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GADGETS CLICK | 0:00:06 | 0:00:07 | |
(Listen!) | 0:00:16 | 0:00:17 | |
Question! | 0:00:19 | 0:00:20 | |
Why do we talk out loud | 0:00:20 | 0:00:23 | |
when we know... | 0:00:23 | 0:00:24 | |
..we're alone? | 0:00:28 | 0:00:30 | |
Conjecture... | 0:00:32 | 0:00:33 | |
..because we know we're not. | 0:00:35 | 0:00:37 | |
Evolution perfects survival skills. | 0:00:40 | 0:00:43 | |
There are perfect hunters. | 0:00:48 | 0:00:50 | |
ROARING | 0:00:53 | 0:00:54 | |
There is perfect defence. | 0:00:59 | 0:01:01 | |
Question - | 0:01:06 | 0:01:08 | |
why is there no such thing as perfect hiding? | 0:01:08 | 0:01:11 | |
Answer! How would you know? | 0:01:13 | 0:01:16 | |
Logically, if evolution were to perfect a creature | 0:01:16 | 0:01:20 | |
whose primary skill were to hide from view - | 0:01:20 | 0:01:23 | |
how could you know it existed? | 0:01:23 | 0:01:25 | |
It could be with us every second and we would never know. | 0:01:25 | 0:01:28 | |
How would you detect it, | 0:01:28 | 0:01:30 | |
even sense it... | 0:01:30 | 0:01:31 | |
..except in those moments | 0:01:35 | 0:01:39 | |
when, for no clear reason... | 0:01:39 | 0:01:40 | |
..you choose to speak aloud? | 0:01:42 | 0:01:44 | |
What would such a creature want? | 0:01:46 | 0:01:48 | |
What would it do? | 0:01:50 | 0:01:51 | |
Well? | 0:01:53 | 0:01:55 | |
What would you do? | 0:01:55 | 0:01:56 | |
HE LAUGHS | 0:01:59 | 0:02:00 | |
CHALK ROLLS | 0:02:05 | 0:02:06 | |
SHE SIGHS | 0:02:58 | 0:03:00 | |
CHATTER AND LAUGHTER | 0:03:00 | 0:03:02 | |
SHE SIGHS | 0:03:10 | 0:03:11 | |
-Hey. -Hey. | 0:03:18 | 0:03:19 | |
Sorry. | 0:03:19 | 0:03:20 | |
So the famous drink at last. | 0:03:24 | 0:03:26 | |
Yeah. Took a bit of time - family stuff but here we are. | 0:03:26 | 0:03:31 | |
Dinner, in fact. | 0:03:31 | 0:03:32 | |
Yeah, straight to dinner. | 0:03:32 | 0:03:34 | |
I like a man who moves fast. | 0:03:34 | 0:03:36 | |
Yeah! I might go straight for extras. | 0:03:36 | 0:03:38 | |
Afters. Dessert. | 0:03:42 | 0:03:44 | |
-Yes, I know, I know, dessert. -Straight to dessert. -Gotcha. | 0:03:44 | 0:03:48 | |
So, erm...how was your day? | 0:03:52 | 0:03:55 | |
Good. You know...teaching. | 0:03:55 | 0:03:59 | |
-Yep, teaching. -Teaching, teaching. | 0:03:59 | 0:04:01 | |
Totally teaching. | 0:04:01 | 0:04:02 | |
-We probably shouldn't talk about work. -God, yeah! | 0:04:02 | 0:04:05 | |
THEY LAUGH | 0:04:05 | 0:04:06 | |
Though, do you take Courtney for anything? | 0:04:09 | 0:04:12 | |
HE LAUGHS | 0:04:12 | 0:04:13 | |
Ser...are you serious? | 0:04:16 | 0:04:18 | |
She said she couldn't concentrate on her work, | 0:04:18 | 0:04:21 | |
because my face was too wide. | 0:04:21 | 0:04:25 | |
-Wide? -I could kill that girl some days. | 0:04:25 | 0:04:27 | |
-Me too. -And from you, that means something. | 0:04:27 | 0:04:31 | |
Sorry? | 0:04:31 | 0:04:32 | |
I dug 23 wells. | 0:04:37 | 0:04:39 | |
I'm sorry? | 0:04:39 | 0:04:40 | |
23 wells - when I was a soldier. 23! | 0:04:40 | 0:04:44 | |
-OK. Good. Good wells. -Yeah, they were good, actually. | 0:04:44 | 0:04:47 | |
I'm not doubting the quality of your wells. | 0:04:47 | 0:04:49 | |
Whole villages, saved. Actual towns full of people. | 0:04:49 | 0:04:52 | |
People I didn't shoot. People I kept safe! | 0:04:52 | 0:04:54 | |
-OK. Point taken. Seriously. -So why doesn't that ever get mentioned? | 0:04:54 | 0:04:57 | |
I'm sorry I didn't mention your 23 wells! | 0:04:57 | 0:04:59 | |
-Excuse me. -Sorry. | 0:04:59 | 0:05:01 | |
Er, water for the table? | 0:05:01 | 0:05:04 | |
Don't you worry - he'll probably dig for it! | 0:05:04 | 0:05:06 | |
HE LAUGHS | 0:05:11 | 0:05:13 | |
Sorry. | 0:05:13 | 0:05:14 | |
It's OK. | 0:05:14 | 0:05:15 | |
-Sensitive subject. -Yes. Can slightly see that. | 0:05:15 | 0:05:18 | |
Sometimes people like you get the wrong end of the stick. | 0:05:18 | 0:05:22 | |
People like me? | 0:05:22 | 0:05:23 | |
I wasn't making assumptions about you. | 0:05:26 | 0:05:28 | |
That really is exactly what you were doing. | 0:05:28 | 0:05:30 | |
-You were making assumptions about me! -I made a joke. -A not-funny joke. | 0:05:30 | 0:05:33 | |
-Yeah, well, do you know what I'm making now? -A fuss? -An exit! | 0:05:33 | 0:05:37 | |
SHE SIGHS | 0:05:42 | 0:05:44 | |
-You just have to squeeze through. -Doctor? | 0:05:53 | 0:05:56 | |
Why do you have three mirrors? Why don't you just turn your head? | 0:05:56 | 0:05:59 | |
-What are you doing in here? -You said you had a date - I thought | 0:05:59 | 0:06:02 | |
I'd better hide in the bedroom in case you brought him home. | 0:06:02 | 0:06:04 | |
Bit early, aren't you? | 0:06:04 | 0:06:06 | |
Did it all go wrong, or is this good by your standards? | 0:06:06 | 0:06:09 | |
It was a disaster and I am extremely upset about it, since you didn't ask. | 0:06:09 | 0:06:12 | |
Fine, I need you, for a thing! | 0:06:12 | 0:06:16 | |
-I can't! -Oh, of course you can - you're free. | 0:06:16 | 0:06:19 | |
More than usually free, in fact. | 0:06:19 | 0:06:20 | |
It's possible that I might get a phone call. | 0:06:20 | 0:06:23 | |
From the date guy? | 0:06:23 | 0:06:24 | |
It's too late. You've taken your make-up off. | 0:06:24 | 0:06:27 | |
No, I haven't. I'm still wearing my make-up. | 0:06:27 | 0:06:29 | |
Oh, well, you probably just missed a bit. | 0:06:29 | 0:06:31 | |
Come on, come on, come on, come on! | 0:06:31 | 0:06:33 | |
I haven't actually said yes. | 0:06:38 | 0:06:39 | |
Yes, you know sometimes when you talk to yourself, | 0:06:39 | 0:06:41 | |
