 0:21:06 | 0:21:07 | |
Safe. You don't say saved, nobody says saved, you say safe. The data fragment! What did it say? | 0:21:09 | 0:21:14 | |
-"4,022 people saved. No survivors." -Doctor? | 0:21:14 | 0:21:18 | |
Nobody says saved, nutters say saved, you say safe. | 0:21:19 | 0:21:23 | |
But you see, it didn't mean safe, it meant...it literally meant...saved! | 0:21:23 | 0:21:28 | |
What happened to your face? | 0:21:30 | 0:21:32 | |
Transcription errors. | 0:21:32 | 0:21:34 | |
It destroyed my face, did wonders for my intellect. | 0:21:34 | 0:21:38 | |
I'm a very poor copy of myself. | 0:21:38 | 0:21:40 | |
'Where are we?' | 0:21:40 | 0:21:41 | |
Why are the children all the same? | 0:21:41 | 0:21:44 | |
The same pattern over and over. It saves an awful lot of space. | 0:21:44 | 0:21:48 | |
Space? | 0:21:48 | 0:21:50 | |
Cyberspace. | 0:21:51 | 0:21:53 | |
No! Don't tell, you mustn't tell! | 0:21:53 | 0:21:55 | |
See, there it is, right there! A hundred years ago, massive power surge, | 0:21:55 | 0:21:59 | |
all the teleports going at once. Soon as the Vashta Nerada hit their hatching cycle, they attack. | 0:21:59 | 0:22:03 | |
-Someone hits the alarm, the computer tries to teleport everyone out. -It tried to teleport 4,022 people? | 0:22:03 | 0:22:08 | |
It succeeded, pulled 'em all out, but nowhere to send them, nowhere safe in the Library. | 0:22:08 | 0:22:12 | |
Vashta Nerada growing in every shadow. 4,022 people, all beamed up and nowhere to go. | 0:22:12 | 0:22:17 | |
They're stuck in the system, waiting to be sent, like emails. | 0:22:17 | 0:22:21 | |
So what's a computer to do? | 0:22:21 | 0:22:22 | |
What does a computer always do? | 0:22:22 | 0:22:24 | |
It saved them. | 0:22:24 | 0:22:27 | |
The Library, a whole world of books, and right at the core, the biggest hard drive in history. | 0:22:28 | 0:22:33 | |
The index to everything ever written, backup copies of every single book. | 0:22:33 | 0:22:37 | |
The computer saved 4,022 people the only way a computer can. | 0:22:37 | 0:22:42 | |
It saved them to the hard drive. | 0:22:42 | 0:22:45 | |
Your physical self is stored in the library as an energy signature. | 0:22:45 | 0:22:49 | |
It can be actualised again whenever you or the Library requires. | 0:22:49 | 0:22:53 | |
The Library? | 0:22:53 | 0:22:54 | |
-If my face ends up on one of those statues... -You remember the statues? | 0:22:56 | 0:23:00 | |
Wait, no, just...hang on. | 0:23:02 | 0:23:05 | |
So...this isn't the real me? | 0:23:06 | 0:23:09 | |
This isn't my real body. | 0:23:09 | 0:23:11 | |
But I've been dieting! | 0:23:11 | 0:23:14 | |
What you see around you, this entire world | 0:23:14 | 0:23:16 | |
is nothing more than virtual reality. | 0:23:16 | 0:23:19 | |
So why do you look like that? | 0:23:22 | 0:23:24 | |
I had no choice. | 0:23:25 | 0:23:26 | |
You teleported. You're a perfect reproduction. | 0:23:26 | 0:23:30 | |
I was just a data ghost caught in the Wi-Fi and automatically uploaded. | 0:23:30 | 0:23:35 | |
-And it made you clever? -We're only strings of numbers in here. | 0:23:35 | 0:23:39 | |
I think a decimal point may have shifted in my IQ. | 0:23:39 | 0:23:42 | |
But my face has been the bigger advantage. | 0:23:42 | 0:23:45 | |
I have the two qualities you require to see absolute truth. | 0:23:45 | 0:23:49 | |
I am brilliant...and unloved. | 0:23:49 | 0:23:52 | |
If this is all a dream... | 0:23:55 | 0:23:56 | |
..whose dream is it? | 0:23:59 | 0:24:00 | |
