Browse content similar to The Wedding of River Song. Check below for episodes and series from the same categories and more!
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-My time is running out. -You understand what this is? Don't you? | 0:00:03 | 0:00:06 | |
Melody Pond. | 0:00:06 | 0:00:09 | |
The woman who kills The Doctor. | 0:00:09 | 0:00:11 | |
-How do you know who I am?! -I made you what you are. | 0:00:11 | 0:00:15 | |
One last trip, eh? | 0:00:15 | 0:00:18 | |
Whatever happens now, you do not interfere. | 0:00:18 | 0:00:21 | |
A robot worked by tiny people! | 0:00:22 | 0:00:26 | |
Access personal records, The Doctor. | 0:00:26 | 0:00:28 | |
-Records available. -Who wants me dead? | 0:00:28 | 0:00:31 | |
The Silence. The Silence is not a species. | 0:00:31 | 0:00:34 | |
It is a religious order, or movement. | 0:00:34 | 0:00:36 | |
Their core belief is that silence will fall | 0:00:36 | 0:00:38 | |
-when the question is asked. -What question? | 0:00:38 | 0:00:41 | |
The first question. | 0:00:41 | 0:00:42 | |
The oldest question in the universe, hidden in plain sight. | 0:00:42 | 0:00:46 | |
Yes, but what is the question? | 0:00:46 | 0:00:48 | |
Unknown. | 0:00:51 | 0:00:52 | |
RADIO: And it's another beautiful day in London. | 0:00:58 | 0:01:01 | |
There are reports of sunspot activity and solar flares | 0:01:01 | 0:01:03 | |
causing interference across all radio signals so apologies for that. | 0:01:03 | 0:01:07 | |
CHILDREN LAUGH | 0:01:10 | 0:01:13 | |
PTERODACTYLS SHRIEK | 0:01:13 | 0:01:14 | |
Guys, look! | 0:01:14 | 0:01:16 | |
THEY SCREAM | 0:01:19 | 0:01:23 | |
So do you think you can top last year's Christmas Special? | 0:01:35 | 0:01:38 | |
And can you tell us anything about it? | 0:01:38 | 0:01:40 | |
Well, all I can say now is that it involves ghosts, | 0:01:40 | 0:01:43 | |
and the past, the present and future, all at the same time... | 0:01:43 | 0:01:46 | |
Oh, we love a ghost story. | 0:01:46 | 0:01:49 | |
Crowds lined the Mall today as Holy Roman Emperor, Winston Churchill, | 0:01:49 | 0:01:53 | |
returned to the Buckingham Senate on his personal mammoth... | 0:01:53 | 0:01:57 | |
Not too many late nights in Gaul, I hope. | 0:01:57 | 0:01:59 | |
Just the one. I had an argument with Cleopatra. | 0:01:59 | 0:02:03 | |
Dreadful woman. Excellent dancer. | 0:02:03 | 0:02:06 | |
I can tell from your blood pressure. | 0:02:06 | 0:02:09 | |
-What time do you have, doctor? -Two minutes past five, Caesar. | 0:02:09 | 0:02:14 | |
It's always two minutes past five. | 0:02:16 | 0:02:18 | |
Day or night, it's always two minutes past five in the afternoon. | 0:02:18 | 0:02:24 | |
-Why is that? -Because that is the time, Caesar. | 0:02:24 | 0:02:26 | |
And the date. | 0:02:26 | 0:02:28 | |
Always the 22nd of April. Does it not bother you? | 0:02:28 | 0:02:32 | |
The date and the time have always been the same, Caesar. | 0:02:32 | 0:02:35 | |
Why should it start bothering me now? | 0:02:35 | 0:02:37 | |
-I want to see the Soothsayer. Where is he? -In the tower. | 0:02:37 | 0:02:41 | |
-Where you threw him the last time. -Get him! | 0:02:41 | 0:02:44 | |
Leave us! | 0:02:49 | 0:02:51 | |
Tick tock goes the clock. | 0:02:51 | 0:02:54 | |
As the old song says. | 0:02:54 | 0:02:57 | |
-CLOCK IS SILENT -But they don't, do they? | 0:02:59 | 0:03:02 | |
The clocks never tick. | 0:03:02 | 0:03:03 | |
Something has happened to time. | 0:03:03 | 0:03:06 | |
That's what you say. What you never STOP saying. | 0:03:06 | 0:03:10 | |
All of history is happening at once. | 0:03:10 | 0:03:13 | |
But what does that mean? | 0:03:13 | 0:03:15 | |
What happened? | 0:03:15 | 0:03:17 | |
Explain to me in terms that I can understand. | 0:03:17 | 0:03:20 | |
What happened to time? | 0:03:20 | 0:03:24 | |
A woman. | 0:03:29 | 0:03:31 | |
Imagine you were dying. | 0:04:07 | 0:04:09 | |
Imagine you were afraid and a long way from home and in terrible pain. | 0:04:09 | 0:04:15 | |
just when you thought it couldn't get worse, you looked up... | 0:04:15 | 0:04:21 | |
and saw the face of the devil himself. | 0:04:21 | 0:04:25 | |
Hello, Dalek. | 0:04:30 | 0:04:32 | |
Emergency, emergency, weapon system disabled, emergency! | 0:04:33 | 0:04:38 | |
Emergency! Emergency! | 0:04:38 | 0:04:41 | |
Hush now, I need some information from your data core. | 0:04:41 | 0:04:45 | |
Everything the Daleks know about the Silence! | 0:04:45 | 0:04:49 | |
Gideon Vandaleur. Get him. Now. | 0:05:05 | 0:05:09 | |
Who says he's here? | 0:05:09 | 0:05:11 | |
Father Gideon Vandaleur. | 0:05:22 | 0:05:24 | |
Former envoy of the Silence. | 0:05:26 | 0:05:29 | |
-My condolences. -Your what? | 0:05:29 | 0:05:33 | |
Gideon Vandaleur has been dead for six months. | 0:05:33 | 0:05:36 | |
HE WINCES | 0:05:36 | 0:05:37 | |
Can I speak to the Captain, please? | 0:05:41 | 0:05:44 | |
Hello again! The Teselecta, | 0:05:45 | 0:05:47 | |
time-travelling shape-changing robot, | 0:05:47 | 0:05:50 | |
powered by miniaturised people. | 0:05:50 | 0:05:52 | |
Never get bored of that! Long time since Berlin. | 0:05:52 | 0:05:54 | |
Doctor! What have you done to our systems? | 0:05:54 | 0:05:56 | |
They'll be fine, if you behave. | 0:05:56 | 0:05:59 | |
Now this unit can disguise itself as anyone in the universe | 0:05:59 | 0:06:01 | |
so if you're posing as Vandaleur, you're investigating the Silence... | 0:06:01 | 0:06:04 | |
-Tell me about them. -Tell you what? | 0:06:04 | 0:06:08 | |