-what if you're not? -Not what? -What if it's not you you're talking to? | 0:06:41 | 0:06:44 | |
Proposition - what if no-one is ever really alone, | 0:06:44 | 0:06:48 | |
what if every single living being has a companion - | 0:06:48 | 0:06:51 | |
a silent passenger, | 0:06:51 | 0:06:52 | |
a shadow? | 0:06:52 | 0:06:53 | |
What if the prickle on the back of your neck, | 0:06:53 | 0:06:55 | |
is the breath of something close behind you? | 0:06:55 | 0:06:58 | |
How long have you been travelling alone? | 0:06:58 | 0:06:59 | |
Perhaps I never have. | 0:07:00 | 0:07:02 | |
It looks like your handwriting. | 0:07:06 | 0:07:08 | |
Well, I couldn't have written it and forgotten, could I? | 0:07:08 | 0:07:10 | |
-Have you met you? What's all this? -Dreams. | 0:07:10 | 0:07:13 | |
Accounts of dreams, by different people, all through history. | 0:07:13 | 0:07:16 | |
-You see, I have a theory. -I'll bet you have. What theory? | 0:07:16 | 0:07:18 | |
I think everybody, at some point in their lives, | 0:07:18 | 0:07:20 | |
has the exact same nightmare. | 0:07:20 | 0:07:23 | |
You wake up, or you think you do, | 0:07:26 | 0:07:29 | |
and there's someone in the dark, someone close, | 0:07:29 | 0:07:32 | |
or you think there might be. | 0:07:32 | 0:07:34 | |
GASPING | 0:07:34 | 0:07:35 | |
So you sit up, turn on the light. | 0:07:35 | 0:07:39 | |
And the room looks different at night. | 0:07:39 | 0:07:41 | |
It ticks and creaks and breathes. | 0:07:41 | 0:07:46 | |
And you tell yourself there's nobody there, | 0:07:47 | 0:07:50 | |
nobody watching, nobody listening, | 0:07:50 | 0:07:52 | |
nobody there at all... | 0:07:52 | 0:07:54 | |
WIND WHISTLES | 0:07:55 | 0:07:57 | |
..and you very nearly believe it. | 0:07:57 | 0:07:58 | |
You really, really try... | 0:08:00 | 0:08:03 | |
..and then... | 0:08:05 | 0:08:06 | |
HISSING | 0:08:06 | 0:08:08 | |
GASPING | 0:08:10 | 0:08:11 | |
There are accounts of that dream throughout human history, | 0:08:14 | 0:08:17 | |
time and time again, the same dream. | 0:08:17 | 0:08:19 | |
Now, there is a very obvious question I'm about to ask you. | 0:08:19 | 0:08:22 | |
-Do you know what it is? -Have you had that dream? -Exactly. | 0:08:22 | 0:08:24 | |
No - that was me asking you, have you had that dream? | 0:08:24 | 0:08:26 | |
-I asked first. -No, I did. | 0:08:26 | 0:08:28 | |
You really didn't. | 0:08:28 | 0:08:30 | |
OK, yeah, probably. Yes. | 0:08:30 | 0:08:34 | |
-But everyone dreams about something under the bed! -Why? | 0:08:34 | 0:08:36 | |
-Just hold on tight. If anything bites, let it. -What is it? | 0:08:41 | 0:08:45 | |
TARDIS telepathic interface. You're in mental contact with the TARDIS. | 0:08:45 | 0:08:48 | |
-So don't think anything rude. -Why not? | 0:08:48 | 0:08:50 | |
It might end up on all of the screens. | 0:08:50 | 0:08:52 | |
The TARDIS is extrapolating your entire timeline, | 0:08:52 | 0:08:55 | |
from the moment of your birth, to the moment of your death. | 0:08:55 | 0:08:57 | |
Which I do not need a preview of. | 0:08:57 | 0:08:59 | |
I'm turning off the safeguards and navigation - | 0:08:59 | 0:09:02 | |
slaving the TARDIS to you. | 0:09:02 | 0:09:04 | |
Focus on the dream, | 0:09:05 | 0:09:07 | |
focus on the details, picture them, feel them. | 0:09:07 | 0:09:11 | |
The TARDIS will track on your subconscious | 0:09:11 | 0:09:14 | |
and extract the relevant information. | 0:09:14 | 0:09:16 | |
It should be able to home in on the moment in your timeline | 0:09:16 | 0:09:19 | |
when you first had that dream. | 0:09:19 | 0:09:21 | |
And then...we'll see. | 0:09:21 | 0:09:23 | |
What will we see? | 0:09:26 | 0:09:27 | |
What's under your bed. | 0:09:27 | 0:09:29 | |
Ooh! | 0:09:34 | 0:09:35 | |
METALLIC THRUMMING | 0:09:35 | 0:09:37 | |
OK, now don't get distracted. | 0:09:37 | 0:09:40 | |
Remember, you are flying a time machine. | 0:09:40 | 0:09:43 | |
METALLIC THRUMMING | 0:09:43 | 0:09:44 | |
PHONE RINGS | 0:09:47 | 0:09:49 | |
No, no. Don't you get... No, Don't! Don't, don't. Just ignore it. | 0:09:49 | 0:09:54 | |
OK, that's good. | 0:09:58 | 0:10:00 | |
That worked, we're here. | 0:10:01 | 0:10:04 | |
Sorry - I think I got distracted. | 0:10:04 | 0:10:05 | |
No, no, no, no, no - the date's fine. | 0:10:05 | 0:10:09 | |
-Come on! -Come on where? | 0:10:09 | 0:10:11 | |
Your childhood! | 0:10:12 | 0:10:13 | |
SHE GROANS | 0:10:19 | 0:10:20 | |
The West Country Children's Home. | 0:10:27 | 0:10:29 | |
Gloucester - by the ozone level and the drains, mid-'90s. | 0:10:32 | 0:10:36 | |
You must have been here when you had the dream. | 0:10:38 | 0:10:40 | |
Never been to Gloucester in my life | 0:10:40 | 0:10:42 | |
and I've never lived in a children's home. | 0:10:42 | 0:10:44 | |
You probably just forgotten - | 0:10:44 | 0:10:45 | |
have you seen the size of human brains, they're hilarious. | 0:10:45 | 0:10:48 | |
Little you must be in here somewhere, with your little brain. | 0:10:48 | 0:10:51 | |
Isn't it bad if I meet myself? | 0:10:51 | 0:10:53 | |
It is potentially catastrophic. | 0:10:53 | 0:10:55 | |
So why did you bring me out here? | 0:10:55 | 0:10:57 | |
I was still talking, I needed someone to nod, | 0:10:57 | 0:10:59 | |
-probably best for you to wait in the TARDIS. -Doctor... | 0:10:59 | 0:11:02 | |
See you in a minute. TARDIS. | 0:11:02 | 0:11:04 | |
Doctor! | 0:11:04 | 0:11:05 | |
If I had have been distracted, what would have happened? | 0:11:07 | 0:11:09 | |
We would probably have ended up in the wrong place. | 0:11:09 | 0:11:12 | |
But don't think we have, cos the time zone's right. | 0:11:12 | 0:11:15 | |
