Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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Want one? No, I don't like them. You want one? | 0:00:19 | 0:00:21 | |
Don't like olives. No. | 0:00:21 | 0:00:24 | |
I've got the giggles, I'm sorry. | 0:00:28 | 0:00:30 | |
You're like a big furry seal. | 0:00:34 | 0:00:35 | |
Oh, that's the loveliest thing you've ever said to me. | 0:00:37 | 0:00:41 | |
No! | 0:00:41 | 0:00:42 | |
HORN HONKS | 0:00:47 | 0:00:49 | |
What are you doing? Get off me! | 0:00:51 | 0:00:54 | |
SHE TRIES TO PLAY THE TRUMPET | 0:00:54 | 0:00:57 | |
# Hey, brother | 0:00:57 | 0:01:00 | |
# There's an endless road to rediscover | 0:01:00 | 0:01:05 | |
# Hey, sister... # | 0:01:05 | 0:01:08 | |
Two stretch ago, look. I know. | 0:01:09 | 0:01:11 | |
I remember being more nervous... | 0:01:17 | 0:01:19 | |
I was more nervous about driving the car than speaking. | 0:01:19 | 0:01:22 | |
Lady Di hated us then. I know. She hates us now! | 0:01:25 | 0:01:28 | |
Keep it low, keep it low. Don't I look young? | 0:01:28 | 0:01:32 | |
I've got a really wonky quiff. Here we go. | 0:01:32 | 0:01:34 | |
I don't know, maybe that was a choice then. | 0:01:34 | 0:01:37 | |
What I'd give for a quiff, you know what I mean? | 0:01:37 | 0:01:39 | |
Have a little squint up and see. | 0:01:42 | 0:01:44 | |
It's different. | 0:01:44 | 0:01:47 | |
LADY DI SNORTS | 0:01:47 | 0:01:49 | |
Come on, look! Everyone out! | 0:01:49 | 0:01:51 | |
This was Boxing Day, no? Yep. | 0:01:53 | 0:01:56 | |
With all this press bollocks, | 0:01:56 | 0:01:58 | |
"Dyer Versus Downton" - that was the headline. | 0:01:58 | 0:02:01 | |
Oh, God. Me against Downton Abbey. "Boxing Dyer". | 0:02:01 | 0:02:04 | |
"Boxing Dyer", that was the other one. | 0:02:04 | 0:02:06 | |
"Christmas Dyer." | 0:02:06 | 0:02:09 | |
That was the day we were sort of starting. | 0:02:09 | 0:02:11 | |
I don't mind the challenge, but my arse was flapping. | 0:02:11 | 0:02:14 | |
I had a thing that went with my name - either you loved me | 0:02:14 | 0:02:17 | |
and said I was a legend or you despised me | 0:02:17 | 0:02:27 | |
"Get him off me screen, this is ridiculous." | 0:02:27 | 0:02:29 | |
And now... Cos this was one of the greatest moves I've ever made, | 0:02:29 | 0:02:34 | |
career-wise, on this platform to show what you can do and not people | 0:02:34 | 0:02:39 | |
going out and buying your DVD that's in a bargain bin for two quid. | 0:02:39 | 0:02:42 | |
Not that you've ever had that problem, Kel, all right? I have. | 0:02:42 | 0:02:45 | |
And, you know, all of a sudden I'm in their living rooms | 0:02:45 | 0:02:48 | |
and they've got to watch me. | 0:02:48 | 0:02:49 | |
Is there a problem? | 0:02:49 | 0:02:51 | |
I'm just chucking out the rubbish. Out, Shirley, out. | 0:02:51 | 0:02:53 | |
I wasn't talking to you. | 0:02:53 | 0:02:55 | |
You all right? You know her? | 0:02:55 | 0:02:56 | |
At this point you're still thinking, "Are we going to be a car crash?" | 0:02:56 | 0:03:00 | |
Everybody... | 0:03:00 | 0:03:02 | |
meet the new owner of the Vic. | 0:03:02 | 0:03:04 | |
Yep. We're taking over the Vic. Yep. | 0:03:04 | 0:03:06 | |
Phil, meet Mick... | 0:03:06 | 0:03:08 | |
'It was the first duff-duff that we ever did.' | 0:03:08 | 0:03:11 | |
..my brother. | 0:03:11 | 0:03:12 | |
'And it went on for ever and ever and ever. | 0:03:12 | 0:03:15 | |
'I remember we had three versions of that, didn't we? I remember.' | 0:03:15 | 0:03:18 | |
One with the laughing and one with me just standing there, pouting. | 0:03:18 | 0:03:21 | |
Mm-hmm. "Give us the laughy version." I thought, | 0:03:21 | 0:03:24 | |
"That's stupid. Laughing at a duff-duff, never heard of." | 0:03:24 | 0:03:28 | |
If you give them the laughy version... Then they use it. | 0:03:29 | 0:03:32 | |
Then they BLEEP use it. Exactly. Sorry, I've swore already. | 0:03:32 | 0:03:35 | |
# What's that coming over the hill? | 0:03:38 | 0:03:40 | |
# Is it a monster? Is it a monster? # | 0:03:40 | 0:03:44 | |
Oh, here we go, look. This is when Max first arrives, first ever scene. | 0:03:45 | 0:03:49 | |
Oh, cute. | 0:03:49 | 0:03:50 | |
Wow, I had hair then, sort of. | 0:03:51 | 0:03:53 | |
THEY LAUGH | 0:03:53 | 0:03:55 | |
Oh, is this yours, is it? | 0:03:55 | 0:03:58 | |
You turned sporty in your old age? | 0:03:58 | 0:04:00 | |
Look, I want you to go. I ain't going anywhere. | 0:04:00 | 0:04:02 | |
He came back to the Square to find Bradley, obviously. | 0:04:02 | 0:04:05 | |
I want you to leave now. | 0:04:05 | 0:04:07 | |
What you going to do, you going to hit me? | 0:04:07 | 0:04:09 | |
You going to bend me over your knee, just like old times? | 0:04:09 | 0:04:11 | |
You deserved every blow, mate. Every smack you ever got. | 0:04:11 | 0:04:14 | |
The only mistake I made was I didn't hit you harder! | 0:04:14 | 0:04:16 | |
The one and only John Bardon. | 0:04:16 | 0:04:18 | |
I did me best, we all make mistakes. Well, don't I know it, eh? | 0:04:18 | 0:04:22 | |
I'm living proof of your parenting skills. | 0:04:22 | 0:04:24 | |
'Did you feel mean, doing that?' | 0:04:24 | 0:04:25 | |
Yeah, poor John. | 0:04:25 | 0:04:27 | |
I want you out of this... Get off me. Get out of here! | 0:04:27 | 0:04:29 | |
Get out of my house! Get your hands off me! | 0:04:29 | 0:04:32 | |
Nope, I can't watch that. | 0:04:32 | 0:04:35 | |
I don't remember this scene, this is brilliant. | 0:04:36 | 0:04:39 | |
I remember a few days after this as well, | 0:04:39 | 0:04:41 | |
John came to my dressing room and his arms were a bit sore | 0:04:41 | 0:04:44 | |
and he lifted up his shirt and he had bruises. | 0:04:44 | 0:04:47 | |
Oh, you're disgusting. | 0:04:47 | 0:04:48 | |
I bought him a bottle of champagne to apologise. Aww. | 0:04:48 | 0:04:52 | |
What's going on? What are you doing? | 0:04:52 | 0:04:55 | |
Nothing, nothing. Well, who is he? | 0:04:55 | 0:04:56 | |
Who are you? Grandad, what's he doing? | 0:04:56 | 0:04:59 | |
Don't recognise me? No. No, I don't. | 0:04:59 | 0:05:01 | |
Grandad, who is he? | 0:05:01 | 0:05:02 | |
He's your dad. | 0:05:04 | 0:05:05 | |
'I think Max is a good parent but he's basically misguided.' | 0:05:05 | 0:05:09 | |
Absolutely deluded. He doesn't let anyone... | 0:05:09 | 0:05:11 | |
Do you remember when you were going to leave us all for Stacey? | 0:05:11 | 0:05:14 | |
You got your passport and were going to go away, | 0:05:14 | 0:05:17 | |
run away without even telling us. It's complicated! | 0:05:17 | 0:05:22 | |
Christmas Day, bye! Bye, Dad! | 0:05:22 | 0:05:24 | |
It's complicated. It's not complicated. | 0:05:24 | 0:05:26 | |
You're the worst dad. You're awful. | 0:05:26 | 0:05:27 | |
He tries to do the right thing but he always does it in the wrong way. | 0:05:27 | 0:05:31 | |
Let's just say that, shall we? | 0:05:31 | 0:05:33 | |
No! You're such a liar. | 0:05:33 | 0:05:36 | |
# Things can only get better... # | 0:05:36 | 0:05:40 | |
Ugh. Fancy having to touch people's dirty underwear. | 0:05:40 | 0:05:43 | |
Can't you wear gloves or something? | 0:05:43 | 0:05:44 | |
We need to talk about Bianca. | 0:05:44 | 0:05:47 | |
'Why, what's the matter? Is she playing you up, is she?' | 0:05:47 | 0:05:49 | |
Look how young they look. And me. | 0:05:49 | 0:05:51 | |
'It's much worse than that.' | 0:05:51 | 0:05:54 | |
She's not pregnant, is she? | 0:05:54 | 0:05:55 | |
Look, I never laid a finger on her... No, she's not pregnant! | 0:05:55 | 0:05:58 | |
'How did it feel in your 30s coming into this?' | 0:05:58 | 0:06:01 | |
I was absolutely petrified, actually. | 0:06:01 | 0:06:04 | |
Bianca's your daughter, David. | 0:06:06 | 0:06:08 | |
'I remember I smiled' | 0:06:08 | 0:06:09 | |
at everybody for eight months. | 0:06:09 | 0:06:11 | |
Like a Wallace and Gromit smile. | 0:06:11 | 0:06:13 | |
How was it coming in like that? | 0:06:13 | 0:06:15 | |
It felt enormous. There wasn't any reality television at that time. | 0:06:15 | 0:06:19 | |
No, no. | 0:06:19 | 0:06:20 | |
So, EastEnders was on twice a week and the nation was watching this. | 0:06:20 | 0:06:25 | |
So it felt incredible... incredibly scary that, you know, | 0:06:25 | 0:06:29 | |
suddenly, everybody was going to know you wherever you were. | 0:06:29 | 0:06:33 | |
Listen to me, David. Bianca's your daughter. | 0:06:33 | 0:06:35 | |
If you don't believe me, ask Pat. | 0:06:35 | 0:06:37 | |
Are you telling me my mum knows about all this? Oh, yeah. | 0:06:37 | 0:06:40 | |
'Pat knows all right.' | 0:06:40 | 0:06:42 | |
I like that tabard. | 0:06:42 | 0:06:43 | |
# Make me feel like I'm living a | 0:06:46 | 0:06:49 | |
# Teenage dream the way you turn me on... # | 0:06:49 | 0:06:53 | |
Oh, no. What's he doing? | 0:06:53 | 0:06:55 | |
We got a new mirror there. Don't. This is awful. | 0:06:57 | 0:06:59 | |
This is your first scene? Yes. I can't even look. | 0:06:59 | 0:07:01 | |
DOORBELL | 0:07:01 | 0:07:03 | |
If you find it, you can keep it. | 0:07:03 | 0:07:04 | |
'Your friend's walked in before you!' | 0:07:04 | 0:07:06 | |
LAUGHTER | 0:07:06 | 0:07:07 | |
Wow, you've changed. Lauren. | 0:07:10 | 0:07:13 | |
What...what are you doing here? | 0:07:16 | 0:07:19 | |
Oh, love you, too, Dad. | 0:07:19 | 0:07:20 | |
I suppose this is the first time | 0:07:20 | 0:07:22 | |
we'd seen you since you had a different head. | 0:07:22 | 0:07:26 | |
And my first line is, "Cor, you've changed." Brilliant. That's good. | 0:07:26 | 0:07:31 | |
Proper chocolate at last. | 0:07:32 | 0:07:33 | |
So, what have you done? Done? That hurts, Dad, that you think that. | 0:07:36 | 0:07:41 | |
It's simple, I got homesick, so here I am. | 0:07:41 | 0:07:43 | |
You could have called me, you know what I mean? There's these things, | 0:07:43 | 0:07:47 | |
Lauren, they're called phones. | 0:07:47 | 0:07:48 | |
There's also things called hugs and kisses. | 0:07:48 | 0:07:50 | |
So, you got back from America, did you? Yes, but that was | 0:07:50 | 0:07:53 | |
to clarify I'm really American now. Is that your American thing? Yeah. | 0:07:53 | 0:07:56 | |
AMERICAN ACCENT: "Hey, Dad!" | 0:07:56 | 0:07:58 | |
And I had to reveal myself, like, take my hat off. | 0:07:58 | 0:08:02 | |
So sexy, look at me. Stop. | 0:08:02 | 0:08:04 | |
If you'd like to take your ticket | 0:08:11 | 0:08:12 | |
and wait for your number to be called. | 0:08:12 | 0:08:14 | |
I've been waiting over an hour at that airport for you. Really? | 0:08:14 | 0:08:18 | |
I didn't see you, and I was looking. Oh. Right. | 0:08:18 | 0:08:20 | |
And then I thought, "Where would she go? | 0:08:20 | 0:08:22 | |
"Where would this poor little child go?" Let's have a think, shall we? | 0:08:22 | 0:08:25 | |
Expelled from school, sent home. | 0:08:25 | 0:08:27 | |
"I know, I'll go and see Daddy, shall I? | 0:08:27 | 0:08:29 | |
"He don't know a thing about it." | 0:08:29 | 0:08:30 | |
'I imagine it's hard stepping into a different character.' | 0:08:30 | 0:08:33 | |
I thought everyone hated me. | 0:08:33 | 0:08:35 | |
For six months, like, "Who's that chubby Lauren? | 0:08:35 | 0:08:37 | |
