Browse content similar to 03/11/2013. Check below for episodes and series from the same categories and more!
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'Hi, you've reached Alice's phone...' | 0:00:25 | 0:00:28 | |
Thanks, Carol, no-one does a fry up like you, sweetheart. | 0:00:36 | 0:00:38 | |
Britain's Got Talent, here I come(!) | 0:00:38 | 0:00:41 | |
So listen, are you still OK about what we spoke about? | 0:00:44 | 0:00:49 | |
You're going to stick to it, yeah? | 0:00:49 | 0:00:53 | |
Yes. Yes, absolutely. | 0:00:53 | 0:00:56 | |
Good. Listen, when we get back to the pub, | 0:00:56 | 0:00:58 | |
I'm going to give the vicar a call, | 0:00:58 | 0:01:00 | |
see if we can bring the wedding forward, yeah? | 0:01:00 | 0:01:02 | |
With a bit of luck, we will be Mr and Mrs Moon by the end of the year. | 0:01:02 | 0:01:05 | |
Oh, yes. | 0:01:05 | 0:01:08 | |
Michael. Joseph. | 0:01:11 | 0:01:13 | |
You seen her this morning? She came downstairs for a cup of tea, | 0:01:13 | 0:01:16 | |
and then said she wasn't feeling very well. | 0:01:16 | 0:01:19 | |
Did she seem upset? I mean, I was going to take her out for breakfast, | 0:01:19 | 0:01:22 | |
try and make up for how we left things last week. | 0:01:22 | 0:01:24 | |
That's very thoughtful of you, Joseph, but I don't think that | 0:01:24 | 0:01:27 | |
particular blandishment will mollify her, somehow. | 0:01:27 | 0:01:30 | |
Bye. | 0:01:31 | 0:01:33 | |
Oh! Morning. Morning. | 0:01:37 | 0:01:40 | |
I know what you must be thinking. | 0:01:40 | 0:01:42 | |
I don't look old enough to be a mother, let alone 30. | 0:01:42 | 0:01:44 | |
There's probably a few in there for me today. | 0:01:44 | 0:01:47 | |
Um, sorry. Nothing here for you. | 0:01:47 | 0:01:49 | |
There must be something. | 0:01:49 | 0:01:50 | |
Sorry. See you again. | 0:01:50 | 0:01:52 | |
Right, there you go. Is that the kit? | 0:01:56 | 0:01:59 | |
Never you mind, hop-along. | 0:01:59 | 0:02:00 | |
Oi, Billy's got every chance of wearing one of these kits. | 0:02:00 | 0:02:04 | |
As long as he earns it. | 0:02:04 | 0:02:05 | |
Yeah, my metatarsal's healed up good and proper now. | 0:02:05 | 0:02:07 | |
What? Your metatarsal? You mean your stubbed toe. | 0:02:07 | 0:02:11 | |
What do you reckon? A bunch of hairy blokes with "beauty" | 0:02:11 | 0:02:14 | |
written across their chests. | 0:02:14 | 0:02:15 | |
They'll think you're the entertainment! | 0:02:15 | 0:02:17 | |
Pints all round, yeah? | 0:02:17 | 0:02:19 | |
You know what, you must've been born with a beer pump in your hand. | 0:02:20 | 0:02:23 | |
It's just too natural. It's too natural. | 0:02:23 | 0:02:25 | |
Do I take that as a compliment? | 0:02:25 | 0:02:27 | |
Lager's gone. I'll just go and change the barrel. | 0:02:27 | 0:02:30 | |
OK. Hear ye, hear ye - the landlord is back. | 0:02:30 | 0:02:34 | |
Hey, boss, what you doing here? We live here, Fats. You missed us? | 0:02:35 | 0:02:38 | |
Depends. Are we getting a free round? | 0:02:38 | 0:02:40 | |
OK, fellas, on the house, what's your poison? | 0:02:40 | 0:02:42 | |
Actually, we... It's not like you lot to turn down a freebie is it, eh? | 0:02:42 | 0:02:46 | |
You're back. | 0:02:46 | 0:02:48 | |
Um, Kat actually saved my life a couple of times | 0:02:51 | 0:02:55 | |
while you was away, boss. | 0:02:55 | 0:02:57 | |
We're very grateful, aren't we, Alfie? | 0:02:57 | 0:03:01 | |
Yeah, yeah, course we are. Yeah. Thank you. | 0:03:01 | 0:03:04 | |
We'll take it from here now, all right, Kat? | 0:03:08 | 0:03:11 | |
Tell Tommy I'll see him later, yeah? | 0:03:11 | 0:03:14 | |
Welcome home. | 0:03:14 | 0:03:15 | |
Right. There you go. | 0:03:18 | 0:03:19 | |
Oh, I was hoping to see you this morning. | 0:03:19 | 0:03:22 | |
Look, I'm really sorry again about Sharon. | 0:03:22 | 0:03:24 | |
No, I am. I'm sorry. I shouldn't have kicked off at you like that. | 0:03:24 | 0:03:28 | |
I know you were trying to help. You know, what with Jack going, | 0:03:28 | 0:03:31 | |
and all this stuff with Dennis, things just got on top of me. | 0:03:31 | 0:03:35 | |
Are you all right, though? | 0:03:35 | 0:03:37 | |
Not really. Just waiting to go down that police station. | 0:03:37 | 0:03:39 | |
It's doing my head in, to be honest. | 0:03:39 | 0:03:41 | |
Right, well, get over there and get stuck into some washing up. | 0:03:41 | 0:03:44 | |
There's nothing like a bit of hard graft | 0:03:44 | 0:03:46 | |
to take your mind off things. | 0:03:46 | 0:03:48 | |
The sooner you give this statement, the sooner you can put all | 0:03:48 | 0:03:50 | |
this behind you. You think it will be over and done with like that? | 0:03:50 | 0:03:53 | |
It better had. I can't handle any more aggravation at my age. | 0:03:53 | 0:03:57 | |
Will you look after Amy for me? | 0:04:01 | 0:04:04 | |
Yeah, sure. Where you off to? | 0:04:04 | 0:04:06 | |
We had a deal, didn't we? | 0:04:06 | 0:04:09 | |
Time for me to go and do my bit. | 0:04:09 | 0:04:10 | |
All right, Carol? All right? | 0:04:16 | 0:04:18 | |
Do us one of my coffees on the quick, will you? | 0:04:18 | 0:04:21 | |
Oi! Is this your grand plan to make some cash, is it? | 0:04:21 | 0:04:24 | |
Sloping off early from the car lot to scoff doughnuts? | 0:04:24 | 0:04:27 | |
A good salesman always keeps his blood sugar level up. | 0:04:27 | 0:04:31 | |
Trick of the trade. | 0:04:31 | 0:04:33 | |
Listen, can you knock off early? | 0:04:33 | 0:04:35 | |
Only it's not fair that Liam's baby-sitting | 0:04:35 | 0:04:37 | |
all of his half term, is it? | 0:04:37 | 0:04:39 | |
On the other hand a good salesman never knocks off early. Sorry. | 0:04:39 | 0:04:42 | |
Course not. Why pull your weight | 0:04:42 | 0:04:43 | |
when you're staying rent-free and getting all your food cooked? | 0:04:43 | 0:04:46 | |
No. Milk? I'm going to go and get you some milk. | 0:04:46 | 0:04:49 | |
Do you think there's a chance she'll give me a break? | 0:04:49 | 0:04:53 | |
Sharon, look, I know that Carol thinks things went too far | 0:04:53 | 0:04:59 | |
the other night... Yeah, too right they did. | 0:04:59 | 0:05:01 | |
With any luck you'll be without a job by this afternoon. | 0:05:01 | 0:05:03 | |
You might want to get your coffee somewhere else today, Sharon. | 0:05:03 | 0:05:06 | |
Excuse me? You heard. You should be ashamed of yourselves. | 0:05:06 | 0:05:09 | |
Hey... I'm going to lose everything, aren't I? | 0:05:12 | 0:05:15 | |
Not on my watch, you ain't. | 0:05:15 | 0:05:18 | |
No, no, no, don't. Um... | 0:05:24 | 0:05:27 | |
I need to say something, so please, please just let me say it, OK? | 0:05:30 | 0:05:35 | |
Me and Alfie, we made some decisions whilst we were away | 0:05:38 | 0:05:42 | |
about our future, about how if we're going to have a future, | 0:05:42 | 0:05:46 | |
and I really want that, Ron, I do... | 0:05:46 | 0:05:48 | |
..that I can't see you any more. | 0:05:53 | 0:05:55 | |
And I've got to stick to it this time, OK? | 0:05:55 | 0:05:57 | |
Please. Please let me finish. | 0:05:57 | 0:05:59 | |
Me and Alfie, we've been trying for a baby of our own. | 0:06:04 | 0:06:08 | |
We want to be a proper family, Ron. | 0:06:08 | 0:06:11 | |
Ron, if I could have that and have you, I would, I swear to you... | 0:06:13 | 0:06:17 | |
But...Alfie won't have it. | 0:06:17 | 0:06:21 | |
What happened, it's not something he can just get over. | 0:06:24 | 0:06:28 | |
Ronnie...Ron, I love you. | 0:06:33 | 0:06:36 | |
I love you so much and I will always, | 0:06:38 | 0:06:40 | |
always want the best for you. | 0:06:40 | 0:06:42 | |
So what you're saying is, just so we're clear... | 0:06:43 | 0:06:46 | |
..is that we can't be in each other's lives any more. | 0:06:49 | 0:06:52 | |
It's OK. It's OK. I understand. I really do. | 0:07:00 | 0:07:06 | |
I mean, what were we going to do? | 0:07:06 | 0:07:08 | |
Were we going to go back to Ibiza, Mitchell sisters? | 0:07:08 | 0:07:13 | |
Together forever? | 0:07:15 | 0:07:17 | |
No, Alfie's your future now. | 0:07:18 | 0:07:20 | |
It's only right. | 0:07:22 | 0:07:23 | |
SHE BREATHES OUT | 0:07:38 | 0:07:40 | |
You all right, Alice? | 0:07:42 | 0:07:44 | |
I thought I'd just nip home, see if you're feeling any better. | 0:07:44 | 0:07:48 | |
Al? | 0:07:49 | 0:07:51 | |
Yeah, Alice, I wondered | 0:07:52 | 0:07:54 | |
if you fancied going out for a bit of lunch, actually? | 0:07:54 | 0:07:58 | |
Oh, Rox, I managed to have a chinwag with the vicar | 0:07:58 | 0:08:00 | |
and he reckons he might have a cancellation in November. | 0:08:00 | 0:08:03 | |
That's good. That's good. We'll talk later, yeah? | 0:08:03 | 0:08:08 | |
SHE SOBS | 0:08:12 | 0:08:14 | |
Poppy. | 0:08:18 | 0:08:20 | |
Hello. All right? | 0:08:22 | 0:08:26 | |
Yep. | 0:08:26 | 0:08:28 | |
I'm sorry, did you want something? | 0:08:30 | 0:08:32 | |
Cos only the last time you took time out to have a chat | 0:08:32 | 0:08:35 | |
and walk me to work was, eh...never. | 0:08:35 | 0:08:38 | |
Clearly a huge oversight on my part. | 0:08:38 | 0:08:41 | |
You've got a strange manner about you, Mr Moon. | 0:08:41 | 0:08:43 | |
Has anyone ever said that before? | 0:08:43 | 0:08:45 | |
Daily. It grows on you if you give it a chance. | 0:08:45 | 0:08:47 | |
I'll explain my purpose if I may. | 0:08:47 | 0:08:49 | |
OK. Alice. | 0:08:49 | 0:08:51 | |
What is it with you and her? | 0:08:51 | 0:08:52 | |
I'm glad you asked. I'm concerned about her. | 0:08:52 | 0:08:55 | |
She's been...off-colour lately. | 0:08:55 | 0:08:57 | |
Yeah, it might have something to do with her dumping her | 0:08:57 | 0:08:59 | |
perfectly lovely boyfriend | 0:08:59 | 0:09:01 | |
and therefore spending all her time hanging round with you and Janine. | 0:09:01 | 0:09:01 | |
Not for a couple of days. I might give her a ring, though, | 0:09:09 | 0:09:11 | |
cos it sounds like she might need it. | 0:09:11 | 0:09:13 | |
Yeah. You're a good friend, Poppy. | 0:09:13 | 0:09:16 | |
Yeah. Yeah. | 0:09:16 | 0:09:18 | |
And you're creepy as. Just my opinion. | 0:09:18 | 0:09:21 | |
Michael said that she came home this morning. | 0:09:24 | 0:09:26 | |
Well, I haven't see her. I don't know why you're so worried. | 0:09:26 | 0:09:29 | |
She's a big girl. Michael! | 0:09:29 | 0:09:31 | |
All right? No, I'm not, Michael. | 0:09:35 | 0:09:36 | |
Obviously. I've just been to check on my sister. She ain't there. | 0:09:36 | 0:09:39 | |
Sure you saw her this morning? That's what I said. | 0:09:39 | 0:09:41 | |
Her phone keeps going straight to voice mail. | 0:09:41 | 0:09:43 | |
Do you reckon I should check with Janine, | 0:09:43 | 0:09:45 | |
see if she turned up for work? | 0:09:45 | 0:09:47 | |
Ah, that's it. Sorry, she's gone to see a mate. What mate? | 0:09:47 | 0:09:50 | |
I don't know. A generic girl's name like Emma or Betsy or Gemma. | 0:09:50 | 0:09:54 | |
The list is endless. I didn't remember it | 0:09:54 | 0:09:56 | |
because it was so boring, Kathleen. | 0:09:56 | 0:09:58 | |
Right, so, sorry, Michael, how come you know | 0:09:58 | 0:10:00 | |
so much about my sister's whereabouts and I don't? | 0:10:00 | 0:10:02 | |
Let me walk you through that one, Joey. | 0:10:02 | 0:10:04 | |
The reason why, is cos when was the last time you had a conversation | 0:10:04 | 0:10:07 | |
with her? Proper conversation? I rest my case. | 0:10:07 | 0:10:11 | |
Right. Well, did she say what time she'd be back, Michael? | 0:10:11 | 0:10:16 | |
Five o'clock. Dinner time. | 0:10:16 | 0:10:18 | |
Dinner time? Or thereabouts. | 0:10:18 | 0:10:20 | |
OK. Good. She better be. | 0:10:22 | 0:10:27 | |
Are you telling the truth? | 0:10:30 | 0:10:31 | |
What? | 0:10:41 | 0:10:43 | |
All right, darling? You can take your break now if you like. Thank you. | 0:10:47 | 0:10:50 | |
Just the paper please, Denise. | 0:10:50 | 0:10:52 | |
All right, Dan? Any idea when you're picking the final team? | 0:10:52 | 0:10:55 | |
Well, I haven't done it yet and I'm certainly not doing it now. | 0:10:55 | 0:10:58 | |
What's that, Dot's charity match? | 0:10:58 | 0:11:00 | |
Yeah. Billy's a little bit over-excited, anyway. | 0:11:00 | 0:11:03 | |
Just because all the others are treating it like a jolly-up | 0:11:03 | 0:11:06 | |
don't mean there's anything wrong with being committed. | 0:11:06 | 0:11:08 | |
I know I'm no spring chicken any more. | 0:11:08 | 0:11:10 | |
The understatement of the year... | 0:11:10 | 0:11:12 | |
But this could be my last chance for sporting glory. | 0:11:12 | 0:11:15 | |
Well, I'll be posting the final selection in the pub later. | 0:11:15 | 0:11:17 | |
Lay off the biscuits in the meantime. | 0:11:17 | 0:11:19 | |
Yeah, yeah. Course I will. | 0:11:19 | 0:11:22 | |
Den... Yeah? You haven't got any of them protein shakes, have you? | 0:11:22 | 0:11:25 | |
Course. On the third shelf down, | 0:11:25 | 0:11:26 | |
between the caviar and the quails' eggs. | 0:11:26 | 0:11:28 | |
Lovely. | 0:11:28 | 0:11:32 | |
Skiving off again? | 0:11:32 | 0:11:34 | |
Nope, half day. | 0:11:34 | 0:11:35 | |
I thought I'd let Liam go out with his mates for a change. | 0:11:35 | 0:11:39 | |
How did this happen? | 0:11:39 | 0:11:40 | |
You're putting the family first and I'm the one kicking off in the Vic! | 0:11:40 | 0:11:43 | |
Like Bianca wouldn't have given Sharon ten times as much | 0:11:43 | 0:11:45 | |
if she'd been over there. | 0:11:45 | 0:11:47 | |
I know, but what if Whit's right? | 0:11:47 | 0:11:48 | |
What if I have made things worse? Well, we'll deal with it, won't... | 0:11:48 | 0:11:51 | |
KEY TURNS IN DOOR Who's that? | 0:11:51 | 0:11:54 | |
Janine and the baby. | 0:11:54 | 0:11:55 | |
Janine, you can't just come barging in here when you feel like it. | 0:11:55 | 0:11:59 | |
All right, relax. I'm not here as the landlady. | 0:11:59 | 0:12:01 | |
