Browse content similar to 11/07/2013. Check below for episodes and series from the same categories and more!
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-Just the man. -What for? | 0:00:26 | 0:00:28 | |
-I need a hand. -I've only come in to get some change. | 0:00:28 | 0:00:30 | |
It's all right. It'll only take five or ten minutes. | 0:00:30 | 0:00:32 | |
-Where are we going? -Cast our bread upon the waters. | 0:00:32 | 0:00:35 | |
Or Bridge Street and Turpin Road. | 0:00:35 | 0:00:36 | |
Oi. | 0:00:43 | 0:00:45 | |
Nice shower? | 0:00:45 | 0:00:47 | |
What? | 0:00:47 | 0:00:48 | |
You didn't stint on this stuff, did you? | 0:00:48 | 0:00:50 | |
Shampoo. Gone. | 0:00:50 | 0:00:52 | |
Body Wash. Empty. | 0:00:52 | 0:00:53 | |
And my conditioner's looking a bit anorexic, too. | 0:00:53 | 0:00:56 | |
You're having a laugh. | 0:00:56 | 0:00:57 | |
No. | 0:00:57 | 0:00:58 | |
But it's all right, I'll have a wash with the washing-up liquid shall I? | 0:00:58 | 0:01:01 | |
Look, Dad, what is this all about? | 0:01:06 | 0:01:08 | |
PR. To let everyone know that the restaurant is opening again next week | 0:01:08 | 0:01:11 | |
and to give them a taste of all the lovely things there are to come. | 0:01:11 | 0:01:14 | |
Right, Winston, thank you ever so much. This is for you. | 0:01:14 | 0:01:18 | |
Home-cured bacon. | 0:01:18 | 0:01:21 | |
Looking good, man. Cheers. | 0:01:21 | 0:01:22 | |
Oh, Dexter. This is what you need to start your day. | 0:01:22 | 0:01:25 | |
Why? They past their sell-by or something? | 0:01:25 | 0:01:26 | |
Course not. Everything's fresh. Sam! Sam! This'll set you up. | 0:01:26 | 0:01:29 | |
Got it covered, thanks. | 0:01:29 | 0:01:30 | |
-Got us some doughnuts, Dex. -You're diabetic, ain't you? | 0:01:31 | 0:01:34 | |
Well, I'll just have to watch you eat them, then. | 0:01:34 | 0:01:37 | |
No, you're all right. I had breakfast in the cafe, already. | 0:01:37 | 0:01:41 | |
Peter, do us a favour. You hand these out, I'll do them. | 0:01:41 | 0:01:43 | |
-All right. -Thank you. | 0:01:43 | 0:01:45 | |
By the way, that quote you wanted for the work doing. | 0:01:45 | 0:01:49 | |
It's all right, innit? | 0:01:55 | 0:01:56 | |
It's the going rate, I wouldn't try to rob you. | 0:01:56 | 0:01:59 | |
It's fine, fine. | 0:01:59 | 0:02:01 | |
-Bad news? -What? | 0:02:08 | 0:02:10 | |
That. | 0:02:11 | 0:02:14 | |
Oh, no... | 0:02:14 | 0:02:15 | |
So, what is it, then? | 0:02:15 | 0:02:17 | |
I can't say. | 0:02:19 | 0:02:20 | |
Why not? | 0:02:20 | 0:02:21 | |
Because then I'd have to tell you and then I'd have said. | 0:02:21 | 0:02:24 | |
Are you sure that's not bad news? | 0:02:27 | 0:02:29 | |
-You've got your allotment. -Mmm. | 0:02:31 | 0:02:33 | |
-Oh, Jean, you've been waiting ages for this. -Mmm. | 0:02:33 | 0:02:36 | |
OK. Well, if that can't raise a smile, something must be wrong. | 0:02:36 | 0:02:42 | |
There's no hot water either. Funny that. | 0:03:09 | 0:03:13 | |
I'm not laughing. | 0:03:15 | 0:03:17 | |
-What is it with you, eh? -What? | 0:03:17 | 0:03:19 | |
You're selfish. It's take, take, take. | 0:03:19 | 0:03:21 | |
You know what? Don't worry about it. I'll be gone by the end of the week. | 0:03:21 | 0:03:24 | |
-Michael, I'm not asking you to do that, am I? -Yes, you are. | 0:03:24 | 0:03:27 | |
-I understand. I understand. -It's just... | 0:03:29 | 0:03:31 | |
I'm difficult to live with. | 0:03:31 | 0:03:32 | |
I am. You give me a couple of days. | 0:03:32 | 0:03:35 | |
It'll be fine. | 0:03:36 | 0:03:38 | |
So where will you go? | 0:03:39 | 0:03:40 | |
Next door. I'll go next door. | 0:03:40 | 0:03:42 | |
-Move back in with Janine? -Yeah. | 0:03:43 | 0:03:45 | |
