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River? | 0:00:03 | 0:00:04 | |
Follow that ship! | 0:00:05 | 0:00:07 | |
Has Dr Song explained what we're dealing with? | 0:00:08 | 0:00:11 | |
Doctor... | 0:00:11 | 0:00:12 | |
what's it going to do to me? | 0:00:12 | 0:00:14 | |
Amy, not the eyes, look at the angel but don't look at the eyes. | 0:00:14 | 0:00:17 | |
The angel, as far as we know, is still trapped in the ship, | 0:00:18 | 0:00:22 | |
our mission is to get inside and neutralise it. | 0:00:22 | 0:00:24 | |
Don't you see? All that radiation spilling out, the drive burn. | 0:00:24 | 0:00:27 | |
The crash of the Byzantium wasn't an accident, | 0:00:27 | 0:00:29 | |
it was a rescue mission for the Angels. | 0:00:29 | 0:00:31 | |
We're in the middle of an army. | 0:00:31 | 0:00:32 | |
The statues are advancing on all sides. | 0:00:32 | 0:00:34 | |
There's no way up, no way back, no way out. | 0:00:34 | 0:00:36 | |
I'm about to do something incredibly stupid and dangerous. | 0:00:36 | 0:00:39 | |
When I do, jump. | 0:00:39 | 0:00:41 | |
-On my signal. -What signal? -You won't miss it. | 0:00:41 | 0:00:44 | |
Up! Look up! | 0:01:19 | 0:01:22 | |
-You OK? -What happened? | 0:01:22 | 0:01:24 | |
We jumped. | 0:01:24 | 0:01:25 | |
-Jumped where? -Up, up, look up! | 0:01:25 | 0:01:29 | |
-Where are we? -Exactly where we were. -No we're not. -Move your feet! | 0:01:29 | 0:01:33 | |
Doctor, what am I looking at, explain. | 0:01:35 | 0:01:37 | |
Oh, come on, Amy, think! | 0:01:37 | 0:01:39 | |
The ship crashed with the power still on, yeah? | 0:01:39 | 0:01:41 | |
So what else is still on? | 0:01:41 | 0:01:43 | |
The artificial gravity. One good jump, and up we fell. | 0:01:52 | 0:01:55 | |
Shot out the grav-globe to give us an updraft, and here we are! | 0:01:55 | 0:01:59 | |
Doctor. The statues, they look more like Angels now. | 0:01:59 | 0:02:02 | |
They're feeding on the radiation from the wreckage, | 0:02:02 | 0:02:04 | |
draining all the power from the ship, restoring themselves. | 0:02:04 | 0:02:07 | |
Within an hour, they'll be an army! | 0:02:07 | 0:02:09 | |
They're taking out the lights. Look at them, look at the Angels. | 0:02:13 | 0:02:16 | |
-Into the ship, now, quickly all of you! -But how? | 0:02:18 | 0:02:22 | |
Doctor! | 0:02:22 | 0:02:23 | |
It's just a corridor, | 0:02:24 | 0:02:27 | |
the gravity orientates to the floor. | 0:02:27 | 0:02:30 | |
Now, in here, all of you, don't take your eyes off the Angels, move, move, move! | 0:02:30 | 0:02:34 | |
OK, men, go, go, go! | 0:02:34 | 0:02:35 | |
The Angels, presumably they can jump up too? | 0:02:39 | 0:02:41 | |
They're here, now. | 0:02:41 | 0:02:44 | |
In the dark, we're finished. Run! | 0:02:44 | 0:02:47 | |
This whole place is a death trap. | 0:02:47 | 0:02:49 | |
No, it's a time bomb. Well, it's a death trap and a time bomb. | 0:02:49 | 0:02:52 | |
And now it's a dead end. Nobody panic. | 0:02:52 | 0:02:54 | |
Oh, just me then. What's through here? | 0:02:56 | 0:02:58 | |
Secondary flight deck. | 0:02:58 | 0:03:00 | |
OK, so we've basically run up the inside of a chimney, yeah? | 0:03:00 | 0:03:03 | |
-So what if the gravity fails? -I've thought about that. -And? | 0:03:03 | 0:03:06 | |
And we'll all plunge to our deaths. See, I've thought about it. | 0:03:06 | 0:03:09 | |
The security protocols are still live. | 0:03:09 | 0:03:11 | |
There's no way to override them, it's impossible. | 0:03:11 | 0:03:13 | |
-How impossible? -Two minutes. | 0:03:13 | 0:03:14 | |
The hull is breached and the power's failing. | 0:03:16 | 0:03:19 | |
-Sir! Incoming! -Doctor! Lights. | 0:03:21 | 0:03:25 | |
Clerics, keep watching them. | 0:03:34 | 0:03:35 | |
And don't look at their eyes anywhere else, not the eyes. | 0:03:35 | 0:03:39 | |
I've isolated the lighting grid, they can't drain the power now. | 0:03:39 | 0:03:41 | |
Good work, Doctor. | 0:03:41 | 0:03:43 | |
Yes, good. Good in many ways, good you like it so far... | 0:03:43 | 0:03:46 | |
-So far? -Well, there's only one way to open this door. | 0:03:46 | 0:03:49 | |
I guess I'll need to route all the power in this section | 0:03:49 | 0:03:51 | |
-through the door control. -Good, fine, do it. | 0:03:51 | 0:03:53 | |
Including the lights. All of them. I'll need to turn out the lights. | 0:03:53 | 0:03:56 | |
-How long for? -Fraction of a second. | 0:03:59 | 0:04:00 | |
-Maybe longer. Maybe quite a bit longer. -Maybe? | 0:04:00 | 0:04:02 | |
I'm guessing. We're being attacked by statues in a crashed ship, there isn't a manual for this! | 0:04:02 | 0:04:07 | |
Doctor, we lost the torches, we'll be in total darkness. | 0:04:07 | 0:04:09 | |
No other way. Bishop? | 0:04:09 | 0:04:12 | |
Dr Song, I've lost good Clerics today. You trust this man? | 0:04:12 | 0:04:16 | |
-I absolutely trust him. -He's not some kind of madman then? | 0:04:16 | 0:04:20 | |
I absolutely trust him. | 0:04:20 | 0:04:22 | |
Excuse me. | 0:04:22 | 0:04:23 | |
I'm taking your word, because you're the only one who can manage this guy. | 0:04:23 | 0:04:28 | |
But that only works so long as he doesn't know who you are. | 0:04:28 | 0:04:30 | |
You cost me any more men, and I might just tell him. | 0:04:30 | 0:04:33 | |
Understood? | 0:04:33 | 0:04:35 | |
Understood. | 0:04:35 | 0:04:37 | |
-OK, Doctor, we've got your back. -Bless you, Bishop. | 0:04:37 | 0:04:40 | |
Combat distance, ten feet, as soon as the lights go down, continuous fire. | 0:04:40 | 0:04:45 | |
