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FOOTSTEPS APPROACH | 0:00:03 | 0:00:06 | |
Signora, your school offers a chance for betterment, escape. > | 0:00:13 | 0:00:17 | |
My daughter... > | 0:00:17 | 0:00:18 | |
Isabella is 17 now, | 0:00:24 | 0:00:26 | |
but what prospects are there for the daughter of a boat-builder? | 0:00:26 | 0:00:29 | |
There's no future for us. No future but you. | 0:00:29 | 0:00:32 | |
I am moved by your concern for your daughter. | 0:00:34 | 0:00:36 | |
-I believe protecting the future of one's own is a sacred duty. -Signora... | 0:00:38 | 0:00:43 | |
..she is my world. | 0:00:44 | 0:00:47 | |
Then we will take your world. | 0:00:55 | 0:00:57 | |
THEY LAUGH | 0:00:57 | 0:00:59 | |
I knew it! | 0:00:59 | 0:01:01 | |
Say goodbye to your daughter. | 0:01:06 | 0:01:08 | |
Now, signora? | 0:01:10 | 0:01:11 | |
Why wait? | 0:01:11 | 0:01:13 | |
Time ticks. | 0:01:13 | 0:01:15 | |
Be brave, my girl. Make me proud. | 0:01:20 | 0:01:23 | |
Step into the light, my dear. | 0:01:30 | 0:01:31 | |
DOOR OPENS | 0:01:31 | 0:01:33 | |
That's it. | 0:01:33 | 0:01:34 | |
DOOR SLAMS SHUT | 0:01:36 | 0:01:38 | |
What say you, Francesco? Do you like her? | 0:01:42 | 0:01:46 | |
Oh, I do, Mother. | 0:01:46 | 0:01:48 | |
I do. | 0:01:48 | 0:01:50 | |
Hey...! | 0:01:53 | 0:01:56 | |
It's me! Hello! | 0:01:57 | 0:01:59 | |
How are you? | 0:01:59 | 0:02:01 | |
'The reason for this call is because I haven't told you for seven hours | 0:02:01 | 0:02:05 | |
'that I love you, which is a scandal, | 0:02:05 | 0:02:07 | |
'and even if we weren't getting married tomorrow, I'd ask you to marry me anyway.' | 0:02:07 | 0:02:11 | |
Yes, I would, because you are smashing. | 0:02:11 | 0:02:15 | |
MUSIC: "The Stripper" by David Rose | 0:02:15 | 0:02:18 | |
Oh... Oh. Oh, blimey. | 0:02:18 | 0:02:19 | |
I've... I've... I-I-I... | 0:02:19 | 0:02:22 | |
I'll see you tomorrow. | 0:02:22 | 0:02:23 | |
CHEERING AND WHISTLING | 0:02:23 | 0:02:26 | |
ALL: Out! Out! Out! | 0:02:26 | 0:02:29 | |
SHOUTING STOPS | 0:02:29 | 0:02:32 | |
MUSIC CONTINUES | 0:02:32 | 0:02:34 | |
Rory! | 0:02:38 | 0:02:40 | |
That's a relief. I thought I'd burst out of the wrong cake. Again. | 0:02:40 | 0:02:44 | |
That reminds me, there's a girl outside in a bikini. | 0:02:44 | 0:02:47 | |
Could someone let her in, give her a jumper? Lucy. Lovely girl. | 0:02:47 | 0:02:50 | |
(Diabetic.) | 0:02:50 | 0:02:51 | |
Now, then. Rory. | 0:02:53 | 0:02:55 | |
We need to talk about your fiancee. | 0:02:56 | 0:02:58 | |
She tried to kiss me. | 0:03:01 | 0:03:03 | |
THEY ALL GASP | 0:03:03 | 0:03:05 | |
-Tell you what, though. You're a lucky man - she's a great kisser. -BREAKING GLASS | 0:03:07 | 0:03:12 | |
Funny how you can say something in your head and it SOUNDS fine... | 0:03:19 | 0:03:23 | |
Oh! The life out there, it dazzles. | 0:04:01 | 0:04:05 | |
I mean, it blinds you to the things that are important. | 0:04:05 | 0:04:09 | |
-I've seen it devour relationships and plans... -Ohhh! | 0:04:09 | 0:04:14 | |
It's meant to do that. | 0:04:14 | 0:04:16 | |
..because for one person to have seen all that, | 0:04:16 | 0:04:21 | |
to taste the glory and then go back, | 0:04:21 | 0:04:23 | |
it WILL tear you apart. | 0:04:23 | 0:04:26 | |
So...I'm sending you somewhere. | 0:04:26 | 0:04:29 | |
Together. | 0:04:29 | 0:04:31 | |
-Whoa! What, like a date? -Anywhere you want, any time you want. | 0:04:31 | 0:04:35 | |
One condition- it has to be amazing. The Moulin Rouge in 1890! | 0:04:35 | 0:04:39 | |
The first Olympic Games! Think of it as a wedding present, | 0:04:39 | 0:04:42 | |
because it's either this or tokens. | 0:04:42 | 0:04:44 | |
It's a lot to take in, isn't it? Tiny box, huge room inside. What's that about? Let me explain. | 0:04:44 | 0:04:49 | |
-It's another dimension. -It's basically another dimen... What? | 0:04:49 | 0:04:53 | |
After Prisoner Zero, I've been reading up on all the latest scientific theories. | 0:04:53 | 0:04:57 | |
FTL travel, parallel universes. | 0:04:57 | 0:04:59 | |
I like the bit when someone says, "It's bigger on the inside!" | 0:04:59 | 0:05:02 | |
I always look forward to that. | 0:05:02 | 0:05:05 | |
So, this date. I'm kind of done with running down corridors. | 0:05:05 | 0:05:10 | |
-What do you think, Rory? -How about somewhere...romantic? | 0:05:10 | 0:05:15 | |
GOAT BLEATS | 0:05:15 | 0:05:17 | |
METALLIC THRUMMING | 0:05:18 | 0:05:21 | |
Venice! | 0:05:25 | 0:05:26 | |
Venezia! | 0:05:27 | 0:05:29 | |
La Serenissima! | 0:05:29 | 0:05:32 | |
Impossible city. Preposterous city! | 0:05:32 | 0:05:35 | |
Founded by refugees running from Attila the Hun. | 0:05:35 | 0:05:38 | |