Oh, yeah? Since when? | 0:03:46 | 0:03:47 | |
So, what's the catch? | 0:03:57 | 0:03:59 | |
-Why does there have to be a catch? -You're handing out food? | 0:03:59 | 0:04:01 | |
I ain't going to say no. | 0:04:03 | 0:04:04 | |
-Kat, three quid. -What? | 0:04:04 | 0:04:07 | |
Three quid. I'm not a charity. | 0:04:07 | 0:04:08 | |
You can't do that! You've touched it. | 0:04:10 | 0:04:12 | |
I can't sell it now. | 0:04:12 | 0:04:14 | |
I thought this was PR. | 0:04:14 | 0:04:15 | |
It is PR, but there's no harm in earning a little extra cash | 0:04:15 | 0:04:17 | |
on the side, is there? I've got those damages to pay for. | 0:04:17 | 0:04:20 | |
Ladies and gents, your lovely fresh bread, croissants and rolls here. | 0:04:20 | 0:04:24 | |
The rolls are filled with superb home-cured bacon and free range egg | 0:04:24 | 0:04:27 | |
£3, sir. | 0:04:27 | 0:04:29 | |
No? Sure? OK. | 0:04:29 | 0:04:30 | |
£2.50! Your lovely fresh croissants. | 0:04:32 | 0:04:35 | |
It's got nothing to do with him, has it? | 0:04:37 | 0:04:39 | |
No, it's all sorted. | 0:04:39 | 0:04:41 | |
So this extra cash is going to Scarlett's? | 0:04:41 | 0:04:43 | |
-It's not going into his pocket? -No. | 0:04:43 | 0:04:46 | |
£2, your rolls and your croissants. I can't do them cheaper than that. | 0:04:47 | 0:04:50 | |
Ladies and gentlemen... | 0:04:50 | 0:04:52 | |
Ah, thank you. | 0:04:54 | 0:04:55 | |
See, that's how you do it. Your go. | 0:04:57 | 0:04:59 | |
£2. Come on, £2 croissants... | 0:04:59 | 0:05:01 | |
See you later. | 0:05:02 | 0:05:03 | |
Lovely, thank you. | 0:05:03 | 0:05:04 | |
Mmm, can I smell a fry-up? | 0:05:08 | 0:05:10 | |
Yes, you can. But you can't have none, though. | 0:05:10 | 0:05:13 | |
And why not? | 0:05:13 | 0:05:14 | |
Because you have got a visitor. | 0:05:14 | 0:05:17 | |
Look what I found on the market! | 0:05:20 | 0:05:22 | |
It's all the old favourites. | 0:05:22 | 0:05:25 | |
There's the waltz, and there's the foxtrot. | 0:05:25 | 0:05:28 | |
I thought we could put in some practice. | 0:05:28 | 0:05:31 | |
What, here? Now? | 0:05:31 | 0:05:33 | |
Don't let me put you off. | 0:05:33 | 0:05:35 | |
I've got a date with a fried egg sarnie, you know, extra ketchup. | 0:05:35 | 0:05:38 | |
Side order of bacon, sausages. | 0:05:38 | 0:05:41 | |
You don't think it's a good idea, do you? | 0:05:42 | 0:05:45 | |
No, it's not that... | 0:05:45 | 0:05:46 | |
Making an idiot of myself, aren't I? | 0:05:46 | 0:05:48 | |
I'm sorry, Patrick. It's just that I had such a nice time the other day | 0:05:49 | 0:05:54 | |
and you were so much better on your feet than me. | 0:05:54 | 0:05:57 | |
No, I wasn't... | 0:05:57 | 0:05:58 | |
Oh, yes, you were. There was not one woman in that room | 0:05:58 | 0:06:01 | |
who could keep their eyes off of you. | 0:06:01 | 0:06:03 | |
Suppose I just didn't want to let you down, that's all. | 0:06:05 | 0:06:09 | |
Look, let me just push this table away. | 0:06:09 | 0:06:11 | |
OK? | 0:06:12 | 0:06:14 | |
-What, you mean..? -Shall we dance? | 0:06:14 | 0:06:17 | |
It's all my fault, isn't it? | 0:06:19 | 0:06:22 | |
I mean, you and Kat used to be such good friends. | 0:06:22 | 0:06:24 | |
We still are, Jean. | 0:06:24 | 0:06:25 | |
But there's an atmosphere now between you, isn't there? | 0:06:25 | 0:06:27 | |
Well, if there is, that's her look out. | 0:06:27 | 0:06:29 | |
So it is my fault. | 0:06:29 | 0:06:30 | |
Jean, listen, I've got more important things | 0:06:30 | 0:06:32 | |
to think about right now. | 0:06:32 | 0:06:33 | |
I've got Liam terrified of giving evidence tomorrow, | 0:06:33 | 0:06:35 | |
and Tiffany won't eat anything. Cheers. | 0:06:35 | 0:06:37 | |