"She's really rubbish." | 0:08:37 | 0:08:39 | |
And I remember sitting on a train once... | 0:08:39 | 0:08:41 | |
I'm not going to get into it, I'll start crying. | 0:08:41 | 0:08:43 | |
Being expelled from school is something different in America. | 0:08:43 | 0:08:46 | |
Max, if I could just grab the earring. What about being sent home? | 0:08:46 | 0:08:48 | |
Is that different as well, is it? Funny you should say that. | 0:08:48 | 0:08:51 | |
She was sent home for doing drugs. | 0:08:51 | 0:08:53 | |
I was sitting on a train once, right? | 0:08:53 | 0:08:55 | |
And I was looking out the window, | 0:08:55 | 0:08:57 | |
and these people were talking about EastEnders and da-da-da. | 0:08:57 | 0:09:00 | |
"Seen the new Lauren?" I thought... | 0:09:00 | 0:09:01 | |
Oh, no, they were just talking about it? I thought, "I'm on the train, I'm here." | 0:09:01 | 0:09:05 | |
Did they not know you were there? | 0:09:05 | 0:09:07 | |
I think... They'd have to. I hope so. | 0:09:07 | 0:09:10 | |
Then they started really bitching about me. Oh, no. | 0:09:10 | 0:09:12 | |
They were like, "She's so bad. Get her off. | 0:09:12 | 0:09:15 | |
"The old one was so much better." | 0:09:15 | 0:09:17 | |
Yeah, I used to get on the train with you, didn't I? | 0:09:17 | 0:09:19 | |
LAUGHTER | 0:09:19 | 0:09:21 | |
Jake and his family! | 0:09:21 | 0:09:23 | |
"You seen the new Lauren?" I got rumbled! | 0:09:24 | 0:09:27 | |
Oh, no, this can't be it. | 0:09:36 | 0:09:38 | |
'You think about it,' | 0:09:38 | 0:09:39 | |
when we first started the amount of storylines we had. There's so many. | 0:09:39 | 0:09:42 | |
Leave Lady Di and the haddock. It's doing that thing with its leg again! | 0:09:42 | 0:09:45 | |
Well, then, she must need a pony! | 0:09:45 | 0:09:47 | |
Two bits of slang straight away. | 0:09:47 | 0:09:48 | |
Get hold of that. Haddock and pony. | 0:09:48 | 0:09:50 | |
'This was early doors. This was so early doors, wasn't it?' | 0:09:53 | 0:09:55 | |
We didn't really know each other that well. | 0:09:55 | 0:09:58 | |
Discovering each other's bodies and our own bodies and stuff. | 0:09:58 | 0:10:01 | |
You know what I mean. | 0:10:03 | 0:10:05 | |
I do. Just trying to get into that flow. | 0:10:05 | 0:10:07 | |
'Here she is. Look at her! Maddy Hill. I know. Look at that baby.' | 0:10:08 | 0:10:13 | |
Why I, Nancy Carter... Why I, Nancy Carter... | 0:10:15 | 0:10:19 | |
'The show feels different doing anything on location.' | 0:10:19 | 0:10:23 | |
There's a different vibe to it. | 0:10:23 | 0:10:24 | |
Because we're not in our usual environment. No. | 0:10:24 | 0:10:27 | |
No, so everyone has a little panic. All the Pat bollocks and all that. | 0:10:27 | 0:10:32 | |
Sorry I've sworn. I do apologise. Don't apologise, it's who you are. | 0:10:32 | 0:10:36 | |
Just being with a mate. It's who you are, honey. | 0:10:36 | 0:10:38 | |
..why I, Wayne Ladlow, may not be joined in matrimony to Nancy. | 0:10:38 | 0:10:45 | |
Oh, even that winds me up now. | 0:10:45 | 0:10:47 | |
Nancy! | 0:10:47 | 0:10:48 | |
Dad. No offence, Wayne. | 0:10:48 | 0:10:51 | |
It's just, you know, your attitude. What are you talking about, bruv? | 0:10:52 | 0:10:55 | |
What are you doing? Dad, get off me! | 0:10:55 | 0:10:57 | |
Get off of me! | 0:10:57 | 0:11:00 | |
Put me down. | 0:11:00 | 0:11:01 | |
PEOPLE SHOUT | 0:11:01 | 0:11:04 | |
Put me down! | 0:11:04 | 0:11:05 | |
I can remember filming that and thinking that was so cod, | 0:11:05 | 0:11:08 | |
like, as if we could hold them back, | 0:11:08 | 0:11:10 | |
just stick a broom handle through, and... | 0:11:10 | 0:11:13 | |
You soon realise you're in a soap, you know what I mean? | 0:11:13 | 0:11:15 | |
It's not a disrespectful thing, but it's a totally different world. | 0:11:15 | 0:11:18 | |
Fascist! | 0:11:21 | 0:11:22 | |
Because there's no arc within your characters on a soap, | 0:11:22 | 0:11:25 | |
because you don't know where it's going, | 0:11:25 | 0:11:27 | |
what we've got to do is, if you come in, you've got to hit | 0:11:27 | 0:11:29 | |
the ground running, and you've got to get on as people. | 0:11:29 | 0:11:32 | |
For me, that's what's been the success of the Carters. | 0:11:32 | 0:11:34 | |
Was the fact that you and I and Sam and Maddy were so close so quickly. | 0:11:34 | 0:11:38 | |
We did get close, totally. | 0:11:38 | 0:11:40 | |
I didn't have to audition so they brought me in at a mad time. | 0:11:40 | 0:11:44 | |
Who's the geezer you done a screen test with? SHE LAUGHS | 0:11:44 | 0:11:47 | |
Don't get jealous cos I had to screen test with someone else. | 0:11:47 | 0:11:50 | |
Handsome geezer, wasn't it? Where is he now, the geezer? Don't know. | 0:11:50 | 0:11:53 | |
Probably snogging some other really, really fit bird. | 0:11:53 | 0:11:55 | |
Probably putting the cones out outside where people can park. | 0:11:55 | 0:11:59 | |
Where was his mum? I know they do things different, | 0:11:59 | 0:12:01 | |
but how could he have a wedding without his own mother there, Nancy? | 0:12:01 | 0:12:04 | |
What is your future? Get yourself stuck with a ponce like that. | 0:12:04 | 0:12:07 | |
You do know there are laws to stop people like you? | 0:12:07 | 0:12:09 | |
'I think I've done 300 episodes.' | 0:12:09 | 0:12:11 | |
I've no idea how many I've done now. It's crazy, isn't it? | 0:12:11 | 0:12:14 | |
Yeah, yeah, yeah, it is crazy. | 0:12:14 | 0:12:16 | |
BEEP! | 0:12:16 | 0:12:17 | |
# ..a doctor | 0:12:17 | 0:12:19 | |
# I need a doctor | 0:12:19 | 0:12:22 | |
# Doctor | 0:12:22 | 0:12:24 | |
# To bring me back to life... # | 0:12:24 | 0:12:30 | |
The wedding day? Yeah. Tanya and Greg's. | 0:12:30 | 0:12:34 | |
What is it? Tanya and Greg's, do you remember? No. | 0:12:34 | 0:12:36 | |
LAUGHTER | 0:12:36 | 0:12:38 | |
Dad! | 0:12:38 | 0:12:40 | |
SHE SCREAMS | 0:12:43 | 0:12:44 | |
SHE SCREAMS | 0:12:47 | 0:12:49 | |
Oh! Oh, that's good. | 0:12:53 | 0:12:55 | |
I brought my family along to watch the car crash. | 0:12:55 | 0:12:58 | |
Good family day out. "Come on, kids!" | 0:12:58 | 0:13:00 | |
They loved it. Cheaper than the zoo. | 0:13:00 | 0:13:03 | |
Do you remember the first car, though? With this stunt, | 0:13:06 | 0:13:08 | |
they only had two cars throughout the whole day. | 0:13:08 | 0:13:10 | |
And then they had to do pick-up shots or whatever, | 0:13:10 | 0:13:13 | |
and the first car they done, and the whole top of it came off, | 0:13:13 | 0:13:15 | |
so they only had one car. And they had dummies in there, didn't they? | 0:13:15 | 0:13:19 | |
They had dummies sitting there, like... | 0:13:19 | 0:13:21 | |
I've only got a head scratch. Done good. | 0:13:23 | 0:13:26 | |
Dad, please, no! Dad! Dad! | 0:13:26 | 0:13:29 | |
'Oh, you are good, Lorna.' | 0:13:29 | 0:13:31 | |
Aw... You are good, ain't you? Oh, that was so embarrassing, though. | 0:13:31 | 0:13:35 | |
I remember just all those people. | 0:13:35 | 0:13:36 | |
Remember there's a huge estate opposite? | 0:13:36 | 0:13:39 | |
And people hanging off the balconies, being like that. | 0:13:39 | 0:13:43 | |
They had to keep shouting to them to shut up | 0:13:43 | 0:13:45 | |
cos they kept shouting out, "Max, Max!" "Abbey!" | 0:13:45 | 0:13:48 | |
It's, like, "Cut." Yeah! | 0:13:48 | 0:13:50 | |
# I guarantee you'll miss me | 0:13:50 | 0:13:51 | |
# Cos you changed the way you kiss me... # | 0:13:53 | 0:13:55 | |
Must be nice having no plans so you can just fiddle with junk all day. | 0:13:55 | 0:13:59 | |
The sun's never shining on you, Carol, is it? | 0:13:59 | 0:14:02 | |
Why don't you put your umbrella down sometime | 0:14:02 | 0:14:04 | |
and realise it's not raining. | 0:14:04 | 0:14:06 | |
Yeah! | 0:14:06 | 0:14:08 | |
David. Oh, my gosh. | 0:14:09 | 0:14:12 | |
I love him. | 0:14:12 | 0:14:13 | |
You know, there's lunch for you and Liam, you know, | 0:14:13 | 0:14:16 | |
if you're interested. | 0:14:16 | 0:14:17 | |
And, if I did stay, I'd have to return the favour. | 0:14:19 | 0:14:22 | |
'The first thing I said to him as he walked down the corridor,' | 0:14:22 | 0:14:25 | |
I said, "I'm ever so sorry, I can't talk to you, | 0:14:25 | 0:14:28 | |
"I've got tuna in my mouth." | 0:14:28 | 0:14:29 | |
All those years to say something to David Essex, | 0:14:29 | 0:14:31 | |
and he went, "Oh, all right." And walked off. | 0:14:31 | 0:14:34 | |
I can't believe I said it, I couldn't talk to him. | 0:14:34 | 0:14:37 | |
'I knew I was going to kiss David Essex, and I loved David Essex.' | 0:14:37 | 0:14:40 | |
I mean, he must know now, I've said it enough times, I didn't say when | 0:14:40 | 0:14:43 | |
he was here cos I didn't want to sound like a blooming stalker. | 0:14:43 | 0:14:46 | |
He was the first man in my bedroom. | 0:14:46 | 0:14:49 | |
I had him on a wall. | 0:14:49 | 0:14:50 | |
I had all his things, I even screamed at him at the BBC, | 0:14:50 | 0:14:53 | |
'and the security guards pulled me away.' | 0:14:53 | 0:14:56 | |
I know what it's like carrying a family. | 0:14:56 | 0:14:59 | |
Lifting the spirits, keeping the peace. Takes a lot out of you. | 0:14:59 | 0:15:03 | |
Sometimes you forget to have fun. | 0:15:04 | 0:15:06 | |
Yeah, well, there's not a lot of fun in my life. | 0:15:06 | 0:15:11 | |
There could be. | 0:15:11 | 0:15:13 | |
Could there? 'I did this thing to myself.' | 0:15:13 | 0:15:15 | |
I remember being outside and going, "Now, don't give your power away. | 0:15:15 | 0:15:21 | |
"When he kisses you, it'll be OK." | 0:15:21 | 0:15:23 | |
"Just be..." Going in and being sort of, like, "OK, what do we do? | 0:15:23 | 0:15:27 | |
"We just kiss?" | 0:15:27 | 0:15:29 | |
And, at the end of it, at the end of that, he said, | 0:15:29 | 0:15:31 | |
"If you like, you can kiss me for a little bit longer." | 0:15:31 | 0:15:34 | |
I didn't kiss him for very long, I don't think. | 0:15:34 | 0:15:37 | |
Look! | 0:15:38 | 0:15:40 | |
Yes, there could be. | 0:15:44 | 0:15:46 | |
Look. Watch your look as you turn away. I know, look. | 0:15:46 | 0:15:49 | |
He phoned me in Tesco's not long after that on my phone, | 0:15:54 | 0:15:56 | |
and I remember going, I wanted to say to everybody, | 0:15:56 | 0:15:59 | |
"It's David Essex. He's phoning me." That was just sheer joy. | 0:15:59 | 0:16:03 | |
I'm glad he left, though, | 0:16:03 | 0:16:04 | |
cos my husband was starting to get a little bit worried. | 0:16:04 | 0:16:06 | |
Was he? No, he wasn't. | 0:16:06 | 0:16:08 | |
SHE SIGHS | 0:16:12 | 0:16:14 | |
David Essex... Look. | 0:16:14 | 0:16:17 | |
# A room full of sadness | 0:16:19 | 0:16:22 | |
# A broken heart... # | 0:16:23 | 0:16:25 | |
Why have you broken up with Masood? | 0:16:25 | 0:16:27 | |
Because I didn't think it was | 0:16:31 | 0:16:32 | |
fair to him in the circumstances. | 0:16:32 | 0:16:35 | |
What circumstances? | 0:16:35 | 0:16:36 | |
I've got breast cancer, darling. | 0:16:38 | 0:16:40 | |
Oh, Mum... Listen, listen, I'm all right, I'm OK. I'm so sorry. | 0:16:42 | 0:16:46 | |
I know. Come here. | 0:16:46 | 0:16:47 | |