It was just a collection of little wooden huts in the marsh, | 0:05:38 | 0:05:42 | |
but became one of the most powerful cities in the world. | 0:05:42 | 0:05:46 | |
Constantly being invaded, constantly flooding... | 0:05:46 | 0:05:51 | |
constantly... Just beautiful! | 0:05:51 | 0:05:55 | |
Oh, you gotta love Venice. | 0:05:55 | 0:05:58 | |
And so many people did. Byron, Napoleon, Casanova. | 0:05:58 | 0:06:02 | |
Oooh, that reminds me. 1580. | 0:06:02 | 0:06:04 | |
That's all right. Casanova doesn't get born for 145 years. | 0:06:04 | 0:06:07 | |
Don't want to run into him. I owe him a chicken. | 0:06:07 | 0:06:10 | |
You owe Casanova a chicken? | 0:06:10 | 0:06:12 | |
-Long story. We had a bet. -Whoa, whoa, whoa, whoa, whoa! | 0:06:12 | 0:06:15 | |
Papers, if you please. | 0:06:15 | 0:06:17 | |
Proof of residency, current bill of medical inspection. | 0:06:17 | 0:06:20 | |
There you go, fella. | 0:06:20 | 0:06:22 | |
All to your satisfaction, I think you'll find. | 0:06:22 | 0:06:26 | |
I am so sorry, Your Holiness. | 0:06:26 | 0:06:28 | |
I didn't realise. | 0:06:28 | 0:06:30 | |
No worries. You were just doing your job. | 0:06:30 | 0:06:32 | |
Sorry, what exactly is your job? | 0:06:32 | 0:06:35 | |
Checking for aliens. | 0:06:35 | 0:06:36 | |
Visitors from foreign lands what might bring the plague with them. | 0:06:36 | 0:06:40 | |
Oh, that's nice(!) See where you bring me? The plague! | 0:06:40 | 0:06:44 | |
Don't worry, Viscountess. | 0:06:44 | 0:06:46 | |
-Oh... -No, we're under quarantine here, no-one comes in, no-one goes out, | 0:06:46 | 0:06:50 | |
and all because of the grace and wisdom of our patron, Signora Rosanna Calvierri. | 0:06:50 | 0:06:55 | |
How interesting. I heard the plague died out years ago. | 0:06:55 | 0:06:59 | |
Not out there. | 0:06:59 | 0:07:01 | |
No, Signora Calvierri has seen it with her own eyes. | 0:07:01 | 0:07:04 | |
-Streets are piled high with bodies, she said. -Did she, now? | 0:07:04 | 0:07:08 | |
Oi! | 0:07:11 | 0:07:13 | |
According to this, I am your eunuch! | 0:07:13 | 0:07:15 | |
Oh, yeah, I'll explain later. | 0:07:15 | 0:07:18 | |
Veils down, girls. | 0:07:24 | 0:07:27 | |
(It's the Calvierri girls.) | 0:07:30 | 0:07:32 | |
-What do you want? -Where's my Isabella? -What are you doing? Get away from there. | 0:07:41 | 0:07:45 | |
Isabella! | 0:07:46 | 0:07:48 | |
Isabella! | 0:07:51 | 0:07:53 | |
It's me! | 0:07:53 | 0:07:55 | |
Agh! | 0:07:55 | 0:07:57 | |
Girls! Come along! | 0:07:58 | 0:08:00 | |
She's gone. | 0:08:01 | 0:08:03 | |
Isabella! It's me! | 0:08:08 | 0:08:11 | |
-What was that about? -Isabella... | 0:08:11 | 0:08:15 | |
I hate it when he does that! | 0:08:15 | 0:08:18 | |
Who were those girls? | 0:08:24 | 0:08:25 | |
-I thought everyone knew about the Calvierri school. -My first day here. | 0:08:26 | 0:08:30 | |
Parents do all sorts of things to get their children into good schools. | 0:08:30 | 0:08:34 | |
They move house, they change religion. | 0:08:34 | 0:08:37 | |
So, why are you trying to get her out? | 0:08:41 | 0:08:43 | |
Something happens in there. | 0:08:43 | 0:08:45 | |
Something magical, something evil. | 0:08:45 | 0:08:48 | |
My own daughter didn't recognise me. | 0:08:48 | 0:08:50 | |
And the girl who pushed me away, | 0:08:50 | 0:08:53 | |
her face...like an animal. | 0:08:53 | 0:08:57 | |
I think it's time I met this Signora Calvierri. | 0:08:59 | 0:09:05 | |
-DOOR CLOSES -Mother? | 0:09:07 | 0:09:10 | |
Mummy's hydrating, Francesco. | 0:09:10 | 0:09:13 | |
And we never interrupt Mummy when she's hydrating. | 0:09:13 | 0:09:16 | |
We were accosted again. | 0:09:20 | 0:09:22 | |
SHE GASPS | 0:09:22 | 0:09:24 | |
A man made a grab for one of the girls. | 0:09:24 | 0:09:26 | |
The longer we wait, the greater the risk of discovery. | 0:09:28 | 0:09:32 | |
I mean, we've already converted more than enough. | 0:09:32 | 0:09:35 | |
Surely it is time to introduce them to my brothers? | 0:09:35 | 0:09:38 | |
I shall decide when we have enough. | 0:09:38 | 0:09:41 | |
If it's more you want, let me take the girls into the city tonight. | 0:09:41 | 0:09:44 | |
-We could. -We follow the plan. | 0:09:44 | 0:09:47 | |
Let them hammer on our door... | 0:09:48 | 0:09:50 | |
beg to be taken. | 0:09:50 | 0:09:53 | |
BELL TOLLS | 0:09:53 | 0:09:56 | |
And what have you been doing? | 0:10:04 | 0:10:06 | |
Well...running. | 0:10:09 | 0:10:11 | |
-And fighting. I've been scared. More scared than I thought was... -Did you miss me? | 0:10:11 | 0:10:17 | |
I... | 0:10:17 | 0:10:19 | |
I knew I'd be coming back. | 0:10:19 | 0:10:22 | |
He was right. It blots out everything else. | 0:10:23 | 0:10:26 | |
Rory...this is our date. | 0:10:26 | 0:10:29 | |
Let's not do this, not now. | 0:10:29 | 0:10:31 | |
