Browse content similar to 11/01/2013. Check below for episodes and series from the same categories and more!
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Masood! | 0:00:57 | 0:00:58 | |
Look, I'm really sorry I didn't get a chance to tidy up the spare room. | 0:01:04 | 0:01:08 | |
I wasn't expecting anyone. But when you see someone in that state... | 0:01:08 | 0:01:15 | |
-Cup of tea? -Thank you. | 0:01:15 | 0:01:16 | |
Only thing is, Lucy's finished off the milk. | 0:01:16 | 0:01:20 | |
Like I said, we weren't expecting anyone. I will make sure we get some for tonight. | 0:01:20 | 0:01:24 | |
Ian, I appreciate this, I really do. | 0:01:24 | 0:01:28 | |
But I need to get back to the B&B, sort things out once and for all. | 0:01:28 | 0:01:33 | |
Sounds like a plan. | 0:01:33 | 0:01:36 | |
But you're always welcome here. | 0:01:36 | 0:01:38 | |
Whoa! | 0:01:46 | 0:01:48 | |
Ayesha wrote this? | 0:01:48 | 0:01:49 | |
Yes! | 0:01:49 | 0:01:53 | |
And you, what, just... came across it? | 0:01:53 | 0:01:56 | |
I was tidying up. | 0:01:56 | 0:01:58 | |
It's to Rashid? | 0:01:58 | 0:01:59 | |
No, no, no. She just mentions him...there. | 0:01:59 | 0:02:02 | |
Hmm. | 0:02:02 | 0:02:05 | |
Oh... Oh-ho-ho! | 0:02:05 | 0:02:08 | |
It's quite impassioned. | 0:02:08 | 0:02:10 | |
Masood, it is obscene! | 0:02:10 | 0:02:14 | |
She should not even know what THAT is. | 0:02:14 | 0:02:16 | |
HE CHUCKLES | 0:02:16 | 0:02:19 | |
Yeah. | 0:02:19 | 0:02:20 | |
Well, look, she's got a crush on someone, so what? | 0:02:20 | 0:02:23 | |
So what?! I am in charge of that girl, huh? | 0:02:23 | 0:02:26 | |
What if she goes off with the first man that winks at her? | 0:02:26 | 0:02:29 | |
And then she ends up defiled. Or pregnant. Or worse still - in love. | 0:02:29 | 0:02:34 | |
What are we going to do about it? | 0:02:34 | 0:02:36 | |
It's Tamwar. | 0:02:45 | 0:02:46 | |
Or it's Fattyboy. | 0:02:49 | 0:02:51 | |
OK, you know what, you go out on your round, | 0:02:52 | 0:02:55 | |
you take her with you and you see how she reacts with the two of them, | 0:02:55 | 0:02:58 | |
and see when she acts the most...loose. | 0:02:58 | 0:03:00 | |
-Why me? -Because I have a venue to find | 0:03:00 | 0:03:03 | |
for a wedding reception in February. | 0:03:03 | 0:03:04 | |
And I've got a guest list to whittle down. | 0:03:04 | 0:03:06 | |
All right, fine. | 0:03:06 | 0:03:08 | |
Masood! | 0:03:14 | 0:03:16 | |
Ayesha! | 0:03:16 | 0:03:18 | |
-Has anyone seen my hairclip? The one with the flower on it. -I dunno. | 0:03:18 | 0:03:21 | |
Well, yes or no? I had it in here yesterday and it's just disappeared. | 0:03:21 | 0:03:24 | |
-You'll just have to look for it then. -All right, I only wanted help finding my hairclip. | 0:03:24 | 0:03:28 | |
Well, you'll excuse us | 0:03:28 | 0:03:29 | |
if we're not all jumping to help you after yesterday. | 0:03:29 | 0:03:32 | |
-You're blaming me? -What were you thinking of, inviting Dexter? | 0:03:32 | 0:03:35 | |
Well, I didn't know who he was. | 0:03:35 | 0:03:37 | |
Ava's not going to want to speak to us, and I don't blame her. | 0:03:37 | 0:03:40 | |
And that is down to you, young lady. | 0:03:40 | 0:03:42 | |
Well, don't even bother trying to be nice in this family, | 0:03:42 | 0:03:44 | |
because it doesn't get you anywhere. | 0:03:44 | 0:03:46 | |
Someone had to say it. | 0:03:47 | 0:03:49 | |
I told you, I need to make up the shortfall. | 0:03:53 | 0:03:55 | |
