Browse content similar to The Girl Who Waited. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Apalapucia. -Say it again? -Apalapucia. -Apalapu...? | 0:00:00 | 0:00:03 | |
-Cia. -Apalapucia. | 0:00:03 | 0:00:05 | |
-Apalapucia. -Apalapucia. What a beautiful word. | 0:00:05 | 0:00:08 | |
Beautiful word, beautiful world. Apalapucia, voted number two planet | 0:00:08 | 0:00:12 | |
in the top ten greatest destinations | 0:00:12 | 0:00:14 | |
for the discerning intergalactic traveller. | 0:00:14 | 0:00:16 | |
-Why couldn't we go to number one? -It's hideous. | 0:00:16 | 0:00:19 | |
Everyone goes to number one. Planet of the coffee shops. | 0:00:19 | 0:00:22 | |
Apalapucia! I give you sunsets, spires, soaring silver colonnades! | 0:00:22 | 0:00:26 | |
I give you... | 0:00:26 | 0:00:28 | |
Doors. | 0:00:29 | 0:00:32 | |
Doors. Yes. I give you doors. But on the other side of those doors, | 0:00:32 | 0:00:35 | |
I give you sunsets, spires, soaring silver colonnades. | 0:00:35 | 0:00:38 | |
-Have you seen my phone? -Your phone? | 0:00:38 | 0:00:41 | |
-Yeah. -Your mobile telephone? | 0:00:41 | 0:00:43 | |
I bring you to a paradise planet, two billion light years away, and you want to update Twitter? | 0:00:43 | 0:00:48 | |
Sunsets. Spires. Soaring silver colonnades. It's a camera phone. | 0:00:48 | 0:00:51 | |
-On the counter, by the DVDs. -Thank you. | 0:00:51 | 0:00:55 | |
-How do we get in? -I don't know. Push a button. | 0:00:55 | 0:00:58 | |
OK, so, rain check on the soaring silver colonnades. | 0:01:05 | 0:01:08 | |
It's a magnifying glass. | 0:01:12 | 0:01:15 | |
-Hey? Hey, it's locked. -Yeah, push the button. | 0:01:20 | 0:01:23 | |
Rory? | 0:01:29 | 0:01:30 | |
Come on, Amy! | 0:01:30 | 0:01:32 | |
Great(!) | 0:01:35 | 0:01:37 | |
Where is she? | 0:01:44 | 0:01:45 | |
Where on wherever we are is my wife? | 0:01:48 | 0:01:52 | |
Rory...I think I've found her. | 0:01:55 | 0:02:01 | |
What do you mean you've found her? Woah! | 0:02:01 | 0:02:04 | |
No, but, she's not...she's not here! | 0:02:04 | 0:02:08 | |
I can see her, but she's not here. | 0:02:10 | 0:02:13 | |
Where am I? In fact, where are you? | 0:02:13 | 0:02:17 | |
Whoa. | 0:02:17 | 0:02:19 | |
Hands! Hello. Hands. Robot with hands, Rory. | 0:02:19 | 0:02:23 | |
Welcome to Twostreams. Will you be visiting long? | 0:02:23 | 0:02:25 | |
-Er, Doctor. Something's happening. -Amy! | 0:02:25 | 0:02:28 | |
Stay calm! Stay still! Ah, time's gone wobbly. | 0:02:28 | 0:02:32 | |
I hate it when it does that. | 0:02:32 | 0:02:34 | |
Will you be visiting long? | 0:02:34 | 0:02:36 | |
Good question, bit sinister. What's the answer to not get us killed? | 0:02:36 | 0:02:40 | |
-It's OK, I've got you, you're fine. -Will you be visiting long? | 0:02:40 | 0:02:44 | |
-Doctor, a little help, Doctor. -And where have you been? | 0:02:44 | 0:02:46 | |
-Will you...? -What do I tell it? -I've been here a week! | 0:02:46 | 0:02:49 | |
-A week?! -A week?! | 0:02:49 | 0:02:51 | |
I'm so sorry! Aha! Same room, different times, | 0:02:51 | 0:02:53 | |
Two timestreams running at different speeds. | 0:02:53 | 0:02:56 | |
Amy, you're in a faster timestream. | 0:02:56 | 0:02:58 | |
Doctor, it's going again! | 0:02:58 | 0:03:00 | |
-Doctor! -AMY! -DOCTOR! | 0:03:00 | 0:03:03 | |
Come on. Gotcha! There. Stabilised, settled, shh! | 0:03:38 | 0:03:42 | |
-Why has this got hands? -Organic skin, ultimate universal interface, | 0:03:42 | 0:03:47 | |
grown and grafted, not born. It's seeing with its fingers, | 0:03:47 | 0:03:50 | |
scanning the room. But why not just give it eyes? | 0:03:50 | 0:03:52 | |
-Will you be visiting long? -As long as it takes. What exactly did you do? | 0:03:52 | 0:03:55 | |
I just, I came in, and I pressed the door button. | 0:03:55 | 0:03:59 | |
Ah... Amy, there are two buttons. Green anchor, red waterfall. | 0:03:59 | 0:04:03 | |
Which one did you push? | 0:04:03 | 0:04:05 | |
I pushed the red waterfall. | 0:04:05 | 0:04:07 | |
Great. | 0:04:08 | 0:04:09 | |
Amy? | 0:04:25 | 0:04:27 | |
I pressed Red Waterfall, and she wasn't there! | 0:04:37 | 0:04:39 | |
So you can't follow her directly. You know, it's never simple! | 0:04:39 | 0:04:43 | |
Hear that, Handbot? She just pressed the wrong button. | 0:04:43 | 0:04:46 | |
-We're aliens, we didn't know. -Statement...rejected. | 0:04:46 | 0:04:50 | |
Apalapucia is under planet-wide quarantine. | 0:04:50 | 0:04:53 | |
This is a kindness facility for those infected with Chen7. | 0:04:53 | 0:04:59 | |
-What? -Chen7, hmm? | 0:04:59 | 0:05:02 | |
-The one day plague. -What, you get it for a day? | 0:05:02 | 0:05:05 | |
No, you get it, and you die in a day. | 0:05:05 | 0:05:09 | |
There are 40,000 residents in the Twostreams Facility. | 0:05:09 | 0:05:12 | |