I won't be long. | 0:11:15 | 0:11:16 | |
What are you doing down there? | 0:11:31 | 0:11:33 | |
Nothing. | 0:11:34 | 0:11:35 | |
Er... I'm just... | 0:11:35 | 0:11:37 | |
What's your name? | 0:11:41 | 0:11:42 | |
-Rupert. -Oh. OK. | 0:11:42 | 0:11:44 | |
Hello, Rupert. | 0:11:45 | 0:11:46 | |
Rupert Pink. It's a stupid name. | 0:11:46 | 0:11:49 | |
No, it isn't. | 0:11:49 | 0:11:51 | |
I know somebody called Pink. | 0:11:51 | 0:11:53 | |
I meant Rupert. I'm going to change it. | 0:11:53 | 0:11:55 | |
Why are you awake? | 0:11:55 | 0:11:57 | |
Are you scared? | 0:11:59 | 0:12:00 | |
BUZZING | 0:12:02 | 0:12:04 | |
DOOR OPENS | 0:12:12 | 0:12:13 | |
TV IN BACKGROUND | 0:12:13 | 0:12:14 | |
How did you get in? | 0:12:16 | 0:12:18 | |
Your door must be faulty. | 0:12:18 | 0:12:19 | |
An inspection? | 0:12:26 | 0:12:27 | |
-It's two in the morning. -When better? | 0:12:29 | 0:12:33 | |
Do you always work here nights? | 0:12:33 | 0:12:35 | |
Most nights, yes. | 0:12:35 | 0:12:36 | |
Ever end up talking to yourself? | 0:12:37 | 0:12:39 | |
All the time - | 0:12:41 | 0:12:42 | |
it's this place... | 0:12:42 | 0:12:43 | |
..you can't help it. | 0:12:45 | 0:12:46 | |
What about your coffee? | 0:12:48 | 0:12:49 | |
My coffee? | 0:12:52 | 0:12:53 | |
Sometimes, do you put it down, and look round, | 0:12:55 | 0:12:59 | |
and it's not there? | 0:12:59 | 0:13:01 | |
-Everybody does that. -Yes. | 0:13:03 | 0:13:05 | |
Everybody. | 0:13:05 | 0:13:07 | |
TV GOES OFF | 0:13:07 | 0:13:08 | |
Who turned your telly off? | 0:13:08 | 0:13:10 | |
It does that. | 0:13:10 | 0:13:12 | |
It... | 0:13:12 | 0:13:13 | |
..just goes off. | 0:13:13 | 0:13:16 | |
Hmm. | 0:13:30 | 0:13:32 | |
DOOR CREAKS | 0:13:33 | 0:13:34 | |
Hello. | 0:13:53 | 0:13:54 | |
Hello. | 0:13:54 | 0:13:55 | |
Nice room. | 0:13:59 | 0:14:00 | |
You know, you should have more than one chair. | 0:14:04 | 0:14:07 | |
What do you do when people come round? | 0:14:07 | 0:14:09 | |
Sit on the bed. | 0:14:09 | 0:14:10 | |
Why aren't you sitting on it, then? | 0:14:11 | 0:14:13 | |
Do you think that there's something underneath it? | 0:14:16 | 0:14:19 | |
Hey... | 0:14:20 | 0:14:21 | |
..everyone thinks that...sometimes. | 0:14:22 | 0:14:25 | |
-That's just how people think at night. -Why? | 0:14:25 | 0:14:28 | |
Did you have a dream, | 0:14:30 | 0:14:32 | |
a hand grabbing your foot? | 0:14:32 | 0:14:34 | |
You have, haven't you? | 0:14:34 | 0:14:37 | |
You've had that exact dream. | 0:14:37 | 0:14:39 | |
How did you know? | 0:14:39 | 0:14:40 | |
Do you know why dreams are called dreams? | 0:14:42 | 0:14:45 | |
-Why? -Because they're not real. | 0:14:45 | 0:14:47 | |
If they were, they wouldn't need a name. | 0:14:48 | 0:14:50 | |
What are you doing? | 0:14:53 | 0:14:54 | |
-Do you know what's under there? -What? | 0:14:58 | 0:15:00 | |
Me! | 0:15:00 | 0:15:02 | |
Come on! It's perfectly safe. | 0:15:04 | 0:15:06 | |
See? | 0:15:14 | 0:15:15 | |
Nobody here. Except us. | 0:15:15 | 0:15:18 | |
Sometimes I hear noises. | 0:15:18 | 0:15:20 | |
It's a house full of people, of course you hear noises. | 0:15:20 | 0:15:23 | |
They're all asleep. | 0:15:23 | 0:15:25 | |
They're all dreaming. | 0:15:25 | 0:15:26 | |
Can you hear dreams? | 0:15:28 | 0:15:29 | |
If you're clever enough, but they can't harm you. | 0:15:31 | 0:15:34 | |
You know, sometimes we think there's something behind us - | 0:15:35 | 0:15:38 | |
and the space under your bed is what's behind you at night. | 0:15:38 | 0:15:41 | |
Simple as that. There's nothing to be afraid of. | 0:15:41 | 0:15:45 | |
DOOR OPENS | 0:15:45 | 0:15:47 | |
RUPERT GASPS | 0:15:47 | 0:15:48 | |
-(Who else is in this room? -Nobody.) | 0:15:56 | 0:15:58 | |
-(Someone must have come in. -Nobody came in.) | 0:16:02 | 0:16:04 | |
CREAKING | 0:16:19 | 0:16:20 | |
Hello? | 0:16:20 | 0:16:21 | |
Who's this? | 0:16:33 | 0:16:35 | |
This is a friend of yours playing a game. | 0:16:35 | 0:16:37 | |
Playing a trick, are you, hey, a little trick on Rupert here? | 0:16:44 | 0:16:47 | |
CREAKING | 0:16:49 | 0:16:51 | |
OK. It's not funny this, you know. | 0:16:57 | 0:16:59 | |
Where is he? | 0:17:03 | 0:17:04 | |
-Doctor? -I can't find him. Can you find him? | 0:17:04 | 0:17:06 | |
-Find who? -Wally. | 0:17:06 | 0:17:08 | |
-Wally? -He's nowhere in this book. | 0:17:08 | 0:17:11 | |
It's not a Where's Wally one. | 0:17:11 | 0:17:13 | |
How would you know? Maybe you just haven't found him yet. | 0:17:13 | 0:17:15 | |
-He's not in every book. -Really? | 0:17:15 | 0:17:18 | |
Well, that's a few years of my life I'll be needing back. | 0:17:18 | 0:17:20 | |
Are you scared? | 0:17:22 | 0:17:23 | |
The thing on the bed, | 0:17:25 | 0:17:27 | |
whatever it is... | 0:17:27 | 0:17:28 | |
..look at it. Does it scare you? | 0:17:29 | 0:17:31 | |
-Yes. -That's good. Want to know why that's good? | 0:17:31 | 0:17:34 | |
-Why? -Let me tell you about scared. | 0:17:34 | 0:17:37 | |
Your heart is beating so hard, | 0:17:39 | 0:17:41 | |
I can feel it through your hands. | 0:17:41 | 0:17:43 | |
There's so much blood and oxygen pumping through your brain, | 0:17:43 | 0:17:47 | |
it's like rocket fuel. | 0:17:47 | 0:17:48 | |
Right now, you could run faster and you could fight harder | 0:17:48 | 0:17:53 | |
you could jump higher than ever in your life, | 0:17:53 | 0:17:56 | |
and you are so alert it's like you can slow down time. | 0:17:56 | 0:18:01 | |
What's wrong with scared? Scared is a superpower. | 0:18:01 | 0:18:06 | |
It's your superpower. | 0:18:06 | 0:18:07 | |
There is danger in this room and guess what? It's you. | 0:18:07 | 0:18:11 | |