Look, you owe 20 quid by today or your room goes to someone else. | 0:03:55 | 0:03:58 | |
-But I don't get paid till next week. -Not my look-out. | 0:03:58 | 0:04:00 | |
You want to talk about your problems, go call a priest. | 0:04:00 | 0:04:03 | |
I thought it'd be good if you came on my round with me, | 0:04:09 | 0:04:12 | |
so that you can get to know the area. | 0:04:12 | 0:04:14 | |
-OK. -Yeah? Morning. -Morning. | 0:04:14 | 0:04:17 | |
Learn a bit about Walford, and about the Royal Mail. | 0:04:17 | 0:04:21 | |
The history of the mail is the history of Britain, you know? | 0:04:21 | 0:04:25 | |
-Morning. -Is it? | 0:04:25 | 0:04:27 | |
-Oh, yeah, yeah. -Hey, Masood, how you doing? -Good, good, thank you. Yeah. | 0:04:27 | 0:04:31 | |
We started with Henry VIII, don't you know? | 0:04:31 | 0:04:34 | |
You know, one of the best things about being a postman is | 0:04:34 | 0:04:38 | |
-you get to say hello to people. -Hi. | 0:04:38 | 0:04:40 | |
Good morning. | 0:04:40 | 0:04:42 | |
What are you looking at? | 0:04:44 | 0:04:47 | |
Uh, you'll be late. | 0:04:47 | 0:04:49 | |
So, where do we start? | 0:04:53 | 0:04:55 | |
Oh, right, well... | 0:04:55 | 0:04:57 | |
First stop. | 0:04:57 | 0:04:59 | |
Hey, they're mine! | 0:05:14 | 0:05:16 | |
Oh... | 0:05:18 | 0:05:19 | |
Hey. | 0:05:23 | 0:05:25 | |
What are you doing here? | 0:05:25 | 0:05:27 | |
I'm having a cup of tea. | 0:05:27 | 0:05:29 | |
Just wasn't expecting to see you here. | 0:05:29 | 0:05:32 | |
I said, "I'm coming to the cafe." | 0:05:32 | 0:05:35 | |
So you did, so you did. | 0:05:35 | 0:05:37 | |
I've got some letters for the manager. | 0:05:37 | 0:05:39 | |
-Lucy's not in. -Yeah, well, I'll just check. | 0:05:39 | 0:05:41 | |
-I can see she's not in... -I'll just check. Marie might know. | 0:05:41 | 0:05:44 | |
How you doing, Marie? | 0:05:44 | 0:05:46 | |
Having a cup of tea. | 0:05:54 | 0:05:56 | |
And a bun. | 0:05:56 | 0:05:58 | |
They do buns here. | 0:05:58 | 0:06:01 | |
And cake. | 0:06:03 | 0:06:04 | |
Cakes and buns. | 0:06:04 | 0:06:06 | |
Sometimes they do cakes at the same time as buns. | 0:06:06 | 0:06:09 | |
-Wow, what an amazing selection. -Yeah. | 0:06:09 | 0:06:13 | |
Cakes, buns... | 0:06:13 | 0:06:16 | |
Pastry. | 0:06:16 | 0:06:18 | |
Wow. | 0:06:18 | 0:06:19 | |
Yep. | 0:06:19 | 0:06:21 | |
Right, well, off we go, then. Enjoy your tea. What have you got there? | 0:06:23 | 0:06:30 | |
-A bun. -A bun? A bun. Thought so. That's lovely. Enjoy that. | 0:06:30 | 0:06:34 | |
Off we go now, Ayesha. | 0:06:34 | 0:06:36 | |
He's funny, isn't he, Tam? | 0:06:47 | 0:06:49 | |
You mean funny in a ha-ha way, right? Not in a weird way. | 0:06:49 | 0:06:53 | |
Which do you think he is? | 0:06:53 | 0:06:56 | |
Is he adopted? | 0:06:56 | 0:06:58 | |
You're quite cheeky, aren't you? | 0:06:58 | 0:07:01 | |
Pssst! | 0:07:01 | 0:07:02 | |
Go away! | 0:07:03 | 0:07:04 | |
Hi. | 0:07:22 | 0:07:23 | |
Didn't come home last night. | 0:07:25 | 0:07:26 | |
No, I stayed at Ian's. | 0:07:26 | 0:07:29 | |
Look, I just want to talk to you. | 0:07:31 | 0:07:34 | |
-To apologise? -Not exactly. | 0:07:34 | 0:07:37 | |
-Well, you know where the door is, then... -Yes, to apologise. | 0:07:37 | 0:07:41 | |
And to admit that you were completely wrong? | 0:07:42 | 0:07:46 | |
Yes. | 0:07:46 | 0:07:48 | |
-Whenever you're ready. -I am sorry, Kim. -And... | 0:07:49 | 0:07:54 | |
And I was completely wrong. | 0:07:55 | 0:07:59 | |
