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BIRDS SQUAWK AND TWEET | 0:00:02 | 0:00:05 | |
It's a beautiful day. | 0:00:22 | 0:00:24 | |
Hallucinogenic lipstick. | 0:00:32 | 0:00:34 | |
She's here. | 0:00:36 | 0:00:38 | |
Wrong! Wrong! | 0:01:13 | 0:01:15 | |
Bit right, mostly wrong. | 0:01:15 | 0:01:17 | |
I love museums. | 0:01:18 | 0:01:19 | |
Yeah, great(!) Can we go to a planet now? | 0:01:19 | 0:01:21 | |
Big space ship, Churchill's bunker...? | 0:01:21 | 0:01:23 | |
You promised me a planet. | 0:01:23 | 0:01:25 | |
Amy, this isn't any old asteroid. | 0:01:25 | 0:01:26 | |
It's the Delerium Archive, final resting place of the headless monks, the biggest museum ever. | 0:01:26 | 0:01:31 | |
You've got a time machine, why do you need museums? | 0:01:31 | 0:01:34 | |
Wrong! Very wrong! | 0:01:34 | 0:01:36 | |
Oooh, one of mine. Also one of mine. | 0:01:36 | 0:01:38 | |
Oh, I see. It's how you keep score. | 0:01:39 | 0:01:42 | |
Oh great, an old box. | 0:01:53 | 0:01:55 | |
It's from one of the old starliners. A Home Box. | 0:02:01 | 0:02:04 | |
What's a Home Box? | 0:02:04 | 0:02:06 | |
Like a black box on a plane, except it homes. | 0:02:06 | 0:02:09 | |
-Anything happens to the ship, the Home Box flies home, with all the flight data. -So? | 0:02:09 | 0:02:15 | |
The writing, the graffiti - Old High Gallifreyan. | 0:02:15 | 0:02:18 | |
The lost language of the Time Lords. | 0:02:18 | 0:02:20 | |
There were days, there were many days, these words could | 0:02:25 | 0:02:31 | |
-burn stars and raise up empires, and topple Gods. -What does it say? | 0:02:31 | 0:02:35 | |
Hello, sweetie. | 0:02:39 | 0:02:41 | |
ALARM BELL RINGS | 0:02:50 | 0:02:52 | |
Party's over, Doctor Song. | 0:03:10 | 0:03:12 | |
-Why are we doing this? -Cos someone on a space ship 12,000 years ago | 0:03:12 | 0:03:15 | |
is trying to attract my attention. | 0:03:15 | 0:03:17 | |
Let's see if we can get the security playback working. | 0:03:17 | 0:03:21 | |
The party's over, Doctor Song, yet still you're on board. | 0:03:30 | 0:03:35 | |
Sorry, Alistair. I needed to see what was in your vault. | 0:03:37 | 0:03:42 | |
Do you all know what's down there? Any of you? | 0:03:42 | 0:03:47 | |
Because I'll tell you something. This ship won't reach its destination. | 0:03:47 | 0:03:53 | |
Wait till she runs. Don't make it look like an execution. | 0:03:53 | 0:03:57 | |
Triple-seven, five, slash, three, four, nine by ten. | 0:03:58 | 0:04:02 | |
Zero, twelve, slash, acorn. Oh, and I could do with an air corridor.. | 0:04:02 | 0:04:07 | |
What was that, what did she say? | 0:04:07 | 0:04:08 | |
Co-ordinates! | 0:04:08 | 0:04:10 | |
Like I said on the dance floor, | 0:04:10 | 0:04:13 | |
you might want to find something to hang on to! | 0:04:13 | 0:04:18 | |
Doctor? | 0:04:48 | 0:04:50 | |
River? | 0:04:50 | 0:04:52 | |
Follow that ship. | 0:04:52 | 0:04:53 | |
-They've gone into warp drive, we're losing them! Stay close! -I'm trying! | 0:05:41 | 0:05:46 | |
Use the stabilisers. | 0:05:46 | 0:05:47 | |
There aren't any stabilisers! | 0:05:47 | 0:05:49 | |
The blue switches! | 0:05:49 | 0:05:50 | |
The blue ones don't do anything, they're just...blue. | 0:05:50 | 0:05:52 | |
Yes, they're blue. | 0:05:52 | 0:05:54 | |
They're the blue stabilisers! | 0:05:54 | 0:05:57 | |
See? | 0:06:01 | 0:06:03 | |
Yeah, well, it's just boring now, isn't it? They're boring-ers. | 0:06:04 | 0:06:08 | |
They're blue boring-ers. | 0:06:08 | 0:06:11 | |
Doctor, how come she can fly the TARDIS? | 0:06:11 | 0:06:14 | |
You call that flying the TARDIS? Ha! | 0:06:14 | 0:06:16 | |
OK. I've mapped the probability vectors, done a fold-back | 0:06:16 | 0:06:22 | |
on the temporal isometry, charted the ship to its destination, | 0:06:22 | 0:06:26 | |
and parked us right along side. | 0:06:26 | 0:06:30 | |
Parked us? We haven't landed. | 0:06:30 | 0:06:33 | |
Of course we've landed. I just landed her. | 0:06:33 | 0:06:36 | |
But it didn't make the noise. | 0:06:36 | 0:06:39 | |
-What noise? -You know, the... | 0:06:39 | 0:06:42 | |
HE IMPERSONATES TARDIS | 0:06:42 | 0:06:44 | |
It's not supposed to make that noise. You leave the brakes on. | 0:06:46 | 0:06:50 | |
Yeah, well, it's a brilliant noise. | 0:06:50 | 0:06:52 | |
I love that noise. | 0:06:52 | 0:06:54 | |
Come along, Pond, let's have a look. | 0:06:54 | 0:06:57 | |
-No, wait! Environment checks. -Oh, yes, sorry! Quite right. | 0:06:58 | 0:07:02 | |
Environment checks. | 0:07:02 | 0:07:04 | |
Nice out. | 0:07:07 | 0:07:08 | |
We're somewhere in the Garn Belt. There's an atmosphere. Early indications suggest... | 0:07:08 | 0:07:12 | |
We're on Alfava Metraxis, the seventh planet of the Dundra System. | 0:07:12 | 0:07:15 | |
Oxygen-rich atmosphere, toxins in the soft band, 11-hour day, and... | 0:07:15 | 0:07:19 | |
