Browse content similar to 05/10/2012. Check below for episodes and series from the same categories and more!
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Ain't you done yet? | 0:00:30 | 0:00:32 | |
Nearly. Wait a minute. | 0:00:32 | 0:00:34 | |
Well, can you hurry up please, cos you know I've got plans | 0:00:34 | 0:00:37 | |
and I've got things to do. | 0:00:37 | 0:00:39 | |
How's it going? | 0:00:39 | 0:00:41 | |
She's still messing around with it, now. | 0:00:41 | 0:00:43 | |
She didn't want that bottle then? | 0:00:43 | 0:00:44 | |
Nah, she didn't. | 0:00:44 | 0:00:46 | |
-I think she just wanted a cuddle with her mummy. Didn't you? -KNOCK ON DOOR | 0:00:46 | 0:00:49 | |
Little tearaway. | 0:00:49 | 0:00:51 | |
Et voila. You're a free woman. | 0:00:56 | 0:00:58 | |
Finally. I can't tell you how good that feels. | 0:00:58 | 0:01:02 | |
Well, we aim to please. | 0:01:02 | 0:01:04 | |
Hey, Lexi, look. Your mum is officially an ex-con. | 0:01:04 | 0:01:08 | |
Is this a bad time? | 0:01:09 | 0:01:11 | |
BABY GURGLES | 0:01:39 | 0:01:41 | |
All right, Kat. Three pints, please. | 0:02:01 | 0:02:03 | |
You all right, Phil? | 0:02:10 | 0:02:11 | |
Yeah, good. | 0:02:11 | 0:02:13 | |
Not hanging with Dennis today, Phil? | 0:02:13 | 0:02:15 | |
Kat, why don't you bring them over to the table, eh? | 0:02:17 | 0:02:21 | |
And I'd like a nice big head on mine. | 0:02:21 | 0:02:23 | |
So I've been thinking about Jay. | 0:02:25 | 0:02:27 | |
Well, you got rid of him? | 0:02:27 | 0:02:28 | |
Yeah. Of course. As we agreed. I just ain't happy about it, you know. | 0:02:28 | 0:02:33 | |
It's Abi, she's distraught. On my case. | 0:02:33 | 0:02:36 | |
You don't know what it's like having a sulky teenage daughter. | 0:02:36 | 0:02:40 | |
So I thought, maybe, maybe we should reconsider. | 0:02:40 | 0:02:42 | |
Or maybe we shouldn't. | 0:02:42 | 0:02:44 | |
If Jay sets foot on that forecourt, the deal's off. | 0:02:44 | 0:02:46 | |
Right. Fair enough. | 0:02:48 | 0:02:49 | |
Cheers. | 0:02:49 | 0:02:51 | |
We discussed your case | 0:03:05 | 0:03:06 | |
and it was agreed that I should visit daily from now on. | 0:03:06 | 0:03:09 | |
All right, fine, well, can you at least call me to let me know | 0:03:09 | 0:03:13 | |
what time you're coming round? So I can make sure I'm in. | 0:03:13 | 0:03:16 | |
Sorry. It doesn't work like that. | 0:03:16 | 0:03:18 | |
We need to get a picture of how you're caring for Lexi. | 0:03:18 | 0:03:21 | |
How's her nappy rash? | 0:03:21 | 0:03:22 | |
Almost gone. I've been putting bum cream on it. | 0:03:22 | 0:03:24 | |
Good. Mind if I check? | 0:03:24 | 0:03:27 | |
See the place could still do with a bit of a clean up. | 0:03:32 | 0:03:36 | |
We're having a party later. | 0:03:36 | 0:03:39 | |
This time tomorrow, the whole place will be spick and span. | 0:03:39 | 0:03:42 | |
Is that alcohol? | 0:03:42 | 0:03:44 | |
Yeah, yeah. But that's just for me. | 0:03:45 | 0:03:48 | |
For later. You know, celebrate. | 0:03:48 | 0:03:51 | |
Yeah, I've had me tag taken off. You know, security tag. | 0:03:51 | 0:03:57 | |
Before 8.00. In before 8.00. Curfew. You know, doing my head in. | 0:03:57 | 0:04:01 | |
I'm sure. | 0:04:01 | 0:04:03 | |
After the party I was going to take Lexi out for a little treat. | 0:04:03 | 0:04:06 | |