'Doing that cancer story with Carol was so painful.' | 0:16:47 | 0:16:50 | |
They'd have all that research, and all that stuff, | 0:16:50 | 0:16:53 | |
and then you have to play the moment. | 0:16:53 | 0:16:54 | |
And then you'd have to be in the moment to know how you may | 0:16:54 | 0:16:58 | |
feel or not feel. | 0:16:58 | 0:17:00 | |
And that... All that that she's been trying to hold together | 0:17:00 | 0:17:03 | |
and the person that she has to let go is when she sees you. | 0:17:03 | 0:17:07 | |
"HALLELUJAH" PLAYED ON GUITAR | 0:17:07 | 0:17:09 | |
Oh! | 0:17:09 | 0:17:10 | |
# It goes like this | 0:17:17 | 0:17:19 | |
# The fourth, the fifth | 0:17:19 | 0:17:22 | |
# The minor fall, the major lift | 0:17:22 | 0:17:26 | |
# The baffled king | 0:17:26 | 0:17:29 | |
# Composing Hallelujah... # | 0:17:29 | 0:17:35 | |
BIANCA: 'She needs someone she can depend on.' | 0:17:35 | 0:17:38 | |
She can depend on us. Yeah? | 0:17:38 | 0:17:41 | |
That makes me cry. I know. That makes me feel really emotional. | 0:17:45 | 0:17:48 | |
Rebecca, what's the matter, darling? Have you stopped? No. | 0:17:48 | 0:17:51 | |
Oh, Mum. Come here. | 0:17:54 | 0:17:55 | |
SHE CRIES OUT | 0:18:00 | 0:18:02 | |
'It's really, really hard to go home | 0:18:02 | 0:18:04 | |
'and not take all of that stuff with you.' | 0:18:04 | 0:18:07 | |
I had to try and really go, "Lindsey's well. | 0:18:07 | 0:18:10 | |
"This is Carol who's not well but Lindsey's good." You know. | 0:18:10 | 0:18:14 | |
Cos physically all your body... I mean, after something like this, | 0:18:14 | 0:18:18 | |
when you've cried all day, I have to say you do age a bit. | 0:18:18 | 0:18:22 | |
You start to have these jowls. | 0:18:22 | 0:18:25 | |
Pin them up. | 0:18:25 | 0:18:27 | |
# I'm gonna find a way to make you mine | 0:18:27 | 0:18:30 | |
# Don't stop doing what you're doing... # | 0:18:30 | 0:18:35 | |
Oh, no. Yes! | 0:18:38 | 0:18:40 | |
'This is one of my best days ever.' | 0:18:42 | 0:18:44 | |
'Look at my derby all hanging out! | 0:18:44 | 0:18:47 | |
'Oh, look, you've got Matt. | 0:18:47 | 0:18:49 | |
'All young. He had been eating broccoli for six weeks. He had. | 0:18:49 | 0:18:52 | |
'Yet I still nicked the scene.' | 0:18:52 | 0:18:54 | |
SHE LAUGHS | 0:18:54 | 0:18:55 | |
What's he doing? Come on, Dad! You've got it! | 0:18:55 | 0:18:58 | |
I can do it for you, Mick, if your bottle's gone. | 0:19:02 | 0:19:04 | |
'Read it, and go, OK, I get all this dark stuff | 0:19:04 | 0:19:07 | |
'about me being fearful of water. | 0:19:07 | 0:19:09 | |
'Are we really going to do a storyline about me doing a length?' | 0:19:09 | 0:19:13 | |
Come on, Dad, you can do this. Come on, you know you can. | 0:19:13 | 0:19:16 | |
SHE LAUGHS Oh, God! | 0:19:16 | 0:19:17 | |
I had six weeks. I could have got in shape. | 0:19:17 | 0:19:19 | |
And if anything, I ate more, drank more, smoked more, got hairier. | 0:19:19 | 0:19:25 | |
Well, I don't know how you get hairier. Can you get hairier? | 0:19:25 | 0:19:28 | |
Probably. You can. Yeah. | 0:19:28 | 0:19:30 | |
'It's weird when you're an actor and you look at yourself.' | 0:19:32 | 0:19:34 | |
Vanity creeps in. But you never see the back of yourself. | 0:19:34 | 0:19:37 | |
No, you're right. You're right, you're right. | 0:19:37 | 0:19:41 | |
'Here we go, here we go. | 0:19:41 | 0:19:42 | |
'Oh, no, dear! Dear, dear, dear! Oh! | 0:19:42 | 0:19:48 | |
'You're gorgeous. | 0:19:50 | 0:19:52 | |
First, people were taking the piss out of me on Twitter and stuff | 0:19:54 | 0:19:57 | |
because I was known for being a hard man | 0:19:57 | 0:20:00 | |
and this Football Factory stuff | 0:20:00 | 0:20:02 | |
and all of a sudden, I can't do a width. | 0:20:02 | 0:20:04 | |
And then they started to get into it a little bit and they were all | 0:20:04 | 0:20:07 | |
rooting for me and cheering me on when I've done a length. | 0:20:07 | 0:20:10 | |
'I've got to say, it's quite hard if you can swim to swim like you can't. | 0:20:10 | 0:20:13 | |
'To pretend that you can't swim. You've got to flap about. | 0:20:13 | 0:20:16 | |
'You did an excellent impression of flapping about.' | 0:20:16 | 0:20:19 | |
I was shattered at the end of it, | 0:20:19 | 0:20:21 | |
I was shattered. I'd used up so much energy. | 0:20:21 | 0:20:23 | |
I thought I'd have done a bit of weight, to be honest, | 0:20:23 | 0:20:25 | |
but I got out and I just looked fatter. | 0:20:25 | 0:20:28 | |
Quite cute, yeah. You hold your nose before you jump in. | 0:20:31 | 0:20:35 | |
I know, I know! | 0:20:35 | 0:20:36 | |
Was that a character thing? That was a character thing. Of course it was. | 0:20:38 | 0:20:41 | |
The jumping in was fine. | 0:20:41 | 0:20:43 | |
What wasn't fine was then having to be dried off | 0:20:43 | 0:20:46 | |
and jumping in again because they didn't get cameras on us. | 0:20:46 | 0:20:49 | |
'I wanted to be part of that family when I watched this. | 0:20:51 | 0:20:54 | |
'I wanted to be Linda Carter for real. | 0:20:54 | 0:20:56 | |
'We almost brought the Disney Channel to EastEnders!' | 0:20:56 | 0:20:59 | |
SHE LAUGHS | 0:20:59 | 0:20:59 | |
You were like a big furry seal. | 0:20:59 | 0:21:02 | |
That is the loveliest thing you've ever said to me! Oh, dear. | 0:21:05 | 0:21:09 | |
All right, baby. I thought I'd whip out... I thought I'd treat you. | 0:21:12 | 0:21:18 | |
Thanks! That's a bit of you, I think. | 0:21:18 | 0:21:21 | |
Look, you love a bit of lunch. A bit of cod. I know. | 0:21:21 | 0:21:25 | |
I'm just going to put my chips on my barbie, I think. | 0:21:25 | 0:21:28 | |
God, this is enormous. | 0:21:28 | 0:21:30 | |
I know! I'm talking about the fish, dear. | 0:21:30 | 0:21:34 | |
I'm talking about the fish. | 0:21:34 | 0:21:35 | |
Pizzas up. All right, we're still on EastEnders, are we? | 0:21:35 | 0:21:42 | |
EastEnders is on! | 0:21:44 | 0:21:46 | |
Oh, look at that! Right, go on. | 0:21:46 | 0:21:49 | |
# I don't care what they say | 0:21:51 | 0:21:53 | |
# I'm in love with you... # | 0:21:53 | 0:21:55 | |
I'm all right for a minute. You always do this! | 0:21:55 | 0:21:58 | |
Oh, look, here we go, DVD. | 0:21:58 | 0:21:59 | |
'Oh, the big one.' | 0:21:59 | 0:22:00 | |
Bradley! Whose writing's that? That's yours, isn't it, Lauren? | 0:22:00 | 0:22:04 | |
"Bradley, from Lauren." No, wait, that's not for Bradley. | 0:22:04 | 0:22:07 | |
It's a mistake. It's got his name on it. | 0:22:07 | 0:22:08 | |
Yeah, but it's wrong. I need to take it back. | 0:22:08 | 0:22:10 | |
Is that what I think it is? Is that the wedding video? | 0:22:13 | 0:22:16 | |
It's a mistake. You don't want to see it. I do, I do! | 0:22:16 | 0:22:19 | |
It doesn't matter what it's like. It's a lovely present. | 0:22:19 | 0:22:21 | |
Here you are, stick it on. | 0:22:21 | 0:22:23 | |
Really well-written, well directed. | 0:22:23 | 0:22:26 | |
The acting was a bit dodgy sometimes. | 0:22:26 | 0:22:28 | |
I'm talking about me, obviously. | 0:22:28 | 0:22:30 | |
Eurgh! | 0:22:31 | 0:22:34 | |
That's a nice start. 'I was watching this at home. | 0:22:34 | 0:22:37 | |
'Obviously I was a viewer back then.' | 0:22:37 | 0:22:39 | |
I was literally at the edge of my seat, like, | 0:22:39 | 0:22:41 | |
"This cannot be happening." | 0:22:41 | 0:22:43 | |
It was such good TV. It's a classic EastEnders Christmas. | 0:22:43 | 0:22:46 | |
It's a great honour, isn't it, | 0:22:46 | 0:22:48 | |
to have a Christmas story on EastEnders. Yeah. | 0:22:48 | 0:22:50 | |
It's part of British life, isn't it, really? | 0:22:50 | 0:22:53 | |
It's what everyone talks about. | 0:22:53 | 0:22:54 | |
"And then we'll watch EastEnders on Christmas Day." | 0:22:54 | 0:22:57 | |
My mum does it, we all do it. Yeah. | 0:22:57 | 0:23:00 | |
It's not just the sex that makes the honeymoon. | 0:23:02 | 0:23:04 | |
CHEERING | 0:23:04 | 0:23:07 | |
So awkward, isn't it, when it comes up? Yeah! So good, though. | 0:23:07 | 0:23:11 | |
So cringey! | 0:23:11 | 0:23:12 | |
Here we go. Yeah, that bit. | 0:23:15 | 0:23:18 | |
'Oh, penny dropped. Oh!' | 0:23:20 | 0:23:22 | |
Too cringey! | 0:23:23 | 0:23:25 | |
It's got to happen in front of the whole family as well, hasn't it? | 0:23:25 | 0:23:28 | |
Right, let's watch the Queen's speech. | 0:23:28 | 0:23:30 | |
Let's watch the rest of this later. No, that's boring! | 0:23:30 | 0:23:32 | |
Pass the remote please, Brad. | 0:23:32 | 0:23:35 | |
Brad! | 0:23:35 | 0:23:36 | |
It's such good TV, isn't it? Yeah! We're not talking. | 0:23:36 | 0:23:40 | |
I was enjoying that. | 0:23:44 | 0:23:46 | |
Because the stupid, crazy thing is I still love you. | 0:23:46 | 0:23:48 | |
I'm married now. What, you think all this is just going to go away? Yeah. | 0:23:49 | 0:23:54 | |
So long as you're sure you made the right choice. | 0:23:59 | 0:24:01 | |
As long as you're sure. | 0:24:05 | 0:24:07 | |
'He's been found out, hasn't he? No! Oh, dear. This is so awkward.' | 0:24:11 | 0:24:16 | |
That is so bad. Oh! | 0:24:19 | 0:24:21 | |
EASTENDERS DUFF-DUFFS Oh! Aaaah! | 0:24:42 | 0:24:45 | |
What's wrong? It's Billie. | 0:24:51 | 0:24:54 | |
Look, whatever he's done, I'll deal with it later. | 0:24:54 | 0:24:57 | |
Mum... | 0:24:57 | 0:24:59 | |
..he's dead. | 0:25:01 | 0:25:03 | |
He's dead. | 0:25:05 | 0:25:07 | |
Oh, gosh! | 0:25:07 | 0:25:09 | |
She was fantastic. That was very powerful. | 0:25:09 | 0:25:12 | |
'Jennie Darnell shot that beautifully | 0:25:16 | 0:25:19 | |
'and gave us the time, didn't she?' | 0:25:19 | 0:25:21 | |
It was so difficult to play and what I wanted to do | 0:25:24 | 0:25:27 | |
and Jenny and I spoke about | 0:25:27 | 0:25:30 | |
was that I wanted it to be like this is in a goldfish bowl. | 0:25:30 | 0:25:34 | |
I felt like my legs were just going to buckle and... | 0:25:34 | 0:25:38 | |
And Jennie, she's executed that. | 0:25:38 | 0:25:40 | |
And she's done it beautifully | 0:25:40 | 0:25:42 | |
and then that powerful shot at the door | 0:25:42 | 0:25:45 | |
when actually she's trying to find keys. | 0:25:45 | 0:25:48 | |
DOOR OPENS | 0:25:50 | 0:25:53 | |
And that silence when Sid opens the door | 0:25:56 | 0:25:58 | |
and just that powerful moment... | 0:25:58 | 0:26:00 | |
I'm exhausted by that. I'm exhausted thinking about it again. | 0:26:02 | 0:26:07 | |
That... | 0:26:10 | 0:26:12 | |
Where is the Carol Jackson I used to know? Please don't make me... | 0:26:23 | 0:26:26 | |
You can! Please don't make me! | 0:26:26 | 0:26:29 | |
You want to leave him on his own? | 0:26:29 | 0:26:32 | |
HE LEFT ME! | 0:26:32 | 0:26:37 | |
'The thing about any performance or doing anything | 0:26:37 | 0:26:40 | |
'and you know this, it's like trying to find the truth.' | 0:26:40 | 0:26:43 | |
You've got to know your lines inside out | 0:26:43 | 0:26:46 | |
so that every thought is a new thought that comes into your head. | 0:26:46 | 0:26:51 | |
So it's a Carol thought | 0:26:51 | 0:26:53 | |
so every word that you said is an authentic voice and word. | 0:26:53 | 0:26:58 | |