..chances of rain later. | 0:07:20 | 0:07:23 | |
He thinks he's so hot when he does that. | 0:07:23 | 0:07:25 | |
How come you can fly the TARDIS? | 0:07:25 | 0:07:27 | |
-Oh, I had lessons from the very best. -Well, yeah. | 0:07:27 | 0:07:31 | |
It's a shame you were busy that day. | 0:07:31 | 0:07:35 | |
Right then, why did they land here? | 0:07:35 | 0:07:38 | |
They didn't land. | 0:07:40 | 0:07:41 | |
Sorry? | 0:07:41 | 0:07:43 | |
You should've checked the Home Box - it crashed. | 0:07:43 | 0:07:47 | |
Explain! Who is that and how did she do that museum thing? | 0:07:56 | 0:07:59 | |
It's a long story and I don't know most of it. Off we go! | 0:07:59 | 0:08:02 | |
-What are you doing? -Leaving. She's got where she wants to go, | 0:08:02 | 0:08:05 | |
-let's go where we want to go. -Are you basically running away? | 0:08:05 | 0:08:08 | |
-Yep. -Why? -Cos she's my future. -Can you run away from that? | 0:08:08 | 0:08:10 | |
I can run away from anything I like. Time is not the boss of me. | 0:08:10 | 0:08:13 | |
-Hang on, is that a planet out there? -Yes, of course it's a planet. | 0:08:13 | 0:08:16 | |
You promised me a planet. Five minutes? | 0:08:16 | 0:08:20 | |
-OK, five minutes! -Yes! | 0:08:22 | 0:08:24 | |
But that's all, cos I'm telling you now, that woman is not dragging me into anything! | 0:08:24 | 0:08:30 | |
What caused it to crash? Not me. | 0:08:47 | 0:08:49 | |
Nah, the airlock would've sealed seconds after you blew it. | 0:08:49 | 0:08:52 | |
According to the Home Box, the warp engines had a phase-shift. | 0:08:52 | 0:08:56 | |
-No survivors. -A phase-shift would have to be sabotage. I did warn them. | 0:08:56 | 0:09:00 | |
-About what? -Well, at least the building was empty. Aplan temple. | 0:09:00 | 0:09:06 | |
Unoccupied for centuries. | 0:09:06 | 0:09:07 | |
Aren't you going to introduce us? | 0:09:09 | 0:09:12 | |
Amy Pond, Professor River Song. | 0:09:14 | 0:09:17 | |
Ahhh, I'm going to be a Professor some day, am I? | 0:09:17 | 0:09:20 | |
How exciting! | 0:09:20 | 0:09:23 | |
Spoilers! | 0:09:23 | 0:09:25 | |
Yeah, but who is she and how did she do that? | 0:09:25 | 0:09:28 | |
She just left you a note in a museum! | 0:09:28 | 0:09:30 | |
Two things always guaranteed to show up in a museum. | 0:09:30 | 0:09:32 | |
The Home Box of category four starliner and, sooner or later, him. | 0:09:32 | 0:09:38 | |
-It's how he keeps score. -I know. | 0:09:38 | 0:09:41 | |
It's hilarious, isn't it? | 0:09:41 | 0:09:43 | |
I'm nobody's taxi service! | 0:09:43 | 0:09:45 | |
I'm not gonna be there to catch you | 0:09:45 | 0:09:47 | |
every time you feel like jumping out of a space ship. | 0:09:47 | 0:09:51 | |
And you are so wrong. | 0:09:51 | 0:09:53 | |
There's one survivor. | 0:09:54 | 0:09:58 | |
There's a thing in the belly of that ship that can't ever die. | 0:09:58 | 0:10:01 | |
Now he's listening! You lot in orbit yet? | 0:10:08 | 0:10:11 | |
Yeah, I saw it land. I'm at the crash site. | 0:10:11 | 0:10:13 | |
Try and home in on my signal. | 0:10:13 | 0:10:15 | |
Doctor, can you sonic me? | 0:10:15 | 0:10:18 | |
I need to boost the signal so we can use it as a beacon. | 0:10:18 | 0:10:22 | |
Ooh, Doctor! You soniced her(!) | 0:10:24 | 0:10:28 | |
We have a minute. Shall we? | 0:10:28 | 0:10:30 | |
Where were we up to? | 0:10:30 | 0:10:33 | |
-Have we done the Bone Meadows? -What's the book? -Stay away from it. | 0:10:33 | 0:10:37 | |
-What is it though? -Her diary. | 0:10:38 | 0:10:40 | |
-Our diary. -Her past, my...future. | 0:10:40 | 0:10:43 | |
Time travel. We keep meeting in the wrong order. | 0:10:45 | 0:10:49 | |
You promised me an army, Doctor Song. | 0:11:02 | 0:11:05 | |
No. I promised you the equivalent of an army. This is the Doctor. | 0:11:05 | 0:11:10 | |
Father Octavian, Sir. Bishop, second class. 20 clerics at my command. | 0:11:12 | 0:11:16 | |
The troops are already in the drop ship and landing shortly. | 0:11:16 | 0:11:19 | |
Doctor Song was helping us with a covert investigation. | 0:11:19 | 0:11:21 | |
Has Doctor Song explained what we're dealing with? | 0:11:25 | 0:11:28 | |
Doctor, what do you know of the Weeping Angels? | 0:11:28 | 0:11:33 | |
The Angel, as far as we know, is still trapped in the ship. | 0:11:35 | 0:11:39 | |
Our mission is to get inside and neutralise it. | 0:11:39 | 0:11:41 | |
We can't get through up top, we'd be too close to the drives. | 0:11:41 | 0:11:44 | |
According to this, behind the cliff face, there's a network of catacombs leading right up to the temple. | 0:11:45 | 0:11:52 | |
We can blow through the base of the cliffs, get into the entrance chamber, then make our way up. | 0:11:52 | 0:11:58 | |
-Oh, good. -Good, sir? | 0:11:58 | 0:12:00 | |
