Browse content similar to The God Complex. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MUZAK PLAYS | 0:00:02 | 0:00:05 | |
INDISTINCT RADIO CHATTER | 0:00:20 | 0:00:23 | |
'My name is Lucy Hayward, | 0:00:39 | 0:00:42 | |
'and I'm the last one left.' | 0:00:42 | 0:00:44 | |
LAUGHTER | 0:00:48 | 0:00:51 | |
'It's funny. | 0:00:52 | 0:00:53 | |
'You don't know what's going to be in your room until you see it, | 0:00:53 | 0:00:57 | |
'then you realise it could have never been anything else.' | 0:00:57 | 0:01:00 | |
SHE SCREAMS | 0:01:17 | 0:01:19 | |
'The gaps between my worship are getting shorter. | 0:01:22 | 0:01:25 | |
'This is what happened to the others. | 0:01:25 | 0:01:27 | |
'Praise him. | 0:01:29 | 0:01:31 | |
'It's all so clear now. I'm so happy. | 0:01:31 | 0:01:35 | |
'Praise him. | 0:01:35 | 0:01:37 | |
'Praise him.' | 0:01:39 | 0:01:41 | |
THUDDING FOOTSTEPS | 0:01:41 | 0:01:43 | |
GROWLING | 0:01:48 | 0:01:51 | |
'Praise him.' | 0:01:54 | 0:01:56 | |
DISEMBODIED VOICE: Praise him. | 0:01:56 | 0:02:00 | |
GROWLING AND SCREAMING | 0:02:00 | 0:02:02 | |
"Let's go to Ravan-Skala," he says. | 0:02:41 | 0:02:44 | |
"The people are 600 feet tall, you have to talk to them | 0:02:44 | 0:02:47 | |
"in hot air balloons and the Tourist Information Centre is made of one of their hats," he says. | 0:02:47 | 0:02:52 | |
I'm sorry, but I don't see any huge hats. | 0:02:52 | 0:02:54 | |
-Amy. Beaky. This could be the most exciting thing I have ever seen! -You're kidding. | 0:02:54 | 0:02:58 | |
How can you be excited about a rubbish hotel on a rubbish bit of Earth? | 0:02:58 | 0:03:02 | |
Because, assembled Ponds, this is not Earth. | 0:03:02 | 0:03:05 | |
This has just been made to look like Earth. The craftsmanship involved... Can you imagine? | 0:03:05 | 0:03:11 | |
What? Then where are we? | 0:03:11 | 0:03:12 | |
I don't know, something must have yanked us off course. | 0:03:12 | 0:03:15 | |
Look at the detail on that cheese plant! | 0:03:15 | 0:03:18 | |
Right, but who would mock up an Earth hotel? | 0:03:18 | 0:03:22 | |
Colonists maybe, recreating a bit of home, like when ex-pats open English pubs in Majorca. | 0:03:22 | 0:03:28 | |
No, whoever did this, I am shaking his/her hand/tentacle. | 0:03:28 | 0:03:33 | |
Have you seen these? | 0:03:33 | 0:03:35 | |
Look at the labels underneath. | 0:03:35 | 0:03:38 | |
"Commander Halke, defeat." | 0:03:38 | 0:03:40 | |
"Tim Heath, having his photo taken." | 0:03:40 | 0:03:43 | |
"Lady Silver-Tear... Daleks." | 0:03:44 | 0:03:48 | |
"Paige Barnes, other people's socks." | 0:03:48 | 0:03:51 | |
"Tim Nelson, balloons." | 0:03:51 | 0:03:53 | |
"Novice Prin, sabrewolves." | 0:03:53 | 0:03:55 | |
"Royston Luke Gold, Plymouth." | 0:03:57 | 0:03:58 | |
"Lucy Hayward, that brutal gorilla." Doctor, what does it mean? | 0:04:01 | 0:04:05 | |
I don't know. | 0:04:07 | 0:04:09 | |
-Let's find out. -HE RINGS THE BELL | 0:04:09 | 0:04:11 | |
-Aaah! -Blimey, that was quick. -We surrender! | 0:04:11 | 0:04:14 | |
No, it's OK, we're not.. We're nice! | 0:04:14 | 0:04:16 | |
-She threatened me with a chair leg. -Who are you? -We're back in reception. -We surrender! | 0:04:16 | 0:04:20 | |
-Never been threatened with a chair leg before! No, I tell a lie. -Did you just say, "It's OK, we're nice"? | 0:04:20 | 0:04:25 | |
OK, I need everyone to shut up now! | 0:04:25 | 0:04:28 | |
-Rita, be careful, yeah? -Their pupils are dilated. | 0:04:28 | 0:04:31 | |
They're as surprised as we are. Besides which, if it's a trick, it'll tell us something. | 0:04:31 | 0:04:35 | |
-Oh, you're good. Oh, she's good. Amy, with regret, you're fired. -What? -I'm kidding. | 0:04:35 | 0:04:42 | |
We'll talk. | 0:04:42 | 0:04:45 | |
I take it from the pathological compulsion to surrender, you're from Tivoli. | 0:04:45 | 0:04:49 | |
Yes, the most invaded planet in the galaxy. | 0:04:49 | 0:04:51 | |
Our anthem is called Glory To Insert Name Here. | 0:04:51 | 0:04:55 | |
You with the face, Howie, you said you were surprised to be back in reception. | 0:04:55 | 0:04:59 | |
-The walls move, everything changes. -You, clever one, what's he talking about? | 0:04:59 | 0:05:03 | |
The corridors twist and stretch, rooms vanish and pop up somewhere else. It's like the hotel's alive. | 0:05:03 | 0:05:08 | |
-MUSIC STOPS -That's quite enough of that. | 0:05:08 | 0:05:10 | |
And it's huge, with, like, no way out. | 0:05:10 | 0:05:13 | |
Have you tried the front door? | 0:05:13 | 0:05:15 | |
No, in two days it never occurred to us to try the front door. Thank God you're here(!) | 0:05:15 | 0:05:19 | |
They're not doors, they're walls, walls that look like doors. | 0:05:20 | 0:05:24 | |