FLUTTERING | 0:10:31 | 0:10:33 | |
Ha! | 0:10:33 | 0:10:34 | |
-We are in Venice and it's 1580. -SHE LAUGHS | 0:10:34 | 0:10:41 | |
I know! | 0:10:41 | 0:10:42 | |
THEY BOTH LAUGH | 0:10:42 | 0:10:44 | |
Flowers, signor? | 0:10:50 | 0:10:52 | |
PIERCING SCREAM | 0:11:09 | 0:11:11 | |
What was that? | 0:11:11 | 0:11:12 | |
She'll be OK. | 0:11:24 | 0:11:26 | |
Where are you... Amy! Come back! | 0:11:26 | 0:11:28 | |
You have my daughter. Isabella! | 0:11:43 | 0:11:47 | |
You're not coming in, stop there! We've told you... | 0:11:47 | 0:11:49 | |
You have my daughter. Isabella! | 0:11:49 | 0:11:52 | |
I demand you let me see my daughter. | 0:11:52 | 0:11:55 | |
-Isabella! It's me! It's your father. -I'll arrest you... -Isabella! | 0:11:55 | 0:11:59 | |
Hello, handsome. | 0:12:16 | 0:12:18 | |
IN UNISON: Who are you? | 0:12:22 | 0:12:23 | |
How are you doing that? I...am...loving it. | 0:12:39 | 0:12:43 | |
You're like Houdini, only five scary girls, only he was shorter. WILL BE shorter. I'm rambling. | 0:12:43 | 0:12:48 | |
IN UNISON: I'll ask you again, signor. Who are you? | 0:12:48 | 0:12:51 | |
Why don't you check THIS out? | 0:12:51 | 0:12:55 | |
Library card. Of course, it's with... He's... | 0:12:58 | 0:13:01 | |
I need the spare. | 0:13:01 | 0:13:03 | |
Pale, creepy girls who don't like sunlight | 0:13:03 | 0:13:07 | |
and can't be seen in... | 0:13:07 | 0:13:09 | |
Am I thinking what I think I'm thinking? But the city. Why shut down the city? Unless... | 0:13:11 | 0:13:17 | |
IN UNISON: Leave now, signor. Or we shall call for the steward... | 0:13:17 | 0:13:20 | |
..if you are lucky. | 0:13:22 | 0:13:23 | |
Ooh! | 0:13:23 | 0:13:25 | |
HISSING | 0:13:25 | 0:13:27 | |
Tell me the whole plan. | 0:13:29 | 0:13:32 | |
(One day that'll work.) | 0:13:32 | 0:13:34 | |
Listen, I would love to stay here. This whole thing... I'm thrilled. Oh, this is Christmas! | 0:13:34 | 0:13:41 | |
THEY HISS | 0:13:41 | 0:13:42 | |
-Doctor! -I just met some vampires! -We just saw a vampire! | 0:13:42 | 0:13:45 | |
BOTH TALK AT ONCE | 0:13:45 | 0:13:47 | |
-And creepy girls and everything. -Vampires! | 0:13:47 | 0:13:50 | |
We think we just saw a vampire. | 0:13:53 | 0:13:55 | |
-Yeah, yeah, I know. Amy was just telling me. -Yeah! | 0:13:55 | 0:13:58 | |
-The Doctor actually went to their house. -Oh. Right. Well... | 0:13:58 | 0:14:01 | |
-OK, so...first we need to get back in there somehow. -What?! | 0:14:01 | 0:14:04 | |
-How do we do that? -Back in where?! -Come and meet my new friend. | 0:14:04 | 0:14:08 | |
As you saw, there's no clear way in. | 0:14:10 | 0:14:12 | |
The House of Calvierri is like a fortress. | 0:14:12 | 0:14:14 | |
But there's a tunnel underneath it, with a ladder and shaft that leads up into the house. | 0:14:14 | 0:14:20 | |
I tried to get in once myself, but I hit a trapdoor. | 0:14:20 | 0:14:24 | |
-You need someone on the inside. -No. -You don't know what I was going to say! | 0:14:24 | 0:14:28 | |
We pretend you're an applicant for the school to get you inside | 0:14:28 | 0:14:31 | |
-and tonight you come down and open the trapdoor to let us in. -Oh. | 0:14:31 | 0:14:35 | |
-So you know what I was going to say! -Are you insane? -We don't have another option. -He said no, Amy. | 0:14:35 | 0:14:40 | |
Listen to him. | 0:14:40 | 0:14:41 | |
There is another option. | 0:14:41 | 0:14:43 | |
I work at the Arsenale. We build the warships for the navy. THE DOCTOR SNIFFS | 0:14:47 | 0:14:51 | |
Gunpowder. | 0:14:51 | 0:14:53 | |
Most people just nick stationery from where they work. | 0:14:53 | 0:14:56 | |
Look, I have a thing about guns and huge quantities of explosive. | 0:14:56 | 0:15:01 | |
What do you suggest, then? We wait until they turn her into an animal? | 0:15:01 | 0:15:05 | |
I'll be there three, four hours tops. | 0:15:09 | 0:15:11 | |
No, no, no, no, no, no. It can't keep happening like this. This is how they go. | 0:15:14 | 0:15:18 | |
But I have to know. We go together. Say you're my daughter. | 0:15:22 | 0:15:26 | |
-What?! Don't listen to him! -Your daughter? You look about nine. | 0:15:26 | 0:15:29 | |
Brother, then. | 0:15:29 | 0:15:31 | |
Too weird. Fiance. | 0:15:31 | 0:15:32 | |
I'm not having him run around telling people he's your fiance! | 0:15:32 | 0:15:36 | |
No. No, you're right. | 0:15:36 | 0:15:38 | |
-Thank you. -I mean, they've already seen the Doctor. You should do it. | 0:15:38 | 0:15:42 | |
-Me? -Yeah! You can be my brother. | 0:15:45 | 0:15:47 | |
Why is him being your brother weird, but with me, it's OK? | 0:15:47 | 0:15:52 | |
-Actually, I thought you WERE her fiance. -Yeah, that's not helping. | 0:15:52 | 0:15:56 | |
