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-Bed! -But Mum... -George, I won't tell you again. Get into bed. | 0:00:29 | 0:00:33 | |
I'm going to be late for work. | 0:00:33 | 0:00:35 | |
It's just the lift, love. How many more times? | 0:00:35 | 0:00:39 | |
-Don't like it. -Well, what do we do with the things we don't like? | 0:00:39 | 0:00:41 | |
-Put them in the cupboard. -The thing! | 0:00:42 | 0:00:46 | |
You have to do the thing, Mum. | 0:00:46 | 0:00:47 | |
Five times. It has to be five times. | 0:00:58 | 0:01:01 | |
Please save me from the monsters. Please save me from the monsters. | 0:01:06 | 0:01:12 | |
Please save me from the monsters. | 0:01:12 | 0:01:14 | |
All right now? | 0:01:14 | 0:01:16 | |
Come on, George. There's nothing to be scared of. | 0:01:16 | 0:01:21 | |
Ni-night then, love. | 0:01:21 | 0:01:22 | |
-How was he? -He's in bed at least. | 0:01:32 | 0:01:35 | |
I'm worried about him. Why's he terrified all the time? | 0:01:45 | 0:01:48 | |
-He needs help. -He's got us. -He needs a doctor. | 0:01:48 | 0:01:53 | |
Please save me from the monsters. | 0:01:55 | 0:01:57 | |
Please save me from the monsters. | 0:01:57 | 0:02:01 | |
Please save me from the monsters. | 0:02:01 | 0:02:05 | |
Please save me from the monsters. | 0:02:05 | 0:02:08 | |
Haven't done this in a while! | 0:02:08 | 0:02:11 | |
Done what? What're you doing? | 0:02:11 | 0:02:13 | |
Making a house call. | 0:02:16 | 0:02:17 | |
-No offence, Doctor... -Meaning the opposite. | 0:03:06 | 0:03:09 | |
-..but we could get a bus somewhere like this. -The exact opposite. | 0:03:09 | 0:03:12 | |
Well, I suppose it can't all be planets and history and stuff, Rory. | 0:03:12 | 0:03:15 | |
Yes, it can! Course it can! Planets and history and stuff. | 0:03:15 | 0:03:18 | |
That's what we do! But not today. No. | 0:03:18 | 0:03:21 | |
Today, we're answering a cry for help from the scariest place in the universe - a child's bedroom. | 0:03:21 | 0:03:26 | |
HEAVY BREATHING | 0:03:46 | 0:03:49 | |
Please save me from the monsters. | 0:04:04 | 0:04:06 | |
-Who sent that? -That's what we're here to find out. | 0:04:06 | 0:04:08 | |
-Sounds like something a kid would say. -Exactly. A scared kid. | 0:04:08 | 0:04:11 | |
A very scared kid. | 0:04:11 | 0:04:13 | |
So scared that somehow its cry for help got through to us. | 0:04:13 | 0:04:17 | |
-In the TARDIS. -Yeah, but you've traced it here? -Exactly. Ah! | 0:04:17 | 0:04:20 | |
Going up. | 0:04:20 | 0:04:22 | |
'Now, did you know there that there are twice as many pets | 0:04:24 | 0:04:28 | |
'as people here in the UK? | 0:04:28 | 0:04:30 | |
'Now that's a lot of animals and we want to know how clever they are. | 0:04:30 | 0:04:33 | |
'If you were watching BBC1 on Saturday night, you will have seen Rolf Harris and Kate Humble...' | 0:04:33 | 0:04:38 | |
-Hi! -Hello! | 0:04:56 | 0:05:02 | |
Are your mummy and daddy in, or is it just you? | 0:05:02 | 0:05:06 | |
OK. | 0:05:06 | 0:05:08 | |
-Is it about the bins? -Pardon? | 0:05:08 | 0:05:10 | |
Community support. Just checking up on community-based...things. | 0:05:10 | 0:05:16 | |
-Can I help you? -Hi. Yeah, no. Sorry. | 0:05:16 | 0:05:19 | |
I was just wondering if you've had any bother around here? | 0:05:19 | 0:05:21 | |
Is everything OK? | 0:05:21 | 0:05:22 | |
The bins. I can't be expected to get down all them stairs. I need new knees. | 0:05:22 | 0:05:26 | |
-Bother? What do you mean? -Well, I mean... | 0:05:26 | 0:05:29 | |
Are your neighbours nice? Do you get on well? | 0:05:29 | 0:05:32 | |
-He didn't send you, did he? -Who? -Jim Purcell. Course we get on well. | 0:05:32 | 0:05:34 | |
I'm their landlord. They love me, don't they? | 0:05:34 | 0:05:37 | |
You're the landlord?! | 0:05:37 | 0:05:38 | |
-Not the bins, no, Miss? -Mrs Rossiter. | 0:05:38 | 0:05:41 | |
Thought you'd know that, being from community support. | 0:05:41 | 0:05:43 | |
Yeah. Yes! Yes, of course. Sorry. | 0:05:43 | 0:05:47 | |
I've already got a new hip. I'll be able to manage when I get the knees. | 0:05:47 | 0:05:49 | |