Door-walls, if you like, or "dwalls", "woors" even, though you'd probably got it | 0:05:24 | 0:05:28 | |
when you said, "They're not doors." I mean, the windows are... | 0:05:28 | 0:05:31 | |
-Right, big day if you're a fan of walls. -It's not just that. The rooms have...things in them. | 0:05:31 | 0:05:37 | |
Things? Hello! What kind of things? | 0:05:37 | 0:05:40 | |
-Interesting things? I love things, ask anyone. -Bad dreams. | 0:05:40 | 0:05:45 | |
Well, that killed the mood. | 0:05:47 | 0:05:49 | |
-How did you get here? -I don't know, I'd just started my shift. | 0:05:51 | 0:05:54 | |
I must have passed out, because suddenly I was here. | 0:05:54 | 0:05:57 | |
I was blogging, next thing, this. | 0:05:57 | 0:06:00 | |
Oh, I was at work, I'm in town planning. | 0:06:00 | 0:06:03 | |
-We're lining all the highways with trees, so invading forces can march in the shade. -Ah. | 0:06:03 | 0:06:07 | |
-Which is nice for them. -Yeah... So what have we got? | 0:06:07 | 0:06:10 | |
People snatched from their lives and dropped into an endless, shifting maze | 0:06:10 | 0:06:13 | |
that looks like a 1980s hotel with bad dreams in the bedrooms. | 0:06:13 | 0:06:16 | |
Well, apart from anything else, that's just rude. | 0:06:18 | 0:06:20 | |
We'll pop back to the TARDIS, I'll do a planet-wide diagnostic sweep, then we'll have a sing song. | 0:06:20 | 0:06:27 | |
-Where's the TARDIS? You parked it there, didn't you? -What's a TARDIS? | 0:06:27 | 0:06:30 | |
Our way out. And it's gone. | 0:06:30 | 0:06:33 | |
MUZAK PLAYS | 0:06:33 | 0:06:35 | |
OK. This is bad. | 0:06:37 | 0:06:40 | |
At the moment, I don't know how bad, but certainly we're | 0:06:40 | 0:06:43 | |
three buses, a long walk and eight quid in a taxi from good. | 0:06:43 | 0:06:48 | |
Are there any more of you? | 0:06:48 | 0:06:50 | |
Joe, but he's tied up right now. | 0:06:51 | 0:06:54 | |
-Doing what? -No, I mean he's...tied up right now. | 0:06:54 | 0:06:59 | |
CHATTERING AND LAUGHTER | 0:06:59 | 0:07:03 | |
CHATTERING AND LAUGHTER SUBSIDES | 0:07:11 | 0:07:15 | |
Hello. I'm the Doctor. | 0:07:23 | 0:07:26 | |
-You're going to die here. -Well, they certainly didn't mention that in the brochure. | 0:07:26 | 0:07:30 | |
Is Joe there? Can I have a quick word? | 0:07:30 | 0:07:33 | |
Oh, it's still me, Doctor, but I've seen the light. | 0:07:33 | 0:07:36 | |
I lived a blasphemous life, but he has forgiven my inconstancy, and soon...he shall feast. | 0:07:36 | 0:07:42 | |
-Well, you've been here two days, what's he waiting for? -We weren't ready. We were still raw. | 0:07:42 | 0:07:47 | |
But now you're what? Cooked? | 0:07:47 | 0:07:51 | |
If you like. Soon you will be, too. | 0:07:51 | 0:07:57 | |
Be patient. First...find your room. | 0:07:57 | 0:08:00 | |
-My room... -There's a room here for everyone, Doctor. | 0:08:01 | 0:08:06 | |
-Even you. -You said you'd seen the light now. | 0:08:10 | 0:08:14 | |
Nothing else matters anymore. | 0:08:14 | 0:08:17 | |
Only him. | 0:08:17 | 0:08:20 | |
It's like these things. | 0:08:20 | 0:08:22 | |
I used to hate them! They make me laugh now. | 0:08:22 | 0:08:25 | |
HE LAUGHS | 0:08:27 | 0:08:29 | |
"Gottle o' geer! Gottle o' geer!" | 0:08:29 | 0:08:31 | |
DUMMIES LAUGH | 0:08:31 | 0:08:34 | |
You should go. He'll be here soon. | 0:08:42 | 0:08:45 | |
I think you should come with me. | 0:08:52 | 0:08:53 | |
MUZAK PLAYS | 0:08:55 | 0:09:00 | |
Why you four? | 0:09:00 | 0:09:01 | |
That's what I don't understand. Aside from all the other things I don't understand. | 0:09:01 | 0:09:06 | |
What does it matter? Sooner or later, someone will come along and rescue us. | 0:09:06 | 0:09:10 | |
Or enslave us. | 0:09:10 | 0:09:12 | |
First, we find the TARDIS. Quick thing before we go. If you feel | 0:09:12 | 0:09:15 | |
drawn to a particular room, do not go in, and make sure someone else can see you. | 0:09:15 | 0:09:19 | |
Joe said "he" will feast. | 0:09:19 | 0:09:23 | |
Is there something here with us? | 0:09:23 | 0:09:25 | |
JOE LAUGHS | 0:09:25 | 0:09:29 | |
Something to add, Joe? | 0:09:29 | 0:09:31 | |
Here comes a candle to light you to bed, here comes a chopper to chop off your head. | 0:09:31 | 0:09:35 | |
Chop, chop, chop, chop. | 0:09:35 | 0:09:37 | |
Can we do something about him? | 0:09:37 | 0:09:39 | |
Personally, I think you've got the right idea. | 0:09:45 | 0:09:48 | |
Times like this, I think of my old school motto, "Resistance Is Exhausting." | 0:09:48 | 0:09:53 | |
-I've worked out where we are. -Hmm? | 0:09:55 | 0:09:56 | |
-Norway. -Norway? | 0:09:56 | 0:09:59 | |
You see, the US government has entire cities hidden in the Norwegian mountains. | 0:09:59 | 0:10:03 | |