This whole thing is mental! | 0:15:56 | 0:15:58 | |
-They're VAMPIRES, for God's sake. -We hope. | 0:15:58 | 0:16:01 | |
So if they're not vampires...? | 0:16:03 | 0:16:05 | |
Makes you wonder what could be so bad it doesn't actually mind us thinking it's a vampire? | 0:16:05 | 0:16:12 | |
So, basically, both of our parents are dead from getting the plague. | 0:16:12 | 0:16:16 | |
I'm a gondola...driver... | 0:16:16 | 0:16:20 | |
so...money's a bit tight... | 0:16:20 | 0:16:24 | |
..so having my sister | 0:16:25 | 0:16:27 | |
go to your school for special people would be brilliant. | 0:16:27 | 0:16:33 | |
-Cheers. -Have we met? -I've just got one of those faces. -I wasn't talking to you. | 0:16:35 | 0:16:41 | |
-She's got the same face... which is because she's my sister! -Carlo, explain yourself. | 0:16:41 | 0:16:48 | |
-Why have you brought me this imbecile? -Signora, they have references from the King of Sweden. | 0:16:48 | 0:16:52 | |
What?! | 0:16:52 | 0:16:54 | |
Let me see. | 0:16:54 | 0:16:55 | |
Well, now I can see what got my steward so excited. | 0:17:04 | 0:17:07 | |
What say you, Francesco? | 0:17:07 | 0:17:08 | |
Do you like her? | 0:17:08 | 0:17:10 | |
Oh, I do, Mother. | 0:17:11 | 0:17:13 | |
I do. | 0:17:14 | 0:17:15 | |
Then we would be delighted to accept her. Say goodbye to your sister. | 0:17:15 | 0:17:20 | |
Um...um... | 0:17:20 | 0:17:22 | |
Tell Uncle...Doctor... I'll see you both pretty soon, OK? | 0:17:24 | 0:17:27 | |
I'll be fine. | 0:17:30 | 0:17:32 | |
A-Amy! | 0:17:33 | 0:17:35 | |
There are clothes on the bed. Get changed and wait here. | 0:17:55 | 0:17:59 | |
Blimey. This is private education, then? | 0:17:59 | 0:18:03 | |
Hey. Hello. | 0:18:10 | 0:18:11 | |
I'm Amy. | 0:18:11 | 0:18:13 | |
What's your name? | 0:18:14 | 0:18:16 | |
Isabella. | 0:18:16 | 0:18:18 | |
Listen, we're going to get you out of here, but I need you to tell me what's going on. | 0:18:20 | 0:18:24 | |
(What is this place? What are they doing?) | 0:18:24 | 0:18:27 | |
They, um...they come at night. | 0:18:27 | 0:18:30 | |
They gather around my bed and they take me to a room... | 0:18:30 | 0:18:34 | |
with this green light and a chair with...with straps, | 0:18:34 | 0:18:38 | |
as if for a surgeon. | 0:18:38 | 0:18:41 | |
What happens in there? | 0:18:41 | 0:18:43 | |
I wake up here. | 0:18:45 | 0:18:46 | |
And the sunlight burns my skin like candle wax. | 0:18:48 | 0:18:52 | |
BELL TOLLS | 0:18:52 | 0:18:55 | |
-She'll be fine. -You can promise me that, can you? | 0:19:08 | 0:19:12 | |
DISTANT CRIES AND GROANS | 0:19:26 | 0:19:29 | |
We're here. | 0:19:41 | 0:19:43 | |
Right. OK, I'll go first. If anything happens to me, go back... | 0:19:51 | 0:19:55 | |
What happened? | 0:19:55 | 0:19:57 | |
Between you and Amy? | 0:19:57 | 0:19:58 | |
-You said she kissed you. -NOW?! | 0:20:00 | 0:20:01 | |
You want to do this NOW?! | 0:20:01 | 0:20:03 | |
I have a right to know. | 0:20:05 | 0:20:06 | |
I'm getting married in 430 years. | 0:20:06 | 0:20:08 | |
WIND HOWLS | 0:20:14 | 0:20:16 | |
SHE SHRIEKS, GLASS BREAKS | 0:20:23 | 0:20:25 | |
She was frightened, I was frightened, but we survived, and the relief of it... | 0:20:25 | 0:20:29 | |
and so she kissed me. | 0:20:29 | 0:20:31 | |
-And you kissed her back? -No. | 0:20:32 | 0:20:34 | |
I kissed her mouth. | 0:20:34 | 0:20:35 | |
Funny(!) | 0:20:35 | 0:20:37 | |
Rory... Rory, she kissed me because I was there. | 0:20:37 | 0:20:40 | |
-It would have been you, it SHOULD have been you. -Yeah. -Exactly. That's why I brought you here. | 0:20:40 | 0:20:45 | |
GUST OF WIND | 0:20:45 | 0:20:46 | |
(Can we go and see the vampires now, please?) | 0:20:46 | 0:20:49 | |
Control yourself, child. AMY GASPS | 0:20:49 | 0:20:52 | |
Get your hands off me. | 0:20:52 | 0:20:54 | |
Psychic paper. | 0:20:54 | 0:20:56 | |
Did you really think that would work on me? | 0:20:56 | 0:20:58 | |
Push... | 0:21:09 | 0:21:10 | |
Come on. There we are. | 0:21:14 | 0:21:17 | |
Amy! | 0:21:18 | 0:21:20 | |
(Where's Amy? | 0:21:20 | 0:21:21 | |
(Amy.) | 0:21:22 | 0:21:24 | |
I can't see a thing. | 0:21:26 | 0:21:28 | |
Just as well I brought this, then. | 0:21:28 | 0:21:30 | |
Ultraviolet. Portable sunlight. | 0:21:32 | 0:21:34 | |
-Yours is bigger than mine. -Let's not go there. | 0:21:34 | 0:21:37 | |
Where are you from? Did you fall through the chasm? | 0:21:37 | 0:21:41 | |
-Mother this is pointless. Let's just start the process. -Hold your tongue, Francesco! | 0:21:41 | 0:21:46 | |
I need to know what this girl is doing in a world of savages with psychic paper. Who are you with? | 0:21:46 | 0:21:51 | |
I scarcely believe your idiot brother sent you. | 0:21:51 | 0:21:53 | |
What are you doing in MY school? | 0:21:53 | 0:21:58 | |