One thing. Just one. Their weakest link. | 0:06:08 | 0:06:11 | |
MOBS SHOUTING AND CHANTING | 0:06:11 | 0:06:14 | |
The crowd are getting restless! | 0:06:16 | 0:06:18 | |
They know the Queen is your only legal move. | 0:06:18 | 0:06:21 | |
Except you've already moved it 12 times, | 0:06:21 | 0:06:23 | |
which means there are now over four million volts running through it. | 0:06:23 | 0:06:27 | |
CROWD SHOUTS | 0:06:27 | 0:06:31 | |
That's why they call it live chess. | 0:06:31 | 0:06:34 | |
Even with the gauntlet you'll never make it to bishop four alive. | 0:06:34 | 0:06:37 | |
I am a dead man. Unless you concede the game. | 0:06:37 | 0:06:42 | |
-But I'm winning. -Name your price. -Information. | 0:06:42 | 0:06:46 | |
I work for the Silence. | 0:06:46 | 0:06:50 | |
They would kill me. | 0:06:50 | 0:06:51 | |
They're going to kill me too, very soon. | 0:06:51 | 0:06:54 | |
I was just going to lie down and take it, but you know what? | 0:06:54 | 0:06:57 | |
Before I go, I'd like to know why I have to die. | 0:06:57 | 0:07:00 | |
Dorium Maldovar is the only one who can help you. | 0:07:00 | 0:07:05 | |
Dorium's dead. | 0:07:05 | 0:07:07 | |
The Monks beheaded him at Demons Run. | 0:07:07 | 0:07:10 | |
I know. Concede the game, Doctor... | 0:07:10 | 0:07:14 | |
and I'll take you to him. | 0:07:14 | 0:07:16 | |
The Seventh Transept. | 0:07:23 | 0:07:25 | |
Where the Headless Monks keep the leftovers. | 0:07:25 | 0:07:27 | |
Watch your step, there are traps everywhere. | 0:07:27 | 0:07:30 | |
-SCURRYING ON THE GROUND -Eww! I hate rats. | 0:07:30 | 0:07:35 | |
-There are no rats in the transept. -Oh, good. | 0:07:35 | 0:07:38 | |
The skulls eat them. | 0:07:38 | 0:07:39 | |
INDISTINCT WHISPERS | 0:07:39 | 0:07:42 | |
The headless monks behead you alive, remember? | 0:07:49 | 0:07:53 | |
Why are some of them in boxes? | 0:07:53 | 0:07:56 | |
Because some people are rich and some people are left to rot. | 0:07:57 | 0:08:01 | |
Dorium Maldovar was always very rich. | 0:08:03 | 0:08:08 | |
-HE COUGHS -Thank you for bringing me, Gantok. | 0:08:20 | 0:08:24 | |
My pleasure. It saves me the trouble of burying you. | 0:08:24 | 0:08:27 | |
Nobody beats me at chess! | 0:08:29 | 0:08:32 | |
-GANTOK ROARS -Gantok! | 0:08:34 | 0:08:37 | |
HE SCREAMS | 0:08:37 | 0:08:39 | |
Hello? Is someone there? | 0:08:56 | 0:08:59 | |
Ah, Doctor! | 0:09:02 | 0:09:04 | |
Thank God it's you. The Monks, they turned on me. | 0:09:04 | 0:09:06 | |
Well... I'm afraid they rather did a bit. | 0:09:06 | 0:09:10 | |
Give it to me straight, Doctor! How bad are my injuries? | 0:09:10 | 0:09:14 | |
-Well... -HE LAUGHS | 0:09:14 | 0:09:17 | |
Oh, your face! | 0:09:17 | 0:09:20 | |
This is absurd! | 0:09:22 | 0:09:25 | |
Other worlds, carnivorous skulls, talking heads. | 0:09:25 | 0:09:29 | |
I don't know why I'm listening to you. | 0:09:29 | 0:09:31 | |
Because in another reality, you and I are friends. | 0:09:31 | 0:09:34 | |
And you sense that. | 0:09:34 | 0:09:36 | |
Just as you sense there is something wrong with time. | 0:09:36 | 0:09:41 | |
-You mentioned a woman... -Yes. I'm getting to her. | 0:09:41 | 0:09:45 | |
What's she like? Attractive, I assume. | 0:09:45 | 0:09:48 | |
Hell. In high heels. | 0:09:48 | 0:09:52 | |
Tell me more. | 0:09:52 | 0:09:55 | |
Oh, it's not so bad really, | 0:09:55 | 0:09:56 | |
as long as they get your box the right way up. | 0:09:56 | 0:09:59 | |
I got a media-chip fitted in my head years ago, | 0:09:59 | 0:10:01 | |
and the wi-fi down here is excellent. | 0:10:01 | 0:10:04 | |
So I keep myself entertained. | 0:10:04 | 0:10:06 | |
-I need to know about the Silence. -Oh. | 0:10:06 | 0:10:09 | |
A religious order of great power and discretion. | 0:10:09 | 0:10:12 | |
The sentinels of history, as they like to call themselves. | 0:10:12 | 0:10:15 | |
-And they want me dead. -No, not really. | 0:10:15 | 0:10:18 | |
They just don't want you to remain alive. | 0:10:18 | 0:10:20 | |
That's OK. I was worried for a minute there. | 0:10:20 | 0:10:22 | |
You're a man with a long and dangerous past. | 0:10:22 | 0:10:26 | |
But your future is infinitely more terrifying. | 0:10:26 | 0:10:29 | |
The Silence believe it must be averted. | 0:10:29 | 0:10:31 | |
You know you could've told me all this, the last time we met. | 0:10:31 | 0:10:35 | |
It was a busy day and I got beheaded. | 0:10:35 | 0:10:38 | |
What's so dangerous about my future? | 0:10:38 | 0:10:41 | |
On the fields of Trenzalore, at the fall of the Eleventh, | 0:10:41 | 0:10:45 | |
when no living creature could speak falsely, or fail to answer, | 0:10:45 | 0:10:48 | |
a question will be asked. | 0:10:48 | 0:10:50 | |
A question that must never, ever be answered. | 0:10:50 | 0:10:55 | |
Silence will fall when the question is asked... | 0:10:55 | 0:10:57 | |
Silence MUST fall would be a better translation. | 0:10:57 | 0:11:00 | |
The Silence are determined the question will never be answered. | 0:11:00 | 0:11:03 | |
That the Doctor will NEVER reach Trenzalore. | 0:11:03 | 0:11:06 | |
-I don't understand? What's it got to do with me? -The first question. | 0:11:06 | 0:11:10 | |
The oldest question in the universe, hidden in plain sight. | 0:11:10 | 0:11:14 | |
-Would you like to know what it is? -Yes! -Are you sure? | 0:11:14 | 0:11:18 | |
Very, very sure? | 0:11:26 | 0:11:30 | |
-Of course. -Then I shall tell you. | 0:11:31 | 0:11:34 | |
-But on your own head be it. -HE LAUGHS | 0:11:34 | 0:11:40 | |