Do you feel it? | 0:18:11 | 0:18:12 | |
Do you think he feels it? | 0:18:14 | 0:18:16 | |
Do you think he's scared? | 0:18:16 | 0:18:19 | |
Nah! | 0:18:19 | 0:18:20 | |
Loser! Turn your back on him. | 0:18:20 | 0:18:23 | |
-What? -Yeah, turn your back on him, come on. | 0:18:23 | 0:18:27 | |
You too, Clara. | 0:18:27 | 0:18:29 | |
Clara, your back, now. | 0:18:29 | 0:18:30 | |
Do it, just do it now, turn your back. | 0:18:33 | 0:18:35 | |
Do it now, turn your back. | 0:18:38 | 0:18:39 | |
Lovely view out this window. | 0:18:41 | 0:18:43 | |
Yeah. Come and see all the dark. | 0:18:43 | 0:18:47 | |
The deep and lovely dark - | 0:18:47 | 0:18:49 | |
we'd never see the stars without it. | 0:18:49 | 0:18:51 | |
Now. There are two possibilities. | 0:18:53 | 0:18:54 | |
Possibility one - it's just one of your friends standing there, | 0:18:54 | 0:18:57 | |
and he's playing a joke on you. Possibility two - it isn't. | 0:18:57 | 0:19:01 | |
So, plan? Plans are good. | 0:19:01 | 0:19:03 | |
You on the bed, I'm talking to you now. | 0:19:06 | 0:19:08 | |
Go in peace. | 0:19:10 | 0:19:11 | |
We won't look. | 0:19:11 | 0:19:13 | |
Just go. | 0:19:13 | 0:19:15 | |
If all you want to do is stay hidden, it's OK. Just leave. | 0:19:15 | 0:19:18 | |
RUPERT GASPS | 0:19:22 | 0:19:23 | |
Is it gone? | 0:19:29 | 0:19:30 | |
Don't look round, not yet. | 0:19:31 | 0:19:34 | |
-I can't hear anything. -Don't look round. | 0:19:34 | 0:19:37 | |
Look away! Look away now! Don't look at it! Don't look round. | 0:19:38 | 0:19:41 | |
-Don't look round - don't look at the reflection. -What is it? | 0:19:41 | 0:19:44 | |
Imagine a thing that must never be seen. | 0:19:44 | 0:19:46 | |
-What would it do if you saw it? -I don't know. | 0:19:46 | 0:19:48 | |
Neither do I. Close your eyes. | 0:19:48 | 0:19:50 | |
-What? -Close your eyes. You too, Clara. | 0:19:50 | 0:19:52 | |
Give it what it wants. | 0:19:52 | 0:19:53 | |
Prove to it that you're not going to look at it. | 0:19:54 | 0:19:57 | |
Make a promise - promise you're never going to look at it. | 0:19:57 | 0:20:00 | |
I promise never to look. | 0:20:00 | 0:20:01 | |
The breath on the back of your neck... | 0:20:07 | 0:20:09 | |
..like your hairs standing on end... | 0:20:10 | 0:20:12 | |
..that means don't look round! | 0:20:14 | 0:20:17 | |
DOOR SLAMS | 0:20:17 | 0:20:19 | |
Gone. | 0:20:20 | 0:20:22 | |
Gone. | 0:20:23 | 0:20:24 | |
He took my bedspread. | 0:20:25 | 0:20:27 | |
Oh, the human race - you're never happy, are you? | 0:20:28 | 0:20:31 | |
-Am I safe now? -Nobody's safe, | 0:20:31 | 0:20:33 | |
especially not at night in the dark, anything can get you, | 0:20:33 | 0:20:38 | |
and you're up here all alone... | 0:20:38 | 0:20:40 | |
-What was that for? -Shut up, leave this to me. | 0:20:41 | 0:20:44 | |
-These yours? -They're the home's. | 0:20:45 | 0:20:48 | |
-They're yours now. -People don't need to be lied to. | 0:20:48 | 0:20:51 | |
People don't need to be scared by a big gray-haired stick insect, | 0:20:51 | 0:20:54 | |
but here you are. Stay still, shut up. | 0:20:54 | 0:20:56 | |
See what I'm doing? | 0:20:57 | 0:20:59 | |
-This is your army. -Plastic army. -Sit! | 0:21:00 | 0:21:04 | |
And they're going to guard under your bed. | 0:21:04 | 0:21:07 | |
See this one? This is the boss one, | 0:21:08 | 0:21:12 | |
the colonel - He's going to keep a special eye out. | 0:21:12 | 0:21:14 | |
It's broken, that one. It doesn't have a gun. | 0:21:14 | 0:21:17 | |
That's why he's the boss. | 0:21:17 | 0:21:18 | |
A soldier so brave he doesn't need a gun. | 0:21:20 | 0:21:23 | |
He can keep the whole world safe. | 0:21:23 | 0:21:25 | |
-What shall we call him? -Dan! | 0:21:26 | 0:21:28 | |
Sorry? | 0:21:31 | 0:21:33 | |
Dan, the soldier man. That's what I call him. | 0:21:33 | 0:21:36 | |
Good. Good name. | 0:21:36 | 0:21:39 | |
Yeah. | 0:21:39 | 0:21:40 | |
Would you read me a story? It'll help me get to sleep. | 0:21:40 | 0:21:43 | |
Sure. | 0:21:43 | 0:21:44 | |
Once upon a time... | 0:21:44 | 0:21:45 | |
..the end. | 0:21:46 | 0:21:47 | |
Dad skills. | 0:21:48 | 0:21:50 | |
So... | 0:21:55 | 0:21:56 | |
is it possible we just saved that kid from another kid in a bedspread? | 0:21:57 | 0:22:00 | |
Entirely possible, yes. | 0:22:00 | 0:22:02 | |
The bigger question why did we end up with him, and not you? | 0:22:02 | 0:22:06 | |
I got distracted. | 0:22:07 | 0:22:08 | |
But why that particular boy? | 0:22:08 | 0:22:10 | |
You don't have any...you don't | 0:22:10 | 0:22:12 | |
have any kind of connection with him, do you? | 0:22:12 | 0:22:14 | |
No. No, no, no, of course not. | 0:22:14 | 0:22:15 | |
-Why do you ask? -The TARDIS was slaved to your timeline. | 0:22:15 | 0:22:18 | |
Theoretically, there should have been some connection. | 0:22:19 | 0:22:22 | |
Will, um... | 0:22:22 | 0:22:24 | |
..will he remember any of that? | 0:22:25 | 0:22:26 | |
Scrambled his memory, | 0:22:27 | 0:22:29 | |
gave him a big old dream about being Dan the soldier man. | 0:22:29 | 0:22:33 | |
SHE SIGHS | 0:22:33 | 0:22:34 | |
SHE SOBS | 0:22:36 | 0:22:37 | |
Are you OK? | 0:22:40 | 0:22:42 | |
Doctor... | 0:22:42 | 0:22:43 | |
I am sorry to ask, and I realise this is probably against the laws of time, | 0:22:43 | 0:22:47 | |
or summat...um... | 0:22:47 | 0:22:49 | |
Could you do me a favour? | 0:22:51 | 0:22:52 | |
Is that what I look like from the back? | 0:23:04 | 0:23:06 | |
It's fine. | 0:23:06 | 0:23:07 | |
I was thinking it was good. | 0:23:07 | 0:23:09 | |
Really? | 0:23:09 | 0:23:11 | |
TRAFFIC IN BACKGROUND | 0:23:11 | 0:23:12 | |