That's probably the best thing I feel I've done ever, to be honest. | 0:26:58 | 0:27:03 | |
SHE WAILS | 0:27:03 | 0:27:06 | |
Oh... | 0:27:11 | 0:27:13 | |
INDISTINCT CHATTER | 0:27:22 | 0:27:25 | |
I'll keep it brief. | 0:27:27 | 0:27:29 | |
Thank you, my amazing family, for throwing me this party. | 0:27:31 | 0:27:35 | |
'Well, this is us at our happiest moment, wasn't it,' | 0:27:35 | 0:27:37 | |
and it's all just... | 0:27:37 | 0:27:38 | |
Have you got a fork there, by the way? There's a fork, babe. | 0:27:38 | 0:27:41 | |
'Thanks very much.' | 0:27:41 | 0:27:43 | |
It means so much to have you all here. | 0:27:43 | 0:27:45 | |
'This was the episode... What goes wrong about it? | 0:27:45 | 0:27:47 | |
'I go upstairs and I say, "I want another baby." I go the other way. | 0:27:47 | 0:27:50 | |
'You go the other way and I get the huff with you | 0:27:50 | 0:27:53 | |
'and you have to make it up to me.' | 0:27:53 | 0:27:55 | |
Hope you have a good night and feel free to give us a song. | 0:27:55 | 0:27:58 | |
I thought this was your singing bit. | 0:27:58 | 0:28:00 | |
It's sort of a laugh and joke | 0:28:00 | 0:28:01 | |
and it's me walking out as Posh Spice. | 0:28:01 | 0:28:03 | |
This one's for you on your birthday. | 0:28:03 | 0:28:06 | |
'I loved my outfit.' | 0:28:06 | 0:28:08 | |
I loved my outfit. You did look strong there, to be fair. | 0:28:08 | 0:28:10 | |
# You used to be my only enemy... # | 0:28:10 | 0:28:12 | |
'That was when he sang, he was dreading this, wasn't he?' | 0:28:12 | 0:28:15 | |
# Catch me in places that I know I shouldn't be | 0:28:15 | 0:28:18 | |
# Every other day, I cross... # | 0:28:20 | 0:28:22 | |
Is this another one of my favourite days?... | 0:28:22 | 0:28:24 | |
It's like a whole different era | 0:28:24 | 0:28:26 | |
of us being here when he was here. I know! | 0:28:26 | 0:28:29 | |
# Back then, I didn't know why | 0:28:29 | 0:28:35 | |
# Why we were misunderstood... # | 0:28:35 | 0:28:39 | |
And, of course, the introduction of Danny boy. | 0:28:41 | 0:28:45 | |
He got thrown in at the deep end, to be fair. I know, I love him. | 0:28:45 | 0:28:50 | |
'I love my hair in this one. | 0:28:50 | 0:28:52 | |
'Look at me, I walked out in a Posh Spice wig.' | 0:28:52 | 0:28:54 | |
Look at you all! I'm trying to be Posh and all. | 0:28:54 | 0:28:59 | |
In fact, I wonder if Victoria Beckham had ever seen that. | 0:28:59 | 0:29:02 | |
I'm really good friends with Emma Bunton. | 0:29:02 | 0:29:06 | |
I could ask her if she saw it. | 0:29:06 | 0:29:08 | |
See what she made of it all | 0:29:08 | 0:29:10 | |
because I think I did a better Posh than her, to be honest. | 0:29:10 | 0:29:14 | |
# And we'll paint by numbers till something sticks... # | 0:29:15 | 0:29:20 | |
Oh... | 0:29:21 | 0:29:23 | |
Oh! | 0:29:25 | 0:29:27 | |
Oh, gosh! | 0:29:27 | 0:29:29 | |
What you doing to her, you little toe rag? | 0:29:29 | 0:29:31 | |
You want to knock a woman about, try me for size! Nan! | 0:29:31 | 0:29:33 | |
Get off me! What have you done to her? | 0:29:36 | 0:29:39 | |
Leave him! It ain't him! | 0:29:39 | 0:29:43 | |
It comes in waves. It hurts so much. | 0:29:44 | 0:29:47 | |
I'm dying! You're not dying, sweetheart. | 0:29:47 | 0:29:50 | |
You're having a baby. | 0:29:50 | 0:29:52 | |
Ah! You know what... | 0:29:53 | 0:29:55 | |
Where was your mum? Was I in Balham? | 0:29:55 | 0:30:00 | |
I'm not having a baby! I can't be! You're wrong! | 0:30:01 | 0:30:05 | |
I remember getting all the research for it | 0:30:05 | 0:30:08 | |
and a lovely nurse was on set with us. Oh, you did that brilliantly! | 0:30:08 | 0:30:13 | |
Did you win an award for that? I did. | 0:30:13 | 0:30:16 | |
Go on, girl. Scream the house down! | 0:30:16 | 0:30:18 | |
At the top of your voice, good girl! | 0:30:18 | 0:30:20 | |
I didn't know! | 0:30:20 | 0:30:22 | |
If your school had a sex education teacher, they should sack him! | 0:30:22 | 0:30:26 | |
It was lovely, actually, | 0:30:26 | 0:30:27 | |
having all the women there cos they'd just moved in. | 0:30:27 | 0:30:30 | |
The Slaters hadn't been there long, but it was lovely. And Mo. | 0:30:30 | 0:30:34 | |
Look at Mo. She was brilliant, she was so good. She is so, so... | 0:30:34 | 0:30:39 | |
It was really nice to have an older lady there at that time. | 0:30:39 | 0:30:43 | |
And then we kept that connection. | 0:30:43 | 0:30:45 | |
Go on, girl, push! Give it some welly! | 0:30:45 | 0:30:47 | |
Push! I can see the head! | 0:30:47 | 0:30:49 | |
SHE SCREAMS | 0:30:49 | 0:30:51 | |
I've never been worried about getting stuff out | 0:30:56 | 0:31:00 | |
and I remember they kept pulling my nightie down | 0:31:00 | 0:31:05 | |
and I kept saying, "No, it'd be up more." | 0:31:05 | 0:31:07 | |
And I know you have to be careful, but I always remember saying | 0:31:07 | 0:31:10 | |
that it's got to be here and sort of wetting my legs | 0:31:10 | 0:31:13 | |
because that's real, isn't it? | 0:31:13 | 0:31:16 | |
BABY CRIES | 0:31:16 | 0:31:18 | |
Oh, that's really powerful. That was good. It was good to do. | 0:31:20 | 0:31:23 | |
I always remember June turning round to me and saying, | 0:31:23 | 0:31:26 | |
"When you do it, darling, just pretend you're pooing out a melon." | 0:31:26 | 0:31:31 | |
You'll be fine. | 0:31:31 | 0:31:33 | |
# Unconditional | 0:31:33 | 0:31:36 | |
# Unconditional... # | 0:31:36 | 0:31:38 | |
Here, Dad. | 0:31:38 | 0:31:41 | |
What do you think of Whitney? | 0:31:41 | 0:31:42 | |
Yeah, she's nice. She's fit! | 0:31:44 | 0:31:47 | |
I said she could come round for Sunday lunch one weekend? | 0:31:47 | 0:31:49 | |
Great, yeah. | 0:31:51 | 0:31:52 | |
'Oh, we've gone right back. | 0:31:52 | 0:31:53 | |
'We have gone back, haven't we, baby? | 0:31:53 | 0:31:55 | |
'I loved this scene. | 0:31:55 | 0:31:57 | |
'I thought you were both incredible | 0:31:57 | 0:31:59 | |
'and actually this is when I thought you were a good actor.' | 0:31:59 | 0:32:03 | |
You know what Nancy was saying? | 0:32:03 | 0:32:05 | |
You know, about you being gay? | 0:32:06 | 0:32:08 | |
I just wanted to say... | 0:32:09 | 0:32:11 | |
..if she wasn't lying... | 0:32:13 | 0:32:14 | |
..that it would be OK. | 0:32:16 | 0:32:18 | |
His little face. I know. | 0:32:18 | 0:32:19 | |
'You wouldn't be upset?' | 0:32:19 | 0:32:21 | |
I know that being gay, it's not a choice. | 0:32:21 | 0:32:25 | |
'As an actor, I think I changed the perception' | 0:32:25 | 0:32:28 | |
there was of me as a human being, | 0:32:28 | 0:32:30 | |
for someone to come out to someone of what I'm meant to represent. | 0:32:30 | 0:32:34 | |
And you know you can tell me anything. | 0:32:34 | 0:32:38 | |
I just want you to know... | 0:32:38 | 0:32:39 | |
..you can tell me anything. | 0:32:41 | 0:32:43 | |
Because you're my son and you mean the world to me. | 0:32:44 | 0:32:48 | |
HE CRIES | 0:32:51 | 0:32:54 | |
You and Sam in this scene are so on the money. | 0:32:54 | 0:32:58 | |
I... I'm gay. | 0:33:00 | 0:33:01 | |
Stop it, stop it. Stop it, you're going to start me off in a minute. | 0:33:06 | 0:33:09 | |
It's all right. It's all right, I love you, boy. I love you. | 0:33:09 | 0:33:14 | |
It's so simple. Yeah. On the settee, he tells me and it's like, "And? | 0:33:14 | 0:33:21 | |
"So what? Come here." | 0:33:21 | 0:33:23 | |
I'm so proud of you because I know what you just told me. | 0:33:23 | 0:33:28 | |
'No-one gets murdered, no big storyline leading up to it. | 0:33:28 | 0:33:31 | |
'It was brilliant, it was brilliant, it was brilliant. | 0:33:31 | 0:33:33 | |
'So simple and that's what I thought, | 0:33:33 | 0:33:35 | |
'"Hold on a minute, actually, I'm proud to be in this show."' | 0:33:35 | 0:33:38 | |
So, you're the one we should have called Nancy. | 0:33:38 | 0:33:41 | |
SHE LAUGHS | 0:33:41 | 0:33:43 | |
It's going to be all right, all right? | 0:33:43 | 0:33:46 | |
OK? I promise you. Good boy. | 0:33:46 | 0:33:49 | |
'Oh, look! | 0:33:49 | 0:33:50 | |
'Oh, dear. Linda Carter, she did not cope with it well, did she?' | 0:33:52 | 0:33:56 | |
I love Linda Carter, but she gets it very, very wrong sometimes. | 0:33:56 | 0:34:00 | |
Cos I thought I was going to get a lot of, like, | 0:34:00 | 0:34:02 | |
from all the old-school mob, going, "What you doing, playing that? | 0:34:02 | 0:34:06 | |
"I can't believe..." Well, I did have a few homophobic tweets. | 0:34:06 | 0:34:09 | |
I absolutely assassinated them on Twitter. | 0:34:09 | 0:34:11 | |
I thought, "I'm not having this." Yeah, yeah. | 0:34:11 | 0:34:13 | |
And I think I dealt with it in the right way | 0:34:13 | 0:34:15 | |
cos this changed a lot of people's lives | 0:34:15 | 0:34:17 | |
and I still get letters to this day from... | 0:34:17 | 0:34:19 | |
They don't even want an autograph, which is a bit upsetting. | 0:34:19 | 0:34:22 | |
They just want to tell me their story | 0:34:22 | 0:34:24 | |
and say, "Look, thank you." | 0:34:24 | 0:34:25 | |
And that is better than any dough or award you could ever win. | 0:34:25 | 0:34:29 | |
Yeah, absolutely. | 0:34:29 | 0:34:31 | |
Oh... | 0:34:34 | 0:34:36 | |
Sonia? | 0:34:43 | 0:34:45 | |
# Bright eyes... # THEY LAUGH | 0:34:45 | 0:34:49 | |
# You make me feel better | 0:34:49 | 0:34:51 | |
# So let's stay together... # | 0:34:51 | 0:34:54 | |
This will make you laugh. Whitney saw me heading out. | 0:34:57 | 0:34:59 | |
She thought I was going for a date. A date?! | 0:34:59 | 0:35:03 | |
You're not on a date, are you? | 0:35:05 | 0:35:07 | |
Haha, no! | 0:35:07 | 0:35:09 | |
But that's good, anyway, cos I'm rubbish at all that dating. Yeah. | 0:35:09 | 0:35:12 | |
Talking about yourself. "Hello, I'm Billy. | 0:35:12 | 0:35:15 | |
"I like West Ham, watching telly, | 0:35:15 | 0:35:18 | |
"going down the pub and eating chips." | 0:35:18 | 0:35:21 | |
Yeah. "Hello, my name is Carol. I like, er..." | 0:35:21 | 0:35:25 | |
Don't tell anyone. I quite like Harry Potter. | 0:35:26 | 0:35:29 | |
So random! | 0:35:31 | 0:35:32 | |
Best book I've read in years! | 0:35:32 | 0:35:34 | |
I thought I was the only one who did that. | 0:35:34 | 0:35:35 | |
I used to hide it. | 0:35:35 | 0:35:37 | |
Did you? I don't care who knows. | 0:35:37 | 0:35:39 | |
I LIKE HARRY POTTER! | 0:35:39 | 0:35:41 | |
There's a lot of you in there. Loads of me. | 0:35:41 | 0:35:44 | |
You're just laughing cos you're working with Perry. | 0:35:44 | 0:35:47 | |
Billy, Carol, I'm just picking up Les's battered sausage. | 0:35:47 | 0:35:50 | |
The usual, Jo, please. | 0:35:50 | 0:35:52 | |
THEY LAUGH | 0:35:52 | 0:35:54 | |
Come on, then. Are you two on a date? | 0:35:54 | 0:35:58 | |
No, no, no, we're just two friends having a few drinks. | 0:35:58 | 0:36:00 | |
Yeah, talking about Harry Potter and The Bay City Rollers. | 0:36:00 | 0:36:03 | |
Do you know the story about the end of that? No. | 0:36:03 | 0:36:06 | |
I was so embarrassed cos I've known Perry since I was about 18 | 0:36:06 | 0:36:09 | |
and we were embarrassed because we're just really nice friends | 0:36:09 | 0:36:15 | |
so the idea of kissing your friend is bizarre. | 0:36:15 | 0:36:18 | |