It's hard to see everything in the data core, even for me, but there is a word. | 0:24:00 | 0:24:05 | |
Just one word. | 0:24:05 | 0:24:07 | |
CAL. | 0:24:08 | 0:24:09 | |
Mummy! My knee! | 0:24:14 | 0:24:15 | |
Oh, look at that knee! | 0:24:15 | 0:24:18 | |
Oh, look at that silly old knee! | 0:24:18 | 0:24:21 | |
She's not real. They're fictions. | 0:24:21 | 0:24:24 | |
I'm sorry, but now that you understand that, you won't be able to keep a hold. | 0:24:24 | 0:24:28 | |
They are sustained only by your belief. | 0:24:28 | 0:24:31 | |
-You don't know, you don't have children. -Neither do you. | 0:24:31 | 0:24:34 | |
Donna, for your own sake, let them go! | 0:24:36 | 0:24:39 | |
Stop it! You'll spoil everything! I hate you, you're going to ruin everything! Stop it! | 0:24:39 | 0:24:44 | |
Sweetie, what's wrong? | 0:24:44 | 0:24:45 | |
Shut up! | 0:24:46 | 0:24:48 | |
Daddy! No! Daddy! | 0:24:50 | 0:24:53 | |
-BEEPING -What is it? What's wrong? | 0:24:57 | 0:25:01 | |
'Autodestruct enabled in 20 minutes.' | 0:25:02 | 0:25:06 | |
Mummy, what did the lady mean? Are we not real? | 0:25:07 | 0:25:11 | |
-Where are we going? -Home! | 0:25:11 | 0:25:14 | |
That was quick, wasn't it, Mummy? | 0:25:14 | 0:25:17 | |
Mummy, what's wrong with the sky? | 0:25:18 | 0:25:22 | |
-What's maximum erasure? -20 minutes, this planet'll crack like an egg. | 0:25:25 | 0:25:29 | |
No! No, it's all right, the Doctor Moon will stop it. | 0:25:29 | 0:25:32 | |
It's programmed to protect CAL. | 0:25:32 | 0:25:34 | |
Now, you really must stop this, you know. | 0:25:34 | 0:25:36 | |
You've forgotten again it was you who saved all those people, haven't you? | 0:25:36 | 0:25:40 | |
And then you remembered. | 0:25:40 | 0:25:43 | |
Shut up, Dr Moon! | 0:25:43 | 0:25:45 | |
No! No, no, no, no, no, no! | 0:25:48 | 0:25:51 | |
'All Library systems are permanently offline, sorry for any inconvenience. | 0:25:51 | 0:25:56 | |
-'Shortly...' -We need to stop this, we've got to save CAL. | 0:25:56 | 0:26:00 | |
-But what is it, what is CAL? -We need to get to the main computer. I'll show you. | 0:26:00 | 0:26:04 | |
It's at the core of the planet. | 0:26:04 | 0:26:06 | |
Well, then...let's go. | 0:26:06 | 0:26:09 | |
Gravity platform! | 0:26:17 | 0:26:18 | |
I bet I like you. | 0:26:20 | 0:26:22 | |
Oh, you do! | 0:26:22 | 0:26:24 | |
Mummy, you're hurting my hand. | 0:26:33 | 0:26:35 | |
You just... You just stay where I can see you. | 0:26:36 | 0:26:41 | |
You don't get out of my sight. | 0:26:41 | 0:26:43 | |
Is it bedtime? | 0:26:43 | 0:26:45 | |
OK. | 0:26:55 | 0:26:56 | |
That was lovely, wasn't it? | 0:26:56 | 0:26:59 | |
That was a lovely bedtime. | 0:26:59 | 0:27:01 | |
We had warm milk, and we watched cartoons, and then Mummy read you a lovely bedtime story. | 0:27:01 | 0:27:07 | |
Mummy, Joshua and me, we're not real, are we? | 0:27:08 | 0:27:12 | |
Of course you're real. | 0:27:12 | 0:27:14 | |
You're as real as anything. Why do you say that? | 0:27:14 | 0:27:18 | |
But, Mummy, sometimes, when you're not here, it's like we're not here. | 0:27:18 | 0:27:23 | |
Even when you close your eyes. | 0:27:23 | 0:27:25 | |
We just stop. | 0:27:25 | 0:27:27 | |
Well, Mummy promises to never close her eyes again. | 0:27:29 | 0:27:34 | |
No! Please! | 0:27:45 | 0:27:47 | |
No, PLEASE! | 0:27:47 | 0:27:49 | |
No! | 0:27:50 | 0:27:51 | |
No, no! | 0:27:52 | 0:27:53 | |
NO! | 0:27:53 | 0:27:56 | |
'Autodestruct in 15 minutes.' | 0:28:02 | 0:28:04 | |