You know, up that Eye thingy. | 0:04:06 | 0:04:09 | |
Apparently, when it's dark, you can see all the lights. | 0:04:09 | 0:04:13 | |
Like you can see the whole of London. | 0:04:13 | 0:04:15 | |
Look. I've got a video here. Hang on. | 0:04:15 | 0:04:19 | |
Look. | 0:04:19 | 0:04:21 | |
You see that, that's the whole of London. | 0:04:21 | 0:04:23 | |
That is all the lights. Look. | 0:04:23 | 0:04:25 | |
You don't think she's a bit young? | 0:04:25 | 0:04:26 | |
No, course not. Wow, imagine all that going into her little head. | 0:04:26 | 0:04:31 | |
Probably be her first memory ever. | 0:04:31 | 0:04:33 | |
You think? | 0:04:33 | 0:04:34 | |
Yeah, definitely. You ain't going to forget something like this. | 0:04:34 | 0:04:38 | |
Can't be any worse than mine anyway. | 0:04:38 | 0:04:40 | |
Grumpy old care worker. | 0:04:41 | 0:04:43 | |
Four walls. | 0:04:43 | 0:04:45 | |
That's it. | 0:04:45 | 0:04:47 | |
That was my childhood. | 0:04:47 | 0:04:50 | |
But not Lexi. No, she definitely ain't going to be like that. | 0:04:50 | 0:04:54 | |
What time will you be back? | 0:04:54 | 0:04:55 | |
Oh, not late. Well, not late, you know, after 8.00. Obviously. | 0:04:55 | 0:05:00 | |
So it's dark enough for her to see all the lights. | 0:05:00 | 0:05:02 | |
And how are you going to afford it? | 0:05:02 | 0:05:05 | |
I've been doing some extra cleaning. I've saved up. | 0:05:05 | 0:05:09 | |
She might need a fresh nappy. | 0:05:09 | 0:05:10 | |
I was just going to nip out and get some, weren't I. | 0:05:10 | 0:05:14 | |
What you writing down? | 0:05:17 | 0:05:18 | |
Notes. Just notes. Nothing to worry about. | 0:05:18 | 0:05:21 | |
Look. I am a good mum. | 0:05:22 | 0:05:23 | |
I know you don't think I am. But I am. | 0:05:23 | 0:05:26 | |
And me and Pops, we're fine here, aren't we? | 0:05:26 | 0:05:28 | |
Yeah, brilliant. Brilliant. | 0:05:28 | 0:05:31 | |
And I don't need you checking up on me all the time, you know. | 0:05:31 | 0:05:34 | |
I'm me own person and I'm very independent. | 0:05:34 | 0:05:36 | |
Well, I'm afraid that's not really my concern. My concern. | 0:05:36 | 0:05:40 | |
My only concern is the welfare of the child. Do you understand? | 0:05:40 | 0:05:44 | |
I have to be satisfied that Lexi's getting adequate care, | 0:05:44 | 0:05:47 | |
that's my only interest. | 0:05:47 | 0:05:50 | |
The child has to come first. | 0:05:50 | 0:05:52 | |
She does come first, doesn't she? She always, always comes first. | 0:05:52 | 0:05:56 | |
Good. We're on the same page then. | 0:05:56 | 0:05:59 | |
Let's just make sure she continues to do so. | 0:06:00 | 0:06:02 | |
I can see myself out. | 0:06:06 | 0:06:08 | |
FOOTSTEPS APPROACH | 0:06:22 | 0:06:24 | |
ALFIE SIGHS | 0:06:24 | 0:06:25 | |
That was hard work. He's settled now though. | 0:06:25 | 0:06:28 | |
Had to watch Toy Story 3 for the 100th time. Where you going? | 0:06:28 | 0:06:30 | |
I'm going to change me top. I spilt beer on it. | 0:06:30 | 0:06:33 | |
OK. Yes, mate, what can I get you? | 0:06:33 | 0:06:35 | |
There we go. Listen, why don't you stay here, eh? | 0:06:51 | 0:06:53 | |
I'll go and get the nappies. | 0:06:53 | 0:06:55 | |
No, you're all right, I want to get some fresh air. | 0:06:55 | 0:06:57 | |
Well, don't be long, eh? Ab and Jay will be round in a bit. | 0:06:57 | 0:06:59 | |
I'll be straight back. | 0:06:59 | 0:07:01 | |