Full spread over the hostiles, do not stop firing while the lights are out. | 0:04:45 | 0:04:49 | |
Shot gun protocol, we don't have bullets to waste. | 0:04:49 | 0:04:51 | |
-Amy, when the lights go down, the wheel should release. Spin it clockwise, four turns. -Ten. | 0:04:51 | 0:04:55 | |
No, four, four turns. | 0:04:55 | 0:04:57 | |
-Yeah, four, I heard you. -Ready! | 0:04:57 | 0:05:00 | |
On my count then. | 0:05:02 | 0:05:04 | |
God be with us all. | 0:05:06 | 0:05:08 | |
Three...two...one. | 0:05:08 | 0:05:12 | |
Fire! | 0:05:12 | 0:05:13 | |
-Turn! -Doctor, quickly! | 0:05:20 | 0:05:22 | |
It's opening, it's working. | 0:05:22 | 0:05:24 | |
Fall back! | 0:05:24 | 0:05:25 | |
-Doctor, quickly. -Doctor! | 0:05:42 | 0:05:43 | |
Doctor! | 0:05:54 | 0:05:55 | |
What are you doing? | 0:05:59 | 0:06:02 | |
-Magnetized the door. Nothing could turn that wheel now. -Yeah? | 0:06:02 | 0:06:07 | |
-Dear God! -Ah, now you're getting it! You've bought us time though, that's good, I am good with time. | 0:06:12 | 0:06:17 | |
Doctor! | 0:06:18 | 0:06:20 | |
Seal that door, seal it now! | 0:06:20 | 0:06:23 | |
-We're surrounded! -Seal it, seal that door. | 0:06:27 | 0:06:31 | |
-Doctor, how long have we got? -Five minutes, max. | 0:06:34 | 0:06:36 | |
-Nine. -Five. | 0:06:36 | 0:06:38 | |
-Five, right yeah. -Why d'you say nine? -I didn't. | 0:06:38 | 0:06:41 | |
-We need another way out of here. -There isn't one. | 0:06:42 | 0:06:45 | |
Yeah, there is, course there is. This is a galaxy class ship, | 0:06:45 | 0:06:48 | |
goes for years between planet-falls. So what do they need? | 0:06:48 | 0:06:51 | |
-Of course. -Of course, what? | 0:06:51 | 0:06:53 | |
-What do they need? -Can we get in there? | 0:06:53 | 0:06:55 | |
Well, it's a sealed unit, but they must have installed it somehow. | 0:06:55 | 0:06:58 | |
This whole wall should slide up. | 0:06:58 | 0:07:01 | |
There's clamps, release the clamps! | 0:07:01 | 0:07:05 | |
What's through there? What do they need? | 0:07:05 | 0:07:08 | |
They need to breathe. | 0:07:08 | 0:07:10 | |
But that's... | 0:07:23 | 0:07:24 | |
..That's a... | 0:07:28 | 0:07:29 | |
-It's an oxygen factory. -It's a forest. | 0:07:29 | 0:07:32 | |
Yeah, it's a forest, it's an oxygen factory. | 0:07:32 | 0:07:35 | |
And if we're lucky, an escape route. | 0:07:35 | 0:07:38 | |
-Eight. -What did you say? | 0:07:41 | 0:07:43 | |
-Nothing. -Is there another exit? | 0:07:43 | 0:07:47 | |
Scan the architecture, we don't have time to get lost in there. | 0:07:47 | 0:07:50 | |
On it! Stay where you are until I've checked the Rad levels. | 0:07:50 | 0:07:54 | |
But trees! On a space ship? | 0:07:54 | 0:07:56 | |
Oh, more than trees, way better than trees. You're going to love this. | 0:07:56 | 0:08:00 | |
Treeborgs... | 0:08:02 | 0:08:04 | |
Trees plus technology. | 0:08:04 | 0:08:08 | |
Branches become cables, become sensors on the hull, | 0:08:08 | 0:08:11 | |
a forest sucking in starlight, breathing out air. | 0:08:11 | 0:08:14 | |
It even rains, there's a whole mini-climate. | 0:08:14 | 0:08:16 | |
It is an eco-pod running through the heart of the ship. | 0:08:16 | 0:08:19 | |
A forest in a bottle, on a space ship, in a maze. | 0:08:19 | 0:08:21 | |
Have I impressed you yet, Amy Pond? | 0:08:21 | 0:08:24 | |
-Seven. -Seven? | 0:08:24 | 0:08:26 | |
-Sorry, what? -You said seven. | 0:08:26 | 0:08:29 | |
-No, I didn't. -Yes, you did. -Doctor! | 0:08:29 | 0:08:31 | |
There's an exit, far end of the ship, into the Primary Flight Deck. | 0:08:31 | 0:08:34 | |
-That's where we need to go. -Plotting a safe path. | 0:08:34 | 0:08:37 | |
-Quick as you like! -'Doctor? | 0:08:37 | 0:08:39 | |
'Excuse me, hello, Doctor? | 0:08:39 | 0:08:42 | |
'Angel Bob here, sir.' | 0:08:42 | 0:08:44 | |
Ah, there you are, Angel Bob, how's life? Sorry, bad subject. | 0:08:44 | 0:08:50 | |
'The Angels are wondering what you hope to achieve.' | 0:08:50 | 0:08:52 | |
We're just hanging. | 0:08:52 | 0:08:54 | |
It's nice in here, consoles, comfy chairs, a forest. | 0:08:54 | 0:08:57 | |
How's things with you? | 0:08:57 | 0:08:58 | |
'The Angels are feasting, sir. | 0:08:58 | 0:09:00 | |
'Soon we will be able to absorb enough power to consume this vessel, | 0:09:00 | 0:09:04 | |
'this world, and all the stars and worlds beyond.' | 0:09:04 | 0:09:07 | |
Well, we've got comfy chairs, did I mention? | 0:09:07 | 0:09:10 | |
'We have no need of comfy chairs.' | 0:09:10 | 0:09:11 | |
I made him say comfy chairs! | 0:09:11 | 0:09:14 | |
LAUGHS: Six. | 0:09:14 | 0:09:16 | |
Enough chat. What have you done to Amy? | 0:09:16 | 0:09:19 | |
-'There is something in her eye.' -What's in her eye? | 0:09:19 | 0:09:22 | |
-'We are.' -What's he talking about? | 0:09:22 | 0:09:24 | |
Doctor, I'm five. | 0:09:24 | 0:09:26 | |
I mean, five. | 0:09:30 | 0:09:32 | |
Fine! I'm fine. | 0:09:34 | 0:09:36 | |
You're counting. | 0:09:36 | 0:09:37 | |
-Counting? -You're counting down. From ten. | 0:09:38 | 0:09:40 | |
-You have been for a few minutes. -Why? -I don't know. | 0:09:40 | 0:09:43 | |
Well, counting down to what? | 0:09:43 | 0:09:44 | |
I don't know. | 0:09:44 | 0:09:47 | |
'We shall take her. We shall take all of you. | 0:09:47 | 0:09:50 | |
'We shall have dominion over all time and space.' | 0:09:50 | 0:09:52 | |
Get a life, Bob. | 0:09:52 | 0:09:54 | |
Oops, sorry again. | 0:09:54 | 0:09:55 | |