Up and down them stairs like Sherpa Tensing then. | 0:05:49 | 0:05:52 | |
-Can I come in? -Ooh! | 0:05:52 | 0:05:55 | |
Course not! You could be anyone! | 0:05:57 | 0:06:00 | |
-Could be, but I'm not. -Or maybe it's best I could come back another time. | 0:06:00 | 0:06:03 | |
I'm the Doctor. | 0:06:03 | 0:06:05 | |
We've got to find that kid. | 0:06:35 | 0:06:36 | |
Maybe we should let the monsters gobble him up! | 0:06:36 | 0:06:39 | |
-Hey! Any luck? -Three old ladies, a traffic warden from Croatia and a man with ten cats. | 0:07:01 | 0:07:06 | |
-What are we actually looking for? -Ten cats! Scared kid, remember? | 0:07:06 | 0:07:08 | |
I found scary kids. Does that count? | 0:07:08 | 0:07:10 | |
-Hm. Try the next floor down. Catch you later. -OK. | 0:07:10 | 0:07:15 | |
Maybe it was, you know... junk mail. | 0:07:15 | 0:07:18 | |
-What? -The message on the psychic paper. Maybe it was just nothing. | 0:07:18 | 0:07:20 | |
THEY SCREAM | 0:07:36 | 0:07:39 | |
-Oh. Right. That was quick. -Was it? | 0:08:04 | 0:08:07 | |
Claire said she'd phoned someone. | 0:08:07 | 0:08:09 | |
-Social Services. -Yes. Yes! | 0:08:09 | 0:08:12 | |
It's not, easy, you know...admitting your kid's got a problem. | 0:08:12 | 0:08:15 | |
You've got a problem. I've got a problem. I bet they're connected, I'm the Doctor. | 0:08:15 | 0:08:17 | |
Call me Doctor. What can I call you? | 0:08:17 | 0:08:20 | |
-Alex. -Hello, Alex. | 0:08:20 | 0:08:23 | |
So... | 0:08:23 | 0:08:24 | |
..tell me about George. | 0:08:26 | 0:08:27 | |
What a bloomin' mess. | 0:08:39 | 0:08:41 | |
I'm the only one who gives a monkeys round here any more. | 0:08:43 | 0:08:47 | |
Shocking! | 0:08:49 | 0:08:51 | |
Talking to yourself now, Elsie. | 0:08:53 | 0:08:56 | |
They say it's the first sign. | 0:08:56 | 0:08:58 | |
Ooh, Lord! | 0:09:02 | 0:09:03 | |
Come out of there! | 0:09:03 | 0:09:06 | |
Don't be so ruddy horrible. Trying to scare an old lady to death. | 0:09:10 | 0:09:13 | |
It's not right. | 0:09:16 | 0:09:18 | |
Is that you, George? | 0:09:18 | 0:09:21 | |
I'll tell your mum and dad. | 0:09:21 | 0:09:25 | |
Come on, you little devil. Let's see your face. | 0:09:29 | 0:09:32 | |
Ever since he was born he's been a funny kid. | 0:09:43 | 0:09:45 | |
Funny's good! | 0:09:45 | 0:09:47 | |
-We like funny, don't we? -He never cries. | 0:09:47 | 0:09:49 | |
Bottles it all up, I suppose. | 0:09:49 | 0:09:52 | |
Tell him off, he just looks at you. | 0:09:52 | 0:09:55 | |
-How old is he? -He was eight in January. | 0:09:55 | 0:09:57 | |
-He should be growing out of stuff like this, shouldn't he? -Maybe. | 0:09:57 | 0:10:02 | |
It's got worse, though lately? | 0:10:03 | 0:10:06 | |
Yeah. We talked about getting help. | 0:10:06 | 0:10:09 | |
You know, maybe sending him somewhere. | 0:10:09 | 0:10:12 | |
He started getting these nervous tics, you know, funny little cough. Blinking all the time. | 0:10:12 | 0:10:15 | |
-But now it's got completely out of hand. I mean he's scared to death of everything. -Pantaphobia. -What?! | 0:10:15 | 0:10:20 | |
That's what it's called. Pantaphobia. | 0:10:20 | 0:10:22 | |
Not a fear of pants though, if that's what you're thinking. | 0:10:22 | 0:10:24 | |
It's a fear of everything, including pants, I suppose, in that case. | 0:10:24 | 0:10:28 | |
Sorry. Go on. | 0:10:28 | 0:10:29 | |
-He hates clowns. -Understandable. | 0:10:29 | 0:10:33 | |
Old toys. He thinks the old lady across the way is a witch. He hates having a bath in case | 0:10:33 | 0:10:36 | |
there's something under the water. | 0:10:36 | 0:10:38 | |
The lift sounds like someone breathing! Look, I don't know. | 0:10:38 | 0:10:43 | |
I'm not an expert. | 0:10:45 | 0:10:46 | |
-Maybe you can get through to him. -I'll do my best. | 0:10:49 | 0:10:52 | |
Amy? | 0:10:57 | 0:11:00 | |
Amy? Are you here? | 0:11:00 | 0:11:01 | |
Yeah. Here. No, here! It's me. | 0:11:01 | 0:11:04 | |
You OK? | 0:11:08 | 0:11:10 | |
-Yeah, I think so. -What happened to the lift? | 0:11:10 | 0:11:12 | |
-We were in a lift, weren't we? -Yeah, yeah. We.. I remember | 0:11:12 | 0:11:16 | |