Catacombs, probably dark ones. Dark catacombs, great(!) | 0:12:00 | 0:12:02 | |
Technically, I think it's called a maze of the dead. | 0:12:02 | 0:12:06 | |
You can stop any time you like. | 0:12:06 | 0:12:08 | |
-Father Octavian? -Excuse me, sir. | 0:12:08 | 0:12:11 | |
You're letting people call you "sir". You never do that. | 0:12:14 | 0:12:18 | |
So, whatever a Weeping Angel is, it's really bad, yeah? | 0:12:20 | 0:12:24 | |
Now that's interesting... | 0:12:24 | 0:12:27 | |
You're still here. Which part of "Wait in the TARDIS till I tell you it's safe" | 0:12:27 | 0:12:30 | |
-was so confusing? -Ooh, are you all Mr Grumpy Face today? | 0:12:30 | 0:12:33 | |
A Weeping Angel, Amy, is the deadliest, | 0:12:33 | 0:12:36 | |
most powerful, most malevolent life form evolution has ever produced, | 0:12:36 | 0:12:40 | |
and one is trapped inside that wreckage | 0:12:40 | 0:12:41 | |
and I'm supposed to climb in with a screwdriver and a torch, | 0:12:41 | 0:12:44 | |
and assuming I survive the radiation, | 0:12:44 | 0:12:46 | |
and the whole ship doesn't blow up in my face, | 0:12:46 | 0:12:48 | |
do something clever which I haven't thought of yet. | 0:12:48 | 0:12:50 | |
That's my day, that's what I'm up to. Any questions? | 0:12:50 | 0:12:54 | |
Is River Song your wife? | 0:12:54 | 0:12:55 | |
Cos she's someone from your future, and the way she talks to you, | 0:12:55 | 0:12:59 | |
I've never seen anyone do that. | 0:12:59 | 0:13:02 | |
She's kinda like, you know, "Heel, boy!" | 0:13:02 | 0:13:04 | |
She's Mrs Doctor from the future, isn't she? | 0:13:04 | 0:13:07 | |
-Is she gonna be your wife one day? -Yes. | 0:13:07 | 0:13:11 | |
You're right. I am definitely Mr Grumpy Face today. | 0:13:12 | 0:13:18 | |
Doctor? Doctor! | 0:13:18 | 0:13:20 | |
Oops! Her indoors! | 0:13:21 | 0:13:24 | |
Father Octavian! | 0:13:24 | 0:13:25 | |
Why do they call them Father? | 0:13:26 | 0:13:29 | |
He's their Bishop, they're his clerics. | 0:13:29 | 0:13:31 | |
It's the 51st Century, the Church has moved on. | 0:13:31 | 0:13:34 | |
What do you think? It's from the security cameras in the Byzantium vault. | 0:13:46 | 0:13:50 | |
I ripped it when I was on board. Sorry about the quality. | 0:13:50 | 0:13:53 | |
-It's four seconds. I've put it on loop. -Yeah. It's an Angel. Hands covering its face. | 0:13:53 | 0:13:57 | |
You've encountered the Angels before? | 0:13:57 | 0:14:00 | |
Once, on Earth, a long time ago. | 0:14:00 | 0:14:01 | |
But those were scavengers, barely surviving. | 0:14:01 | 0:14:04 | |
It's just a statue. | 0:14:04 | 0:14:05 | |
-It's a statue when you see it. -Where did it come from? | 0:14:05 | 0:14:07 | |
Oh, pulled from the ruins of Razbahan, end of last century. | 0:14:07 | 0:14:10 | |
It's been in private hands ever since, dormant all that time. | 0:14:10 | 0:14:13 | |
There's a difference between dormant and patient. | 0:14:13 | 0:14:16 | |
What's that mean, it's a statue when you see it? | 0:14:16 | 0:14:19 | |
The Weeping Angels can only move if they're unseen. So legend has it. | 0:14:19 | 0:14:24 | |
No, it's not legend. It's a quantum lock. | 0:14:24 | 0:14:27 | |
In the sight of any living creature, the Angels literally cease to exist. | 0:14:27 | 0:14:31 | |
They're just stone. The ultimate defence mechanism. | 0:14:31 | 0:14:34 | |
What, being a stone? | 0:14:34 | 0:14:36 | |
Being a stone... until you turn your back. | 0:14:36 | 0:14:40 | |
The hyperdrive would've split on impact. | 0:14:44 | 0:14:46 | |
The whole ship will be flooded with radiation, cracked electrons, | 0:14:46 | 0:14:49 | |
-gravity storms, deadly to almost any living thing. -Deadly to an Angel? | 0:14:49 | 0:14:53 | |
Dinner to an Angel. The longer we leave it, the stronger it will grow. Who built that temple? | 0:14:53 | 0:14:57 | |
The Aplans. The indigenous life-form. They died out 400 years ago. | 0:14:57 | 0:15:02 | |
200 years later, the planet was terraformed. Currently there are six billion human colonists. | 0:15:02 | 0:15:07 | |
You lot, you're everywhere! Like rabbits! I'll never get done saving you. | 0:15:07 | 0:15:11 | |
-Sir, if there is a clear and present danger to the local population... -Oh, there is. Bad as it gets. | 0:15:11 | 0:15:17 | |
Bishop, lock and load! | 0:15:17 | 0:15:19 | |
Verger, how we doing with those explosives? Dr Song, with me. | 0:15:19 | 0:15:23 | |
Two minutes. Sweetie, I need you. | 0:15:23 | 0:15:25 | |
Anybody need me? Nobody? | 0:15:26 | 0:15:30 | |
I found this. Definitive work on the Angels. | 0:15:44 | 0:15:47 | |
Well, the only one. Written by a madman, it's barely readable, | 0:15:47 | 0:15:50 | |
but I've marked a few passages. | 0:15:50 | 0:15:52 | |
Not bad, bit slow in the middle, didn't you hate his girlfriend? No, hang on, wait, wait! | 0:15:52 | 0:15:56 | |