It's not my fault! Put me back. | 0:11:41 | 0:11:43 | |
Ow! I've fallen on my nose. | 0:11:43 | 0:11:47 | |
Have you got wi-fi here? | 0:11:55 | 0:11:56 | |
I'm bored already and my nose is hurting! | 0:11:56 | 0:11:59 | |
We all have to die, Doctor... | 0:11:59 | 0:12:02 | |
But you more than most. You do see that, don't you? | 0:12:02 | 0:12:05 | |
You know what the question is now, you do see that you have to die! | 0:12:05 | 0:12:11 | |
But what was the question? | 0:12:11 | 0:12:13 | |
Why did it mean your death? | 0:12:13 | 0:12:16 | |
Suppose there was a man who knew a secret. | 0:12:19 | 0:12:22 | |
A terrible, dangerous secret that must never be told. | 0:12:22 | 0:12:27 | |
How would you erase that secret from the world? | 0:12:28 | 0:12:31 | |
Destroy it forever, before it can be spoken. | 0:12:31 | 0:12:34 | |
If I had to, I'd destroy the man. | 0:12:37 | 0:12:40 | |
And silence would fall. | 0:12:40 | 0:12:42 | |
All the times I've heard those words, I never realised... | 0:12:43 | 0:12:47 | |
it was my silence. | 0:12:47 | 0:12:50 | |
My death. The Doctor will fall. | 0:12:50 | 0:12:53 | |
-Why are we here? -This?! This is the Senate Room. | 0:12:59 | 0:13:04 | |
But why did we leave your office? | 0:13:04 | 0:13:07 | |
Well, we wanted a stroll. Didn't we? | 0:13:07 | 0:13:09 | |
I think I've been running. | 0:13:10 | 0:13:13 | |
-Why do you have your revolver? -Well... | 0:13:13 | 0:13:17 | |
You're dangerous company, Soothsayer. | 0:13:17 | 0:13:19 | |
Yes. I think I am. | 0:13:23 | 0:13:28 | |
Resume your story. | 0:13:29 | 0:13:30 | |
Doctor, please open my hatch, I've got an awful headache... | 0:13:32 | 0:13:36 | |
Which to be honest means more than it used to. | 0:13:36 | 0:13:39 | |
It's like some terrible weight pressing down on my... | 0:13:39 | 0:13:44 | |
Oh, I see! | 0:13:46 | 0:13:47 | |
Why Lake Silencio? Why Utah? | 0:13:48 | 0:13:52 | |
It's a still point in time. | 0:13:52 | 0:13:55 | |
Makes it easier to create a fixed point. | 0:13:55 | 0:13:58 | |
And your death is a fixed point, Doctor. | 0:13:58 | 0:14:00 | |
-You can't run away from this. -Been running all my life. | 0:14:00 | 0:14:03 | |
-Why should I stop? -Because now you know what's at stake. | 0:14:03 | 0:14:06 | |
-Why your life ends. -Not today. | 0:14:06 | 0:14:07 | |
What's the point in delaying? How long have you delayed already? | 0:14:07 | 0:14:10 | |
A bit of a farewell tour. | 0:14:10 | 0:14:12 | |
Things to do, people to see, there's always more. | 0:14:12 | 0:14:14 | |
I could invent a new colour, save the Dodo, join the Beatles! | 0:14:14 | 0:14:17 | |
Hello, it's me. Get him! Tell him, we're going out and it's all on me, | 0:14:17 | 0:14:21 | |
except for the money and driving. I've got a time machine, Dorium... | 0:14:21 | 0:14:24 | |
it's all still going on. For me, it never stops. | 0:14:24 | 0:14:26 | |
Liz the First is waiting to elope with me. I could help Rose Tyler with her homework, | 0:14:26 | 0:14:30 | |
I could go on all of Jack's stag parties in one night. | 0:14:30 | 0:14:33 | |
-Time catches up with us all! -Well, it has never laid a glove on me! | 0:14:33 | 0:14:37 | |
Hello? | 0:14:37 | 0:14:40 | |
Doctor, I'm so sorry, we didn't know how to contact you. | 0:14:40 | 0:14:44 | |
I'm afraid Brigadier Lethbridge-Stewart | 0:14:44 | 0:14:47 | |
passed away a few months ago. Doctor? | 0:14:47 | 0:14:52 | |
-Yes. Yes, I... -It was very peaceful. | 0:14:52 | 0:14:55 | |
He talked a lot about you, if that's any comfort. | 0:14:55 | 0:14:57 | |
Always made us pour an extra brandy in case you came round | 0:14:57 | 0:15:01 | |
-one of these days. -Doctor? What's wrong? | 0:15:01 | 0:15:05 | |
Nothing. Nothing. | 0:15:05 | 0:15:07 | |
It's just... | 0:15:07 | 0:15:10 | |
It's time. | 0:15:25 | 0:15:27 | |
It's time. | 0:15:31 | 0:15:34 | |
Surely you could deliver the messages yourself. | 0:15:38 | 0:15:41 | |
It would involve crossing my own time stream...best not. | 0:15:41 | 0:15:46 | |
According to our files, this is the end for you. | 0:15:46 | 0:15:48 | |
Your final journey. | 0:15:48 | 0:15:51 | |
We'll deliver your messages. You can depend on us. | 0:15:51 | 0:15:55 | |
Thank you. | 0:15:56 | 0:15:58 | |
Doctor, whatever you think of the Teselecta, | 0:16:03 | 0:16:07 | |
we are champions of law and order, just as you have always been. | 0:16:07 | 0:16:11 | |
Is there nothing else we can do? | 0:16:11 | 0:16:13 | |
-CHURCHILL: -Why would you do this? | 0:16:18 | 0:16:21 | |
Of all the things you've told me, this I find hardest to believe. | 0:16:21 | 0:16:24 | |
Why would you invite your friends to see your death? | 0:16:24 | 0:16:27 | |
I had to die. I didn't have to die alone. | 0:16:27 | 0:16:32 | |
-Doctor! -Haha! | 0:16:32 | 0:16:34 | |
'Amy and Rory. | 0:16:34 | 0:16:36 | |
'The last Centurion and the girl who waited. | 0:16:36 | 0:16:40 | |
'However dark it got, I'd turn around, and there they'd be'. | 0:16:40 | 0:16:44 | |
If it's time to go, remember what you're leaving. | 0:16:44 | 0:16:49 | |
Remember the best. My friends have always been the best of me. | 0:16:49 | 0:16:54 | |
And did you tell them this was going to happen? | 0:16:54 | 0:16:56 | |
It would help if you didn't keep asking questions. | 0:16:56 | 0:17:00 | |
(We don't have much time.) | 0:17:03 | 0:17:05 | |
GUNSHOT | 0:17:05 | 0:17:07 | |
And this woman you spoke of. Did you invite her? | 0:17:07 | 0:17:11 | |
Hello, sweetie. | 0:17:11 | 0:17:13 | |