Earth is on a collision course with this other planet, | 0:10:03 | 0:10:07 | |
and this is where they're going to send all the rich people when it kicks off. | 0:10:07 | 0:10:11 | |
-Amazing. -It's all there on the internet. | 0:10:11 | 0:10:13 | |
No, it's amazing you've come up with a theory even more insane than what's actually happening. | 0:10:13 | 0:10:18 | |
-BELL RINGS -Hello. | 0:10:19 | 0:10:21 | |
Have you forgotten your PE kit again? | 0:10:21 | 0:10:23 | |
Right, that's it, you're doing it in your pants! | 0:10:27 | 0:10:29 | |
Hey! Don't! | 0:10:33 | 0:10:35 | |
CHATTER | 0:10:37 | 0:10:41 | |
Oh, look, girls, it's H-H-H-Howie! | 0:10:41 | 0:10:43 | |
What's "loser" in K-K-K-Klingon? | 0:10:48 | 0:10:51 | |
Praise him. | 0:10:51 | 0:10:52 | |
Shut the d-d...the-the door! | 0:10:52 | 0:10:54 | |
This is just some m-m-messed-up CIA stuff, I-I-I'm telling you. | 0:10:58 | 0:11:04 | |
You're right, keep telling yourself that. It's a CIA thing, nothing more. | 0:11:04 | 0:11:08 | |
LOW GROWLING | 0:11:08 | 0:11:11 | |
Er...guys? | 0:11:45 | 0:11:47 | |
Look. | 0:11:49 | 0:11:52 | |
GROWLING | 0:11:52 | 0:11:54 | |
OK, whatever that is, it's not real, yeah? | 0:11:54 | 0:11:56 | |
No, no, I'm sure it isn't, but just in case, let's run away and hide anyway, in here. | 0:11:56 | 0:12:01 | |
No, this way! I've found a... | 0:12:02 | 0:12:05 | |
A B in mathematics?! You are lazy! | 0:12:11 | 0:12:15 | |
Do you understand me, girl? Lazy. | 0:12:15 | 0:12:18 | |
I'm sorry, Daddy, I'm so sorry! | 0:12:18 | 0:12:22 | |
-'Praise him.' -Rory, come on! | 0:12:22 | 0:12:24 | |
-There was a... -Come on! | 0:12:24 | 0:12:26 | |
Aiiee! | 0:12:29 | 0:12:30 | |
-Don't...blink. -What? | 0:12:32 | 0:12:35 | |
Amy, get back. | 0:12:41 | 0:12:43 | |
Why haven't they got us yet? | 0:12:47 | 0:12:48 | |
-Amy, they're not real. -What? | 0:12:53 | 0:12:55 | |
They should have got us by now. Amy, look at me, focus on me. | 0:12:55 | 0:12:59 | |
It's your bad dream, that's all. | 0:12:59 | 0:13:02 | |
I don't even think they're for us. | 0:13:02 | 0:13:05 | |
Aaah! | 0:13:08 | 0:13:09 | |
-Doctor, what are you doing? -I'm sorry, I just have to see what it is, I just have to see. | 0:13:13 | 0:13:17 | |
Oh, look at you... | 0:13:26 | 0:13:27 | |
You are beautiful. | 0:13:29 | 0:13:31 | |
GROWLING | 0:13:33 | 0:13:35 | |
Oh, dear. | 0:13:35 | 0:13:37 | |
I think it's going after Joe. | 0:13:51 | 0:13:53 | |
Come to me. Come to me. Praise him. | 0:13:53 | 0:13:57 | |
Leave him alone! | 0:14:12 | 0:14:14 | |
Joe! Joe! | 0:14:19 | 0:14:22 | |
Joe! | 0:14:34 | 0:14:36 | |
Joe? | 0:14:43 | 0:14:46 | |
Joe! | 0:14:46 | 0:14:48 | |
Joe! Joe, what happened? | 0:14:48 | 0:14:52 | |
FAINT WHISTLING | 0:14:57 | 0:15:00 | |
KETTLE WHISTLES | 0:15:04 | 0:15:07 | |
If we can wedge a chair under the door handles, that should stop anything from getting in. | 0:15:11 | 0:15:16 | |
Help yourself to tea. | 0:15:16 | 0:15:19 | |
Guys, tea over here. | 0:15:19 | 0:15:21 | |
If it's any consolation, I've met the Weeping Angels, | 0:15:21 | 0:15:25 | |
so I know how... | 0:15:25 | 0:15:27 | |
In fact, I thought that room was for me. | 0:15:27 | 0:15:30 | |
Joe was right. | 0:15:30 | 0:15:32 | |
Whatever it is in here, it actually wants to kill us. | 0:15:32 | 0:15:36 | |
Not oppress us or enslave us, kill us! | 0:15:36 | 0:15:39 | |
OK, listen... | 0:15:39 | 0:15:41 | |
The Doctor's been part of my life for so long now, and he's never let me down. | 0:15:42 | 0:15:47 | |
Even when I thought he had, when I was a kid and he left me, | 0:15:47 | 0:15:53 | |
he came back, he...saved me. | 0:15:53 | 0:15:56 | |
And now he's going to save you. | 0:15:58 | 0:16:00 | |
But don't tell him I said that, because the smugness would be terrifying. | 0:16:02 | 0:16:07 | |
Of course, if the Weeping Angels were meant for me, | 0:16:11 | 0:16:15 | |
then your room is still out there...somewhere. | 0:16:15 | 0:16:19 | |
Tea? | 0:16:20 | 0:16:22 | |
Every time the Doctor gets pally with someone, | 0:16:22 | 0:16:25 | |
I have this overwhelming urge to notify their next of kin. | 0:16:25 | 0:16:29 | |
Sorry. The last time I said something like that, you hit me with your shoe. | 0:16:31 | 0:16:36 | |
And you literally had to sit down and unlace it first. | 0:16:36 | 0:16:40 | |
What exactly happened to him? | 0:16:40 | 0:16:42 | |
He died. | 0:16:42 | 0:16:43 | |
You are a medical doctor, aren't you? | 0:16:43 | 0:16:46 | |
You haven't just got a degree in cheese-making or something. | 0:16:46 | 0:16:50 | |
No! Well, yes, both, actually. I mean, there is no cause, | 0:16:50 | 0:16:53 | |