The Data Core! Over 4,000 living minds, trapped inside it. | 0:28:05 | 0:28:08 | |
Yeah, well they won't be living much longer, we're running out of time. | 0:28:08 | 0:28:12 | |
Help me. Please help me. | 0:28:14 | 0:28:16 | |
Please, please help me! | 0:28:16 | 0:28:18 | |
Help me. Please, help me. | 0:28:24 | 0:28:28 | |
-What's that? -Was that a child? -Computer's in sleep mode. | 0:28:28 | 0:28:31 | |
I can't wake it up. I'm trying. | 0:28:31 | 0:28:34 | |
Doctor, these readings! | 0:28:43 | 0:28:45 | |
I know, you'd think it was...dreaming. | 0:28:47 | 0:28:49 | |
It is dreaming...of a normal life, | 0:28:49 | 0:28:52 | |
and a lovely Dad, and of every book ever written. | 0:28:52 | 0:28:56 | |
Computers don't dream. | 0:28:56 | 0:28:58 | |
'Help me. Please help me.' | 0:28:58 | 0:29:00 | |
No. But little girls do. | 0:29:00 | 0:29:02 | |
WHIZZING | 0:29:03 | 0:29:05 | |
Please help me. Please help me. | 0:29:14 | 0:29:17 | |
Oh, my God! | 0:29:17 | 0:29:19 | |
It's the little girl. | 0:29:19 | 0:29:21 | |
The girl we saw in the computer. | 0:29:21 | 0:29:24 | |
She's not in the computer. | 0:29:24 | 0:29:26 | |
In a way, she is the computer. | 0:29:27 | 0:29:29 | |
The main command node. | 0:29:30 | 0:29:31 | |
This is CAL. | 0:29:31 | 0:29:34 | |
CAL is a child! | 0:29:34 | 0:29:37 | |
A child hooked up to a mainframe?? Why didn't you tell me this! I needed to know this! | 0:29:37 | 0:29:41 | |
Because she's family! | 0:29:41 | 0:29:42 | |
CAL... | 0:29:45 | 0:29:46 | |
..Charlotte Abigail Lux. | 0:29:47 | 0:29:49 | |
My grandfather's youngest daughter. | 0:29:50 | 0:29:53 | |
She was dying, so he built her a Library, and put her living mind inside, | 0:29:55 | 0:30:01 | |
with a moon to watch over her, | 0:30:01 | 0:30:03 | |
and all of human history to pass the time, any era to live in, any book to read. | 0:30:03 | 0:30:08 | |
She loved books more than anything. | 0:30:09 | 0:30:12 | |
He gave her them all. | 0:30:12 | 0:30:14 | |
He asked only that she be left in peace. A secret, | 0:30:14 | 0:30:19 | |
not a freak show. | 0:30:19 | 0:30:22 | |
So you weren't protecting a patent, you were protecting her. | 0:30:22 | 0:30:26 | |
This is only half a life, of course. | 0:30:30 | 0:30:32 | |
But it's for ever. | 0:30:33 | 0:30:35 | |
And then the shadows came. | 0:30:35 | 0:30:37 | |
Shadows. I have to... | 0:30:37 | 0:30:39 | |
I have to save. | 0:30:39 | 0:30:41 | |
Have to save... | 0:30:43 | 0:30:44 | |
And she saved them. | 0:30:44 | 0:30:46 | |
She saved everyone in the Library, | 0:30:47 | 0:30:50 | |
folded them into her dreams and kept them safe. | 0:30:50 | 0:30:54 | |
-Then why didn't she tell us? -Because she's forgotten. | 0:30:54 | 0:30:58 | |
She's got over 4,000 living minds chatting away inside her head, it must be like... | 0:30:58 | 0:31:03 | |
being...well, me. | 0:31:03 | 0:31:06 | |
-So what do we do? -Easy! -'Autodestruct in ten minutes.' | 0:31:06 | 0:31:10 | |
We beam all the people out of the data core, the computer will reset and stop the countdown. | 0:31:10 | 0:31:13 | |
Difficult, Charlotte doesn't have enough memory space left to make the transfer. Easy! | 0:31:13 | 0:31:17 | |
-I'll hook myself up to the computer and she can borrow my memory space! -It'll kill you stone dead. | 0:31:17 | 0:31:21 | |
-Yeah, it's easy to criticise. -It'll burn out both your hearts. | 0:31:21 | 0:31:24 | |