I'm here to invite you all to a very special occasion this afternoon. | 0:12:01 | 0:12:05 | |
Oh, you leaving town? | 0:12:05 | 0:12:07 | |
Very funny. | 0:12:07 | 0:12:08 | |
No, it has actually been 30 years since the day of my birth. | 0:12:08 | 0:12:12 | |
I thought you'd like to come and pay your suitable respects. | 0:12:12 | 0:12:14 | |
No, not today, Janine. We've got too much going on, thank you. Come on. | 0:12:14 | 0:12:18 | |
It's going to be fun for the kids. Food, games, drinks... | 0:12:18 | 0:12:20 | |
Lovely. We wouldn't miss it for the world. | 0:12:20 | 0:12:22 | |
If I haven't said it already, I'm so glad that you are back in town. | 0:12:22 | 0:12:27 | |
Ta-ta. | 0:12:27 | 0:12:29 | |
The way to get rid of that girl is just tell her | 0:12:31 | 0:12:34 | |
what she wants to hear. | 0:12:34 | 0:12:35 | |
You know who taught me that, don't you? Frank. | 0:12:35 | 0:12:39 | |
HE LAUGHS | 0:12:39 | 0:12:41 | |
What do you want, Alfie? | 0:12:41 | 0:12:43 | |
Well, I just brought Tommy a little present. | 0:12:43 | 0:12:47 | |
He'd have loved it out there. | 0:12:47 | 0:12:49 | |
Is that supposed to make up for going away without a word? | 0:12:49 | 0:12:54 | |
You made me look a right mug earlier. | 0:12:54 | 0:12:56 | |
Sorry, but you shouldn't have been working behind the bar. | 0:12:56 | 0:12:58 | |
With all due respect, Fats should have phoned or asked me. | 0:12:58 | 0:13:01 | |
What else was he supposed to do? | 0:13:01 | 0:13:02 | |
You left him right in it. When are you going to learn that running off doesn't solve your problems? | 0:13:02 | 0:13:06 | |
Nobody's running off. We went to make some decisions, | 0:13:06 | 0:13:09 | |
one of those decisions being that we need to come up with a schedule | 0:13:09 | 0:13:12 | |
for when we're going to see Tommy and we need to stick to it. | 0:13:12 | 0:13:15 | |
As far as me and you goes, we need to have some distance between us. | 0:13:15 | 0:13:23 | |
Me and Roxy want a fresh start. | 0:13:23 | 0:13:24 | |
Then make one and stop blaming me and Ronnie for getting | 0:13:24 | 0:13:27 | |
in the way when it's YOU that can't let go of the past. | 0:13:27 | 0:13:30 | |
I don't believe you sometimes, Kat. | 0:13:30 | 0:13:33 | |
How can you forgive and forget what Ronnie did to our little boy? | 0:13:33 | 0:13:35 | |
I don't get it... Alfie, hold on. Tommy doesn't remember it. | 0:13:35 | 0:13:40 | |
He's got a mum and a dad and he's happy. | 0:13:40 | 0:13:42 | |
And forgiving is not the same as forgetting. | 0:13:42 | 0:13:44 | |
And if you can't do that, | 0:13:44 | 0:13:46 | |
the only person that will suffer here is Roxy. | 0:13:46 | 0:13:48 | |
I saw her crying after her meeting with Ronnie. | 0:13:51 | 0:13:54 | |
You used to say to me to not to let the past decide on the future. | 0:13:58 | 0:14:02 | |
Decide on the future. | 0:14:02 | 0:14:04 | |
Time to take your own advice, yeah? | 0:14:04 | 0:14:05 | |
Yeah. | 0:14:10 | 0:14:12 | |
You're right. | 0:14:12 | 0:14:14 | |
Tam - that's what they call you, isn't it? | 0:14:19 | 0:14:22 | |
Tam. Is that a term of endearment? | 0:14:22 | 0:14:24 | |
No, just what friends call me. | 0:14:24 | 0:14:26 | |
We never got to be friends, did we? | 0:14:26 | 0:14:28 | |
Yeah, that's a good thing. | 0:14:28 | 0:14:30 | |
You're being quite hostile with me, Tam...war. | 0:14:30 | 0:14:33 | |
Now just stop, just for a second. | 0:14:33 | 0:14:34 | |
We do have one thing in common though, don't we? | 0:14:34 | 0:14:37 | |
Quite a big thing. Alice. We have Alice in common. | 0:14:37 | 0:14:39 | |
No, we don't any more. We don't? | 0:14:39 | 0:14:41 | |
We broke up, it was awkward. | 0:14:42 | 0:14:44 | |
The last thing I want to do is talk to her. | 0:14:44 | 0:14:46 | |
I feel your pain, brother. I empathise. | 0:14:48 | 0:14:50 | |
'Hi, you've reached Alice's phone.' | 0:14:57 | 0:14:59 | |
Alice, come on, baby. | 0:14:59 | 0:15:02 | |
This is hard. I miss you. | 0:15:02 | 0:15:03 | |
Come on, I'm really sorry. I really messed up, Come back. | 0:15:03 | 0:15:07 | |
Come back, I'll make it right, yeah? Call me. | 0:15:07 | 0:15:11 | |
Balloons and banners all being delivered later, are they? | 0:15:19 | 0:15:22 | |
You what? Or should I add you to the list of people | 0:15:22 | 0:15:24 | |
that have completely forgotten my birthday? | 0:15:24 | 0:15:26 | |
Do you know Alice just hasn't turned up for work? | 0:15:27 | 0:15:30 | |
She's got her phone switched off so I can't even fire her... | 0:15:30 | 0:15:33 | |
Yeah, I was just going to pop out and get a few bits and pieces. | 0:15:33 | 0:15:36 | |
Relax, relax. | 0:15:36 | 0:15:37 | |
As if I'd actually rely on you to lay on any festivities. | 0:15:37 | 0:15:39 | |
No, I just wanted to invite you round for dinner later | 0:15:39 | 0:15:42 | |
with Lola and whatsername. Lexi. Lexi. | 0:15:42 | 0:15:44 | |
Janine, are you sure you're feeling all right? | 0:15:46 | 0:15:50 | |
I'm not ill, Billy, I'm just cheerful. | 0:15:50 | 0:15:53 | |
Looking forward to, you know, spending a nice evening | 0:15:53 | 0:15:55 | |
with my closest friends. | 0:15:55 | 0:15:57 | |
Right then. See you then. | 0:15:57 | 0:16:00 | |
Bye-bye. | 0:16:00 | 0:16:01 | |
Alice! Alice, you home? | 0:16:06 | 0:16:09 | |
Right, Michael, it's five o'clock. Where is she? | 0:16:09 | 0:16:11 | |
I told you, she's at a friend's house! | 0:16:11 | 0:16:13 | |
She didn't come home last night Michael, did she? | 0:16:13 | 0:16:15 | |
You've been lying to me all day, ain't you?! | 0:16:15 | 0:16:17 | |
Why am I being held culpable for this, by the way? | 0:16:17 | 0:16:19 | |
You're being very hostile with me. Pointing the fingers and all. | 0:16:19 | 0:16:21 | |
I'm feeling a bit worried. Michael, why are you making this worse? | 0:16:21 | 0:16:24 | |
What is all this?! Why are you joining in? | 0:16:24 | 0:16:26 | |
Will you shut up please, Michael? OK! If anything's happened to my sister... | 0:16:26 | 0:16:30 | |
Then I will be as upset and concerned as you clearly are, Joseph. | 0:16:30 | 0:16:34 | |
How do you know nothing's happened? Have you spoke to her? | 0:16:34 | 0:16:37 | |
Yeah, I spoke to her. | 0:16:37 | 0:16:39 | |
She called me, said she was going to stay at her friend's house. | 0:16:39 | 0:16:41 | |
She'll be back tomorrow evening. | 0:16:41 | 0:16:43 | |
I'm just supposed to believe you on that one, am I? | 0:16:43 | 0:16:45 | |
It's not me you're believing, it's her, OK? | 0:16:45 | 0:16:47 | |
You're casting aspersions on her word, not mine. | 0:16:47 | 0:16:49 | |
Come on, she's a sensible girl. She always does the right thing. | 0:16:49 | 0:16:52 | |
She's a paragon of virtue. | 0:16:52 | 0:16:53 | |
So if she said she was going to be back tomorrow evening, then she will. | 0:16:53 | 0:16:56 | |
So, why don't you talk me through exactly what happened | 0:17:11 | 0:17:13 | |
on the day that the complaint was made, Whitney? | 0:17:13 | 0:17:16 | |
OK. I was on playground duty on my own. | 0:17:16 | 0:17:21 | |
And everything was going well. | 0:17:21 | 0:17:22 | |
And when did you first cross with Dennis Rickman that day? | 0:17:22 | 0:17:25 | |
When he was running too fast in the playground. And he fell. | 0:17:25 | 0:17:32 | |
And what happened then? | 0:17:34 | 0:17:36 | |
Well, I made a joke with him about chasing after girls. | 0:17:36 | 0:17:40 | |
The other kids laughed but I don't think he took it too well. | 0:17:41 | 0:17:45 | |
Can you explain how Dennis may have got the injury | 0:17:53 | 0:17:56 | |
that his mother found when he arrived home? | 0:17:56 | 0:17:59 | |
Well, I told you - he fell over in the playground. | 0:18:01 | 0:18:05 | |
Look, please, I have a little brother and a sister, OK? | 0:18:07 | 0:18:11 | |
And they fall over all the time. They're covered in bruises. | 0:18:11 | 0:18:14 | |
It's not my fault, is it, that Sharon wraps her little prince in cotton wool? | 0:18:14 | 0:18:17 | |
Mrs Rickman's over-protective? | 0:18:17 | 0:18:19 | |
Yeah, and the rest. He is a nightmare. | 0:18:19 | 0:18:22 | |
And Sharon - Sharon thinks he can't do nothing wrong. | 0:18:22 | 0:18:26 | |
That's what this is really about, OK? | 0:18:26 | 0:18:28 | |
He is an obnoxious little tearaway who wants attention | 0:18:28 | 0:18:32 | |
and he's got some mad mother who's only too happy to give that to him. | 0:18:32 | 0:18:35 | |
Sorry. | 0:18:39 | 0:18:40 | |
I know I put that bluntly | 0:18:43 | 0:18:47 | |
but I'm telling you, that is the truth. | 0:18:47 | 0:18:50 | |
So, are you moving on? | 0:18:52 | 0:18:54 | |
I don't really know. | 0:18:56 | 0:18:58 | |
So it looks like we might be stuck with each other then. | 0:18:58 | 0:19:01 | |
Is that all right with you? | 0:19:02 | 0:19:04 | |
Us social outcasts need to stick together. | 0:19:04 | 0:19:06 | |
Have you seen them? | 0:19:09 | 0:19:11 | |
Yeah. I was hoping for a stick of rock | 0:19:12 | 0:19:15 | |
but I got a mouthful instead. | 0:19:15 | 0:19:17 | |
Do you think if it weren't for us, their lives would be perfect? | 0:19:20 | 0:19:24 | |
And nothing would ever go wrong? I doubt it. | 0:19:24 | 0:19:28 | |
I fancy a vodka. | 0:19:32 | 0:19:34 | |
You're not serious? What at the pub? | 0:19:35 | 0:19:37 | |
Yeah. We've paid for our mistakes. We've got nothing to hide. | 0:19:37 | 0:19:41 | |
DOOR SHUTS | 0:19:45 | 0:19:46 | |
All right? Yeah. So? How'd it go? | 0:19:46 | 0:19:49 | |
I just told the truth. PHONE RINGS | 0:19:50 | 0:19:52 | |
I've just got to wait and see now. | 0:19:52 | 0:19:53 | |
I told you. Tell the truth and everything will be all right. | 0:19:53 | 0:19:56 | |
Yeah. I mean, it's not over yet but it's a start. | 0:19:56 | 0:19:59 | |
It's the Headmistress for you. | 0:19:59 | 0:20:02 | |
Hello? | 0:20:02 | 0:20:03 | |
What are you doing here? | 0:20:09 | 0:20:11 | |
Did you not hear anything I said to you earlier? | 0:20:11 | 0:20:13 | |
Believe it or not, this has got nothing to do with you. | 0:20:13 | 0:20:16 | |
What's wrong with you? Look at the state of her, | 0:20:21 | 0:20:24 | |
and all you can think about is you and your precious Alfie. | 0:20:24 | 0:20:27 | |
She's got Jack. She's fine. | 0:20:27 | 0:20:29 | |
Have you seen him lately? | 0:20:29 | 0:20:31 | |
He's packed his bags and gone. | 0:20:31 | 0:20:33 | |
Where's he gone? | 0:20:34 | 0:20:36 | |
I don't know. But she's hanging on by a thread | 0:20:36 | 0:20:38 | |
and I reckon she's counted the days till you got back. | 0:20:38 | 0:20:41 | |
Danny, Danny, is it up yet? | 0:20:43 | 0:20:45 | |
If I say yes, can we stop playing me and my shadow? | 0:20:45 | 0:20:48 | |
Go on, it's up there. | 0:20:48 | 0:20:49 | |
I don't think you want to be in a rush to look at it, Bill. | 0:20:49 | 0:20:53 | |
No way. No, no, Danny wouldn't do that to me. | 0:20:53 | 0:20:55 | |
Well, wouldn't leave you off the team completely, no. | 0:20:55 | 0:20:57 | |
No. He'd put you on the bench though, mate. | 0:20:57 | 0:20:59 | |
That is so unfair! | 0:20:59 | 0:21:01 | |
I'm the only one who's turned up to every training session! | 0:21:01 | 0:21:04 | |
Sorry, pal, looks like only | 0:21:04 | 0:21:05 | |
the finest physical specimens have made the grade. | 0:21:05 | 0:21:07 | |
And you, AJ. | 0:21:07 | 0:21:08 | |
Get me one, Fats. | 0:21:12 | 0:21:14 | |
No point my body being a temple any more, is there? | 0:21:14 | 0:21:17 | |
Why didn't you tell me about Jack? | 0:21:20 | 0:21:22 | |
Maybe if your opening line had been something other than | 0:21:23 | 0:21:26 | |
"'I never want to see you again", I might have. | 0:21:26 | 0:21:28 | |
Ron, you know that's not fair. | 0:21:28 | 0:21:30 | |
Look, I understand, all right? | 0:21:32 | 0:21:33 | |
I understand that all of this is about you and Alfie. | 0:21:33 | 0:21:37 | |
And your future. | 0:21:37 | 0:21:40 | |
But I just want my sister back. | 0:21:42 | 0:21:45 | |
Do you know what, Ron? | 0:21:49 | 0:21:51 | |
I can't do this. | 0:21:53 | 0:21:55 | |
I can't. Come here. Come here. OK. It's OK. | 0:21:56 | 0:22:00 | |
So how you going to play a match with beer guts? | 0:22:02 | 0:22:04 | |
Oi, we don't do beer guts. | 0:22:04 | 0:22:06 | |
A spare seat for our favourite former barmaid? | 0:22:06 | 0:22:08 | |
All right, budge over then. | 0:22:08 | 0:22:09 | |
Bar kid. Go on. Me an' all. I'll get 'em. | 0:22:09 | 0:22:12 | |
Right, who's having what? I'll have a G, please. | 0:22:14 | 0:22:17 | |
Drowning your sorrows again? I better put my crash helmet on. | 0:22:17 | 0:22:20 | |
We're celebrating, actually. | 0:22:20 | 0:22:22 | |
Yeah. I just had a phone call from the head teacher. | 0:22:22 | 0:22:24 | |
Apparently no-one believes your lying little brat of a son, Sharon. | 0:22:24 | 0:22:27 | |
See you on Monday. | 0:22:27 | 0:22:29 | |
Small whisky, vodka and coke and what are you having? | 0:22:31 | 0:22:34 | |
Er, G You know what, I feel a bit sorry for Janine. | 0:22:34 | 0:22:36 | |
You know, missing her 30th birthday. | 0:22:36 | 0:22:38 | |
Oh, shut up. | 0:22:38 | 0:22:40 | |
It's Janine's birthday today? | 0:22:42 | 0:22:45 | |
Yeah, she invited me over but I'm not really in the mood any more. | 0:22:45 | 0:22:48 | |
No, no, I don't blame you. You have that. | 0:22:48 | 0:22:50 | |
Cheers. | 0:22:50 | 0:22:52 | |
CLASSICAL MUSIC PLAYS | 0:23:01 | 0:23:04 | |
Right, listen up, everybody. | 0:23:56 | 0:23:58 | |
What's he doing? Don't worry. | 0:23:58 | 0:24:00 | |
As you know, me and Peroxide | 0:24:00 | 0:24:01 | |
have spent a couple of weeks away from the Square. | 0:24:01 | 0:24:04 | |
It's given us chance just to do a bit of thinking and... | 0:24:04 | 0:24:07 | |
Alfie, wait, wait! | 0:24:07 | 0:24:09 | |
It's all right, it's all right, come here. | 0:24:09 | 0:24:12 | |