There's power on this ship, but nowhere near that much. | 0:09:55 | 0:09:58 | |
'With respect, sir, | 0:09:58 | 0:09:59 | |
'there is more power on this ship than you yet understand.' | 0:09:59 | 0:10:03 | |
SCREECHING | 0:10:03 | 0:10:04 | |
Dear God, what is it? | 0:10:04 | 0:10:06 | |
They're back. | 0:10:08 | 0:10:10 | |
'It's hard to put in your terms, Dr Song, | 0:10:10 | 0:10:12 | |
'but as best I understand it, the Angels are laughing.' | 0:10:12 | 0:10:17 | |
Laughing? | 0:10:17 | 0:10:19 | |
'Because you haven't noticed yet. | 0:10:19 | 0:10:21 | |
-'The Doctor in the TARDIS hasn't noticed.' -Doctor! | 0:10:21 | 0:10:24 | |
No, wait, there's something... | 0:10:24 | 0:10:26 | |
I've... | 0:10:26 | 0:10:30 | |
..missed. | 0:10:33 | 0:10:34 | |
That's... That's like the crack from my bedroom wall | 0:10:38 | 0:10:41 | |
-from when I was a little girl. -Yes. | 0:10:41 | 0:10:43 | |
Two parts of space and time that should never have touched. | 0:10:44 | 0:10:48 | |
OK, enough, we're moving out! | 0:10:51 | 0:10:53 | |
-Agreed. Doctor? -Yeah. Fine! | 0:10:53 | 0:10:55 | |
-What are you doing? -Right with you. | 0:10:55 | 0:10:58 | |
We're not leaving without you! | 0:10:58 | 0:10:59 | |
Oh, yes you are. Bishop? | 0:10:59 | 0:11:02 | |
Miss Pond, Dr Song, now! | 0:11:02 | 0:11:03 | |
-Doctor, come on! -So, what are you? | 0:11:03 | 0:11:07 | |
Oh, that's bad. | 0:11:09 | 0:11:11 | |
Ah, that's extremely very not good. | 0:11:11 | 0:11:14 | |
Do not blink. | 0:11:23 | 0:11:27 | |
Agh! | 0:11:33 | 0:11:36 | |
Amy? | 0:11:50 | 0:11:51 | |
Amy, what's wrong? | 0:11:55 | 0:11:57 | |
Why am I not dead then? | 0:12:00 | 0:12:02 | |
Good, and not so good. | 0:12:02 | 0:12:05 | |
Oh, this isn't even a little bit good. | 0:12:05 | 0:12:08 | |
I mean, is that it? | 0:12:08 | 0:12:10 | |
Is that the power that brought you here? | 0:12:10 | 0:12:12 | |
That's pure time energy, you can't feed on that, | 0:12:12 | 0:12:15 | |
that's the fire at the end of the universe. | 0:12:15 | 0:12:17 | |
-I'll tell you something else... -RUMBLING | 0:12:17 | 0:12:20 | |
Never let me talk! | 0:12:21 | 0:12:23 | |
-Amy, what's wrong? -Four. | 0:12:25 | 0:12:29 | |
Med-scanner, now! | 0:12:39 | 0:12:41 | |
Dr Song, we can't stay here, we've got to keep moving. | 0:12:43 | 0:12:47 | |
We wait for the Doctor. | 0:12:47 | 0:12:48 | |
Our mission is to make this wreckage safe, | 0:12:50 | 0:12:52 | |
and neutralise the Angels, until that is achieved... | 0:12:52 | 0:12:55 | |
Father Octavian, when the Doctor is in the room, | 0:12:55 | 0:12:58 | |
your only mission is to keep him alive long enough | 0:12:58 | 0:13:01 | |
to get everyone else home, and trust me, it's not easy. | 0:13:01 | 0:13:03 | |
If he's dead back there, I'll never forgive myself, | 0:13:03 | 0:13:06 | |
and if he's alive, I'll never forgive him. | 0:13:06 | 0:13:10 | |
-And, Doctor, you're standing right behind me, aren't you? -Oh, yeah. | 0:13:10 | 0:13:14 | |
-I hate you! -You don't. Bishop, the Angels are in the forest. | 0:13:15 | 0:13:18 | |
We need visual contact on every line of approach. | 0:13:18 | 0:13:21 | |
-How did you get past them? -I told them | 0:13:21 | 0:13:23 | |
-the crack in the wall was the end of the universe. -What was it? | 0:13:23 | 0:13:25 | |
The end of the universe. Let's have a look then. | 0:13:25 | 0:13:28 | |
-So, what's wrong with me? -Nothing, you're fine. | 0:13:28 | 0:13:31 | |
-Everything, you're dying. -Doctor! | 0:13:31 | 0:13:33 | |
Yes, you're right, if we lie to her, she'll get all better(!) Right, Amy! | 0:13:33 | 0:13:37 | |
Amy, what's the matter with Amelia? | 0:13:37 | 0:13:39 | |
Something's in her eye, what does that mean? | 0:13:39 | 0:13:41 | |
-Doctor. -Busy. -Scared! -Course, you're dying, shut up! | 0:13:41 | 0:13:44 | |
OK, let him think. | 0:13:44 | 0:13:45 | |
She stared at the Angel, she looked into the eyes of an angel for too long... | 0:13:46 | 0:13:50 | |
Sir! Angel, incoming! | 0:13:50 | 0:13:52 | |
And here. | 0:13:54 | 0:13:55 | |
Keep visual contact, do not let it move! | 0:13:55 | 0:13:59 | |
Come on, come on, wakey, wakey! | 0:14:02 | 0:14:03 | |
She watched an Angel climb out of the screen, and, and... | 0:14:03 | 0:14:07 | |
The image of an Angel is an Angel. | 0:14:07 | 0:14:09 | |
A living image in a human mind. | 0:14:09 | 0:14:11 | |
We stare at them to stop them getting closer, we don't blink, | 0:14:11 | 0:14:14 | |
and that's what they want, cos if our eyes are open, they can climb inside. | 0:14:14 | 0:14:18 | |
There's an Angel in her mind. | 0:14:18 | 0:14:20 | |
Three. | 0:14:21 | 0:14:22 | |
Doctor, it's coming, I can feel it, I'm going to die! | 0:14:24 | 0:14:27 | |
Please just shut up, I'm thinking. | 0:14:27 | 0:14:28 | |
Now counting, what's that about? Bob, why are they making her count? | 0:14:28 | 0:14:33 | |
-'To make her afraid, sir.' -OK, but why, what for? | 0:14:33 | 0:14:36 | |
'For fun, sir.' | 0:14:36 | 0:14:38 | |
Aargh! | 0:14:39 | 0:14:41 | |
Doctor, what's happening to me? Explain! | 0:14:44 | 0:14:46 | |
Inside your head, in the vision centres of your brain, there's an Angel. | 0:14:46 | 0:14:50 | |
It's like there's a virtual screen inside your mind, | 0:14:50 | 0:14:53 | |
and the Angel is climbing out of it, and it's coming | 0:14:53 | 0:14:55 | |
to shut you off. | 0:14:55 | 0:14:57 | |
Then what I do? | 0:14:57 | 0:14:59 | |