Dr. Song? Did you have more than one clip of the Angel? | 0:15:56 | 0:16:00 | |
No, just the four seconds. | 0:16:00 | 0:16:02 | |
This book is wrong! What's wrong with this book, it's wrong. | 0:16:02 | 0:16:06 | |
Oh, it's so strange when you go all baby-face. How early is this for you? | 0:16:32 | 0:16:36 | |
Very early. | 0:16:36 | 0:16:38 | |
So you don't know who I am yet? | 0:16:38 | 0:16:40 | |
How do you know who I am? I don't always look the same. | 0:16:40 | 0:16:43 | |
I've got pictures of all your faces. | 0:16:43 | 0:16:45 | |
You never show up in the right order though. I need the spotter's guide. | 0:16:45 | 0:16:48 | |
Pictures? Why aren't there pictures? | 0:16:48 | 0:16:51 | |
You're just a recording. You can't move. | 0:17:24 | 0:17:29 | |
Doctor! | 0:17:50 | 0:17:51 | |
Doctor! | 0:17:57 | 0:17:59 | |
This whole book - it's a warning, about the Weeping Angels. | 0:17:59 | 0:18:02 | |
So why no pictures? Why not show us what to look out for? | 0:18:02 | 0:18:05 | |
-There was a bit about images. -Yes! Hang on... | 0:18:05 | 0:18:09 | |
'That which holds the image of an angel becomes itself an angel.' | 0:18:09 | 0:18:12 | |
Doctor! | 0:18:16 | 0:18:19 | |
What does that mean? "An image of a Angel becomes itself an Angel." | 0:18:19 | 0:18:24 | |
Doctor! It's in the room! | 0:18:27 | 0:18:29 | |
-Amy! -Doctor! | 0:18:29 | 0:18:32 | |
Are you all right? What's happening? | 0:18:32 | 0:18:35 | |
Doctor! Doctor, it's coming out of the television. The Angel is here. | 0:18:35 | 0:18:39 | |
Don't take your eyes off it! | 0:18:39 | 0:18:41 | |
-It can't move if you're looking. -What's wrong? -It's deadlocked. | 0:18:41 | 0:18:43 | |
-There is no deadlock. -Don't even blink, Amy! | 0:18:43 | 0:18:45 | |
-Doctor! -What are you doing? -Cutting the power. | 0:18:45 | 0:18:49 | |
It's using the screen, I'm turning the screen off. | 0:18:49 | 0:18:52 | |
-It's no good, it's deadlocked the whole system. -There's no deadlock. | 0:18:52 | 0:18:56 | |
-There is now! -Help me! | 0:18:56 | 0:18:57 | |
-Amy! Can you turn it off? -Doctor! -The screen, can you turn it off? | 0:18:57 | 0:19:00 | |
-I tried. -Try again but don't take your eyes off the Angel. | 0:19:00 | 0:19:02 | |
-I'm not! -Each time it moves, it'll move faster. Don't even blink. | 0:19:02 | 0:19:08 | |
I'm not blinking! Have you ever tried not blinking? | 0:19:08 | 0:19:12 | |
-It just keeps switching back on! -Yeah, it's the Angel. | 0:19:28 | 0:19:31 | |
But it's just a recording. | 0:19:32 | 0:19:34 | |
No, anything that takes the image of an Angel is an Angel. | 0:19:34 | 0:19:39 | |
-What are you doing? -I'm trying to cut through. | 0:19:39 | 0:19:42 | |
-It's not even warm. -There is no way in, it's not physically possible. | 0:19:42 | 0:19:46 | |
Doctor! What's it gonna do to me? | 0:19:46 | 0:19:48 | |
-Just keep looking at it. Don't stop looking! -Just tell me. | 0:19:48 | 0:19:53 | |
Just tell me. Tell me! | 0:19:53 | 0:19:57 | |
Amy, not the eyes. Look anywhere but don't look at the eyes. | 0:19:57 | 0:20:01 | |
-Why? -What is it? | 0:20:01 | 0:20:03 | |
"The eyes are not the windows of the soul, they are the doors. | 0:20:03 | 0:20:05 | |
"Beware what may enter there." | 0:20:05 | 0:20:07 | |
-Doctor, what did you say? -Don't look at the eyes! | 0:20:07 | 0:20:10 | |
No, about images, what did you say about images? | 0:20:10 | 0:20:14 | |
Whatever holds the image of an angel, is an angel. | 0:20:14 | 0:20:17 | |
OK... Hold this. | 0:20:18 | 0:20:22 | |
One, two, three, four... | 0:20:22 | 0:20:26 | |
DOOR OPENS | 0:20:29 | 0:20:31 | |
I froze it! | 0:20:32 | 0:20:34 | |
There was a sort of blip on the tape and I froze it on the blip. | 0:20:34 | 0:20:37 | |
It wasn't the image of an angel any more. That was good, yeah? | 0:20:37 | 0:20:41 | |
It was, wasn't it? That was pretty good. | 0:20:41 | 0:20:44 | |
-That was amazing! -River, hug Amy. | 0:20:44 | 0:20:46 | |
-Why? -Cos I'm busy. -I'm fine. | 0:20:46 | 0:20:49 | |
-You're brilliant! -Thanks. Yeah. | 0:20:49 | 0:20:52 | |
I kind of creamed it, didn't I? | 0:20:52 | 0:20:53 | |
-So it was here? That was the Angel? -That was a projection of the Angel. | 0:20:53 | 0:20:57 | |
It's reaching out, getting a good look at us. It's no longer dormant. | 0:20:57 | 0:21:02 | |
It's gone positive! | 0:21:05 | 0:21:06 | |
Doctor! We're through! | 0:21:08 | 0:21:10 | |
OK. Now it starts. | 0:21:10 | 0:21:14 | |
-Coming? -Yeah, coming. | 0:21:21 | 0:21:23 | |
There's just...something in my eye. | 0:21:23 | 0:21:26 | |
Do we have a gravity globe? | 0:21:38 | 0:21:41 | |
Grav globe. | 0:21:41 | 0:21:42 | |
Where are we? What is this? | 0:21:43 | 0:21:46 | |
It's an Aplan mortarium. | 0:21:46 | 0:21:49 | |
Sometimes called a maze of the dead. | 0:21:49 | 0:21:51 | |