all his vital organs simply stopped, as if the simple spark of life, | 0:16:53 | 0:16:56 | |
his loves and hates, his faiths and fears were just...taken, and this is a cup of tea. | 0:16:56 | 0:17:03 | |
Of course, I'm British, it's how we cope with trauma. | 0:17:03 | 0:17:06 | |
That and tutting. | 0:17:06 | 0:17:08 | |
-But how did you make it? -All hotels should have a well stocked kitchen, even alien fake ones. | 0:17:08 | 0:17:13 | |
I heard you talking when you arrived. | 0:17:15 | 0:17:17 | |
Look, it's no more ridiculous than Howie's CIA theory or mi...or mine. | 0:17:17 | 0:17:22 | |
-Which is? -This is Jahannam. | 0:17:22 | 0:17:24 | |
You're a Muslim! | 0:17:24 | 0:17:26 | |
Don't be frightened. | 0:17:26 | 0:17:28 | |
Ha! | 0:17:28 | 0:17:29 | |
You think this is Hell? | 0:17:29 | 0:17:31 | |
The whole '80s hotel thing took me by surprise, though. | 0:17:32 | 0:17:35 | |
And all these fears and phobias wandering about, | 0:17:35 | 0:17:39 | |
most are completely unconnected to us, so why are they still here? | 0:17:39 | 0:17:42 | |
Maybe the cleaners have gone on strike. | 0:17:42 | 0:17:45 | |
Ha! I like you, you're a right clever clogs. But this isn't Hell, Rita. | 0:17:45 | 0:17:51 | |
You don't understand, I say that without fear. Jahannam will play its tricks, | 0:17:51 | 0:17:55 | |
and there'll be times when I want to run and scream, | 0:17:55 | 0:17:58 | |
but I've tried to live a good life, and that knowledge keeps me sane, | 0:17:58 | 0:18:02 | |
despite the monsters and the bonkers rooms. | 0:18:02 | 0:18:04 | |
-Gibbis... -DOCTOR GARGLES | 0:18:04 | 0:18:08 | |
-..is-is an alien, isn't he? -Yeah. Sorry. -OK... | 0:18:08 | 0:18:12 | |
-I'm going to file that under "Freak out about later." -Doctor, look at this. | 0:18:12 | 0:18:16 | |
I found it in a corridor, I completely forgot I had it. | 0:18:19 | 0:18:22 | |
Er... "My name is Lucy Hayward and I'm the last one left. | 0:18:28 | 0:18:33 | |
"It took Luke first. | 0:18:33 | 0:18:37 | |
"It got him on his first day, almost as soon as we arrived." | 0:18:37 | 0:18:40 | |
"It's funny. You don't know what's going to be in your room until you see it, | 0:18:40 | 0:18:45 | |
"then you realise it could never have been anything else." | 0:18:45 | 0:18:49 | |
"I just saw mine. It was a gorilla from a book I'd read as a kid. | 0:18:49 | 0:18:54 | |
"My God, that thing used to terrify me. | 0:18:54 | 0:18:57 | |
"The gaps between my worships are getting shorter, like contractions. | 0:18:57 | 0:19:02 | |
"This is what happened to the others... | 0:19:02 | 0:19:05 | |
"and how lucky they were. | 0:19:07 | 0:19:08 | |
"It's all so clear now. | 0:19:10 | 0:19:12 | |
"I'm so happy. | 0:19:12 | 0:19:15 | |
"Praise him." | 0:19:15 | 0:19:18 | |
-Praise him. -What did you just say? | 0:19:18 | 0:19:21 | |
Nothing. | 0:19:22 | 0:19:24 | |
-Praise him! -This is what happened to Joe! | 0:19:26 | 0:19:28 | |
-God, it's going to come for me now. -You'll lead it right here. | 0:19:30 | 0:19:34 | |
-I won't leave you, I promise, you have my word. -I don't want to get eaten! -Calm down! | 0:19:34 | 0:19:38 | |
He's going to lead it right here! | 0:19:38 | 0:19:40 | |
SONIC SCREWDRIVER WHIRRS | 0:19:40 | 0:19:43 | |
Thank you! | 0:19:43 | 0:19:45 | |
-Don't you see? He'll lead it right here! -What do you suggest? | 0:19:45 | 0:19:49 | |
Look, whatever it is out there, it's obviously chosen Howard as its next course. | 0:19:49 | 0:19:54 | |
Now...tragic though that is, this is no time for sentiment. | 0:19:54 | 0:19:57 | |
I'm saying, if it were to... | 0:19:57 | 0:19:59 | |
find him, it may be satisfied and let the rest of us go. | 0:19:59 | 0:20:05 | |
All I want to do is go home and be conquered and oppressed, is that too much to ask?! | 0:20:06 | 0:20:10 | |
It's OK, I'll stay with Howie. You take the others and go. | 0:20:10 | 0:20:13 | |
No. We stay together. | 0:20:13 | 0:20:15 | |
Your civilisation is one of the oldest in the galaxy. | 0:20:21 | 0:20:24 | |
Now I see why. | 0:20:24 | 0:20:28 | |
Your cowardice isn't quaint, it's sly, aggressive. | 0:20:28 | 0:20:32 | |
It's how that gene of gutlessness has survived while so many others have perished. | 0:20:33 | 0:20:38 | |
Well, not today. | 0:20:39 | 0:20:42 | |
No-one else dies today. Right? | 0:20:42 | 0:20:45 | |
Yes. | 0:20:47 | 0:20:49 | |
Brilliant. | 0:20:49 | 0:20:51 | |
Howie, any second, it's going to possess you again. | 0:20:54 | 0:20:57 | |
When it does, I'm going to ask you some questions. Please try to answer them. | 0:20:57 | 0:21:01 | |
I hope my mum's all right, she's going to be w-worried. | 0:21:02 | 0:21:06 | |