If it was a real screen we'd pull the plug, | 0:14:59 | 0:15:01 | |
but we can't just knock her out, the Angel would take over! | 0:15:01 | 0:15:04 | |
Then what? Quickly! | 0:15:04 | 0:15:06 | |
We've got to pull the plug, starve the Angel. | 0:15:06 | 0:15:09 | |
-Doctor, she's got seconds. -How would you starve your lungs? | 0:15:09 | 0:15:13 | |
-I'd stop breathing. -Amy, close your eyes! | 0:15:13 | 0:15:15 | |
No, no. I don't want to. | 0:15:15 | 0:15:17 | |
Good, because that's not you, that's the Angel, it's afraid! Do it! Close your eyes! | 0:15:17 | 0:15:21 | |
BEEPING | 0:15:27 | 0:15:30 | |
-She's normalising. -SIGHS | 0:15:30 | 0:15:34 | |
You did it! You did it! | 0:15:34 | 0:15:38 | |
Sir? Two more incoming. | 0:15:42 | 0:15:44 | |
Three more over here. | 0:15:44 | 0:15:47 | |
Still weak, dangerous to move her. | 0:15:48 | 0:15:50 | |
-Can I open my eyes now? -Amy, listen to me. | 0:15:50 | 0:15:52 | |
If you open your eyes now for more than a second, you will die. | 0:15:52 | 0:15:56 | |
The Angel is still inside you. | 0:15:56 | 0:15:58 | |
We haven't stopped it, we've just sort of, paused it. | 0:15:58 | 0:16:03 | |
You've used up your countdown. You cannot open your eyes. | 0:16:03 | 0:16:07 | |
Doctor, we're too exposed here, we have to move on. | 0:16:07 | 0:16:09 | |
We're exposed everywhere, and Amy can't move, and that's not the plan. | 0:16:09 | 0:16:13 | |
-There's a plan? -I don't know yet. Right! | 0:16:13 | 0:16:16 | |
Father, you and your Clerics will stay here, look after Amy. | 0:16:16 | 0:16:19 | |
If anything happens to her, | 0:16:19 | 0:16:20 | |
I'll hold you personally responsible, twice. | 0:16:20 | 0:16:23 | |
River, you and me, | 0:16:23 | 0:16:24 | |
we're going to find the Primary Flight Deck which is... | 0:16:24 | 0:16:28 | |
..straight ahead. | 0:16:29 | 0:16:31 | |
We'll stabilise the wreckage, stop the Angels, and cure Amy. | 0:16:31 | 0:16:34 | |
-How? -I'll do a thing. -What thing? | 0:16:34 | 0:16:36 | |
It's a thing in progress, respect the thing. Moving out! | 0:16:36 | 0:16:38 | |
Doctor, I'm coming with you, my Clerics can look after Miss Pond. | 0:16:38 | 0:16:42 | |
These are my best men, they'd lay down their lives in her protection. | 0:16:42 | 0:16:45 | |
-I don't need you. -I don't care. Where Dr Song goes, I go. | 0:16:45 | 0:16:48 | |
What? | 0:16:48 | 0:16:49 | |
You two engaged or something? | 0:16:52 | 0:16:54 | |
Yes. In a manner of speaking. | 0:16:54 | 0:16:58 | |
-Marco, you're in charge till I get back. -Sir! | 0:16:58 | 0:17:03 | |
Doctor... Please. Can't I come with you? | 0:17:04 | 0:17:06 | |
You'd slow us down, Miss Pond. | 0:17:06 | 0:17:09 | |
I don't want to sound selfish, but you'd really speed me up. | 0:17:09 | 0:17:13 | |
You'll be safer here, we can't protect you on the move. | 0:17:13 | 0:17:16 | |
I'll be back for you soon as I can, I promise. | 0:17:16 | 0:17:19 | |
-You always say that. -I always come back. | 0:17:19 | 0:17:21 | |
Good luck everyone, behave, do not let that girl open her eyes. | 0:17:23 | 0:17:26 | |
And keep watching the forest, stop those Angels advancing. | 0:17:26 | 0:17:30 | |
Amy, later! River, going to need your computer. | 0:17:30 | 0:17:33 | |
Yeah. | 0:17:35 | 0:17:36 | |
Later. | 0:17:36 | 0:17:38 | |
Amy, you need to start trusting me, it's never been more important. | 0:17:46 | 0:17:50 | |
But you don't always tell me the truth. | 0:17:50 | 0:17:51 | |
If I always told you the truth, I wouldn't need you to trust me. | 0:17:51 | 0:17:54 | |
Doctor, the crack in my wall. How can it be here? | 0:17:57 | 0:18:00 | |
I don't know yet, but I'm working it out. | 0:18:00 | 0:18:03 | |
Now, listen. | 0:18:03 | 0:18:06 | |
Remember what I told you when you were seven? | 0:18:06 | 0:18:08 | |
-What did you tell me? -No, no... | 0:18:08 | 0:18:11 | |
That's not the point. | 0:18:11 | 0:18:14 | |
You have to remember. | 0:18:16 | 0:18:18 | |
Remember what? | 0:18:24 | 0:18:26 | |
Doctor? | 0:18:26 | 0:18:29 | |
Doctor? | 0:18:29 | 0:18:31 | |
What's that? | 0:18:34 | 0:18:36 | |
Readings from a crack in a wall. | 0:18:36 | 0:18:37 | |
How that be the end of the universe? | 0:18:37 | 0:18:39 | |
Here's what I think. One day there'll be a very big bang. | 0:18:39 | 0:18:42 | |
So big every moment in history, past and future, will crack. | 0:18:42 | 0:18:46 | |
-Is that possible? How? -How can you be engaged in a manner of speaking? | 0:18:46 | 0:18:51 | |
Well... | 0:18:51 | 0:18:53 | |
Sucker for a man in uniform. | 0:18:53 | 0:18:56 | |
Dr Song is in my personal custody. | 0:19:00 | 0:19:03 | |
I released her from the Stormcage Containment Facility four days ago, | 0:19:03 | 0:19:07 | |
and I am legally responsible for her | 0:19:07 | 0:19:08 | |
until she has accomplished her mission and earned her pardon. | 0:19:08 | 0:19:12 | |
Just so we understand each other. | 0:19:12 | 0:19:15 | |
You were in Stormcage? | 0:19:18 | 0:19:19 | |
BEEPING | 0:19:19 | 0:19:21 | |
What? What is that? | 0:19:21 | 0:19:22 | |
The date! The date of the explosion! Where the crack begins. | 0:19:22 | 0:19:26 | |
And for those of us who can't read the base code of the universe? | 0:19:26 | 0:19:30 | |
Amy's time! | 0:19:32 | 0:19:34 | |
So. What's happening? Anything happening out there? | 0:19:36 | 0:19:39 | |
The Angels are still grouping. | 0:19:39 | 0:19:41 | |
Are you getting this too? | 0:19:48 | 0:19:51 | |
-The trees? -What's wrong with the trees? | 0:19:51 | 0:19:53 | |