And what's that? | 0:21:51 | 0:21:52 | |
Well, if you happen to be a creature of living stone... | 0:21:52 | 0:21:56 | |
..the perfect hiding place. | 0:22:04 | 0:22:07 | |
I guess this makes it a bit trickier. | 0:22:08 | 0:22:11 | |
A bit, yeah. | 0:22:11 | 0:22:12 | |
A stone angel on the loose amongst stone statues. | 0:22:12 | 0:22:16 | |
Harder than I'd prayed for. | 0:22:16 | 0:22:18 | |
A needle in a haystack. | 0:22:18 | 0:22:20 | |
A needle that looks like hay. A hay-like needle. Of death. | 0:22:20 | 0:22:24 | |
A hay-alike needle of death in a haystack of, er, statues. | 0:22:24 | 0:22:27 | |
No, yours was fine. | 0:22:27 | 0:22:29 | |
Right. Check every single statue in this chamber. | 0:22:29 | 0:22:32 | |
You know what you're looking for. Complete visual inspection. | 0:22:32 | 0:22:35 | |
One question - how do we fight it? | 0:22:35 | 0:22:37 | |
We find it, and hope. | 0:22:37 | 0:22:39 | |
He doesn't know yet, does he? Who and what you are. | 0:22:44 | 0:22:48 | |
It's too early in his time stream. | 0:22:48 | 0:22:50 | |
Well, make sure he doesn't work it out, or he's not gonna help us. | 0:22:50 | 0:22:54 | |
I won't let you down. | 0:22:54 | 0:22:57 | |
Believe you me, I have no intention of going back to prison. | 0:22:57 | 0:23:01 | |
Sir? Side chamber. One visible exit. | 0:23:03 | 0:23:05 | |
Check it out. Angelo, go with him. | 0:23:07 | 0:23:10 | |
-You all right? -Yeah, I'm fine. | 0:23:57 | 0:24:01 | |
So, what's a maze of the dead? | 0:24:01 | 0:24:04 | |
Oh, it's not as bad as it sounds. | 0:24:04 | 0:24:06 | |
It's just a labyrinth with dead people buried in the walls. | 0:24:06 | 0:24:09 | |
OK, that was fairly bad. | 0:24:09 | 0:24:12 | |
Right give me your arm... | 0:24:12 | 0:24:17 | |
This won't hurt a bit. | 0:24:17 | 0:24:20 | |
-Ow! -There, you see. I lied. | 0:24:21 | 0:24:24 | |
It's a viro-stabiliser. | 0:24:24 | 0:24:26 | |
Stabilises your metabolism against radiation, drive burn, anything. | 0:24:26 | 0:24:31 | |
-You're going to need it when we get up to that ship. -So what's he like? | 0:24:31 | 0:24:35 | |
In the future, I mean. | 0:24:35 | 0:24:38 | |
-Cos you know him in the future, don't you? -The Doctor? | 0:24:38 | 0:24:43 | |
Well, the Doctor's the Doctor. | 0:24:43 | 0:24:45 | |
Oh, well that's very helpful. | 0:24:45 | 0:24:49 | |
Mind if I write that down? | 0:24:49 | 0:24:51 | |
-Yes, we are. -Sorry, what? | 0:24:51 | 0:24:54 | |
-Talking about you. -I wasn't listening, I'm busy. | 0:24:54 | 0:24:58 | |
Ah. The other way up. | 0:24:58 | 0:24:59 | |
-Yeah. -You're so his wife. | 0:25:04 | 0:25:07 | |
Oh, Amy, Amy, Amy! This is the Doctor we're talking about. | 0:25:07 | 0:25:11 | |
-Do you really think it could be anything that simple? -Yep. | 0:25:11 | 0:25:14 | |
You're good. I'm not saying you're right... | 0:25:16 | 0:25:19 | |
but you are very good. | 0:25:19 | 0:25:25 | |
-CLERIC: -Can you believe this? We're hunting statues. | 0:25:30 | 0:25:34 | |
SECOND CLERIC: Better than chasing lava snakes. | 0:25:35 | 0:25:38 | |
Actually, lava snakes weren't that bad. | 0:25:40 | 0:25:42 | |
STONE RUMBLES | 0:26:12 | 0:26:15 | |
Who's there? Is someone there? | 0:26:17 | 0:26:21 | |
Angelo? | 0:26:24 | 0:26:25 | |
Angelo! | 0:26:27 | 0:26:29 | |
Christian, is that you? | 0:26:34 | 0:26:36 | |
-OVER RADIO: -Angelo, come and see this. | 0:26:36 | 0:26:39 | |
-What is it? -Just come and see it. | 0:26:44 | 0:26:47 | |
It's not a school trip. Just tell me. | 0:26:48 | 0:26:51 | |
No, really, come and see. | 0:26:51 | 0:26:54 | |
GUNFIRE | 0:27:10 | 0:27:12 | |
Sorry. Sorry, I thought... | 0:27:18 | 0:27:20 | |
I thought it looked at me. | 0:27:20 | 0:27:22 | |
-We know what the Angel looks like. Is that the Angel? -No, sir. | 0:27:22 | 0:27:26 | |
No, sir, it is not! According to the Doctor, we are facing an enemy | 0:27:26 | 0:27:29 | |
of unknowable power and infinite evil. | 0:27:29 | 0:27:31 | |
So it would be good, it would be very good, if we could all remain calm in the presence of decor. | 0:27:31 | 0:27:38 | |
-What's your name? -Bob, sir. | 0:27:38 | 0:27:39 | |
-Ah, that's a great name. I love Bob. -It's a Sacred Name. | 0:27:39 | 0:27:43 | |
-We all have Sacred Names, they're given to us in the service of the Church. -Sacred Bob. | 0:27:43 | 0:27:50 | |
More like Scared Bob now, eh? | 0:27:50 | 0:27:53 | |
Yes, sir. | 0:27:53 | 0:27:54 | |
Ah, good. | 0:27:54 | 0:27:55 | |
Scared keeps you fast. | 0:27:55 | 0:27:58 | |
Anyone in this room who isn't scared is a moron. | 0:27:58 | 0:28:02 | |
Carry on. | 0:28:03 | 0:28:04 | |
We'll be moving into the maze in two minutes. | 0:28:08 | 0:28:11 | |
You stay with Christian and Angelo. Guard the approach. | 0:28:11 | 0:28:15 | |
Isn't there a chance this lot's just gonna collapse? | 0:28:23 | 0:28:26 | |