So I was really nervous and really worried. | 0:36:18 | 0:36:21 | |
I don't know what he was doing, but I couldn't talk to him and then... | 0:36:21 | 0:36:25 | |
So, just before the kiss, we were eating the sausages | 0:36:25 | 0:36:28 | |
and, because I was so nervous, | 0:36:28 | 0:36:29 | |
I literally put such a huge amount of chips in my mouth | 0:36:29 | 0:36:32 | |
and then I grabbed him and kissed him. | 0:36:32 | 0:36:35 | |
You know what? What? | 0:36:35 | 0:36:37 | |
Oh... | 0:36:40 | 0:36:42 | |
Ooh-hoo! I've known Perry too long to be kissing him. | 0:36:42 | 0:36:46 | |
And he went, "You've got chips in your mouth." | 0:36:47 | 0:36:51 | |
'I had to keep texting him, going,' | 0:36:51 | 0:36:55 | |
"I'm so sorry, that's such a horrible thing to do." | 0:36:55 | 0:36:57 | |
I can see a lot of me. | 0:36:57 | 0:36:58 | |
You're saying you can see Lindsey - I can see Lindsey in this. | 0:36:58 | 0:37:01 | |
Cos you're relaxed and not really worrying about stuff. | 0:37:01 | 0:37:04 | |
How do you laugh as somebody else as well? | 0:37:04 | 0:37:06 | |
Because my laugh is quite distinctive, isn't it, | 0:37:06 | 0:37:08 | |
so, if you did a different laugh, you wouldn't be true, would you? | 0:37:08 | 0:37:12 | |
No, you wouldn't be being true. | 0:37:12 | 0:37:14 | |
Ho-ho-ho-ho! Hoo-hoo-hoo! | 0:37:14 | 0:37:16 | |
DOOR CLOSES Oh, you made me jump! | 0:37:30 | 0:37:34 | |
I didn't think we had any, but I found some hiding... | 0:37:34 | 0:37:37 | |
Dean, what're you doing? | 0:37:37 | 0:37:38 | |
What do you think I'm doing? | 0:37:38 | 0:37:40 | |
Don't. Relax! STOP IT! | 0:37:40 | 0:37:43 | |
It's OK, everyone's downstairs. | 0:37:43 | 0:37:47 | |
No, Dean, I'm serious! Please, no! | 0:37:48 | 0:37:51 | |
No, no! Ssh! | 0:37:51 | 0:37:52 | |
It's horrible to watch that, for me and for you. | 0:37:54 | 0:37:57 | |
What I really remember about this episode | 0:37:59 | 0:38:02 | |
and filming it with Matt was how nervous he was. Yeah. | 0:38:02 | 0:38:07 | |
Because it was harder for him. | 0:38:07 | 0:38:09 | |
I really do think it was harder for him in a way, because... | 0:38:09 | 0:38:12 | |
Well, let's be fair, | 0:38:12 | 0:38:13 | |
he came into the show not knowing this was going to happen. Yeah. | 0:38:13 | 0:38:16 | |
This is when it all changed, wasn't it? This is when you could really... | 0:38:19 | 0:38:22 | |
This is horrific. But, as an actress, it's a gift for you. | 0:38:22 | 0:38:27 | |
Oh, yeah.... This is about you now shifting, a major shift. | 0:38:27 | 0:38:32 | |
I'm done with Dean, by the way. | 0:38:32 | 0:38:34 | |
He seemed a lot calmer. What? | 0:38:35 | 0:38:36 | |
'It actually made me realise' | 0:38:36 | 0:38:39 | |
how much being in a show like EastEnders, | 0:38:39 | 0:38:43 | |
how many people it reaches and what effect you can have | 0:38:43 | 0:38:47 | |
on people's lives just by being in a television programme | 0:38:47 | 0:38:51 | |
and what that can... Do you know what I mean? It's not... | 0:38:51 | 0:38:54 | |
We're not politicians or anything else, | 0:38:54 | 0:38:56 | |
but you can make a little bit of a difference and you can change | 0:38:56 | 0:39:01 | |
people's perceptions of things and it's very powerful. | 0:39:01 | 0:39:04 | |
It's one of the things I'm most proud of, this episode. | 0:39:04 | 0:39:06 | |
Get it off. | 0:39:06 | 0:39:08 | |
# Don't stop moving | 0:39:08 | 0:39:11 | |
# Keep it up... # | 0:39:11 | 0:39:13 | |
Sonia Jackson! CHEERING | 0:39:13 | 0:39:17 | |
# Do you, do you, do you Do you feel the power? # | 0:39:24 | 0:39:28 | |
I was 12. Natalie, look! | 0:39:28 | 0:39:30 | |
I couldn't do that now, isn't it funny? | 0:39:31 | 0:39:34 | |
'You've no fear, have you, when you're younger? | 0:39:34 | 0:39:36 | |
'You've always been such a confident actress.' | 0:39:36 | 0:39:40 | |
When you were first here, I would always say this to you, | 0:39:40 | 0:39:43 | |
you would literally say to the director, | 0:39:43 | 0:39:45 | |
they'd say, "Any more questions?" | 0:39:45 | 0:39:46 | |
And you'd go, "Yes, I have a question." We'd all go, "Oh!" | 0:39:46 | 0:39:50 | |
And you always had a question and you would ask the right question. | 0:39:50 | 0:39:53 | |
I was always very confident. | 0:39:53 | 0:39:55 | |
I still am quite confident. | 0:39:55 | 0:39:56 | |
Your daughter is as well. | 0:39:56 | 0:39:58 | |
It could be related, couldn't it? It could be. | 0:39:58 | 0:40:00 | |
# I'll tell you straight up... # | 0:40:00 | 0:40:02 | |
Oh, look, me! | 0:40:05 | 0:40:07 | |
I think now, that would make me nervous now, | 0:40:08 | 0:40:13 | |
doing something like that. | 0:40:13 | 0:40:14 | |
So, how was it to be that young and to be | 0:40:14 | 0:40:17 | |
where you are now in terms of...? You just... | 0:40:17 | 0:40:20 | |
I see it as two sides to every coin, but, for me, it's just my job. | 0:40:20 | 0:40:27 | |
Yeah. And I've never been desperate for it. | 0:40:27 | 0:40:29 | |
I was just fortunate and it happened. | 0:40:29 | 0:40:31 | |
To me, it's just like being a banker | 0:40:31 | 0:40:35 | |
or being a plumber and I just did it. | 0:40:35 | 0:40:37 | |
You did, but you didn't just do it. | 0:40:37 | 0:40:39 | |
I have to say, being an adult and watching it, | 0:40:39 | 0:40:42 | |
you did actually have a method and a craft | 0:40:42 | 0:40:45 | |
and you were interested in the craft so you didn't just show up. | 0:40:45 | 0:40:48 | |
No, I was passionate about it. | 0:40:48 | 0:40:50 | |
Once I got it, then I grabbed it with both hands | 0:40:50 | 0:40:52 | |
and really enjoyed it. | 0:40:52 | 0:40:53 | |
# ..I picked myself off the floor... # | 0:40:53 | 0:40:57 | |
My God, you're a great mover! | 0:40:57 | 0:40:59 | |
Excuse me, Labour? Just round to the left. | 0:41:07 | 0:41:09 | |
I'm a hero in this. You ARE a hero. Hero. | 0:41:09 | 0:41:12 | |
Let's find that baby's heartbeat. | 0:41:12 | 0:41:14 | |
I've given birth before, but it was slightly comedy. This was proper. | 0:41:15 | 0:41:20 | |
Where is she? She's in there. | 0:41:20 | 0:41:21 | |
I remember you took your contacts out and everything. I did. | 0:41:21 | 0:41:24 | |
'You were blind. I had to have my glasses on in between.' | 0:41:24 | 0:41:28 | |
I'm Nick, I'm going to be the baby's father. | 0:41:28 | 0:41:32 | |
You couldn't see that was me. | 0:41:32 | 0:41:33 | |
She thought that was Phil, didn't you? Stop it! | 0:41:33 | 0:41:36 | |
I'm sorry! No, I'm sorry. I'm sorry! | 0:41:36 | 0:41:38 | |
'I remember really looking forward to this.' | 0:41:38 | 0:41:40 | |
How can you look forward to this?! I was! | 0:41:40 | 0:41:42 | |
I was like, "Yeah, I can't wait to get my teeth into that." | 0:41:42 | 0:41:45 | |
And you BLEEP did, didn't you? | 0:41:45 | 0:41:47 | |
Look at your legs up in the air. | 0:41:47 | 0:41:49 | |
Well, you can't give birth with your legs crossed. | 0:41:49 | 0:41:51 | |
Some actresses would go, "I'm sorry, I'm not going to open my legs. | 0:41:51 | 0:41:54 | |
"And could somebody put some base on me, some make-up? | 0:41:54 | 0:41:57 | |
"And I refuse to sweat." | 0:41:57 | 0:42:00 | |
'You're just like, "Right, whack my hair up," as you would do.' | 0:42:00 | 0:42:05 | |
Babe, you're beautiful. Look at me. | 0:42:05 | 0:42:08 | |
'I take control of the situation as I come in the room. Yeah.' | 0:42:08 | 0:42:11 | |
Most women would go, "What have you done to me?!" | 0:42:11 | 0:42:14 | |
Ready? On the next one, on the next one. Push. | 0:42:16 | 0:42:21 | |
'You had smoke coming out of your ear hole.' | 0:42:21 | 0:42:24 | |
So many women wanted me to be their birthing partners after this. | 0:42:24 | 0:42:27 | |
Stop it! They did, yeah. | 0:42:27 | 0:42:30 | |
This is a new start for me and you, baby, I promise you. | 0:42:30 | 0:42:32 | |
I promise you, OK? Now, give us a life. Here we go. | 0:42:32 | 0:42:35 | |
We'll start a new little life, baby. | 0:42:35 | 0:42:38 | |
LINDA SCREAMS IN PAIN | 0:42:38 | 0:42:41 | |
It actually takes me right back to when I gave birth, for real! | 0:42:41 | 0:42:46 | |
It does a weird thing to me. | 0:42:46 | 0:42:48 | |
Look at the vein sticking out of your nut, baby. | 0:42:48 | 0:42:50 | |
They could hear you in Soho! | 0:42:50 | 0:42:51 | |
I mean, it was just echoing everywhere! | 0:42:53 | 0:42:56 | |
This is what I love. You're a proper actor, you, | 0:42:56 | 0:42:59 | |
you don't give a BLEEP. | 0:42:59 | 0:43:01 | |
'And here we go. Here we go with the baby that's not a real baby. | 0:43:03 | 0:43:07 | |
'You've got to pretend it's a baby.' | 0:43:07 | 0:43:09 | |
Oh, baby boy! | 0:43:09 | 0:43:11 | |
'Little prosthetic thing which you weren't allowed to touch, | 0:43:13 | 0:43:15 | |
'either, cos it was so much dough. Look at that! | 0:43:15 | 0:43:18 | |
'It doesn't look that real, there, does it?' | 0:43:18 | 0:43:20 | |
No, not really. But no, it's beautifully played, you know? | 0:43:20 | 0:43:23 | |
I think if you go there, you go, "This is proper giving birth." | 0:43:23 | 0:43:27 | |
Watch his little nut. | 0:43:29 | 0:43:31 | |
'I've never been involved in a scene like this.' | 0:43:31 | 0:43:34 | |
I don't fancy getting involved in it again. | 0:43:34 | 0:43:37 | |
# No drama | 0:43:40 | 0:43:41 | |
# No more drama in my life... # | 0:43:41 | 0:43:44 | |
Sonia! | 0:43:44 | 0:43:46 | |
What I give you is... Becky! | 0:43:50 | 0:43:52 | |
Sonia! Put her down, love. | 0:43:52 | 0:43:55 | |
You heard the man. I'm calling the police. | 0:43:55 | 0:43:57 | |
Is that the baby you had when you were 15, then? | 0:43:57 | 0:43:59 | |
Yeah, and I gave it away. Oh, you gave it away. | 0:43:59 | 0:44:03 | |
And I found out where the parents were. So they adopted her. | 0:44:03 | 0:44:07 | |
Yeah, and I stole her back cos I wanted her back. | 0:44:07 | 0:44:09 | |
You can't take her! | 0:44:09 | 0:44:11 | |
You can't! You can't take her away from me! You can't take... | 0:44:11 | 0:44:15 | |
What a brilliant storyline! Yeah. | 0:44:17 | 0:44:19 | |
Sonia? | 0:44:20 | 0:44:21 | |
One of my favourite episodes - it's just me and June. | 0:44:21 | 0:44:24 | |
Oh, it's just you and June. | 0:44:24 | 0:44:26 | |
Sonia?! | 0:44:26 | 0:44:29 | |
'It's so lovely watching Sonia again. | 0:44:29 | 0:44:31 | |
'She's young and she's struggling without her other family.' | 0:44:31 | 0:44:34 | |
She's got a nice relationship with Dot. | 0:44:34 | 0:44:37 | |
What have you done? What do you mean? | 0:44:37 | 0:44:38 | |
What have you done with Chloe? Chloe? | 0:44:38 | 0:44:40 | |
I don't know what you mean. Where is she? | 0:44:40 | 0:44:42 | |
I don't know what you're talking about! Don't lie to me! | 0:44:42 | 0:44:45 | |
June came to my house for two nights or so. | 0:44:45 | 0:44:47 | |
Did she, to work that through? | 0:44:47 | 0:44:50 | |
We were drinking red wine and going through our lines. | 0:44:50 | 0:44:53 | |
You weren't, you were 16 at the time. I was 24 at the time. | 0:44:53 | 0:44:57 | |
Oh, that's right. I may have had a glass of Ribena. | 0:44:57 | 0:45:01 | |