AND you should have stayed away from my man. | 0:07:59 | 0:08:03 | |
And I should have stayed away from your man. | 0:08:03 | 0:08:05 | |
So, did Ian make a move then? | 0:08:12 | 0:08:16 | |
Stop it! | 0:08:16 | 0:08:17 | |
Did he walk in on you in the shower? | 0:08:18 | 0:08:20 | |
-"Oh, I'm sorry, I didn't realise you were there!" -Hilarious. | 0:08:20 | 0:08:25 | |
So, what do you reckon - it's too soon for a hug? | 0:08:29 | 0:08:33 | |
If you must. | 0:08:40 | 0:08:42 | |
My neck! | 0:08:48 | 0:08:50 | |
-What do you want? -Can I come in? -No. | 0:08:54 | 0:08:57 | |
OK. I just wanted to apologise for yesterday. | 0:08:57 | 0:09:00 | |
I should have just told you who I was. | 0:09:00 | 0:09:02 | |
Everyone's well angry at me for bringing you here, you know? | 0:09:02 | 0:09:04 | |
I'm not surprised. My mum went mad at me too. | 0:09:04 | 0:09:08 | |
How did you even know how to find us? | 0:09:08 | 0:09:09 | |
The address was on the back of a Christmas card your nan gave my mum. | 0:09:09 | 0:09:12 | |
A family photo in there. | 0:09:12 | 0:09:15 | |
Whoa, is that it? | 0:09:15 | 0:09:17 | |
That's it. | 0:09:17 | 0:09:18 | |
-Come on. -I can't. The kitchen's closed. | 0:09:24 | 0:09:28 | |
Just get us a sandwich? I'm starving. | 0:09:28 | 0:09:30 | |
I wish I could, OK, but it's past three, | 0:09:30 | 0:09:32 | |
and Ray's a bit of a stickler, you know. It's not me, it's him. | 0:09:32 | 0:09:34 | |
-Great service, cheers(!) Appreciate your help. -It's not like that. | 0:09:34 | 0:09:38 | |
What you after? | 0:09:38 | 0:09:39 | |
Thought you were a stickler. | 0:09:39 | 0:09:42 | |
I could rustle something up. Got a pie I could do with a bit of salad. | 0:09:42 | 0:09:46 | |
Chips and I'm yours. | 0:09:47 | 0:09:49 | |
Chips then. Ten minutes, yeah? | 0:09:49 | 0:09:52 | |
Lovely. | 0:09:52 | 0:09:53 | |
Not so hard, was it? Get us a brandy and cranberry. | 0:09:55 | 0:09:57 | |
I've just got to pop to the shops. | 0:09:57 | 0:10:00 | |
In 1840 there was the Penny Black, | 0:10:08 | 0:10:10 | |
-which was the first stamp anywhere in the world. -Really? -Yeah. | 0:10:10 | 0:10:15 | |
And that's why our stamps don't have the names of the countries on them. | 0:10:15 | 0:10:18 | |
There was no need because no other countries had them. See? | 0:10:18 | 0:10:20 | |
Super Masood, my man! How you doing, man? What have you got for us? | 0:10:20 | 0:10:24 | |
-Uh... Not a great deal. -Not a great deal? | 0:10:24 | 0:10:28 | |
-Look at these beauties! What's this, new releases? -Just last week. | 0:10:28 | 0:10:33 | |
I love new stamps. Used to collect them as a kid, you know, when they were special. | 0:10:33 | 0:10:36 | |
Not like now - you win a race and you get a stamp and that. | 0:10:36 | 0:10:39 | |
When I was kid, you had to be really important to get your head on a stamp. | 0:10:39 | 0:10:42 | |
-Modern Britain, eh? -Exactly. | 0:10:42 | 0:10:44 | |
Did you know that we were the first ones to have stamps ever? | 0:10:44 | 0:10:47 | |
Well... Look, we'll see you later? | 0:10:47 | 0:10:50 | |
All right then, brother. Listen, thank you for these, yeah? | 0:10:50 | 0:10:53 | |
Take it easy. Later on. | 0:10:53 | 0:10:55 | |
He... He's a nice bloke, isn't he? | 0:10:57 | 0:11:00 | |
He's an idiot. | 0:11:00 | 0:11:02 | |
Oh. Right, time for a break? | 0:11:02 | 0:11:06 | |
-Mm-hmm. -OK. | 0:11:06 | 0:11:08 | |
-Slow down! -I'm here to work. -Yeah, 'course you are. | 0:11:12 | 0:11:15 | |