-There's a whole ship up there. -Incredible builders, the Aplans. | 0:28:26 | 0:28:30 | |
Had dinner with their chief architect once. Two heads are better than one. | 0:28:30 | 0:28:34 | |
You mean you helped him? | 0:28:34 | 0:28:35 | |
No, I mean he had two heads. | 0:28:35 | 0:28:37 | |
That book. The very end, what did it say? | 0:28:37 | 0:28:39 | |
-Hang on. -Read it to me. | 0:28:39 | 0:28:44 | |
"What if we had ideas that could think for themselves? What if one day our dreams no longer needed us? | 0:28:44 | 0:28:50 | |
"When these things occur and are held to be true, the time will be upon us. | 0:28:50 | 0:28:54 | |
"The time of Angels." | 0:28:54 | 0:28:58 | |
OVER RADIO: Hey, Angelo. Christian? | 0:28:58 | 0:29:01 | |
Where are you? | 0:29:02 | 0:29:04 | |
Are we there yet? It's a hell of a climb. | 0:29:12 | 0:29:15 | |
The maze is on six levels representing the ascent of the soul. Only two levels to go. | 0:29:15 | 0:29:20 | |
Lovely species, the Aplans. | 0:29:20 | 0:29:23 | |
-We should visit them some time. -I thought they were all dead? | 0:29:23 | 0:29:27 | |
So's Virginia Woolf. I'm on her bowling team. | 0:29:27 | 0:29:30 | |
Very relaxed, sort of cheerful. | 0:29:30 | 0:29:32 | |
That's having two heads. You're never short of a snog with an extra head. | 0:29:32 | 0:29:36 | |
-Doctor, there's something. I don't know what it is... -Yeah, something wrong. | 0:29:36 | 0:29:40 | |
Don't know what it is yet either, working on it. Then they had laws | 0:29:40 | 0:29:43 | |
against self-marrying and what was that about? | 0:29:43 | 0:29:45 | |
But that's the church for you. Erm, no offence, Bishop. | 0:29:45 | 0:29:50 | |
Quite a lot taken, if that's all right, Doctor. | 0:29:50 | 0:29:53 | |
Lowest point in the wreckage is only about 50 feet up from here. | 0:30:00 | 0:30:04 | |
-That way. -Church had a point, if you think about it. | 0:30:04 | 0:30:08 | |
The divorces must have been messy. | 0:30:08 | 0:30:11 | |
Oh! | 0:30:12 | 0:30:13 | |
What's wrong? | 0:30:13 | 0:30:15 | |
Oh. | 0:30:18 | 0:30:19 | |
Exactly. | 0:30:27 | 0:30:29 | |
How could we not notice that? | 0:30:29 | 0:30:31 | |
Low level perception filter, or maybe we're thick. | 0:30:31 | 0:30:34 | |
-What's wrong, sir? -Nobody move. Everyone stay exactly where they are. Bishop, I am truly sorry. | 0:30:34 | 0:30:38 | |
-I've made a mistake and we are all in danger. -What danger? | 0:30:38 | 0:30:42 | |
The Aplans. | 0:30:45 | 0:30:47 | |
The Aplans? | 0:30:47 | 0:30:49 | |
-They've got two heads. -I get that. So? | 0:30:49 | 0:30:51 | |
So why don't the statues? | 0:30:51 | 0:30:53 | |
Everyone, over there. Just move, don't ask questions, don't speak. | 0:30:54 | 0:30:59 | |
OK. I want you all to switch off your torches. | 0:31:04 | 0:31:09 | |
-Sir? -Just do it. | 0:31:09 | 0:31:12 | |
OK. I'm going to turn off this one too, just for a moment. | 0:31:16 | 0:31:21 | |
Are you sure about this? | 0:31:21 | 0:31:23 | |
No. | 0:31:23 | 0:31:25 | |
Oh, my God! They've moved. | 0:31:30 | 0:31:32 | |
They're Angels. | 0:31:48 | 0:31:50 | |
-All of them! -But they can't be. | 0:31:50 | 0:31:53 | |
Clerics, keep watching them. | 0:31:53 | 0:31:56 | |
Every statue in this maze, every single one, is a Weeping Angel. | 0:32:03 | 0:32:09 | |
They're coming after us. | 0:32:09 | 0:32:11 | |
-OVER RADIO: -Bob, come and see this. | 0:32:26 | 0:32:29 | |
Angelo? | 0:32:29 | 0:32:32 | |
Come and see what we've found. | 0:32:32 | 0:32:35 | |
Are you with Christian? The Bishop said you'd be five minutes. | 0:32:35 | 0:32:38 | |
I'm here, Bob. Come and see this. | 0:32:38 | 0:32:41 | |
Where are you? | 0:32:41 | 0:32:43 | |
Through the arch, Bob. Honestly, you've got to come and see this. | 0:32:43 | 0:32:48 | |
What have you found? | 0:32:48 | 0:32:49 | |
Come and see. | 0:32:49 | 0:32:51 | |
No. What is it? | 0:32:51 | 0:32:53 | |
Come and see. | 0:32:53 | 0:32:55 | |
There was only one Angel on the ship. Just the one, I swear. | 0:33:20 | 0:33:23 | |
Could they have been here already? | 0:33:23 | 0:33:25 | |
-The Aplans, how did they die out? -Nobody knows. | 0:33:25 | 0:33:28 | |
-We know. -They don't look like Angels. | 0:33:28 | 0:33:30 | |
And they're not fast. You said they were fast. | 0:33:30 | 0:33:32 | |
They should have had us by now. | 0:33:32 | 0:33:35 | |
-They're dying. Losing their form. They've been here for centuries, starving. -Losing their image. | 0:33:35 | 0:33:38 | |
-And their image is their power. Power. Power! -Doctor? | 0:33:38 | 0:33:43 | |
Don't you see? All that radiation spilling out, the drive burn. | 0:33:43 | 0:33:46 | |
The crash wasn't an accident - it was a rescue mission, | 0:33:46 | 0:33:48 | |
for the Angels. We're in the middle of an army and it's waking up. | 0:33:48 | 0:33:52 | |