Oh, get some crisps. | 0:07:01 | 0:07:03 | |
All right, fatty. | 0:07:03 | 0:07:05 | |
Oi, Jay. | 0:07:07 | 0:07:09 | |
All right? | 0:07:09 | 0:07:11 | |
Ah, are those for me? | 0:07:11 | 0:07:13 | |
Yeah, here you are. | 0:07:14 | 0:07:16 | |
Cheers. Sweet. | 0:07:16 | 0:07:19 | |
Oh, your tag's off. Excellent. | 0:07:20 | 0:07:22 | |
Yep. | 0:07:22 | 0:07:25 | |
What's that smell? Are you wearing aftershave? | 0:07:25 | 0:07:28 | |
No. Must be that new soap. Anyway listen, I've gotta shoot, | 0:07:28 | 0:07:32 | |
but I'll see you at your party later on, all right? | 0:07:32 | 0:07:34 | |
Yeah, all right. Don't miss it though. | 0:07:34 | 0:07:37 | |
It's going to be mental. Crisps. Formula milk. Lexi. See ya. | 0:07:37 | 0:07:41 | |
Whoa. Wow, wow, wowee. Look at you, eh, girl. | 0:07:46 | 0:07:49 | |
Come here. | 0:07:51 | 0:07:52 | |
Hello, Lola. | 0:07:52 | 0:07:54 | |
All right? | 0:07:54 | 0:07:55 | |
Hey, hello, sweetheart. Lexi come to see her Uncle Alfie, has she? | 0:07:55 | 0:07:59 | |
Hello... she's gorgeous, ain't she, eh? | 0:07:59 | 0:08:01 | |
You all right? | 0:08:01 | 0:08:03 | |
-Yeah, I've just come for that money. -Yeah, tenner, weren't it? | 0:08:03 | 0:08:06 | |
-Yeah. -Tell you what, why don't you make it 20? | 0:08:06 | 0:08:08 | |
-Cheers, Alfie. -That's all right. Look at you. | 0:08:08 | 0:08:10 | |
Beautiful. Here you go, sweetheart. | 0:08:10 | 0:08:13 | |
-Ta. -That's all right. | 0:08:13 | 0:08:14 | |
What you giving her money for? | 0:08:14 | 0:08:16 | |
She did a cleaning job. Cleaned up the cellar. | 0:08:16 | 0:08:18 | |
-Yeah, a tenner. -But... | 0:08:18 | 0:08:19 | |
Listen, you got your job back but you're on probation. | 0:08:19 | 0:08:22 | |
You want to chuck the cash around, that's fine. | 0:08:22 | 0:08:24 | |
But it comes out of your pocket, not my till. | 0:08:24 | 0:08:26 | |
-Alfie, it's all right... -No. No, it's fine. | 0:08:26 | 0:08:29 | |
And in future, don't come sniffing around here for handouts. | 0:08:31 | 0:08:34 | |
Alfie might be a soft touch, but I ain't. | 0:08:34 | 0:08:37 | |
Oh, yeah, I know that. We all do, don't we. Especially your son. | 0:08:37 | 0:08:40 | |
What d'you say? | 0:08:40 | 0:08:42 | |
You're a bully, Phil. I mean, getting Jay the sack. | 0:08:42 | 0:08:44 | |
How pathetic was that. It's no wonder Ben's inside. | 0:08:44 | 0:08:47 | |
I don't need fatherhood advice from a dirty little slapper like you. | 0:08:47 | 0:08:50 | |
Look at you, single mum. | 0:08:50 | 0:08:51 | |
You don't even know who the kid's dad is, do you? | 0:08:51 | 0:08:53 | |
Lexi don't need a dad actually, she's got me | 0:08:53 | 0:08:55 | |
and that's all she's going to need, so just get out of my face. | 0:08:55 | 0:08:59 | |
THE BRANNINGS LAUGH | 0:08:59 | 0:09:01 | |
MOBILE PHONE RINGS | 0:09:15 | 0:09:17 | |
You OK? | 0:09:25 | 0:09:27 | |
Yeah, I've split a nail. | 0:09:27 | 0:09:28 | |
I'm going to go over to Booty's and get it sorted out. | 0:09:28 | 0:09:31 | |
All right, sweetheart. | 0:09:31 | 0:09:32 | |
-I won't be long. -OK. Who's left that here then? | 0:09:32 | 0:09:35 | |
Oh, no, no. | 0:09:39 | 0:09:40 | |
Oh, is that it, then? Not even a hello for your old mate? | 0:10:02 | 0:10:06 | |
What do you want, Lex? | 0:10:06 | 0:10:08 | |
I want to take a look at your baby. A proper one. | 0:10:08 | 0:10:11 | |