-I'll try my hardest not to die. It's my main thing. -Doctor! | 0:31:24 | 0:31:27 | |
You and Luxy-boy, back up to the main Library. Prime any data cells you can find for maximum download, | 0:31:27 | 0:31:31 | |
and before you say anything else, Professor, can I just mention, shut up! | 0:31:31 | 0:31:35 | |
Ha! I hate you sometimes! | 0:31:35 | 0:31:37 | |
-I know! -Mr Lux, with me! | 0:31:37 | 0:31:39 | |
Anita, if he dies, I'll kill him! | 0:31:39 | 0:31:42 | |
What about the Vashta Nerada? | 0:31:43 | 0:31:44 | |
These are their forests. I'll seal Charlotte inside her little world, take everybody else away. | 0:31:44 | 0:31:48 | |
The shadows can swarm to their hearts' content. | 0:31:48 | 0:31:51 | |
-So you think they're just gonna let us go? -Best offer they're gonna get. -You're gonna make 'em an offer? | 0:31:51 | 0:31:56 | |
They'd better take it, cos right now, I'm finding it very hard to make any kind of offer at all. | 0:31:56 | 0:32:01 | |
I really liked Anita. | 0:32:01 | 0:32:03 | |
She was brave, even when she was crying, and she never gave in. And you ate her. | 0:32:03 | 0:32:07 | |
But I'm gonna let that pass. | 0:32:10 | 0:32:12 | |
Just as long as you let them pass. | 0:32:12 | 0:32:15 | |
-How long have you known? -I counted the shadows. | 0:32:15 | 0:32:19 | |
You only have one now. | 0:32:19 | 0:32:21 | |
She's nearly gone. Be kind. | 0:32:23 | 0:32:26 | |
These are our forests. | 0:32:26 | 0:32:28 | |
We are not kind. | 0:32:28 | 0:32:29 | |
I'm giving you back your forests, but you are giving me them. | 0:32:29 | 0:32:33 | |
You are letting them go. | 0:32:33 | 0:32:35 | |
These are our forests. They are our meat. | 0:32:35 | 0:32:38 | |
Don't play games with me. | 0:32:42 | 0:32:44 | |
You just killed someone I like, that is not a safe place to stand. | 0:32:45 | 0:32:49 | |
I'm the Doctor, and you're in the biggest Library in the universe. | 0:32:49 | 0:32:52 | |
Look me up. | 0:32:54 | 0:32:56 | |
You have one day. | 0:33:08 | 0:33:10 | |
-Anita! -I'm sorry. She's been dead a while now. I told you to go. | 0:33:14 | 0:33:18 | |
Lux can manage without me. | 0:33:18 | 0:33:21 | |
But you can't. | 0:33:22 | 0:33:23 | |
'Autodestruct in two minutes.' | 0:33:29 | 0:33:32 | |
Oh, no, no, no, no, come on, what are you doing? That's my job. | 0:33:35 | 0:33:38 | |
Oh, and I'm not allowed to have a career, I suppose? | 0:33:38 | 0:33:41 | |
-Why am I handcuffed? Why do you even have handcuffs? -Spoilers! | 0:33:41 | 0:33:44 | |
Stop this now, this is gonna kill you! I'd have a chance, you don't have any. | 0:33:44 | 0:33:48 | |
You wouldn't have a chance, and neither do I. | 0:33:48 | 0:33:51 | |
I'm timing it for the end of the countdown, there'll be a blip in the command flow. | 0:33:51 | 0:33:55 | |
-That way it should improve our chances of a clean download. -River! Please! No! | 0:33:55 | 0:33:59 | |
Funny thing is, this means you've always known how I was going to die. | 0:33:59 | 0:34:03 | |
All the time we've been together, you knew I was coming here. | 0:34:03 | 0:34:06 | |
The last time I saw you, the real you, the future you, I mean - you turned up on my doorstep, | 0:34:07 | 0:34:13 | |
with a new haircut and a suit. | 0:34:13 | 0:34:16 | |
You took me to Darillium to see the singing towers. | 0:34:17 | 0:34:21 | |
What a night that was! | 0:34:22 | 0:34:24 | |
The towers sang | 0:34:24 | 0:34:26 | |
and you cried. | 0:34:26 | 0:34:28 | |