Please remain in the sterile areas. Visiting hours are now. | 0:05:12 | 0:05:17 | |
Sterile area, I'm safe. | 0:05:20 | 0:05:22 | |
What about me! | 0:05:22 | 0:05:24 | |
It only affects two-hearted races like Apalapucians. | 0:05:24 | 0:05:27 | |
-And Time Lords. -Yeah, like me. In that facility, I'm dead in a day. | 0:05:27 | 0:05:30 | |
Time moves faster on Amy's side of the glass. | 0:05:30 | 0:05:33 | |
You said you'd been here a week. what did you eat? | 0:05:33 | 0:05:36 | |
-Nothing. I wasn't hungry. -No, because Red Waterfall time is compressed. | 0:05:36 | 0:05:40 | |
That's the point. The Time Glass syncs up the timestreams for visits. | 0:05:40 | 0:05:43 | |
You could be here for a day, watch them live out their entire lives. | 0:05:43 | 0:05:46 | |
And watch them grow old in front of your eyes? | 0:05:46 | 0:05:49 | |
-That's horrible. -No, Rory, it's kind. | 0:05:49 | 0:05:53 | |
You've got a choice. Sit by their bedside for 24 hours | 0:05:53 | 0:05:57 | |
and watch them die, or sit in here for 24 hours and watch them live. | 0:05:57 | 0:06:02 | |
Which would you choose? | 0:06:02 | 0:06:04 | |
Doctor?! | 0:06:09 | 0:06:10 | |
-Doctor, don't leave me! -I'm here, Amy. I'm right here. | 0:06:12 | 0:06:16 | |
Where are you? Am I looking at you? | 0:06:16 | 0:06:19 | |
Turn left, just a fraction. | 0:06:19 | 0:06:23 | |
Bit more, stop. | 0:06:23 | 0:06:25 | |
-That's it. -Eye to eye? | 0:06:25 | 0:06:27 | |
-Eye to eye to eye. -Hello. | 0:06:27 | 0:06:31 | |
Amy, I'm taking the Time Glass back to the TARDIS. Like satnav, | 0:06:31 | 0:06:34 | |
I'll use it to get a lock, then smash through to get you out. | 0:06:34 | 0:06:37 | |
-Until then, you're on your own. -What are you doing? -Finding Amy. | 0:06:37 | 0:06:40 | |
-Minor vandalism, no-one'll mind. -ALARM WAILS | 0:06:40 | 0:06:43 | |
Ah, the minor vandalism alarm. Amy, I need you to go into the facility. | 0:06:43 | 0:06:47 | |
Find somewhere safe and leave me a sign. You're immune, | 0:06:47 | 0:06:49 | |
but don't let them give you anything. Their kindness will kill you. Go! | 0:06:49 | 0:06:54 | |
Rory. I love you. | 0:07:01 | 0:07:03 | |
Now, save me. Go on. | 0:07:03 | 0:07:06 | |
This is locked onto Amy permanently. | 0:07:12 | 0:07:14 | |
Play the signal into the console, the TARDIS'll follow it. | 0:07:14 | 0:07:18 | |
Now then, I know you're in here. | 0:07:21 | 0:07:23 | |
Um...erm.. | 0:07:23 | 0:07:26 | |
-Haha! How do I look? -Ridiculous. | 0:07:26 | 0:07:30 | |
Glasses are cool. See? | 0:07:30 | 0:07:32 | |
Oh, yes. Hello, handsome man. | 0:07:32 | 0:07:35 | |
Oh, hello. | 0:07:35 | 0:07:36 | |
Hello, Rorycam! | 0:07:36 | 0:07:38 | |
-Huh? Oh, you can see what I see. -We're breaking into Twostreams. | 0:07:38 | 0:07:42 | |
I can't go in, the Chen7'll kill me, no regeneration. | 0:07:42 | 0:07:45 | |
You will be my eyes and ears. | 0:07:45 | 0:07:47 | |
-Rory-cam. Rescue Amy. Got it. -That's the spirit! | 0:07:47 | 0:07:50 | |
Now, smashing through a timewall could get a bit hairy. | 0:07:50 | 0:07:54 | |
-Is it safe? -Don't know. Never tried. Best hold onto something. | 0:07:54 | 0:07:58 | |
Welcome to The Twostreams Facility. | 0:08:13 | 0:08:16 | |
Erm, who are you and why can't I see you? | 0:08:16 | 0:08:20 | |
I am the Interface, between yourself | 0:08:20 | 0:08:23 | |
and the systems of the Twostreams Facility. | 0:08:23 | 0:08:27 | |
I will be your guide, your teacher, your friend. | 0:08:27 | 0:08:30 | |
Welcome to Twostreams. What is your name, please? | 0:08:30 | 0:08:34 | |
Amy. Amy Pond. | 0:08:34 | 0:08:37 | |
Welcome, Amy Pond. I see you're travelling alone. | 0:08:37 | 0:08:42 | |
As a resident you will now have access | 0:08:42 | 0:08:45 | |
to all of the entertainment zones inside. | 0:08:45 | 0:08:48 | |
For a taste of adventure, why not try the mountain zone, | 0:08:48 | 0:08:52 | |
and explore Apalapucia's famous Glasmir Mountains. | 0:08:52 | 0:08:56 | |
Or try our roller-coaster zone, authentically modelled | 0:08:56 | 0:08:59 | |
on the famous Warpspeed Death Ride at Disneyland, Clom. | 0:08:59 | 0:09:02 | |
All that you could wish for and more is through the Departure Gate, | 0:09:02 | 0:09:07 | |
provided for you with kindness. | 0:09:07 | 0:09:10 | |
Unexpected visitor. Welcome. | 0:09:16 | 0:09:19 | |
Please seek assistance. | 0:09:19 | 0:09:21 | |
Hello? Hey! Oi, wait! | 0:09:21 | 0:09:24 | |
You are carrying unregistered bacteria. Please let me help you. | 0:09:29 | 0:09:33 | |
No, I'm not from this world. Your medicine'll kill me! | 0:09:36 | 0:09:39 | |
Statement...rejected. | 0:09:39 | 0:09:43 | |
Do not be alarmed. This is a kindness. | 0:09:43 | 0:09:47 | |
No, no, please, I hate needles. | 0:09:47 | 0:09:49 | |