Bad influence on June. | 0:45:01 | 0:45:03 | |
They told me you went round there and you took her. | 0:45:03 | 0:45:05 | |
Well, I didn't, all right? | 0:45:05 | 0:45:07 | |
I went round there and this nanny was there | 0:45:07 | 0:45:09 | |
and she was acting weird with me | 0:45:09 | 0:45:10 | |
and she wouldn't let me in so I came home. | 0:45:10 | 0:45:12 | |
Oh, you came home? Yes, I was upset. I went to bed. | 0:45:12 | 0:45:15 | |
So, why was the door locked? I don't know. | 0:45:15 | 0:45:17 | |
I must have locked it on the way in. They told me that you took her. | 0:45:17 | 0:45:20 | |
They're wrong. Why don't you get out there and you explain? What's that? | 0:45:20 | 0:45:23 | |
'I remember one thing I'll never forget was when she said to me,' | 0:45:23 | 0:45:26 | |
"When you've got paragraphs and a lot of dialogue to do, see it as a song." | 0:45:26 | 0:45:32 | |
Right, yeah. | 0:45:32 | 0:45:34 | |
And always look at the melody and how you're saying it | 0:45:34 | 0:45:39 | |
and look at the tones in it. | 0:45:39 | 0:45:41 | |
She's fantastic, isn't she? I will never forget that. | 0:45:41 | 0:45:43 | |
I've told you, she's not here! Where is she? | 0:45:43 | 0:45:45 | |
She's upstairs. What's she doing up there? | 0:45:48 | 0:45:52 | |
I'm going, "Well, where was Carol during all that stuff? | 0:45:52 | 0:45:55 | |
"What was she doing?" That's how I felt with Billie | 0:45:55 | 0:45:59 | |
when I saw that happen. | 0:45:59 | 0:46:01 | |
If you haven't got the actor and they're not here, | 0:46:01 | 0:46:04 | |
you have to carry on playing it. It's so lovely, I... | 0:46:04 | 0:46:07 | |
So, do you promise me in the future | 0:46:07 | 0:46:08 | |
if there's something really important, you'll think about it? | 0:46:08 | 0:46:11 | |
When I'm 75, it will be great. | 0:46:11 | 0:46:13 | |
# Why do all good things come to an end? # | 0:46:14 | 0:46:19 | |
Poor Rolf! Mum, can you give him the kiss of life? | 0:46:19 | 0:46:23 | |
You can't give him the kiss of life. He's all cold and stiff. | 0:46:23 | 0:46:26 | |
All right, don't rub it in. | 0:46:26 | 0:46:29 | |
I want to give him a funeral. OK. | 0:46:29 | 0:46:34 | |
I need a coffin, rose petals... | 0:46:34 | 0:46:38 | |
Oh, Rolf! The best gerbil ever. | 0:46:38 | 0:46:40 | |
I'm so bad! | 0:46:40 | 0:46:43 | |
SHE LAUGHS | 0:46:45 | 0:46:47 | |
This is my favourite episode of all time. | 0:46:47 | 0:46:49 | |
Rolf's gone to gerbil heaven. | 0:46:49 | 0:46:51 | |
Yeah, I heard. Condolences. | 0:46:51 | 0:46:54 | |
I'm grief-stricken. Broken-hearted. | 0:46:54 | 0:46:58 | |
THEY LAUGH | 0:46:58 | 0:47:02 | |
Put a plant pot on top of it. | 0:47:03 | 0:47:05 | |
The foxes will dig it up, else. OK, yeah. | 0:47:05 | 0:47:08 | |
Yeah, I didn't think of that. | 0:47:08 | 0:47:09 | |
Thanks. | 0:47:11 | 0:47:13 | |
And now we're going to sing. | 0:47:13 | 0:47:16 | |
No, we're not. | 0:47:16 | 0:47:17 | |
# Bright eyes... # | 0:47:19 | 0:47:21 | |
THEY LAUGH | 0:47:21 | 0:47:23 | |
# Burning like fire | 0:47:23 | 0:47:26 | |
# Bright eyes | 0:47:26 | 0:47:28 | |
# How can you close and fail? # | 0:47:28 | 0:47:31 | |
My hands have gone so clammy! | 0:47:33 | 0:47:37 | |
Oh! I know! | 0:47:37 | 0:47:40 | |
I had to learn that. How embarrassing! | 0:47:41 | 0:47:43 | |
I remember sitting there on Sunday and being like... | 0:47:43 | 0:47:46 | |
# Aaaah-aaah... # | 0:47:46 | 0:47:47 | |
..learning it off a CD player. | 0:47:47 | 0:47:50 | |
How old are you? Ten. Aw! | 0:47:50 | 0:47:53 | |
You ten there, yeah? Yeah. Cute. | 0:47:53 | 0:47:55 | |
I'd hate scenes like this because you would then have to go to school | 0:47:55 | 0:47:58 | |
and everyone would have watched it. And everyone would just... | 0:47:58 | 0:48:01 | |
They must have said things, someone behind you at school. | 0:48:01 | 0:48:04 | |
Just singing it down the corridor! | 0:48:04 | 0:48:07 | |
# Burning like... # | 0:48:07 | 0:48:08 | |
# I've been working on a cocktail called Grounds For Divorce | 0:48:10 | 0:48:16 | |
# Whoa-oh-oh-oh-oh-oh-oh-oh | 0:48:16 | 0:48:21 | |
Oh, do you remember this? I don't remember this. | 0:48:21 | 0:48:24 | |
"No, I don't, I wasn't there!" | 0:48:24 | 0:48:34 | |
Come on, help me out here. | 0:48:34 | 0:48:36 | |
'No, this is silly.' | 0:48:36 | 0:48:39 | |
"Tanya, you're such a good mum." Oh, yeah! | 0:48:39 | 0:48:41 | |
But she buried her husband alive. | 0:48:41 | 0:48:43 | |
She was getting her own back, wasn't she? I suppose my Max had sort of... | 0:48:46 | 0:48:49 | |
Yeah, but there's a line, isn't there? You just move on. | 0:48:49 | 0:48:52 | |
You don't bury them alive. | 0:48:52 | 0:48:54 | |
Yeah, some would argue he deserved it, wouldn't they, really? | 0:48:54 | 0:48:56 | |
How long did it take to film it all? | 0:48:56 | 0:48:58 | |
We were there three nights or something. Three nights? | 0:48:58 | 0:49:01 | |
There were press running around trying to get photos of us. | 0:49:01 | 0:49:04 | |
What, while you were lying in a coffin? Yeah, yeah. | 0:49:04 | 0:49:07 | |
How did that feel? It was all right, it was fine. | 0:49:07 | 0:49:09 | |
I don't think I'd like that. We had one day in the studio, | 0:49:09 | 0:49:11 | |
two prop guys sitting on it cos I was trying to bang my way out of it. | 0:49:11 | 0:49:14 | |
That was weird. Was that scary? It was all right, | 0:49:14 | 0:49:17 | |
but then one of the props guys said he was freaking out. | 0:49:17 | 0:49:19 | |
He got a bit scared. Did he? | 0:49:19 | 0:49:20 | |
What, he got scared that you couldn't...? | 0:49:20 | 0:49:22 | |
No, cos I was shouting and screaming, yeah. | 0:49:22 | 0:49:24 | |
He was sitting on this coffin. | 0:49:24 | 0:49:26 | |
PHONE RINGS | 0:49:26 | 0:49:28 | |
"Hi, this is the Brannings..." Oh, that's probably your mum. | 0:49:28 | 0:49:31 | |
Pick up, please! Hi, Dad, you won't believe what's happened. | 0:49:31 | 0:49:33 | |
And I've got you a present! Tell him about my ankle! | 0:49:33 | 0:49:36 | |
BEEPING He's hung up! | 0:49:36 | 0:49:38 | |
Oh, Abi! What an idiot! Come on, Abi! "Abi, shut up!" | 0:49:38 | 0:49:42 | |
"I'm buried alive!" | 0:49:42 | 0:49:44 | |
Is this where she digs him up? Is she trying to get him up? | 0:49:44 | 0:49:48 | |
He's all right. Oh, that's a bit freaky. I don't know if I like this. | 0:49:49 | 0:49:55 | |
The best thing about all of this stuff | 0:49:55 | 0:49:57 | |
was it was meant to be raining in all these eps, | 0:49:57 | 0:49:59 | |
but when they turned the rain machine on, | 0:49:59 | 0:50:01 | |
cos it was in the woods, it was too noisy. | 0:50:01 | 0:50:04 | |
So I was like, "Haha!" | 0:50:04 | 0:50:06 | |
All I wanted was a fresh start. I can't even have that, can I? | 0:50:08 | 0:50:11 | |
'I don't know if these episodes crossed the line or not.' | 0:50:11 | 0:50:14 | |
I think the cheekiest thing they did was he got buried on Good Friday | 0:50:14 | 0:50:17 | |
and he got dug up on Monday. | 0:50:17 | 0:50:20 | |
THEY LAUGH | 0:50:21 | 0:50:25 | |
You're joking! | 0:50:25 | 0:50:27 | |
No, so, yeah, it doesn't surprise me, | 0:50:27 | 0:50:30 | |
but they upheld a few complaints. | 0:50:30 | 0:50:33 | |
They were great episodes to film, yeah. | 0:50:33 | 0:50:34 | |
I think they worked out well. I'd like to do that, though. | 0:50:34 | 0:50:38 | |
It looks fun. What, bury someone? Yeah, looks fun to film. Yeah. | 0:50:38 | 0:50:42 | |
You'd be good, actually, burying someone. | 0:50:42 | 0:50:44 | |
HE LAUGHS | 0:50:46 | 0:50:49 | |
# Why does it always rain on me? # | 0:50:51 | 0:50:56 | |
Look at me. I'm pregnant, nearly 40. I'm supposed to be getting married. | 0:50:56 | 0:51:00 | |
It's all such a mess. | 0:51:00 | 0:51:02 | |
I'm really sorry, Mum, I didn't mean to hurt you. | 0:51:03 | 0:51:06 | |
So, why didn't you talk to me? | 0:51:06 | 0:51:07 | |
I couldn't. | 0:51:09 | 0:51:10 | |
After that first kiss, I told him nothing could happen, | 0:51:10 | 0:51:13 | |
but he just kept on. All right, all right, it doesn't matter. | 0:51:13 | 0:51:15 | |
And then he arranged for me to see the flat. | 0:51:15 | 0:51:17 | |
I didn't want to go, but Ricky told me that I should. Really? | 0:51:17 | 0:51:20 | |
And then we were there and there was no-one else about. | 0:51:20 | 0:51:23 | |
No-one around. Nothing could stop us. | 0:51:23 | 0:51:25 | |
I couldn't help myself. I'm so sorry! | 0:51:25 | 0:51:28 | |
Can you ever forgive me? | 0:51:29 | 0:51:31 | |
Look at my eyes! It's great. | 0:51:31 | 0:51:34 | |
She's going to hit you! | 0:51:34 | 0:51:36 | |
'We worked really well together, | 0:51:36 | 0:51:38 | |
'me and Patsy, at that point. Yeah, you did.' | 0:51:38 | 0:51:40 | |
You didn't know, did you? | 0:51:40 | 0:51:42 | |
He didn't tell you. Mum, please, I thought you knew! | 0:51:42 | 0:51:47 | |
Just the idea that your daughter is sleeping with your fiance | 0:51:47 | 0:51:51 | |
and when I watch that, I can feel the feeling that I felt. | 0:51:51 | 0:51:55 | |
I felt so angry and I was so in that zone | 0:51:55 | 0:51:58 | |
and I could have absolutely ripped her head off, | 0:51:58 | 0:52:02 | |
which I think you can probably see here. | 0:52:02 | 0:52:06 | |
I want to talk to you! What could you possibly say? I could explain. | 0:52:06 | 0:52:09 | |
Well, go on, then, let's hear it. | 0:52:09 | 0:52:12 | |
Mum... You should start by telling me | 0:52:12 | 0:52:13 | |
what a dirty, lying little slag you are. | 0:52:13 | 0:52:15 | |
Is that too close to the bone for you? | 0:52:15 | 0:52:17 | |
What's going on? Stay out of this, Sonia. I'm sorry. | 0:52:17 | 0:52:19 | |
It was nothing, nothing at all! | 0:52:19 | 0:52:21 | |
You stay away from me! | 0:52:23 | 0:52:24 | |
It was so horrible. We hit each other all the time. | 0:52:24 | 0:52:28 | |
You certainly would, wouldn't you, finding that out? | 0:52:28 | 0:52:30 | |
Calm down. You've got a baby to think about. | 0:52:30 | 0:52:32 | |
I've asked you to leave again and again. Why won't you listen to me? | 0:52:32 | 0:52:35 | |
Because you don't mean it. You want to hear what I've got to say. | 0:52:35 | 0:52:38 | |
No, I don't! I don't want to hear you, | 0:52:38 | 0:52:39 | |
I don't want to see your smug face! | 0:52:39 | 0:52:41 | |
Now, go away! | 0:52:41 | 0:52:43 | |
He was, like, he was really hard. | 0:52:43 | 0:52:46 | |
Oh, my gosh! | 0:52:48 | 0:52:49 | |
I look like some mechanical little being when I'm trying to... | 0:52:51 | 0:52:55 | |
Look how big he is. My head was as big as his arms. | 0:52:55 | 0:52:58 | |
He was such a big man. | 0:52:58 | 0:53:01 | |
He could have held me up | 0:53:01 | 0:53:02 | |
like I'd been on one of those little animatronic things, legs moving. | 0:53:02 | 0:53:06 | |
You got the message now? | 0:53:06 | 0:53:07 | |
# Not giving in... # | 0:53:11 | 0:53:14 | |
..make his own sandwiches! | 0:53:17 | 0:53:19 | |
'Strutting around in that red coat.' | 0:53:19 | 0:53:21 | |
How long have you known me? | 0:53:21 | 0:53:22 | |