I've had a little chat with the vicar. | 0:24:12 | 0:24:14 | |
How does the 25th of November sound? | 0:24:14 | 0:24:16 | |
Are you kidding me? Course I'm not. | 0:24:17 | 0:24:19 | |
Everybody, I want you to put the 25th November in your diary. | 0:24:19 | 0:24:22 | |
We are getting married - it's a big bash and everyone's invited! | 0:24:22 | 0:24:24 | |
APPLAUSE AND CHEERING | 0:24:24 | 0:24:27 | |
Get in there, Alfie. | 0:24:27 | 0:24:28 | |
Ronnie... | 0:24:28 | 0:24:30 | |
..I said everyone. | 0:24:31 | 0:24:33 | |
Right, Fats, get the champagne out. | 0:24:35 | 0:24:39 | |
It's on the house, everyone! | 0:24:39 | 0:24:40 | |
Listen, Kat, is it OK if I pop over and see Tommy tomorrow? | 0:24:42 | 0:24:45 | |
I want to spend a little bit of time with him. | 0:24:45 | 0:24:47 | |
Let me know when you're in. Is that all right? | 0:24:47 | 0:24:49 | |
Are you sure you can do this? | 0:24:49 | 0:24:51 | |
Listen, darling, you make me | 0:24:51 | 0:24:52 | |
the happiest bloke this side of Watford Junction. | 0:24:52 | 0:24:54 | |
I will do anything for you, OK? | 0:24:54 | 0:24:56 | |
I love you, Alfie Moon. | 0:24:56 | 0:24:57 | |
Right back at ya, peroxide. | 0:24:57 | 0:24:59 | |
"..to...my...wife. | 0:25:02 | 0:25:06 | |
"Happy...birthday. | 0:25:08 | 0:25:12 | |
"Love...Michael." | 0:25:13 | 0:25:17 | |
CLASSICAL MUSIC PLAYS | 0:25:28 | 0:25:31 | |
DOOR BELL | 0:25:33 | 0:25:35 | |
Just a minute! | 0:25:35 | 0:25:39 | |
Distance. Distance. | 0:25:42 | 0:25:45 | |
Do you actually want me to call the police? | 0:25:45 | 0:25:47 | |
Happy birthday. | 0:25:52 | 0:25:54 | |
You remembered. | 0:25:56 | 0:25:58 | |
Yeah. I remembered. I'm your husband. | 0:25:58 | 0:26:02 | |
I'm sorry...that it's come to this. | 0:26:04 | 0:26:09 | |
It is grotesque and I'm sorry. | 0:26:09 | 0:26:12 | |
Enjoy your celebrations, I guess. | 0:26:16 | 0:26:18 | |
Hold on. | 0:26:20 | 0:26:21 | |
If you wanted to, I don't know, maybe come round tomorrow, | 0:26:28 | 0:26:32 | |
have some dinner. | 0:26:32 | 0:26:34 | |
You could see Scarlett. That might be OK. | 0:26:34 | 0:26:36 | |
Yeah. That's very decent of you, Janine. Tomorrow it is then. | 0:26:42 | 0:26:47 | |
Good morning. | 0:26:55 | 0:26:57 | |
Ah-ha! What's all this about then? | 0:26:57 | 0:26:59 | |
I just wanted to say thank you for last night. | 0:26:59 | 0:27:01 | |
Don't be silly. What's this, a peroxide special fry-up? | 0:27:01 | 0:27:04 | |
I like it. Beats sweet loving any day of the week. | 0:27:04 | 0:27:07 | |
Yeah? Thank you. It's nice. You're welcome. | 0:27:07 | 0:27:10 | |
Cheers, sweetheart. | 0:27:10 | 0:27:11 | |
You not having nothing? | 0:27:11 | 0:27:13 | |
No. No. | 0:27:13 | 0:27:15 | |
Um, right, look, | 0:27:15 | 0:27:18 | |
me and Ronnie thought we'd spend the day looking at wedding magazines. | 0:27:18 | 0:27:21 | |
Do you mind? | 0:27:21 | 0:27:22 | |
Look, don't get me wrong, I'm excited that it's happening so soon, | 0:27:22 | 0:27:25 | |
we're just going to be pushed for time, that's all... | 0:27:25 | 0:27:29 | |
OK? See you later. | 0:27:29 | 0:27:31 | |
I'm surprised you're up this early - after all | 0:27:39 | 0:27:42 | |
the drinking in the Vic last night. | 0:27:42 | 0:27:44 | |
It's true, I did imbibe - | 0:27:44 | 0:27:46 | |
I found clarity. | 0:27:46 | 0:27:48 | |
Don't end up in the gutter, Michael. | 0:27:48 | 0:27:51 | |
Don't give Janine what she wants. | 0:27:51 | 0:27:53 | |
I live in the gutter, Kathleen. | 0:27:54 | 0:27:56 | |
But I'm looking at the stars. | 0:27:56 | 0:27:58 | |
Morning, sunshine. Oh, great(!) | 0:28:08 | 0:28:11 | |
Er, freeze! | 0:28:12 | 0:28:14 | |
What's a fella got to do to get some breakfast round here? | 0:28:15 | 0:28:18 | |
I dunno, Grandad. Go to the shops? | 0:28:18 | 0:28:20 | |
RADIO ON | 0:28:20 | 0:28:24 | |
I never thought I'd see the day. | 0:28:24 | 0:28:25 | |
David Wicks run ragged by a bunch of kids that call him Grandad. | 0:28:25 | 0:28:31 | |
Yeah. Something definitely went wrong along the way, eh? | 0:28:31 | 0:28:35 | |
You're going to be late for work. You can talk. | 0:28:35 | 0:28:37 | |
What? I've got the day off. And I'm going to clean up this place | 0:28:37 | 0:28:40 | |
and sort all this dirty washing out. | 0:28:40 | 0:28:42 | |
Well, I tell you what, I'll cook you dinner tonight. | 0:28:42 | 0:28:45 | |
The kids are out anyway, so it'll just be me and you. | 0:28:45 | 0:28:48 | |
You don't mind, do you? | 0:28:49 | 0:28:51 | |
No, course not, why would I mind? | 0:28:51 | 0:28:54 | |
Left arm, Joey. Left! | 0:29:00 | 0:29:02 | |
Left. To the larynx. | 0:29:02 | 0:29:03 | |
Just give me two seconds. I'll nip home and get changed, OK? | 0:29:03 | 0:29:06 | |
And why would you do that? | 0:29:06 | 0:29:07 | |
I'm not going to miss the last training session before the match. | 0:29:07 | 0:29:10 | |
You might as well. Seeing as you ain't actually on the team. | 0:29:10 | 0:29:12 | |
You could have sugar-coated that a bit, couldn't you? | 0:29:12 | 0:29:14 | |
But I'm the best striker you've got! I could dribble rings round these muppets! | 0:29:14 | 0:29:18 | |
Oi, oi, that's not very nice, is it? | 0:29:18 | 0:29:21 | |
Look Cindy, it's a charity match, yeah? | 0:29:21 | 0:29:22 | |
I could do without you breaking your leg. | 0:29:22 | 0:29:24 | |
As if you're just thinking of me. | 0:29:24 | 0:29:25 | |
He's right, Cindy. The other team are big blokes. | 0:29:25 | 0:29:28 | |
Well, I hope you lose ten-nil! | 0:29:28 | 0:29:31 | |
Breaking a young girl's heart just before lunchtime. | 0:29:31 | 0:29:34 | |
Just another day in the trenches, innit, gorgeous? | 0:29:34 | 0:29:37 | |
What time do you call this? We've been here for ten minutes? | 0:29:37 | 0:29:40 | |
Yea, well, I had things to do, didn't I? | 0:29:40 | 0:29:43 | |
Come on, let's go. | 0:29:43 | 0:29:45 | |
I'm surprised anybody noticed I wasn't here! | 0:29:46 | 0:29:49 | |
Hey, wait! | 0:29:49 | 0:29:51 | |
I just took some time off work to help Roxy with a few things. | 0:29:55 | 0:29:58 | |
We were going to head over to Phil's. | 0:29:58 | 0:30:01 | |
Right. What, you going to drag that across the Square, are you? | 0:30:01 | 0:30:04 | |
Believe it or not, it's all essential. | 0:30:06 | 0:30:10 | |
Listen, Rox, why don't you just go upstairs and have a chat? I don't mind. | 0:30:10 | 0:30:13 | |
Just let us do this, OK? | 0:30:13 | 0:30:14 | |
None of us is going to rub your nose in it. | 0:30:14 | 0:30:16 | |
I know. But if she's in our life, she's in our life. | 0:30:16 | 0:30:18 | |
I can handle it. | 0:30:18 | 0:30:19 | |
It's sweet of you and I love you for it, but no, OK? | 0:30:20 | 0:30:24 | |
All right. Ronnie, how do you fancy a bit of dinner tonight? | 0:30:25 | 0:30:29 | |
Come on. We're going to be family. Let's start acting like family. | 0:30:29 | 0:30:34 | |
It's cool, it's going to be OK. | 0:30:34 | 0:30:37 | |
If you're really lucky, I might put together a Nana Moon lasagne special. | 0:30:37 | 0:30:40 | |
How do you fancy it, yeah? | 0:30:40 | 0:30:42 | |
Yeah. Yeah, all right. Thanks. | 0:30:42 | 0:30:43 | |
All right? Still on for tonight, yeah? | 0:30:48 | 0:30:50 | |
Yeah. Don't forget to bring a bottle. | 0:30:50 | 0:30:55 | |
(It'll be more than that.) | 0:30:55 | 0:30:57 | |
It's that charity football match later. | 0:31:00 | 0:31:03 | |
Why don't you take the little 'uns down there? | 0:31:03 | 0:31:05 | |
Oh, yeah, sounds like a right laugh(!) | 0:31:05 | 0:31:07 | |
How about now? | 0:31:07 | 0:31:08 | |
The four of us couldn't get chicken nuggets and a drink for that... | 0:31:10 | 0:31:14 | |
Anyway, you owe us a cut for doing you a favour. | 0:31:14 | 0:31:16 | |
Look, you just stay out for a couple of hours, give me | 0:31:16 | 0:31:18 | |
and Carol some space. Deal? | 0:31:18 | 0:31:20 | |
Does Carol know that? Or does she think we're out anyway? | 0:31:20 | 0:31:23 | |
Throw in another tenner and you've got a deal. | 0:31:23 | 0:31:26 | |
Hustling your own family. You should be ashamed of yourself. | 0:31:27 | 0:31:31 | |
I did learn from the best. Grandad. | 0:31:31 | 0:31:33 | |
Watch it. | 0:31:33 | 0:31:35 | |
That one? | 0:31:35 | 0:31:37 | |
It's a meringue. | 0:31:37 | 0:31:38 | |
It's a nightmare. This is an actual nightmare. | 0:31:38 | 0:31:40 | |
I know it's supposed to be the best day of my life, but... | 0:31:40 | 0:31:42 | |
You've got the dress, you've got the wedding venue, the caterers, | 0:31:42 | 0:31:45 | |
table decorations, flowers. | 0:31:45 | 0:31:47 | |
I just want to run away | 0:31:47 | 0:31:49 | |
and get married on an island with three people and a goat for company. | 0:31:49 | 0:31:52 | |
Why don't you? | 0:31:52 | 0:31:54 | |
Cos it's Alfie's big day. | 0:31:54 | 0:31:56 | |
You know, he's Mr Albert Square. Alfie Moon. | 0:31:56 | 0:31:59 | |
If he wants the big day with all the trimmings then | 0:31:59 | 0:32:01 | |
I am absolutely not going to take that away from him. | 0:32:01 | 0:32:04 | |
Are you sure that's what he really wants? | 0:32:06 | 0:32:09 | |
Why are you so surprised? | 0:32:09 | 0:32:12 | |
Don't get defensive. | 0:32:12 | 0:32:13 | |
Well, I am now, cos you don't mince your words, do you? | 0:32:13 | 0:32:16 | |
Look, what I'm trying to say is, I was a bit surprised - | 0:32:16 | 0:32:18 | |
I didn't think he'd want to get married again so soon. Or you, for that matter. | 0:32:18 | 0:32:22 | |
Look, I know people say it's not the same the second time round, OK? | 0:32:22 | 0:32:27 | |
But for me - Alfie is it. | 0:32:27 | 0:32:30 | |
He's the only bloke I ever should've married. | 0:32:31 | 0:32:34 | |
In that case, I'm going to make it the happiest day of your life. | 0:32:35 | 0:32:39 | |
And that starts with banning you from wearing anything that | 0:32:39 | 0:32:43 | |
makes you look like a big fat powder puff! | 0:32:43 | 0:32:46 | |
I want you to give me away. | 0:32:46 | 0:32:48 | |
I can't do that, Roxy. | 0:32:48 | 0:32:51 | |
It's not going to be fair to Alfie, is it? | 0:32:51 | 0:32:54 | |
He's not going to want me standing next to him | 0:32:54 | 0:32:56 | |
on his wedding day at the altar. | 0:32:56 | 0:32:57 | |
Fine. Whatever. OK, so, tonight. | 0:32:57 | 0:33:00 | |
Dinner. It's going to be a nightmare, right? | 0:33:00 | 0:33:02 | |
What me, you and Alfie? | 0:33:02 | 0:33:04 | |
I can only think of about a million reasons why it could go belly up. | 0:33:04 | 0:33:07 | |
OK, so we need to invite someone else as a buffer or something. | 0:33:07 | 0:33:10 | |
Do me a favour. Tone all this wedding stuff down. | 0:33:10 | 0:33:14 | |
It's like Brides 'R' Us in here. | 0:33:14 | 0:33:16 | |
You lot look done-in after three laps round the Square. | 0:33:20 | 0:33:23 | |
I don't want you getting laughed off the pitch with Beauty's name on your shirts. | 0:33:23 | 0:33:27 | |
You're joking, aren't you? They're finely tuned athletes. Yeah, right(!) Oi, where you going? | 0:33:27 | 0:33:31 | |
Do you like losing, is that it? Yeah, yeah, that's it. | 0:33:31 | 0:33:35 | |
Do one before I ring Ian and tell him what a nuisance you're making of yourself. | 0:33:35 | 0:33:41 | |
I don't even know why I'm bothering to turn up just to be the laughing stock. | 0:33:41 | 0:33:45 | |
Come on, If you don't go, who's going to be the big super sub, eh? | 0:33:45 | 0:33:47 | |
Super sub. No chance. | 0:33:47 | 0:33:50 | |
Just because you didn't make the team, me and Lexi are still proud of you. | 0:33:50 | 0:33:53 | |
And I bet you any money Danny's going to have you playing in the first ten minutes. | 0:33:53 | 0:33:57 | |
OK? Now go on, break a leg. What? | 0:33:57 | 0:33:59 | |
Oh, I didn't mean. No, no, no... Lexi... | 0:33:59 | 0:34:02 | |
Go and get Lexi. See you later. | 0:34:02 | 0:34:03 | |
Have fun. Love you. Love you. | 0:34:03 | 0:34:06 | |
You'll be offering rub downs later, yeah? | 0:34:06 | 0:34:08 | |
Yeah, massages all round if you win, boys. Oi, oi! | 0:34:08 | 0:34:11 | |
All right? Good luck, Billy. | 0:34:11 | 0:34:12 | |
Listen, Bill, I know you're disappointed not to be on the team. But we've raised four grand already. | 0:34:12 | 0:34:16 | |
See you later. Bye. Good luck! | 0:34:16 | 0:34:22 | |
Thanks, Marie, all right, I've got four doughnuts there | 0:34:22 | 0:34:25 | |
and a couple of pastries, please. | 0:34:25 | 0:34:27 | |
You'll end up looking like you've eaten your whole family if you eat that. | 0:34:27 | 0:34:30 | |
Nah, nah, they're not for me. It's just I invited Ronnie over for dinner later, ain't I? | 0:34:30 | 0:34:34 | |
Right. And you think you can handle that, do you? | 0:34:34 | 0:34:37 | |
Sitting opposite Ronnie and making idle chitchat? | 0:34:37 | 0:34:40 | |
I've got to try, ain't I, eh? | 0:34:40 | 0:34:43 | |
Good luck. I hope Roxy appreciates it. | 0:34:43 | 0:34:45 | |
Thank you very much. Listen, if I remember rightly, though, you used to love a doughnut. | 0:34:45 | 0:34:49 | |
No, I didn't! Yes, you did! Eat the doughnut, Kat. | 0:34:49 | 0:34:53 | |
You love a doughnut. I'm on a diet. | 0:34:53 | 0:34:55 | |
Oh, another diet. Eat the doughnut, Kat. You love the doughnut. | 0:34:55 | 0:34:59 | |
You all right? | 0:35:01 | 0:35:03 | |
We're off then. | 0:35:03 | 0:35:05 | |
Okey-doke. Have fun. | 0:35:05 | 0:35:06 | |
Is that what you're making for you and Nan? | 0:35:06 | 0:35:09 | |
Never you mind. You just enjoy your nuggets. | 0:35:09 | 0:35:12 | |
What? Come on, spit it out. | 0:35:16 | 0:35:20 | |
Well, we were just thinking, it would be nice, wouldn't it, | 0:35:20 | 0:35:24 | |
to spend the evening as a family? | 0:35:24 | 0:35:26 | |
Well, my job's safe and everything, so... | 0:35:26 | 0:35:29 | |
Yeah, and we're not really bothered about watching some charity match. | 0:35:29 | 0:35:32 | |