-getting in and then... What? -We're dead, aren't we? -Eh? | 0:11:16 | 0:11:20 | |
-The lift fell and we're dead. -Shut up. | 0:11:20 | 0:11:22 | |
We're dead... again! | 0:11:22 | 0:11:23 | |
Oh, shut up! Let's just find out where we are. | 0:11:23 | 0:11:25 | |
-You know it's obvious what's happened. -Yeah? Really? Because it's not obvious to me. | 0:11:40 | 0:11:44 | |
The TARDIS has gone funny again. | 0:11:44 | 0:11:46 | |
Some time... | 0:11:46 | 0:11:47 | |
slippy... thing. | 0:11:47 | 0:11:50 | |
You know, The Doctor's back there in EastEnders-land and we're stuck here in the past. | 0:11:50 | 0:11:54 | |
This is probably 1700 and something. | 0:11:54 | 0:11:56 | |
Yay! My favourite year(!) | 0:11:56 | 0:11:58 | |
George? You OK? What's the matter? | 0:12:16 | 0:12:19 | |
Oh. Never mind. | 0:12:22 | 0:12:26 | |
Were you having a nightmare, son? | 0:12:26 | 0:12:28 | |
Wasn't a nightmare. I wasn't asleep. | 0:12:28 | 0:12:31 | |
-Who are you? -I'm The Doctor. | 0:12:34 | 0:12:37 | |
A doctor? Have you come to take me away? | 0:12:37 | 0:12:39 | |
No, George, I just want to talk to you. | 0:12:39 | 0:12:41 | |
What about? | 0:12:41 | 0:12:42 | |
About the monsters. | 0:12:47 | 0:12:50 | |
Bit neglected, wherever it is. | 0:13:10 | 0:13:11 | |
Let's find the front door, at least. | 0:13:11 | 0:13:14 | |
Then we can work out where we are. When we are. | 0:13:14 | 0:13:18 | |
-Rory. -Hm? | 0:13:18 | 0:13:20 | |
-Look at this. -What? It's a copper pan. | 0:13:20 | 0:13:22 | |
No, it's not. | 0:13:22 | 0:13:24 | |
It's wood. It's made of wood and just painted to look like copper. | 0:13:24 | 0:13:27 | |
That is stupid. | 0:13:27 | 0:13:29 | |
Wait. Hang on. | 0:13:32 | 0:13:35 | |
There's a switch. | 0:13:39 | 0:13:41 | |
Wow! Well, not 1700 and something then. | 0:13:44 | 0:13:47 | |
THEY SCREAM | 0:14:02 | 0:14:03 | |
It's glass! It's a glass eye. | 0:14:16 | 0:14:19 | |
-Stop doing that. -It's not me. | 0:14:25 | 0:14:28 | |
Come on. | 0:14:32 | 0:14:33 | |
Yep. | 0:14:33 | 0:14:36 | |
Hang on. | 0:14:36 | 0:14:37 | |
Maybe it was things on the telly, you know? | 0:14:46 | 0:14:49 | |
Right. | 0:14:49 | 0:14:51 | |
Scary stuff, getting under his skin, frightening him. | 0:14:51 | 0:14:54 | |
-Hm-hm. -So we stopped letting him watch. -Oh, you don't want to do that. | 0:14:54 | 0:14:58 | |
-Then Claire thought it might have been something he was reading. -Great! | 0:14:58 | 0:15:01 | |
Reading's great. | 0:15:01 | 0:15:03 | |
You like stories, George? Yeah? | 0:15:03 | 0:15:05 | |
Me, too. When I was your age, about, ooh... | 0:15:05 | 0:15:08 | |
a thousand years ago, I loved a good bedtime story. The Three Little Sontarans. | 0:15:08 | 0:15:12 | |
The Emperor Dalek's New Clothes. Snow White And The Seven Keys To Doomsday, eh? All the classics. | 0:15:12 | 0:15:17 | |
Rubbish. Must be broken. I hate those things. | 0:15:17 | 0:15:20 | |
Better tidy it away, though, eh? | 0:15:20 | 0:15:22 | |
How about in here? | 0:15:28 | 0:15:30 | |
No? Not in the cupboard? Why not in there, George? | 0:15:30 | 0:15:33 | |
It's a... thing. | 0:15:33 | 0:15:35 | |
A thing we got him doing ages back. | 0:15:35 | 0:15:37 | |
Anything that frightens him, we put it in the cupboard. Creepy toys, | 0:15:37 | 0:15:40 | |
-scary pictures, that sort of thing. -And is that where the monsters go? | 0:15:40 | 0:15:43 | |
Yeah. | 0:15:45 | 0:15:47 | |
There's nothing to be scared of, George. | 0:15:51 | 0:15:53 | |
It's just a cupboard. | 0:15:55 | 0:15:58 | |
LOUD KNOCKING | 0:16:05 | 0:16:07 | |
Front door. | 0:16:08 | 0:16:10 | |
Let's try down here. | 0:16:26 | 0:16:28 | |
-Evening. -Oh, hi. | 0:16:35 | 0:16:39 | |
How's Claire? | 0:16:39 | 0:16:40 | |
Good, thanks. At work. Look, this really isn't a good time. | 0:16:40 | 0:16:45 | |
Maybe later... | 0:16:45 | 0:16:46 | |
And the kiddie? | 0:16:46 | 0:16:48 | |
Good. Yeah. | 0:16:50 | 0:16:52 | |
You know how I hate to mention it, but it's that time again. | 0:16:52 | 0:16:55 | |
-Yes. -And you know I like my money prompt. | 0:16:55 | 0:16:56 | |
The thing is, I still haven't found anywhere since the shop shut and Claire's wage only goes so far. | 0:17:00 | 0:17:05 | |