Here you are. Look. Why don't you try this. | 0:06:40 | 0:06:42 | |
Well, look, some beans, then. | 0:06:44 | 0:06:45 | |
On toast. Come on, you love beans on toast. | 0:06:46 | 0:06:51 | |
How about some chocolate? | 0:06:51 | 0:06:52 | |
Bianca... | 0:06:52 | 0:06:53 | |
She's got to eat something. | 0:06:53 | 0:06:55 | |
Look, why don't you and Liam get back to the stall | 0:06:57 | 0:06:59 | |
and you take that for your breakfast. | 0:06:59 | 0:07:01 | |
I'll look after Tiff. | 0:07:01 | 0:07:02 | |
Is it Liam? You worried about him? | 0:07:11 | 0:07:14 | |
Well, is it a tummy ache or something? | 0:07:15 | 0:07:18 | |
Just can't eat. | 0:07:19 | 0:07:21 | |
Well, yeah, we can see that, Tiff. | 0:07:21 | 0:07:23 | |
But why? | 0:07:23 | 0:07:25 | |
Cos. | 0:07:28 | 0:07:30 | |
Cos what? | 0:07:30 | 0:07:31 | |
Cos I'm in love. | 0:07:36 | 0:07:37 | |
-Huh. How about those, then? Have you had breakfast? -I have. | 0:07:44 | 0:07:48 | |
What about the girl? | 0:07:48 | 0:07:49 | |
Why are you so concerned about us all of a sudden? | 0:07:49 | 0:07:51 | |
This is just an act of selflessness. Don't be so suspicious. | 0:07:51 | 0:07:54 | |
I already am suspicious. | 0:07:54 | 0:07:55 | |
Alice isn't here, anyway, she's taken Scarlett to the shops. | 0:07:55 | 0:07:59 | |
And I've got an appointment this morning, you know what it's like, | 0:07:59 | 0:08:02 | |
-business and babies. -Yeah. -They don't always mix. | 0:08:02 | 0:08:05 | |
KNOCK AT DOOR | 0:08:05 | 0:08:06 | |
Bang on time. | 0:08:10 | 0:08:11 | |
-Morning. -Hi. Come in. | 0:08:11 | 0:08:12 | |
Do you two know each other? | 0:08:14 | 0:08:16 | |
-Don't think so. -No. | 0:08:16 | 0:08:18 | |
Michael, Danny. Danny, Michael. | 0:08:18 | 0:08:21 | |
Hello. | 0:08:21 | 0:08:22 | |
Who's just leaving. | 0:08:22 | 0:08:23 | |
You can go through. | 0:08:23 | 0:08:24 | |
What's this business, then? | 0:08:27 | 0:08:29 | |
None of yours. | 0:08:29 | 0:08:30 | |
Some post for your Dad. | 0:08:44 | 0:08:45 | |
I'll pass it on. | 0:08:46 | 0:08:47 | |
If you just let me know where he is, I could do it myself. | 0:08:47 | 0:08:50 | |
When are you going to get the message? | 0:08:54 | 0:08:56 | |
Max ain't interested. | 0:08:56 | 0:08:57 | |
When are you going to get the message? You ain't wanted. | 0:08:58 | 0:09:01 | |
What was that all about? | 0:09:12 | 0:09:14 | |
Just the usual. Kirsty giving me grief. | 0:09:14 | 0:09:17 | |
Looked like she was getting grief herself, | 0:09:17 | 0:09:18 | |
looked like that Carl fella was on her back. | 0:09:18 | 0:09:20 | |
Yeah, well, I wish he would do us all a favour and take her back. | 0:09:20 | 0:09:23 | |
So her and him..? | 0:09:23 | 0:09:24 | |
Yeah. Carl's her ex. | 0:09:25 | 0:09:27 | |
And maybe if they got back together, I could get some peace. | 0:09:27 | 0:09:30 | |
CLEARS THROAT | 0:09:32 | 0:09:34 | |
Sorry. | 0:09:34 | 0:09:35 | |
Here you are. | 0:09:40 | 0:09:41 | |
Sam brought them for you. | 0:09:45 | 0:09:47 | |
He knows you'd had breakfast, but just in case. | 0:09:48 | 0:09:51 | |
So, him staying here... | 0:09:52 | 0:09:54 | |
Does that mean..? | 0:09:55 | 0:09:56 | |
I don't know. | 0:10:02 | 0:10:03 | |
Just a drink. The three of us, me, you and Dexter. At the Vic. | 0:10:03 | 0:10:09 | |
Bit public. | 0:10:09 | 0:10:10 | |
That's the whole point, get it out in the open, | 0:10:10 | 0:10:13 | |
let everyone know what's going on. | 0:10:13 | 0:10:16 | |
Think about it. | 0:10:16 | 0:10:17 | |
Either we do something like this, or we tell the same story | 0:10:17 | 0:10:20 | |
a hundred times over to as many different people. | 0:10:20 | 0:10:23 | |