LAUGHTER AND CHATTER | 0:23:15 | 0:23:17 | |
Sorry! | 0:23:32 | 0:23:33 | |
Hey. | 0:23:34 | 0:23:35 | |
Hello. I am Clara Oswald. | 0:23:42 | 0:23:44 | |
I'm a bit tricky sometimes, a bit up myself, and I don't like my surname, | 0:23:44 | 0:23:48 | |
but I think that's basically everything you need to worry about. | 0:23:48 | 0:23:51 | |
Hello, I'm... I'm sorry... | 0:23:56 | 0:23:58 | |
Also, I mouth off when I'm nervous and I've got a mouth on me. | 0:23:58 | 0:24:01 | |
Seriously, it's got a mind of its own. I'm worried it wants to go solo. | 0:24:01 | 0:24:04 | |
-I don't know what to say. -Don't say anything. | 0:24:04 | 0:24:07 | |
Or say something nice. | 0:24:07 | 0:24:08 | |
I like your name. | 0:24:10 | 0:24:11 | |
It's a start. | 0:24:15 | 0:24:17 | |
Oswald. It suits you. | 0:24:17 | 0:24:19 | |
-Drifting now. -It's better than Pink. | 0:24:19 | 0:24:21 | |
No, Pink...Pink is nice. I like pink. | 0:24:21 | 0:24:25 | |
You can have it. | 0:24:25 | 0:24:26 | |
Oh, a bold offer, Mr Pink. | 0:24:26 | 0:24:28 | |
I meant... No... | 0:24:28 | 0:24:30 | |
I know, I know. | 0:24:30 | 0:24:32 | |
Why can't I speak today? | 0:24:32 | 0:24:34 | |
It's that foot you're keeping in your mouth. | 0:24:34 | 0:24:37 | |
Is that where I put it? | 0:24:37 | 0:24:38 | |
Anyway. Clara Pink - too much. | 0:24:38 | 0:24:42 | |
Yeah, it is a bit much. | 0:24:42 | 0:24:45 | |
Mind you - RUPERT Pink! | 0:24:45 | 0:24:46 | |
GLASS DROPS IN THE BACKGROUND | 0:24:46 | 0:24:47 | |
Sorry? | 0:24:47 | 0:24:49 | |
Er... | 0:24:50 | 0:24:53 | |
Rupert...Pink. It's not good. | 0:24:53 | 0:24:56 | |
Rupert? | 0:24:56 | 0:24:58 | |
Yeah. That was your name, yeah? | 0:24:58 | 0:25:00 | |
-Who told you that? -Um...someone in the school. | 0:25:01 | 0:25:06 | |
SHE CLICKS HER TONGUE | 0:25:06 | 0:25:08 | |
No, I haven't used that name for years. | 0:25:10 | 0:25:12 | |
I cannot remember who it was, er... | 0:25:12 | 0:25:14 | |
-Are you making fun of me? -No! No, no, no - no way! | 0:25:14 | 0:25:17 | |
-Is this a joke? -Danny, nothing about this is any kind of joke! | 0:25:17 | 0:25:21 | |
DOOR CREAKS | 0:25:21 | 0:25:22 | |
Where's your coat? | 0:25:25 | 0:25:26 | |
-My what? -You put your coat on when you left. | 0:25:26 | 0:25:29 | |
I'm really sorry. Danny, um... | 0:25:29 | 0:25:31 | |
there is something I should probably be honest about. | 0:25:31 | 0:25:34 | |
-How about everything? -Everything, in my case, is actually quite a lot. | 0:25:34 | 0:25:37 | |
-Well, that's weird. -No, it's not weird, not really... | 0:25:38 | 0:25:41 | |
Where are you going? | 0:25:41 | 0:25:42 | |
-I don't do weird. -Don't go. | 0:25:42 | 0:25:45 | |
Then do something for me - | 0:25:45 | 0:25:47 | |
tell me the truth, because I know when people are lying to me. | 0:25:47 | 0:25:51 | |
However weird this thing might be, just tell me the truth! | 0:25:51 | 0:25:55 | |
It's not weird... | 0:25:55 | 0:25:56 | |
..exactly. | 0:25:59 | 0:26:01 | |
I've had enough. | 0:26:03 | 0:26:05 | |
SHE SIGHS | 0:26:09 | 0:26:10 | |
I am trying to have a date - | 0:26:29 | 0:26:31 | |
a real life, inter-human actual date! | 0:26:31 | 0:26:35 | |
It's a normal nice, everyday, meeting-up sort of thing, | 0:26:35 | 0:26:38 | |
and I would just like to know, is there any other way | 0:26:38 | 0:26:40 | |
you can make this any more surreal than it already is? | 0:26:40 | 0:26:44 | |
Hello. | 0:26:46 | 0:26:48 | |
Ah, Clara! | 0:26:48 | 0:26:50 | |
Well done, you found her. | 0:26:51 | 0:26:53 | |
Now this is really a bit strange. | 0:26:54 | 0:26:57 | |
Danny? | 0:26:57 | 0:26:58 | |
What's gone wrong with your face? It's all eyes! | 0:26:58 | 0:27:01 | |
Why are you all eyes? Get them under control. | 0:27:01 | 0:27:03 | |
-Who's Danny? -This is Colonel Orson Pink, | 0:27:03 | 0:27:08 | |
from about 100 years in your future. | 0:27:08 | 0:27:10 | |
Orson Pink? | 0:27:10 | 0:27:12 | |
Yeah, I laughed too. Sorry! | 0:27:12 | 0:27:15 | |
Do you have any connection with him? | 0:27:15 | 0:27:18 | |
-Connection? -Yes, maybe you're like a distant relative or something? | 0:27:18 | 0:27:23 | |
How would I know? | 0:27:23 | 0:27:25 | |
Right, OK. | 0:27:25 | 0:27:28 | |
Um, well...do you have any old family photographs of her? | 0:27:28 | 0:27:33 | |
You know, probably quite old and really fat-looking? | 0:27:33 | 0:27:37 | |
I don't. | 0:27:37 | 0:27:38 | |
How did you find him? | 0:27:42 | 0:27:43 | |
You left a trace in the TARDIS telepathic circuits. | 0:27:43 | 0:27:46 | |
I fired them up again and the TARDIS brought me straight to him. | 0:27:46 | 0:27:48 | |
So he's something to do with your timeline. | 0:27:48 | 0:27:51 | |
-OK... -And you'll never guess where I found him. | 0:27:51 | 0:27:54 | |
Where are we? | 0:28:01 | 0:28:02 | |
The end of the road - | 0:28:02 | 0:28:04 | |
this is it, | 0:28:04 | 0:28:05 | |
the end of everything... | 0:28:05 | 0:28:07 | |
..the last planet. | 0:28:09 | 0:28:10 | |
The end of the universe? | 0:28:10 | 0:28:11 | |
The TARDIS isn't supposed to come this far | 0:28:11 | 0:28:13 | |
but some idiot turned the safeguards off. | 0:28:13 | 0:28:16 | |
Listen! | 0:28:16 | 0:28:17 | |
SILENCE | 0:28:17 | 0:28:18 | |
To what? | 0:28:19 | 0:28:21 | |
Nothing. | 0:28:23 | 0:28:25 | |
There's nothing to hear. | 0:28:25 | 0:28:26 | |
There's nothing anywhere... | 0:28:28 | 0:28:30 | |
..not a breath, | 0:28:32 | 0:28:34 | |
not a slither, not a click or a tick. | 0:28:34 | 0:28:37 | |
All the clocks have stopped. | 0:28:37 | 0:28:39 | |
This is the silence at the end of time. | 0:28:39 | 0:28:43 | |