Secondary delivery system engaged. | 0:09:49 | 0:09:52 | |
Unauthorised infection on check-in, version 223. | 0:09:58 | 0:10:03 | |
ALARM WAILS | 0:10:03 | 0:10:05 | |
Unauthorised resident detected. | 0:10:10 | 0:10:14 | |
Come on. | 0:10:14 | 0:10:16 | |
AMY BREATHES HEAVILY | 0:10:16 | 0:10:19 | |
This is a kindness. Do not be alarmed. This is a kindness. | 0:10:19 | 0:10:24 | |
-AMY SHRIEKS -Unauthorised resident detected. | 0:10:39 | 0:10:42 | |
Unauthorised resident detected. | 0:10:42 | 0:10:46 | |
No. No, no... | 0:10:46 | 0:10:48 | |
This is a kindness. Do not be alarmed. This is a kindness. | 0:10:48 | 0:10:54 | |
This is a kindness. Do not be alarmed. | 0:10:56 | 0:10:59 | |
Come on, please... | 0:11:04 | 0:11:07 | |
No residents detected. | 0:11:07 | 0:11:11 | |
No residents detected. | 0:11:11 | 0:11:13 | |
They didn't see me, they didn't see me. | 0:11:13 | 0:11:17 | |
THE DOCTOR LAUGHS | 0:11:20 | 0:11:23 | |
-Red Waterfall! We made it. -Good old us! | 0:11:34 | 0:11:36 | |
How do we know that we're in the same Red Waterfall as Amy? | 0:11:36 | 0:11:40 | |
Focus on the positive. We locked onto Amy's timestream. | 0:11:40 | 0:11:44 | |
-Eyes front, soldier! -Right, yes, sorry. | 0:11:44 | 0:11:48 | |
Apalapucians are the great cultural scavengers, Rory, | 0:11:48 | 0:11:52 | |
-this gallery's a scrapbook of their favourite places. -Bit of Earth, bit of alien, | 0:11:52 | 0:11:57 | |
bit of... | 0:11:57 | 0:12:00 | |
whatever the hell that is. | 0:12:00 | 0:12:02 | |
-Interface? -I am here, Amy Pond. -Shhh, shhh. Turn that light off! | 0:12:11 | 0:12:16 | |
-So I'm...what is this? How does it work? -This is the Gate. | 0:12:18 | 0:12:21 | |
From here you may depart to any of Twostreams' entertainment zones. | 0:12:21 | 0:12:26 | |
-Cinema. -DISTANT, DRAMATIC BRASS MUSIC | 0:12:30 | 0:12:33 | |
-Aquarium. -DISTANT BUBBLING | 0:12:33 | 0:12:36 | |
-Garden. -Garden? Why not? | 0:12:36 | 0:12:41 | |
Garden. | 0:12:41 | 0:12:42 | |
It's...beautiful. | 0:13:02 | 0:13:04 | |
I mean, freaky hedges. | 0:13:06 | 0:13:08 | |
The perfect replica of a Shill Governor's Mansion on Shallanna. | 0:13:09 | 0:13:14 | |
You really could spend a lifetime in here. | 0:13:14 | 0:13:17 | |
Not that I'm going to. | 0:13:17 | 0:13:19 | |
-Interface? -Amy Pond? | 0:13:26 | 0:13:29 | |
I need somewhere safe to hide and wait for my friends. Where in Twostreams is safe? | 0:13:29 | 0:13:33 | |
Twostreams is a safe, nurturing environment. | 0:13:33 | 0:13:37 | |
You know what I mean. Where can I go so the Handbots can't find me? | 0:13:37 | 0:13:43 | |
Before, I was stood by a sort of vent, | 0:13:43 | 0:13:46 | |
and there was light and smoke and the Handbots couldn't see me. Why not? | 0:13:46 | 0:13:49 | |
OK, I'll put it another way. What were those vent thingies? | 0:13:50 | 0:13:54 | |
The vents channel the exhaust fumes | 0:13:54 | 0:13:56 | |
from the temporal engines that hold the multiple timestreams in place. | 0:13:56 | 0:14:01 | |
And these temporal engines mess up the Handbots' sensors. | 0:14:01 | 0:14:04 | |
-So where's the temporal engines? -Temporal engines held within. | 0:14:04 | 0:14:09 | |
OK... | 0:14:09 | 0:14:10 | |
Do not be alarmed. This is a kindness. | 0:14:12 | 0:14:16 | |
Ha! Don't like that, do you?! | 0:14:20 | 0:14:23 | |
Temporal engines. Somewhere to hide. | 0:14:34 | 0:14:37 | |
Where...is everyone? | 0:14:47 | 0:14:50 | |
Right, Rory, switch the Time Glass on and sonic it. | 0:14:50 | 0:14:53 | |
I'll send a command to the screwdriver. | 0:14:53 | 0:14:55 | |
Amy's here somewhere. If I can just get a lock on her. | 0:14:55 | 0:14:58 | |
I wonder what happens if we mix the filters? | 0:14:58 | 0:15:03 | |
And there they are. | 0:15:06 | 0:15:08 | |
40,000 time streams overlapping. | 0:15:08 | 0:15:11 | |
Red Waterfall isn't one time stream. | 0:15:11 | 0:15:13 | |
It's thousands. | 0:15:13 | 0:15:16 | |
-Are they happy? -Oh, Rory. Trust you to think of that. | 0:15:16 | 0:15:21 | |
I think they're happy to be alive. Better than the alternative. | 0:15:21 | 0:15:25 | |
I come in peace! Peace, peace, peace, peace! | 0:15:27 | 0:15:30 | |
I waited. | 0:15:33 | 0:15:34 | |
Sorry, what? | 0:15:34 | 0:15:36 | |
I waited for you. | 0:15:36 | 0:15:38 | |
I waited! | 0:15:42 | 0:15:43 | |
Amy. | 0:15:46 | 0:15:48 | |
Doctor, what's going on? | 0:15:48 | 0:15:50 | |
Er... | 0:15:53 | 0:15:55 | |
Amy. | 0:15:58 | 0:16:00 | |
'I think the time stream lock might be a bit wobbly.' | 0:16:00 | 0:16:04 | |
No, please. Please! | 0:16:05 | 0:16:07 | |
Duck. | 0:16:07 | 0:16:08 | |
Handbots carry a black box in case they go offline. | 0:16:20 | 0:16:23 | |
I've changed the cause of termination from hostile to accidental. | 0:16:23 | 0:16:26 | |