Why? | 0:10:11 | 0:10:12 | |
You're my mate. My oldest mate. I got a right, haven't I? | 0:10:12 | 0:10:16 | |
Alexa. | 0:10:22 | 0:10:24 | |
Yeah, she's a right minger. | 0:10:31 | 0:10:33 | |
SHE GIGGLES | 0:10:33 | 0:10:35 | |
Girls, look. | 0:10:35 | 0:10:37 | |
Oh, have you ever seen such an ugly little skank? | 0:10:38 | 0:10:41 | |
What did you do? Did you get with a really ugly bloke? | 0:10:41 | 0:10:47 | |
Like, was he a really old ugly man? | 0:10:47 | 0:10:48 | |
There's nothing wrong with her. She's beautiful. | 0:10:48 | 0:10:51 | |
What d'you go and get landed with a screaming brat for? | 0:10:51 | 0:10:53 | |
Ain't you ever heard of abortion? | 0:10:53 | 0:10:55 | |
I mean, you go in, half hour and it's done. | 0:10:55 | 0:10:58 | |
Sorted. I've had three. Three. | 0:10:58 | 0:11:00 | |
You must be so proud. | 0:11:00 | 0:11:02 | |
Rather that than get stuck with a kid. | 0:11:02 | 0:11:05 | |
Cos you know she's just going to end up just like us. | 0:11:05 | 0:11:09 | |
Pregnant at 15. If she lasts that long. Or banged up. | 0:11:09 | 0:11:13 | |
You say one more word about my baby. One more and I swear... | 0:11:13 | 0:11:16 | |
What you going to do? going to tell your probation officer? | 0:11:16 | 0:11:20 | |
Probation. I ain't on probation. | 0:11:20 | 0:11:22 | |
Right, well, your social worker then, | 0:11:22 | 0:11:24 | |
cos I know you've got 'em crawling all over you. Ain't you? | 0:11:24 | 0:11:28 | |
-Just leave me alone. -You used to be a mate. You used to be a laugh. | 0:11:28 | 0:11:31 | |
I ain't the one that left, am I? You are. | 0:11:31 | 0:11:33 | |
You got fostered and left me in that stinking home. | 0:11:33 | 0:11:36 | |
Look how well that turned out for me. | 0:11:36 | 0:11:38 | |
I ain't been anywhere longer than three months. | 0:11:38 | 0:11:41 | |
And whose fault is that, eh? Not me. So why are you starting? | 0:11:41 | 0:11:44 | |
Cos you, you are so up yourself. | 0:11:44 | 0:11:48 | |
You got a kid. Posh mates. You think you're it, girl. | 0:11:48 | 0:11:52 | |
Oh, look, and here she comes now. Little Miss Snotty. | 0:11:54 | 0:11:59 | |
You all right, darlin. Come. Come and join us. | 0:11:59 | 0:12:01 | |
Come on, we're just having a laugh. D'you want a drag? | 0:12:01 | 0:12:04 | |
No, thanks. | 0:12:04 | 0:12:05 | |
No, thanks? Sorry, are my cigarettes not good enough for you? | 0:12:05 | 0:12:08 | |
What are you trying to say? | 0:12:08 | 0:12:10 | |
-Leave her alone, Lex. -What you looking at? | 0:12:10 | 0:12:12 | |
-Nothing. -Nothing? You calling me a liar? -What? | 0:12:12 | 0:12:15 | |
Are you calling me a skank? Are you getting in my face, girl? | 0:12:15 | 0:12:18 | |
Lex... | 0:12:18 | 0:12:20 | |
Ah, look. Look, girls, she's wearing make-up. | 0:12:20 | 0:12:24 | |
Lip gloss. | 0:12:25 | 0:12:28 | |
This is a nice dress, isn't it? | 0:12:28 | 0:12:30 | |
Mind if I borrow it some time, use it as a tent? | 0:12:30 | 0:12:33 | |
-I'm going to go. -No. You ain't going anywhere. Is she, girls? | 0:12:33 | 0:12:36 | |
Come on, Abs. | 0:12:36 | 0:12:38 | |
She's staying. You go. | 0:12:38 | 0:12:41 | |
Leave her alone. She hasn't done anything to you. | 0:12:41 | 0:12:44 | |
Like that? She's like a little bouncy ball. | 0:12:47 | 0:12:50 | |
Bounce her over here. | 0:12:50 | 0:12:51 | |