'Yes, she was there. | 0:17:13 | 0:17:15 | |
'River Song came twice.' | 0:17:15 | 0:17:18 | |
Napoleon gave me this bottle. | 0:17:18 | 0:17:21 | |
Well, I say gave... Threw. | 0:17:21 | 0:17:24 | |
-Salut! -ALL: -Salut! | 0:17:24 | 0:17:27 | |
So when are we going to 1969? | 0:17:28 | 0:17:31 | |
Everything was in place. I only had to do one more thing. | 0:17:31 | 0:17:35 | |
I only had to die. | 0:17:35 | 0:17:37 | |
Oh, my God! | 0:17:37 | 0:17:39 | |
You all need to stay back. | 0:17:39 | 0:17:42 | |
Whatever happens now, you do not interfere. | 0:17:42 | 0:17:45 | |
That's an astronaut. | 0:17:49 | 0:17:51 | |
That's an Apollo astronaut! In a lake? | 0:17:51 | 0:17:54 | |
Look... | 0:17:54 | 0:17:55 | |
Well, then. | 0:18:06 | 0:18:09 | |
Here we are at last. | 0:18:09 | 0:18:11 | |
I can't stop it. The suit's in control. | 0:18:11 | 0:18:14 | |
-You're not supposed to. This has to happen. -Run! | 0:18:14 | 0:18:16 | |
I did run. Running brought me here. | 0:18:16 | 0:18:18 | |
I tried to fight it, but I can't, it's too strong. | 0:18:18 | 0:18:22 | |
I know. It's OK. | 0:18:22 | 0:18:25 | |
This is where I die. | 0:18:25 | 0:18:28 | |
This is a fixed point, this must happen, this always happens. | 0:18:28 | 0:18:31 | |
Don't worry... | 0:18:31 | 0:18:34 | |
You won't even remember this. | 0:18:34 | 0:18:36 | |
Look over there. | 0:18:38 | 0:18:39 | |
-SHE SOBS -That's me. | 0:18:43 | 0:18:45 | |
How can I be there? | 0:18:45 | 0:18:47 | |
That's you from the future. | 0:18:47 | 0:18:49 | |
Serving time for a murder you probably can't remember. | 0:18:50 | 0:18:54 | |
My murder. | 0:18:54 | 0:18:56 | |
Why would you do that? | 0:18:56 | 0:18:58 | |
-Make me watch? -So that you know this is inevitable. | 0:18:58 | 0:19:03 | |
And you are forgiven. Always and completely forgiven. | 0:19:03 | 0:19:07 | |
-Please, my love. Please, please just run! -I can't. | 0:19:07 | 0:19:10 | |
-Time can be rewritten. -Don't you dare. | 0:19:10 | 0:19:13 | |
Goodbye, River. | 0:19:14 | 0:19:16 | |
RIVER SOBS | 0:19:24 | 0:19:25 | |
SONIC GUNSHOTS | 0:19:25 | 0:19:28 | |
-Hello, Sweetie. -What have you done?! | 0:19:35 | 0:19:38 | |
Well...I think I just drained my weapon systems. | 0:19:38 | 0:19:41 | |
But this is fixed. This is a fixed point in time. | 0:19:41 | 0:19:45 | |
Fixed points can be rewritten. | 0:19:45 | 0:19:47 | |
No, they can't, of course they can't, who told you?! | 0:19:47 | 0:19:50 | |
-Well? What happened? -Nothing. -Nothing? | 0:19:54 | 0:19:57 | |
Nothing happened. And then it kept happening. | 0:19:57 | 0:20:01 | |
Or if you prefer everything happened, at once, | 0:20:01 | 0:20:04 | |
and it won't ever stop. Time is dying. | 0:20:04 | 0:20:07 | |
It's going to be 5:02 in the afternoon for all eternity. | 0:20:07 | 0:20:10 | |
-A needle stuck on a record. -A record? | 0:20:10 | 0:20:13 | |
Good Lord, man, have you never heard of downloads? | 0:20:13 | 0:20:16 | |
Said Winston Churchill. | 0:20:16 | 0:20:18 | |
-HE SNIFFS -Gun-smoke. That's gun-smoke! | 0:20:18 | 0:20:22 | |
I appear to have fired this. | 0:20:22 | 0:20:24 | |
-We seem to be defending ourselves. -I don't understand. | 0:20:24 | 0:20:27 | |
The creatures that lead the Silence. | 0:20:27 | 0:20:29 | |
Remarkable beings... they're memory-proof. | 0:20:29 | 0:20:32 | |
-But what does that mean? -You can't remember them. | 0:20:32 | 0:20:34 | |
The moment you look away, you forget they were ever there. | 0:20:34 | 0:20:37 | |
Don't panic. In small numbers, they're not too difficult. | 0:20:40 | 0:20:44 | |
Go! | 0:20:59 | 0:21:01 | |
Go! Go! Keep the Silents in sight at all times, | 0:21:02 | 0:21:06 | |
-keep your eye drives active. -Who the devil are you?! | 0:21:06 | 0:21:09 | |
-Identify yourselves! -Pond. Amelia Pond. | 0:21:09 | 0:21:12 | |
-HE LAUGHS -No! | 0:21:12 | 0:21:14 | |
She's on our side, it's OK. | 0:21:14 | 0:21:18 | |
No! | 0:21:18 | 0:21:20 | |
No, Amy, Amy. Why are you wearing that? | 0:21:20 | 0:21:27 | |
-RADIO: -The Government has again apologised for extensive radio | 0:21:30 | 0:21:34 | |
interference caused by solar flare and sun spot activity. | 0:21:34 | 0:21:38 | |
-Amy? -Those stun guns aren't fun, I'm sorry. | 0:21:45 | 0:21:49 | |
I wanted to avoid a long conversation. | 0:21:49 | 0:21:52 | |
-You need to get up though, we'll be in Cairo shortly. -Amy Pond! | 0:21:52 | 0:21:55 | |
Amelia Pond from Leadworth, please, listen to me. | 0:21:55 | 0:21:59 | |
I know it seems impossible, but you know me. | 0:21:59 | 0:22:02 | |
In another version of reality you and I were best friends. | 0:22:02 | 0:22:05 | |
We, we travelled together, we had adventures... | 0:22:05 | 0:22:08 | |
-HE GROANS -Amelia Pond! | 0:22:08 | 0:22:09 | |
You grew up with a time rift in the wall of your bedroom. | 0:22:09 | 0:22:13 | |
You can see what others can't, you can remember things | 0:22:13 | 0:22:16 | |
that never happened. | 0:22:16 | 0:22:18 | |
and if you try, if you really, really try, you'll be able to... | 0:22:18 | 0:22:21 | |
Oh. Oh! | 0:22:23 | 0:22:27 | |
Oh... | 0:22:32 | 0:22:34 | |
-You look rubbish. -You look wonderful. | 0:22:38 | 0:22:41 | |
So do you. But don't worry. We'll soon fix that. | 0:22:41 | 0:22:47 | |
-Oh! -SHE LAUGHS | 0:22:47 | 0:22:49 | |
Geronimo! | 0:22:49 | 0:22:51 | |
-OK, you can turn round now. How do I look? -Cool. | 0:22:53 | 0:22:56 | |
-Really?! -No. -Cool office though. | 0:22:56 | 0:22:59 | |
Why do you have an office?! | 0:22:59 | 0:23:00 | |