OK, I'll tell you. | 0:21:58 | 0:22:00 | |
I'm from Ofsted. | 0:22:00 | 0:22:03 | |
-SIGNORA CALVIERRA LAUGHS Put her in the chair. -No! | 0:22:03 | 0:22:06 | |
Get your hands off me! | 0:22:06 | 0:22:08 | |
Oh, make sport of me, will you? Tease me as if I were your dog? | 0:22:08 | 0:22:13 | |
Well, this dog has a bite, girl. | 0:22:13 | 0:22:15 | |
Doctor... | 0:22:19 | 0:22:22 | |
If we cancel now, we lose the deposit on the village hall, the salsa band... | 0:22:24 | 0:22:28 | |
Ohhh. | 0:22:28 | 0:22:30 | |
-What happened to them? -They've had all the moisture taken out of them. | 0:22:34 | 0:22:39 | |
Mother... | 0:22:53 | 0:22:54 | |
where you drink from her, may we share? | 0:22:54 | 0:22:58 | |
I'm so thirsty. | 0:22:58 | 0:23:00 | |
Of course, darling. | 0:23:01 | 0:23:03 | |
That's what vampires do, right? | 0:23:03 | 0:23:05 | |
They drink your blood and replace it with their own. | 0:23:05 | 0:23:07 | |
-Yeah, except they haven't just had their blood taken, but all the water in their bodies. -Why did they die? | 0:23:07 | 0:23:13 | |
Why aren't they like the girls in the school? | 0:23:13 | 0:23:17 | |
Maybe not everyone survives the process. | 0:23:18 | 0:23:21 | |
You know what's dangerous about you? | 0:23:27 | 0:23:29 | |
It's not that you make people take risks. It's that you make them want to impress you. | 0:23:29 | 0:23:34 | |
You make it so they don't want to let you down. | 0:23:36 | 0:23:38 | |
You have no idea how dangerous you make people to themselves when you're around. | 0:23:40 | 0:23:45 | |
VOICES IN UNISON: Who are you? | 0:23:45 | 0:23:47 | |
We should run. Run! | 0:23:54 | 0:23:55 | |
This is how it works. | 0:23:57 | 0:23:59 | |
First, we drink you until you're dry. | 0:24:01 | 0:24:04 | |
Then...we fill you with our blood. | 0:24:06 | 0:24:10 | |
It rages through you like a fire, | 0:24:10 | 0:24:13 | |
changing you, | 0:24:13 | 0:24:15 | |
until one morning you awake | 0:24:15 | 0:24:18 | |
and your humanity is a dream... | 0:24:18 | 0:24:21 | |
now faded. | 0:24:21 | 0:24:23 | |
Or you die. | 0:24:25 | 0:24:27 | |
HE CHUCKLES | 0:24:27 | 0:24:28 | |
-That can happen. -And if I survive? | 0:24:28 | 0:24:31 | |
Then there are 10,000 husbands waiting for you in the water. | 0:24:31 | 0:24:37 | |
Yeah, sorry. | 0:24:38 | 0:24:40 | |
I'm kind of engaged. | 0:24:40 | 0:24:43 | |
CLATTERING | 0:24:59 | 0:25:01 | |
Oh! Rory, come on! | 0:25:01 | 0:25:04 | |
AMY GASPS | 0:25:04 | 0:25:06 | |
Cab for Amy Pond? | 0:25:11 | 0:25:13 | |
-AMY SCREAMS -She bit me! | 0:25:16 | 0:25:20 | |
-This rescue plan, not exactly watertight, is it? -Ha-ha! | 0:25:20 | 0:25:25 | |
Rory! | 0:25:26 | 0:25:27 | |
-Amy! -Quickly, through here! | 0:25:27 | 0:25:28 | |
Seal the house. | 0:25:32 | 0:25:33 | |
-They're not vampires! -What?! -I saw them, I saw her. | 0:25:33 | 0:25:37 | |
They're not vampires. They're aliens! | 0:25:37 | 0:25:39 | |
-Classic! -That's GOOD news?! | 0:25:39 | 0:25:42 | |
What is wrong with you people?! | 0:25:42 | 0:25:44 | |
Come on, move! | 0:25:47 | 0:25:50 | |
Ha-ha! | 0:25:50 | 0:25:52 | |
Keep moving! Come on, guys. | 0:25:54 | 0:25:57 | |
Quickly. | 0:26:01 | 0:26:02 | |
Get out. Quick! | 0:26:02 | 0:26:05 | |
Oh... | 0:26:06 | 0:26:08 | |
-BELL TOLLS -Come on, run! | 0:26:08 | 0:26:11 | |
I can't! | 0:26:11 | 0:26:13 | |
LOUD CRACKLING | 0:26:14 | 0:26:17 | |
Oh! | 0:26:17 | 0:26:18 | |
HE GROANS | 0:26:18 | 0:26:21 | |
-Is he dead? -No, he's breathing. | 0:26:29 | 0:26:32 | |
And so in memory of the children lost to the silence, | 0:26:42 | 0:26:46 | |
the traitor is delivered to the arms of those she betrayed. | 0:26:46 | 0:26:50 | |
Do you expect me to drown? | 0:26:54 | 0:26:56 | |
I'm Venetian! | 0:26:57 | 0:26:59 | |
I can swim! | 0:26:59 | 0:27:01 | |
We can all swim! | 0:27:01 | 0:27:04 | |
Something touched my leg. | 0:27:11 | 0:27:13 | |
They're all around me! | 0:27:18 | 0:27:21 | |
They bite! | 0:27:22 | 0:27:24 | |
Now leave us. | 0:27:30 | 0:27:32 | |
Mother! | 0:27:43 | 0:27:45 | |
Change your form... | 0:27:47 | 0:27:49 | |
or my brothers will think they are being fed twice today. | 0:27:49 | 0:27:52 | |
Not long now. | 0:27:57 | 0:27:59 | |
It's not long. | 0:27:59 | 0:28:01 | |
WOLF WHISTLE | 0:28:12 | 0:28:14 | |
Long way from Saturnyne, aren't you...Sister of the Water? | 0:28:14 | 0:28:19 | |
No, let me guess. | 0:28:21 | 0:28:23 | |
The owner of the psychic paper. | 0:28:23 | 0:28:25 | |
Then I take it you're a refugee, like me? | 0:28:25 | 0:28:29 | |
I'll make you a deal. An answer for an answer. | 0:28:32 | 0:28:34 | |
You're using a perception filter. | 0:28:36 | 0:28:38 | |