Oh, look. Oh, you got a message. "Where are you? Kiss kiss." | 0:12:56 | 0:13:02 | |
Who's he then? Got a little boyfriend? | 0:13:02 | 0:13:03 | |
-Give her the phone. -No. | 0:13:03 | 0:13:05 | |
-Give it to me. -I said, give her the phone! | 0:13:05 | 0:13:10 | |
-Take Lex and go. Go now. -What about...? -Now! | 0:13:10 | 0:13:14 | |
Oi, skank, where do you think you're going? Come back here. | 0:13:14 | 0:13:18 | |
I said back off. Leave her alone. | 0:13:18 | 0:13:20 | |
Get out of my way. First I'm going to deal with you. | 0:13:20 | 0:13:23 | |
Then that little posh cow friend of yours. | 0:13:23 | 0:13:26 | |
Then that little rat-faced baby. | 0:13:26 | 0:13:28 | |
Think I'll give her her first kicking. | 0:13:28 | 0:13:30 | |
-Put colour in her cheeks. -You touch my baby and I swear... | 0:13:30 | 0:13:32 | |
What you going to do? You going to cry? Boo hoo. | 0:13:32 | 0:13:35 | |
-I'll kill you. -Try it. | 0:13:35 | 0:13:37 | |
That baby's dead. | 0:13:40 | 0:13:42 | |
Do you hear me? She's dead. | 0:13:42 | 0:13:45 | |
Get off of me! | 0:13:45 | 0:13:47 | |
Now, any one of you come near me or my baby again, | 0:13:51 | 0:13:54 | |
you'll get the same. Do you hear? | 0:13:54 | 0:13:56 | |
KNOCK ON DOOR | 0:14:07 | 0:14:09 | |
Have you lost something? | 0:14:12 | 0:14:14 | |
Are you all right? | 0:14:21 | 0:14:23 | |
I gotta get Lex home. | 0:14:23 | 0:14:25 | |
Um, thanks. Thanks for... | 0:14:25 | 0:14:28 | |
Forget it. | 0:14:28 | 0:14:29 | |
Listen, I...I won't be a minute. I'll catch you up. | 0:14:31 | 0:14:33 | |
You don't get to give up, Michael. Not like that. | 0:14:53 | 0:14:56 | |
She's just a child. A baby. And she's yours. | 0:14:56 | 0:14:59 | |
She's not. | 0:14:59 | 0:15:01 | |
What's this? Is it to keep her safe? | 0:15:04 | 0:15:09 | |
My mother gave that to me as a comfort. | 0:15:09 | 0:15:12 | |
Thought it would be comforting for her as well. | 0:15:12 | 0:15:15 | |
A comfort? No mum. No dad. | 0:15:15 | 0:15:17 | |
Just a cheap bit of tat round her neck? | 0:15:17 | 0:15:20 | |
It's not cheap. | 0:15:20 | 0:15:21 | |
It is a memento for her to remember me by. | 0:15:21 | 0:15:25 | |
What, the day you walked out on her? | 0:15:25 | 0:15:26 | |
I don't know what else to do. | 0:15:29 | 0:15:32 | |
You stay. You love her. And you look after her. | 0:15:32 | 0:15:36 | |
I can't. | 0:15:38 | 0:15:40 | |
You can. | 0:15:40 | 0:15:41 | |
Michael, what are you afraid of? | 0:15:43 | 0:15:46 | |
Look, d'you think I'm a natural parent, or Lola? | 0:15:49 | 0:15:53 | |
What makes you so different? | 0:15:53 | 0:15:55 | |
I'm not her mum. I can't replace her mum. | 0:15:57 | 0:16:03 | |
That's not your fault. | 0:16:04 | 0:16:08 | |
What Janine's done, that's just her. | 0:16:08 | 0:16:11 | |
If I left, right, I know that Alfie would soldier on. | 0:16:12 | 0:16:17 | |
You would, wouldn't you? | 0:16:17 | 0:16:18 | |
Yeah. | 0:16:20 | 0:16:21 | |
Well, of course he would, | 0:16:21 | 0:16:23 | |
because we're cut from different cloth, aren't we? | 0:16:23 | 0:16:25 | |
Look at him. I mean, he's nice, he's a nice geezer. | 0:16:25 | 0:16:27 | |
He's loveable, he's the perfect dad. I am not. | 0:16:27 | 0:16:30 | |
I am a weird... | 0:16:30 | 0:16:31 | |
Twisted creature. Who would want to love me? | 0:16:34 | 0:16:37 | |