I thought we could, you know, come to some sort of arrangement. | 0:17:05 | 0:17:07 | |
-Is that a torch? -Screwdriver! | 0:17:07 | 0:17:12 | |
A sonic one. And other stuff. | 0:17:12 | 0:17:16 | |
-Please may I see the other stuff? -You may. | 0:17:16 | 0:17:19 | |
Ah, pretty cool, , eh? | 0:17:23 | 0:17:25 | |
Isn't he awful, eh? | 0:17:40 | 0:17:41 | |
Don't growl at the nice man, Bernard. | 0:17:41 | 0:17:45 | |
He don't mean to upset daddy, do you? | 0:17:45 | 0:17:48 | |
-No. -Look, son, | 0:17:48 | 0:17:52 | |
I know what you're thinking. | 0:17:52 | 0:17:54 | |
Here comes 'orrible Purcell after his rent. | 0:17:54 | 0:17:57 | |
Dog on a chain. Wasn't expecting that, was you? | 0:17:57 | 0:18:01 | |
I'm not as daft as I look. | 0:18:04 | 0:18:06 | |
In fact, I'm not daft at all. | 0:18:06 | 0:18:08 | |
That's better. No tears from George. | 0:18:17 | 0:18:19 | |
That's what I've heard. | 0:18:19 | 0:18:21 | |
Go on, give us a smile. There's a brave little soldier. | 0:18:21 | 0:18:24 | |
Bit rusty at this. Anyway, let's open this cupboard, eh? | 0:18:25 | 0:18:30 | |
There's nothing to be... | 0:18:30 | 0:18:32 | |
Off the scale. | 0:18:34 | 0:18:38 | |
Off the scale! | 0:18:38 | 0:18:40 | |
How...? | 0:18:40 | 0:18:42 | |
All I want is my £350. Simple as that. | 0:18:42 | 0:18:47 | |
Ni-night. Come on, son. Come on. | 0:18:49 | 0:18:53 | |
Right. Sorry about that. | 0:19:00 | 0:19:01 | |
-So, have we got this thing open yet? -No! No! No, no, no! | 0:19:03 | 0:19:06 | |
You don't want to do that! | 0:19:06 | 0:19:08 | |
-Why? -Because George's monsters are real. | 0:19:08 | 0:19:12 | |
-Oh, at last. -What is it? | 0:19:23 | 0:19:29 | |
No doorknob! Wooden pans, A massive glass eyes and now no doorknob! | 0:19:29 | 0:19:33 | |
-And this clock. -What? | 0:19:33 | 0:19:36 | |
Look - the hands, they're painted on. | 0:19:36 | 0:19:39 | |
CHILD'S LAUGHTER | 0:19:39 | 0:19:41 | |
You're supposed to be a professional! | 0:19:52 | 0:19:54 | |
I'll never get him to sleep now! | 0:19:54 | 0:19:55 | |
It's so... irresponsible. | 0:19:55 | 0:19:57 | |
No, Alex. Responsible. Very. Cupboard bad. Cupboard not bare. | 0:19:57 | 0:20:00 | |
Stay away from cupboard. | 0:20:00 | 0:20:02 | |
And there's something else. Something I've missed. | 0:20:02 | 0:20:03 | |
Something staring me in the face. | 0:20:03 | 0:20:04 | |
Look, I'd like you to leave, please. You're just making things worse. | 0:20:04 | 0:20:08 | |
Will you stop making tea! | 0:20:08 | 0:20:09 | |
I want you to leave! | 0:20:09 | 0:20:11 | |
-No. -What? | 0:20:11 | 0:20:14 | |
What do you mean 'no'? Leave! Get out! | 0:20:14 | 0:20:18 | |
Now, please! | 0:20:18 | 0:20:20 | |
Look, maybe this was a bad idea. | 0:20:23 | 0:20:25 | |
-We should sort out George ourselves. -You can't. | 0:20:25 | 0:20:28 | |
No-one's going to tell us how to run our lives. | 0:20:28 | 0:20:32 | |
I don't care who you are or what wheels have been set in motion. We'll sort it! | 0:20:32 | 0:20:35 | |
I'm not just a professional. | 0:20:35 | 0:20:39 | |
-I'm The Doctor. -What's that supposed to mean? | 0:20:39 | 0:20:42 | |
It means I've come a long way to get here, Alex. A very long way. | 0:20:42 | 0:20:44 | |
George sent a message. A distress call, if you like. | 0:20:44 | 0:20:47 | |
Whatever's inside that cupboard is so terrible, so powerful that it amplified the fears | 0:20:47 | 0:20:51 | |
-of an ordinary little boy across all the barriers of Time and Space. -Eh?! | 0:20:51 | 0:20:55 | |
Through crimson stars and silent stars and tumbling nebulas like oceans set on fire. | 0:20:55 | 0:21:00 | |
Through empires of glass and civilizations of pure thought | 0:21:00 | 0:21:04 | |
and a whole, terrible, wonderful universe of impossibilities. | 0:21:04 | 0:21:08 | |
You see these eyes? They're old eyes. | 0:21:08 | 0:21:10 | |
And one thing I can tell you, Alex... | 0:21:10 | 0:21:12 | |
monsters are real. | 0:21:15 | 0:21:17 | |
You're not from Social Services, are you? | 0:21:19 | 0:21:22 | |