But minimum wage, minimum effort, yeah? | 0:11:15 | 0:11:18 | |
PHONE RINGS | 0:11:18 | 0:11:19 | |
All right, mate? What's happening? | 0:11:19 | 0:11:21 | |
I'm just stuck at work, innit? | 0:11:21 | 0:11:23 | |
Just training up that new girl. | 0:11:23 | 0:11:26 | |
No, mate, she is not! | 0:11:26 | 0:11:29 | |
Tomorrow? | 0:11:29 | 0:11:31 | |
I'm working. Whereabouts? | 0:11:31 | 0:11:35 | |
Oh, sounds amazing. Gutted. | 0:11:35 | 0:11:37 | |
-I'll work. -Who's going? -I'll work! -Hold on. What? | 0:11:37 | 0:11:40 | |
-I'll do your shift. -You're new. -So? Nico's not here anymore. | 0:11:40 | 0:11:44 | |
You go do your thing, I do your shift and you pay me the money, | 0:11:44 | 0:11:47 | |
-no-one's going to be any wiser. -I'm in. | 0:11:47 | 0:11:50 | |
-But I want it now. -No way. -I want it now. -Hold on. | 0:11:50 | 0:11:55 | |
Sorted. Text me the details, yeah? | 0:12:04 | 0:12:06 | |
What are you doing here, Shirl? | 0:12:08 | 0:12:10 | |
-Earning a living. -Don't this place give you the creeps? | 0:12:10 | 0:12:14 | |
Bearing in mind everything that went on? | 0:12:14 | 0:12:16 | |
-You don't like it, go somewhere else. -Yes, sir, what can I get you? | 0:12:16 | 0:12:20 | |
I'll have a chicken in a box, please. | 0:12:20 | 0:12:21 | |
Dexter. | 0:12:32 | 0:12:33 | |
Look, I'm sorry, OK? | 0:12:38 | 0:12:40 | |
I didn't want to make trouble. | 0:12:40 | 0:12:42 | |
I just wanted to see Abi and apologise. | 0:12:42 | 0:12:45 | |
Didn't I tell you not to come back?! | 0:12:50 | 0:12:53 | |
-He's all right. -You - mind your own business. | 0:12:53 | 0:12:56 | |
-Look, I had to apologise, Mum. -It's not up to you what you have to do. | 0:12:56 | 0:13:00 | |
You don't go behind my back, is that clear? Get on the train. | 0:13:00 | 0:13:03 | |
He's a good boy, you know? | 0:13:14 | 0:13:15 | |
Thanks for that. | 0:13:15 | 0:13:18 | |
In the late 19th century, | 0:13:32 | 0:13:33 | |
there was up to 12 deliveries a day in London. | 0:13:33 | 0:13:36 | |
-Are you serious? -Yeah, serious! | 0:13:36 | 0:13:38 | |
And then there were letters to The Times complaining... | 0:13:38 | 0:13:43 | |
Complaining that something that had been posted in the morning | 0:13:43 | 0:13:48 | |
hadn't been delivered by lunchtime. | 0:13:48 | 0:13:51 | |
And then... | 0:13:51 | 0:13:52 | |
I... | 0:13:52 | 0:13:55 | |
Are you interested in anything I'm saying? | 0:13:55 | 0:13:58 | |
Yeah. | 0:13:58 | 0:13:59 | |
-Really? Do you fancy an apple? -M-hmm. | 0:13:59 | 0:14:04 | |
Apple. | 0:14:04 | 0:14:06 | |
I don't know why he killed himself, he made his own sandwiches! | 0:14:14 | 0:14:17 | |
-I love that... -How long have you known me? | 0:14:17 | 0:14:21 | |
-Sorry? -Answer me! | 0:14:21 | 0:14:23 | |
-I don't know, about five, six years. -And have I ever lied to you? | 0:14:23 | 0:14:25 | |
-I don't think so. -No, exactly. | 0:14:25 | 0:14:28 | |
Six years and I've never lied to you, not once. | 0:14:28 | 0:14:31 | |
But you see me with another guy | 0:14:31 | 0:14:32 | |
and the first thought in your head is that I'm a cheat?! | 0:14:32 | 0:14:35 | |
-The first thought! -Calm yourself down. | 0:14:35 | 0:14:37 | |
No, don't tell me to calm down! | 0:14:37 | 0:14:39 | |
He's my cousin, you idiot! My cousin. | 0:14:39 | 0:14:42 | |
For six years, Jay, I've been your friend. Through police, prison... | 0:14:42 | 0:14:46 | |
And you're so moody, my parents hate you, but... | 0:14:46 | 0:14:50 | |