Then how did he get here? If he's from 100 years in my future... | 0:28:49 | 0:28:53 | |
Pioneer time traveller. | 0:28:53 | 0:28:54 | |
Rode the first of the great time shots. | 0:28:56 | 0:28:58 | |
They were supposed to fire him | 0:28:58 | 0:29:00 | |
-into the middle of the next week. -What happened? | 0:29:00 | 0:29:02 | |
-He went a bit far. -A bit? | 0:29:02 | 0:29:04 | |
A big bit. | 0:29:04 | 0:29:05 | |
Look at him now. Robinson Crusoe at the end of time itself - | 0:29:05 | 0:29:10 | |
the last man standing in the universe. | 0:29:10 | 0:29:12 | |
I always thought that would be me. | 0:29:12 | 0:29:14 | |
-It's not a competition. -I know it's not a competition, | 0:29:14 | 0:29:16 | |
course it isn't. | 0:29:16 | 0:29:18 | |
-Still time, though. -He looks like he's packing. | 0:29:18 | 0:29:21 | |
He's been stranded for six months, just met a time traveller - | 0:29:21 | 0:29:23 | |
of course he's packing. | 0:29:23 | 0:29:25 | |
You can do it, then? You can get me home? | 0:29:28 | 0:29:30 | |
I just showed you, didn't I? A test flight to a restaurant. | 0:29:30 | 0:29:33 | |
Yes, but to my family, to my own time? | 0:29:33 | 0:29:36 | |
-Easy! I can do that, can't I, Clara? -He can, yes. | 0:29:36 | 0:29:39 | |
Is everything OK? | 0:29:40 | 0:29:41 | |
Yeah, fine. I'm fine. | 0:29:41 | 0:29:43 | |
-Do I know you? -No, nope. | 0:29:43 | 0:29:46 | |
Is she doing the "all eyes" thing? | 0:29:46 | 0:29:48 | |
It's because her face is so wide. She needs three mirrors! | 0:29:48 | 0:29:50 | |
Doctor...! | 0:29:50 | 0:29:52 | |
We can't leave immediately, though. The TARDIS needs to recharge. | 0:29:52 | 0:29:56 | |
Sorry... | 0:29:56 | 0:29:57 | |
..what? | 0:29:58 | 0:29:59 | |
-Overnight, that should do it, shouldn't it Clara? -Overnight? | 0:30:00 | 0:30:03 | |
One more night, that's... | 0:30:07 | 0:30:08 | |
..that's not a problem, is it? | 0:30:10 | 0:30:11 | |
No. | 0:30:14 | 0:30:15 | |
No, no problem. | 0:30:17 | 0:30:18 | |
Oh, that's a shame, isn't it? | 0:30:23 | 0:30:24 | |
What's a shame? | 0:30:27 | 0:30:28 | |
There's only three people left in the universe | 0:30:28 | 0:30:30 | |
and you're lying to the other two. | 0:30:30 | 0:30:33 | |
It was the first thing I noticed when I stepped in here. | 0:30:33 | 0:30:36 | |
You must have seen it, too, Clara - | 0:30:36 | 0:30:37 | |
-you've got eyes out to here! -Seen what? -The universe is dead. | 0:30:37 | 0:30:40 | |
Everything that ever was is dead and gone. | 0:30:41 | 0:30:44 | |
There is nothing beyond this door but nothingness for ever. | 0:30:45 | 0:30:48 | |
So why is it locked? | 0:30:49 | 0:30:50 | |
Please... | 0:30:52 | 0:30:53 | |
..don't make me spend another night here. | 0:30:54 | 0:30:57 | |
Afraid of the dark? | 0:30:58 | 0:30:59 | |
But the dark...is empty now. | 0:30:59 | 0:31:02 | |
No. | 0:31:05 | 0:31:06 | |
No, it isn't. | 0:31:08 | 0:31:10 | |
You'll be safe in here. Nothing gets through those doors, I promise. | 0:31:12 | 0:31:16 | |
And you two are going to wait out there? | 0:31:19 | 0:31:21 | |
That would seem to be the plan. Wait for what exactly? | 0:31:21 | 0:31:24 | |
Why can't we just leave? | 0:31:24 | 0:31:25 | |
Like he said - it's recharging. | 0:31:25 | 0:31:28 | |
You didn't look like you believed him. | 0:31:28 | 0:31:31 | |
That's just how my face looks when he talks. | 0:31:31 | 0:31:34 | |
It's just a silly toy thing, | 0:31:40 | 0:31:42 | |
family heirloom - supposed to bring good luck. | 0:31:42 | 0:31:44 | |
Right. Yes. | 0:31:44 | 0:31:46 | |
Didn't do a very good job, did it? | 0:31:48 | 0:31:50 | |
It did. You're here, aren't you? | 0:31:50 | 0:31:53 | |
What were the chances of you two finding me? | 0:31:53 | 0:31:56 | |
Orson... | 0:32:01 | 0:32:02 | |
..do me a favour, take my advice when you get home, | 0:32:04 | 0:32:07 | |
stay away from time travel. | 0:32:07 | 0:32:10 | |
It runs in the family. | 0:32:10 | 0:32:11 | |
What? | 0:32:14 | 0:32:15 | |
Sorry - what do you mean, "runs in the family"? | 0:32:15 | 0:32:19 | |
Nothing - it's just silly stories - one of my grandparent - well, | 0:32:19 | 0:32:25 | |
-great-grandparents... -What is it? Tell me! | 0:32:25 | 0:32:28 | |
You asked if you knew me. | 0:32:31 | 0:32:33 | |
-It's a family heirloom? -Yeah. | 0:32:37 | 0:32:40 | |
What are we doing? | 0:32:47 | 0:32:48 | |
-Waiting. -For what? For who? | 0:32:48 | 0:32:51 | |
If everybody in the universe is dead, then there's nobody out there. | 0:32:53 | 0:32:57 | |
That's one way of looking at it. | 0:32:57 | 0:32:58 | |
What's the other? | 0:32:59 | 0:33:02 | |
That's a hell of a lot of ghosts. | 0:33:02 | 0:33:03 | |
Do you have your own mood lighting now? | 0:33:06 | 0:33:07 | |
Because, frankly, the accent is enough. | 0:33:07 | 0:33:10 | |
CREAKING | 0:33:15 | 0:33:17 | |
-Where did that come from? -It's always been there. | 0:33:17 | 0:33:19 | |
It's only visible in the night light. | 0:33:19 | 0:33:21 | |
But who wrote it? | 0:33:21 | 0:33:22 | |
Colonel Pink. Apparently, at night, he needs a reminder. | 0:33:22 | 0:33:26 | |
Six months stranded alone, I suppose it must be tempting. | 0:33:27 | 0:33:31 | |
What is? | 0:33:31 | 0:33:33 | |
Company. | 0:33:33 | 0:33:34 | |
CREAKING | 0:33:34 | 0:33:35 | |
What's that? | 0:33:37 | 0:33:38 | |
-What kind of explanation would you like? -A reassuring one. | 0:33:40 | 0:33:43 | |
Well, the systems are switching to low power. | 0:33:46 | 0:33:49 | |
There are temperature differentials all over this ship. | 0:33:50 | 0:33:52 | |