'Easy to re-programme. Using my sonic probe.' | 0:16:26 | 0:16:29 | |
-PROBE BLEEPS -Amy. -Rory. | 0:16:29 | 0:16:32 | |
-Why? -I've survived this long | 0:16:34 | 0:16:36 | |
by making the Handbots think I don't exist. Don't touch the hands. | 0:16:36 | 0:16:40 | |
Anaesthetic transfer - if they touch you, you go to sleep. | 0:16:40 | 0:16:43 | |
But you're still here? | 0:16:43 | 0:16:45 | |
You didn't save me. | 0:16:47 | 0:16:49 | |
This is the saving! This is the us saving you! | 0:16:54 | 0:16:57 | |
The Doctor just got the timing a bit out! | 0:16:57 | 0:16:59 | |
HE MOUTHS | 0:16:59 | 0:17:01 | |
I've been on my own here a long, long time. | 0:17:01 | 0:17:04 | |
I've had decades to think nice thoughts about him. | 0:17:04 | 0:17:07 | |
-Got a bit harder to stay charitable once I entered decade four. -40 years? | 0:17:07 | 0:17:11 | |
-Alone? -36 years. | 0:17:11 | 0:17:15 | |
-Thanks! -No. | 0:17:15 | 0:17:16 | |
Right, I mean... | 0:17:16 | 0:17:19 | |
you look great. | 0:17:19 | 0:17:20 | |
Really. Really. | 0:17:21 | 0:17:23 | |
Eyes front, soldier. | 0:17:23 | 0:17:24 | |
Still can't win then. | 0:17:26 | 0:17:27 | |
In fact, I think I can now definitely say | 0:17:27 | 0:17:30 | |
I hate him. I hate The Doctor. | 0:17:30 | 0:17:33 | |
I hate him more than I've ever hated anyone in my life. | 0:17:33 | 0:17:36 | |
You can hear every word of this through those ridiculous glasses, | 0:17:36 | 0:17:39 | |
-can't you, Raggedy Man? -Ah. Yes. | 0:17:39 | 0:17:42 | |
Putting the speaker phone on. | 0:17:42 | 0:17:44 | |
You told me to wait. And I did. A lifetime. | 0:17:44 | 0:17:47 | |
-Amy... -You've got nothing to say to me. -Behind you! | 0:17:47 | 0:17:50 | |
Feedback. Knocks them out. Learned that trick on my first day. | 0:17:56 | 0:18:00 | |
OK, so we just take the Tardis back to the right time stream, yeah? | 0:18:01 | 0:18:05 | |
We can stop any of this happening. | 0:18:05 | 0:18:07 | |
-We locked on to a time stream, Rory. This is it. -This is so wrong. | 0:18:07 | 0:18:11 | |
-I got old, Rory, what did you think was going to happen? -Hey! | 0:18:11 | 0:18:14 | |
I don't care that you got old! | 0:18:14 | 0:18:16 | |
I care that we didn't grow old together. | 0:18:16 | 0:18:19 | |
Amy, come on, please. | 0:18:19 | 0:18:21 | |
Don't touch me. | 0:18:21 | 0:18:23 | |
Don't do that. | 0:18:23 | 0:18:24 | |
It's like you're not even her. | 0:18:24 | 0:18:27 | |
36 years, three months, four days of solitary confinement. | 0:18:27 | 0:18:30 | |
This facility was built to give people the chance to live. I walked in here and I died. | 0:18:30 | 0:18:36 | |
Do you have anything to say? | 0:18:36 | 0:18:37 | |
Anything, Doctor? | 0:18:37 | 0:18:39 | |
Where did you get a sonic screwdriver? | 0:18:39 | 0:18:42 | |
I made it. And it's a sonic probe. | 0:18:42 | 0:18:45 | |
You made a sonic screwdriver? | 0:18:45 | 0:18:47 | |
Probe. | 0:18:47 | 0:18:49 | |
Oh! | 0:19:03 | 0:19:04 | |
Don't worry about him. Sit down, Rory. | 0:19:05 | 0:19:07 | |
-You named him after me? -Needed a bit of company. | 0:19:16 | 0:19:19 | |
-So, he's like your... -Pet. | 0:19:20 | 0:19:22 | |
-Is it safe? -Yep. | 0:19:28 | 0:19:31 | |
I disarmed it. | 0:19:31 | 0:19:32 | |
How? | 0:19:35 | 0:19:36 | |
Oh, you...disarmed it. | 0:19:38 | 0:19:42 | |
Oh, don't get sentimental, it's just a robot. | 0:19:43 | 0:19:45 | |
You'd have done the same. | 0:19:45 | 0:19:47 | |
-I don't know that I would have. -And there he is - the voice of God. | 0:19:47 | 0:19:51 | |
Survive. | 0:19:51 | 0:19:53 | |
Cos no-one's going to come for you. Number one lesson. | 0:19:53 | 0:19:56 | |
-You taught me that. -Is that really all I taught you? | 0:19:56 | 0:19:59 | |
Don't you lecture me, blue-box man | 0:19:59 | 0:20:02 | |
flying through time and space on whimsy. | 0:20:02 | 0:20:05 | |
All I've got - all I've had for 36 years - is cold, hard reality. | 0:20:05 | 0:20:09 | |
So, no, I don't have a sonic screwdriver | 0:20:09 | 0:20:12 | |
because I'm not off on a romp. | 0:20:12 | 0:20:14 | |
I call it what it is - a probe. | 0:20:14 | 0:20:16 | |
And I call my life what it is... | 0:20:16 | 0:20:18 | |
Hell. | 0:20:19 | 0:20:21 | |
Amy Pond, I am going to put this right. You said you learned from an Interface. Can I speak with it? | 0:20:23 | 0:20:27 | |
Doesn't work in here. 2:23, the garden'll be clear now. | 0:20:27 | 0:20:31 | |
Stay or go? | 0:20:32 | 0:20:35 | |
Sorry, me? | 0:20:35 | 0:20:36 | |
No, I'm coming with you! | 0:20:36 | 0:20:39 | |
Then try not to get killed. Or do. Whatever. | 0:20:39 | 0:20:42 | |
When I first came here, | 0:20:46 | 0:20:47 | |
I had to trick the Interface into giving me the information, | 0:20:47 | 0:20:50 | |
but I've reprogrammed it now. It'll tell me anything except how to escape. | 0:20:50 | 0:20:54 | |