But I didn't mind, because I thought you were special. | 0:14:50 | 0:14:53 | |
I thought you were a good person. | 0:14:53 | 0:14:55 | |
Stop! Stop smiling! | 0:14:57 | 0:14:59 | |
-I -was there for you. | 0:14:59 | 0:15:01 | |
-All the stuff with Ben, -I -was there. And how do you repay me? | 0:15:01 | 0:15:04 | |
By calling ME a cheat?! | 0:15:04 | 0:15:07 | |
-All right. -No, no, it's not all right. I am NOT a cheat! | 0:15:07 | 0:15:11 | |
I am a good person with a good heart and I love you, | 0:15:11 | 0:15:13 | |
but if you can't see it then that is your problem | 0:15:13 | 0:15:16 | |
but you do not take it out on me. | 0:15:16 | 0:15:18 | |
I am sick of everyone taking everything out on me. I'm sick of it! | 0:15:18 | 0:15:23 | |
Didn't know she had it in her. | 0:15:33 | 0:15:35 | |
Shut the fence gate! You've never heard of Led Zeppelin? | 0:15:43 | 0:15:46 | |
-No. -Man, you're so sheltered. | 0:15:46 | 0:15:48 | |
-Stop it. Stop! -That's criminal. Stick it in. Listen. ready? | 0:15:48 | 0:15:53 | |
-Um... -Listen. -AJ! | 0:15:53 | 0:15:56 | |
She's never heard of Led Zeppelin! | 0:15:56 | 0:16:01 | |
-It's time for you to go home now, Ayesha. -What about the rest of the round? | 0:16:01 | 0:16:04 | |
Oh, don't worry, I'm running late, I'll finish it off. | 0:16:04 | 0:16:06 | |
-I'll take her back. -No, no, no, she's my responsibility. | 0:16:06 | 0:16:10 | |
You go back to the Arches. | 0:16:11 | 0:16:13 | |
Ayesha, come on. | 0:16:13 | 0:16:15 | |
AJ! | 0:16:16 | 0:16:17 | |
It's disgraceful! | 0:16:18 | 0:16:20 | |
-Ooh, Abi, great. Can you take that out for me please, darling? -No. -Eh? | 0:16:29 | 0:16:32 | |
-I beg your pardon? -Abs, if your mum asks you to do something, just do it, will you, please. | 0:16:32 | 0:16:37 | |
-It's all right, Max, I can handle it. -I said, no. -Excuse me. Don't talk to her like that. -Max! | 0:16:37 | 0:16:40 | |
I ain't going to sit here and let her talk to you like that, am I? | 0:16:40 | 0:16:43 | |
Oh, so it's OK for you to be horrible to her, but not me? | 0:16:43 | 0:16:45 | |
-Right. What, you want to get smart with me? -Give it a rest, please. | 0:16:45 | 0:16:48 | |
Oh, will you stop it, both of you! You are horrible to her, Dad. | 0:16:48 | 0:16:51 | |
You have been for years, and what's worse, Mum, you just let him. | 0:16:51 | 0:16:55 | |
-Excuse me, I don't let anyone do anything. -He has another wife, Mum, | 0:16:55 | 0:16:58 | |
and you are fine with it! | 0:16:58 | 0:17:00 | |
-What's this? -No, just, Lauren, get out. Don't get involved, please. | 0:17:00 | 0:17:03 | |
Is she kicking off at you? | 0:17:03 | 0:17:04 | |
I am trying to make things right! | 0:17:04 | 0:17:06 | |
I tried to do the right thing with Dexter | 0:17:06 | 0:17:08 | |
to help someone who needed it. | 0:17:08 | 0:17:10 | |
All I ever am is nice to people and they treat me like I'm rubbish! | 0:17:10 | 0:17:14 | |
The only person who ever stuck up for me was Dot | 0:17:14 | 0:17:16 | |
and she's not around, so I don't know why I even bother. | 0:17:16 | 0:17:19 | |
-Not Fattyboy? -She thinks he's an idiot. | 0:17:28 | 0:17:30 | |
Well, she's not wrong there. So it's Tamwar, then? | 0:17:30 | 0:17:32 | |
-She thinks he's weird. -What?! -Her words. -So who? | 0:17:32 | 0:17:36 | |
Urgh! | 0:17:36 | 0:17:39 | |
Hey! | 0:17:39 | 0:17:40 | |
-This is not a juice bar. -Huh? | 0:17:45 | 0:17:48 | |