-Have you mentioned any of this to Dexter? -No. | 0:10:23 | 0:10:25 | |
I wanted to make sure you were OK with it first. | 0:10:27 | 0:10:29 | |
Yeah. Why not? | 0:10:31 | 0:10:33 | |
I'll call him. | 0:10:33 | 0:10:35 | |
I'll see to Dext. | 0:10:35 | 0:10:37 | |
Lovely, isn't it? | 0:10:56 | 0:10:57 | |
If you ask very nicely, Danny might even take you for a spin in it. | 0:11:02 | 0:11:06 | |
Oh, boy. | 0:11:21 | 0:11:22 | |
Has she gone? | 0:11:25 | 0:11:26 | |
She's in the ladies' room. | 0:11:26 | 0:11:28 | |
Look, now, any chance of a bacon sandwich? | 0:11:29 | 0:11:32 | |
Worked up an appetite, have you? | 0:11:32 | 0:11:34 | |
More like a heart attack. | 0:11:34 | 0:11:35 | |
It was fun though, right? | 0:11:37 | 0:11:38 | |
Don't get me wrong, I like dancing but oh, gosh, man. | 0:11:38 | 0:11:42 | |
The waltz? The foxtrot? | 0:11:42 | 0:11:44 | |
I mean, I like dances with a bit of passion, | 0:11:44 | 0:11:46 | |
something you could get low down and dirty too, you know what I mean? | 0:11:46 | 0:11:51 | |
-Yeah, and Betty's not exactly your low down and dirty type, is she? -No. | 0:11:51 | 0:11:55 | |
This is not a criticism. | 0:11:56 | 0:11:57 | |
Course not. | 0:11:59 | 0:12:00 | |
Don't get me wrong, she is a beautiful woman. Sweet, kind. | 0:12:00 | 0:12:05 | |
I had a tortoise like that once. | 0:12:05 | 0:12:06 | |
Betty's not a tortoise. It's just that she's... | 0:12:06 | 0:12:09 | |
Right. Same time tomorrow? | 0:12:09 | 0:12:11 | |
Same time? | 0:12:11 | 0:12:13 | |
I'll stop by that stall and see if they've got something else. | 0:12:13 | 0:12:16 | |
Yeah, man. | 0:12:20 | 0:12:21 | |
"Yeah, man!" | 0:12:21 | 0:12:23 | |
What is he doing here? | 0:12:31 | 0:12:32 | |
-You know him? -Yes. Unfortunately, I do. | 0:12:32 | 0:12:35 | |
Well, if Janine's going to get involved with him, | 0:12:35 | 0:12:38 | |
that's her bad luck, innit? | 0:12:38 | 0:12:39 | |
I thought he was just a business contact. | 0:12:39 | 0:12:42 | |
Is that what he's calling himself, a business contact? | 0:12:42 | 0:12:45 | |
He's a snake, Michael, OK? | 0:12:45 | 0:12:48 | |
Now, look, I know Janine might not exactly be a pussycat, | 0:12:48 | 0:12:50 | |
but he is poison. | 0:12:50 | 0:12:52 | |
Ah. You and him? | 0:12:52 | 0:12:53 | |
-No! No. More like you and him. -OK. | 0:12:53 | 0:12:57 | |
Look, he had a thing with Syed. | 0:12:58 | 0:13:00 | |
Well, it didn't quite split him and Christian up, | 0:13:00 | 0:13:02 | |
but it was a pretty close run thing, you know what I mean? So... | 0:13:02 | 0:13:06 | |
-OK. -He's poison. | 0:13:06 | 0:13:07 | |
I think it's really sweet. | 0:13:11 | 0:13:12 | |
What is it? Some kid out a boy band or something? | 0:13:12 | 0:13:14 | |
It isn't a crush, Bianca. | 0:13:14 | 0:13:16 | |
This is the real thing, hearts and flowers and all that. | 0:13:16 | 0:13:19 | |
It's a local boy. | 0:13:19 | 0:13:20 | |
What, this is actually a real person? | 0:13:21 | 0:13:23 | |
Yeah. She just wouldn't tell me who it is. | 0:13:23 | 0:13:25 | |
I can't believe that she's told you, her nan, and not me, her mum! | 0:13:25 | 0:13:28 | |
That doesn't mean anything. You're just busy... | 0:13:28 | 0:13:31 | |
Busy. Yeah. | 0:13:31 | 0:13:32 | |
-I didn't mean it like that. -But that's right. I am, aren't I? | 0:13:32 | 0:13:35 | |
Too busy thinking about Liam | 0:13:35 | 0:13:36 | |
and about everything else to worry about her. | 0:13:36 | 0:13:38 | |
Tiff doesn't think that. | 0:13:38 | 0:13:39 | |
Why? I would if I was her. | 0:13:39 | 0:13:41 | |
I'm sure he knows. | 0:13:46 | 0:13:48 | |
No, course he don't. | 0:13:49 | 0:13:51 | |
Well, every time I look at him, he's looking at me. | 0:13:51 | 0:13:54 | |