-You hacked it? That's genius! -Sorry to interrupt that beautiful moment, | 0:20:54 | 0:20:59 | |
but temporal engines have a regulator valve, which has to be kept from the main reactor | 0:20:59 | 0:21:03 | |
or there's feedback. Interface, where's the regulator? | 0:21:03 | 0:21:06 | |
The regulator valve is held within. | 0:21:06 | 0:21:08 | |
Ah! Oh, very, very "ah!" | 0:21:08 | 0:21:11 | |
Interface, I need to run through some technical specifications. | 0:21:11 | 0:21:15 | |
Rory, give me to Amy a minute. | 0:21:15 | 0:21:16 | |
Here you go. | 0:21:16 | 0:21:18 | |
They look ridiculous. | 0:21:30 | 0:21:33 | |
That's what I told him. | 0:21:33 | 0:21:34 | |
Still, anything beats a fez, eh? | 0:21:34 | 0:21:36 | |
THEY LAUGH | 0:21:36 | 0:21:38 | |
What is it? | 0:21:40 | 0:21:42 | |
I think that's the first time I've laughed in 36 years. | 0:21:45 | 0:21:49 | |
I'll just, um, leave you two geniuses alone. | 0:21:56 | 0:22:02 | |
I'll be back in a minute. | 0:22:02 | 0:22:04 | |
There's still time, Amy. There's still time to fix everything. | 0:22:04 | 0:22:08 | |
How can you have a door without a wall? | 0:22:23 | 0:22:25 | |
Oh! | 0:22:31 | 0:22:33 | |
Holographic wallpaper? Oh, sorry. | 0:22:33 | 0:22:36 | |
Argh! | 0:22:36 | 0:22:37 | |
Do not be alarmed. This is a kindness. | 0:22:39 | 0:22:42 | |
-Oh. -Rory? | 0:22:45 | 0:22:48 | |
Glasses. | 0:22:49 | 0:22:50 | |
You stupid... | 0:22:50 | 0:22:53 | |
Oh! | 0:22:53 | 0:22:55 | |
You saved me. | 0:22:55 | 0:22:56 | |
Don't get used to it. | 0:22:56 | 0:22:58 | |
Have you been crying? A little bit? | 0:22:58 | 0:23:01 | |
-Shut up, Rory. -You have, haven't you? | 0:23:01 | 0:23:03 | |
Woman with a sword. Don't push it. | 0:23:03 | 0:23:05 | |
OK, so here's the plan. | 0:23:05 | 0:23:08 | |
Time is always a bit wibbly-wobbly, but in Twostreams it's extra wubbly. | 0:23:08 | 0:23:12 | |
I've worked out how to hijack the temporal engines and then fold two points of Amy's timeline together. | 0:23:12 | 0:23:17 | |
We're bringing her out of the then and into the now! | 0:23:17 | 0:23:20 | |
Amy, I just need to borrow your brain a minute, it won't hurt, probably - almost probably - | 0:23:20 | 0:23:25 | |
and then, Amy Pond, I'm going to save you. | 0:23:25 | 0:23:27 | |
No! | 0:23:29 | 0:23:31 | |
Time's up, Handbots coming. | 0:23:31 | 0:23:33 | |
Amy, you've got to help us help you. I need you to think back | 0:23:36 | 0:23:40 | |
36 years ago. Amy? | 0:23:40 | 0:23:43 | |
Amy!? | 0:23:43 | 0:23:45 | |
You told her to leave us a sign. | 0:23:50 | 0:23:52 | |
And she did. And she waited. | 0:23:57 | 0:24:00 | |
Oh, Amy. | 0:24:03 | 0:24:06 | |
Why won't you help yourself? | 0:24:06 | 0:24:08 | |
He wants to rescue Past Me from 36 years back, which means I'll cease to exist. | 0:24:08 | 0:24:12 | |
-Everything I've seen and done dissolves, time is rewritten. -That's... | 0:24:12 | 0:24:16 | |
-That's good, isn't it? -I will die. Another Amy will take my place, | 0:24:16 | 0:24:19 | |
an Amy who never got trapped at Twostreams, who grew old with you, | 0:24:19 | 0:24:23 | |
and she, in 36 years, won't be me. | 0:24:23 | 0:24:24 | |
But you'll die in here. | 0:24:24 | 0:24:26 | |
Not if you take me with you. | 0:24:29 | 0:24:31 | |
You came to rescue me, so rescue me. | 0:24:35 | 0:24:38 | |
Leave her and take you? | 0:24:39 | 0:24:40 | |
We could take this Amy with us, easy, but if we do, our Amy has to wait 36 years to be rescued. | 0:24:42 | 0:24:47 | |
So I have to choose - which wife do I want? | 0:24:48 | 0:24:52 | |
She is me. We're both me. | 0:24:53 | 0:24:56 | |
You being here is wrong. | 0:24:56 | 0:24:58 | |
For a single day, an hour, let alone a lifetime. | 0:24:58 | 0:25:01 | |
I swore to protect you... I promised. | 0:25:03 | 0:25:07 | |
-Rory... -This is your fault. | 0:25:11 | 0:25:14 | |
-I'm so sorry, but Rory... -No! This is your fault! | 0:25:14 | 0:25:17 | |
You should look in a history book once in a while, see if there's | 0:25:18 | 0:25:22 | |
-an outbreak of plague or not. -That is not how I travel. -Then I do not want to travel with you! | 0:25:22 | 0:25:27 | |
FEEDBACK | 0:25:27 | 0:25:29 | |
AMY SOBS | 0:25:29 | 0:25:33 | |
Rory, is the time glass still on? | 0:25:42 | 0:25:45 | |
If the link's still active, I think I can hear Amy. | 0:25:45 | 0:25:49 | |
Our Amy. | 0:25:49 | 0:25:50 | |
Oh, Amy. | 0:25:56 | 0:25:58 | |
Look me in the face and say you won't help her. | 0:26:16 | 0:26:20 | |
I will not help her. | 0:26:22 | 0:26:24 | |
OK... OK. | 0:26:24 | 0:26:27 | |
Look me in the face and say it now. | 0:26:40 | 0:26:43 | |
AMY SOBS | 0:26:43 | 0:26:47 | |
Rory? | 0:26:47 | 0:26:49 | |
Rory is that you? | 0:26:49 | 0:26:50 | |