It doesn't change your features, but manipulates the brainwaves of the person looking at you. | 0:28:38 | 0:28:43 | |
But seeing one of you for the first time in, say, a mirror, | 0:28:43 | 0:28:47 | |
the brain doesn't know what to fill the gap with, so leaves it blank... | 0:28:47 | 0:28:52 | |
-..hence no reflection. -Your question? | 0:28:53 | 0:28:57 | |
-Why can we see your big teeth? -Self-preservation over-rides the mirage. | 0:28:57 | 0:29:01 | |
The subconscious perceives the threat and tries to alert the conscious brain. | 0:29:01 | 0:29:06 | |
-Where's Isabella? -My turn. | 0:29:06 | 0:29:07 | |
Where are you from? | 0:29:09 | 0:29:12 | |
-Gallifrey. -You should be in a museum. | 0:29:12 | 0:29:15 | |
Or in a mausoleum. | 0:29:15 | 0:29:18 | |
Why are you here? | 0:29:18 | 0:29:19 | |
We ran from the silence. | 0:29:20 | 0:29:23 | |
Why are you here? | 0:29:23 | 0:29:24 | |
Wedding present. The silence? | 0:29:24 | 0:29:27 | |
There were cracks. | 0:29:30 | 0:29:31 | |
Some were tiny... | 0:29:33 | 0:29:34 | |
..some were as big as the sky. | 0:29:37 | 0:29:39 | |
Through some we saw worlds and people | 0:29:41 | 0:29:44 | |
and through others we saw silence... | 0:29:44 | 0:29:47 | |
..and the end of all things. | 0:29:49 | 0:29:51 | |
We fled to an ocean like ours and the crack snapped shut behind us... | 0:29:52 | 0:29:58 | |
..and Saturnyne was lost. | 0:29:59 | 0:30:02 | |
So Earth is to become Saturnyne Mark II? | 0:30:03 | 0:30:06 | |
And you can help me. | 0:30:06 | 0:30:08 | |
We can build a new society here, as others have. | 0:30:09 | 0:30:13 | |
What do you say? | 0:30:15 | 0:30:17 | |
Hmm. | 0:30:17 | 0:30:19 | |
Where's Isabella? | 0:30:30 | 0:30:32 | |
-Isabella? -The girl who saved my friend. | 0:30:33 | 0:30:36 | |
Oh, deserters must be executed. | 0:30:37 | 0:30:39 | |
Any general will tell you that. | 0:30:39 | 0:30:41 | |
I need an answer, Doctor. | 0:30:41 | 0:30:43 | |
A partnership. | 0:30:43 | 0:30:45 | |
-Any which way you choose. -I don't think that's such a good idea, do you? | 0:30:48 | 0:30:53 | |
I'm a Time Lord. | 0:30:53 | 0:30:56 | |
You're a big fish. | 0:30:56 | 0:30:57 | |
Think of the children. | 0:31:00 | 0:31:02 | |
Carlo! | 0:31:02 | 0:31:05 | |
You're right. | 0:31:05 | 0:31:06 | |
We're nothing alike. | 0:31:06 | 0:31:08 | |
I will bend the heavens to save my race, while YOU philosophise. | 0:31:08 | 0:31:12 | |
This ends today. | 0:31:12 | 0:31:14 | |
I'll tear down the House of Calvierri, stone by stone. | 0:31:14 | 0:31:19 | |
Take your hands off me, Carlo. | 0:31:19 | 0:31:22 | |
And you know why? | 0:31:26 | 0:31:28 | |
You didn't know Isabella's name. | 0:31:29 | 0:31:31 | |
DOOR OPENS | 0:31:31 | 0:31:33 | |
You didn't know Isabella's name. | 0:31:33 | 0:31:36 | |
< Open the gates. | 0:31:43 | 0:31:44 | |
Attend! | 0:31:50 | 0:31:52 | |
Attend! | 0:31:53 | 0:31:55 | |
The storm is coming! | 0:31:57 | 0:32:00 | |
-Argh! -Mummy... | 0:32:05 | 0:32:07 | |
What's wrong with your perception filter? | 0:32:10 | 0:32:12 | |
That idiot child must have damaged it when she kicked me... | 0:32:12 | 0:32:15 | |
SHE PANTS | 0:32:24 | 0:32:26 | |
Now...assemble the girls. | 0:32:26 | 0:32:29 | |
I have a job for them. | 0:32:29 | 0:32:32 | |
ELECTRONIC WHIRRING | 0:32:33 | 0:32:36 | |
You're fine. | 0:32:38 | 0:32:39 | |
Open wide. | 0:32:41 | 0:32:42 | |
-Mm-mm. -Mm-mm. | 0:32:44 | 0:32:45 | |
Argh! | 0:32:45 | 0:32:48 | |
I need to think. Come on brain, think, think. Think! | 0:32:48 | 0:32:51 | |
-Think! -If they're fish people, it explains why they hate the sun. | 0:32:51 | 0:32:55 | |
-Stop talking, brain thinking. -It's the school thing I don't understand. -Stop talking, brain thinking. | 0:32:55 | 0:33:00 | |
-I say we take the fight to them. -Ah-ah-ah! -What? | 0:33:00 | 0:33:03 | |
Ah! | 0:33:03 | 0:33:04 | |
Her planet dies, so they flee through a crack in space and time, and end up here, | 0:33:04 | 0:33:09 | |
then she closes off the city and, one by one, | 0:33:09 | 0:33:11 | |
changes people into creatures like her to start a new gene pool. Got it. Then what? | 0:33:11 | 0:33:16 | |
They come from the sea, they can't survive for ever on land, so what's she going to do? | 0:33:16 | 0:33:20 | |
Unless she's going to do something to the environment to make the city habitable... | 0:33:22 | 0:33:27 | |
She said, "I shall bend the heavens to save my race." | 0:33:27 | 0:33:30 | |
Bend the heavens... | 0:33:30 | 0:33:32 | |
Bend...the heavens... | 0:33:32 | 0:33:36 | |
-She's going to sink Venice. -She's...she's going to sink Venice? | 0:33:36 | 0:33:41 | |
And repopulate it with the girls she's transformed. | 0:33:41 | 0:33:44 | |
You can't repopulate somewhere with just women. | 0:33:44 | 0:33:48 | |