We need to get out of here fast. | 0:33:52 | 0:33:54 | |
Bob, Angelo, Christian, come in, please. Any of you, come in! | 0:33:54 | 0:33:58 | |
OVER RADIO: It's Bob, sir. Sorry, sir. | 0:33:58 | 0:34:01 | |
Bob, are Angelo and Christian with you? All the statues are active. | 0:34:01 | 0:34:06 | |
-I repeat, all the statues are active! -I know, sir. | 0:34:06 | 0:34:09 | |
Angelo and Christian are dead, sir. The statues killed them, sir. | 0:34:09 | 0:34:12 | |
Bob, Sacred Bob, it's me, the Doctor. Where are you now? | 0:34:12 | 0:34:15 | |
-I'm talking to my... -Yeah, yeah, yeah, shut up! | 0:34:15 | 0:34:17 | |
I'm on my way up to you, sir, I'm homing on your signal. | 0:34:17 | 0:34:20 | |
Well done, Bob. Scared keeps you fast, told you. | 0:34:20 | 0:34:23 | |
Your friends, Bob, what did the Angel do to them? | 0:34:23 | 0:34:25 | |
-Snapped their necks, sir. -That's odd. | 0:34:25 | 0:34:27 | |
That's not how the Angels kill you, they displace you in time. | 0:34:27 | 0:34:30 | |
Unless they needed the bodies for something. | 0:34:30 | 0:34:33 | |
Bob, did you check their data packs for vital signs? We may be able to initiate a rescue plan. | 0:34:33 | 0:34:39 | |
Don't be an idiot! The Angels don't leave you alive! | 0:34:39 | 0:34:42 | |
Bob, keep running, but tell me, how did you escape? | 0:34:42 | 0:34:44 | |
I didn't escape, sir. The Angel killed me, too. | 0:34:44 | 0:34:48 | |
What do you mean the Angel killed you? | 0:34:51 | 0:34:54 | |
Snapped my neck, sir. Wasn't as painless as I expected | 0:34:54 | 0:34:57 | |
but it was pretty quick, so that was something. | 0:34:57 | 0:35:00 | |
If you're dead, how can I be talking to you? | 0:35:00 | 0:35:02 | |
You're not talking to me, sir. The Angel has no voice. | 0:35:02 | 0:35:05 | |
It stripped my cerebral cortex and re-animated a version | 0:35:05 | 0:35:08 | |
of my consciousness to communicate with you. Sorry about the confusion. | 0:35:08 | 0:35:12 | |
So when you say you're on your way up... | 0:35:12 | 0:35:14 | |
-It's the Angel that's coming, sir, yes. -No way out. | 0:35:14 | 0:35:17 | |
-Then we get out through the wreckage. -Go, go, go. | 0:35:17 | 0:35:19 | |
-All of you run! -Doctor? -Yes, I'm coming, just go, go, go! | 0:35:19 | 0:35:23 | |
Called you an idiot. Sorry, but there's no way we could have rescued your men. | 0:35:26 | 0:35:30 | |
I know that, sir. And when you've flown away in your little blue box, | 0:35:30 | 0:35:34 | |
I'll explain that to their families. | 0:35:34 | 0:35:36 | |
-Angel Bob, which Angel am I talking to? The one from the ship? -Yes, sir. | 0:35:41 | 0:35:47 | |
The other Angels are still restoring. | 0:35:47 | 0:35:49 | |
Ah, so the Angel is not in the wreckage. Thank you. | 0:35:49 | 0:35:52 | |
Don't wait for me, go, run. | 0:35:54 | 0:35:56 | |
I can't! | 0:35:56 | 0:35:58 | |
No, really I can't. | 0:35:58 | 0:36:01 | |
-Why not? -Look at it. Look at my hand. It's stone! | 0:36:01 | 0:36:05 | |
Well. There it is - the Byzantium. | 0:36:17 | 0:36:21 | |
Well, it's got to be 30 feet. How do we get up there? | 0:36:23 | 0:36:26 | |
Check all these exits. I want them all secure. | 0:36:28 | 0:36:31 | |
-You looked into the eyes of an Angel, didn't you? -I couldn't stop myself. I tried. | 0:36:31 | 0:36:36 | |
-Listen. It's messing with your head. Your hand is not made of stone. -It is. Look at it! | 0:36:36 | 0:36:40 | |
It's in your mind. I promise you. You can move that hand. | 0:36:40 | 0:36:43 | |
-You can let go. -I can't, OK? I've tried and I can't. It's stone. | 0:36:43 | 0:36:46 | |
The Angel is gonna come and it's gonna turn this light off, | 0:36:46 | 0:36:50 | |
and then there's nothing I can do to stop it. | 0:36:50 | 0:36:53 | |
-So do it, concentrate, move your hand! -I can't. | 0:36:53 | 0:36:56 | |
-Then we're both going to die. -You're not going to die. | 0:36:56 | 0:36:58 | |
They'll kill the lights. | 0:36:58 | 0:37:01 | |
You've got to go, you know you have. | 0:37:01 | 0:37:03 | |
You've got all that stuff with River and that's all got to happen. You can't die here! | 0:37:03 | 0:37:07 | |
Time can be re-written, it doesn't work like that. | 0:37:07 | 0:37:10 | |
-Keep your eyes on it. Don't blink. -Run! | 0:37:12 | 0:37:15 | |
You see, I'm not going, I'm not leaving you here. | 0:37:15 | 0:37:18 | |
I don't need you to die for me, Doctor, do I look that clingy? | 0:37:18 | 0:37:21 | |
-You can move your hand. -It's stone. -It's not stone! | 0:37:21 | 0:37:24 | |
Those people up there will die without you. | 0:37:24 | 0:37:26 | |
If you stay here with me, you'll have as good as killed them. | 0:37:26 | 0:37:29 | |
Amy Pond, you are magnificent. And I'm sorry. | 0:37:29 | 0:37:33 | |
It's OK. I understand. | 0:37:33 | 0:37:35 | |