We're in the middle of something here. | 0:17:48 | 0:17:51 | |
All right. Right on. | 0:17:51 | 0:17:54 | |
There you go. Keep the change, sweetheart, hmm? | 0:17:55 | 0:18:00 | |
Urgh! | 0:18:01 | 0:18:03 | |
What?! | 0:18:07 | 0:18:08 | |
-I think so. -No... -I think so. She was laughing, looking at him... | 0:18:08 | 0:18:12 | |
-Looking at him how? -Exactly how we don't want a young girl looking at him. | 0:18:12 | 0:18:16 | |
-The way a young girl looks at a bloke she's got a crush on. -Oh, that is a disaster. | 0:18:16 | 0:18:20 | |
-What's she even doing with him? -They were sharing earphones. | 0:18:20 | 0:18:22 | |
-Oh! Wait. He gave her one of his earphones? -Yeah. | 0:18:22 | 0:18:26 | |
-You don't think that he's got a crush on her? -What? No! -Masood! | 0:18:26 | 0:18:30 | |
No. | 0:18:30 | 0:18:32 | |
-No, he couldn't. -He might! We have to put a stop to this. | 0:18:32 | 0:18:37 | |
-We don't know for sure. -Then we find out for sure, Masood, OK? | 0:18:37 | 0:18:40 | |
Because if there's even a whisper of anything inappropriate going on, WE will be disgraced. | 0:18:40 | 0:18:45 | |
That's the dining room and that's the lounge, | 0:18:48 | 0:18:50 | |
so make yourself at home. | 0:18:50 | 0:18:52 | |
-Will that keep you quiet? -Thank you. | 0:18:55 | 0:18:59 | |
Shirley. You got a minute, please? | 0:18:59 | 0:19:03 | |
It's about me and Ray... | 0:19:03 | 0:19:07 | |
I'm not sure if... | 0:19:07 | 0:19:09 | |
You want to talk about your problems? | 0:19:09 | 0:19:11 | |
Call a priest. | 0:19:11 | 0:19:12 | |
Go away! | 0:19:24 | 0:19:26 | |
Oh, sorry, Oscar. Come in. | 0:19:27 | 0:19:30 | |
-How many plates do we need? -Just me, you and Patrick. | 0:19:42 | 0:19:45 | |
-What about Ray? -Oh, no, he's working till ten. | 0:19:45 | 0:19:49 | |
Oh, right. I tell you what, I'll do him some dinner | 0:19:49 | 0:19:51 | |
and I can just leave it in the oven, yeah? | 0:19:51 | 0:19:53 | |
-All right, then. -Yeah? -Nice one. | 0:19:53 | 0:19:56 | |
-Kim? -In here! | 0:19:56 | 0:19:58 | |
-Thought you were working late. -I'm on a break. -Oh, OK. | 0:20:00 | 0:20:05 | |
-Can I have a quick word? -Yeah. | 0:20:05 | 0:20:07 | |
In private. | 0:20:07 | 0:20:10 | |
OK. | 0:20:10 | 0:20:12 | |
-I'm ending it. -What? | 0:20:31 | 0:20:35 | |
Us. | 0:20:35 | 0:20:36 | |
What? | 0:20:38 | 0:20:41 | |
I've been thinking about it and... I just don't think it's working out. | 0:20:41 | 0:20:46 | |
It's over. | 0:20:47 | 0:20:48 | |
No, no, it's not. | 0:20:50 | 0:20:53 | |
It is. | 0:20:53 | 0:20:56 | |
You can't just end it. | 0:20:56 | 0:20:58 | |
-You can't just end it without talking about it. -There's no point. | 0:20:58 | 0:21:01 | |
Look, this really had nothing to do with Denise. | 0:21:01 | 0:21:04 | |
All of this is my fault completely. | 0:21:04 | 0:21:07 | |
What happened should never have happened in the first place. I'm sorry. | 0:21:07 | 0:21:10 | |
We can work it out. We'll get through it. | 0:21:10 | 0:21:13 | |
-You are a piece of work, you are! -Shut up, Denise! | 0:21:13 | 0:21:16 | |
You would rather cut and run | 0:21:16 | 0:21:17 | |
than just admit that you're a liar and you're a cheat. | 0:21:17 | 0:21:19 | |
Shut up, Denise! | 0:21:19 | 0:21:21 | |
Ray, look, just between us. | 0:21:21 | 0:21:23 | |
She doesn't have to be here. Just me and you. Please. Don't do this. | 0:21:23 | 0:21:26 | |
-Please! -Kim, I'm sorry. I'm sorry, babe. -Ray, don't... | 0:21:26 | 0:21:29 | |