Here too, sir. They're ripping the Treeborgs apart. | 0:19:53 | 0:19:56 | |
And here, they're taking out the lights. | 0:19:56 | 0:19:59 | |
What is it, what's happening? | 0:19:59 | 0:20:00 | |
Tell me, I can't see. | 0:20:00 | 0:20:02 | |
It's the trees, ma'am. The trees are going out. | 0:20:02 | 0:20:05 | |
It doesn't open it from here. | 0:20:11 | 0:20:14 | |
But it's the Primary Flight Deck, | 0:20:14 | 0:20:17 | |
this has got to be a service hatch or something. | 0:20:17 | 0:20:18 | |
Hurry up and open it, time's running out. | 0:20:18 | 0:20:21 | |
What did you say? Time's running out, is that what you said? | 0:20:21 | 0:20:24 | |
Yeah, I just meant... | 0:20:24 | 0:20:25 | |
I know what you meant, hush! | 0:20:25 | 0:20:27 | |
-But what if it could? -What if what could? | 0:20:27 | 0:20:30 | |
Time. What if time could run out? | 0:20:30 | 0:20:32 | |
Got it! | 0:20:32 | 0:20:34 | |
Angels advancing, sir. | 0:20:34 | 0:20:36 | |
Over here, again. | 0:20:36 | 0:20:38 | |
Weapons primed, combat distance five feet, wait for it! | 0:20:41 | 0:20:44 | |
What is it? What's happening, just tell me! | 0:20:44 | 0:20:47 | |
Keep your position and, ma'am, keep your eyes shut! | 0:20:47 | 0:20:49 | |
Wait! | 0:20:49 | 0:20:52 | |
The ship's not on fire, is it? | 0:20:58 | 0:21:00 | |
It can't be, the compressors would have taken care of it. | 0:21:02 | 0:21:05 | |
Marco, the Angels have gone. | 0:21:11 | 0:21:13 | |
-Where'd they go? -What, the Angels? | 0:21:13 | 0:21:15 | |
-This side's clear too, sir. -The Angels have gone? | 0:21:15 | 0:21:19 | |
There's still movement out there, but away from us now. | 0:21:19 | 0:21:22 | |
-It's like they're running. -Running from what? | 0:21:22 | 0:21:24 | |
Phillip, Crispin, | 0:21:27 | 0:21:29 | |
need to get a closer look at that. | 0:21:29 | 0:21:31 | |
What are you all looking at? What's there? | 0:21:36 | 0:21:39 | |
Cracks in time, time running out... No, couldn't be. | 0:21:42 | 0:21:45 | |
How is a duck pond a duck pond if there aren't any ducks? | 0:21:45 | 0:21:47 | |
And she didn't recognise the Daleks! | 0:21:47 | 0:21:50 | |
OK, time can shift, time can change, time can be rewritten. Ah! Oh! | 0:21:50 | 0:21:55 | |
It's like, I don't know... a curtain of energy. | 0:21:59 | 0:22:02 | |
Sort of shifting. | 0:22:02 | 0:22:04 | |
Makes you feel weird. | 0:22:04 | 0:22:06 | |
-Sick. -And you think it scared the Angels? | 0:22:06 | 0:22:09 | |
What could scare those things? | 0:22:09 | 0:22:11 | |
-What are you doing? -Point me at the light. | 0:22:11 | 0:22:13 | |
You can't open your eyes. | 0:22:13 | 0:22:14 | |
Not for more than a second, that's what the Doctor said. | 0:22:14 | 0:22:18 | |
Still got a bit of countdown left. | 0:22:18 | 0:22:20 | |
-Ma'am, you can't. -I need to see it. | 0:22:20 | 0:22:22 | |
Am I looking the right way? I have to be quick. | 0:22:22 | 0:22:25 | |
Very quick! | 0:22:25 | 0:22:27 | |
OK. | 0:22:27 | 0:22:30 | |
It's the same shape! | 0:22:38 | 0:22:39 | |
It's the crack in my wall. | 0:22:39 | 0:22:41 | |
Close your eyes. Now! | 0:22:41 | 0:22:44 | |
It's following me! How can it be following me? | 0:22:44 | 0:22:47 | |
-Are you OK? -Yeah. | 0:22:52 | 0:22:55 | |
It was the same shape! | 0:22:55 | 0:22:57 | |
Marco, you want me to get a closer look at that? | 0:22:57 | 0:23:00 | |
Go for it. | 0:23:00 | 0:23:02 | |
-Don't get too close. -Hang on, what about the other two? | 0:23:02 | 0:23:05 | |
-Why not just wait till they're back? -What other two? | 0:23:05 | 0:23:08 | |
The ones you sent before. | 0:23:08 | 0:23:10 | |
I didn't send anyone before. | 0:23:10 | 0:23:12 | |
You did, I heard you. Crispin and Phillip. | 0:23:12 | 0:23:15 | |
Crispin and who? | 0:23:15 | 0:23:17 | |
Dr Song. Get through, now. Doctor? | 0:23:20 | 0:23:24 | |
Doctor? | 0:23:28 | 0:23:29 | |
Time can be unwritten. | 0:23:29 | 0:23:33 | |
Amy, there never was a Crispin or a Phillip | 0:23:33 | 0:23:35 | |
on this mission. I promise you. | 0:23:35 | 0:23:37 | |
No, I heard you. | 0:23:37 | 0:23:39 | |
Before you sent Pedro, you sent Crispin and Phillip, | 0:23:39 | 0:23:42 | |
and now you can't even remember them. | 0:23:42 | 0:23:44 | |
Something happened, | 0:23:44 | 0:23:45 | |
I don't know what, and you don't even remember! | 0:23:45 | 0:23:48 | |
-Pedro? -Yeah, before you sent Pedro. | 0:23:48 | 0:23:51 | |
Who's Pedro? | 0:23:51 | 0:23:54 | |
-It's been happening and I haven't even noticed! -Doctor, we've have to move. | 0:23:54 | 0:23:58 | |
The CyberKing! A giant cyberman walks over all of Victorian London and no-one remembers. | 0:23:58 | 0:24:03 | |
We have to move it! | 0:24:03 | 0:24:04 | |
Never mind the Angels, there's worse here than Angels! | 0:24:04 | 0:24:07 | |
I beg to differ, sir. | 0:24:11 | 0:24:14 | |
Let him go. | 0:24:14 | 0:24:15 | |
Well, it can't let me go, sir, not while you're looking at it. | 0:24:15 | 0:24:18 | |
I can't stop looking at it, it'll kill you. | 0:24:18 | 0:24:21 | |
It'll kill me anyway. There's no way out of this. | 0:24:21 | 0:24:24 | |
You have to leave me! | 0:24:24 | 0:24:25 | |
Can't you wriggle out? | 0:24:25 | 0:24:27 | |
No, it's too tight. | 0:24:28 | 0:24:29 | |
There's nothing you can do. | 0:24:29 | 0:24:31 | |
Something's happening! | 0:24:31 | 0:24:33 | |
Pedro was here a second ago and now you can't even remember him! | 0:24:33 | 0:24:36 | |