Howie... | 0:21:06 | 0:21:09 | |
Howie. | 0:21:09 | 0:21:10 | |
Howie, you're next, we're all dead jealous, so tell us... How do we get a piece of the action? | 0:21:10 | 0:21:17 | |
-Why isn't he possessing all of us? -You guys have got all these distractions, | 0:21:17 | 0:21:22 | |
all these obstacles. It'd be so much easier if you just let it go, you know, clear the path. | 0:21:22 | 0:21:28 | |
You want it to find you? Even though you know what it's going to do? | 0:21:28 | 0:21:33 | |
Are you kidding? | 0:21:33 | 0:21:36 | |
He's going to kill us all! How cool is that?! | 0:21:36 | 0:21:38 | |
It's as I thought, it feeds on fear. | 0:21:44 | 0:21:46 | |
Everything, the rooms, Lucy's note, even the pictures in reception, has been put here to frighten us. | 0:21:46 | 0:21:52 | |
So we have to resist it. Do whatever you have to, | 0:21:52 | 0:21:55 | |
cross your fingers, say a prayer, think of a basket of kittens, but do not give in to the fear. | 0:21:55 | 0:22:00 | |
OK, but what are we actually going to do? | 0:22:00 | 0:22:02 | |
We're going to catch ourselves a monster. | 0:22:05 | 0:22:08 | |
Bring me death! | 0:22:10 | 0:22:12 | |
Bring me glory! | 0:22:12 | 0:22:15 | |
My master, my lord, I'm here! | 0:22:15 | 0:22:18 | |
THUDDING FOOTSTEPS | 0:22:18 | 0:22:22 | |
Come to me. | 0:22:23 | 0:22:25 | |
I'm waiting here...for you. | 0:22:26 | 0:22:30 | |
He has promised me a glorious death. | 0:22:31 | 0:22:35 | |
Give it to me now, I want him to know my devotion. | 0:22:39 | 0:22:44 | |
Anything to do with you? | 0:22:52 | 0:22:53 | |
-How's it going? -Don't talk to the clown! | 0:22:53 | 0:22:57 | |
Praise...him. | 0:23:02 | 0:23:03 | |
Praise...him. | 0:23:06 | 0:23:08 | |
Yaah! | 0:23:08 | 0:23:09 | |
Rory, he's in! | 0:23:11 | 0:23:13 | |
Let his name... be the last thing I hear. | 0:23:18 | 0:23:21 | |
Let his breath on my skin be the last thing I feel. | 0:23:23 | 0:23:28 | |
I was lost in shadows, but he found me. | 0:23:30 | 0:23:34 | |
His love was a beacon that led me from darkness to light, | 0:23:34 | 0:23:39 | |
and now I am blinded by his majesty! | 0:23:39 | 0:23:43 | |
-Humbled by his glory! -Praise... | 0:23:45 | 0:23:49 | |
-That's quite enough of that. -..him. | 0:23:49 | 0:23:51 | |
What's going on? | 0:23:55 | 0:23:59 | |
You lied to me! | 0:23:59 | 0:24:00 | |
Calm down, Howie. This is for your own good. | 0:24:00 | 0:24:02 | |
-At least stand where I can see you! -I've been told not to speak to you. | 0:24:02 | 0:24:06 | |
Don't mean you can't listen. | 0:24:06 | 0:24:10 | |
Nothing personal. | 0:24:10 | 0:24:13 | |
I just think we should take things slowly. Get to know each other. | 0:24:13 | 0:24:18 | |
You take people's most primal fears and pop it in a room. | 0:24:22 | 0:24:25 | |
A tailor-made hell, just for them. Why? | 0:24:25 | 0:24:28 | |
CREATURE GROWLS | 0:24:28 | 0:24:30 | |
Did you say "they" take? | 0:24:30 | 0:24:32 | |
Ahh, what is that word? | 0:24:34 | 0:24:36 | |
The guard? | 0:24:36 | 0:24:38 | |
No, the warden? | 0:24:38 | 0:24:40 | |
This is a prison? | 0:24:43 | 0:24:45 | |
You were right, you know. | 0:24:45 | 0:24:47 | |
Chances are if you hand me over, he'll leave you alone. | 0:24:47 | 0:24:50 | |
Yes, well, we saw how that idea got shot down in flames. | 0:24:50 | 0:24:53 | |
It's not like chucking me out of a plane to lighten the load. | 0:24:53 | 0:24:57 | |
I'm asking you for this. I'm begging you. | 0:24:57 | 0:25:00 | |
You're possessed. You'd say anything. | 0:25:00 | 0:25:02 | |
Possessed guys can be quite strong. | 0:25:02 | 0:25:04 | |
Who's to say I didn't overpower you? | 0:25:04 | 0:25:07 | |
So, what are we? | 0:25:09 | 0:25:12 | |
Cell mates? | 0:25:12 | 0:25:13 | |
Lunch? | 0:25:13 | 0:25:14 | |
CREATURE GROWLS | 0:25:14 | 0:25:16 | |
We are not... ripe? | 0:25:16 | 0:25:20 | |
This is what Joe said. That we weren't ready. | 0:25:26 | 0:25:29 | |
So, what? You make us ready? You... what? | 0:25:30 | 0:25:34 | |
"Replace"? Replace what? Fear? | 0:25:34 | 0:25:39 | |
You have lived so long, even your name is lost? | 0:25:42 | 0:25:47 | |
You want this to stop. | 0:25:53 | 0:25:55 | |
Because you are just... | 0:25:57 | 0:26:00 | |
instinct. | 0:26:00 | 0:26:02 | |
Then tell me. | 0:26:03 | 0:26:05 | |
Tell me how to fight you. | 0:26:05 | 0:26:08 | |
My master, my lord. | 0:26:08 | 0:26:10 | |
-I'm here! -That's Howie. -He's got out. | 0:26:10 | 0:26:14 | |
Bring me death! | 0:26:14 | 0:26:17 | |
No, no, no, no! Rory, watch out!! | 0:26:17 | 0:26:21 | |
Stay back! | 0:26:23 | 0:26:25 | |
-Pond, bring the fish. -What, the fish? -Oh, the fish! | 0:26:27 | 0:26:30 | |