All I can tell you is I am sorry. All right, listen to me. | 0:21:29 | 0:21:32 | |
Look, I know this is not the best way to do it, right, but I don't think it's going to work. | 0:21:32 | 0:21:36 | |
-It's not going to work out, babe. -It's going to work out. -I'm sorry. I'm sorry. | 0:21:36 | 0:21:39 | |
-It's going to work out. -Leave it, Kim. -It's going to work out, Ray! | 0:21:39 | 0:21:42 | |
Ray, please... Ray, Ray, please! | 0:21:42 | 0:21:45 | |
Look, I can change, yeah? | 0:21:45 | 0:21:48 | |
I can change. I don't have to be like this. Whatever you want, Ray. | 0:21:48 | 0:21:52 | |
-Please, just tell me. -Come on, Kim, it's over, all right? | 0:21:52 | 0:21:55 | |
-It was fun while it lasted but now it's finished. -Ray... | 0:21:55 | 0:21:58 | |
Look, I need you to just be classy and just walk away, all right? | 0:21:58 | 0:22:02 | |
But, Ray, I love you, Ray. Don't that mean anything? Please. | 0:22:02 | 0:22:06 | |
I'm sorry, all right? | 0:22:06 | 0:22:09 | |
Look, it was never going to work, man. | 0:22:09 | 0:22:11 | |
We're just too different. | 0:22:12 | 0:22:14 | |
Ray! | 0:22:16 | 0:22:17 | |
Ray, don't leave me! | 0:22:19 | 0:22:21 | |
-Get off. -It's all right, darling. | 0:22:21 | 0:22:24 | |
Get off! | 0:22:24 | 0:22:26 | |
-Look, this is for the best, Kim. I promise you. -For the best? | 0:22:26 | 0:22:30 | |
-This is all your fault. -My fault? | 0:22:30 | 0:22:33 | |
Look, we were OK before you decided to come into our relationship. | 0:22:33 | 0:22:37 | |
Before you decided to ruin the best relationship I ever had in my life. | 0:22:37 | 0:22:40 | |
I didn't decide anything! | 0:22:40 | 0:22:42 | |
Just because you couldn't stand the fact that I was happy. | 0:22:42 | 0:22:45 | |
You couldn't stand the fact that I fell in love. | 0:22:45 | 0:22:48 | |
And look at you, huh? Angry, miserable. | 0:22:48 | 0:22:52 | |
No husband, no children, no nothing. | 0:22:52 | 0:22:56 | |
I don't want to see you again. | 0:22:59 | 0:23:00 | |
I want you out of my life and I want you out of my house. | 0:23:00 | 0:23:05 | |
Kim... | 0:23:06 | 0:23:09 | |
Kim! | 0:23:10 | 0:23:12 | |
SHE SOBS | 0:23:26 | 0:23:28 | |
-You know, I didn't realise the Post Office had so much history. -Urgh! | 0:23:46 | 0:23:50 | |
-What? -You got the riveting Post Office lecture. | 0:23:50 | 0:23:53 | |
Ayesha, Ayesha, you're here. | 0:23:53 | 0:23:55 | |
-And it is riveting, actually. -I found it interesting. -Thank you. | 0:23:55 | 0:23:59 | |
OK, Ayesha, it's very, very exciting. Would you like some rice? | 0:23:59 | 0:24:02 | |
-Here, let me. -No, it's fine, I can manage. There you go. | 0:24:02 | 0:24:05 | |
Hey, guess what I found out today. | 0:24:06 | 0:24:09 | |
There are still people in this country, yeah, | 0:24:09 | 0:24:12 | |
who haven't heard of Led Zeppelin! | 0:24:12 | 0:24:14 | |
-Ayesha. -Eh? Ah? See, this is the problem with sheltered environments. | 0:24:14 | 0:24:18 | |
Creating young Britons unequipped to deal with the real world. | 0:24:18 | 0:24:21 | |
I think it's an outrage. | 0:24:21 | 0:24:22 | |
You know what, nobody cares what you think, yeah? | 0:24:22 | 0:24:25 | |
Nobody cares about your stupid music groups either. | 0:24:25 | 0:24:27 | |
-Something troubling you, Basanti? -Actually, there is something... | 0:24:27 | 0:24:30 | |
OK, all right, yes, shall we just go through to the kitchen | 0:24:30 | 0:24:32 | |