Well, probably cos you keep looking at him! | 0:13:54 | 0:13:57 | |
Anyway, he wouldn't have to, would he? | 0:13:57 | 0:13:59 | |
If you hadn't done anything. | 0:13:59 | 0:14:00 | |
-You think I'm evil, don't you? -Course I don't... | 0:14:02 | 0:14:04 | |
Well, you should. Cos I am. | 0:14:04 | 0:14:05 | |
I'm going to do what you said, I am going to go out there, right now... | 0:14:09 | 0:14:13 | |
-..and tell Ian what I've done. -No, hold on, Jean, look. | 0:14:15 | 0:14:18 | |
I know what I said, but that's a really bad idea. | 0:14:18 | 0:14:20 | |
I've got to do something. | 0:14:22 | 0:14:24 | |
Well, why don't you just get out the Square for a bit? Go somewhere? | 0:14:26 | 0:14:29 | |
Where? | 0:14:29 | 0:14:31 | |
I don't know, anywhere. | 0:14:31 | 0:14:32 | |
-Contract for my allotment came through this morning. -There you go. | 0:14:36 | 0:14:39 | |
-Go on, get up there and do some digging. -I don't... | 0:14:39 | 0:14:43 | |
What? | 0:14:43 | 0:14:44 | |
I don't feel I like deserve it. Everything's spoilt. | 0:14:45 | 0:14:49 | |
-Go and get your wellies. -What? | 0:14:49 | 0:14:51 | |
Go and get your wellies. | 0:14:51 | 0:14:52 | |
All right? | 0:15:05 | 0:15:06 | |
Is that what you're into, is it? Property? | 0:15:08 | 0:15:11 | |
I'm into whatever makes money. | 0:15:11 | 0:15:13 | |
-So how's the mobile catering trade? -The what? | 0:15:13 | 0:15:16 | |
Isn't that what you're into? | 0:15:16 | 0:15:18 | |
Sorry, I just thought with you knocking out croissants and that... | 0:15:18 | 0:15:21 | |
Same again? | 0:15:21 | 0:15:23 | |
Yeah. | 0:15:23 | 0:15:24 | |
You seem a little unsettled by him, Michael. Kind of uneasy. | 0:15:31 | 0:15:34 | |
What is it about this young, attractive, successful, | 0:15:35 | 0:15:40 | |
charming entrepreneur with the really upmarket car | 0:15:40 | 0:15:42 | |
that bothers you so much? | 0:15:42 | 0:15:44 | |
Is that's how you find him, is it? Charming? Attractive? | 0:15:44 | 0:15:47 | |
Well, not to put too fine a point on it, I definitely would. | 0:15:48 | 0:15:52 | |
Would you? He definitely wouldn't. | 0:15:52 | 0:15:54 | |
Not with you anyway, love. | 0:15:54 | 0:15:56 | |
Ask Roxy if you don't believe me. | 0:15:56 | 0:15:59 | |
About him and Syed. | 0:15:59 | 0:16:01 | |
You seem unsettled, Janine. Uneasy. | 0:16:02 | 0:16:05 | |
Can't think why. | 0:16:06 | 0:16:07 | |
I am not having second thoughts. | 0:16:19 | 0:16:22 | |
Sounds like that to me. | 0:16:22 | 0:16:24 | |
It's just, Betty, she's delightful... | 0:16:24 | 0:16:28 | |
Patrick, it's obvious. Betty doesn't rock your boat. | 0:16:28 | 0:16:31 | |
Not like Cora used to anyway. | 0:16:31 | 0:16:33 | |
-No. -Just tell her. -Tell her what? | 0:16:33 | 0:16:36 | |
Betty, you're a sweet woman, you're a nice woman, so I'm dumping you? | 0:16:37 | 0:16:43 | |
You know, she'll probably get the message soon enough anyway. | 0:16:43 | 0:16:46 | |
You think so? | 0:16:46 | 0:16:47 | |
Women can read the signs. It's programmed in our genes. | 0:16:47 | 0:16:50 | |
What? | 0:16:50 | 0:16:53 | |
Dexter! | 0:16:53 | 0:16:54 | |
Is that right? | 0:16:55 | 0:16:56 | |
Looks like it, innit. | 0:16:57 | 0:16:59 | |
I know what it looks like. But is it? | 0:16:59 | 0:17:01 | |
Oh, Sam... | 0:17:08 | 0:17:09 | |
What a waste. | 0:17:12 | 0:17:13 | |
Cheers. | 0:17:14 | 0:17:16 | |
Oh, there you are. See this? | 0:17:16 | 0:17:19 | |
Under lock and key, all right? It's mine. | 0:17:19 | 0:17:21 | |
Oh, that's nice. | 0:17:26 | 0:17:29 | |
Alice, I'm sorry. | 0:17:29 | 0:17:31 | |
I was despicable to you. | 0:17:31 | 0:17:32 | |