You need...blokes. | 0:33:48 | 0:33:50 | |
-She's got blokes. -Where? -In the canal. | 0:33:50 | 0:33:52 | |
She said, "There are 10,000 husbands waiting in the water." | 0:33:52 | 0:33:56 | |
Only the male offspring survived the journey here. | 0:33:56 | 0:33:59 | |
She's got 10,000 children swimming in the canals, | 0:33:59 | 0:34:01 | |
waiting for Mum to make them some compatible girlfriends. Ew. | 0:34:01 | 0:34:05 | |
I mean, I've been around a bit, but, really, that's...that's... Ew. | 0:34:05 | 0:34:11 | |
CLATTERING | 0:34:11 | 0:34:13 | |
The people upstairs are very noisy. | 0:34:14 | 0:34:17 | |
There aren't any people upstairs. | 0:34:17 | 0:34:19 | |
I knew you were going to say that. | 0:34:19 | 0:34:21 | |
Did anyone else know he was going to say that? | 0:34:21 | 0:34:23 | |
CREAKING | 0:34:23 | 0:34:25 | |
(Is it the vampires?) | 0:34:25 | 0:34:27 | |
Like I said, they're not vampires. | 0:34:27 | 0:34:30 | |
Fish from space. | 0:34:30 | 0:34:32 | |
THUMP, GLASS BREAKS | 0:34:32 | 0:34:35 | |
Aren't we on the second floor? | 0:34:41 | 0:34:43 | |
ELECTRONIC WHIRRING | 0:34:52 | 0:34:54 | |
What's happened to them? | 0:34:54 | 0:34:57 | |
There's nothing left of them. They've been fully converted. | 0:34:57 | 0:35:00 | |
Blimey, fish from space have never been so...buxom. | 0:35:00 | 0:35:05 | |
OK... | 0:35:05 | 0:35:06 | |
Move. Come on. | 0:35:06 | 0:35:09 | |
Give me the lamp. | 0:35:13 | 0:35:16 | |
Go, go, go, guys! Keep moving, go, go go! | 0:35:16 | 0:35:19 | |
-Stay away from the door, Doctor. -No! Guido! What are you doing?! | 0:35:21 | 0:35:25 | |
I'm not leaving you. What are you doing?! | 0:35:25 | 0:35:28 | |
ELECTRONIC WHIRRING | 0:35:30 | 0:35:32 | |
Come on. That's it... | 0:35:33 | 0:35:34 | |
Come on. | 0:35:36 | 0:35:37 | |
Guido! | 0:35:37 | 0:35:38 | |
BIRD FLUTTERS | 0:35:38 | 0:35:40 | |
GUIDO CHUCKLES | 0:35:40 | 0:35:42 | |
Come on. | 0:35:42 | 0:35:43 | |
Come on. Come on! | 0:35:43 | 0:35:45 | |
We are Venetians! | 0:35:51 | 0:35:54 | |
Right, to begin, let's fill the sky with fire. | 0:36:07 | 0:36:12 | |
Yes! | 0:36:26 | 0:36:27 | |
In sight of the Lord, protect and keep us! | 0:36:27 | 0:36:30 | |
-Rosanna's initiating the final phase. -We need to stop her. Come on! | 0:36:39 | 0:36:43 | |
-No, no. Get back to the TARDIS. -You can't stop her on your own. -We don't discuss this! | 0:36:43 | 0:36:48 | |
I tell you to do something, Amy, and you do it. | 0:36:48 | 0:36:51 | |
Huh? | 0:36:52 | 0:36:53 | |
Thank you. | 0:36:55 | 0:36:57 | |
Yeah... You're welcome. | 0:36:58 | 0:37:02 | |
SCREAMING | 0:37:02 | 0:37:06 | |
Oh, my God! What is going on? | 0:37:14 | 0:37:16 | |
The sky, it's like it's boiling. | 0:37:16 | 0:37:19 | |
ELECTRONIC WHIRRING | 0:37:39 | 0:37:41 | |
You're too late. | 0:37:41 | 0:37:44 | |
Such determination... | 0:37:44 | 0:37:46 | |
..just to save one city. | 0:37:47 | 0:37:50 | |
Hard to believe it's the same man that let an entire race turn to cinders and ash. | 0:37:50 | 0:37:55 | |
Now you can watch as my people take their new kingdom. | 0:37:55 | 0:38:00 | |
The girls have gone, Rosanna. | 0:38:00 | 0:38:03 | |
You're lying. | 0:38:04 | 0:38:06 | |
Shouldn't I be dead? | 0:38:06 | 0:38:07 | |
Hmm? | 0:38:09 | 0:38:10 | |
Rosanna, please, help me. There are 200,000 people in this city. | 0:38:11 | 0:38:17 | |
So save them. | 0:38:17 | 0:38:18 | |
BEEPING | 0:38:18 | 0:38:21 | |
CRASH! | 0:38:23 | 0:38:25 | |
LIGHTNING CRACKS | 0:38:26 | 0:38:29 | |
Amy, run! | 0:38:36 | 0:38:39 | |
This way, you freak! | 0:38:40 | 0:38:42 | |
Don't! | 0:38:42 | 0:38:44 | |
This...this...this way, you big, stupid, great...SpongeBob! | 0:38:44 | 0:38:48 | |
The only thing I've seen uglier than you is...your mum! | 0:38:48 | 0:38:52 | |
Huh? | 0:38:52 | 0:38:53 | |
No... | 0:38:57 | 0:38:59 | |
Did you just say something about Mummy? | 0:38:59 | 0:39:02 | |
Ha! Ha! | 0:39:04 | 0:39:06 | |
Shh... | 0:39:08 | 0:39:09 | |
Shoo...shh... | 0:39:09 | 0:39:11 | |
Agh! | 0:39:11 | 0:39:13 | |
Ah... | 0:39:18 | 0:39:19 | |
HE CHUCKLES | 0:39:20 | 0:39:23 | |
Careful! | 0:39:28 | 0:39:29 | |
-Hit him! -Agh... | 0:39:34 | 0:39:36 | |
RORY GRUNTS | 0:39:36 | 0:39:39 | |
This way, bring him this way! Rory! | 0:39:39 | 0:39:42 | |
Ew! You stink of fish. | 0:39:52 | 0:39:53 | |
Well, I'm hardly going to smell of cheese and biscuits(!) | 0:39:53 | 0:39:58 | |
Ow! | 0:40:00 | 0:40:02 | |
Hey! Mummy's boy. | 0:40:06 | 0:40:08 | |
Ohhh... | 0:40:18 | 0:40:20 | |
-Oh... -That was lucky. | 0:40:20 | 0:40:21 | |
CHICKENS CLUCK | 0:40:21 | 0:40:24 | |
Why did you make the sign of the cross, you numpty? | 0:40:24 | 0:40:27 | |