First things first. You got any Jammie Dodgers? | 0:21:24 | 0:21:28 | |
Please...I don't like being on me own. | 0:21:28 | 0:21:30 | |
If there's anyone there... | 0:21:32 | 0:21:35 | |
please...help me! | 0:21:35 | 0:21:39 | |
CHILD'S LAUGHTER | 0:21:44 | 0:21:46 | |
CHILD'S LAUGHTER | 0:21:59 | 0:22:02 | |
-You hear that? -Yeah. | 0:22:03 | 0:22:05 | |
Wait! | 0:22:07 | 0:22:08 | |
-They're getting closer! -They?! | 0:22:15 | 0:22:17 | |
LAUGHTER CONTINUES THROUGHOUT | 0:22:22 | 0:22:27 | |
It's just.. It's a dummy. Oh, it's a dummy. | 0:23:00 | 0:23:03 | |
This is... weird. | 0:23:03 | 0:23:05 | |
Says the time-travelling nurse. | 0:23:05 | 0:23:09 | |
Let's just... leave that for now. Come on. | 0:23:13 | 0:23:16 | |
What is it with these photos? | 0:23:31 | 0:23:33 | |
Anyway! Good. Nice tea. Nothing like a cuppa, but decision. | 0:23:33 | 0:23:36 | |
Should we open the cupboard? | 0:23:36 | 0:23:37 | |
-What?! -Should we? -Well... | 0:23:39 | 0:23:41 | |
Got to open the cupboard, haven't we? Course we have! Come on, Alex! Alex! | 0:23:41 | 0:23:43 | |
Come on! How else will we ever find out what's going on here? | 0:23:43 | 0:23:45 | |
-Right. But you said... -Monsters! Yeah, well, that's what I do! | 0:23:45 | 0:23:47 | |
Breakfast, dinner and tea. | 0:23:47 | 0:23:49 | |
Fight the monsters. So this...this | 0:23:49 | 0:23:51 | |
is just an average day at the office. | 0:23:51 | 0:23:53 | |
-OK. Yeah. You're right. -Or maybe we shouldn't open the cupboard! | 0:23:53 | 0:23:56 | |
We have no idea what might be in there! How powerful, how evil it might be! | 0:23:56 | 0:23:59 | |
-We don't?! -Come on, Alex! Alex! Come on! Are you crazy? We can't open the cupboard! -God, no. No, we mustn't! | 0:23:59 | 0:24:04 | |
-Right. That settles it. -Settles what? | 0:24:04 | 0:24:06 | |
Going to open the cupboard. | 0:24:09 | 0:24:11 | |
There's nothing on. | 0:24:14 | 0:24:16 | |
Never anything on, is there, Bernard? Bergerac. | 0:24:16 | 0:24:19 | |
God help us. 30 years old, that! | 0:24:19 | 0:24:22 | |
Where's the boxing? Meant to be boxing on. | 0:24:22 | 0:24:24 | |
Looks like we are going to have to watch that film again. | 0:24:29 | 0:24:31 | |
What the...?! | 0:24:40 | 0:24:42 | |
Hold on a minute. | 0:24:42 | 0:24:43 | |
This is not... No! | 0:24:48 | 0:24:50 | |
Help me, Bernard. Help! | 0:24:54 | 0:24:57 | |
I don't understand it. It has to be the cupboard. | 0:25:51 | 0:25:52 | |
The readings from the sonic screwdriver, they were... | 0:25:52 | 0:25:54 | |
-How old is George, Alex? -What? | 0:26:06 | 0:26:07 | |
-How old? -Yes. How old is George? -Well, I told you. Just turned eight. | 0:26:07 | 0:26:09 | |
-So you remember when he was born then? -Of course! -'Course you do! How could you not? You and Claire. | 0:26:09 | 0:26:13 | |
Christmas Eve. 2002, right? | 0:26:13 | 0:26:15 | |
What? Er... yeah. | 0:26:15 | 0:26:16 | |
Couple of weeks before George was born. Tell me about the day he arrived. Must've been wonderful. | 0:26:16 | 0:26:18 | |
Best day of my...life. | 0:26:18 | 0:26:24 | |
Sure? | 0:26:24 | 0:26:25 | |
-Yes. -You don't sound sure. | 0:26:25 | 0:26:29 | |
What are you trying to say? | 0:26:29 | 0:26:31 | |
Look, I don't like this. I've told you before, I want you to go! | 0:26:31 | 0:26:33 | |
What's the matter, Alex? | 0:26:33 | 0:26:37 | |
I can't... Don't! | 0:26:37 | 0:26:40 | |
-Oh, this is scary! -No, Alex. This is scary. Claire with baby George. | 0:26:40 | 0:26:42 | |
Newborn, yes? | 0:26:42 | 0:26:44 | |
Yes. | 0:26:44 | 0:26:45 | |
Less than a month after Christmas. | 0:26:45 | 0:26:47 | |
-So? -So look. Look! Claire's not pregnant. -What? -Not pregnant. | 0:26:47 | 0:26:50 | |
Well, of course not. Claire can't have kids! | 0:26:50 | 0:26:52 | |
-Say that again. -We tried everything. | 0:26:54 | 0:26:58 | |
She was desperate. As much IVF as we could afford, but... | 0:26:58 | 0:27:01 | |
Claire can't have kids. | 0:27:04 | 0:27:06 | |
How... | 0:27:12 | 0:27:15 | |
How can I have forgotten that? | 0:27:15 | 0:27:16 | |
Who are you, George? | 0:27:26 | 0:27:29 | |
It's not possible! This isn't... | 0:27:29 | 0:27:33 | |