Are you a special agent boss lady? Not sure about the eye patch. | 0:23:00 | 0:23:03 | |
It's not an eye patch. Time's gone wrong. Some of us noticed. | 0:23:03 | 0:23:06 | |
There's a whole team of us working on it... | 0:23:06 | 0:23:08 | |
-You'll see. -And you've got an office on a train, that is so cool. | 0:23:08 | 0:23:12 | |
Can I have an office? Never had an office before! Or a train. | 0:23:12 | 0:23:15 | |
-Or a train slash office. -God, I've missed you! | 0:23:15 | 0:23:18 | |
OK, hugging and missing now. Where's the Roman? | 0:23:18 | 0:23:21 | |
-You mean Rory! -Mmm. -My husband Rory, yeah? | 0:23:21 | 0:23:24 | |
That's him, isn't it? I've no idea, I can't find him. | 0:23:24 | 0:23:28 | |
-I love him very much, don't I? -Apparently. | 0:23:28 | 0:23:32 | |
I have to keep writing and drawing things. | 0:23:32 | 0:23:34 | |
It's hard to keep remembering... | 0:23:34 | 0:23:36 | |
It's not your fault, time's gone wrong. | 0:23:36 | 0:23:39 | |
Do you remember why? | 0:23:39 | 0:23:41 | |
-The lakeside. -Lake Silencio, Utah. I died. | 0:23:41 | 0:23:44 | |
But then you didn't. I remember it twice, different ways. | 0:23:44 | 0:23:46 | |
Two different versions of the same event, | 0:23:46 | 0:23:49 | |
both happening in the same moment. Time split wide open. | 0:23:49 | 0:23:51 | |
-Now look at it. All of history happening at once. -Does it matter? | 0:23:51 | 0:23:58 | |
-I mean can't we just stay like this? -Time isn't just frozen. | 0:23:58 | 0:24:02 | |
It's disintegrating. | 0:24:02 | 0:24:04 | |
It will spread and spread and all of reality will simply fall apart. | 0:24:05 | 0:24:10 | |
Ma'am, we're about to arrive. | 0:24:12 | 0:24:14 | |
Eye drives need to be activated as soon as we disembark. | 0:24:14 | 0:24:17 | |
-Good point. Thank you, Captain Williams. -Hello. | 0:24:17 | 0:24:20 | |
Hello, sir. Pleased to meet you. | 0:24:20 | 0:24:23 | |
Captain Williams, best of the best, couldn't live without him. | 0:24:23 | 0:24:27 | |
-HE LAUGHS -No. -What is wrong? | 0:24:28 | 0:24:32 | |
Amy... You'll find your Rory, you always do. | 0:24:32 | 0:24:34 | |
-But you have to really look. -I am looking. | 0:24:34 | 0:24:36 | |
Oh, my Amelia Pond. You don't always look hard enough. | 0:24:36 | 0:24:41 | |
(Why are you older?) | 0:24:41 | 0:24:43 | |
If time isn't really passing, then how can you be ageing? | 0:24:43 | 0:24:46 | |
Time's still passing for me. Every explosion has an epicentre. | 0:24:46 | 0:24:52 | |
I'm it... | 0:24:52 | 0:24:54 | |
-I'm what's wrong. -What's wrong with you? | 0:24:54 | 0:24:58 | |
I'm still alive. | 0:25:04 | 0:25:06 | |
You have to put it on, sir. | 0:25:21 | 0:25:23 | |
An eye patch. What for? | 0:25:23 | 0:25:25 | |
-It's not an eye patch. -It's an eye drive, | 0:25:25 | 0:25:27 | |
it communicates directly with the memory centres of the brain, | 0:25:27 | 0:25:30 | |
-acts as external storage. -Only thing that works on them. | 0:25:30 | 0:25:33 | |
Because no living mind can remember these things. | 0:25:33 | 0:25:37 | |
The Silents. | 0:25:37 | 0:25:38 | |
We've captured over 100 of them now... | 0:25:38 | 0:25:41 | |
-all held in this Pyramid. -Yeah. | 0:25:41 | 0:25:43 | |
I've encountered them before. | 0:25:43 | 0:25:46 | |
Always wondered what they looked like. | 0:25:46 | 0:25:48 | |
Put your eye drive on and, you'll retain the information. | 0:25:48 | 0:25:51 | |
But only as long as you're wearing it. | 0:25:51 | 0:25:53 | |
The Silents have human servants. They all wear these. | 0:25:53 | 0:25:56 | |
-They'd have to. -This way. | 0:25:56 | 0:25:58 | |
-They seem to be noticing you. -Yeah. They would. | 0:26:00 | 0:26:05 | |
Why aren't the human race killing them on sight any more? | 0:26:05 | 0:26:08 | |
That was another reality. What are the tanks for? | 0:26:08 | 0:26:10 | |
They can draw electricity from anything, it's how they attack. | 0:26:10 | 0:26:13 | |
The fluid insulates them. | 0:26:13 | 0:26:15 | |
I don't like how the way they're looking at you. | 0:26:15 | 0:26:18 | |
-Me neither. -I'm sure it's nothing, but I should check it out. | 0:26:18 | 0:26:21 | |
They haven't been this active in a while. | 0:26:21 | 0:26:24 | |
You two, upstairs, check the tank seals. | 0:26:24 | 0:26:25 | |
-Then the floors above, get everyone checking. -Sir! | 0:26:25 | 0:26:28 | |
You go ahead, Ma'am. | 0:26:28 | 0:26:30 | |
Thank you, Captain Williams. Doctor this way. | 0:26:30 | 0:26:33 | |
Captain Williams, nice fella. What's his first name? | 0:26:33 | 0:26:36 | |
Captain. Just through here. | 0:26:36 | 0:26:38 | |
Just give us a moment, just need to... check something... Ma'am. | 0:26:38 | 0:26:44 | |
We're in. He's on his way. | 0:26:44 | 0:26:46 | |
The loyal soldier, waiting to be noticed, | 0:26:46 | 0:26:50 | |
-always the pattern, why is that? -Sorry? | 0:26:50 | 0:26:52 | |
Your boss, you should just ask her out, she likes you. She said so. | 0:26:52 | 0:26:56 | |
Really, sir. What did she say? | 0:26:56 | 0:27:00 | |
Ah, she just sort of generally indicated. | 0:27:03 | 0:27:07 | |
-What exactly what did she say? -She said that you | 0:27:07 | 0:27:09 | |
were a Mr Hottie...ness. | 0:27:09 | 0:27:12 | |
And that she would like to go out with you for... | 0:27:12 | 0:27:14 | |
texting and scones. | 0:27:14 | 0:27:17 | |
-You really haven't done this before, have you? -No, I haven't. | 0:27:19 | 0:27:22 | |
See you in a moment, sir. | 0:27:26 | 0:27:28 | |