Rory, where are you? | 0:26:59 | 0:27:01 | |
Same place as you - and a bit ahead. | 0:27:01 | 0:27:03 | |
I remember this. | 0:27:05 | 0:27:06 | |
But who's she? There's no-one else here, but... | 0:27:06 | 0:27:10 | |
..me. | 0:27:14 | 0:27:16 | |
Why are we still here!? | 0:27:29 | 0:27:32 | |
Because they leave you. | 0:27:32 | 0:27:34 | |
Because they get in their TARDIS and they fly away. | 0:27:34 | 0:27:37 | |
No, Rory wouldn't, not ever. | 0:27:37 | 0:27:40 | |
Something must have stopped him. | 0:27:40 | 0:27:42 | |
You did. | 0:27:44 | 0:27:46 | |
Or rather, the old version of you. The Me version of you. | 0:27:46 | 0:27:52 | |
I refuse to help them. I won't let them save myself. | 0:27:52 | 0:27:56 | |
Why? | 0:27:56 | 0:27:57 | |
If you escape, then I was never trapped here, | 0:27:57 | 0:28:01 | |
the last 36 years of my life rewrites, and I cease to exist. | 0:28:01 | 0:28:06 | |
That's why Old Me refused to help then... | 0:28:08 | 0:28:11 | |
..that's why I'm refusing to help now... | 0:28:12 | 0:28:15 | |
..and that's why you'll refuse to help when it's your turn. Nothing you can say will change that. | 0:28:16 | 0:28:22 | |
Three words. | 0:28:22 | 0:28:24 | |
What about Rory? | 0:28:26 | 0:28:28 | |
Rory? I... | 0:28:28 | 0:28:31 | |
I called my robot Rory. | 0:28:31 | 0:28:33 | |
You called your robot Rory? | 0:28:34 | 0:28:36 | |
You didn't call it The Doctor, | 0:28:37 | 0:28:40 | |
or Biggles, our favourite cat? | 0:28:40 | 0:28:43 | |
Do you, um... | 0:28:43 | 0:28:45 | |
Remember that summer when he came back to school with that ridiculous haircut? | 0:28:47 | 0:28:51 | |
He said he'd been in a rock band. THEY LAUGH | 0:28:51 | 0:28:56 | |
BOTH: Liar. | 0:28:56 | 0:28:58 | |
And then he had to learn to play the guitar. | 0:28:59 | 0:29:02 | |
So we wouldn't know he couldn't play it. Mm-hmm. | 0:29:02 | 0:29:05 | |
All those boys chasing me. | 0:29:13 | 0:29:16 | |
But it was only ever Rory. | 0:29:16 | 0:29:18 | |
Why was that? | 0:29:19 | 0:29:21 | |
You know when sometimes you meet someone so beautiful, | 0:29:25 | 0:29:30 | |
and then you actually talk to them, and five minutes later they're as dull as a brick? | 0:29:30 | 0:29:35 | |
Then there's other people, and you meet them and think, | 0:29:37 | 0:29:40 | |
"Not bad, they're OK." | 0:29:40 | 0:29:43 | |
And then you get to know them... | 0:29:43 | 0:29:46 | |
and their face just sort of becomes them. | 0:29:46 | 0:29:51 | |
Like their personality's written all over it. | 0:29:52 | 0:29:55 | |
And they just turn into something so beautiful? | 0:29:55 | 0:30:00 | |
BOTH: Rory's the most beautiful man I've ever met. | 0:30:02 | 0:30:06 | |
Please. | 0:30:13 | 0:30:15 | |
Do it for him. | 0:30:15 | 0:30:17 | |
You're asking me to defy destiny, causality, | 0:30:19 | 0:30:22 | |
the nexus of time itself, for a boy? | 0:30:22 | 0:30:24 | |
You're Amy... | 0:30:26 | 0:30:28 | |
..he's Rory... | 0:30:30 | 0:30:32 | |
..and oh, yes, I am. | 0:30:36 | 0:30:38 | |
I'm going to pull time apart for you. | 0:30:51 | 0:30:54 | |
OK, Doctor, Twostreams is back on air. | 0:31:27 | 0:31:30 | |
Right, OK, so this is big news, this is temporal earthquake time. | 0:31:30 | 0:31:33 | |
I am now officially changing my own future. Hold on to your spectacles. | 0:31:33 | 0:31:37 | |
In my past, I saw my future self refuse to help you. | 0:31:37 | 0:31:40 | |
I'm changing that future and agreeing. Every law of time says it's impossible. | 0:31:40 | 0:31:44 | |
Yes, except sometimes knowing your own future enables you to change it, | 0:31:44 | 0:31:47 | |
especially if you're bloody minded, contradictory and completely unpredictable. | 0:31:47 | 0:31:51 | |
So, basically, if you're Amy, then? | 0:31:51 | 0:31:53 | |
Yes, if anyone could defeat pre-destiny, it's your wife. | 0:31:53 | 0:31:57 | |
It's not about what I'm doing, but who I'm doing it for. | 0:31:57 | 0:32:00 | |
I'm trusting you to watch my back, Rory. | 0:32:02 | 0:32:05 | |
Always. | 0:32:05 | 0:32:06 | |
You and me, always. | 0:32:06 | 0:32:08 | |
Cos here's the deal - | 0:32:08 | 0:32:11 | |
you take me too in the TARDIS. | 0:32:11 | 0:32:14 | |
Me too. | 0:32:14 | 0:32:16 | |
But that means that there'll be two of you, permanently, forever. | 0:32:17 | 0:32:20 | |
And that way we both get to live. | 0:32:20 | 0:32:22 | |
-Two Amys together. Can that work? -I don't know, it's your marriage. | 0:32:22 | 0:32:26 | |
Doctor! | 0:32:26 | 0:32:28 | |
Perhaps, maybe, if I shunted the reality compensators on the TARDIS, | 0:32:28 | 0:32:32 | |
re-calibrated the doomsday bumpers and jettisoned the karaoke bar, yes, maybe, yes. | 0:32:32 | 0:32:38 | |
It could do it. The TARDIS could sustain the paradox. | 0:32:38 | 0:32:42 | |