Oh, here we go! | 0:53:22 | 0:53:23 | |
Exactly six years and I've never lied to you, not once. | 0:53:23 | 0:53:27 | |
But you see me with another guy | 0:53:27 | 0:53:29 | |
and the first thought in your head is that I'm a cheat. | 0:53:29 | 0:53:31 | |
The first thought? | 0:53:31 | 0:53:32 | |
She's such a naggy girlfriend. I know. | 0:53:32 | 0:53:35 | |
For six years, Jay, I've been your friend - through police, | 0:53:35 | 0:53:38 | |
prison, and you're so moody. | 0:53:38 | 0:53:40 | |
My parents hate you, | 0:53:40 | 0:53:42 | |
but I didn't mind because I thought you were special. | 0:53:42 | 0:53:45 | |
I thought you were a good person. | 0:53:45 | 0:53:46 | |
'"Don't laugh at me! | 0:53:46 | 0:53:48 | |
"Don't laugh at me with your mates!" Girl power! Yeah, girl power! | 0:53:48 | 0:53:52 | |
Stop smiling! I was there for you. | 0:53:52 | 0:53:55 | |
All this stuff with Ben, I was there. | 0:53:55 | 0:53:57 | |
How do you repay me, by calling me a cheat? All right. | 0:53:57 | 0:54:01 | |
No, it's not all right. I am NOT a cheat. | 0:54:01 | 0:54:05 | |
Oh, no, you love Tamwar. | 0:54:07 | 0:54:09 | |
I am a good person with a good heart and I love you. | 0:54:09 | 0:54:12 | |
But if you can't see it, that's your problem, | 0:54:12 | 0:54:14 | |
but you do NOT take it out on me. | 0:54:14 | 0:54:16 | |
I am sick of everyone taking everything out on me. | 0:54:16 | 0:54:19 | |
I am sick of it! | 0:54:19 | 0:54:21 | |
'Good scene, that, isn't it? | 0:54:23 | 0:54:24 | |
'I remember everyone was banging on about how good that was. | 0:54:24 | 0:54:27 | |
'It just goes on and on and on and on.' | 0:54:27 | 0:54:29 | |
I think this was actually the change. | 0:54:29 | 0:54:32 | |
Actually, yeah, this was the start of it. | 0:54:32 | 0:54:34 | |
I would have been about 15, I think, yeah. | 0:54:34 | 0:54:36 | |
The first time I'd ever really got like, well, not lines, | 0:54:36 | 0:54:40 | |
but, like, a big monologue in front of everyone. | 0:54:40 | 0:54:43 | |
Yeah, cos Abbie had always been quiet and quite sort of... | 0:54:43 | 0:54:47 | |
Yeah. She never said boo to a goose, did she? Ding-dong! "I'll get it!" | 0:54:47 | 0:54:51 | |
# So I'll go before I fall to pieces... # | 0:54:51 | 0:54:55 | |
I love my family. I just live for my family, that's all. | 0:54:57 | 0:55:01 | |
They're all I had. And that's the problem, isn't it, Pauline? | 0:55:01 | 0:55:04 | |
They have had to carry the whole weight | 0:55:04 | 0:55:07 | |
and Martin is the only one left to do it now. | 0:55:07 | 0:55:08 | |
She's very glam, old Sonia there, what's happened? | 0:55:08 | 0:55:11 | |
And why shouldn't he? He's my son, he should look up to me. | 0:55:11 | 0:55:14 | |
It was nice, working with Wendy. | 0:55:14 | 0:55:16 | |
It was sometimes difficult but she just did what she did | 0:55:16 | 0:55:18 | |
and you had to sort of work around that. | 0:55:18 | 0:55:20 | |
I always found that quite a challenge, | 0:55:20 | 0:55:22 | |
but I think we worked quite well together, looking back at it. | 0:55:22 | 0:55:25 | |
I remember, God rest her soul, and I remember going to her house. | 0:55:25 | 0:55:31 | |
I used to stay there and we used to have a curry or whatever | 0:55:31 | 0:55:34 | |
and we used to run our lines in our pyjamas | 0:55:34 | 0:55:37 | |
and I actually remember those lines and sitting at Wendy's doing those. | 0:55:37 | 0:55:40 | |
Why do you hate me so much? | 0:55:40 | 0:55:44 | |
Because he's not safe with you. | 0:55:44 | 0:55:45 | |
He can't trust you. | 0:55:45 | 0:55:47 | |
You're full of your highfalutin ideas, your career, your job, | 0:55:47 | 0:55:52 | |
modern woman, always out and about. Everything's always about you. | 0:55:52 | 0:55:55 | |
That's what you can't stand, isn't it? | 0:55:55 | 0:55:58 | |
The fact I've got a life outside. | 0:55:58 | 0:56:00 | |
I've got something I can call my own apart from my child. | 0:56:00 | 0:56:03 | |
That's right because it's selfish. It's all wrong! | 0:56:03 | 0:56:06 | |
And I'm in your way, aren't I? He's my son! | 0:56:06 | 0:56:08 | |
And you can't share him like a normal mother? No, I can't! | 0:56:08 | 0:56:11 | |
Well, that's just sick! Sick? Not as sick as you are. | 0:56:11 | 0:56:14 | |
Daughter of a scrubber, | 0:56:14 | 0:56:16 | |
lesbian, underage mother who gave away her own baby? | 0:56:16 | 0:56:20 | |
SHE GASPS | 0:56:21 | 0:56:24 | |
That's a very powerful, strong piece of work there. | 0:56:24 | 0:56:29 | |
It's lovely seeing Sonia like that. | 0:56:29 | 0:56:32 | |
Carol and Sonia, we're quite hitters, aren't we? | 0:56:32 | 0:56:34 | |
Yeah! Got a right hook! | 0:56:34 | 0:56:37 | |
# Take me to church | 0:56:37 | 0:56:39 | |
# I'll worship like a dog at the shrine of your lies... # | 0:56:39 | 0:56:42 | |
There ain't a great tradition of after-dinner speaking | 0:56:42 | 0:56:48 | |
in the Carter clan. | 0:56:48 | 0:56:50 | |
'Merry Christmas! Oh, dear.' | 0:56:50 | 0:56:52 | |
I may not get another chance. | 0:56:52 | 0:56:54 | |
'That's a year ago.' | 0:56:54 | 0:56:55 | |
I know, I know it is, Dan. BLEEP! | 0:56:55 | 0:56:59 | |
..a good husband. Treat her like a queen. | 0:57:01 | 0:57:04 | |
I mean, I think this is up there | 0:57:04 | 0:57:05 | |
with one of the best Christmas eps. | 0:57:05 | 0:57:07 | |
I think this is a real dark proper EastEnders Christmas, isn't it? | 0:57:07 | 0:57:11 | |
It was. It was brilliant. | 0:57:11 | 0:57:13 | |
Mick. Mick. Mick. | 0:57:13 | 0:57:16 | |
Oh, here she is. | 0:57:16 | 0:57:19 | |
'I'm reacting to the rape thing, the mother thing. | 0:57:19 | 0:57:22 | |
'Yeah, I know, you just found out. The brother thing.' | 0:57:22 | 0:57:24 | |
Not now. It's important. | 0:57:24 | 0:57:25 | |
'Stan not being my dad.' | 0:57:25 | 0:57:27 | |
Please, Mick, outside. | 0:57:27 | 0:57:28 | |
'All in one go.' | 0:57:28 | 0:57:30 | |
..cos you don't want him to hear what I've got to say. | 0:57:30 | 0:57:32 | |
You want to keep him close! Oh, it's Dean. Just in time for coffee. | 0:57:32 | 0:57:36 | |
You need to tell him the truth. | 0:57:36 | 0:57:38 | |
Stay outside! | 0:57:38 | 0:57:40 | |
Are you deaf? Mick... | 0:57:40 | 0:57:42 | |
She said stay out. Mick, she is lying to you! | 0:57:42 | 0:57:44 | |
We're sitting down cos it's about the big stunt. | 0:57:44 | 0:57:46 | |
What we're gonna do, what are you going to do to him and all that. | 0:57:46 | 0:57:49 | |
They turned down everything I wanted to do to him. | 0:57:49 | 0:57:51 | |
I really wanted to nut him and I was only allowed three punches | 0:57:51 | 0:57:54 | |
and that was winding me up. | 0:57:54 | 0:57:56 | |
She's lying to you. Look at me. Look at me! She's been lying to you... | 0:57:56 | 0:57:59 | |
That's when I wanted to nut him, there. | 0:57:59 | 0:58:01 | |
Wanted to just give him a little cheeky nut, even a double nut. Yeah. | 0:58:01 | 0:58:05 | |
Like a boom-boom! | 0:58:05 | 0:58:06 | |
Mick, no! | 0:58:06 | 0:58:07 | |
We had a rubber table, rubber chair... | 0:58:09 | 0:58:11 | |
I know, bless him. | 0:58:11 | 0:58:12 | |
And the table was cracked in the middle, wasn't it, | 0:58:12 | 0:58:15 | |
so I had to throw him on a certain part. | 0:58:15 | 0:58:17 | |
Mick, you're killing him! | 0:58:19 | 0:58:21 | |
Please stop! | 0:58:21 | 0:58:23 | |
To be fair, I think he gets off quite lightly. | 0:58:25 | 0:58:28 | |
HE'S YOUR BROTHER! | 0:58:28 | 0:58:31 | |
Dean is your brother. | 0:58:36 | 0:58:39 | |
I think we couldn't have done any better, to be honest with you. | 0:58:39 | 0:58:44 | |
# To make me feel this way | 0:58:44 | 0:58:48 | |
# What a wicked thing to do... # | 0:58:48 | 0:58:51 | |
No, no! What's this? | 0:58:51 | 0:58:54 | |
SHE GASPS AND LAUGHS | 0:58:54 | 0:58:57 | |
Who are you? | 0:59:01 | 0:59:02 | |
'Night shoots. I love night shoots. | 0:59:02 | 0:59:04 | |
'It feels different when you do a night shoot, doesn't it?' | 0:59:04 | 0:59:07 | |
What do you want? | 0:59:07 | 0:59:08 | |
I look so good as a cat, it's a joke. | 0:59:08 | 0:59:10 | |
Just putting it out there. I look so good as a weeping angel, so... | 0:59:10 | 0:59:14 | |
Unbelievable! | 0:59:14 | 0:59:15 | |
'Is that Abi in the mask? Wait for it, wait for it!' | 0:59:23 | 0:59:26 | |
THEY LAUGH | 0:59:28 | 0:59:31 | |
We couldn't do that scene, could we? | 0:59:31 | 0:59:32 | |
Seriously, this was probably the hardest scene | 0:59:32 | 0:59:35 | |
I've ever done, this scene. In my life. | 0:59:35 | 0:59:37 | |
It actually was. What, cos of laughing? | 0:59:37 | 0:59:39 | |
We just couldn't cope. | 0:59:39 | 0:59:40 | |
But, at the time, I had to pull up my cloak | 0:59:40 | 0:59:43 | |
cos I was too short for it. She was just like... | 0:59:43 | 0:59:46 | |
It was so funny. | 0:59:48 | 0:59:49 | |
Oh, nothing is ever your fault, is it? | 0:59:49 | 0:59:51 | |
I mean, drinking yourself stupid, running over Dad, | 0:59:51 | 0:59:54 | |
telling Mum about his affair. | 0:59:54 | 0:59:56 | |
It always has to be so difficult with you, doesn't it? | 0:59:56 | 0:59:58 | |
You were always left this poor little victim and look at me! | 0:59:58 | 1:00:01 | |
My life is worse than before! | 1:00:01 | 1:00:02 | |
'This was a good scene, though. | 1:00:02 | 1:00:04 | |
'I really enjoyed it, actually. When we read it, we were like, "What?"' | 1:00:04 | 1:00:08 | |
John Howlett directed it and he kept being like, | 1:00:08 | 1:00:10 | |
"I promise you, it will look fine." And we couldn't stop laughing. | 1:00:10 | 1:00:13 | |
We were like, "I just can't see it." I remember reading it. It was weird, | 1:00:13 | 1:00:16 | |
she just suddenly snaps and tries to drown her. | 1:00:16 | 1:00:18 | |
It was a bit strange. But, no, it works well. Yeah, it does work. | 1:00:18 | 1:00:21 | |
You never take me seriously. | 1:00:21 | 1:00:23 | |
Why don't you just shut up? | 1:00:23 | 1:00:29 | |
who could be a murderer... | 1:00:29 | 1:00:30 | |
ABI SHOUTS | 1:00:30 | 1:00:31 | |
THEY LAUGH | 1:00:35 | 1:00:39 | |
Remember that? The whole table went over and it wasn't meant to. | 1:00:43 | 1:00:47 | |
SHE GASPS FOR BREATH | 1:00:49 | 1:00:52 | |
You were pregnant at the time, do you remember? Yeah. | 1:00:52 | 1:00:55 | |
How many people had to come on set for the stunt? | 1:00:55 | 1:00:57 | |
Oh, my God, it was a joke. What, cos you were pregnant? | 1:00:57 | 1:01:00 | |
You don't want to put your head | 1:01:00 | 1:01:01 | |
in a bowl of water when you're pregnant. I know. | 1:01:01 | 1:01:04 | |
And, on one of them, I accidentally hit your nose. | 1:01:04 | 1:01:06 | |
I felt it hit the table and I was like, "Oh, no! | 1:01:06 | 1:01:09 | |
"Have I hurt anything?" | 1:01:09 | 1:01:11 | |
'My friend's birthday was straight after this | 1:01:13 | 1:01:15 | |
'and I didn't have enough time so I went as a cat. | 1:01:15 | 1:01:18 | |
'Did anyone recognise you?' | 1:01:18 | 1:01:19 | |
No, it was dark and they were all really drunk and like, | 1:01:19 | 1:01:22 | |
"Why are you a cat?" I was just like, "Hey!" | 1:01:22 | 1:01:25 | |