Who would want to have a dad like me? | 0:16:37 | 0:16:38 | |
That's what you're afraid of? | 0:16:41 | 0:16:43 | |
You think she's not going to love you? | 0:16:45 | 0:16:47 | |
Why would she? Look at the evidence. | 0:16:50 | 0:16:53 | |
Janine. | 0:16:53 | 0:16:55 | |
My dad. | 0:16:55 | 0:16:57 | |
My mum. | 0:16:57 | 0:16:58 | |
All of them couldn't wait to be shot of me. | 0:17:01 | 0:17:04 | |
That wasn't you, Michael. That was her. | 0:17:06 | 0:17:10 | |
Listen, you are Scarlett's father, all right? | 0:17:11 | 0:17:16 | |
She's got no choice but to love you. | 0:17:16 | 0:17:20 | |
Look at her. | 0:17:21 | 0:17:23 | |
Michael, look at her. | 0:17:23 | 0:17:25 | |
Come on. | 0:17:27 | 0:17:30 | |
Take her hand. | 0:17:30 | 0:17:32 | |
No, no, I can't. | 0:17:32 | 0:17:33 | |
You can. You can. | 0:17:33 | 0:17:36 | |
Michael, you can. | 0:17:36 | 0:17:38 | |
You are her world. | 0:18:15 | 0:18:17 | |
She don't need anyone else. | 0:18:18 | 0:18:21 | |
THE BABY GURGLES | 0:18:22 | 0:18:23 | |
Lola saved me. I'm in a right state now. | 0:18:35 | 0:18:39 | |
Come here. Come on. | 0:18:39 | 0:18:41 | |
I know I'm acting like a stupid little girl but I was, | 0:18:44 | 0:18:48 | |
I was really scared. | 0:18:48 | 0:18:50 | |
Listen, anyone ever does anything to you, they'll have me to answer to. | 0:18:50 | 0:18:53 | |
-Really? -Yeah. Definitely. | 0:18:53 | 0:18:56 | |
I love you. | 0:18:58 | 0:19:00 | |
I love you too. | 0:19:05 | 0:19:08 | |
Tell me where these girls are, | 0:19:18 | 0:19:20 | |
cos I'm going to go round there right now. | 0:19:20 | 0:19:22 | |
No, no, just leave it, OK. | 0:19:22 | 0:19:24 | |
It's not worth it, is it? We'll just have our little party. | 0:19:24 | 0:19:26 | |
We'll have a laugh, yeah? | 0:19:26 | 0:19:28 | |
Then I'm going to take Lexi out and I'm going to show her the world. | 0:19:28 | 0:19:32 | |
What? | 0:19:34 | 0:19:35 | |
You. | 0:19:37 | 0:19:39 | |
You're amazing. Do you know that? | 0:19:39 | 0:19:42 | |
What happened to that stroppy little girl I met in that home, eh? | 0:19:43 | 0:19:47 | |
Where's she gone? | 0:19:47 | 0:19:49 | |
I'm still here. | 0:19:49 | 0:19:52 | |
I'm so proud of you. I am. | 0:19:57 | 0:20:00 | |
You're shaking. It's all right. | 0:20:04 | 0:20:07 | |
Look at me. I'm welling up here. | 0:20:09 | 0:20:12 | |
Get off me, you soppy old sod. | 0:20:12 | 0:20:14 | |
Yeah, I know, I know. Excuse me, madam, where's my crisps? | 0:20:14 | 0:20:19 | |
I lost 'em, sorry. | 0:20:19 | 0:20:21 | |
Don't worry. I'll go and get some more. | 0:20:21 | 0:20:23 | |
Might get a couple more beers too. I feel like pushing the boat out. | 0:20:23 | 0:20:26 | |
OK, well, don't be long, cos I don't want to leave late. | 0:20:26 | 0:20:29 | |
I shall be right back. | 0:20:31 | 0:20:34 | |
Laters. | 0:20:34 | 0:20:35 | |
Laters? | 0:20:35 | 0:20:37 | |
What's he like, eh? Look, Lexi. Don't it look pretty? | 0:20:37 | 0:20:43 | |
It's your first party, eh? | 0:20:43 | 0:20:48 | |
If you think about it, right, Kat, we're like the A-Team. | 0:20:56 | 0:20:59 | |
Any troubles round the world, we'll just go there and sort it out, | 0:20:59 | 0:21:02 | |
there'll be no problems anywhere. All gone. | 0:21:02 | 0:21:05 | |
I love you, Alfie Moon. | 0:21:06 | 0:21:09 | |
You know what, Mrs Moon, you're not too bad yourself. | 0:21:09 | 0:21:13 | |