Oh, oh, right! I'm being reviewed now, am I(?) | 0:40:27 | 0:40:31 | |
Hmm! | 0:40:35 | 0:40:36 | |
Now we go help the Doctor. | 0:40:36 | 0:40:38 | |
Rightio. | 0:40:40 | 0:40:42 | |
SCREAMING | 0:40:42 | 0:40:45 | |
BELL TOLLS | 0:40:52 | 0:40:54 | |
Open the gates! | 0:41:03 | 0:41:05 | |
It's the Almighty! Look at the sky! | 0:41:14 | 0:41:17 | |
-Get out! I need to stabilise the storm. -We're not leaving you. -Right, | 0:41:21 | 0:41:24 | |
so one minute it's, "You make people a danger to themselves," the next it's, "We're not leaving you!" | 0:41:24 | 0:41:30 | |
But if one of you gets squashed or blown up or eaten, who gets... | 0:41:30 | 0:41:33 | |
THEY ALL SCREAM | 0:41:33 | 0:41:36 | |
-What was that? -Nothing. Bit of an earthquake. | 0:41:39 | 0:41:41 | |
-Earthquake? -Manipulate the elements, it can trigger earthquakes. But don't worry about them. -No? -No. | 0:41:41 | 0:41:47 | |
Worry about the tidal waves caused by the earthquake. | 0:41:47 | 0:41:51 | |
Right, Rosanna's throne is the control hub but she's locked the program, | 0:41:51 | 0:41:55 | |
so tear out every single wire and circuit in the throne. Go crazy. | 0:41:55 | 0:41:58 | |
Hit it with a stick, anything. We need it to shut down and re-route control to the secondary hub, | 0:41:58 | 0:42:04 | |
which I'm guessing will also be the generator. | 0:42:04 | 0:42:06 | |
BEEPING | 0:42:11 | 0:42:13 | |
ELECTRONIC WHIRRING | 0:42:15 | 0:42:16 | |
BELL TOLLING LOUDLY | 0:42:16 | 0:42:18 | |
HE GROANS | 0:42:24 | 0:42:26 | |
Shut up! Shut up. | 0:42:34 | 0:42:36 | |
That's better! | 0:42:36 | 0:42:38 | |
Ohh! | 0:42:51 | 0:42:52 | |
Oh. OK. | 0:42:52 | 0:42:55 | |
THUNDER RUMBLES | 0:43:01 | 0:43:03 | |
There he is! | 0:43:03 | 0:43:04 | |
Come on! | 0:43:15 | 0:43:17 | |
-Come on! -Come on! | 0:43:25 | 0:43:27 | |
BIRDSONG | 0:43:41 | 0:43:43 | |
CHEERING AND APPLAUSE | 0:43:58 | 0:44:01 | |
You did it! | 0:44:01 | 0:44:03 | |
WHIRRING AND BEEPING | 0:44:08 | 0:44:10 | |
CONTINUOUS TONE | 0:44:13 | 0:44:16 | |
TONE STOPS | 0:44:16 | 0:44:18 | |
Rosanna! | 0:44:40 | 0:44:41 | |
One city to save an entire species. | 0:44:41 | 0:44:45 | |
Was that so much to ask? | 0:44:46 | 0:44:49 | |
I told you, you can't go back and change time. | 0:44:49 | 0:44:52 | |
You mourn but you live. | 0:44:52 | 0:44:56 | |
I know, Rosanna, I did it. | 0:44:56 | 0:44:58 | |
Tell me, Doctor... | 0:45:00 | 0:45:02 | |
..can your conscience carry the weight of another dead race? | 0:45:04 | 0:45:07 | |
Remember us. | 0:45:08 | 0:45:10 | |
Dream of us. | 0:45:13 | 0:45:15 | |
No... | 0:45:18 | 0:45:19 | |
No! | 0:45:19 | 0:45:21 | |
Now, then? What about you two, eh? | 0:45:44 | 0:45:47 | |
Next stop Leadworth Register Office? | 0:45:47 | 0:45:50 | |
Maybe I can give you away. | 0:45:50 | 0:45:53 | |
It's fine. | 0:45:55 | 0:45:57 | |
Drop me back where you found me. I'll just say you've... | 0:45:57 | 0:46:01 | |
Stay. | 0:46:01 | 0:46:02 | |
With us. Please. | 0:46:02 | 0:46:04 | |
Just for a bit. | 0:46:04 | 0:46:06 | |
I want you to stay. | 0:46:06 | 0:46:08 | |
Fine with me. | 0:46:08 | 0:46:10 | |
Yeah? | 0:46:10 | 0:46:12 | |
Yes, I would like that. | 0:46:12 | 0:46:15 | |
Nice one. I will pop the kettle on. | 0:46:15 | 0:46:18 | |
Hey, look at this. | 0:46:18 | 0:46:20 | |
Got my spaceship, got my boys. | 0:46:20 | 0:46:23 | |
My work here is done. | 0:46:23 | 0:46:25 | |
-We are not her boys. -Yeah, we are. | 0:46:26 | 0:46:29 | |
Yeah, we are. | 0:46:29 | 0:46:31 | |
Rory, listen to that. | 0:46:33 | 0:46:35 | |
What? All I can hear is...silence. | 0:46:35 | 0:46:40 | |
'There were cracks. | 0:46:43 | 0:46:45 | |
'Through some we saw silence and the end of all things.' | 0:46:45 | 0:46:49 | |
Oh, look at you both, five years later. | 0:46:56 | 0:46:58 | |
Time to sleep. | 0:46:58 | 0:47:00 | |
Or are you waking up? | 0:47:00 | 0:47:02 | |
If you're the Time Lord, let's call me the Dream Lord. | 0:47:02 | 0:47:05 | |
Two worlds, here in the time machine... | 0:47:05 | 0:47:09 | |
and there in the village that time forgot. One is real... | 0:47:09 | 0:47:14 | |
the other's fake. | 0:47:14 | 0:47:17 | |
Trouble is, Rory, Amy, which is which? | 0:47:17 | 0:47:19 | |
So here's your challenge. | 0:47:19 | 0:47:21 | |
If you die in the dream, you wake up in reality. | 0:47:21 | 0:47:24 | |
-Ask me what happens if you die in reality? -What happens? | 0:47:24 | 0:47:27 | |
You die, stupid. That's why it's called reality. | 0:47:27 | 0:47:30 | |
Pick a world, and this nightmare will all be over. | 0:47:31 | 0:47:37 | |
This is going to be a tricky one. | 0:47:37 | 0:47:40 | |
Subtitles by Red Bee Media Ltd | 0:47:59 | 0:48:03 | |
E-mail [email protected] | 0:48:03 | 0:48:07 |