We'd rather be here with you. | 0:35:32 | 0:35:34 | |
Please, can we stay, Grandad? | 0:35:35 | 0:35:38 | |
You can share our nuggets as well, if you like. | 0:35:38 | 0:35:41 | |
You're looking very dapper, Michael. | 0:35:44 | 0:35:47 | |
I always dress this way. I don't do sportswear, it's common. | 0:35:47 | 0:35:51 | |
It's for fat, common people who don't do sport. | 0:35:51 | 0:35:54 | |
Men should be peacocks. | 0:35:54 | 0:35:56 | |
But you don't usually get dressed up just to go to the chippy. | 0:35:56 | 0:35:59 | |
Do I look like I eat chips? | 0:35:59 | 0:36:02 | |
What you up to? | 0:36:02 | 0:36:04 | |
You're a good friend, Kathleen. | 0:36:06 | 0:36:09 | |
Look, I'm meeting Kirsty for a drink later. | 0:36:11 | 0:36:14 | |
I can always cancel if you want to talk to me. About? | 0:36:14 | 0:36:18 | |
You're acting weird. Michael, just tell me where you're going? | 0:36:19 | 0:36:25 | |
No. | 0:36:27 | 0:36:28 | |
This isn't just about the glory. | 0:36:47 | 0:36:49 | |
It's about raising money for Dot's roof. | 0:36:49 | 0:36:51 | |
We don't want to go back there losers, do we? | 0:36:51 | 0:36:53 | |
So let's get out there and show a bit of Walford steel, yeah?! | 0:36:53 | 0:36:56 | |
Come on! | 0:36:56 | 0:36:57 | |
Where are you going? | 0:36:57 | 0:37:00 | |
I'm going to sit on the bench, aren't I? I mean, that's what subs do, innit? | 0:37:00 | 0:37:04 | |
Listen, mate, we can't have you bouncing around out there, we're trying to concentrate. | 0:37:04 | 0:37:09 | |
You really think you're a bit special, don't ya? | 0:37:09 | 0:37:12 | |
He's right, Bill - this game takes a certain zen-like state of concentration. | 0:37:12 | 0:37:15 | |
Yeah, mate, we need you to look after the stuff anyway, really. | 0:37:15 | 0:37:18 | |
Are you two going to let them talk to me like that? | 0:37:18 | 0:37:21 | |
Fine team mates you are. | 0:37:21 | 0:37:22 | |
Come on. Let's get going. Come on, boys! | 0:37:22 | 0:37:26 | |
I thought this was supposed to be a laugh! | 0:37:26 | 0:37:29 | |
Hello. Hello. | 0:37:42 | 0:37:45 | |
How are you? | 0:37:48 | 0:37:50 | |
Nice to see you, darling. | 0:37:52 | 0:37:56 | |
I didn't think it was going to be this agreeable. | 0:37:56 | 0:37:58 | |
Well, I thought if we're going to be spending the night in each other's company, | 0:37:58 | 0:38:02 | |
we might as well do it properly. | 0:38:02 | 0:38:03 | |
It would have been easier if Alice had bothered to show up. | 0:38:03 | 0:38:07 | |
But we will be having serious words with her later, won't we? | 0:38:07 | 0:38:11 | |
Would you like a drink? Yes, please. | 0:38:13 | 0:38:16 | |
All right? | 0:38:24 | 0:38:26 | |
What are you doing? | 0:38:26 | 0:38:28 | |
You know, change of plan. I thought it was a bit too much fuss, you know, so... | 0:38:28 | 0:38:32 | |
Pizza? Yes. | 0:38:32 | 0:38:33 | |
Pizza? Ta-da! | 0:38:33 | 0:38:36 | |
What am I going to do with you? Marry me? | 0:38:36 | 0:38:38 | |
OK. OK. | 0:38:38 | 0:38:40 | |
You lost the recipe, didn't you? | 0:38:40 | 0:38:43 | |
No, no, it was just a lot of hard work and prep. | 0:38:43 | 0:38:45 | |
Basically, I couldn't be bothered, to be honest with you. | 0:38:45 | 0:38:47 | |
You OK? | 0:38:47 | 0:38:49 | |
Yeah, yeah, no, I'm all right. | 0:38:50 | 0:38:54 | |
But, you know, tonight's about good company and good wine. | 0:38:54 | 0:38:57 | |
It's going to be lovely. It'll be fine. | 0:38:57 | 0:38:59 | |
Let's just cancel it. Let's just call the whole thing off. | 0:39:01 | 0:39:04 | |
No, no, no, Rox we're not going to call anything off, all right? Why? | 0:39:04 | 0:39:06 | |
Because... | 0:39:06 | 0:39:08 | |
Hello! | 0:39:08 | 0:39:09 | |
In here! | 0:39:09 | 0:39:11 | |
Hi. You all right? | 0:39:11 | 0:39:13 | |
You all right? | 0:39:13 | 0:39:15 | |
I thought you might want to have someone to chat cars with | 0:39:15 | 0:39:17 | |
while these two paint each other's nails. | 0:39:17 | 0:39:20 | |
I've got to admit, I wasn't sure if you'd turn up. | 0:39:23 | 0:39:26 | |
Well, you gave me a chance to see my special girl. | 0:39:26 | 0:39:30 | |
Yeah, but weren't you afraid it's all part of some game plan? | 0:39:31 | 0:39:35 | |
Anything's possible with you. | 0:39:35 | 0:39:37 | |
It would be the perfect set-up, though, wouldn't it? | 0:39:37 | 0:39:40 | |
I get you over here, call the police, | 0:39:40 | 0:39:42 | |
they find you breaking your injunction. | 0:39:42 | 0:39:46 | |
Mmm, brilliant(!) | 0:39:46 | 0:39:47 | |
That's your master plan, is it? | 0:39:48 | 0:39:51 | |
You don't think I'd tell you, do you? | 0:39:51 | 0:39:55 | |
Can you chop those veg for me? | 0:39:57 | 0:39:59 | |
Did you see the size of that bloke? Can't be legal. | 0:40:22 | 0:40:25 | |
Their centre forward plays dirtier than Mas's pants. | 0:40:25 | 0:40:29 | |
Boys, I'm being serious, right, | 0:40:29 | 0:40:31 | |
I don't think I'm going to be able to play this half. | 0:40:31 | 0:40:32 | |
Let's have a look at it. Oww! Nah, nah. | 0:40:32 | 0:40:36 | |
No, well we ain't going to forfeit the game, are we? | 0:40:36 | 0:40:38 | |
It's five aside, we can't play with four players, can we? | 0:40:38 | 0:40:41 | |
Come on, Bill, you're on. | 0:40:41 | 0:40:44 | |
Oh, what, you think you can just click your fingers and I'll come running? | 0:40:44 | 0:40:47 | |
Come on, Bill, it's for Dot's roof, innit? | 0:40:47 | 0:40:49 | |
Come on, Bill, I was only winding you up. | 0:40:49 | 0:40:52 | |
All right. | 0:40:54 | 0:40:56 | |
But only if you lot start showing me the respect that I deserve. | 0:40:57 | 0:41:00 | |
THEY ALL LAUGH Bill, mate, if you win us this game | 0:41:00 | 0:41:03 | |
you'll have more respect than you'll know what to do with. | 0:41:03 | 0:41:05 | |
OK. Let's do it. | 0:41:05 | 0:41:08 | |
THEY ALL LAUGH | 0:41:08 | 0:41:11 | |
Billy! Billy! Who's your mate? | 0:41:11 | 0:41:13 | |
How many Christmases have we spent in this gaff, eh? | 0:41:13 | 0:41:16 | |
If these walls could talk, eh? | 0:41:16 | 0:41:19 | |
Just memories - I mean memories. Just good memories, that's all. | 0:41:21 | 0:41:24 | |
We know what you meant, darlin'. | 0:41:24 | 0:41:26 | |
So, what was so urgent that you had to slope off | 0:41:28 | 0:41:31 | |
and leave my pub unattended - again? | 0:41:31 | 0:41:33 | |
Phil, you know that's not fair. Fats was here. And so was Kat. | 0:41:33 | 0:41:36 | |
A wide boy and your ex-missus? Hope it was worth the risk. | 0:41:36 | 0:41:39 | |
It was, actually. It was amazing. | 0:41:39 | 0:41:41 | |
Yeah. We'll have to bring Tommy next time, won't we, eh? | 0:41:45 | 0:41:48 | |
Well, the pizza was good, weren't it, eh? Mm. | 0:41:54 | 0:41:57 | |
I'll put the kettle on. | 0:42:01 | 0:42:03 | |
It's tragic, really. | 0:42:08 | 0:42:09 | |
Thinking about it. | 0:42:10 | 0:42:12 | |
This is the closest I've ever been to a family. | 0:42:12 | 0:42:15 | |
You too, I should imagine. | 0:42:15 | 0:42:16 | |
Don't you tar me with the same tragic brush as you. | 0:42:16 | 0:42:20 | |
You've been playing a game since day one. | 0:42:21 | 0:42:24 | |
Yeah, that's true. I wasn't playing a game about Scarlett, though, | 0:42:24 | 0:42:27 | |
or getting married. Meant all that. | 0:42:27 | 0:42:29 | |
Even if I did believe you, how does that change things? | 0:42:31 | 0:42:34 | |
It doesn't. | 0:42:36 | 0:42:37 | |
BABY GRIZZLES | 0:42:50 | 0:42:52 | |
BABY STARTS TO CRY | 0:42:55 | 0:42:59 | |
I'll make the coffee. | 0:43:08 | 0:43:10 | |
You can't do this, can you? | 0:43:23 | 0:43:25 | |
I thought I could. | 0:43:29 | 0:43:30 | |
It's all right. | 0:43:33 | 0:43:35 | |
You tried, Alfie. You really did. | 0:43:36 | 0:43:38 | |
So, I guess it's time for me to go. | 0:43:40 | 0:43:42 | |
What are you two whispering about, then? Excuse me. | 0:43:44 | 0:43:48 | |
You're making her go already? | 0:43:51 | 0:43:53 | |
You haven't even given this a chance, Alfie! | 0:43:53 | 0:43:55 | |
I'm sorry. I'm sorry. | 0:43:55 | 0:43:58 | |
I don't suppose anyone fancies livening this up a bit, do they? | 0:43:58 | 0:44:01 | |
Yes! Yes, we do, that is a great idea. | 0:44:01 | 0:44:03 | |
Well, go on then - get in the lounge, Ronnie. | 0:44:05 | 0:44:07 | |
Alfie, this was your idea. | 0:44:11 | 0:44:13 | |
At least see it through till the end of the evening, OK? | 0:44:13 | 0:44:16 | |
BABY GRIZZLING ON MONITOR | 0:45:04 | 0:45:07 | |
MOVIE PLAYS DOOR OPENS | 0:45:45 | 0:45:47 | |
CAROL: I'm back. | 0:45:47 | 0:45:49 | |
Oh. Change of plans, you lot? | 0:45:51 | 0:45:54 | |
Yeah, something like that. | 0:45:54 | 0:45:56 | |
Oh... I don't like this bit either. | 0:46:01 | 0:46:03 | |
He-ey! | 0:46:05 | 0:46:07 | |
So, how'd it go? Er, awful, actually. | 0:46:07 | 0:46:11 | |
Until Danny deployed our secret weapon. | 0:46:11 | 0:46:13 | |
Only went and got a hat-trick, didn't I? | 0:46:13 | 0:46:15 | |
So you won then, yeah? No, we got spanked. | 0:46:16 | 0:46:19 | |
But we didn't go down without a fight. | 0:46:19 | 0:46:21 | |
And more importantly, we raised that money, | 0:46:21 | 0:46:23 | |
so you and Phil have got to put your hand in your pocket. | 0:46:23 | 0:46:26 | |
Someone else can buy the first round then. | 0:46:26 | 0:46:28 | |
I told you I deserved my place on that team. | 0:46:28 | 0:46:30 | |
You lot owe me an apology. | 0:46:30 | 0:46:31 | |
Behave, Billy! You only had the legs for it | 0:46:31 | 0:46:33 | |
cos you didn't do anything for the first half. | 0:46:33 | 0:46:35 | |
Danny played a blinder unleashing Billy the Beast. | 0:46:35 | 0:46:36 | |
Danny played a blinder unleashing Billy the Beast. | 0:46:38 | 0:46:38 | |
Well played, boss. Right, what we having? Pints? | 0:46:38 | 0:46:41 | |
MUSIC: "Tubular Bells Part One" by Mike Oldfield | 0:46:43 | 0:46:47 | |
Roxy, stop it! | 0:46:56 | 0:46:57 | |
What?! Stop looking at his cards, I'm not going to play | 0:46:58 | 0:47:01 | |
unless you play properly. Why do you always make out I'm cheating? | 0:47:01 | 0:47:05 | |
PHIL: Cos you always are! You wouldn't do that, sweetheart? | 0:47:05 | 0:47:08 | |
No! No. Excuse me, if you leant back any further | 0:47:08 | 0:47:10 | |
you'd fall out the window! | 0:47:10 | 0:47:12 | |
OK, right, well, I'm going to call. | 0:47:12 | 0:47:14 | |
Here we go. | 0:47:14 | 0:47:17 | |
Call. | 0:47:17 | 0:47:19 | |
Yeah, call. Right. | 0:47:19 | 0:47:21 | |
Fold. | 0:47:21 | 0:47:23 | |
Let's have a look then. Here we go. Oh, look at that! | 0:47:23 | 0:47:27 | |
Yes! Get in there! | 0:47:27 | 0:47:29 | |
You only folded because you saw what cards he had! | 0:47:29 | 0:47:32 | |
No, I didn't. | 0:47:32 | 0:47:33 | |
Do you agree with that, Alfie? Blatant cheating? | 0:47:33 | 0:47:36 | |
You wouldn't have done that, would you, love of my life? | 0:47:36 | 0:47:38 | |
No, I wouldn't! No, you wouldn't. Course you wouldn't. | 0:47:38 | 0:47:41 | |
No, no, let's disqualify that last round. | 0:47:41 | 0:47:43 | |
I didn't cheat! Deal again. | 0:47:43 | 0:47:44 | |
Put it back, what's the matter with you? | 0:47:44 | 0:47:46 | |
Two honest players at one table - first time I've seen that happen. | 0:47:46 | 0:47:50 | |
CLOCK TICKING | 0:47:50 | 0:47:53 | |
HE SCREAMS | 0:48:01 | 0:48:06 | |
Of course, this isn't my first taste of sporting success, you know. | 0:48:14 | 0:48:17 | |
Oh, really? I was in the Olympics last year. | 0:48:17 | 0:48:20 | |
No, he wasn't. | 0:48:20 | 0:48:21 | |
Pops, for the 100th time, just cos you carried the Olympic torch | 0:48:21 | 0:48:24 | |
round the Square does not mean you was IN the Olympics, OK? | 0:48:24 | 0:48:26 | |
Right, who wants what? | 0:48:26 | 0:48:28 | |
I'll just have the same. I don't expect champagne. | 0:48:28 | 0:48:30 | |
Six pints, please. And put a special straw in one for Billy, will you? | 0:48:30 | 0:48:33 | |
All I'm saying is, a bit of thanks wouldn't go amiss! | 0:48:33 | 0:48:35 | |
Billy, it wasn't about you. It was about the money and having a laugh. | 0:48:35 | 0:48:38 | |
Yeah, well, I ain't laughing. Lighten up, Billy. Please. | 0:48:38 | 0:48:41 | |
Yeah, stop being silly! Oww! My skin! | 0:48:41 | 0:48:43 | |
Hang on... What? | 0:48:45 | 0:48:47 | |
All the money's gone. | 0:48:47 | 0:48:49 | |
You didn't just leave it in your jacket during the game, did you? | 0:48:49 | 0:48:51 | |
No, it was in the changing room. Was it locked? | 0:48:51 | 0:48:54 | |
Billy was in there. Only for the first half! | 0:48:54 | 0:48:56 | |
And that's cos you wouldn't let me sit on the Judy. Yeah. Clueless! | 0:48:56 | 0:49:00 | |
Dot is going to be thrilled with you, you know that? | 0:49:00 | 0:49:03 | |
Who's going to tell her? | 0:49:03 | 0:49:04 | |
She always used to cheat when we were kids. | 0:49:06 | 0:49:09 | |
Will you shut up, Ron, now, please? Didn't you, eh? | 0:49:09 | 0:49:11 | |
You used to slap your fat, sweaty mitt all over the pack | 0:49:11 | 0:49:14 | |
so no-one could see whether it was a snap at all. | 0:49:14 | 0:49:18 | |
I like winning, what's wrong with that? Nothing. You dealing or what? | 0:49:18 | 0:49:20 | |
When you cheat at Guess Who?, you've definitely got a problem. | 0:49:20 | 0:49:23 | |
Come on, Amy didn't win one game the whole time we were on holiday. | 0:49:23 | 0:49:26 | |
Yes, because she's four! Every time she guessed right, you changed what you had! | 0:49:26 | 0:49:30 | |
You know what, all gang up on me - I don't care! | 0:49:30 | 0:49:32 | |
Is there anything I need to know before this wedding? | 0:49:32 | 0:49:34 | |
Alfie! Er, there are a few things I could tell you, if we've got time. | 0:49:34 | 0:49:38 | |
I want her to give me away at the wedding. | 0:49:38 | 0:49:41 | |
I'm sorry, Ron, but I really do. | 0:49:43 | 0:49:45 | |
Alfie? | 0:49:50 | 0:49:51 | |
Alfie? | 0:49:55 | 0:49:56 | |