It's like pipes banging when the heating goes off. | 0:33:52 | 0:33:56 | |
-Always thought there was something in the pipes. -Me, too. | 0:33:56 | 0:34:00 | |
Who were you having dinner with? | 0:34:02 | 0:34:03 | |
Are you making conversation? | 0:34:06 | 0:34:08 | |
I thought that I would give it a try. | 0:34:08 | 0:34:09 | |
I told you. A date. | 0:34:12 | 0:34:14 | |
-Serious? -It's a date. | 0:34:14 | 0:34:16 | |
A serious date? | 0:34:16 | 0:34:18 | |
Do I have to bring him to you for approval? | 0:34:19 | 0:34:21 | |
Well, I would like to know about his prospects. | 0:34:21 | 0:34:24 | |
If you like, I can pop ahead and check them out. | 0:34:24 | 0:34:27 | |
Frankly, you've already done enough. | 0:34:27 | 0:34:29 | |
SCREECH | 0:34:29 | 0:34:31 | |
Atmospheric pressure equalising... | 0:34:37 | 0:34:39 | |
Or? | 0:34:40 | 0:34:42 | |
Company. | 0:34:43 | 0:34:44 | |
Why are we doing this? Why don't we just go? | 0:34:49 | 0:34:51 | |
-Because I need to know. -Why? About what? | 0:34:51 | 0:34:54 | |
Suppose that there are creatures that live to hide - | 0:34:54 | 0:34:58 | |
that only show themselves to the very young or the very old | 0:34:58 | 0:35:01 | |
-or the mad or anyone who wouldn't be believed... -OK... | 0:35:01 | 0:35:04 | |
What would those creatures do when everyone was gone, | 0:35:04 | 0:35:07 | |
when there was only one man left standing in the universe? | 0:35:07 | 0:35:11 | |
METALLIC KNOCKING | 0:35:11 | 0:35:12 | |
What's that? | 0:35:13 | 0:35:15 | |
Potentially, the hull cooling. | 0:35:15 | 0:35:17 | |
"Potentially"? | 0:35:17 | 0:35:18 | |
Believably. | 0:35:18 | 0:35:19 | |
KNOCKS AGAIN | 0:35:19 | 0:35:21 | |
Someone knocking. | 0:35:23 | 0:35:24 | |
Yes. | 0:35:26 | 0:35:27 | |
KNOCKING CONTINUES | 0:35:27 | 0:35:28 | |
Doctor, you don't actually believe all this, do you? | 0:35:30 | 0:35:34 | |
Hiding creatures - | 0:35:34 | 0:35:36 | |
things from under the bed. | 0:35:36 | 0:35:38 | |
What's that in the mirror? | 0:35:39 | 0:35:41 | |
Or the corner of your eye? | 0:35:43 | 0:35:44 | |
What's that footstep following, but never passing by? | 0:35:46 | 0:35:49 | |
KNOCKING AGAIN | 0:35:49 | 0:35:51 | |
Did we come to the end of the universe because of a nursery rhyme? | 0:35:51 | 0:35:54 | |
KNOCKING INTENSIFIES | 0:36:00 | 0:36:01 | |
-That's you turning, right? -No. | 0:36:09 | 0:36:12 | |
-Get in the TARDIS. -Why? | 0:36:14 | 0:36:16 | |
I have to know. | 0:36:18 | 0:36:20 | |
Doctor. Doctor... | 0:36:22 | 0:36:24 | |
The TARDIS, now! | 0:36:24 | 0:36:26 | |
OK. OK. Somebody is out there - now we know we can leave! | 0:36:26 | 0:36:29 | |
-Oh, Doctor! -It's a pressure lock - releasing it | 0:36:29 | 0:36:32 | |
could've triggered the opening mechanism. | 0:36:32 | 0:36:34 | |
-Is there an atmosphere out there? -There's an air shell round the ship. | 0:36:34 | 0:36:37 | |
-Why are you still here? -Because I'm not going to leave you in danger! | 0:36:37 | 0:36:39 | |
Then you will never travel with me again, because that is the deal! | 0:36:39 | 0:36:43 | |
TARDIS, now! Do as you are told! | 0:36:43 | 0:36:46 | |
You're an idiot. | 0:36:48 | 0:36:50 | |
I know. | 0:36:51 | 0:36:52 | |
-What's happening? -He's opening the door. | 0:36:54 | 0:36:56 | |
Perhaps they're all just waiting, perhaps when we're all dead, | 0:36:56 | 0:36:59 | |
out they'll come a-slithering from underneath the bed. | 0:36:59 | 0:37:04 | |
Oh, no, no, no, not now, come on! | 0:37:08 | 0:37:10 | |
Oh-h! Always when it's important! | 0:37:14 | 0:37:17 | |
THUMPING | 0:37:17 | 0:37:18 | |
What's happening? | 0:37:19 | 0:37:21 | |
BEEPING | 0:37:21 | 0:37:23 | |
What's that? | 0:37:23 | 0:37:24 | |
The alarm - the air shell's breached. | 0:37:24 | 0:37:26 | |
Stay here. | 0:37:27 | 0:37:29 | |
Is he OK? | 0:37:47 | 0:37:48 | |
He's out cold. He'll be fine, though. | 0:37:48 | 0:37:50 | |
Something hit him. | 0:37:52 | 0:37:53 | |
Everything was flying out of that door. | 0:37:53 | 0:37:56 | |
Could've been that. | 0:37:56 | 0:37:59 | |
Yeah. | 0:38:01 | 0:38:03 | |
What was out there? | 0:38:03 | 0:38:04 | |
What were you so afraid of? | 0:38:06 | 0:38:07 | |
I've been here a long time - my own shadow, probably. | 0:38:09 | 0:38:13 | |
Yeah. | 0:38:13 | 0:38:14 | |
SUDDEN RUMBLING | 0:38:14 | 0:38:17 | |
That's probably just the rest of the air escaping. | 0:38:17 | 0:38:21 | |
You say "probably" a lot. | 0:38:23 | 0:38:25 | |
BANGING | 0:38:25 | 0:38:27 | |
We are safe? Nothing can get in here, right? | 0:38:27 | 0:38:30 | |
Probably. | 0:38:30 | 0:38:31 | |
HISSING | 0:38:33 | 0:38:34 | |
Have you got a plan? | 0:38:38 | 0:38:40 | |
Telepathic circuits. I left a trace in them before. | 0:38:40 | 0:38:43 | |
-So? -So, apparently that can do a "thing". | 0:38:43 | 0:38:45 | |
-That's your plan? -It's not a plan. It's a "thing". | 0:38:45 | 0:38:49 | |
(OK. Come on, come on, you can do it!) | 0:38:49 | 0:38:52 | |
HE GASPS | 0:38:52 | 0:38:54 | |
Come on! | 0:38:54 | 0:38:56 | |
Sorry! | 0:38:56 | 0:38:57 | |
RUMBLING Here we go! | 0:38:57 | 0:38:59 | |
METALLIC THRUMMING | 0:39:03 | 0:39:05 | |
Come on! | 0:39:06 | 0:39:07 | |
THRUMMING STOPS | 0:39:10 | 0:39:12 | |
Is that it? | 0:39:13 | 0:39:14 | |
I don't know. | 0:39:17 | 0:39:19 | |
I think so. | 0:39:19 | 0:39:21 | |
Where are we? | 0:39:21 | 0:39:22 | |
Somewhere else. I hope! No, no, no, you stay, look after the Doctor. | 0:39:22 | 0:39:26 | |
You can't go out there by yourself. | 0:39:26 | 0:39:27 | |
Thing is, my timeline, it keeps on... | 0:39:31 | 0:39:33 | |
Orson, you don't want to meet yourself. | 0:39:35 | 0:39:37 | |