Right. | 0:32:42 | 0:32:44 | |
Amy.. | 0:32:45 | 0:32:47 | |
..and Amy. | 0:32:48 | 0:32:50 | |
The wife and the wife, right. | 0:32:53 | 0:32:55 | |
OK, Amy - Past Amy - stand by the door. Future Amy, you too. | 0:32:56 | 0:32:59 | |
Future Amy, can I borrow your sonic scr...probe. | 0:32:59 | 0:33:03 | |
It's a screwdriver! | 0:33:03 | 0:33:05 | |
Rory, sonic it, double our power. Amy Now, you're our link to Amy Then. | 0:33:05 | 0:33:09 | |
We need to get a signal through. That signal will be a thought. Amy Now and Amy Then, share a thought. | 0:33:09 | 0:33:13 | |
Something so powerful that it can rip through time. | 0:33:13 | 0:33:17 | |
Rory, Sonic the plinth front. Inside are three levers and some wiring. That's the regulator valve. | 0:33:17 | 0:33:22 | |
-After we've rebooted, you have ten minutes to get back to the TARDIS. -OK. | 0:33:22 | 0:33:26 | |
Pull out the red and green receptors, re-route blue into red and green into blue. Leave red loose | 0:33:26 | 0:33:30 | |
and on no account touch anything yellow. | 0:33:30 | 0:33:33 | |
Come on, Rory. It's hardly rocket science. It's just quantum physics. | 0:33:33 | 0:33:38 | |
Yes, right. Blue into red... | 0:33:38 | 0:33:41 | |
Throw the levers in order! Amys, start thinking the most important thought you've ever had. | 0:33:42 | 0:33:47 | |
Hold it in your head and do not let it go! | 0:33:47 | 0:33:49 | |
-Lever one. -Macarena. | 0:33:50 | 0:33:54 | |
BOTH: Macarena, Macarena. | 0:33:54 | 0:33:55 | |
She's doing The Macarena. | 0:33:58 | 0:34:00 | |
Macarena. Macarena. | 0:34:00 | 0:34:02 | |
-Macarena. -Our first kiss. | 0:34:02 | 0:34:05 | |
Lever two, Rory. | 0:34:05 | 0:34:06 | |
Lever three. | 0:34:13 | 0:34:15 | |
Oh, Amy. | 0:34:25 | 0:34:27 | |
Oh, my God. | 0:34:30 | 0:34:32 | |
Oh, my God. | 0:34:32 | 0:34:33 | |
Hello! | 0:34:35 | 0:34:36 | |
THEY GIGGLE | 0:34:41 | 0:34:44 | |
Sorry... | 0:34:44 | 0:34:45 | |
-Hello. -Hello! | 0:34:53 | 0:34:54 | |
BOTH: I don't know what to... | 0:34:55 | 0:34:58 | |
Weird. | 0:34:58 | 0:35:00 | |
BOTH: OK, this is weird. | 0:35:00 | 0:35:02 | |
-BOTH: Right, just stop doing that. -How about Amy one speaks first? | 0:35:03 | 0:35:07 | |
BOTH: Which one's Amy one? | 0:35:07 | 0:35:08 | |
Well... | 0:35:08 | 0:35:10 | |
I am. No, I am! | 0:35:10 | 0:35:13 | |
Rory! Rory, just stop doing that! | 0:35:13 | 0:35:15 | |
Ah! | 0:35:15 | 0:35:16 | |
Oh. Rory, take the glasses off. You're getting temporal feedback. | 0:35:16 | 0:35:21 | |
Whoa! Calm down, dear! | 0:35:21 | 0:35:23 | |
Rory, Amy, we've created a massive paradox | 0:35:23 | 0:35:26 | |
and the TARDIS hates it. She's self-phasing, trying to get out. | 0:35:26 | 0:35:28 | |
VWOOM-VWOOM! | 0:35:28 | 0:35:31 | |
What's nasty Amy done to you? Just calm down, dear. Hang on in there. | 0:35:32 | 0:35:35 | |
Rory, you've got eight minutes left. I'm sorry, you're on your own now. | 0:35:37 | 0:35:41 | |
I'm not on my own. | 0:35:52 | 0:35:54 | |
I've got my wives. | 0:35:55 | 0:35:57 | |
-Do not be alarmed... -Incoming! | 0:35:57 | 0:36:00 | |
-..this is a kindness. -With me. | 0:36:00 | 0:36:01 | |
Do not be alarmed, this is a kindness. | 0:36:01 | 0:36:05 | |
This is a kindness. | 0:36:05 | 0:36:07 | |
Amy, Kate Hayler, year ten hockey. | 0:36:07 | 0:36:09 | |
Go for the shins! | 0:36:09 | 0:36:11 | |
-This is a kindness. -Duck! | 0:36:11 | 0:36:13 | |
They're cutting off the Departure Gate. | 0:36:17 | 0:36:20 | |
-We can't get back to the TARDIS. -Side door. We'll go behind them. | 0:36:20 | 0:36:24 | |
-Think you're coming with us, just like that? -Yeah, just like that. | 0:36:24 | 0:36:28 | |
-Rory, talk to her! -Rory! Talk to her! | 0:36:28 | 0:36:30 | |
Now, ladies... | 0:36:30 | 0:36:33 | |
-Where are you going to live? -Not with you, don't worry. | 0:36:33 | 0:36:36 | |
I'll go travelling. Pop back for Christmas, maybe Easter. | 0:36:36 | 0:36:39 | |
Amy, you always say, | 0:36:39 | 0:36:40 | |
cooking Christmas dinner, you wish there was two of you. | 0:36:40 | 0:36:44 | |
ALARM SIRENS | 0:36:44 | 0:36:46 | |
Can't we just teleport in? | 0:36:48 | 0:36:50 | |
It's not a teleport, it's a time jump. | 0:36:50 | 0:36:52 | |
They can't shunt within the same timestream. | 0:36:52 | 0:36:55 | |
Yes. | 0:36:55 | 0:36:57 | |
The TARDIS is in the Gallery. | 0:36:57 | 0:37:00 | |
INTERFACE: Gallery closed. | 0:37:00 | 0:37:02 | |
Controls are stuck. They've locked them from outside. | 0:37:02 | 0:37:05 | |
Can you unlock them? | 0:37:05 | 0:37:06 | |
Yeah, give me a minute and your cutest smile. | 0:37:06 | 0:37:10 | |
That's the one. | 0:37:10 | 0:37:12 | |
Can you stop flirting with me! | 0:37:13 | 0:37:14 | |
-You're old enough to be... -I've known you my whole life. | 0:37:14 | 0:37:17 | |