It's a new thing I'm trying. Yeah! I quite liked it, I liked being a cat. | 1:01:25 | 1:01:30 | |
I even took a little pic in my dressing room. | 1:01:30 | 1:01:33 | |
# You only get one shot | 1:01:36 | 1:01:38 | |
# So make it count | 1:01:38 | 1:01:40 | |
# You might never get this moment again... # | 1:01:40 | 1:01:43 | |
Bradley! | 1:01:43 | 1:01:45 | |
Oh! Here we go, look. | 1:01:45 | 1:01:46 | |
I can't believe that's five years ago. | 1:01:46 | 1:01:48 | |
I've got goose bumps. | 1:01:48 | 1:01:50 | |
'I was so nervous watching it. | 1:01:52 | 1:01:54 | |
'I think everyone watching it as a viewer must have been.' | 1:01:54 | 1:01:56 | |
"What if something goes wrong? | 1:01:56 | 1:01:58 | |
"If something goes wrong, this could ruin everything. | 1:01:58 | 1:02:01 | |
"If something goes wrong, that's it." | 1:02:01 | 1:02:02 | |
Stace! | 1:02:02 | 1:02:05 | |
Stace, run! | 1:02:05 | 1:02:08 | |
Oh, that's so sad! Bradley! | 1:02:12 | 1:02:14 | |
That was Charlie Clements' last scene, do you remember? | 1:02:14 | 1:02:18 | |
Bradley! Bradley! | 1:02:19 | 1:02:20 | |
Bradley! | 1:02:20 | 1:02:22 | |
HE CRIES | 1:02:23 | 1:02:26 | |
THEY LAUGH | 1:02:28 | 1:02:30 | |
In the script, it had Max being sick | 1:02:30 | 1:02:33 | |
so I think we talked about putting chicken soup | 1:02:33 | 1:02:36 | |
in your mouth or something, but they couldn't find a gap to do it. | 1:02:36 | 1:02:40 | |
I'd been doing that all week, | 1:02:40 | 1:02:41 | |
sticking my fingers down my throat and I don't think they'd seen it. | 1:02:41 | 1:02:44 | |
I think they caught it on that. | 1:02:44 | 1:02:45 | |
Oh, they should have cut quicker. I think so, yeah. | 1:02:45 | 1:02:48 | |
It's all right, all part of the joy. | 1:02:48 | 1:02:51 | |
It's definitely one of the best episodes. | 1:02:51 | 1:02:52 | |
I think this works, this little wobble. Yeah, I do. | 1:02:54 | 1:02:57 | |
Quite good, even with the camera going a bit... | 1:02:57 | 1:03:00 | |
Yeah, I like that. It adds to it. | 1:03:00 | 1:03:01 | |
But I think if it's perfect, | 1:03:01 | 1:03:03 | |
people don't know they're watching a live episode. Yeah. | 1:03:03 | 1:03:06 | |
Bradley didn't do it! | 1:03:06 | 1:03:09 | |
He didn't do it! I know he didn't do it. It was me. | 1:03:09 | 1:03:13 | |
I did it. | 1:03:15 | 1:03:17 | |
I killed Archie. | 1:03:17 | 1:03:19 | |
Me and Lacey found out half an hour before we went live with it. Really? | 1:03:19 | 1:03:22 | |
We got a knock on the door, yeah. That's so scary. | 1:03:22 | 1:03:25 | |
Did you rehearse all different endings? | 1:03:25 | 1:03:27 | |
We had nine or ten different endings or something like that. | 1:03:27 | 1:03:30 | |
One which I knew it wasn't going to be | 1:03:30 | 1:03:32 | |
was Billy Mitchell in his underpants. | 1:03:32 | 1:03:35 | |
What, being like, "I killed Archie"? | 1:03:36 | 1:03:37 | |
Yeah, he comes down the Vic in his underpants and says, | 1:03:37 | 1:03:40 | |
"I killed Archie"! I went, "No, it's not him." | 1:03:40 | 1:03:43 | |
What were you more nervous for - Strictly or this live? | 1:03:43 | 1:03:47 | |
Strictly. Really? | 1:03:47 | 1:03:49 | |
Yeah, at least I'm doing a job I know what I'm half-doing there. | 1:03:49 | 1:03:51 | |
To be honest, by the time we got to the lives this year, | 1:03:51 | 1:03:53 | |
it was just a doddle. | 1:03:53 | 1:03:55 | |
Once you do something like Strictly, it's like... | 1:03:55 | 1:03:58 | |
That's just, yeah, a walk in the park. Yeah. | 1:03:58 | 1:04:01 | |
# We could be heroes | 1:04:01 | 1:04:08 | |
# We could be heroes... # | 1:04:08 | 1:04:09 | |
Peggy! Oh, I was so jealous of this scene. | 1:04:09 | 1:04:12 | |
She is the guv'nor. So, to do a scene with her, it goes two ways - | 1:04:12 | 1:04:18 | |
either you melt or you go, "I'm going to show off." | 1:04:18 | 1:04:21 | |
Can I help you? | 1:04:22 | 1:04:25 | |
Oh, no, thanks, no, no. | 1:04:25 | 1:04:28 | |
I'm not stopping. | 1:04:28 | 1:04:30 | |
It's just, er, this is my boozer. | 1:04:30 | 1:04:33 | |
Oh! So, YOU'RE Mick Carter. | 1:04:33 | 1:04:36 | |
The one and only. And you are? | 1:04:36 | 1:04:39 | |
Well, let's just say, me and her, we go back a long way. | 1:04:39 | 1:04:43 | |
'She was quite nervous.' | 1:04:43 | 1:04:44 | |
It helped me showing off a little bit | 1:04:44 | 1:04:46 | |
because I think if she'd been really overconfident, | 1:04:46 | 1:04:49 | |
I might have gone, "Oh, hold on a minute. | 1:04:49 | 1:04:51 | |
"Maybe I'm not ready to be in front of Peggy." | 1:04:51 | 1:04:54 | |
Well, if you're not buying, you might as well shoot off. | 1:04:54 | 1:04:57 | |
I beg your pardon? | 1:04:59 | 1:05:00 | |
She was the one, apparently, who called it on. | 1:05:00 | 1:05:02 | |
She wanted me to say, "Get out of my pub!" | 1:05:02 | 1:05:05 | |
And I thought, "How am I going to do it? I can't do it like her." | 1:05:05 | 1:05:07 | |
You heard me. Get out of my pub. | 1:05:07 | 1:05:10 | |
'You did it so tongue in cheek, it was brilliant.' | 1:05:11 | 1:05:15 | |
You want to watch that pump on the right. It sticks a bit. | 1:05:15 | 1:05:18 | |
She is the most iconic person, I feel, from the show. | 1:05:20 | 1:05:25 | |
# We could be heroes Me and you... # | 1:05:25 | 1:05:29 | |
To icons. Yes, to icons! | 1:05:29 | 1:05:32 | |
Two icons. Mmm! | 1:05:32 | 1:05:36 | |
Clever BLEEP! | 1:05:36 | 1:05:38 | |
# Broken pieces | 1:05:38 | 1:05:41 | |
# You pick them up | 1:05:41 | 1:05:42 | |
# Don't leave me hanging, hanging... # | 1:05:42 | 1:05:45 | |
What's this? Ohhhh! SHE GASPS | 1:05:45 | 1:05:48 | |
This was the whole live ep, wasn't it? | 1:05:50 | 1:05:51 | |
Oh, yes. This was the one. | 1:05:51 | 1:05:53 | |
Just before this bit here, | 1:05:53 | 1:05:54 | |
I have to wait seven minutes outside that door. | 1:05:54 | 1:05:57 | |
'However it goes down, | 1:05:57 | 1:05:58 | |
'I've got to walk in that boozer and deal with it. | 1:05:58 | 1:06:00 | |
'Look around - I feel there is that live thing going on | 1:06:00 | 1:06:04 | |
'if you look at the faces of the other people.' | 1:06:04 | 1:06:06 | |
Mick? Are you all right? | 1:06:06 | 1:06:09 | |
You're shaking. | 1:06:09 | 1:06:11 | |
'You're meant to be quite nervy in this, anyway. | 1:06:11 | 1:06:13 | |
I'm meant to be nervy cos I think I've just killed someone. Yes. | 1:06:13 | 1:06:16 | |
Bring it all together with the live, it works beautifully. | 1:06:16 | 1:06:19 | |
The thing is there's something... No, wait. | 1:06:19 | 1:06:23 | |
To be fair, we rehearsed the BLEEP out of this. | 1:06:23 | 1:06:26 | |
We did rehearse it a lot, dear, yes. | 1:06:26 | 1:06:29 | |
I've loved you since I was a little girl. | 1:06:29 | 1:06:31 | |
And I want you to be my husband. | 1:06:32 | 1:06:34 | |
Marry me. | 1:06:36 | 1:06:37 | |
Ohhh! | 1:06:37 | 1:06:40 | |
Not here, L, not now. I enjoyed the live, I enjoyed being part of it. | 1:06:42 | 1:06:45 | |
No, no. I wouldn't want to do it again. No more. I can't be bothered. | 1:06:45 | 1:06:49 | |
I'm too lazy. | 1:06:49 | 1:06:51 | |
What's the matter with me? | 1:06:53 | 1:06:54 | |
Of course I'll marry you! | 1:06:59 | 1:07:01 | |
I'm wondering where we go next, baby. I know, I know! | 1:07:03 | 1:07:05 | |
So that's two years. It'll be the affair. | 1:07:05 | 1:07:07 | |
That's the last two years. | 1:07:07 | 1:07:09 | |
No, it will never be an affair. I don't think it should be. | 1:07:09 | 1:07:12 | |
There'll be stuff that tests us, I don't doubt that. | 1:07:12 | 1:07:15 | |
Well, we've just got married, haven't we? | 1:07:15 | 1:07:17 | |
Oh, we HAVE! Yeah! | 1:07:17 | 1:07:19 | |
# Let the music play | 1:07:22 | 1:07:24 | |
# He won't get away... # | 1:07:24 | 1:07:27 | |
That was nice, wasn't it? | 1:07:27 | 1:07:29 | |
SONIA BLOWS SOME NOTES | 1:07:29 | 1:07:31 | |
Awww! | 1:07:32 | 1:07:35 | |
I loved that bridesmaid dress. | 1:07:38 | 1:07:40 | |
THEY LAUGH | 1:07:43 | 1:07:44 | |
You never could play it, could you? No. | 1:07:44 | 1:07:47 | |
Time to go, Sonia, thanks, darling. | 1:07:47 | 1:07:50 | |
Sonia, enough! | 1:07:50 | 1:07:51 | |
Aww! Nice little family, weren't we? | 1:07:54 | 1:07:56 | |
When did they tell you you were going to play a trumpet, then? | 1:07:56 | 1:08:00 | |
I don't really remember. | 1:08:00 | 1:08:01 | |
I just came into it and I remember a teacher coming over | 1:08:01 | 1:08:05 | |
and showing me how to do it. You had a teacher? | 1:08:05 | 1:08:07 | |
Showing me how to play the notes, but they always wanted it bad. | 1:08:07 | 1:08:10 | |
Natalie, would you like to have a look behind the sofa? | 1:08:10 | 1:08:13 | |
Oh, is there a trumpet? That means you have to play it now. | 1:08:14 | 1:08:18 | |
I'll tell you a very big secret, though, which you're not going | 1:08:18 | 1:08:21 | |
to like, but the real trumpet is in my father's loft. | 1:08:21 | 1:08:23 | |
Oh, you pinched the trumpet? I've got the original trumpet at home. | 1:08:23 | 1:08:27 | |
Don't tell anyone. | 1:08:27 | 1:08:28 | |
Because I thought, if in hard times, I can eBay it. | 1:08:28 | 1:08:31 | |
The amount of people that shout, "Sonia, where's your trumpet?" | 1:08:31 | 1:08:34 | |
Still to this day... | 1:08:34 | 1:08:35 | |
What would be brilliant, wouldn't it, is if I had some lessons now... | 1:08:35 | 1:08:39 | |
And you played it really, really well? Like Acker Bilk or somebody? | 1:08:39 | 1:08:42 | |
Yeah. That would be great. Doo-doo-doo-doo! | 1:08:42 | 1:08:45 | |
SHE BLOWS SOME WEAK NOTES | 1:08:48 | 1:08:50 | |
I can still get a noise out of it. That's very good. | 1:08:54 | 1:08:56 | |
Is it hard to get a noise out of a trumpet? You have a go. | 1:08:58 | 1:09:01 | |
SHE BLOWS AIR | 1:09:03 | 1:09:04 | |
I rest my case. | 1:09:07 | 1:09:09 | |
# Let the music play... # | 1:09:09 | 1:09:11 | |
EASTENDERS DUFF-DUFFS I love hearing this. | 1:09:11 | 1:09:14 | |
Yeah. Yeah. | 1:09:14 | 1:09:17 | |
I find it quite comforting. It's a bit like a warm blanket. | 1:09:17 | 1:09:20 | |
It's like having a sticky toffee pudding. It IS like that. | 1:09:20 | 1:09:23 | |
That's that! Lovely. Put the kettle on. Glass of wine. | 1:09:23 | 1:09:28 | |
Obviously, I miss working with a few people. | 1:09:28 | 1:09:31 | |
THEY SNIGGER Any names? | 1:09:31 | 1:09:32 | |
I can't think of any... Eh? | 1:09:32 | 1:09:34 | |
Any names? Any names spring to mind? No, no names. | 1:09:34 | 1:09:38 | |
We might just have to cuddle each other. | 1:09:38 | 1:09:41 | |
Ganging up on me. | 1:09:41 | 1:09:43 | |
It's great working with you, Danny Dyer. | 1:09:44 | 1:09:47 | |
Yeah, isn't it lovely working with me? Eh? You're so lucky. | 1:09:47 | 1:09:51 | |
Lucky old me! Lucky old me! | 1:09:51 | 1:09:53 | |
She's a lucky little cow, she is. Oh, God! God! | 1:09:53 | 1:09:56 | |
We done? I think they'll BLEEP milk that, yeah. | 1:10:21 | 1:10:23 | |
MUSIC: Low Rider by War | 1:10:28 | 1:10:31 | |
# All my friends know the low rider | 1:10:32 | 1:10:36 | |
# The low rider is a little higher... # | 1:10:38 | 1:10:43 |