I was in a very dark, terrible place. That's no excuse. | 0:17:32 | 0:17:35 | |
I shouldn't have taken it out on you and I want to apologise properly. | 0:17:35 | 0:17:39 | |
Hey, we're going over to the Vic. | 0:17:43 | 0:17:45 | |
Wondered if you'd like to join us. | 0:17:45 | 0:17:47 | |
No. Got a lot on at the Arches. | 0:17:47 | 0:17:49 | |
You do get a lunch break, don't you? | 0:17:49 | 0:17:51 | |
Yeah, but we're really busy right now. | 0:17:51 | 0:17:53 | |
Just we thought it'd be nice, all the family, together. | 0:17:53 | 0:17:56 | |
Like I said. I've got a lot on, man. | 0:17:56 | 0:17:58 | |
-Whoa, whoa... -Let him go, Sam. | 0:17:58 | 0:17:59 | |
I thought you said this was all cool. Sorted. | 0:18:02 | 0:18:05 | |
Yeah, but it doesn't mean that Dexter won't need a bit of time. | 0:18:05 | 0:18:07 | |
Time for what? | 0:18:07 | 0:18:08 | |
Time to get used to the idea of his Mum and Dad being back together? | 0:18:08 | 0:18:11 | |
Come on, it took me long enough. | 0:18:11 | 0:18:13 | |
You been keeping out of my way on purpose? | 0:18:22 | 0:18:24 | |
No, course not, I've just been busy, you know, | 0:18:25 | 0:18:27 | |
sorting this lot, for starters. | 0:18:27 | 0:18:29 | |
You're doing a good job of it. | 0:18:29 | 0:18:31 | |
Right. | 0:18:31 | 0:18:32 | |
Won't be long now before there's punters here all day. | 0:18:33 | 0:18:36 | |
Eating, drinking, handing over the cash. | 0:18:36 | 0:18:39 | |
Yeah, and it goes straight back out again, don't it? | 0:18:39 | 0:18:42 | |
I mean, rent, rates, wages, Janine's cut. | 0:18:42 | 0:18:44 | |
The money you owe me is way down your list of priorities, yeah? | 0:18:44 | 0:18:47 | |
Well, before I can pay the rent, the rates, and the wages, | 0:18:48 | 0:18:52 | |
I've now got to fork out to get that place sorted, thanks to you. | 0:18:52 | 0:18:55 | |
I had nothing to do with that, if that's what you're getting at. | 0:18:57 | 0:19:01 | |
Ian, do you think if I wanted to do damage I would stop at this? | 0:19:01 | 0:19:05 | |
Look, I understand you want your money, I get that... | 0:19:07 | 0:19:10 | |
Yeah, course I do. | 0:19:10 | 0:19:11 | |
What have I had so far? One instalment? | 0:19:12 | 0:19:14 | |
You've got to give me time, OK? You've got to be reasonable. | 0:19:16 | 0:19:19 | |
I had things I wanted to do with that money, plans to set up. | 0:19:19 | 0:19:22 | |
Yeah, I know, but I'm sure she'd be reasonable. | 0:19:22 | 0:19:25 | |
Who? | 0:19:25 | 0:19:26 | |
Your ex? Kirsty? | 0:19:27 | 0:19:28 | |
I mean, she's part of these plans, isn't she? | 0:19:30 | 0:19:33 | |
She's bound to be. I mean, now you're out. | 0:19:33 | 0:19:35 | |
Good-looking woman like that. | 0:19:35 | 0:19:36 | |
Maybe I could talk to her, you know, explain the situation. | 0:19:39 | 0:19:43 | |
I'm just an ordinary bloke, trying to do right by his family. | 0:19:43 | 0:19:47 | |
I'm sure she'd understand. | 0:19:47 | 0:19:48 | |
You're making that sound like a threat. | 0:19:51 | 0:19:53 | |
I'm not threatening anyone. | 0:19:54 | 0:19:57 | |
She just seemed like she was a nice lady, that was all. | 0:19:57 | 0:20:00 | |
I don't think she'd take too kindly to you piling this pressure on me. | 0:20:01 | 0:20:04 | |
Yeah. | 0:20:08 | 0:20:09 | |
Yeah, maybe you're right. | 0:20:11 | 0:20:12 | |
Yeah. | 0:20:13 | 0:20:14 | |
I'm going to think about it. | 0:20:17 | 0:20:18 | |
I'll let you know. | 0:20:20 | 0:20:21 | |
So, here's one I got involved with down in Shadwell, | 0:20:29 | 0:20:32 | |
a couple of years ago. | 0:20:32 | 0:20:34 | |
Architect pal of mine drew up the plans. | 0:20:34 | 0:20:35 | |
Conversions on a couple of maisonettes. | 0:20:35 | 0:20:37 | |