There never was a Pedro, there's only ever been the two of us here! | 0:24:36 | 0:24:39 | |
No, there were five of us, why can't you remember? | 0:24:39 | 0:24:42 | |
Listen, listen, | 0:24:42 | 0:24:43 | |
I need to get a closer look at that light, whatever it is. | 0:24:43 | 0:24:47 | |
Don't worry, I won't get too close. | 0:24:47 | 0:24:49 | |
No, you can't, you mustn't. | 0:24:49 | 0:24:53 | |
Here, spare communicator, | 0:24:53 | 0:24:55 | |
-I'll stay in touch the whole time. -You won't. | 0:24:55 | 0:24:58 | |
If you go back there what happened to the others will happen to you! | 0:24:58 | 0:25:01 | |
-There weren't any others! -There won't be any YOU if you go back there. | 0:25:01 | 0:25:05 | |
Two minutes. I promise. | 0:25:05 | 0:25:08 | |
Please, just listen to me! | 0:25:11 | 0:25:13 | |
Sir, there's nothing you can do. | 0:25:18 | 0:25:20 | |
-You're dead if I leave you. -Yes, yes, I'm dead. | 0:25:20 | 0:25:24 | |
-And before you go... -I'm not going! -Listen to me, it's important! | 0:25:24 | 0:25:28 | |
-You can't trust her. -Trust who? | 0:25:28 | 0:25:30 | |
River Song. You think you know her, but you don't. | 0:25:30 | 0:25:33 | |
-You don't understand who or what she is. -Then tell me. | 0:25:33 | 0:25:36 | |
I've told you more than I should. | 0:25:36 | 0:25:38 | |
Now, please, you have to go, it's your duty to your friends. | 0:25:38 | 0:25:42 | |
-Just tell me why she was in Stormcage? -She killed a man. | 0:25:42 | 0:25:46 | |
A good man, a hero to many. | 0:25:46 | 0:25:49 | |
-Who? -You don't want to know, sir. | 0:25:49 | 0:25:51 | |
You really don't. | 0:25:51 | 0:25:52 | |
-Who did she kill? -Sir, the Angels are coming, you have to leave me. | 0:25:52 | 0:25:57 | |
You'll die. | 0:25:57 | 0:25:59 | |
I will die in the knowledge that my courage did not desert me at the end. | 0:25:59 | 0:26:04 | |
For that I thank God | 0:26:04 | 0:26:06 | |
and bless the path that takes you to safety. | 0:26:06 | 0:26:10 | |
I wish I'd known you better. | 0:26:14 | 0:26:15 | |
I think, sir, | 0:26:15 | 0:26:18 | |
you know me at my best. | 0:26:18 | 0:26:20 | |
Ready? | 0:26:23 | 0:26:24 | |
Content. | 0:26:25 | 0:26:27 | |
There's a teleport! If I can get it to work, we can beam the others here. Where's Octavian? | 0:26:37 | 0:26:42 | |
Octavian's dead. So is that teleport, you're wasting your time. | 0:26:42 | 0:26:45 | |
I'm going to need your communicator. | 0:26:45 | 0:26:47 | |
Hello, are you there? | 0:26:52 | 0:26:54 | |
Hello? | 0:26:54 | 0:26:56 | |
-Hello? -'I'm here, | 0:26:56 | 0:26:59 | |
'I'm fine. | 0:26:59 | 0:27:01 | |
'I'm quite close to it now.' | 0:27:01 | 0:27:02 | |
Then come back! | 0:27:02 | 0:27:04 | |
Come back now, please. | 0:27:04 | 0:27:06 | |
'It's weird looking at it. It feels really...' | 0:27:06 | 0:27:09 | |
RADIO STATIC WHISTLES | 0:27:09 | 0:27:11 | |
Really what? Hello? | 0:27:12 | 0:27:16 | |
Really what? | 0:27:16 | 0:27:17 | |
Hello? Hello?! | 0:27:17 | 0:27:21 | |
Hello? | 0:27:21 | 0:27:23 | |
Please say you're there, hello? | 0:27:23 | 0:27:26 | |
Hello! | 0:27:26 | 0:27:27 | |
Amy? Amy? | 0:27:29 | 0:27:31 | |
Is that you? | 0:27:31 | 0:27:33 | |
-'Doctor?' -Where are you? Are the Clerics with you? | 0:27:33 | 0:27:36 | |
They've gone. There was a light and they walked into the light. | 0:27:36 | 0:27:39 | |
-Doctor, they didn't even remember each other. -No. They wouldn't. | 0:27:39 | 0:27:43 | |
-What is that light? -Time running out. | 0:27:43 | 0:27:45 | |
Amy, I'm sorry, I should never have left you there. | 0:27:45 | 0:27:47 | |
Well, what do I do now? | 0:27:47 | 0:27:49 | |
You come to us. Primary Flight Deck, other end of the forest. | 0:27:49 | 0:27:52 | |
I can't see! I can't open my eyes. | 0:27:52 | 0:27:54 | |
-Turn on the spot. -Sorry, what? -Just do it, turn on the spot. | 0:27:54 | 0:27:57 | |
'When the communicator sounds like my screwdriver, you're facing the right way. Follow the sound.' | 0:27:57 | 0:28:02 | |
WHIRRING | 0:28:02 | 0:28:04 | |
WHIRRING BECOMES HIGH-PITCHED | 0:28:04 | 0:28:07 | |
'You have to start moving now. | 0:28:10 | 0:28:12 | |
'There's time energy spilling out of that crack and you have to stay ahead of it.' | 0:28:12 | 0:28:17 | |
But the Angels, they're everywhere. | 0:28:17 | 0:28:19 | |
I'm sorry, I really am, but the Angels can only kill you. | 0:28:19 | 0:28:21 | |
What does the Time Energy do? | 0:28:21 | 0:28:23 | |
-Just keep moving! -Tell me! | 0:28:23 | 0:28:26 | |
If the Time Energy catches up with you, you'll never have been born. It will erase | 0:28:26 | 0:28:30 | |
every moment of your existence. You will never have lived at all. | 0:28:30 | 0:28:33 | |
Now, keep your eyes shut and keep moving! | 0:28:38 | 0:28:43 | |
-It's never going to work. -What else have you got? | 0:28:43 | 0:28:46 | |
River, tell me! | 0:28:46 | 0:28:47 | |
WHOOSHING, CLANGING | 0:29:02 | 0:29:04 | |
-What's that? -The Angels, running from the fire. | 0:29:04 | 0:29:07 | |
They came here to feed on the time energy, now it's going to feed on them. | 0:29:07 | 0:29:11 | |
Amy, listen to me, I'm sending a bit of software to your communicator. | 0:29:11 | 0:29:14 | |
It's a proximity detector, it'll beep if there's something in your way. | 0:29:14 | 0:29:18 | |
You just manoeuvre till the beeping stops. | 0:29:18 | 0:29:20 | |
Because, Amy, this is important, the forest is full of Angels. | 0:29:20 | 0:29:24 | |