-'Autodestruct in one minute.' -You wouldn't tell me why, but I suppose you knew it was time. | 0:34:28 | 0:34:33 | |
My time. Time to come to the Library. | 0:34:33 | 0:34:36 | |
You even gave me your screwdriver - that should've been a clue. | 0:34:37 | 0:34:41 | |
There's nothing you can do. | 0:34:41 | 0:34:43 | |
-You can let me do this! -If you die here, it'll mean I've never met you. | 0:34:43 | 0:34:47 | |
-Time can be rewritten. -Not those times. Not one line! Don't you dare! | 0:34:47 | 0:34:52 | |
It's OK. | 0:34:54 | 0:34:56 | |
It's OK, it's not over for you. You'll see me again. | 0:34:56 | 0:34:59 | |
You've got all of that to come. | 0:35:00 | 0:35:02 | |
You and me, time and space. | 0:35:02 | 0:35:05 | |
You watch us run! | 0:35:05 | 0:35:08 | |
-River, you know my name! -'Autodestruct in...' | 0:35:10 | 0:35:13 | |
-You whispered my name in my ear. -'..nine, eight, seven... | 0:35:13 | 0:35:18 | |
There's only one reason I would ever tell anyone my name. | 0:35:18 | 0:35:22 | |
There's only one time I could... | 0:35:22 | 0:35:23 | |
Shh, now! | 0:35:23 | 0:35:25 | |
-Spoilers! -'..three, two, one...' | 0:35:27 | 0:35:30 | |
Donna? | 0:35:36 | 0:35:37 | |
What's happening? | 0:35:38 | 0:35:40 | |
I don't know, but it's not real. Nothing here's real. | 0:35:40 | 0:35:43 | |
The whole world, everything, none of it's real. | 0:35:43 | 0:35:46 | |
Am I real? | 0:35:47 | 0:35:48 | |
Course you're real, I know you're real. | 0:35:50 | 0:35:54 | |
Oh, God, oh, God, I hope you're real. | 0:35:55 | 0:35:59 | |
I'll find you! | 0:36:04 | 0:36:06 | |
I promise you, I'll find you! | 0:36:06 | 0:36:08 | |
Excuse me. | 0:36:17 | 0:36:19 | |
What happened? | 0:36:19 | 0:36:21 | |
How did we get here? | 0:36:21 | 0:36:23 | |
Look at you. | 0:36:24 | 0:36:26 | |
You're back. You're all back. He did it! | 0:36:26 | 0:36:31 | |
You're all back. Look at you! | 0:36:32 | 0:36:35 | |
Ha-ha-ha-ha! | 0:36:35 | 0:36:36 | |
Look at that! | 0:36:46 | 0:36:48 | |
Look at that. He did it. | 0:36:50 | 0:36:51 | |
4,022 people! | 0:36:53 | 0:36:55 | |
Saved! | 0:36:55 | 0:36:57 | |
Please be patient. Only three can teleport at a time. | 0:37:19 | 0:37:22 | |
Do not state your intended destination until you arrive in... | 0:37:22 | 0:37:27 | |
Any luck? | 0:37:27 | 0:37:28 | |
There wasn't even anyone called Lee in the Library that day. | 0:37:30 | 0:37:33 | |
Suppose he could have had a different name out here, but let's be honest, | 0:37:33 | 0:37:39 | |
he wasn't real, was he? | 0:37:39 | 0:37:41 | |
Maybe not. | 0:37:42 | 0:37:43 | |
I made up the perfect man. | 0:37:44 | 0:37:46 | |
Gorgeous, adores me, and hardly able to speak a word. | 0:37:47 | 0:37:51 | |
What does that say about me? | 0:37:51 | 0:37:53 | |
Everything. Sorry, did I say everything? I meant to say "nothing". | 0:37:53 | 0:37:57 | |
I was aiming for "nothing", I accidentally said "everything". | 0:37:57 | 0:38:00 | |
'Stand right in the middle of the teleport, please...' | 0:38:00 | 0:38:04 | |
What about you? | 0:38:04 | 0:38:06 | |
-Are you all right? -I'm always all right. | 0:38:06 | 0:38:10 | |
Is "all right" special Time Lord code for... | 0:38:12 | 0:38:16 | |
-"really not all right at all"? -Why? | 0:38:16 | 0:38:19 | |
Cos I'm all right, too. | 0:38:20 | 0:38:22 | |
Come on. | 0:38:27 | 0:38:29 | |
Your friend... | 0:38:54 | 0:38:57 | |
Professor Song... | 0:38:57 | 0:38:58 | |
She knew you in the future, but she didn't know me. | 0:39:00 | 0:39:03 | |
What happens to me? | 0:39:03 | 0:39:04 | |