Brushed up a treat, they did. | 0:20:37 | 0:20:39 | |
So you have got a fair bit of history | 0:20:39 | 0:20:40 | |
when it comes to this sort of thing, then? | 0:20:40 | 0:20:42 | |
-Yeah, I've done a bit. You know. -Full of surprises, aren't you? | 0:20:42 | 0:20:45 | |
I didn't realise that you had history round here, too. | 0:20:47 | 0:20:50 | |
I didn't have you down as someone that would listen to gossip, Janine. | 0:20:51 | 0:20:55 | |
No. | 0:20:55 | 0:20:56 | |
Course not. None of my business. | 0:20:56 | 0:20:58 | |
But you want to know who you're dealing with, that's fair enough. | 0:20:58 | 0:21:02 | |
Who they are. What they're like. | 0:21:02 | 0:21:04 | |
I'd be exactly the same in your shoes. | 0:21:04 | 0:21:06 | |
So shall I tell you who I am and what I'm like? | 0:21:06 | 0:21:11 | |
Or shall I let you find out for yourself? | 0:21:11 | 0:21:14 | |
Because if I've read you right, you're the kind of woman | 0:21:14 | 0:21:17 | |
that likes to make her own mind up about people. | 0:21:17 | 0:21:19 | |
So, come on. Show me some more. | 0:21:23 | 0:21:25 | |
This looks fantastic. | 0:21:26 | 0:21:29 | |
Friends? | 0:21:35 | 0:21:37 | |
Michael, I didn't stop being your friend, I just... | 0:21:38 | 0:21:41 | |
I know. I know. Let me just stop you there. | 0:21:41 | 0:21:43 | |
You just didn't want to live with an idiot anymore. | 0:21:43 | 0:21:45 | |
I realise I... That's another thing I messed up. | 0:21:45 | 0:21:48 | |
I didn't know what I had, you know. Living with you. | 0:21:51 | 0:21:53 | |
Abi! Hi. You all right? | 0:22:02 | 0:22:04 | |
Hiya. | 0:22:04 | 0:22:05 | |
You know your nan and Patrick? | 0:22:05 | 0:22:07 | |
Oh, there is no Nan and Patrick is there, | 0:22:07 | 0:22:09 | |
she told me he's seeing someone else. | 0:22:09 | 0:22:11 | |
Well, that's, kind of, like, the point. See, he is, and he isn't. | 0:22:11 | 0:22:14 | |
What does that mean? | 0:22:14 | 0:22:16 | |
Well, he is, but he doesn't really want to be. | 0:22:16 | 0:22:19 | |
And the impression I'm getting is that he'd rather be with your nan. | 0:22:19 | 0:22:22 | |
So I was just wondering if she... | 0:22:22 | 0:22:25 | |
-What? If she feels the same? -Well, yeah. Does she? | 0:22:25 | 0:22:30 | |
I don't know. But I can find out. | 0:22:30 | 0:22:32 | |
-Yeah, could you? -Yeah. | 0:22:32 | 0:22:33 | |
-OK! -OK! -Yeah! | 0:22:33 | 0:22:35 | |
Bye! | 0:22:36 | 0:22:39 | |
I know it looks like a lot of work and it will be. | 0:22:39 | 0:22:43 | |
And it's too late this year. | 0:22:43 | 0:22:45 | |
But next year I can put some carrots along there, and, well, | 0:22:45 | 0:22:51 | |
some runner beans along there, and it might not be too late | 0:22:51 | 0:22:55 | |
to put some leeks in here. | 0:22:55 | 0:22:57 | |
Oh, Kat, the soil. It's full of gorgeousness! | 0:22:58 | 0:23:04 | |
It's full of something. Stinging nettles, worms. | 0:23:04 | 0:23:07 | |
You don't see what I see. | 0:23:07 | 0:23:10 | |
I don't want to, either. But I'm glad you do. | 0:23:10 | 0:23:12 | |
No, I'm glad you made me come up here. | 0:23:13 | 0:23:17 | |
This is just what I need. Fresh air and peace and quiet. | 0:23:17 | 0:23:23 | |
You know, there's a spare trowel in here, I think, | 0:23:23 | 0:23:25 | |
if you want to give me a hand. | 0:23:25 | 0:23:27 | |
No, you're all right. Not with these nails. | 0:23:27 | 0:23:30 | |
I'll see you later, Jean. | 0:23:30 | 0:23:31 | |
So, if we're friends again, there's nothing stopping you, is there? | 0:23:41 | 0:23:44 | |
-Stopping me doing what? -Coming home. | 0:23:44 | 0:23:47 | |
Alice, really? | 0:23:47 | 0:23:49 | |
Yeah, why not? | 0:23:49 | 0:23:50 | |