So are you going to get your nails done or what? | 0:21:23 | 0:21:26 | |
Yeah, why not? Got to look my best, haven't I? | 0:21:26 | 0:21:29 | |
I won't be long. | 0:21:29 | 0:21:30 | |
All right, darling. | 0:21:30 | 0:21:31 | |
-Bill. -Hey, Phil. | 0:21:44 | 0:21:46 | |
-That your tea, is it? -What if it is? | 0:21:50 | 0:21:53 | |
Listen, why don't you come round ours, eh? | 0:21:53 | 0:21:56 | |
We've got a few beers in, bit of food. | 0:21:56 | 0:21:59 | |
What about Lola? You expect me to put up with that mouthy little cow? | 0:22:00 | 0:22:03 | |
No, no, no, she's taking Lexi out. | 0:22:03 | 0:22:06 | |
To be honest with you, mate, I could do with the company. | 0:22:06 | 0:22:09 | |
Unless you're busy or got something else on. | 0:22:09 | 0:22:13 | |
What, you're really that desperate? | 0:22:13 | 0:22:15 | |
Yeah, I am. | 0:22:15 | 0:22:17 | |
All right. Here you are, you can have that. | 0:22:17 | 0:22:21 | |
Phil, you couldn't sub us a tenner? Just till tomorrow. | 0:22:21 | 0:22:24 | |
Cheers mate, thanks. Here you are, love. | 0:22:27 | 0:22:30 | |
You listen to me, all right? | 0:23:29 | 0:23:30 | |
You don't listen to what them girls said. | 0:23:30 | 0:23:33 | |
You ain't going to be nothing like that. | 0:23:33 | 0:23:36 | |
You're going to a beautiful, clever little lady, do you hear me, eh? | 0:23:36 | 0:23:42 | |
And I promise you're going to have the happiest life, OK? | 0:23:43 | 0:23:47 | |
I'm going to make sure of it. | 0:23:47 | 0:23:50 | |
KNOCK ON DOOR | 0:23:53 | 0:23:55 | |
Look, Lex, someone's here. Shall we go and see who it is? Eh? | 0:23:55 | 0:23:59 | |
Are you Lola Pearce? | 0:24:14 | 0:24:16 | |
Yeah. Why? What's going on? | 0:24:16 | 0:24:19 | |
Do you mind if we come in? | 0:24:19 | 0:24:22 | |
That's fine, yeah. | 0:24:23 | 0:24:25 | |
What are you doing here? What's happened? | 0:24:36 | 0:24:41 | |
There's been a complaint. | 0:24:41 | 0:24:42 | |
A complaint? No. No, I haven't done anything wrong. | 0:24:42 | 0:24:45 | |
It's alleged you attacked a young woman. | 0:24:45 | 0:24:47 | |
A young...what you talking about? | 0:24:47 | 0:24:50 | |
Alexa Smith. It's been alleged you attacked her in Turpin Way, | 0:24:50 | 0:24:52 | |
less than an hour ago. | 0:24:52 | 0:24:54 | |
-Attacked her? -There's video evidence. There are witnesses. | 0:24:54 | 0:24:56 | |
This is a serious allegation. | 0:24:56 | 0:24:58 | |
We need you to come to the station to answer questions. | 0:24:58 | 0:25:00 | |
No. No that ain't what happened, all right? She attacked me. My mate. | 0:25:00 | 0:25:04 | |
They attacked us both. I... | 0:25:04 | 0:25:05 | |
You'll get your chance to put your story across at the station. | 0:25:05 | 0:25:08 | |
What about Lexi? | 0:25:08 | 0:25:09 | |
You can give her to me. | 0:25:09 | 0:25:11 | |
You? What are you even doing here? | 0:25:11 | 0:25:13 | |
You're on a child protection plan, Lola. The police called me. | 0:25:13 | 0:25:16 | |
-Is Billy here? -No, he just popped out. | 0:25:16 | 0:25:19 | |
-Patrick? -No. What do you want them for? | 0:25:19 | 0:25:21 | |
-Come on. We need to go. -You'll need to give Lexi to me. | 0:25:21 | 0:25:24 | |
No, I ain't giving you Lexi. | 0:25:24 | 0:25:27 | |
You have to go with the police. I'll take care of Lexi. | 0:25:27 | 0:25:30 | |