George? | 0:27:35 | 0:27:36 | |
George...! | 0:27:53 | 0:27:55 | |
George, what's going on? Are you doing this? | 0:27:55 | 0:27:59 | |
-What's happening? -Please save me from the Monsters! | 0:27:59 | 0:28:02 | |
Please save me from the Monsters! | 0:28:02 | 0:28:04 | |
Please save me from the Monsters! Please save me from the Monsters! | 0:28:04 | 0:28:08 | |
Please save me from the Monsters! Please save me from the Monsters! | 0:28:08 | 0:28:12 | |
Please save me from the Monsters! | 0:28:12 | 0:28:13 | |
Please save me from the Monsters! | 0:28:13 | 0:28:16 | |
Please save me from the Monsters! | 0:28:16 | 0:28:18 | |
Please save me from the Monsters! Please save me from the Monsters! | 0:28:18 | 0:28:22 | |
George! | 0:28:23 | 0:28:27 | |
Why aren't there any lights? | 0:28:39 | 0:28:41 | |
I miss lights. You don't really miss things till they're gone, do you? | 0:28:41 | 0:28:45 | |
-That's what my nan used to say, "You'll never miss the water till the well runs dry." -Rory. | 0:28:45 | 0:28:48 | |
Except light I mean, not water. Lights are great, aren't they? | 0:28:48 | 0:28:51 | |
I mean if this place was all lit up, we wouldn't even be worried at all. | 0:28:51 | 0:28:54 | |
Rory! Panicking. A bit. | 0:28:54 | 0:28:57 | |
Yeah, yeah. Sorry. | 0:28:57 | 0:28:59 | |
Help me! Please! Keep them away from me! | 0:28:59 | 0:29:01 | |
Keep them away! | 0:29:01 | 0:29:03 | |
AHHH! | 0:29:05 | 0:29:07 | |
DOLL SINGS A NURSERY RHYME | 0:29:07 | 0:29:10 | |
I take it all back. Panic now. | 0:29:26 | 0:29:29 | |
'Don't run away. We want to play!' | 0:29:32 | 0:29:34 | |
George! Don't do this! We want to help you, George! | 0:30:03 | 0:30:06 | |
We went... We went into the cupboard! | 0:30:16 | 0:30:19 | |
We went into the cupboard! | 0:30:19 | 0:30:22 | |
How can it be bigger in here? | 0:30:22 | 0:30:25 | |
More common than you'd think, actually. You're OK. | 0:30:25 | 0:30:28 | |
-Where are we? -Obvious, isn't it? | 0:30:28 | 0:30:30 | |
-No! -Dolls' house! We're inside the dolls' house. | 0:30:30 | 0:30:33 | |
-The dolls' house?! -In the cupboard. In your flat. The dolls' house! | 0:30:33 | 0:30:37 | |
-No, no, just slow down, would you? -Look! Wooden chicken! | 0:30:37 | 0:30:40 | |
Cups, saucers, plates, knives, forks, fruit, chickens! Wood! So... | 0:30:40 | 0:30:43 | |
we're either inside the dolls' house or this a refuge for dirty posh people who eat wooden food. | 0:30:43 | 0:30:48 | |
Or termites! Giant termites trying to get on the property ladder. | 0:30:48 | 0:30:50 | |
No, that's possible. Is that possible? | 0:30:50 | 0:30:53 | |
Look, will you stop? What is he? | 0:31:00 | 0:31:03 | |
What is George? | 0:31:03 | 0:31:05 | |
And how could I forget that Claire can't have kids? How? | 0:31:05 | 0:31:08 | |
Perception filter. Some kind of hugely powerful perception filter. | 0:31:08 | 0:31:11 | |
Convinced you and Claire. Everyone. Made you change your memories. | 0:31:11 | 0:31:13 | |
Now, what could do that? | 0:31:13 | 0:31:15 | |
Just a mirror. | 0:31:20 | 0:31:22 | |
CHILD'S LAUGHTER | 0:31:24 | 0:31:27 | |
-Lock it! -There isn't a lock! | 0:31:30 | 0:31:33 | |
So, Claire can't have kids and something responded to that. | 0:31:50 | 0:31:53 | |
Responded to that need. What could do that? | 0:31:53 | 0:31:55 | |
I thought you were the expert, fighting monsters all day long. You tell me! | 0:31:55 | 0:32:00 | |
Oi, listen, mush. Old eyes, remember? | 0:32:00 | 0:32:02 | |
I've been around the block a few times. More than a few. | 0:32:02 | 0:32:04 | |
They've knocked down the blocks I've been round and re-built them as bigger blocks. Super blocks! | 0:32:04 | 0:32:08 | |
I've been round them as well. I can't remember everything. | 0:32:08 | 0:32:10 | |
Doctor... | 0:32:10 | 0:32:12 | |
-It's like trying to remember the name of someone you met at a party when you were two. -Doctor, the lift. | 0:32:12 | 0:32:16 | |
-And I can't just plump for 'Brian' like I normally do. -Doctor, listen! | 0:32:16 | 0:32:18 | |
-Shh. What's that? -It's the lift. It's the sound that the lift makes. | 0:32:18 | 0:32:21 | |