Yes. | 0:27:28 | 0:27:31 | |
Yes. | 0:27:31 | 0:27:34 | |
Come on, Doctor. Time for you to meet some old friends. | 0:27:36 | 0:27:40 | |
Attention, all personnel. | 0:27:40 | 0:27:42 | |
Attention, all personnel. | 0:27:42 | 0:27:44 | |
-Please check all assigned containment units. -You were right. | 0:27:44 | 0:27:48 | |
Just his presence in the building caused the loop | 0:27:48 | 0:27:50 | |
to extend by nearly four chronons. | 0:27:50 | 0:27:52 | |
Hi, honey. I'm home. | 0:27:52 | 0:27:56 | |
And what sort of time do you call this? | 0:27:56 | 0:27:59 | |
The death of time. The end of time. | 0:27:59 | 0:28:02 | |
The end of us all. Oh, why couldn't you just die? | 0:28:03 | 0:28:07 | |
Did my best, dear. I showed up. | 0:28:07 | 0:28:09 | |
You just can't get the psychopaths these days. | 0:28:09 | 0:28:11 | |
Love what you've done with the pyramids. | 0:28:11 | 0:28:14 | |
-How did you swing all this. -Hallucinogenic lipstick. | 0:28:14 | 0:28:17 | |
Works wonders on President Kennedy. And Cleopatra was a real pushover. | 0:28:17 | 0:28:21 | |
-I always thought so. -She mentioned you. | 0:28:21 | 0:28:23 | |
-What did she say? -Put down that gun down. -Did you? -Eventually. | 0:28:23 | 0:28:26 | |
They're flirting! Do I have to watch this? | 0:28:26 | 0:28:29 | |
It was such a basic mistake, wasn't it, Madame Kovarian? | 0:28:29 | 0:28:31 | |
Take a child, raise her into a perfect psychopath, | 0:28:31 | 0:28:34 | |
introduce her to the Doctor. | 0:28:34 | 0:28:35 | |
Who else was I going to fall in love with? | 0:28:35 | 0:28:38 | |
It's not funny, River. Reality is fatally compromised. | 0:28:38 | 0:28:41 | |
-Tell me you understand that. -Dinner? -I don't have the time. | 0:28:41 | 0:28:44 | |
Nobody has the time, because as long I'm alive, time is dying. | 0:28:44 | 0:28:47 | |
-Because of you, River. -Because I refused to kill the man I love. | 0:28:47 | 0:28:51 | |
Oh, you love me, do you. Oh, that's sweet of you! Isn't that sweet? | 0:28:51 | 0:28:54 | |
-C'mere you! -Get him! -I'm not a fool, sweetie. | 0:28:54 | 0:28:57 | |
I know what happens if we touch. | 0:28:57 | 0:28:59 | |
-Get off me, get him off me! -Doctor, no, let go! | 0:29:02 | 0:29:05 | |
-Please Doctor let go!! -It's moving. Time's moving! | 0:29:05 | 0:29:09 | |
-Get him off me! -Doctor! | 0:29:09 | 0:29:11 | |
I'm sorry, River, it's the only way! | 0:29:11 | 0:29:13 | |
-Cuff him. -Oh, why do you always have handcuffs? | 0:29:24 | 0:29:28 | |
It's the only way. We're the opposite poles of the disruption. | 0:29:28 | 0:29:31 | |
If we touch, we short out the differential, time can begin. | 0:29:31 | 0:29:34 | |
-And I'll be by a lakeside, killing you. -And time won't fall apart. | 0:29:34 | 0:29:37 | |
Reality will continue. There isn't another way. | 0:29:37 | 0:29:40 | |
I didn't say there was, sweetie. | 0:29:40 | 0:29:42 | |
There are so many theories about you and I, you know. | 0:30:20 | 0:30:23 | |
-Idle gossip. -Archaeology. -Same thing. | 0:30:23 | 0:30:26 | |
Am I the woman who marries you, or the woman who murders you? | 0:30:26 | 0:30:29 | |
Oh! I don't want to marry you. | 0:30:29 | 0:30:31 | |
-I don't want to murder you. -This is no fun at all. | 0:30:31 | 0:30:34 | |
-It isn't, is it? -Doctor... What's that? | 0:30:34 | 0:30:37 | |
The pyramid above us. | 0:30:43 | 0:30:45 | |
-How many Silents do you have trapped inside it? -None. | 0:30:45 | 0:30:49 | |
They're not trapped, they never have been. | 0:30:49 | 0:30:52 | |
They've been waiting for this, Doctor... | 0:30:52 | 0:30:56 | |
For you. | 0:30:56 | 0:30:58 | |
They're out! All of them. | 0:30:58 | 0:31:01 | |
PANICKED SHOUTING | 0:31:01 | 0:31:03 | |
SOLDIER ROARS | 0:31:05 | 0:31:07 | |
GUNFIRE | 0:31:07 | 0:31:09 | |
SHOUTING | 0:31:09 | 0:31:12 | |
No-one gets in here! Ma'am, my men out there, should be | 0:31:12 | 0:31:15 | |
able to lock this down we have them outnumbered. | 0:31:15 | 0:31:17 | |
And you're wearing eye drives. Based on mine, I think. Oops! | 0:31:17 | 0:31:21 | |
What do you mean? | 0:31:21 | 0:31:23 | |
-SHE SCREAMS -Help her! Help her! | 0:31:23 | 0:31:26 | |
She's dead. | 0:31:29 | 0:31:31 | |
-HE GROANS -Eye pads off, now, remove them! | 0:31:40 | 0:31:44 | |
-THEY GROAN IN PAIN -The Silence would never allow an advantage, | 0:31:47 | 0:31:52 | |
without taking one themselves. | 0:31:52 | 0:31:53 | |
The effects will vary from person to person... | 0:31:53 | 0:31:56 | |
either death or debilitating agony. | 0:31:56 | 0:31:58 | |
But they will take you all, one by one. | 0:31:58 | 0:32:03 | |
-HER PATCH BUZZES -What are you doing? No, it's me... | 0:32:04 | 0:32:08 | |
Don't be stupid, you need me. | 0:32:08 | 0:32:13 | |
-SHE GASPS -Stop it, stop that! | 0:32:13 | 0:32:17 | |
We could stop this right now, you and I. | 0:32:17 | 0:32:19 | |
-Get it off me! -Amy, tell her! | 0:32:19 | 0:32:21 | |
We've been working on something. Let us show you. | 0:32:21 | 0:32:23 | |
-My time is up. -We're doing this for you! | 0:32:23 | 0:32:25 | |
Then people are dying for me. I won't thank you for that. | 0:32:25 | 0:32:28 | |
-Get it... -Just let us show you! -Please. | 0:32:28 | 0:32:31 | |
Captain Williams, how long do we have? A couple of minutes. | 0:32:32 | 0:32:36 | |
That's enough. | 0:32:36 | 0:32:37 | |
We're going to the Receptor Room at the top of the pyramid, | 0:32:37 | 0:32:39 | |
-I hope you're ready for a climb. -BANGING ON THE DOOR | 0:32:39 | 0:32:42 | |