What about monkey boy? | 0:23:50 | 0:23:52 | |
I'll speak to Joey. And Kat. | 0:23:52 | 0:23:54 | |
You sure he'll understand you, though? | 0:23:54 | 0:23:56 | |
Cos English is not even his second language. | 0:23:56 | 0:23:59 | |
You don't want to, do you? | 0:23:59 | 0:24:00 | |
What? | 0:24:02 | 0:24:03 | |
I've done it again, I've read all the wrong signals. | 0:24:03 | 0:24:06 | |
I'd love to. | 0:24:06 | 0:24:07 | |
-Really? -Really. | 0:24:07 | 0:24:10 | |
OK, well I'll speak to Kat and Joey later. | 0:24:10 | 0:24:12 | |
You can come round in the morning. | 0:24:12 | 0:24:13 | |
Daddy! | 0:24:14 | 0:24:15 | |
Clever girl. | 0:24:17 | 0:24:18 | |
Daddy! | 0:24:22 | 0:24:23 | |
I've been trying to work it out. | 0:24:44 | 0:24:46 | |
What? | 0:24:46 | 0:24:47 | |
How to make you understand a few simple facts of life. | 0:24:47 | 0:24:50 | |
Look, you need to understand, you can't get blood out of a stone. | 0:24:50 | 0:24:53 | |
Is that supposed to be funny? | 0:24:53 | 0:24:55 | |
No, I'm just trying to explain. | 0:24:56 | 0:24:58 | |
What are you doing? | 0:25:00 | 0:25:01 | |
I don't find any of this funny. | 0:25:01 | 0:25:03 | |
In fact, I find it quite annoying, all this stuff about me and Kirst. | 0:25:03 | 0:25:07 | |
As if that's any of your business. Come on. | 0:25:07 | 0:25:10 | |
So. | 0:25:13 | 0:25:14 | |
How best to make you understand? | 0:25:14 | 0:25:17 | |
Well, I was going to explain. But that's just words, innit. | 0:25:17 | 0:25:19 | |
We've already been there. | 0:25:19 | 0:25:21 | |
In my experience, actions always get the message across so much better. | 0:25:21 | 0:25:26 | |
Look, I'm sorry, I didn't mean to upset you. | 0:25:32 | 0:25:34 | |
Dangerous places, kitchens. | 0:25:42 | 0:25:43 | |
One little moment of carelessness... | 0:25:45 | 0:25:46 | |
..and that's it. | 0:25:48 | 0:25:49 | |
Never. | 0:26:05 | 0:26:06 | |
Carrots, here? Never in a month of Sundays. | 0:26:09 | 0:26:12 | |
And did I hear you say you were thinking about putting leeks in, too? | 0:26:13 | 0:26:17 | |
Well, maybe. | 0:26:17 | 0:26:18 | |
They'll drown. | 0:26:18 | 0:26:20 | |
-Will they? -First drop of rain, this patch turns into a swamp, | 0:26:20 | 0:26:23 | |
I've seen it loads of times. | 0:26:23 | 0:26:25 | |
Course, it's been worse the last couple of years, | 0:26:25 | 0:26:27 | |
what with this global warming. | 0:26:27 | 0:26:29 | |
See, what I don't understand is, everything's getting hotter, | 0:26:30 | 0:26:35 | |
so it rains more, but the sun never shines. It don't make sense. | 0:26:35 | 0:26:39 | |
And you're not really thinking of putting in runner beans, are you? | 0:26:44 | 0:26:48 | |
I mean, I know it's all right today, | 0:26:48 | 0:26:51 | |
but when the wind gets up there will be trouble. | 0:26:51 | 0:26:54 | |
Well, it's early days. | 0:26:55 | 0:26:57 | |
My first day, actually. | 0:26:58 | 0:27:00 | |
-Oh, well, then, this is your lucky day. -Is it? | 0:27:00 | 0:27:04 | |
-Ollie Walters is the name. -Oh, right. | 0:27:04 | 0:27:06 | |
That's my allotment there. | 0:27:06 | 0:27:08 | |
So I'll keep an eye on you, tell you when you're going wrong. | 0:27:08 | 0:27:11 | |
You up here a lot then? | 0:27:11 | 0:27:12 | |
Every day. Without fail. | 0:27:14 | 0:27:17 | |
Dad? | 0:27:29 | 0:27:30 | |
-Are you all right? -Yeah, yeah, course. | 0:27:41 | 0:27:43 | |
-So what are you doing? -I just needed a drink. | 0:27:43 | 0:27:45 | |
-Dad! -What? -What have you done to your hand? | 0:27:45 | 0:27:48 | |
-It's fine. -What's happened? | 0:27:48 | 0:27:50 | |
Just had an accident at work, that's all. | 0:27:50 | 0:27:52 | |
Subtitles by Red Bee Media | 0:28:17 | 0:28:20 |