Where did he go? | 0:26:30 | 0:26:32 | |
Somebody hit me. Was it Amy? | 0:26:32 | 0:26:35 | |
Rory, are you all right? | 0:26:49 | 0:26:51 | |
We should find the Doctor. | 0:26:54 | 0:26:56 | |
'Praise him. Praise him.' | 0:27:14 | 0:27:18 | |
You shouldn't have done that. | 0:27:18 | 0:27:20 | |
-What did you see? -Nothing. | 0:27:20 | 0:27:22 | |
-Nothing. I don't know, it was weird. -Come on. | 0:27:22 | 0:27:25 | |
He got free. | 0:28:08 | 0:28:10 | |
He overpowered me. | 0:28:10 | 0:28:11 | |
It might leave us alone now. | 0:28:17 | 0:28:20 | |
Maybe now we'll be safe. | 0:28:20 | 0:28:22 | |
Wait! | 0:28:22 | 0:28:24 | |
Have you found your room yet? | 0:28:32 | 0:28:35 | |
No, no. | 0:28:35 | 0:28:38 | |
Is that good or bad? | 0:28:38 | 0:28:39 | |
Maybe you're not scared of anything. | 0:28:41 | 0:28:43 | |
Well, after all the time I spent with you in the TARDIS, what was left to be scared of? | 0:28:43 | 0:28:49 | |
You said that in the past tense. | 0:28:49 | 0:28:51 | |
No, I didn't. | 0:28:53 | 0:28:54 | |
You know, Howie had been in speech therapy. | 0:28:56 | 0:28:59 | |
He'd just got over this massive stammer. | 0:28:59 | 0:29:01 | |
What an achievement. I mean, can you imagine? | 0:29:03 | 0:29:05 | |
I'd forgotten, not all victories are about saving the universe. | 0:29:07 | 0:29:11 | |
Rita! Brilliant! How are you? | 0:29:21 | 0:29:25 | |
Not panicking, are you? | 0:29:25 | 0:29:27 | |
Good, good. Because I am literally an otter's toenail away from getting us out of here. | 0:29:27 | 0:29:31 | |
Why? | 0:29:31 | 0:29:33 | |
Excellent question. | 0:29:33 | 0:29:35 | |
Excellent question. | 0:29:35 | 0:29:37 | |
Why what? | 0:29:37 | 0:29:39 | |
Why is it up to you to save us? | 0:29:39 | 0:29:41 | |
That's quite a God complex you have there. | 0:29:41 | 0:29:43 | |
I brought them here. | 0:29:46 | 0:29:49 | |
They'd say it was their choice, but offer a child a suitcase full of sweets and they'll take it. | 0:29:49 | 0:29:54 | |
Offer someone all of time and space and they'll take that, too. | 0:29:54 | 0:29:57 | |
Which is why you shouldn't. | 0:29:59 | 0:30:01 | |
Which is why grown-ups were invented. | 0:30:01 | 0:30:05 | |
-All of time and space, eh? -Oh, yeah. | 0:30:05 | 0:30:08 | |
And when we get out of this, I'll show you, too. | 0:30:08 | 0:30:11 | |
I don't know what you're talking about. But I have a feeling you just did it again. | 0:30:11 | 0:30:15 | |
Right down to the smallest detail. Got you, Mr Minotaur. | 0:30:17 | 0:30:22 | |
Praise him. | 0:30:31 | 0:30:33 | |
-DISEMBODIED VOICES: -Praise him. Praise him. | 0:30:41 | 0:30:44 | |
Praise him. | 0:30:47 | 0:30:49 | |
CLOISTER BELL TOLLS | 0:31:06 | 0:31:08 | |
Of course. | 0:31:08 | 0:31:09 | |
Who else? | 0:31:11 | 0:31:13 | |
Oh, you beauty! Come on, big fella. Where are you? | 0:31:32 | 0:31:35 | |
Rita, where are you going? | 0:31:42 | 0:31:44 | |
PHONE RINGS | 0:31:46 | 0:31:50 | |
Come on, come on, come on! | 0:31:50 | 0:31:52 | |
PHONE CONTINUES TO RING | 0:31:55 | 0:31:59 | |
Come on, come on. | 0:31:59 | 0:32:00 | |
Rita, where are you going? | 0:32:02 | 0:32:03 | |
Can you take the phone into the corridor? Will it reach? | 0:32:03 | 0:32:06 | |
You started to praise it, didn't you? | 0:32:10 | 0:32:12 | |
Rita, come back. Please. | 0:32:15 | 0:32:17 | |
We'll find a way to stop it, I swear to you. | 0:32:17 | 0:32:20 | |
No, I need to get as far away from you all as possible. | 0:32:20 | 0:32:22 | |
-The creature only wants whoever's praising it. -You'll put yourself in its way? | 0:32:22 | 0:32:26 | |
I'm coming to get you. Block out the fear and stay focused on your belief. | 0:32:26 | 0:32:30 | |
The hotel will keep us apart. I could be 50 miles away by now. | 0:32:30 | 0:32:33 | |
I want you to do me one last favour, Doctor. | 0:32:35 | 0:32:38 | |
I can feel the rapture approaching, like a wave. | 0:32:38 | 0:32:41 | |
I don't want you to witness this. | 0:32:41 | 0:32:44 | |
I want you to remember me the way I was. | 0:32:44 | 0:32:47 | |
What's going on? Rita's disappeared. | 0:32:50 | 0:32:52 | |
What's she doing there? | 0:32:52 | 0:32:54 | |
Rita. | 0:32:54 | 0:32:56 | |
Rita, please. | 0:32:56 | 0:32:58 | |
Let me find you. | 0:32:58 | 0:33:00 | |
You stay where you are. | 0:33:00 | 0:33:02 | |
Please, let me be robbed of my faith in private. | 0:33:02 | 0:33:05 | |
Look, Rita. Rita. | 0:33:05 | 0:33:06 | |
Go into the room, lock the door. | 0:33:06 | 0:33:08 | |
I'm not frightened. I'm blessed, Doctor. | 0:33:08 | 0:33:11 | |
I'm at peace. | 0:33:13 | 0:33:15 | |
I'm going to hang up. | 0:33:15 | 0:33:16 | |
No, no, no, Rita. | 0:33:16 | 0:33:18 | |