I'll wait down here, buy you as much time as I can. | 0:32:42 | 0:32:44 | |
-You have to take your eye drive off. -Can't do that, Ma'am. | 0:32:44 | 0:32:47 | |
-Might forget what's coming. -But it could activate any second. | 0:32:47 | 0:32:50 | |
It has activated, Ma'am. | 0:32:50 | 0:32:52 | |
But I'm no use to you if I can't remember. | 0:32:52 | 0:32:55 | |
You have to go NOW, Ma'am. | 0:32:55 | 0:32:57 | |
Yes. Yes, thank you, Captain Williams. | 0:32:57 | 0:33:01 | |
-SILENT: -Rory Williams the man who dies and dies again, | 0:33:23 | 0:33:28 | |
die one last time and know she will never come back for you. | 0:33:28 | 0:33:35 | |
GUNFIRE | 0:33:35 | 0:33:38 | |
RORY GROANS Come on, you...up you get! | 0:33:41 | 0:33:44 | |
You all right? | 0:33:44 | 0:33:45 | |
Amy...help me. | 0:33:49 | 0:33:52 | |
You took my baby from me. | 0:33:54 | 0:33:55 | |
And hurt her. And now she's all grown up and she's fine, | 0:33:55 | 0:33:59 | |
but I'll never see my baby again. | 0:33:59 | 0:34:02 | |
But you'll still save me though. | 0:34:02 | 0:34:06 | |
Because HE would, | 0:34:06 | 0:34:09 | |
and you'd never do anything to disappoint your precious Doctor. | 0:34:09 | 0:34:13 | |
Ma'am, we have to go...now! | 0:34:13 | 0:34:14 | |
The Doctor is very precious to me, you're right. | 0:34:14 | 0:34:19 | |
But do you know what else he is, Madame Kovarian? | 0:34:19 | 0:34:22 | |
Not here. | 0:34:22 | 0:34:23 | |
River Song didn't get it all from you...sweetie. | 0:34:27 | 0:34:31 | |
SHE SCREAMS So, you and me, we should get a drink some time. | 0:34:34 | 0:34:37 | |
-OK. -And married. -Fine. | 0:34:37 | 0:34:38 | |
What's this? | 0:34:45 | 0:34:47 | |
Oh, a timey-wimey distress beacon, who built this? | 0:34:47 | 0:34:49 | |
I'm the child of the TARDIS, I understand the physics. | 0:34:49 | 0:34:52 | |
That's all you've got - a distress beacon? | 0:34:52 | 0:34:54 | |
I've been sending out a message. A distress call. | 0:34:54 | 0:34:56 | |
Outside the bubble of our time, the universe is still turning, | 0:34:56 | 0:35:00 | |
and I've sent a message everywhere, to the future and the past, | 0:35:00 | 0:35:03 | |
the beginning and the end of everything. | 0:35:03 | 0:35:05 | |
"The Doctor is dying, please, please help". | 0:35:05 | 0:35:09 | |
River, River, this is ridiculous. | 0:35:09 | 0:35:12 | |
That would mean nothing to anyone, it's insane. Worse! It's stupid! | 0:35:12 | 0:35:17 | |
-You embarrass me. -We barricaded the door, we've got a few minutes... | 0:35:17 | 0:35:22 | |
Just tell him, River. | 0:35:22 | 0:35:23 | |
Those reports of the sun spots and the solar flares. | 0:35:23 | 0:35:26 | |
They're wrong, there aren't any. | 0:35:26 | 0:35:28 | |
It's not the sun, it's you, the sky is full of a million, | 0:35:28 | 0:35:33 | |
million voices, saying yes, of course we'll help. | 0:35:33 | 0:35:38 | |
You've touched so many lives. | 0:35:38 | 0:35:41 | |
Saved so many people. Did you think, when your time came, | 0:35:41 | 0:35:44 | |
you'd really have to do more than just ask? | 0:35:44 | 0:35:48 | |
You've decided that the universe is better off without you, | 0:35:48 | 0:35:51 | |
-but the universe doesn't agree. -River. | 0:35:51 | 0:35:54 | |
No-one can help me. | 0:35:54 | 0:35:56 | |
A fixed point has been altered, time is disintegrating. | 0:35:56 | 0:36:00 | |
-I can't let you die. -But I have to die. | 0:36:00 | 0:36:02 | |
Shut up! | 0:36:02 | 0:36:04 | |
I can't let you die without knowing you are loved. | 0:36:04 | 0:36:10 | |
By so many, and so much. | 0:36:10 | 0:36:14 | |
And by no-one more than me. | 0:36:14 | 0:36:16 | |
River. You and I, we know what this means. | 0:36:16 | 0:36:21 | |
We are ground zero of an explosion that will engulf all reality. | 0:36:21 | 0:36:24 | |
Billions on billions will suffer and die. | 0:36:24 | 0:36:27 | |
I'll suffer if I have to kill you. | 0:36:27 | 0:36:30 | |
More than every living thing in the universe?! | 0:36:30 | 0:36:33 | |
Yes. | 0:36:36 | 0:36:38 | |
River, River, why do you had have to be this. | 0:36:45 | 0:36:49 | |
Melody Pond...your daughter. I hope you're both proud. | 0:36:49 | 0:36:53 | |
I'm not sure I completely understand... | 0:36:53 | 0:36:55 | |
-We got married, and had a kid, that's her. -OK. | 0:36:55 | 0:36:59 | |
Amy, uncuff me, now. | 0:37:02 | 0:37:04 | |
OK. I need a strip of cloth. | 0:37:16 | 0:37:18 | |
About a foot long, anything will do. | 0:37:18 | 0:37:20 | |
Never mind. River, take one end of this, wrap it around your hand, | 0:37:20 | 0:37:24 | |
-and hold it out to me. -What am I doing? | 0:37:24 | 0:37:28 | |
As you're told. Now, we're in the middle of a combat zone, | 0:37:28 | 0:37:31 | |
so we'll have to do the quick version. | 0:37:31 | 0:37:33 | |
Captain Williams, say "I consent and gladly give". | 0:37:33 | 0:37:35 | |
-To what? -Just say it. Please. | 0:37:35 | 0:37:38 | |
I consent and gladly give. | 0:37:38 | 0:37:41 | |
Need you to say it too, mother of the bride. | 0:37:41 | 0:37:45 | |
-I consent and gladly give. -Now, River. | 0:37:45 | 0:37:47 | |
I'm about to whisper something in your ear. | 0:37:47 | 0:37:51 | |
And you have to remember it very, very carefully | 0:37:51 | 0:37:54 | |
and tell no-one what I said. | 0:37:54 | 0:37:57 | |
I just told you my name. | 0:38:06 | 0:38:09 | |
Now there you go, River Song. | 0:38:10 | 0:38:13 | |
Melody Pond. | 0:38:13 | 0:38:15 | |
You're the woman who married me. | 0:38:15 | 0:38:17 | |