You've got to leave me. | 0:37:35 | 0:37:37 | |
Oh, no, I'm not leaving you, never. I'm sorry about this. | 0:37:37 | 0:37:40 | |
-See, not stone. Now run! -You bit me! | 0:37:40 | 0:37:42 | |
Yep and you're alive. | 0:37:42 | 0:37:44 | |
I've got a mark! Look at my hand! | 0:37:44 | 0:37:46 | |
-Yeah, and you're alive, did I mention? -Blimey, your teeth! | 0:37:46 | 0:37:49 | |
Have you got space teeth? | 0:37:49 | 0:37:51 | |
Alive. All I'm saying. | 0:37:51 | 0:37:53 | |
The statues are advancing along all corridors. | 0:37:56 | 0:37:59 | |
And, sir, my torch keeps flickering. | 0:37:59 | 0:38:01 | |
-They all do. -So does the gravity globe. | 0:38:01 | 0:38:04 | |
Clerics, we're down to four men. Expect incoming. | 0:38:04 | 0:38:06 | |
Yeah, it's the Angels. | 0:38:06 | 0:38:08 | |
They're coming. And they're draining the power for themselves. | 0:38:08 | 0:38:11 | |
Which means we won't be able to see them. | 0:38:11 | 0:38:14 | |
-Which means we can't stay here. -There are more incoming! | 0:38:14 | 0:38:16 | |
-Any suggestions? -The statues are advancing on all sides and we don't | 0:38:16 | 0:38:20 | |
-have the climbing equipment to reach the Byzantium. -There's no way up, no way back, no way out. | 0:38:20 | 0:38:25 | |
No pressure, but this is usually when you have a really good idea. | 0:38:25 | 0:38:28 | |
-There's always a way out. -ECHOES: -(There's always a way out.) | 0:38:31 | 0:38:34 | |
There's always a way out. | 0:38:36 | 0:38:38 | |
Doctor? | 0:38:38 | 0:38:40 | |
-Can I speak to the Doctor, please? -Hello, Angels. What's your problem? | 0:38:40 | 0:38:44 | |
Your power will not last much longer, and the Angels will be with you shortly. Sorry, sir. | 0:38:44 | 0:38:50 | |
-Why are you telling me this? -There's something the Angels are very keen you should know before the end. | 0:38:50 | 0:38:55 | |
-Which is? -I died in fear. -I'm sorry? | 0:38:55 | 0:38:59 | |
You told me my fear would keep me alive | 0:38:59 | 0:39:01 | |
but I died afraid, in pain and alone. | 0:39:01 | 0:39:04 | |
You made me trust you, and when it mattered, you let me down. | 0:39:04 | 0:39:07 | |
What are they doing? | 0:39:07 | 0:39:09 | |
They're trying to make him angry. | 0:39:09 | 0:39:11 | |
I'm sorry, sir. The Angels were very keen for you to know that. | 0:39:11 | 0:39:15 | |
Well then, the Angels have made their second mistake | 0:39:15 | 0:39:19 | |
because I'm not going to let that pass. | 0:39:19 | 0:39:21 | |
I'm sorry you're dead, Bob, but I swear to whatever is left of you, they will be sorrier. | 0:39:21 | 0:39:25 | |
-But you're trapped, sir, and about to die. -Yeah. I'm trapped. | 0:39:25 | 0:39:29 | |
Speaking of traps, this trap has got a great big mistake in it. | 0:39:29 | 0:39:32 | |
A great big, whopping mistake! | 0:39:32 | 0:39:34 | |
-What mistake, sir? -Trust me. | 0:39:34 | 0:39:37 | |
-Yeah. -Trust me? | 0:39:37 | 0:39:40 | |
-Always. -You lot - trust me? | 0:39:40 | 0:39:41 | |
-Sir, two more incoming! -We have faith, sir. | 0:39:44 | 0:39:47 | |
Then give me your gun. | 0:39:47 | 0:39:50 | |
I'm about to do something incredibly stupid and dangerous. | 0:39:52 | 0:39:56 | |
-When I do...jump. -Jump where? | 0:39:56 | 0:39:59 | |
Just jump, high as you can. | 0:39:59 | 0:40:01 | |
-Come on, leap of faith, Bishop. On my signal. -What signal? | 0:40:01 | 0:40:04 | |
You won't miss it. | 0:40:04 | 0:40:05 | |
Sorry, can I ask again? You mentioned a mistake? | 0:40:05 | 0:40:07 | |
Oh, big mistake. Huge. There's one thing you never put in a trap, if you're smart, | 0:40:07 | 0:40:12 | |
if you value your continued existence, if you have any plans about seeing tomorrow, | 0:40:12 | 0:40:17 | |
there is one thing you never, ever put in a trap. | 0:40:17 | 0:40:20 | |
And what would that be, sir? | 0:40:20 | 0:40:22 | |
Me! | 0:40:23 | 0:40:25 | |
Subtitles by Red Bee Media Ltd | 0:40:46 | 0:40:49 | |
E-mail [email protected] | 0:40:49 | 0:40:52 | |
Do not blink... | 0:40:55 | 0:40:59 | |
What's happening to me? Doctor, it's coming I can feel it. | 0:41:00 | 0:41:03 | |
If you open your eyes now for more than a second, you will die. | 0:41:03 | 0:41:06 | |
That's like the crack from my bedroom wall when I was a little girl. | 0:41:07 | 0:41:11 | |
-That's extremely very not good. -The power's failing. -We're surrounded. | 0:41:11 | 0:41:15 | |
In the dark we're finished. | 0:41:15 | 0:41:17 | |
On my count then... Three, two, one. | 0:41:17 | 0:41:21 | |
Fire! | 0:41:21 | 0:41:23 | |
Keep your eyes shut and keep moving. | 0:41:23 | 0:41:26 | |
-You have to do this. -It's never going to work. | 0:41:26 | 0:41:28 | |
-What else have you got? -We're not leaving without you. -Oh, yes you are. | 0:41:28 | 0:41:31 | |
-Doctor, come on! -Argh! | 0:41:31 | 0:41:34 |