-Goodbye, Doctor. -Rita! | 0:33:18 | 0:33:20 | |
-Thank you for trying. -Rita, please! | 0:33:20 | 0:33:22 | |
Please! | 0:33:22 | 0:33:23 | |
Please. | 0:33:23 | 0:33:25 | |
LOW GROWLING | 0:33:25 | 0:33:28 | |
SONIC WHIRRS | 0:33:52 | 0:33:55 | |
FURNITURE AND GLASS SMASHING | 0:34:10 | 0:34:12 | |
DOCTOR SHOUTS | 0:34:12 | 0:34:14 | |
OK. | 0:34:23 | 0:34:24 | |
It preys on people's fear and possesses them. | 0:34:26 | 0:34:28 | |
But Rita wasn't afraid, she was brave and calm. | 0:34:28 | 0:34:31 | |
Maybe it's something to do with the people, | 0:34:32 | 0:34:35 | |
some connection between you that'll tell me how to fight it. | 0:34:35 | 0:34:38 | |
Yes. You keep saying that, but you never do. | 0:34:38 | 0:34:40 | |
And while we wait, people keep dying. And we'll be next! | 0:34:40 | 0:34:43 | |
Look, he'll work it out, he always does. Just let him riff and move anything expensive out of his way. | 0:34:43 | 0:34:48 | |
Oh, no. | 0:34:49 | 0:34:51 | |
-Oh, no, no. -Doctor, what is wrong? | 0:34:53 | 0:34:54 | |
It's not fear. | 0:34:54 | 0:34:56 | |
It's faith. Not just religious faith, faith in something. | 0:34:58 | 0:35:02 | |
Howard believed in conspiracies, external forces controlling the world. | 0:35:02 | 0:35:06 | |
Joe had dice cufflinks and a chain with a horseshoe. He was a gambler. Gamblers believe in luck, | 0:35:06 | 0:35:11 | |
an intangible force that helps them win or lose. | 0:35:11 | 0:35:13 | |
Gibbis rejected personal autonomy and is waiting for the next batch of invaders to tell him what to do. | 0:35:13 | 0:35:19 | |
They all believe there's something guiding them, about to save them. | 0:35:19 | 0:35:22 | |
That's what it replaces. | 0:35:22 | 0:35:24 | |
Every time someone was confronted with their most primal fear, | 0:35:24 | 0:35:27 | |
they fell back on their most fundamental faith. | 0:35:27 | 0:35:30 | |
And all this time, I've been telling you to dig deep. | 0:35:30 | 0:35:35 | |
Find the thing that keeps you brave. | 0:35:36 | 0:35:38 | |
I made you expose your faith. | 0:35:40 | 0:35:42 | |
Show them what they needed. | 0:35:42 | 0:35:45 | |
-But why us? Why are we here? -It doesn't want you. | 0:35:45 | 0:35:50 | |
That's why it kept showing you a way out. You're not religious or superstitious, | 0:35:50 | 0:35:54 | |
so there's no faith for you to fall back on. It wants her. | 0:35:54 | 0:35:58 | |
Me? | 0:35:58 | 0:36:00 | |
Why? | 0:36:07 | 0:36:09 | |
Your faith in me. | 0:36:09 | 0:36:11 | |
That's what brought us here. | 0:36:14 | 0:36:16 | |
But why do they lose their faith before they die and start worshipping..."it"? | 0:36:23 | 0:36:29 | |
It needs to convert the faith into a form "it" can consume. | 0:36:29 | 0:36:32 | |
Faith is an energy, the specific emotional energy the creature needs to live. | 0:36:32 | 0:36:37 | |
-Which is why at the end of her note, Lucy said... -Praise him. -Exactly. | 0:36:37 | 0:36:41 | |
No. | 0:36:48 | 0:36:50 | |
Oh, please, no. | 0:36:50 | 0:36:52 | |
THUDDING FOOTSTEPS | 0:36:52 | 0:36:55 | |
Amy? What are you doing? | 0:37:12 | 0:37:15 | |
- He is beautiful. - Leave her! Just leave her! | 0:37:15 | 0:37:17 | |
Doctor, it's happening. It's changing me, it's changing my thoughts. | 0:37:33 | 0:37:38 | |
-I can't save you from this, there's nothing I can do to stop this. -What? | 0:37:38 | 0:37:42 | |
I stole your childhood and now I've led you by the hand to your death. But the worst thing is, I knew. | 0:37:42 | 0:37:48 | |
I knew this would happen. This is what always happens. | 0:37:48 | 0:37:51 | |
Forget your faith in me. | 0:38:00 | 0:38:02 | |
CREATURE GROWLS | 0:38:07 | 0:38:09 | |
I took you with me because I was vain, | 0:38:12 | 0:38:16 | |
because I wanted to be adored. | 0:38:16 | 0:38:18 | |
Look at you. | 0:38:21 | 0:38:23 | |
Glorious Pond. | 0:38:25 | 0:38:26 | |
The girl who waited for me. | 0:38:28 | 0:38:30 | |
I'm not a hero. | 0:38:36 | 0:38:38 | |
I really am just a mad man in a box. | 0:38:39 | 0:38:41 | |
And it's time we saw each other as we really are. | 0:38:44 | 0:38:48 | |
Amy Williams. | 0:39:03 | 0:39:05 | |
It's time to stop waiting. | 0:39:10 | 0:39:12 | |
I severed the food supply. | 0:39:58 | 0:40:01 | |
Sacrificing their faith in me. | 0:40:01 | 0:40:04 | |
I gave you the space to die. | 0:40:04 | 0:40:07 | |
Shhh, shhh. | 0:40:07 | 0:40:10 | |
What is it, a minotaur? Or an alien? | 0:40:30 | 0:40:33 | |
Or an alien minotaur? That's not a question I thought I'd be asking this morning. | 0:40:33 | 0:40:38 | |
It's both, actually. Yeah. Here we go. | 0:40:38 | 0:40:41 | |
Distant cousin of the Nimon. They descend on planets | 0:40:41 | 0:40:45 | |