It's really embarrassing. | 0:39:37 | 0:39:38 | |
DOOR CREAKS | 0:39:41 | 0:39:42 | |
SOBBING | 0:39:57 | 0:39:58 | |
SOBBING CONTINUES | 0:40:14 | 0:40:15 | |
SOBBING CONTINUES | 0:40:25 | 0:40:28 | |
Rupert? | 0:40:31 | 0:40:32 | |
SOBBING CONTINUES | 0:40:40 | 0:40:41 | |
Orson? | 0:40:50 | 0:40:51 | |
SOBBING CONTINUES | 0:40:52 | 0:40:53 | |
DOOR OPENS | 0:40:58 | 0:41:00 | |
Why does he have to sleep out here? | 0:41:00 | 0:41:02 | |
He doesn't want the others to hear him crying. | 0:41:02 | 0:41:05 | |
-Why does he have to cry all the time? -You know why. | 0:41:05 | 0:41:08 | |
-There'll be no crying in the army. -Hush! | 0:41:08 | 0:41:11 | |
Don't pretend you're not awake. We're not idiots. | 0:41:12 | 0:41:16 | |
Come and sleep in the house. You don't have to be alone! | 0:41:16 | 0:41:19 | |
If you can hear me, | 0:41:20 | 0:41:22 | |
you're very welcome in the house, with the other boys. | 0:41:22 | 0:41:24 | |
I'll leave the door on the latch. Come in, any time. | 0:41:24 | 0:41:28 | |
He can't just run away crying all the time | 0:41:29 | 0:41:32 | |
if he wants to join the army. | 0:41:32 | 0:41:33 | |
He doesn't want to join the army. I keep telling you. | 0:41:33 | 0:41:37 | |
Well, he's not going to the Academy, is he, that boy? | 0:41:37 | 0:41:39 | |
He'll never make a Time Lord. | 0:41:39 | 0:41:41 | |
Sontarans! Perverting the course of human history! | 0:41:52 | 0:41:55 | |
(Doctor?) | 0:41:55 | 0:41:56 | |
You're confusing me. Shut up, shut up! | 0:41:56 | 0:41:58 | |
Where's Clara? | 0:41:59 | 0:42:00 | |
Clara! Clara! | 0:42:00 | 0:42:03 | |
-BOY: -Hello, who's there? | 0:42:05 | 0:42:07 | |
Hello? | 0:42:13 | 0:42:14 | |
It's OK. | 0:42:22 | 0:42:24 | |
This is just a dream. | 0:42:26 | 0:42:28 | |
Just lie back again, just lie back on the bed. | 0:42:29 | 0:42:34 | |
It will all be OK if you just lie down and go to sleep. | 0:42:34 | 0:42:39 | |
Just do that for me. | 0:42:42 | 0:42:44 | |
Just sleep. | 0:42:46 | 0:42:48 | |
SOBBING | 0:43:04 | 0:43:06 | |
(Listen...) | 0:43:25 | 0:43:27 | |
What happened? What did you see? | 0:43:29 | 0:43:32 | |
What's out there? | 0:43:32 | 0:43:34 | |
What if there was nothing? | 0:43:34 | 0:43:37 | |
What if there never was anything? | 0:43:37 | 0:43:39 | |
Nothing under the bed, nothing at the door. | 0:43:39 | 0:43:43 | |
What if the big bad Time Lord doesn't want to admit | 0:43:43 | 0:43:47 | |
he's just afraid of the dark. | 0:43:47 | 0:43:49 | |
Where are we? Have we moved? Where have we landed? | 0:43:54 | 0:43:57 | |
Don't look where we are. | 0:43:57 | 0:43:58 | |
Take off, and promise me you'll never look where we've been. | 0:43:58 | 0:44:00 | |
-Why? -Just take off, don't ask questions. | 0:44:02 | 0:44:05 | |
I don't take orders, Clara! | 0:44:07 | 0:44:09 | |
Do as you're told! | 0:44:09 | 0:44:11 | |
METALLIC THRUMMING | 0:44:15 | 0:44:16 | |
'Listen...' | 0:44:21 | 0:44:23 | |
This is just a dream. | 0:44:26 | 0:44:28 | |
But very clever people | 0:44:29 | 0:44:31 | |
can hear dreams. | 0:44:31 | 0:44:32 | |
So, please, just listen. | 0:44:32 | 0:44:34 | |
I know you're afraid... | 0:44:37 | 0:44:39 | |
..but being afraid is all right. | 0:44:41 | 0:44:44 | |
Because didn't anybody ever tell you... | 0:44:44 | 0:44:45 | |
..fear is a superpower? | 0:44:48 | 0:44:50 | |
Fear can make you faster | 0:44:53 | 0:44:55 | |
and cleverer and stronger. | 0:44:55 | 0:44:57 | |
And one day, you're going to come back to this barn, | 0:44:59 | 0:45:03 | |
and on that day you are going to be very afraid indeed. | 0:45:03 | 0:45:07 | |
But that's OK. | 0:45:08 | 0:45:09 | |
Because if you're very wise and very strong... | 0:45:11 | 0:45:15 | |
..fear doesn't have to make you cruel or cowardly... | 0:45:17 | 0:45:20 | |
'..fear can make you kind.' | 0:45:22 | 0:45:24 | |
No, no! Not the hugging! No, no, no. I'm against the hugging, please... | 0:45:26 | 0:45:30 | |
DOORBELL RINGS | 0:45:35 | 0:45:36 | |
-I am so... -I know. | 0:45:41 | 0:45:43 | |
It doesn't matter if there's nothing | 0:45:49 | 0:45:51 | |
under the bed or in the dark, | 0:45:51 | 0:45:54 | |
so long as you know it's OK | 0:45:54 | 0:45:56 | |
to be afraid of it. | 0:45:56 | 0:45:57 | |
I just get nervous. | 0:45:59 | 0:46:00 | |
-Me too. -I don't even know what I'm nervous of! | 0:46:00 | 0:46:02 | |
I'll show you. | 0:46:03 | 0:46:05 | |
So, listen. If you listen to nothing else, listen to this. | 0:46:05 | 0:46:10 | |
You're always going to be afraid... | 0:46:10 | 0:46:12 | |
..even if you learn to hide it. | 0:46:15 | 0:46:17 | |
Fear is like... | 0:46:18 | 0:46:20 | |
..a companion... | 0:46:23 | 0:46:24 | |
..a constant companion, always there. | 0:46:25 | 0:46:27 | |
But that's OK, | 0:46:28 | 0:46:31 | |
because fear can bring us together. | 0:46:31 | 0:46:33 | |
Fear can bring you home. | 0:46:35 | 0:46:37 | |
I'm going to leave you something, just so you'll always remember... | 0:46:39 | 0:46:42 | |
..fear makes companions of us all. | 0:46:44 | 0:46:47 | |
'This is the Bank of Karabraxos...' | 0:46:55 | 0:46:58 | |
Picture the thing you want most in the universe... | 0:46:58 | 0:47:01 | |
Aggh. | 0:47:01 | 0:47:02 | |
..decide how badly you want it. | 0:47:02 | 0:47:04 | |
We're actually going to do it - rob the bank? | 0:47:04 | 0:47:06 | |
If we don't, we die. | 0:47:06 | 0:47:09 | |
We must locate them. | 0:47:09 | 0:47:11 | |
What is that?! | 0:47:11 | 0:47:13 | |
I don't know. Hate not knowing. | 0:47:13 | 0:47:15 | |
Are you hungry, boy? | 0:47:15 | 0:47:16 | |
The bank is now open. | 0:47:18 | 0:47:20 |