No, it's a great idea. | 0:50:00 | 0:50:02 | |
You know, it makes it all, like, modern, don't it? | 0:50:02 | 0:50:05 | |
Sisters doing it for themselves and all that. | 0:50:05 | 0:50:07 | |
CLOCK TICKING | 0:50:10 | 0:50:13 | |
Hey. | 0:50:34 | 0:50:35 | |
Oh. All right? | 0:50:35 | 0:50:37 | |
Erm, thank you for agreeing to that before. | 0:50:37 | 0:50:41 | |
I know it can't have been easy. | 0:50:41 | 0:50:43 | |
No, that's... | 0:50:43 | 0:50:45 | |
Roxy needs you, I need Roxy. | 0:50:46 | 0:50:49 | |
It's that simple, really. | 0:50:49 | 0:50:52 | |
You know, this wedding - it means the world to her. | 0:50:52 | 0:50:54 | |
Almost as much as you do. | 0:50:56 | 0:50:57 | |
Thank you. Well, feeling's mutual, ain't it? | 0:50:58 | 0:51:03 | |
Is it? | 0:51:03 | 0:51:04 | |
Yeah, yeah. | 0:51:06 | 0:51:07 | |
Roxy's my little sister, isn't she? | 0:51:09 | 0:51:11 | |
If you hurt her, I will come down on you like a tonne of bricks. | 0:51:13 | 0:51:18 | |
I don't care what's happened in the past. | 0:51:18 | 0:51:20 | |
I'm watching you, Alfie Moon. | 0:51:27 | 0:51:29 | |
I need to tell you something. | 0:51:37 | 0:51:39 | |
Yeah? | 0:51:39 | 0:51:40 | |
A confession? | 0:51:42 | 0:51:43 | |
I went to the police station. | 0:51:48 | 0:51:50 | |
(Yeah?) | 0:51:50 | 0:51:52 | |
And I waited for an hour to speak to somebody. | 0:51:52 | 0:51:55 | |
And the whole time, all I could think about was you. | 0:52:00 | 0:52:03 | |
And Scarlett. | 0:52:03 | 0:52:04 | |
And how much you love her. | 0:52:06 | 0:52:08 | |
Love isn't enough. | 0:52:08 | 0:52:09 | |
It's not enough. | 0:52:12 | 0:52:13 | |
You can't give up on your little girl. | 0:52:14 | 0:52:16 | |
I can. I have. | 0:52:18 | 0:52:20 | |
No, you haven't. And you can't. | 0:52:21 | 0:52:24 | |
Because you're right. | 0:52:24 | 0:52:26 | |
I did grow up without my dad. | 0:52:27 | 0:52:29 | |
And it was horrible. | 0:52:32 | 0:52:34 | |
And my mum was all right. | 0:52:34 | 0:52:35 | |
But I still spent years... | 0:52:37 | 0:52:39 | |
..wondering why he wasn't around. | 0:52:41 | 0:52:44 | |
And why I wasn't good enough for him. | 0:52:44 | 0:52:46 | |
And why he didn't come looking for me. | 0:52:46 | 0:52:49 | |
Why he didn't love me. | 0:52:49 | 0:52:51 | |
I used to cry myself to sleep. | 0:52:54 | 0:52:56 | |
Yeah. | 0:52:56 | 0:52:57 | |
Poor Alice. | 0:52:59 | 0:53:03 | |
You know what you have to do. | 0:53:05 | 0:53:06 | |
And I want to help you. | 0:53:08 | 0:53:10 | |
You have to say it, Alice. | 0:53:19 | 0:53:22 | |
I want to help you kill Janine. | 0:53:23 | 0:53:26 | |
THUNDER RUMBLES | 0:53:26 | 0:53:28 | |
I suppose you think that was funny. | 0:53:36 | 0:53:38 | |
That's the thing about kids - | 0:53:38 | 0:53:40 | |
they've got a nasty habit of ruining your plans. | 0:53:40 | 0:53:43 | |
If you don't like it, you know, maybe it's time you moved on. | 0:53:43 | 0:53:47 | |
I've been thinking about that, actually, to be honest. | 0:53:49 | 0:53:52 | |
I mean, I'm miles off being able to afford anywhere, but... | 0:53:52 | 0:53:57 | |
there's some lovely places going, down by the Tube station. | 0:53:57 | 0:54:00 | |
Really decent, they are. | 0:54:01 | 0:54:02 | |
I'd be close by, be able to nip over and help with the kids. | 0:54:02 | 0:54:05 | |
I've got a life to be getting on with, what don't you understand about that? | 0:54:05 | 0:54:10 | |
You just can't trust yourself, can you? | 0:54:10 | 0:54:12 | |
SHE SCOFFS Eh? | 0:54:12 | 0:54:13 | |
I mean, there's me busting a gut to get us some alone time. | 0:54:16 | 0:54:20 | |
I don't have to bother, do I? It's enough just me being here. | 0:54:20 | 0:54:25 | |
Get the rest of this cleaned up. | 0:54:25 | 0:54:26 | |
If you need to talk to me, I'll be upstairs, talking to Masood. | 0:54:26 | 0:54:29 | |
Say hello from me. | 0:54:30 | 0:54:32 | |
HE VOMITS | 0:54:45 | 0:54:46 | |
"Well," said the wolf, "I'll go and see her too. | 0:55:04 | 0:55:08 | |
"I'll go this way and you can go that" - | 0:55:08 | 0:55:10 | |
and the wolf ran as fast as he could, | 0:55:10 | 0:55:12 | |
taking the shortest path, and the little girl took a roundabout way, | 0:55:12 | 0:55:15 | |
entertaining herself by gathering nuts | 0:55:15 | 0:55:18 | |
and running after butterflies | 0:55:18 | 0:55:20 | |
and gathering lots of bouquets of little flowers. | 0:55:20 | 0:55:24 | |
And it wasn't long before the wolf arrived at the old woman's house. | 0:55:24 | 0:55:28 | |
And he knocked on the door - tap tap tap. Who's there? | 0:55:28 | 0:55:32 | |
12 hours. | 0:55:40 | 0:55:42 | |
I know. | 0:55:44 | 0:55:47 | |
Want to go through the plan again? | 0:55:47 | 0:55:49 | |
So... I make a date with Janine... | 0:55:53 | 0:55:57 | |
RUNNING FOOTSTEPS | 0:55:57 | 0:55:59 | |
Oh, you're back, then! | 0:56:06 | 0:56:07 | |
That's nice, that is, Al. | 0:56:09 | 0:56:10 | |
I mean, you just come and go as you please. | 0:56:10 | 0:56:12 | |
Don't worry about me, will you? Sorry. | 0:56:12 | 0:56:14 | |
I thought something had happened to you. | 0:56:14 | 0:56:16 | |
Well, it didn't. So you can phone him but you can't phone me, no? | 0:56:16 | 0:56:19 | |
I think you'll find my name is Michael. | 0:56:19 | 0:56:21 | |
I was going spare, Alice. | 0:56:21 | 0:56:24 | |
Sorry. | 0:56:24 | 0:56:25 | |
You done? | 0:56:26 | 0:56:28 | |
What? | 0:56:28 | 0:56:30 | |
Because before you interrupted us, we were in the middle of something. | 0:56:30 | 0:56:34 | |
Look, Joey, I get it. You've made your point, I understand. | 0:56:34 | 0:56:36 | |
It'll never happen again. I promise. | 0:56:36 | 0:56:39 | |
There, see. You are done. | 0:56:39 | 0:56:42 | |
Well, at least you're back, anyway. | 0:56:45 | 0:56:47 | |
SHE SCREAMS | 0:56:56 | 0:56:59 | |
What the hell?! Say hello to my little friend. Luce? | 0:56:59 | 0:57:04 | |
She thought it was a real head. No, I didn't. | 0:57:04 | 0:57:06 | |
You fell for that one? | 0:57:06 | 0:57:09 | |
Ugh! What's that? You've been slimed. | 0:57:09 | 0:57:13 | |
"You fell for that one?" | 0:57:13 | 0:57:16 | |
Someone's smeared something really disgusting on the - Oh, right. | 0:57:16 | 0:57:20 | |
Halloween's here. Yeah? | 0:57:20 | 0:57:24 | |
So have you all got your costumes ready for later? | 0:57:24 | 0:57:26 | |
Later? The party at the Vic. | 0:57:26 | 0:57:28 | |
Yeah. I have. Except I'm going with Patrick. | 0:57:28 | 0:57:32 | |
You are? | 0:57:32 | 0:57:33 | |
We thought cos Dad's working tonight, you could take Cindy. | 0:57:33 | 0:57:36 | |
Sorry, he's gone and hired himself a cape an' all that. | 0:57:36 | 0:57:39 | |
Well, us three can still go. | 0:57:41 | 0:57:44 | |
Uh, yeah, I'm not going. | 0:57:44 | 0:57:45 | |
Me either. Not really my thing. | 0:57:45 | 0:57:48 | |
I can't go on my own. | 0:57:48 | 0:57:50 | |
You should ask your little friend. | 0:57:50 | 0:57:52 | |
Oh! Stupid... | 0:57:58 | 0:58:00 | |
I'll get a dustpan. All right, darling. | 0:58:01 | 0:58:03 | |
I'll have a ticket. I'll have two tickets. | 0:58:03 | 0:58:07 | |
What if I said no? Are you going to? | 0:58:07 | 0:58:11 | |
OK. I'm happy to sell you two tickets. Here's the deal, right... | 0:58:11 | 0:58:13 | |
please don't be coming in, gobbing off and starting any trouble. Got it? | 0:58:13 | 0:58:17 | |
What could be more agreeable? | 0:58:17 | 0:58:19 | |
One, two... | 0:58:22 | 0:58:24 | |
Still no sign of the loot? | 0:58:24 | 0:58:26 | |
Nope. That's great, that. Well done, Dan. Don't look at me. | 0:58:26 | 0:58:29 | |
How do I know one of you lot didn't take it? | 0:58:29 | 0:58:31 | |
Because we are all honest, and we wouldn't do that to each other. | 0:58:31 | 0:58:35 | |
Remember when Jay came back from holiday with some money missing? | 0:58:35 | 0:58:38 | |
Think that's a coincidence, do you? I didn't touch that money and I didn't touch this one either | 0:58:38 | 0:58:41 | |
so don't go pointing the finger at me... Boys, boys, boys. | 0:58:41 | 0:58:45 | |
Squabbling and blaming each other is not going to find the money. | 0:58:45 | 0:58:48 | |
What we need to do is put our heads together. Yeah? The way I see it, we've got two options. | 0:58:48 | 0:58:53 | |
Neither of which I like. I don't like 'em either. | 0:58:53 | 0:58:55 | |
You ain't heard them yet. Oi, Jay. Men talking. | 0:58:55 | 0:58:58 | |
Shush. Option one...? | 0:58:58 | 0:59:02 | |
Option One. We round up Joey and Peter | 0:59:02 | 0:59:05 | |
and we all agree to make up the four grand between us. | 0:59:05 | 0:59:08 | |
Yeah, and the three bears(!) Why should we do that? You're the one that lost the money. | 0:59:08 | 0:59:12 | |
I didn't lose it, Jay, it was stolen. | 0:59:12 | 0:59:13 | |
Look, look, look, whatever - Dot needs that money today | 0:59:13 | 0:59:17 | |
so we need to sort it out, yeah? Option Two? | 0:59:17 | 0:59:20 | |
Option Two is one of us has to go round there and break the bad news. | 0:59:20 | 0:59:24 | |
You're joking, ain't ya? She'll go mad. | 0:59:24 | 0:59:26 | |
Told you I wouldn't like any of these options. | 0:59:26 | 0:59:29 | |
But there is, however, a third option. | 0:59:29 | 0:59:31 | |
Go on. | 0:59:31 | 0:59:33 | |
We all move to Pakistan and live out the rest of our lives there. | 0:59:33 | 0:59:36 | |
Well, that's it then, ain't it - | 0:59:36 | 0:59:38 | |
one of us has to bite the bullet | 0:59:38 | 0:59:40 | |
and go and tell Dot face to face. | 0:59:40 | 0:59:43 | |
Isn't that right, Danny? | 0:59:48 | 0:59:49 | |
Are you serious? Yeah. Be a laugh. | 0:59:58 | 1:00:00 | |
A laugh. | 1:00:00 | 1:00:02 | |
Dressed up as a witch while trying desperately not to look embarrassed? | 1:00:02 | 1:00:06 | |
Go as a fairy, then. This is me. | 1:00:06 | 1:00:08 | |
I'm trying to make up for the other day. | 1:00:08 | 1:00:10 | |
Oh, so you can run off again? Leaving me to wonder why I ever, ever bother with you. | 1:00:10 | 1:00:15 | |
No, no. It's different this time. I promise. | 1:00:15 | 1:00:18 | |
I'm trying to make amends, you know. | 1:00:18 | 1:00:20 | |
This is me trying to claw way back a semblance of decency between us. | 1:00:20 | 1:00:25 | |
I ran the other night, I know I did. But that's because I had a momentary lapse. | 1:00:25 | 1:00:29 | |
Thank you so much for the thought, but Halloween for me | 1:00:29 | 1:00:32 | |
is just Christmas with fangs. | 1:00:32 | 1:00:34 | |
Right, come on, stash these away. | 1:00:34 | 1:00:36 | |
Ugh! What is that? | 1:00:36 | 1:00:37 | |
It's Cindy. Sorry, here you go. | 1:00:40 | 1:00:42 | |
Thanks. | 1:00:42 | 1:00:43 | |
Have you got anything nonalcoholic for me, Cindy and Lola? | 1:00:45 | 1:00:47 | |
Yeah, you two are having orange juice | 1:00:47 | 1:00:51 | |
and we need to find a way to get rid of Cindy. | 1:00:51 | 1:00:55 | |
We've got Bobby staying at a mate's house. Halloween sleepover thing. | 1:00:55 | 1:00:58 | |
And Dex? He said he's not up for it. | 1:00:58 | 1:01:00 | |
But he's going to miss out. | 1:01:00 | 1:01:02 | |
We're watching scary movies. If he gets too scared and jumps up, his stitches'll come out. | 1:01:02 | 1:01:07 | |
Then there'll be real blood on Halloween. Nice. | 1:01:07 | 1:01:10 | |
If you're that worried about him, go to his instead. | 1:01:10 | 1:01:13 | |
Look, main thing is we're partying tonight, aren't we? | 1:01:15 | 1:01:19 | |
That leaves one problem - what are we going to do about Cindy? | 1:01:19 | 1:01:21 | |
I was kind of hoping that one of you guys had an idea. | 1:01:21 | 1:01:24 | |
This is winding me right up. | 1:01:30 | 1:01:32 | |
Paid a small fortune for this, an' all. | 1:01:32 | 1:01:34 | |
No, you haven't. You don't pay a small fortune for anything. | 1:01:34 | 1:01:37 | |
Which is why it's not working. Yes, but it has to work, OK. | 1:01:37 | 1:01:40 | |
Cos people are paying ten pound a head and we need to have fog. | 1:01:40 | 1:01:42 | |
Fog... Fog! | 1:01:42 | 1:01:44 | |
All right? All right, Rox? Hello, Michael. | 1:01:44 | 1:01:48 | |
Can I get a refund on these? Janine don't fancy it. | 1:01:48 | 1:01:51 | |
Janine? Janine. What were you bringing Janine for? | 1:01:51 | 1:01:53 | |
Did you not get the hint? If someone calls the police on you, | 1:01:53 | 1:01:56 | |
it kind of means they don't like you. | 1:01:56 | 1:01:57 | |
I thought we were getting on better. We had a bit of a detente. | 1:01:57 | 1:02:01 | |
I wouldn't be too surprised. She hasn't exactly been herself lately. | 1:02:01 | 1:02:06 | |
To be honest, I think she's getting worse, you know. | 1:02:06 | 1:02:08 | |
She's barricaded herself in there. She's quiet and lost. | 1:02:08 | 1:02:12 | |
Look, keep 'em for later. She might perk up. I have my doubts. | 1:02:12 | 1:02:15 | |
You know what woman are like, they change faster than Superman, don't they? | 1:02:15 | 1:02:19 | |
Except you, of course, love of my life. | 1:02:19 | 1:02:21 | |
You are constantly wonderful and beautiful. | 1:02:21 | 1:02:23 | |
Look at that. Thank you. Halloween is now happening. | 1:02:27 | 1:02:31 | |
Yeah. Not for Janine. | 1:02:31 | 1:02:32 | |
See, I like witches but wizards - no. They scare me. | 1:02:34 | 1:02:38 | |
Right... Werewolves I like cos, you know, they're basically just | 1:02:38 | 1:02:42 | |
overgrown puppies, ain't they? | 1:02:42 | 1:02:43 | |
But Dracula, no. No, no. | 1:02:43 | 1:02:47 | |
Well, he does bite you in the neck so...? | 1:02:47 | 1:02:49 | |
I don't think it's that, I think it's more the, like, | 1:02:49 | 1:02:51 | |
slicked-back hair. | 1:02:51 | 1:02:53 | |
I used to have a scary grandad with slicked-back hair. | 1:02:53 | 1:02:56 | |
Not the sharp teeth though. His were false. | 1:02:56 | 1:02:59 | |
Hello. All right? | 1:03:01 | 1:03:04 | |
Have you thought of anything yet? | 1:03:04 | 1:03:06 | |