You're going to have to walk like you can see. | 0:29:28 | 0:29:30 | |
Well, what do you mean? | 0:29:30 | 0:29:32 | |
Look, just keep moving. | 0:29:32 | 0:29:33 | |
That time energy. What's it going to do? | 0:29:37 | 0:29:39 | |
Er, keep eating. | 0:29:39 | 0:29:41 | |
-How do we stop it? -Feed it. -Feed it what? | 0:29:41 | 0:29:44 | |
A big complicated space-time event, should shut it up for a while. | 0:29:44 | 0:29:47 | |
-Like what, for instance? -SHOUTING: -Like me, for instance! | 0:29:47 | 0:29:51 | |
HIGH-PITCHED BEEPING | 0:29:56 | 0:29:58 | |
-What's that? -It's a warning. | 0:30:00 | 0:30:02 | |
There are Angels round you now. | 0:30:05 | 0:30:07 | |
Amy, listen to me. This is going to be hard but I know... | 0:30:12 | 0:30:15 | |
you can do it. | 0:30:15 | 0:30:17 | |
The Angels are scared and running. | 0:30:17 | 0:30:19 | |
'Right now they're not that interested in you. | 0:30:19 | 0:30:21 | |
'They'll assume you can see them, and their instincts will kick in. | 0:30:21 | 0:30:25 | |
'All you've got to do is walk like you can see.' | 0:30:25 | 0:30:30 | |
Just don't open your eyes. | 0:30:30 | 0:30:32 | |
Walk like you can see. | 0:30:33 | 0:30:36 | |
You're not moving. You have to do this. | 0:30:40 | 0:30:43 | |
'Now.' | 0:30:45 | 0:30:46 | |
You have to do this! | 0:30:49 | 0:30:50 | |
COMMUNICATOR BEEPS REGULARLY | 0:30:50 | 0:30:53 | |
BEEPING SPEEDS UP | 0:30:58 | 0:30:59 | |
SHE GASPS | 0:30:59 | 0:31:00 | |
BEEPING SLOWS BACK DOWN | 0:31:00 | 0:31:02 | |
BEEPING SPEEDS UP | 0:31:16 | 0:31:18 | |
BEEPING SLOWS DOWN | 0:31:20 | 0:31:22 | |
Doctor! I can't find the communicator! | 0:31:39 | 0:31:43 | |
I dropped it! I can't find it, Doctor! | 0:31:43 | 0:31:45 | |
Doctor... | 0:31:56 | 0:31:57 | |
Doctor! | 0:31:57 | 0:31:59 | |
Doctor... | 0:32:03 | 0:32:05 | |
Don't open your eyes. You're on the Flight Deck, the Doctor's here, I teleported you. See? | 0:32:22 | 0:32:29 | |
Told you I could get it working. | 0:32:29 | 0:32:31 | |
River Song, I could bloody kiss you. | 0:32:31 | 0:32:32 | |
Ah well, maybe when you're older. | 0:32:32 | 0:32:35 | |
ALARM BUZZER BLARES | 0:32:35 | 0:32:37 | |
What's that? | 0:32:37 | 0:32:39 | |
The Angels are draining the last of the ship's power. Which means... | 0:32:39 | 0:32:43 | |
the shield's going to release! | 0:32:43 | 0:32:44 | |
Angel Bob, I presume. | 0:32:59 | 0:33:02 | |
The Time Field is coming. It will destroy our reality. | 0:33:02 | 0:33:05 | |
And look at you, all running away. What can I do for you? | 0:33:05 | 0:33:08 | |
There is a rupture in time. | 0:33:08 | 0:33:10 | |
The Angels calculate that if you throw yourself into it, it will close, and they will be saved. | 0:33:10 | 0:33:15 | |
Yeah, yeah, could do, could do that. But why? | 0:33:15 | 0:33:17 | |
Your friends would also be saved. | 0:33:17 | 0:33:19 | |
-Well, there is that. -I've travelled in time. | 0:33:19 | 0:33:21 | |
-I'm a complicated space/time event too, throw me in. -Oh, be serious! | 0:33:21 | 0:33:25 | |
These Angels are more complicated than you, | 0:33:25 | 0:33:27 | |
and it would take every one of them to amount to me, so get a grip. | 0:33:27 | 0:33:29 | |
-Doctor, I can't let you do this. -No, seriously, get a grip. | 0:33:29 | 0:33:32 | |
-You're not going to die here! -No, I mean it. | 0:33:32 | 0:33:34 | |
River, Amy, get a grip. | 0:33:34 | 0:33:37 | |
Oh, you genius! | 0:33:37 | 0:33:39 | |
Sir, the Angels need you to sacrifice yourself now. | 0:33:39 | 0:33:43 | |
Thing is, Bob, the Angels are draining all the power from this ship, every last bit of it. | 0:33:43 | 0:33:47 | |
And you know what? I think they've forgotten where they're standing. | 0:33:47 | 0:33:51 | |
I think they've forgotten the gravity of the situation. | 0:33:51 | 0:33:54 | |
Or to put it another way, Angels... | 0:33:54 | 0:33:56 | |
You hold on tight and don't you let go for anything. | 0:33:56 | 0:34:00 | |
Night-night. | 0:34:00 | 0:34:02 | |
Ah, bruised everywhere. | 0:34:46 | 0:34:49 | |
-Me too. -You didn't have to climb out with your eyes shut. | 0:34:49 | 0:34:53 | |
Neither did you, I kept saying. | 0:34:53 | 0:34:55 | |
The Angels all fell into the time field, the Angel in your memory never existed. | 0:34:55 | 0:35:02 | |
It can't harm you now. | 0:35:02 | 0:35:04 | |
Then why do I remember it at all? | 0:35:04 | 0:35:06 | |
Those guys on the ship didn't remember each other. | 0:35:06 | 0:35:09 | |
You're a time traveller now, Amy. | 0:35:09 | 0:35:12 | |
Changes the way you see the universe. | 0:35:12 | 0:35:15 | |
Forever. Good, isn't it? | 0:35:15 | 0:35:17 | |
And the crack. | 0:35:20 | 0:35:21 | |
Is that gone too? | 0:35:21 | 0:35:23 | |
Yeah. | 0:35:25 | 0:35:26 | |
For now. But the explosion that caused it | 0:35:26 | 0:35:30 | |
is still happening... | 0:35:30 | 0:35:32 | |
..somewhere out there. | 0:35:35 | 0:35:37 | |
Somewhere in time. | 0:35:37 | 0:35:39 | |
You, me...handcuffs. | 0:35:57 | 0:36:01 | |
Must it always end this way? | 0:36:03 | 0:36:05 | |
What now? | 0:36:07 | 0:36:10 | |
The prison ship's in orbit, they'll beam me up any second. | 0:36:10 | 0:36:15 | |
I might have done enough to earn a pardon this time, we'll see. | 0:36:15 | 0:36:19 | |
Octavian said you killed a man. | 0:36:20 | 0:36:23 | |
Yes, I did. | 0:36:24 | 0:36:27 | |
A good man. | 0:36:28 | 0:36:30 | |
A very good man. | 0:36:32 | 0:36:34 | |
The best man I've ever known. | 0:36:34 | 0:36:36 | |