You're going to take her? | 0:25:30 | 0:25:32 | |
Not for long. It's for the best. | 0:25:32 | 0:25:34 | |
No. Wait. We've got plans. | 0:25:36 | 0:25:39 | |
I told you, I'm taking her for a treat. | 0:25:39 | 0:25:41 | |
Up the London Eye and she's going to look down | 0:25:41 | 0:25:44 | |
and she's going to see all the lights. | 0:25:44 | 0:25:46 | |
I told you that. | 0:25:46 | 0:25:48 | |
I told you that. | 0:25:48 | 0:25:50 | |
Not tonight, you're not. | 0:25:52 | 0:25:53 | |
It'll be much better if you hand her over voluntarily. | 0:25:53 | 0:25:56 | |
OK, can I carry her to the car? | 0:26:00 | 0:26:03 | |
Can I carry her to the car at least? Please? | 0:26:03 | 0:26:07 | |
Come on, then. | 0:26:09 | 0:26:10 | |
OK. | 0:26:10 | 0:26:12 | |
Abi, Abi, tell them what happened. You know, those girls. Tell 'em. | 0:26:37 | 0:26:41 | |
-What? -They attacked you. I was defending you. | 0:26:41 | 0:26:44 | |
-Go on, tell 'em. -That's right. She did. They, um... | 0:26:44 | 0:26:47 | |
You'll have time to give a statement later. Come on. | 0:26:47 | 0:26:49 | |
They want to take Lex. They're going to take Lexi. | 0:26:49 | 0:26:53 | |
No, no, you can't. They attacked us. Those girls... | 0:26:53 | 0:26:56 | |
No. No. You're not having her. | 0:26:56 | 0:27:00 | |
Don't make this any worse, Lola. | 0:27:00 | 0:27:02 | |
You've already got a file as thick as a brick. | 0:27:02 | 0:27:04 | |
Now, just hand her over. | 0:27:04 | 0:27:07 | |
No. No, I'll never see her again. She's not going into care. | 0:27:07 | 0:27:12 | |
She's not. You're not having her. She's my baby. She's my baby. | 0:27:12 | 0:27:17 | |
Just give her to me. | 0:27:18 | 0:27:20 | |
No. You're not taking my baby. You're not. | 0:27:20 | 0:27:23 | |
You're not. | 0:27:23 | 0:27:24 | |
No! | 0:27:24 | 0:27:27 | |
Officer ... | 0:27:27 | 0:27:29 | |
Pops! Pops, please help me. They're trying to take the baby. | 0:27:29 | 0:27:32 | |
They're trying to take Lexi. Stop 'em. Please. | 0:27:32 | 0:27:35 | |
-What do you think you're doing? -Have you been drinking, Mr Mitchell? | 0:27:35 | 0:27:38 | |
I've had a couple. We said we were having a party. | 0:27:38 | 0:27:41 | |
-Lola, give me the child. -What is happening here? | 0:27:41 | 0:27:44 | |
-We need to remove Lexi, take her to a place of safety. -No! | 0:27:44 | 0:27:48 | |
Phil. Phil. Help me, please. | 0:27:49 | 0:27:51 | |
Please. You want to know who Lexi's Dad is. It's Ben. | 0:27:51 | 0:27:56 | |
-It's Ben. -It's what?! | 0:27:56 | 0:27:58 | |
I know it sounds crazy but it's the truth. | 0:27:58 | 0:28:00 | |
I swear, Ben is Lexi's dad. | 0:28:00 | 0:28:03 | |
Get your hands off of her. | 0:28:03 | 0:28:05 | |
-Calm down. -You can't do this. She's done nothing wrong. | 0:28:05 | 0:28:08 | |
Don't touch my baby. No! Lexi! | 0:28:08 | 0:28:11 | |
Give her back her baby! | 0:28:11 | 0:28:13 | |
No! | 0:28:13 | 0:28:14 | |
-SHE SOBS -Give me back my baby. | 0:28:14 | 0:28:18 | |
Please! | 0:28:18 | 0:28:19 | |
Lexi. | 0:28:19 | 0:28:20 | |
Please don't do this. | 0:28:20 | 0:28:23 | |
Please don't do this to me. Please don't do this to me... | 0:28:23 | 0:28:27 | |
I haven't done anything wrong. Please! No! | 0:28:27 | 0:28:31 | |
Lexi! | 0:28:37 | 0:28:39 | |
SHE SOBS HYSTERICALLY | 0:28:42 | 0:28:44 | |
Subtitles by Red Bee Media Ltd | 0:28:59 | 0:29:02 |