And wife, I have a request. | 0:38:18 | 0:38:22 | |
This world is dying, and it's my fault, | 0:38:22 | 0:38:25 | |
and I can't bear it another day. Please, help me. | 0:38:25 | 0:38:31 | |
There isn't another way. | 0:38:33 | 0:38:35 | |
Then you may kiss the bride. | 0:38:37 | 0:38:39 | |
I'll make it a good one. | 0:38:39 | 0:38:41 | |
You better. | 0:38:41 | 0:38:43 | |
'And you are forgiven. Always and completely forgiven'. | 0:39:10 | 0:39:15 | |
BIG BEN CHIMES | 0:39:22 | 0:39:24 | |
CLOCKS TICK | 0:39:24 | 0:39:28 | |
# Tick tock goes the clock He gave all he could give her | 0:39:28 | 0:39:36 | |
# Tick tock goes the clock, Now prison waits for River. # | 0:39:36 | 0:39:43 | |
Heard there was a freak meteor shower two miles away... | 0:39:51 | 0:39:55 | |
-So I got us a bottle. -Thank you, dear. | 0:39:55 | 0:39:58 | |
So where are we? | 0:40:00 | 0:40:01 | |
I just climbed out of the Byzantium. | 0:40:01 | 0:40:05 | |
You were there. So young, didn't have a clue who I was... | 0:40:05 | 0:40:10 | |
You're funny like that. Where are you? | 0:40:10 | 0:40:13 | |
The Doctor's dead. | 0:40:16 | 0:40:18 | |
-How are you doing? -How do you think? | 0:40:19 | 0:40:22 | |
-Well, I don't know unless you tell me. -I killed someone. | 0:40:22 | 0:40:28 | |
Madame Kovarian, in cold blood. | 0:40:29 | 0:40:32 | |
In an aborted time-line, in a world that never was... | 0:40:32 | 0:40:36 | |
Yeah, well, I can remember it, so it happened, so I did it. | 0:40:36 | 0:40:41 | |
What does that make me now? | 0:40:41 | 0:40:43 | |
I need to talk to the Doctor, but I can't now, can I? | 0:40:48 | 0:40:50 | |
If you could talk to him, would it make a difference? | 0:40:53 | 0:40:55 | |
But he's dead, so I can't. | 0:40:55 | 0:40:58 | |
Oh, mother... of course he isn't. | 0:40:58 | 0:41:02 | |
Not for you, I suppose, you're seeing the younger | 0:41:03 | 0:41:07 | |
versions of him, running around, having adventures. | 0:41:07 | 0:41:10 | |
Yeah, I am... but that's not what I mean. | 0:41:10 | 0:41:15 | |
Then what do you mean? | 0:41:15 | 0:41:17 | |
OK. | 0:41:19 | 0:41:21 | |
I'm going to tell you what I probably shouldn't. | 0:41:21 | 0:41:24 | |
The Doctor's last secret. | 0:41:24 | 0:41:26 | |
Don't you want to know what he whispered in my ear? | 0:41:26 | 0:41:29 | |
-He whispered his name. -Not his name, no. | 0:41:29 | 0:41:32 | |
-Yes, it was. He said it was. -Rule One? | 0:41:32 | 0:41:35 | |
-The Doctor lies. -So do I... all the time, I have to, spoilers. | 0:41:35 | 0:41:40 | |
Pretending I don't know you're my mother. | 0:41:40 | 0:41:42 | |
Pretending I don't recognise a space suit in Florida. | 0:41:42 | 0:41:44 | |
What did he whisper in your ear? | 0:41:44 | 0:41:46 | |
Oh, that man, he's always one step ahead of everyone. | 0:41:46 | 0:41:52 | |
-Always a plan. -River, what did he tell you? | 0:41:52 | 0:41:57 | |
River! SHE LAUGHS | 0:41:58 | 0:42:00 | |
AMY SCREAMS AND LAUGHS | 0:42:00 | 0:42:02 | |
Hey? | 0:42:07 | 0:42:09 | |
He's not dead, he's not dead! | 0:42:17 | 0:42:18 | |
Are you sure, River? Are you really, properly sure? | 0:42:18 | 0:42:22 | |
Of course I'm sure. I'm his wife! | 0:42:22 | 0:42:24 | |
Yes! And I'm his...mother-in-law. | 0:42:24 | 0:42:27 | |
-Father dear, I think Mummy might need another drink. -Yes. | 0:42:27 | 0:42:33 | |
Who's carrying me. | 0:42:37 | 0:42:40 | |
I demand to know... I'm a head, I have rights! | 0:42:40 | 0:42:45 | |
I want my doors open this time. | 0:42:46 | 0:42:51 | |
I demand that my doors are open. | 0:42:51 | 0:42:53 | |
Is it you?! | 0:42:57 | 0:42:58 | |
It is, isn't it? | 0:42:58 | 0:43:01 | |
It IS you, I cn sense it. | 0:43:02 | 0:43:05 | |
But how did you do it? | 0:43:05 | 0:43:07 | |
How could you possibly have escaped?! | 0:43:07 | 0:43:10 | |
Is there nothing else we can do? | 0:43:10 | 0:43:13 | |
Actually, thinking about it... | 0:43:17 | 0:43:20 | |
Look into my eye. | 0:43:20 | 0:43:22 | |
The Teselecta. A Doctor in a Doctor-Suit. | 0:43:36 | 0:43:41 | |
Time said I had to be on that beach | 0:43:41 | 0:43:43 | |
so I dressed for the occasion barely got singed in that boat. | 0:43:43 | 0:43:46 | |
So you're going to let them all think you're dead? | 0:43:46 | 0:43:49 | |
It's the only way. Then they can all forget me. | 0:43:49 | 0:43:51 | |
I got too big, Dorium, too noisy... time to step back into the shadows. | 0:43:51 | 0:43:56 | |
And Dr Song? In prison all her days? | 0:43:56 | 0:43:59 | |
Her days, yes. Her nights... | 0:43:59 | 0:44:02 | |
Well, that's between her and me, eh? | 0:44:02 | 0:44:05 | |
So many secrets, Doctor. | 0:44:05 | 0:44:07 | |
I'll help you keep them, of course... | 0:44:07 | 0:44:10 | |
Well, you're not exactly going anywhere, are you? | 0:44:10 | 0:44:12 | |
But you're a fool nonetheless. It's all still waiting for you... | 0:44:12 | 0:44:16 | |
the fields of Trenzalore, the fall of the Eleventh. | 0:44:16 | 0:44:18 | |
And the question! | 0:44:18 | 0:44:20 | |
Goodbye, Dorium. | 0:44:20 | 0:44:22 | |
The first question! | 0:44:22 | 0:44:24 | |
The question that must never be answered, hidden in plain sight. | 0:44:25 | 0:44:31 | |
The question you've been running from all your life. | 0:44:31 | 0:44:35 | |
Doctor who? | 0:44:35 | 0:44:37 | |
Doctor who? | 0:44:39 | 0:44:42 | |
Doc... | 0:44:42 | 0:44:43 | |
tor... WHO?! | 0:44:43 | 0:44:44 | |
Subtitles by Red Bee Media Ltd | 0:45:06 | 0:45:08 | |
Email [email protected] | 0:45:08 | 0:45:11 |