No. But I'm working on it. | 1:03:06 | 1:03:07 | |
I spoke to Jay and Abi. They can't come up with a plan either. | 1:03:07 | 1:03:11 | |
Why don't you want Cindy there anyway? | 1:03:11 | 1:03:13 | |
It's adults... and I want to do adult stuff. | 1:03:13 | 1:03:16 | |
Yeah? Yeah. | 1:03:16 | 1:03:18 | |
What are you doing? Hungry. What's all this booze? | 1:03:27 | 1:03:30 | |
It's Dad's. For the restaurant. | 1:03:30 | 1:03:33 | |
So why's it over here? | 1:03:33 | 1:03:34 | |
I dunno. Uh - got any plans for later? | 1:03:34 | 1:03:38 | |
Nope. Just staying in. | 1:03:38 | 1:03:40 | |
You should go to the Vic. There's loads going on there. | 1:03:40 | 1:03:43 | |
On my own? I think I'll just stay in, thanks. | 1:03:43 | 1:03:47 | |
You OK? | 1:04:02 | 1:04:03 | |
No. | 1:04:07 | 1:04:09 | |
What's wrong? | 1:04:13 | 1:04:14 | |
Don't worry, it's fixable. Michael. | 1:04:14 | 1:04:18 | |
Janine doesn't want to go out tonight. So it's off? | 1:04:18 | 1:04:20 | |
No, it isn't off. What do you mean, off? This is just a sign. | 1:04:20 | 1:04:23 | |
OK. It's telling us it's not right. It's wrong. | 1:04:23 | 1:04:26 | |
Alice... | 1:04:42 | 1:04:44 | |
this is happening. | 1:04:48 | 1:04:50 | |
But how? She doesn't need me to go over there and babysit. | 1:04:50 | 1:04:54 | |
So am I meant to just break in - shove the pills down her throat? | 1:04:54 | 1:04:57 | |
You have to be in that house tonight. | 1:04:57 | 1:04:58 | |
Yeah, but how? You'll think of something. C'mon baby, I need you at your best. | 1:04:58 | 1:05:03 | |
You mean my worst. No. | 1:05:03 | 1:05:05 | |
All we're doing is convincing that monster to show up | 1:05:05 | 1:05:09 | |
for a date which she never shows up for. | 1:05:09 | 1:05:12 | |
It's doubly tragic. | 1:05:12 | 1:05:14 | |
It's so horrible. No, it's not. And life's horrible. | 1:05:14 | 1:05:19 | |
And it never gives you what you want. | 1:05:20 | 1:05:22 | |
And Janine is worse than that. | 1:05:24 | 1:05:26 | |
So that's why I'm doing this, I'm doing this for Scarlett. | 1:05:26 | 1:05:30 | |
I'm doing it for you. | 1:05:30 | 1:05:31 | |
So... | 1:05:39 | 1:05:41 | |
to reiterate - | 1:05:41 | 1:05:43 | |
that one goes in her drink. | 1:05:46 | 1:05:49 | |
That one...? | 1:05:51 | 1:05:52 | |
Goes in her bedside cabinet. | 1:05:56 | 1:05:58 | |
Simple. | 1:05:58 | 1:06:00 | |
You're not the one doing it. | 1:06:00 | 1:06:01 | |
When she's gone - as in dead - you ring me | 1:06:01 | 1:06:06 | |
and you say you were late for baby-sitting and you found her. | 1:06:06 | 1:06:10 | |
How are you so calm? | 1:06:12 | 1:06:16 | |
I'm not calm. Inside, I'm a raging sea. We can't stop now. | 1:06:16 | 1:06:21 | |
We can't stop now. We've gone too far. | 1:06:21 | 1:06:23 | |
You can see that, right? | 1:06:28 | 1:06:29 | |
And I want to be with you so badly. | 1:06:31 | 1:06:33 | |
Tell me what I have to do. | 1:06:38 | 1:06:40 | |
What do you think? Oh, you're going, then? | 1:06:44 | 1:06:46 | |
Well, I managed to get a baby-sitter. | 1:06:46 | 1:06:48 | |
She's just split up with her boyfriend | 1:06:48 | 1:06:51 | |
and wants to mope in peace at mine, so... | 1:06:51 | 1:06:53 | |
to be honest with you, I'm a bit nervous. I'll hardly know anyone. | 1:06:53 | 1:06:55 | |
Well, they'll want to know you. Especially if you wear that hat and nothing else. | 1:06:55 | 1:06:59 | |
That'd be a talking point. Come on, then. | 1:06:59 | 1:07:01 | |
You need to tell me who to avoid. | 1:07:02 | 1:07:05 | |
Apart from the obvious one? | 1:07:05 | 1:07:07 | |
Whitney. | 1:07:07 | 1:07:08 | |
Oh, yeah of course. Anyone else? | 1:07:08 | 1:07:11 | |
Well, there's AJ. | 1:07:11 | 1:07:12 | |
He's harmless enough, but you'd better not let him | 1:07:12 | 1:07:14 | |
catch your eye, else he'll think you fancy him. | 1:07:14 | 1:07:17 | |
Got it. Oh, then there's Billy. | 1:07:17 | 1:07:19 | |
Don't want to find yourself propping up the bar with him, | 1:07:19 | 1:07:22 | |
because he talks for England, and none of it will make any sense. OK. Who else? | 1:07:22 | 1:07:26 | |
Michael. People think he's handsome and mysterious, | 1:07:26 | 1:07:29 | |
but I think that's another way of saying he's a bit weird, you know. | 1:07:29 | 1:07:33 | |
Is there anyone I will like? Put it this way. | 1:07:33 | 1:07:36 | |
If you like monsters, you're going to have a ball. | 1:07:36 | 1:07:38 | |
Hi. Hi. | 1:07:48 | 1:07:50 | |
Come in. | 1:07:50 | 1:07:51 | |
I've got an idea. | 1:07:57 | 1:07:58 | |
We all go in and we all say it at the same time. | 1:07:58 | 1:08:00 | |
Like a choir. She'd like that. She'd think it's religious. | 1:08:00 | 1:08:04 | |
I can't do it. I can't tell her. | 1:08:14 | 1:08:16 | |
Can you imagine the look on her face? | 1:08:16 | 1:08:19 | |
You big wuss. | 1:08:19 | 1:08:21 | |
What if the shock's too much for her and she just keels over? | 1:08:21 | 1:08:25 | |
Never thought of that. | 1:08:25 | 1:08:28 | |
No - | 1:08:28 | 1:08:30 | |
she wouldn't do that... | 1:08:30 | 1:08:32 | |
Would she? | 1:08:32 | 1:08:34 | |
Hello. Nice lunch? | 1:08:42 | 1:08:44 | |
Yeah, lunch was great. | 1:08:44 | 1:08:46 | |
But...? But I've just been stood up. | 1:08:46 | 1:08:49 | |
My baby-sitter just got back with her boyfriend. | 1:08:49 | 1:08:52 | |
Aw, that's so sweet. | 1:08:52 | 1:08:54 | |
Not really. I almost got myself a social life. | 1:08:54 | 1:08:57 | |
Oh, yeah. But, you know, it's nice that they got back together. | 1:08:57 | 1:09:00 | |
Whoever they are. | 1:09:00 | 1:09:02 | |
Yeah. I was just really looking forward to going tonight, you know. | 1:09:02 | 1:09:06 | |
I'm going to be stuck in now. | 1:09:06 | 1:09:08 | |
Maybe not. | 1:09:08 | 1:09:10 | |
I think I might know someone who can help you. | 1:09:10 | 1:09:12 | |
Well? I tried. | 1:09:16 | 1:09:18 | |
I really tried, but Janine was just having none of it. | 1:09:18 | 1:09:22 | |
Maybe it's for the best. It's all right. Don't worry about it. | 1:09:22 | 1:09:25 | |
Don't think about it. | 1:09:25 | 1:09:26 | |
I'm not sure it'd have worked. | 1:09:28 | 1:09:31 | |
Take that. Just drink it, will you? | 1:09:31 | 1:09:33 | |
All of it. | 1:09:33 | 1:09:35 | |
Course it would've worked. It's perfect. | 1:09:35 | 1:09:36 | |
It's not going to happen now, is it? And I'm glad. | 1:09:36 | 1:09:40 | |
PHONE RINGS | 1:09:40 | 1:09:42 | |
Janine. Listen... | 1:09:54 | 1:09:56 | |
maybe I was a little bit hasty. Wasn't really feeling myself. | 1:09:56 | 1:10:00 | |
If you want to go to the Vic, then we can do that. | 1:10:00 | 1:10:03 | |
But no costumes. Yeah. | 1:10:03 | 1:10:06 | |
Good. All right, well, I'll give Alice a call. | 1:10:06 | 1:10:09 | |
As soon as I've got hold of her, I'll call you back. Cool. | 1:10:09 | 1:10:14 | |
Life is death, Alice. | 1:10:18 | 1:10:20 | |
It has to end that way - | 1:10:21 | 1:10:25 | |
all we're doing is just moving it forward a little. | 1:10:25 | 1:10:28 | |
Danny! Danny, what are you doing? | 1:10:39 | 1:10:41 | |
What do you think I'm doing? I'm going to confess, ain't I? | 1:10:41 | 1:10:44 | |
But she might keel over. What choice have I got? | 1:10:44 | 1:10:47 | |
Well, could always give her this instead. | 1:10:49 | 1:10:51 | |
Where'd you get this? | 1:10:51 | 1:10:53 | |
Found it in one of the football socks. | 1:10:53 | 1:10:54 | |
I was clearing away the kit, and there it was. | 1:10:54 | 1:10:57 | |
Looks like it's all there! Billy, you're the hero. | 1:10:57 | 1:11:00 | |
Just got lucky, didn't I? I'll text the others. We owe you. You are the man. | 1:11:00 | 1:11:06 | |
So you want to do the honours? | 1:11:08 | 1:11:09 | |
Nah, mate, should be you. You saved the day, after all. | 1:11:09 | 1:11:12 | |
Yeah, I suppose I did, didn't I? | 1:11:14 | 1:11:16 | |
I can't stop shaking. I know, I can feel you. Listen, don't worry. Don't worry. | 1:11:20 | 1:11:23 | |
Just a few more minutes, a few more minutes. That's all. | 1:11:23 | 1:11:27 | |
Yeah? We don't even have to run away. We can stay here. | 1:11:28 | 1:11:31 | |
Me, you and Scarlett. | 1:11:31 | 1:11:33 | |
OK. | 1:11:35 | 1:11:37 | |
OK? | 1:11:37 | 1:11:38 | |
Happily... | 1:11:53 | 1:11:56 | |
..ever after. Yeah. | 1:11:56 | 1:11:58 | |
SWITCHES CLASSICAL MUSIC ON | 1:12:25 | 1:12:26 | |
Did I just hear Alice go out? | 1:12:39 | 1:12:40 | |
You did, Joseph. | 1:12:42 | 1:12:43 | |
But let me allay your fears. I've tied a rope to her, | 1:12:43 | 1:12:47 | |
so you can yank her back any time you like. | 1:12:47 | 1:12:49 | |
Michael, you know when my dad used to beat you up... | 1:12:52 | 1:12:55 | |
What about it? | 1:12:55 | 1:12:57 | |
I can sort of see why now. | 1:12:57 | 1:12:58 | |
How do you think he's doing? | 1:12:58 | 1:13:01 | |
Hmm? | 1:13:01 | 1:13:02 | |
Down there. Think he's settled in yet? | 1:13:02 | 1:13:05 | |
I'm going clubbing. | 1:13:06 | 1:13:07 | |
Seals? | 1:13:07 | 1:13:08 | |
TURNS UP MUSIC: "Schwanengesang" by Schubert | 1:13:12 | 1:13:15 | |
MUSIC: "Thriller" by Michael Jackson | 1:13:34 | 1:13:37 | |
Come on girls, it's cold. Get inside. | 1:13:37 | 1:13:39 | |
Billy, you made an old lady look young again. | 1:13:39 | 1:13:41 | |
Dot couldn't have been happier. I thought she was going to jump on me at one point. | 1:13:41 | 1:13:45 | |
So, drinks all round, yeah? | 1:13:45 | 1:13:47 | |
Nah, I can't, I'm baby-sitting Lexi. Come on, mate, it's your big moment. | 1:13:47 | 1:13:51 | |
It was nothing. But at least you can rest easy now. | 1:13:51 | 1:13:55 | |
What have you lot come dressed as, eh? Ain't it obvious? A sex object. | 1:13:55 | 1:13:59 | |
Yeah. He asks women for sex... ..and they object! | 1:13:59 | 1:14:03 | |
Come on, get inside. See ya later. | 1:14:03 | 1:14:05 | |
Nice one, mate. Cheers. | 1:14:05 | 1:14:06 | |
No, seriously. Nice one. Like the way you played it. | 1:14:06 | 1:14:09 | |
Tactically very aware. Coming in on the blind side like that. | 1:14:09 | 1:14:13 | |
I've got no idea what you're talking about. | 1:14:13 | 1:14:15 | |
Billy, I know. I know you took the money. I found it in a sock. | 1:14:15 | 1:14:20 | |
You're seriously telling me you found it in a sock? | 1:14:20 | 1:14:22 | |
What was it? You want to be the hero? | 1:14:22 | 1:14:25 | |
I've got to go. I'm seeing you in a different light now, Billy. | 1:14:25 | 1:14:30 | |
Oi-oi. Someone's keen. | 1:14:36 | 1:14:38 | |
Yeah, don't want to miss the party, do I? | 1:14:38 | 1:14:40 | |
So how do I look? | 1:14:40 | 1:14:42 | |
Gorgeous as ever. Come here. | 1:14:42 | 1:14:44 | |
You, don't wait up. | 1:14:44 | 1:14:45 | |
And you be good, madam. | 1:14:45 | 1:14:47 | |
I will! | 1:14:47 | 1:14:48 | |
So what happened to Cindy in the end? | 1:14:51 | 1:14:53 | |
She is at the cinema with Bella, thanks to me. | 1:14:53 | 1:14:56 | |
She never does anything nice for anyone. | 1:14:56 | 1:14:58 | |
Did have to promise her a free make over, so... | 1:14:58 | 1:15:00 | |
TAPPING What was that? | 1:15:00 | 1:15:02 | |
Ooh, what do you think, eh? Boo! | 1:15:04 | 1:15:06 | |
Scared already, Jay? | 1:15:06 | 1:15:07 | |
You're not too scared to watch a horror film, are you, Jay? No, course I'm not. | 1:15:07 | 1:15:11 | |
Right, come on, phones off. It's time to enter the house of horror. | 1:15:11 | 1:15:17 | |
Be still, my pounding heart. There's bad girls everywhere. | 1:15:25 | 1:15:30 | |
All right? No Janine? I'm meeting her here. | 1:15:36 | 1:15:39 | |
Lovely. Cheered her up, then? Yeah, I hope so. | 1:15:39 | 1:15:42 | |
Well. Have a good night, yeah? | 1:15:42 | 1:15:44 | |
We cool, yeah? We're mates? | 1:15:45 | 1:15:48 | |
Yeah. | 1:15:49 | 1:15:52 | |
Just stay out of trouble, all right. | 1:15:52 | 1:15:54 | |
You always were my favourite Moon. | 1:15:54 | 1:15:56 | |
OK. There you go. Enjoy. | 1:15:56 | 1:16:02 | |
SCREAMING ON TV | 1:16:06 | 1:16:08 | |
Thought you said this film was scary. Sh. | 1:16:29 | 1:16:32 | |
Only saying. You're only talking because you are scared. Sh! I ain't scared. | 1:16:32 | 1:16:36 | |
BANG! | 1:16:36 | 1:16:38 | |
What was that? | 1:16:39 | 1:16:41 | |
Who's not scared now? | 1:16:41 | 1:16:44 | |
Lucy, I think you should go check it out. Why me? | 1:16:44 | 1:16:47 | |
Yeah, go on, Luce. | 1:16:47 | 1:16:48 | |
It'll just be kids. | 1:16:50 | 1:16:52 | |
You OK? | 1:16:54 | 1:16:56 | |
BANG MAKES THEM SCREAM | 1:16:56 | 1:16:58 | |
I know it's wrong, but I wish it was Halloween every day. | 1:17:05 | 1:17:09 | |
You do? I've been stood here wishing it was anything but. | 1:17:09 | 1:17:12 | |
That's because you ain't had one of these yet. What is that? | 1:17:12 | 1:17:15 | |
I dunno, but you'll soon want one. | 1:17:15 | 1:17:17 | |
Been stood up? | 1:17:26 | 1:17:29 | |
Eight o'clock. So presumably she's en route. | 1:17:29 | 1:17:32 | |
You know what, I really hope it works out between you two. I do. | 1:17:32 | 1:17:36 | |
That's kind. Me too. | 1:17:36 | 1:17:38 | |
Jay... Jay! You're hurting my hand. Sorry. | 1:18:05 | 1:18:09 | |
You sure there was no-one outside, Luce? | 1:18:11 | 1:18:14 | |
Wuss. I checked twice. | 1:18:14 | 1:18:16 | |
Maybe we should turn the lights back on now. What do you think? Mate, man up. | 1:18:20 | 1:18:24 | |
THEY SCREAM | 1:18:24 | 1:18:27 | |
What was you saying, Peter? | 1:18:27 | 1:18:28 | |
BANG! | 1:18:33 | 1:18:34 | |
What was that? Seriously, what was that?! | 1:18:34 | 1:18:36 | |
Seriously! Luce! You go! | 1:18:36 | 1:18:39 | |
Right, for goodness' sake. Probably just didn't shut the door properly. | 1:18:42 | 1:18:46 | |
ALL SCREAM | 1:18:48 | 1:18:51 | |
Has it gone yet? What is it, has it gone? | 1:18:51 | 1:18:54 | |
Happy Halloween! Cindy, what are you playing at? | 1:18:54 | 1:18:57 | |
Cindy, where's Bella? | 1:18:57 | 1:18:59 | |