and check on the rest of the food, shall we? | 0:24:32 | 0:24:35 | |
Thank you, everyone. | 0:24:36 | 0:24:38 | |
-What's the matter with you? -He's all over her. | 0:24:45 | 0:24:47 | |
That's why I've separated them, and that's the way they'll stay. | 0:24:47 | 0:24:50 | |
So for tonight, can you just serve the food, top up the drinks, | 0:24:50 | 0:24:52 | |
and leave it to me! | 0:24:52 | 0:24:54 | |
-OK, I'm fine. -You're not fine, Zainab. | 0:24:54 | 0:24:57 | |
Just pull your head in and let me handle things, OK? | 0:24:57 | 0:25:00 | |
Oh, you're very sexy when you're commanding. | 0:25:00 | 0:25:05 | |
There we go. | 0:25:12 | 0:25:13 | |
-That looks good. -Lovely. | 0:25:13 | 0:25:15 | |
Hello, darling. | 0:25:15 | 0:25:17 | |
You all right, Abs? | 0:25:17 | 0:25:19 | |
Here, come and sit down. | 0:25:19 | 0:25:21 | |
-What? -What? | 0:25:23 | 0:25:25 | |
DOORBELL RINGS | 0:25:25 | 0:25:27 | |
Do you want to get that? | 0:25:27 | 0:25:29 | |
No, I'm going to lay the table. | 0:25:29 | 0:25:30 | |
I'll get it then. | 0:25:30 | 0:25:33 | |
No, no, I'll go. | 0:25:33 | 0:25:34 | |
-I'm laying the table. -She's always getting the door. -Oh. | 0:25:36 | 0:25:39 | |
I'm sorry. | 0:25:42 | 0:25:43 | |
I should have trusted you. | 0:25:45 | 0:25:47 | |
So... | 0:25:49 | 0:25:51 | |
I'll see you tomorrow? | 0:25:56 | 0:25:59 | |
Who was that, Abs? | 0:26:10 | 0:26:12 | |
-Jay. -Did he get the hairdryer treatment an' all, did he? | 0:26:12 | 0:26:16 | |
She frightened the life out of me. | 0:26:16 | 0:26:18 | |
Come on, darling, come and sit down. Here you are. | 0:26:18 | 0:26:21 | |
-Abs, I'm going to sort this stuff out with Kirsty. -Really? | 0:26:23 | 0:26:26 | |
Yeah. We're a family, aren't we? | 0:26:26 | 0:26:29 | |
-That looks really nice. -Thanks. -All right. | 0:26:30 | 0:26:35 | |
Let's get stuck in, shall we? | 0:26:35 | 0:26:37 | |
You did not. You are absolutely lying. | 0:26:52 | 0:26:54 | |
-Did I never tell you this? -You never met Chris Martin! | 0:26:54 | 0:26:58 | |
Do you even know who Chris Martin is? | 0:26:58 | 0:27:00 | |
-Yes. -I did. | 0:27:00 | 0:27:02 | |
When? | 0:27:02 | 0:27:03 | |
Four or five years ago. | 0:27:05 | 0:27:07 | |
I was in Oxford on a works thing. | 0:27:07 | 0:27:09 | |
It was a sunny day and I decided to walk back... | 0:27:09 | 0:27:14 | |
to the hotel. | 0:27:14 | 0:27:15 | |
And? | 0:27:17 | 0:27:18 | |
And I saw this guy changing his tyre, and he was struggling a bit, | 0:27:20 | 0:27:23 | |
so I decided to give him a hand. | 0:27:23 | 0:27:26 | |
We got chatting, he said he was in a band. What are they called? | 0:27:26 | 0:27:30 | |
-Coldplay. -There you go. -Unbelievable. | 0:27:30 | 0:27:33 | |
-Was he a nice bloke? -Yeah, yeah. | 0:27:33 | 0:27:35 | |
Really lovely. Really normal. | 0:27:35 | 0:27:37 | |
His spare was a bit flat, but no-one's perfect. | 0:27:37 | 0:27:40 | |
You know, I thought he'd have a better car than that... Zainab! | 0:27:40 | 0:27:44 | |
-Have we got any pudding? -Yes, of course. -OK. -Fine. | 0:27:44 | 0:27:48 | |
-Is everyone ready? -Yes, please. | 0:27:48 | 0:27:50 | |
-OK, I'll bring it in. -What was it? | 0:27:50 | 0:27:52 | |
What kind of car was it, you liar? | 0:27:57 | 0:27:59 | |
Uh... | 0:28:00 | 0:28:02 | |
Dad, what kind of car was it? | 0:28:02 | 0:28:05 | |
I don't remember. | 0:28:05 | 0:28:06 | |
Ha-ha! | 0:28:06 | 0:28:09 | |
Oh... | 0:28:17 | 0:28:19 | |
Subtitles by Red Bee Media Ltd | 0:28:30 | 0:28:33 |