George is scared stiff of it. | 0:32:21 | 0:32:23 | |
We can't stay in here. We've got to get out! | 0:32:46 | 0:32:48 | |
Er, how? | 0:32:48 | 0:32:51 | |
Take control, Rory. Take control of the only thing we can. | 0:32:51 | 0:32:54 | |
-Letting them in! -Letting them in? | 0:32:54 | 0:32:58 | |
And then we surprise them. We open the door and we push past them. | 0:32:58 | 0:33:01 | |
Kick them. Punch them. Anything. OK? | 0:33:01 | 0:33:03 | |
-'Time to play!' -OK. | 0:33:03 | 0:33:06 | |
Go on! | 0:33:12 | 0:33:14 | |
Amy, come on! | 0:33:14 | 0:33:17 | |
Rory! | 0:33:17 | 0:33:20 | |
SHE SINGS A NURSERY RHYME | 0:33:20 | 0:33:24 | |
-Five times. -What? | 0:33:43 | 0:33:46 | |
The lights. It's happening five times. It's like one of George's habits. | 0:33:46 | 0:33:50 | |
We have to switch the light on and off five times. | 0:33:50 | 0:33:54 | |
-Now you're getting it! -What d'you mean? | 0:33:54 | 0:33:55 | |
-What do you tell George to do, Alex, with everything that scares him? -Well, put it in the... cupboard. | 0:33:55 | 0:34:00 | |
George isn't just an ordinary little boy. | 0:34:00 | 0:34:03 | |
So, anything scary he puts in here. Scary toys, like the dolls' house. | 0:34:03 | 0:34:08 | |
Scary noises, like, like the lift. | 0:34:08 | 0:34:10 | |
Even his little rituals have become part of it. | 0:34:10 | 0:34:13 | |
A psychic repository for all his fears, but what is he? | 0:34:13 | 0:34:16 | |
Oh, my God! | 0:34:24 | 0:34:26 | |
A gun? You've got a gun?! | 0:34:31 | 0:34:32 | |
It's not a gun. Wood! I've got to invent a setting for wood. | 0:34:32 | 0:34:35 | |
It's embarrassing. | 0:34:35 | 0:34:38 | |
Come on! | 0:34:38 | 0:34:42 | |
'Don't run away. We just want to play.' | 0:34:42 | 0:34:47 | |
Massive psychic field. Perfect perception filter. And that need. | 0:34:57 | 0:34:59 | |
That need of Claire's to, to... Stupid Doctor! | 0:34:59 | 0:35:04 | |
Ow! George is a Tenza. Of course he is. | 0:35:04 | 0:35:06 | |
He's a what?! | 0:35:06 | 0:35:08 | |
A cuckoo. A cuckoo in the nest. A Tenza. He's a Tenza. | 0:35:08 | 0:35:11 | |
Millions of them hatch in space and then whoomph! | 0:35:11 | 0:35:14 | |
Off they drift, looking for a nest. | 0:35:14 | 0:35:15 | |
The Tenza young can sense exactly what their foster parents want and then they assimilate. Perfectly. | 0:35:15 | 0:35:19 | |
-George is an... alien? -Yup. | 0:35:19 | 0:35:22 | |
-But he's...he's our child! -Of course he is. The child you always wanted. | 0:35:22 | 0:35:27 | |
He sensed that instinctively and sought you out, but something scared him. Started this cycle of fear. | 0:35:27 | 0:35:32 | |
It's all completely instinctive. | 0:35:32 | 0:35:34 | |
Subconscious. George isn't even aware that he's controlling it. | 0:35:34 | 0:35:36 | |
So we have to make him aware. George! | 0:35:37 | 0:35:40 | |
GEORGE! You're the only one who can stop this, but you have to believe! | 0:35:42 | 0:35:46 | |
You have to believe, you have to know you're safe! | 0:35:46 | 0:35:48 | |
I can't save you from the monsters. | 0:35:48 | 0:35:50 | |
Only you can! George, Listen to me! | 0:35:50 | 0:35:53 | |
George! Listen to me! | 0:35:53 | 0:35:56 | |
-Rory! -Doctor! | 0:36:00 | 0:36:02 | |
Where's Amy? | 0:36:02 | 0:36:04 | |
George! | 0:36:04 | 0:36:06 | |
George, you have to face your fears. | 0:36:06 | 0:36:08 | |
You have to face them now! | 0:36:08 | 0:36:10 | |
You have to open the cupboard | 0:36:13 | 0:36:14 | |
or we'll all be trapped here forever in a living death! George! | 0:36:14 | 0:36:17 | |
George, listen to me! George! | 0:36:17 | 0:36:20 | |
George listen to me! | 0:36:20 | 0:36:23 | |
George! | 0:36:23 | 0:36:25 | |
Please! George, you have to end this! | 0:36:25 | 0:36:28 | |
End this end this. End this now! | 0:36:30 | 0:36:34 | |
George! George! You did it! | 0:36:47 | 0:36:49 | |
You did it! It's OK, it's all OK now. | 0:36:49 | 0:36:53 | |
Everything's going to be fine. | 0:36:53 | 0:36:55 | |
No. No. | 0:36:55 | 0:36:58 | |
No, no, no, no, no! | 0:36:59 | 0:37:01 | |