-How many games of Doctors And Nurses? -Ssh! | 0:37:17 | 0:37:20 | |
Don't get coy now. | 0:37:20 | 0:37:22 | |
DOOR OPENING | 0:37:22 | 0:37:24 | |
Do not be alarmed. | 0:37:24 | 0:37:26 | |
This is a kindness. | 0:37:26 | 0:37:27 | |
Do not be alarmed. This is a kindness. | 0:37:29 | 0:37:33 | |
Do not be alarmed. This is a kindness. | 0:37:34 | 0:37:38 | |
No! | 0:37:41 | 0:37:44 | |
SHE YELLS | 0:37:45 | 0:37:48 | |
Ah! | 0:38:10 | 0:38:11 | |
-Come on! -Go! | 0:38:18 | 0:38:21 | |
I've got your back! | 0:38:21 | 0:38:23 | |
SHE SCREAMS | 0:38:26 | 0:38:29 | |
Do not be alarmed. This is a kindness. | 0:38:31 | 0:38:35 | |
No! | 0:38:48 | 0:38:50 | |
HE YELLS | 0:38:54 | 0:38:56 | |
SHE YELLS | 0:39:00 | 0:39:02 | |
Ah, it's just an anaesthetic. She'll be fine. | 0:39:29 | 0:39:32 | |
I'm sorry. | 0:39:45 | 0:39:47 | |
-What are you doing? -I lied to her, Rory. -Doctor? -Let me in! | 0:39:47 | 0:39:50 | |
-There can't be two Amys in the TARDIS. The paradox is too massive. -She'll die! | 0:39:50 | 0:39:53 | |
-Doctor! Let me in! -No, she'll never have existed. | 0:39:53 | 0:39:56 | |
-When we save our Amy, this future won't have happened. -But she's there! | 0:39:56 | 0:40:00 | |
-Doctor! I trusted you! -No, she's not real. | 0:40:00 | 0:40:02 | |
She is real. Let her in! | 0:40:02 | 0:40:05 | |
We take this Amy, we leave ours. | 0:40:05 | 0:40:07 | |
only one Amy in the TARDIS. Which one do you want? | 0:40:07 | 0:40:10 | |
KNOCKING ON DOOR | 0:40:10 | 0:40:12 | |
It's your choice. | 0:40:12 | 0:40:13 | |
This isn't fair. You're turning me into you. | 0:40:19 | 0:40:22 | |
-Your choice, Rory. -I, er.. | 0:40:22 | 0:40:25 | |
KNOCKING | 0:40:25 | 0:40:26 | |
Doctor? | 0:40:26 | 0:40:27 | |
HANDLE TURNING | 0:40:27 | 0:40:28 | |
Doctor! Doctor? Doctor! | 0:40:28 | 0:40:32 | |
Rory? Please. | 0:40:40 | 0:40:42 | |
The look on your face when you carried her. | 0:40:50 | 0:40:53 | |
Me. | 0:40:53 | 0:40:55 | |
Her. | 0:40:55 | 0:40:56 | |
When you carried her away, you used to look at me like that. | 0:40:56 | 0:41:01 | |
I'd forgotten how much you loved me. | 0:41:04 | 0:41:06 | |
I'd forgotten how much I loved being her. | 0:41:08 | 0:41:10 | |
Amy Pond, in the TARDIS. | 0:41:12 | 0:41:15 | |
With Rory Williams. | 0:41:16 | 0:41:18 | |
I'm sorry, I can't do this. | 0:41:24 | 0:41:27 | |
If you love me, don't let me in. | 0:41:31 | 0:41:33 | |
Open that door, I will, I'll come in. I don't want to die. | 0:41:35 | 0:41:39 | |
I won't bow out bravely. | 0:41:39 | 0:41:41 | |
I'll be kicking and screaming, fighting. | 0:41:41 | 0:41:44 | |
To the end. | 0:41:46 | 0:41:48 | |
(Oh, Amy.) | 0:41:49 | 0:41:51 | |
Amy, I love you. | 0:41:52 | 0:41:53 | |
I love you too. | 0:41:53 | 0:41:55 | |
Don't let me in. | 0:41:58 | 0:41:59 | |
Tell Amy, | 0:42:02 | 0:42:04 | |
your Amy, | 0:42:04 | 0:42:06 | |
I'm giving her the days. | 0:42:06 | 0:42:07 | |
The days with you. | 0:42:09 | 0:42:11 | |
-The days to come. -I'm so, so sorry. | 0:42:12 | 0:42:15 | |
The days I can't have. | 0:42:16 | 0:42:18 | |
Take them, please. | 0:42:20 | 0:42:22 | |
-I'm giving you my days. -I'm so, so sorry. | 0:42:22 | 0:42:25 | |
ROBOT FOOTSTEPS | 0:42:43 | 0:42:45 | |
Do not be alarmed. This is a kindness. | 0:42:46 | 0:42:51 | |
Do not be alarmed. | 0:42:51 | 0:42:54 | |
This is a kindness. | 0:42:54 | 0:42:57 | |
Interface? | 0:43:02 | 0:43:03 | |
I am here, Amy Pond. | 0:43:03 | 0:43:05 | |
Show me Earth. | 0:43:06 | 0:43:08 | |
Show me home. | 0:43:10 | 0:43:12 | |
Did I ever tell you about this boy I met there? | 0:43:19 | 0:43:21 | |
Who pretended to be in a band? | 0:43:25 | 0:43:27 | |
VWORP-VWORP | 0:43:53 | 0:43:55 | |
Did you always know it would never work? | 0:44:05 | 0:44:08 | |
Saving both Amys? | 0:44:08 | 0:44:09 | |
I promised you I'd save her and there she is. | 0:44:12 | 0:44:16 | |
Safe. | 0:44:16 | 0:44:17 | |
Yeah. | 0:44:21 | 0:44:23 | |
There she is. | 0:44:23 | 0:44:25 | |
I'll leave you two alone. | 0:44:38 | 0:44:41 | |
-You all right? -Mm-hm. | 0:44:44 | 0:44:45 | |
-How you feeling? -Where is she? | 0:44:45 | 0:44:48 | |
The rooms have...things in them. | 0:44:58 | 0:45:03 | |
Ah! | 0:45:03 | 0:45:04 | |
There's a room here for everyone, Doctor. | 0:45:04 | 0:45:07 | |
Even you. | 0:45:07 | 0:45:08 | |
We're going to catch ourselves a monster. | 0:45:08 | 0:45:11 | |
Here comes the candle to light you to bed. | 0:45:15 | 0:45:18 | |
BEAST SNARLING | 0:45:18 | 0:45:19 | |
'Here comes a chopper to chop off your head.' | 0:45:19 | 0:45:21 | |
Chop. | 0:45:21 | 0:45:22 | |
Chop. | 0:45:22 | 0:45:24 | |
Chop. | 0:45:24 | 0:45:25 | |
Chop. | 0:45:25 | 0:45:26 | |
Subtitles by Red Bee Media Ltd | 0:45:45 | 0:45:48 | |
E-mail [email protected] | 0:45:48 | 0:45:51 |