Who? | 0:36:39 | 0:36:41 | |
It's a long story, Doctor, can't be told, it has to be lived. | 0:36:41 | 0:36:45 | |
No sneak previews. | 0:36:45 | 0:36:48 | |
Well, except for this one. | 0:36:48 | 0:36:51 | |
You'll see me again quite soon, | 0:36:51 | 0:36:54 | |
when the Pandorica opens. | 0:36:54 | 0:36:57 | |
The Pandorica. Ha! | 0:36:57 | 0:36:59 | |
That's a fairy tale. | 0:37:04 | 0:37:06 | |
Oh, Doctor, | 0:37:06 | 0:37:08 | |
aren't we all? | 0:37:08 | 0:37:11 | |
-I'll see you there. -I look forward to it. | 0:37:11 | 0:37:14 | |
I remember it well. | 0:37:14 | 0:37:16 | |
Bye, River. | 0:37:19 | 0:37:22 | |
See you, Amy. | 0:37:22 | 0:37:23 | |
BEEPING | 0:37:23 | 0:37:24 | |
Oh! I think that's my ride. | 0:37:24 | 0:37:26 | |
Can I trust you, River Song? | 0:37:26 | 0:37:28 | |
If you like. | 0:37:28 | 0:37:31 | |
But where's the fun in that? | 0:37:31 | 0:37:33 | |
What are you thinking? | 0:37:53 | 0:37:55 | |
Time can be rewritten. | 0:37:55 | 0:37:57 | |
I want to go home. | 0:38:10 | 0:38:11 | |
OK. | 0:38:15 | 0:38:17 | |
No, not like that! | 0:38:19 | 0:38:20 | |
I just want to show you something. | 0:38:20 | 0:38:25 | |
You're running from River. | 0:38:25 | 0:38:28 | |
I'm running too. | 0:38:28 | 0:38:30 | |
-Well! -Yeah! | 0:38:43 | 0:38:45 | |
-Blimey! -I know. | 0:38:45 | 0:38:47 | |
This is the same night we left, yeah? | 0:38:47 | 0:38:49 | |
We've been gone five minutes. | 0:38:49 | 0:38:52 | |
I'm getting married in the morning. | 0:38:54 | 0:38:56 | |
Why did you leave it here? | 0:38:58 | 0:39:00 | |
-Why did I leave my engagement ring when I ran away with a strange man the night before my wedding? -Yeah. | 0:39:00 | 0:39:05 | |
You really are an alien, aren't you? | 0:39:05 | 0:39:08 | |
-Who's the lucky fella? -You met him. | 0:39:08 | 0:39:10 | |
Ah, the good looking one, or the other one? | 0:39:10 | 0:39:14 | |
The other one. | 0:39:14 | 0:39:15 | |
-Well, he was good too. -Thanks. | 0:39:15 | 0:39:18 | |
-So do you comfort a lot of people on the night before their wedding? -Why would you need comforting? | 0:39:20 | 0:39:24 | |
I nearly died. I was alone, in the dark, and I nearly died. | 0:39:24 | 0:39:29 | |
-And it made me think. -Well, yes, natural. | 0:39:29 | 0:39:31 | |
I think sometimes. Well, lots of times... | 0:39:31 | 0:39:33 | |
About what I want. About who I want. | 0:39:33 | 0:39:36 | |
-You know what I mean? -Yeah... | 0:39:36 | 0:39:40 | |
No. | 0:39:41 | 0:39:43 | |
-About who...I want. -Oh, right, yeah... | 0:39:43 | 0:39:47 | |
-No, still not getting it. -Doctor. | 0:39:51 | 0:39:53 | |
In a word. In one very simple word even you can understand... | 0:39:53 | 0:39:57 | |
Uh...! You're getting married in the morning! | 0:39:57 | 0:40:00 | |
The morning's a long time away. What are we going to do about that? | 0:40:00 | 0:40:03 | |
Listen to me. I'm 907 years old. Do you understand what that means? | 0:40:03 | 0:40:07 | |
-It's been a while? -No, no, no! | 0:40:07 | 0:40:09 | |
I'm 907, and look at me. I don't get older, I just change. | 0:40:09 | 0:40:12 | |
You get older, I don't, and this can't ever work. | 0:40:12 | 0:40:14 | |
Oh, you are sweet, Doctor. | 0:40:14 | 0:40:17 | |
But I really wasn't suggesting anything quite so...long term. | 0:40:17 | 0:40:20 | |
But you're human! You're Amy! | 0:40:24 | 0:40:26 | |
You're getting married in the morning! In the morning. | 0:40:26 | 0:40:29 | |
Doctor? | 0:40:29 | 0:40:30 | |
It's you. It's all about you, | 0:40:30 | 0:40:32 | |
everything, it's about you. | 0:40:32 | 0:40:35 | |
Hold that thought! | 0:40:35 | 0:40:37 | |
Amy Pond... Mad, impossible Amy Pond. I don't know why, I have no idea, | 0:40:39 | 0:40:45 | |
but quite possibly the single most important thing in the history | 0:40:45 | 0:40:48 | |
of the universe is that I get you sorted out right now. | 0:40:48 | 0:40:51 | |
-That's what I've been trying to tell you! -Come on! | 0:40:51 | 0:40:53 | |
Doctor! | 0:40:57 | 0:40:58 | |
-..And for those of us who can't read the base code of the universe? -Amy's time! | 0:41:02 | 0:41:06 | |
Rory, we need to talk about your fiancee. | 0:41:11 | 0:41:14 | |
I'm sending you somewhere... together! | 0:41:14 | 0:41:17 | |
Whoa, what? Like a date? | 0:41:17 | 0:41:18 | |
Venice! Venezia! | 0:41:18 | 0:41:21 | |
Something happens in there, something evil. | 0:41:21 | 0:41:23 | |
Pale, creepy girls who don't like sunlight. | 0:41:23 | 0:41:26 | |
Am I thinking what I think I'm thinking? | 0:41:26 | 0:41:28 | |
-Vampires! -In Venice! | 0:41:28 | 0:41:31 | |
This whole thing is mental! | 0:41:31 | 0:41:33 | |
Ah. | 0:41:38 | 0:41:40 | |
-BUMP -The people upstairs are very noisy! | 0:41:41 | 0:41:43 | |
-There aren't any people upstairs. -I knew you were going to say that, did anyone else? | 0:41:43 | 0:41:48 | |
Move! | 0:41:48 | 0:41:50 | |
You need someone on the inside. | 0:41:50 | 0:41:51 | |
-No! -Are you insane? -We don't have another option. | 0:41:51 | 0:41:54 | |
You have no idea how dangerous you make people to themselves when you're around. | 0:41:54 | 0:41:58 | |
-Amy, come back! -I'll be fine! | 0:41:58 | 0:42:01 | |
-They're Vampires, for God's sake. -We hope! | 0:42:01 | 0:42:03 | |
So if they're not Vampires... | 0:42:03 | 0:42:05 | |
Doctor! | 0:42:05 | 0:42:07 | |
Subtitles by Red Bee Media Ltd | 0:42:28 | 0:42:31 | |
E-mail [email protected] | 0:42:31 | 0:42:34 |