George, you created this whole world. | 0:37:01 | 0:37:04 | |
This whole thing, you can smash it! | 0:37:04 | 0:37:06 | |
You can destroy it! | 0:37:06 | 0:37:07 | |
Something's holding him back. Something's holding him back. | 0:37:09 | 0:37:11 | |
Something... | 0:37:11 | 0:37:13 | |
Who are you? | 0:37:13 | 0:37:16 | |
-I'm The Doctor. -A doctor? | 0:37:16 | 0:37:17 | |
Have you come to take me away? | 0:37:17 | 0:37:19 | |
That's what did it. That's what the trigger was. He thought you were rejecting him. | 0:37:20 | 0:37:22 | |
He thought he wasn't wanted. | 0:37:22 | 0:37:23 | |
That someone was going to come and take him away. | 0:37:23 | 0:37:24 | |
Well, we...we talked about it. | 0:37:24 | 0:37:27 | |
Yeah, and he heard you, Alex. | 0:37:27 | 0:37:28 | |
A Tenza's sole function is to fit in, to be wanted, and you were rejecting him. | 0:37:28 | 0:37:32 | |
We just couldn't cope. We needed help! | 0:37:32 | 0:37:34 | |
Yes, but George didn't know that. He thought you were rejecting him. He still thinks it. | 0:37:34 | 0:37:36 | |
But how can we keep him? How can we? | 0:37:36 | 0:37:38 | |
He's not... | 0:37:38 | 0:37:40 | |
Not what? | 0:37:40 | 0:37:42 | |
He's not...human. | 0:37:42 | 0:37:45 | |
No. | 0:37:48 | 0:37:50 | |
DAD! | 0:37:50 | 0:37:53 | |
Whatever you are, whatever you do, you're my son. | 0:38:09 | 0:38:14 | |
And I will never, ever send you away. | 0:38:14 | 0:38:19 | |
Oh, George. | 0:38:19 | 0:38:22 | |
Oh, my little boy. | 0:38:22 | 0:38:24 | |
Dad. | 0:38:26 | 0:38:28 | |
My little boy. | 0:38:33 | 0:38:36 | |
Dad. | 0:38:36 | 0:38:37 | |
Oh, dear. | 0:38:52 | 0:38:56 | |
Must be them tablets. | 0:38:56 | 0:38:59 | |
Oh. Oh, dear. | 0:38:59 | 0:39:02 | |
-Was I...? -Yeah. | 0:39:10 | 0:39:12 | |
Hi! | 0:39:34 | 0:39:36 | |
Hello! You're Claire, I expect. | 0:39:43 | 0:39:46 | |
-Claire...how'd you feel about kippers? -Er...who? | 0:39:46 | 0:39:50 | |
They sent someone. About George. | 0:39:50 | 0:39:52 | |
-It's all sorted. -Yeah, we had a great time, didn't we? | 0:39:52 | 0:39:55 | |
-Yeah! -See, he's fine. -What? Just like that? | 0:39:55 | 0:39:59 | |
Yes. Trust me. | 0:39:59 | 0:40:03 | |
-Doctor, wait! -Sorry, yes. Bye. -You can't just... | 0:40:14 | 0:40:17 | |
-I mean... -It's sorted. You sorted it. Good man, Alex. | 0:40:19 | 0:40:20 | |
-Proud of you. -What, that's it? | 0:40:20 | 0:40:22 | |
Well, apart from making sure he eats his greens and getting him into a good school, yes. | 0:40:22 | 0:40:26 | |
But is he going to... I don't know, sprout another head or three eyes or something? | 0:40:26 | 0:40:30 | |
He's one of the Tenza remember? He'll adapt perfectly now. Hey! | 0:40:30 | 0:40:32 | |
Be whatever you want him to be. | 0:40:32 | 0:40:34 | |
I might pop back around puberty, mind you. Always a funny time. | 0:40:40 | 0:40:44 | |
Kippers are getting cold! | 0:40:48 | 0:40:50 | |
Come on, you two. Things to do, people to see, whole civilisations to save. | 0:40:53 | 0:40:57 | |
You feeling OK? | 0:40:57 | 0:40:59 | |
Erm, I think so. | 0:40:59 | 0:41:01 | |
Well, it's good to be all back together again. | 0:41:01 | 0:41:04 | |
In the flesh. Come on. | 0:41:04 | 0:41:07 | |
Now did someone mention something about planets and history and stuff? | 0:41:07 | 0:41:10 | |
-Where do you want to go? -Um... -Mind's gone blank. | 0:41:10 | 0:41:13 | |
-Well, I have just been turned into a wooden dolly. -Excuses, excuses. | 0:41:13 | 0:41:17 | |
It's tough though. It's like being given three wishes. | 0:41:17 | 0:41:19 | |
-The whole universe? -Or universes. | 0:41:19 | 0:41:21 | |
Ooh, three wishes like Ali Baba. | 0:41:21 | 0:41:23 | |
How about that? | 0:41:23 | 0:41:24 | |
GIRLS SINGS NURSERY RHYME | 0:41:24 | 0:41:27 | |
-Where am 1? -You're in a faster timestream. | 0:41:39 | 0:41:42 | |
-Amy! -You didn't save me? | 0:41:42 | 0:41:46 | |
-So I have to choose. Which wife do I want? -Which one's Amy 1? | 0:41:46 | 0:41:49 | |
If they touch you, you go to sleep. | 0:41:49 | 0:41:51 | |
Subtitles by Red Bee Media LTD | 0:42:17 | 0:42:20 | |
Email [email protected] | 0:42:20 | 0:42:23 |