We got the film time wrong. Hi, everyone. | 1:18:59 | 1:19:02 | |
So what are we watching? Ugh. Better switch that over. | 1:19:03 | 1:19:09 | |
What are you doing? Well, Lucy said you weren't doing anything tonight, | 1:19:09 | 1:19:13 | |
so we thought we'd come and do nothing with you. | 1:19:13 | 1:19:16 | |
Well, we were watching a film. And you thought you'd leave me out? | 1:19:16 | 1:19:19 | |
But that is never going to happen. | 1:19:19 | 1:19:22 | |
Me and Jay are going to go to the Vic. If he's not too scared. | 1:19:22 | 1:19:24 | |
I don't do scared. | 1:19:24 | 1:19:25 | |
I'd best go with them, eh? I'll get my coat... | 1:19:27 | 1:19:30 | |
You can't leave us. We might get scared. | 1:19:30 | 1:19:33 | |
I'm not looking after them. | 1:19:36 | 1:19:38 | |
Better luck next year, eh. | 1:19:41 | 1:19:43 | |
Will you hold still? | 1:19:58 | 1:19:59 | |
Come on. I haven't had a drink yet, you know. Ow, they're a bit sharp. | 1:19:59 | 1:20:05 | |
They're not real, are they? | 1:20:05 | 1:20:08 | |
This beats book club. | 1:20:10 | 1:20:12 | |
You're in a book club? Was. It's finished. | 1:20:12 | 1:20:16 | |
How come? No-one could read. | 1:20:16 | 1:20:18 | |
Ladies and gentlemen, welcome to the depths of hell, | 1:20:33 | 1:20:36 | |
to the Queen Vic and Alfie Moon's Monster Ball! | 1:20:36 | 1:20:42 | |
PHONE RINGS | 1:20:42 | 1:20:45 | |
Alice? | 1:20:45 | 1:20:46 | |
And if you need to believe there's life after death, just stand next to Patrick Trueman. | 1:20:48 | 1:20:53 | |
I'm only joking! What? What? | 1:20:53 | 1:20:55 | |
Calm down, calm down... calm down! | 1:20:55 | 1:21:00 | |
I'm on my way, I'm coming now. | 1:21:01 | 1:21:05 | |
I'm coming now. | 1:21:05 | 1:21:06 | |
Michael? | 1:21:37 | 1:21:38 | |
Michael.... | 1:22:00 | 1:22:02 | |
FIREWORKS CRACKLE OUTSIDE | 1:22:02 | 1:22:04 | |
Alice, what happened? | 1:22:04 | 1:22:06 | |
What did you do to her? | 1:22:08 | 1:22:10 | |
Tell me! | 1:22:12 | 1:22:13 | |
It...it all went wrong. | 1:22:16 | 1:22:18 | |
I should never have gone over there. | 1:22:18 | 1:22:20 | |
She found the pills? | 1:22:20 | 1:22:21 | |
She found the pills, is that what happened? | 1:22:21 | 1:22:24 | |
Alice, is she dead? | 1:22:30 | 1:22:31 | |
I don't know, I think so. You think? | 1:22:31 | 1:22:33 | |
I don't know. She attacked me and I defended myself. | 1:22:33 | 1:22:36 | |
It happened so quickly, please... OK, OK, OK - I'm sorry, | 1:22:36 | 1:22:39 | |
I'm sorry. I'm sorry. Calm down. | 1:22:39 | 1:22:41 | |
Calm down. Where is she? | 1:22:41 | 1:22:43 | |
In the house. | 1:22:43 | 1:22:45 | |
Where? Where in the house? | 1:22:45 | 1:22:47 | |
In the kitchen. | 1:22:47 | 1:22:48 | |
You sure? | 1:22:48 | 1:22:49 | |
Yeah, she's in the kitchen. | 1:22:50 | 1:22:52 | |
Good girl. Good girl. | 1:22:52 | 1:22:54 | |
Did anyone see you leave? | 1:22:55 | 1:22:56 | |
No-one saw you...? I don't know. | 1:22:56 | 1:22:58 | |
There were people in the... | 1:22:58 | 1:23:00 | |
Were there people in the Square? There's people everywhere! It's Halloween. | 1:23:00 | 1:23:04 | |
I wasn't looking, I wasn't thinking, I just wanted to get away from the house. | 1:23:04 | 1:23:07 | |
I'm sorry I shouted. I'm sorry I shouted, darling. We've just got to get you cleaned up, OK? | 1:23:07 | 1:23:11 | |
You're covered in blood. Take off your top and let's wash your hands. | 1:23:11 | 1:23:15 | |
Shouldn't you go over there? Why? | 1:23:17 | 1:23:19 | |
To check. Check on what? Look at me. | 1:23:19 | 1:23:23 | |
Take your top off. Now. | 1:23:24 | 1:23:27 | |
Wash your hands. | 1:23:44 | 1:23:45 | |
Wash your hands, baby. | 1:23:48 | 1:23:49 | |
That's it. I love you, Michael. | 1:23:58 | 1:24:00 | |
I love you too, baby. I love you too. | 1:24:00 | 1:24:03 | |
Do you? Yeah. | 1:24:04 | 1:24:06 | |
Just dry your hands and give me the towel. | 1:24:10 | 1:24:12 | |
That's it. That's my girl. | 1:24:22 | 1:24:23 | |
You all right? | 1:24:30 | 1:24:31 | |
I'll get rid of these. | 1:24:38 | 1:24:40 | |
I left the door open. | 1:24:40 | 1:24:42 | |
What? Janine's front door, I left it open. | 1:24:43 | 1:24:46 | |
Why? I was panicking. | 1:24:46 | 1:24:48 | |
MUFFLED CONVERSATION DOWNSTAIRS | 1:24:48 | 1:24:50 | |
OK, here's the deal - you go to your room. | 1:24:55 | 1:24:57 | |
you get into bed, go to sleep. I can't go to sleep! | 1:24:57 | 1:25:00 | |
Just pretend. Just pretend you're going to go to sleep. Do that for me, OK. | 1:25:00 | 1:25:03 | |
I will go to the house and I will sort it out. | 1:25:03 | 1:25:05 | |
Maybe you shouldn't. | 1:25:05 | 1:25:06 | |
Maybe I should. Come on. | 1:25:07 | 1:25:09 | |
Get into bed, baby. Get into bed. | 1:25:21 | 1:25:23 | |
Now listen, you went to bed early because you had a headache. | 1:25:36 | 1:25:40 | |
I don't want you talking to Kat. | 1:25:40 | 1:25:42 | |
Here. | 1:25:43 | 1:25:44 | |
It'll keep the vampires from your door. | 1:25:50 | 1:25:52 | |
DOOR CLOSES | 1:26:00 | 1:26:01 | |
FIREWORKS CRACKLE OUTSIDE | 1:26:07 | 1:26:09 | |
MUFFLED CONVERSATION | 1:26:10 | 1:26:12 | |
I thought I heard someone. | 1:26:18 | 1:26:19 | |
Thought it might've been a ghost. | 1:26:19 | 1:26:22 | |
Have a look at Tommy. Come on. | 1:26:22 | 1:26:26 | |
Looks sweet, don't he? | 1:26:28 | 1:26:30 | |
Yeah. | 1:26:31 | 1:26:33 | |
He didn't know what was going on at one point. Started crying. | 1:26:33 | 1:26:36 | |
You should've come with us, watched your boy in action. | 1:26:36 | 1:26:41 | |
Would've been nice. | 1:26:41 | 1:26:42 | |
What's wrong? Nothing. | 1:26:44 | 1:26:46 | |
You're acting weird. Am I? | 1:26:46 | 1:26:48 | |
Yeah. I mean, you're weird anyway, but you're acting even more weird. | 1:26:48 | 1:26:51 | |
It's Halloween. Brings out the weird in me. | 1:26:51 | 1:26:55 | |
Good. | 1:26:58 | 1:26:59 | |
Hwahh! Hoo! Hoo! | 1:27:15 | 1:27:18 | |
HE LAUGHS | 1:27:18 | 1:27:21 | |
It's me. | 1:27:21 | 1:27:23 | |
Is Tommy in? No. | 1:27:23 | 1:27:24 | |
Oh, OK. | 1:27:24 | 1:27:26 | |
Just that Carol said she saw Kat and Tommy come home. | 1:27:26 | 1:27:29 | |
No. Oh. | 1:27:31 | 1:27:32 | |
No big deal, I just put some bits and pieces together for him, | 1:27:32 | 1:27:35 | |
a little present, but you can give them to him if you like. | 1:27:35 | 1:27:38 | |
Thanks. | 1:27:38 | 1:27:39 | |
HE CHUCKLES | 1:27:41 | 1:27:44 | |
What happened to your date? | 1:27:48 | 1:27:50 | |
She didn't turn up. | 1:27:51 | 1:27:53 | |
Right. See you later. | 1:27:53 | 1:27:55 | |
KIDS CHATTER | 1:28:00 | 1:28:02 | |
ROCK MUSIC PLAYS IN THE VIC | 1:28:22 | 1:28:23 | |
MUSIC CONTINUES | 1:28:56 | 1:28:58 | |
FIREWORK EXPLODES | 1:29:10 | 1:29:12 | |
Hey, Dracula, nice costume. | 1:29:21 | 1:29:24 | |
FIREWORK EXPLODES | 1:29:28 | 1:29:31 | |
DOOR CLOSES | 1:29:46 | 1:29:47 | |
Michael. What are you doing here? | 1:31:18 | 1:31:21 | |
I was just passing. | 1:31:23 | 1:31:24 | |
How did you get in? | 1:31:24 | 1:31:26 | |
The door was open. | 1:31:26 | 1:31:27 | |
Is something wrong? | 1:31:29 | 1:31:30 | |
Are you all right? | 1:31:32 | 1:31:34 | |
Yeah, I'm fine, thank you... | 1:31:34 | 1:31:36 | |
apart from this little cut. | 1:31:36 | 1:31:39 | |
It's nothing really. | 1:31:39 | 1:31:40 | |
What happened here? | 1:31:40 | 1:31:42 | |
Well, there's been an incident, | 1:31:43 | 1:31:46 | |
a really unfortunate incident, | 1:31:46 | 1:31:48 | |
it's quite shocking, actually. | 1:31:48 | 1:31:50 | |
Took me totally by surprise. I was just here, preparing a meal... | 1:31:50 | 1:31:55 | |
for us - a little surprise after our disappointment the other night... | 1:31:55 | 1:32:00 | |
..when, there's no other way of putting it, I was attacked. | 1:32:02 | 1:32:05 | |
Attacked? | 1:32:05 | 1:32:07 | |
Mmm. | 1:32:07 | 1:32:08 | |
Brutally attacked in my own house. | 1:32:08 | 1:32:10 | |
That's terrible. And this just happened here? | 1:32:10 | 1:32:13 | |
Ten minutes ago. | 1:32:13 | 1:32:15 | |
Did you call the police yet? | 1:32:15 | 1:32:16 | |
No. I was just about to, actually. | 1:32:16 | 1:32:19 | |
Who was it? | 1:32:22 | 1:32:23 | |
Sorry? Who attacked you? | 1:32:23 | 1:32:24 | |
Well, it was you, of course. | 1:32:27 | 1:32:29 | |
It's been coming for a while, let's face it - | 1:32:31 | 1:32:34 | |
that terrible scene you made the other day, | 1:32:34 | 1:32:37 | |
our legal problems. | 1:32:37 | 1:32:38 | |
You've been pressuring me. | 1:32:38 | 1:32:40 | |
I took out that injunction and you just ignored it. | 1:32:41 | 1:32:44 | |
I tried so hard to be reasonable | 1:32:44 | 1:32:47 | |
but you just wouldn't leave me alone. | 1:32:47 | 1:32:50 | |
Then you turn up here tonight, | 1:32:50 | 1:32:53 | |
in another one of your foul tempers. | 1:32:53 | 1:32:56 | |
You'd been drinking, wanted to see our daughter, | 1:32:56 | 1:32:58 | |
with your disgusting whisky breath. Oh, yeah. | 1:32:58 | 1:33:01 | |
I couldn't have that, could I? | 1:33:01 | 1:33:02 | |
Before I knew it, you just snapped. You snapped, you threatened me, | 1:33:02 | 1:33:06 | |
and then you attacked me and I begged you to stop. | 1:33:06 | 1:33:10 | |
I begged you to leave me alone, but you just wouldn't listen, | 1:33:10 | 1:33:13 | |
so you picked up that knife and you tried to kill me. | 1:33:13 | 1:33:16 | |
I was lucky to get away with just a flesh wound. | 1:33:17 | 1:33:20 | |
I see. | 1:33:21 | 1:33:23 | |
Well, that's ridiculous because I didn't do it. | 1:33:25 | 1:33:27 | |
And yet you're here in my house, uninvited, | 1:33:27 | 1:33:31 | |
with my blood on your sleeve. | 1:33:31 | 1:33:33 | |
How do you explain that? | 1:33:33 | 1:33:34 | |
It's Halloween. | 1:33:36 | 1:33:37 | |
I was out with Tommy and Kat, it's just not real, it's fake, | 1:33:37 | 1:33:40 | |
joking around. | 1:33:40 | 1:33:41 | |
Please, Michael. Come on, don't you know? | 1:33:41 | 1:33:44 | |
Don't you know when you've been caught? | 1:33:44 | 1:33:46 | |
I mean, look at this place. Look at you, this - that knife, Michael, has got your prints on it. | 1:33:46 | 1:33:51 | |
Your prints are all over it. | 1:33:51 | 1:33:52 | |
Don't you remember the other night, helping me cook, | 1:33:52 | 1:33:56 | |
chopping the vegetables like a very good little boy? | 1:33:56 | 1:33:58 | |
You used that knife. | 1:34:00 | 1:34:01 | |
That's evidence - | 1:34:02 | 1:34:04 | |
concrete evidence. | 1:34:04 | 1:34:05 | |
You've been planning this for days? | 1:34:08 | 1:34:10 | |
Two. Two days. | 1:34:10 | 1:34:11 | |
Why? | 1:34:13 | 1:34:15 | |
Why do you think? | 1:34:15 | 1:34:16 | |
Alice? Finally, the penny drops. | 1:34:17 | 1:34:20 | |
What's she said to you? Everything. | 1:34:20 | 1:34:22 | |
Oh, she's told me everything... | 1:34:22 | 1:34:23 | |
..every single, sordid, very pathetic little detail. | 1:34:24 | 1:34:28 | |
And you believe her, clearly. | 1:34:28 | 1:34:30 | |
Yes, I do believe her. | 1:34:30 | 1:34:32 | |
She turned up here at that door crying her eyes out. | 1:34:32 | 1:34:36 | |
She was at her wits' end and she just poured it all out - | 1:34:36 | 1:34:39 | |
everything, you know, how you wanted me dead, | 1:34:39 | 1:34:41 | |
how you wanted to poison me. | 1:34:41 | 1:34:43 | |
Poison me! | 1:34:44 | 1:34:46 | |
Poison the mother of your child. | 1:34:46 | 1:34:49 | |
She was scared of what she'd got herself into, | 1:34:49 | 1:34:51 | |
she was scared of what you'd do. | 1:34:51 | 1:34:55 | |
She really had nowhere else to go. | 1:34:55 | 1:34:57 | |
When was this? | 1:34:57 | 1:34:58 | |
You know exactly when this was - | 1:34:58 | 1:35:01 | |
after your little diatribe against her the other night, | 1:35:01 | 1:35:04 | |
after she just couldn't bring herself to poison an innocent woman. | 1:35:04 | 1:35:08 | |
Innocent? You?! Please, spare me. | 1:35:08 | 1:35:12 | |
She fell in love with me and you couldn't bear that. | 1:35:12 | 1:35:15 | |
So you manipulated her, you used her, you sacked her. | 1:35:15 | 1:35:17 | |
She wanted to be with me | 1:35:17 | 1:35:18 | |
and she was willing to do anything to achieve that end, | 1:35:18 | 1:35:21 | |
including, it seems, getting rid of you. | 1:35:21 | 1:35:24 | |
So this was all her idea, then? This whole thing? | 1:35:24 | 1:35:26 | |
Of course it was. Of course it was her idea! | 1:35:26 | 1:35:29 | |
Oh, please! | 1:35:29 | 1:35:30 | |
Listen, I found these. | 1:35:30 | 1:35:32 | |
I found these crushed up into a powder, | 1:35:32 | 1:35:35 | |
I asked her what she was doing - | 1:35:35 | 1:35:36 | |
you know what she said to me? | 1:35:36 | 1:35:38 | |
She said, "I want to be with you and Scarlett." | 1:35:38 | 1:35:41 | |
That's terrifying, right? Imagine my horror. | 1:35:41 | 1:35:43 | |
I'm a lot of things but I'm not a murderer. | 1:35:43 | 1:35:46 | |
And I know I find you intermittently objectionable | 1:35:46 | 1:35:49 | |
but I could never hurt you. | 1:35:49 | 1:35:50 | |
I just couldn't. | 1:35:50 | 1:35:53 | |
And so Alice is the one that wanted to kill me? | 1:35:53 | 1:35:56 | |
She came up with this whole ludicrous plan? | 1:35:56 | 1:35:58 | |
You really think she's capable of that? | 1:35:58 | 1:36:00 | |
I do, yeah, very capable. No, no, not Alice. | 1:36:00 | 1:36:03 | |
You and I both know that she isn't capable of hurting anyone, | 1:36:03 | 1:36:08 | |
which is why you're standing there with my blood on your sleeve | 1:36:08 | 1:36:10 | |
and I'm standing here with this phone in my hand... | 1:36:10 | 1:36:15 | |
dialling, nine... | 1:36:15 | 1:36:17 | |
I wouldn't. | 1:36:17 | 1:36:19 | |
..nine... | 1:36:20 | 1:36:23 | |
nine. | 1:36:23 | 1:36:25 | |
Police. Please, I'm being attacked, someone's trying to kill me, | 1:36:25 | 1:36:28 | |
they're in the house. Please, help me, quick. | 1:36:28 | 1:36:30 | |