and set themselves up as Gods to be worshipped. | 0:40:45 | 0:40:48 | |
Which is fine, until the inhabitants get all secular and advanced enough to build bonkers prisons. | 0:40:48 | 0:40:54 | |
Correction. | 0:40:54 | 0:40:55 | |
-Prisons in space. -Where are the guards? -No need for any. It's all automated. | 0:40:55 | 0:41:00 | |
It drifts through space, | 0:41:00 | 0:41:02 | |
snatching people with belief systems and converts their faith into food for the creature. | 0:41:02 | 0:41:07 | |
See that planet, there? | 0:41:07 | 0:41:09 | |
-Which one? -The grey one, there. | 0:41:09 | 0:41:11 | |
-Mmm-hmm. -That's where I'm from. | 0:41:11 | 0:41:13 | |
It didn't want just me. So, you must believe in some god | 0:41:13 | 0:41:16 | |
or someone, or they'd have shown you the door, too. | 0:41:16 | 0:41:20 | |
So, what do Time Lords pray to? | 0:41:20 | 0:41:23 | |
According to the in-flight recorder, the programme developed glitches. | 0:41:24 | 0:41:29 | |
It got stuck on the same setting, the fears from the people before us weren't tidied away. | 0:41:29 | 0:41:35 | |
CREATURE GROWLS | 0:41:35 | 0:41:38 | |
-What's it saying? -"An ancient creature, | 0:41:38 | 0:41:42 | |
"drenched in the blood of the innocent, | 0:41:42 | 0:41:47 | |
"drifting in space through an endless, shifting maze. | 0:41:47 | 0:41:51 | |
"For such a creature, death would be a gift." | 0:41:52 | 0:41:59 | |
Than accept it. | 0:42:02 | 0:42:04 | |
And sleep well. | 0:42:06 | 0:42:07 | |
CREATURE GROWLS | 0:42:10 | 0:42:11 | |
"I wasn't talking about myself." | 0:42:11 | 0:42:16 | |
Could I have a lift? Just to the nearest galaxy would do. | 0:42:26 | 0:42:31 | |
VWORP! VWORP! | 0:42:40 | 0:42:43 | |
Don't tell me. This isn't Earth, that isn't a real house. | 0:42:51 | 0:42:54 | |
And inside lives a goblin, who feeds on indecision. | 0:42:54 | 0:42:57 | |
Nope. Real Earth, real house. | 0:42:57 | 0:42:59 | |
Real door keys! | 0:42:59 | 0:43:01 | |
-You're not serious? -The car, too? | 0:43:01 | 0:43:03 | |
But that's my favourite car. How did you know that was my favourite car? | 0:43:03 | 0:43:08 | |
You showed me a picture of it once and said, "That's my favourite car." | 0:43:08 | 0:43:11 | |
Rory, can you give us two minutes? | 0:43:11 | 0:43:13 | |
Two minutes? | 0:43:13 | 0:43:16 | |
She'll say we can't accept it because it's too extravagant | 0:43:16 | 0:43:18 | |
and we'll always feel a crippling sense of obligation. | 0:43:18 | 0:43:21 | |
(It's a risk I'm willing to take!) | 0:43:23 | 0:43:25 | |
Hey. | 0:43:30 | 0:43:31 | |
So... | 0:43:34 | 0:43:36 | |
You're leaving, aren't you? | 0:43:38 | 0:43:40 | |
You haven't seen the last of me. | 0:43:40 | 0:43:42 | |
Bad Penny is my middle name! | 0:43:42 | 0:43:45 | |
Seriously, the looks I get when I fill in a form... | 0:43:45 | 0:43:48 | |
Why now? | 0:43:50 | 0:43:51 | |
Because you're still breathing. | 0:43:55 | 0:43:57 | |
Well, I think this is about the washing-up, personally. | 0:44:02 | 0:44:05 | |
I mean, you're right, there's still heaps of stuff out there to look at. | 0:44:09 | 0:44:12 | |
Do you know, there's a planet whose name literally translates as "Volatile Circus"? | 0:44:12 | 0:44:17 | |
Or maybe there's a bigger, scarier adventure waiting for you in there. | 0:44:22 | 0:44:26 | |
Even so, it can't happen like this. | 0:44:31 | 0:44:34 | |
After everything we've been through, Doctor. | 0:44:34 | 0:44:37 | |
Everything. | 0:44:37 | 0:44:38 | |
You can't just drop me off at my house and say goodbye like we shared a cab. | 0:44:40 | 0:44:44 | |
And what's the alternative? Me standing over your grave? | 0:44:46 | 0:44:50 | |
Over your broken body? | 0:44:50 | 0:44:53 | |
Over Rory's body? | 0:44:53 | 0:44:55 | |
If you bump into my daughter, tell her to visit her old mum sometime. | 0:45:19 | 0:45:24 | |
And look after him. | 0:45:26 | 0:45:28 | |
Look after you. | 0:45:28 | 0:45:30 | |
Bye. | 0:45:55 | 0:45:57 | |
VWORP! VWORP! | 0:46:03 | 0:46:06 | |
What happened? What's he doing? | 0:46:11 | 0:46:16 | |
He's saving us. | 0:46:23 | 0:46:25 | |
-Hello, Craig. I'm back! -What are you here for? | 0:47:04 | 0:47:07 | |
I'm the Doctor, I work in a shop now. | 0:47:07 | 0:47:09 | |
You noticed something and you're investigating it. | 0:47:09 | 0:47:11 | |
And because it's you, it's going to be dangerous and alien. | 0:47:11 | 0:47:14 | |
And what is that? | 0:47:14 | 0:47:16 | |
Help me! | 0:47:16 | 0:47:18 | |
-No! -Doctor! -Craig! | 0:47:18 | 0:47:20 | |
SHE SCREAMS | 0:47:23 | 0:47:25 | |
Subtitles by Red Bee Media Ltd | 0:47:40 | 0:47:43 | |
E-mail - [email protected] | 0:47:43 | 0:47:47 |