-Because when she heard my name, the way she looked at me... -Donna... | 0:39:04 | 0:39:08 | |
This is her diary. | 0:39:08 | 0:39:11 | |
My future. | 0:39:13 | 0:39:15 | |
I could look you up. | 0:39:18 | 0:39:20 | |
What do you think? | 0:39:22 | 0:39:24 | |
Shall we peek at the end? | 0:39:25 | 0:39:27 | |
Spoilers, right? | 0:39:35 | 0:39:37 | |
Right. | 0:39:37 | 0:39:38 | |
Come on. | 0:39:53 | 0:39:55 | |
The next chapter's this way. | 0:39:55 | 0:39:56 | |
When you run with The Doctor, it feels like it will never end. | 0:39:58 | 0:40:03 | |
But however hard you try, you can't run for ever. | 0:40:03 | 0:40:07 | |
Everybody knows that everybody dies, and nobody knows it like The Doctor. | 0:40:08 | 0:40:14 | |
But I do think that all the skies of all the worlds might just turn dark, if he ever, | 0:40:14 | 0:40:21 | |
for one moment accepts it. | 0:40:21 | 0:40:24 | |
Why? Why would I give her my screwdriver? Why would I do that? | 0:40:24 | 0:40:27 | |
Thing is, future me had years to think about it, to think of a way to save her, | 0:40:27 | 0:40:31 | |
and what he did was give her a screwdriver! Why would I do that? | 0:40:31 | 0:40:35 | |
Oh! Oh! Oh, look at that! | 0:40:35 | 0:40:40 | |
I'm very good! | 0:40:41 | 0:40:43 | |
-What have you done? -Saved her. | 0:40:43 | 0:40:45 | |
Stay with me! | 0:40:51 | 0:40:53 | |
You can do it, stay with me! Come on, you and me, one last run! | 0:40:53 | 0:40:57 | |
Sorry, River, shortcut! | 0:41:02 | 0:41:04 | |
Everybody knows that everybody dies. | 0:41:16 | 0:41:19 | |
But not every day. | 0:41:22 | 0:41:24 | |
Not today. | 0:41:26 | 0:41:28 | |
It's OK. You're safe. | 0:41:52 | 0:41:54 | |
You'll always be safe here. | 0:41:54 | 0:41:57 | |
The Doctor fixed the data core. This is a good place now. But I was worried you might be lonely. | 0:41:57 | 0:42:02 | |
So I brought you some friends. | 0:42:02 | 0:42:05 | |
Aren't I a clever girl? | 0:42:05 | 0:42:07 | |
Aren't we all? | 0:42:07 | 0:42:09 | |
Oh, for heaven's sake! | 0:42:13 | 0:42:15 | |
He just can't do it, can he? | 0:42:15 | 0:42:17 | |
That man, that impossible man! | 0:42:18 | 0:42:20 | |
He just can't give in. | 0:42:23 | 0:42:25 | |
'Some days are special. | 0:42:43 | 0:42:45 | |
'Some days are so, so blessed. | 0:42:45 | 0:42:49 | |
'Some days, nobody dies at all. | 0:42:49 | 0:42:52 | |
'Now and then, every once in a very long while, | 0:43:19 | 0:43:22 | |
'every day in a million days, | 0:43:22 | 0:43:24 | |
'when the wind stands fair, and The Doctor comes to call... | 0:43:24 | 0:43:29 | |
'..everybody lives.' | 0:43:34 | 0:43:35 | |
Sweet dreams, everyone. | 0:44:05 | 0:44:07 | |
You be careful. | 0:44:15 | 0:44:16 | |
Taking a big space truck with a bunch of strangers across a diamond planet called Midnight? | 0:44:16 | 0:44:19 | |
What could possibly go wrong?! | 0:44:19 | 0:44:21 | |
-Enjoy your trip. -Oh, I can't wait. | 0:44:21 | 0:44:22 | |
THUD What the hell is making that noise? | 0:44:22 | 0:44:25 | |
-It's trying the door. -There is no "it". | 0:44:25 | 0:44:29 | |
-Just tell me what the hell it is! -Down! | 0:44:29 | 0:44:32 | |
If we're gonna get out of this, then you need me! | 0:44:32 | 0:44:35 | |
Like you're so special. | 0:44:35 | 0:44:36 | |
-Two people are dead. -Don't make it a third! | 0:44:36 | 0:44:39 | |
It's coming for me, it's coming for me. Oh! | 0:44:39 | 0:44:43 | |
-Aaaargh! -Get out of there! | 0:44:43 | 0:44:45 |