What are you doing?! | 1:36:30 | 1:36:33 | |
You were going to kill me. | 1:36:34 | 1:36:36 | |
No. I told you... | 1:36:36 | 1:36:37 | |
Enough lies! Enough! | 1:36:37 | 1:36:39 | |
All right? She told me. Alice. | 1:36:39 | 1:36:41 | |
And I know she has not got the imagination to come up with any of this. | 1:36:41 | 1:36:44 | |
You sent her over here to poison me. | 1:36:44 | 1:36:48 | |
You were going to do that to me, and to her. | 1:36:48 | 1:36:53 | |
You were going to do that to Scarlett. | 1:36:53 | 1:36:56 | |
I mean, what would she have felt? | 1:36:56 | 1:37:00 | |
What were you going to say to her - to your daughter? | 1:37:00 | 1:37:03 | |
"Mummy was sad, she was so sad that she committed suicide. | 1:37:03 | 1:37:06 | |
"Your mummy just didn't love you enough." | 1:37:06 | 1:37:09 | |
Is that what she would've been told, Michael? | 1:37:09 | 1:37:11 | |
Is that what she would've heard, | 1:37:11 | 1:37:13 | |
the same words... | 1:37:13 | 1:37:15 | |
the same words you heard when you were a little boy? | 1:37:15 | 1:37:19 | |
The same words that have made you into the twisted, | 1:37:19 | 1:37:21 | |
messed-up freak that you are today. | 1:37:21 | 1:37:24 | |
Well? | 1:37:25 | 1:37:27 | |
Were you going to do that to Scarlett? | 1:37:27 | 1:37:30 | |
Were you? | 1:37:32 | 1:37:33 | |
The daughter that you claim to love so much, | 1:37:33 | 1:37:37 | |
the one that you were willing to kill for. | 1:37:37 | 1:37:39 | |
Listen to me... | 1:37:40 | 1:37:42 | |
No. You cannot lie your way out of this one, all right. | 1:37:42 | 1:37:47 | |
I mean, I loved you... | 1:37:49 | 1:37:50 | |
And I loved you. I loved you. | 1:37:50 | 1:37:52 | |
This doesn't have to be the end. It doesn't. | 1:37:53 | 1:37:57 | |
What do you suggest? A renewal of vows? | 1:37:57 | 1:37:59 | |
I love you. I still do. I do. I love you. | 1:37:59 | 1:38:02 | |
I do. In my own way. | 1:38:02 | 1:38:05 | |
And maybe this is what we needed to make us see the light. | 1:38:06 | 1:38:09 | |
Like a kind of therapy? | 1:38:09 | 1:38:10 | |
Let's be brave. Let's be brave. Let's seize the moment. | 1:38:10 | 1:38:14 | |
Let's grab this moment. I know this is a mess, | 1:38:14 | 1:38:16 | |
it's a terrible mess, it's a horrible mess I know, | 1:38:16 | 1:38:19 | |
but come on - it's not what you think. | 1:38:19 | 1:38:22 | |
It's exactly what I think. No, no, no. I know you. | 1:38:22 | 1:38:26 | |
More than that - I understand you. | 1:38:26 | 1:38:28 | |
You just want to scare me. And you have, you've scared me - | 1:38:30 | 1:38:33 | |
well done. | 1:38:33 | 1:38:35 | |
I'm scared. | 1:38:35 | 1:38:36 | |
But you don't want to hurt me. | 1:38:37 | 1:38:39 | |
You don't want to do that. | 1:38:39 | 1:38:41 | |
You don't know me. | 1:38:41 | 1:38:43 | |
You don't know what I'm capable of. | 1:38:43 | 1:38:45 | |
I'm very, very capable of sending you to jail | 1:38:45 | 1:38:47 | |
and leaving you there to rot, | 1:38:47 | 1:38:49 | |
because we could have been something, Michael, could - once. | 1:38:49 | 1:38:53 | |
But you blew it. | 1:38:55 | 1:38:56 | |
And now you're going to pay. Doubt that. | 1:38:57 | 1:39:01 | |
The knife? The prints? Alice's testimony? | 1:39:01 | 1:39:04 | |
She's a witness, you know. | 1:39:04 | 1:39:06 | |
She saw everything... | 1:39:06 | 1:39:08 | |
..didn't you? | 1:39:10 | 1:39:11 | |
You saw him come in and grab that knife, | 1:39:17 | 1:39:20 | |
you saw him do that. | 1:39:20 | 1:39:21 | |
I'm disappointed, Alice. | 1:39:23 | 1:39:24 | |
Everything we've been through... I'm sorry. | 1:39:27 | 1:39:29 | |
Oh, don't. Don't say sorry to him. | 1:39:29 | 1:39:31 | |
He doesn't deserve anything from you, not after what he's done. | 1:39:31 | 1:39:34 | |
You say you're sorry. Why? | 1:39:34 | 1:39:37 | |
Why are you sorry? | 1:39:38 | 1:39:40 | |
You were so horrible to me. | 1:39:42 | 1:39:44 | |
Oh, I know. I was disgusting, | 1:39:44 | 1:39:48 | |
but I've apologised for that. | 1:39:48 | 1:39:49 | |
I was under so much pressure. | 1:39:49 | 1:39:51 | |
Planning a murder can do that to you. | 1:39:51 | 1:39:54 | |
Do you know why we were "planning a murder"? | 1:39:54 | 1:39:57 | |
Because you're so disgusting. | 1:39:57 | 1:40:00 | |
You hurt people - me, Scarlett. | 1:40:00 | 1:40:03 | |
What kind of mother are you? | 1:40:03 | 1:40:05 | |
What kind of mother are you going to be? | 1:40:05 | 1:40:07 | |
What chance does this child have in the world? | 1:40:07 | 1:40:11 | |
We... | 1:40:11 | 1:40:12 | |
..me and Alice, we were forced to take action. | 1:40:15 | 1:40:19 | |
You forced our hand. Oh, "our"? | 1:40:19 | 1:40:22 | |
Our. | 1:40:22 | 1:40:24 | |
And you didn't manipulate her into all of this? | 1:40:24 | 1:40:28 | |
Gentle persuasion. | 1:40:28 | 1:40:30 | |
Alice is naturally a very kind, loving person. | 1:40:31 | 1:40:36 | |
You'd never think of anything as disgusting as this, would you? | 1:40:36 | 1:40:39 | |
No, of course I wouldn't. | 1:40:39 | 1:40:41 | |
Don't listen to him, Alice. Don't, all right. | 1:40:41 | 1:40:45 | |
He's trying to twist your mind. It's the truth, | 1:40:45 | 1:40:48 | |
the truth, which you clearly find so repellent. | 1:40:48 | 1:40:50 | |
No, no, you seduced her and you used her and then you threw her away. | 1:40:50 | 1:40:54 | |
She's nothing to you. That's wrong. | 1:40:54 | 1:40:57 | |
She told me everything that happened - | 1:40:57 | 1:41:00 | |
you two sleeping together. | 1:41:00 | 1:41:02 | |
I see, you're jealous? | 1:41:02 | 1:41:04 | |
No. Yeah. | 1:41:04 | 1:41:05 | |
Jealous that one night with Alice was infinitely more | 1:41:05 | 1:41:09 | |
fulfilling than the endless times I had to labour over your carcass. | 1:41:09 | 1:41:13 | |
With Alice, | 1:41:13 | 1:41:15 | |
I finally connected with someone. | 1:41:15 | 1:41:17 | |
It was a revelation. | 1:41:17 | 1:41:19 | |
Very good, Michael. Nice try. | 1:41:19 | 1:41:22 | |
It's the truth. | 1:41:22 | 1:41:24 | |
That's why you wear my St Christopher. | 1:41:24 | 1:41:28 | |
This is the only possession I have left of my mother, | 1:41:28 | 1:41:30 | |
the only other person I've ever cared about in this world - | 1:41:30 | 1:41:33 | |
the only one. | 1:41:33 | 1:41:34 | |
There's a reason I gave it to you. | 1:41:36 | 1:41:39 | |
I looked for you, Alice, | 1:41:41 | 1:41:44 | |
and you came to me. | 1:41:44 | 1:41:45 | |
Oh, Michael... | 1:41:48 | 1:41:49 | |
No, no, no! Please, please don't tell me | 1:41:49 | 1:41:53 | |
that you're actually believing this? | 1:41:53 | 1:41:55 | |
He doesn't love you. | 1:41:57 | 1:42:00 | |
I do love you. I do love you. | 1:42:00 | 1:42:01 | |
We share something way beyond your cognition. | 1:42:01 | 1:42:05 | |
Tell me, baby, am I wrong? | 1:42:05 | 1:42:06 | |
No. | 1:42:08 | 1:42:10 | |
Alice? | 1:42:10 | 1:42:11 | |
He's not wrong. I do love him. No, you don't, OK. | 1:42:11 | 1:42:14 | |
You're young, you don't even know... Stop. | 1:42:14 | 1:42:16 | |
I'm so sick of everybody telling me that I'm so young and I'm | 1:42:16 | 1:42:20 | |
so stupid, like a stupid little girl. | 1:42:20 | 1:42:22 | |
Well, I'm not. I'm a woman and I know how I feel. | 1:42:22 | 1:42:25 | |
I love him. I do. | 1:42:25 | 1:42:27 | |
And you destroyed me. | 1:42:27 | 1:42:29 | |
So I came to you because I didn't have anyone else to go to | 1:42:29 | 1:42:32 | |
and now I don't know what to do. I don't know what's right, I don't know what's wrong... | 1:42:32 | 1:42:35 | |
You need to tell the truth to the police. | 1:42:35 | 1:42:38 | |
The truth? | 1:42:38 | 1:42:39 | |
Janine, none of this is the truth. | 1:42:39 | 1:42:42 | |
I wanted to pay you back. | 1:42:43 | 1:42:45 | |
I wanted to hurt you like you hurt me, | 1:42:45 | 1:42:48 | |
but I didn't want this, | 1:42:48 | 1:42:50 | |
I didn't want any of this. I can't poison somebody. | 1:42:50 | 1:42:52 | |
I can't lie to the police - I can't and I won't. | 1:42:52 | 1:42:56 | |
I just want a normal life. | 1:42:56 | 1:42:58 | |
Snap! | 1:42:58 | 1:43:00 | |
That's exactly what I want. | 1:43:00 | 1:43:02 | |
Thank God. Thank God you came to your senses before I did. | 1:43:02 | 1:43:06 | |
I love you. I can't believe this is happening. Let go of her! | 1:43:06 | 1:43:09 | |
Look at you there, | 1:43:15 | 1:43:18 | |
replete with venom, and poison. | 1:43:18 | 1:43:23 | |
You're toxic. | 1:43:23 | 1:43:24 | |
So, what've you got, Janine? | 1:43:25 | 1:43:29 | |
Cos Alice is not going to lie to the police for you. | 1:43:30 | 1:43:33 | |
You've got a messy kitchen, you've got a knife with some prints on it. | 1:43:33 | 1:43:39 | |
You've got nothing. | 1:43:39 | 1:43:40 | |
Alice! Alice, listen to me. | 1:43:43 | 1:43:44 | |
So you ring the police and tell them that you're sorry - | 1:43:44 | 1:43:47 | |
it's a big mistake and none of this happened. | 1:43:47 | 1:43:50 | |
Alice, he seduced you, he used you. | 1:43:50 | 1:43:51 | |
I know he's making you feel like he loves you but he doesn't. | 1:43:51 | 1:43:54 | |
He's very good at that. | 1:43:54 | 1:43:56 | |
He doesn't love anyone - | 1:43:56 | 1:43:58 | |
not you, or Scarlett, or me or anyone. | 1:43:58 | 1:44:02 | |
That's not true. Oh! He hates himself, | 1:44:02 | 1:44:05 | |
yeah, but he loves Scarlett. | 1:44:05 | 1:44:08 | |
He was going to make it look like I'd committed suicide, | 1:44:08 | 1:44:11 | |
just like his mum did. | 1:44:11 | 1:44:14 | |
If he loved Scarlett, like you say, why would he do that to her? | 1:44:14 | 1:44:18 | |
Why would he leave her for the rest of her life with that? | 1:44:18 | 1:44:22 | |
Why? | 1:44:24 | 1:44:25 | |
Why, Michael? | 1:44:28 | 1:44:30 | |
SIRENS APPROACHING | 1:44:31 | 1:44:35 | |
Think quickly, Michael, they're almost here. | 1:44:36 | 1:44:39 | |
Hey, maybe a full confession might be best. What do you think? | 1:44:39 | 1:44:41 | |
Shut up. Listen to me, I can explain everything. | 1:44:41 | 1:44:44 | |
I can explain my mother, I can explain my daughter but I can't do it before they come in. | 1:44:44 | 1:44:47 | |
Just answer the question. Just come outside with me. | 1:44:47 | 1:44:50 | |
Come outside with me and we can explain to them. | 1:44:50 | 1:44:52 | |
What were you going to say to her? I can't do that now, I haven't got time now! | 1:44:52 | 1:44:55 | |
I will tell you later. Now! Listen to me, | 1:44:55 | 1:44:57 | |
in two minutes, they're going to come through that door. | 1:44:57 | 1:45:00 | |
It's so important that you listen to me. | 1:45:00 | 1:45:02 | |
You don't mention the pills. Don't mention the pills. | 1:45:02 | 1:45:05 | |
If you mention the pills, you'll go to prison, do you understand that? | 1:45:05 | 1:45:08 | |
You'll go to prison. | 1:45:08 | 1:45:10 | |
She forced you into it but you didn't want to do it | 1:45:10 | 1:45:12 | |
because you're a good girl, because you're my special girl - my special beautiful girl. | 1:45:12 | 1:45:15 | |
No, no, I'm not, am I? You are. I'm not! | 1:45:15 | 1:45:17 | |
I can see it in your eyes, Michael - you're scared. | 1:45:17 | 1:45:20 | |
I don't want to see it but I can. | 1:45:20 | 1:45:21 | |
I'm not your special anything. | 1:45:21 | 1:45:23 | |
No, I love you, I do love you! No, you don't. | 1:45:23 | 1:45:25 | |
Alice, this man was going to kill me and he was going to use you to do it. | 1:45:25 | 1:45:28 | |
He was going to leave his little girl motherless. | 1:45:28 | 1:45:30 | |
He needs to be stopped. We need to stick to what we agreed before somebody actually gets hurt... | 1:45:30 | 1:45:34 | |
You don't! You don't! Yes, you do. You need to put him away and protect Scarlett. | 1:45:34 | 1:45:38 | |
From you! You are a disgusting piece of flesh. | 1:45:38 | 1:45:41 | |
This is what I mean. That is exactly what I mean. | 1:45:41 | 1:45:43 | |
Baby, look at me, look at me. I don't know. I don't know. Yes, you do know! | 1:45:43 | 1:45:47 | |
I will go to prison. I'll go to prison! | 1:45:47 | 1:45:48 | |
Michael, just go out the back. | 1:45:48 | 1:45:50 | |
Just run out the door, quickly, they're not here yet. Go. | 1:45:50 | 1:45:52 | |
Please, Michael, go, I promise I won't stop you. | 1:45:52 | 1:45:55 | |
Not without Scarlett. | 1:45:55 | 1:45:57 | |
CHILD'S MOBILE PLAYS MUSIC | 1:46:00 | 1:46:03 | |
No, no, no! | 1:46:09 | 1:46:11 | |
Scarlett! | 1:46:12 | 1:46:14 | |
MUFFLED CHILD'S LAUGHTER | 1:46:14 | 1:46:16 | |
SIRENS APPROACHING | 1:46:24 | 1:46:27 | |
Give me the key. No, they're here, just give it up. | 1:46:39 | 1:46:44 | |
Give me the key! | 1:46:44 | 1:46:45 | |
Michael, don't hurt her. Michael don't. Me and you can go now, OK? | 1:46:45 | 1:46:48 | |
Let's go, let's go. Let's run away. | 1:46:48 | 1:46:50 | |
Why would I want to run away with you? KNOCK ON DOOR | 1:46:50 | 1:46:52 | |
You had your chance and you blew it! | 1:46:52 | 1:46:55 | |
You betrayed me. | 1:46:55 | 1:46:56 | |
You're a stupid little girl! | 1:46:56 | 1:47:01 | |
You're dead to me. | 1:47:01 | 1:47:03 | |
You don't mean that. | 1:47:03 | 1:47:04 | |
Michael, get off her! Michael, get off her! | 1:47:04 | 1:47:07 | |
You're going to kill her! Stop it! I don't care. | 1:47:07 | 1:47:09 | |
Michael, please! Get off! | 1:47:09 | 1:47:11 | |
BANGING ON DOOR | 1:47:25 | 1:47:27 | |
Open the door. Open the door. | 1:47:27 | 1:47:28 | |
BANGING ON DOOR | 1:47:42 | 1:47:44 | |
Is everything OK? | 1:47:52 | 1:47:53 | |
FIREWORK EXPLODES | 1:48:10 | 1:48:12 | |
Indigo, X-ray, three, zero, five - urgent message. | 1:48:12 | 1:48:15 | |
I have a male with stab wounds - life-threatening injury, | 1:48:15 | 1:48:18 | |
(SOUND FADES) I need an ambulance to my location ASAP. | 1:48:18 | 1:48:21 | |
Subtitles by Red Bee Media Ltd | 1:48:26 | 1:48:30 |