Browse content similar to 16/07/2013. Check below for episodes and series from the same categories and more!
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IAN WHISTLES "The Entertainer" | 0:00:25 | 0:00:28 | |
Come on you, we've got a business to run. | 0:00:28 | 0:00:31 | |
It's been a while since I heard you whistling. | 0:00:31 | 0:00:33 | |
Onwards and upwards. | 0:00:33 | 0:00:34 | |
Yeah. You and me both. | 0:00:34 | 0:00:35 | |
So you reckon you could sell yourself to me in less than three minutes, do you? | 0:00:45 | 0:00:48 | |
-I don't have to. You've already found Mr Perfect. -Oh? | 0:00:48 | 0:00:52 | |
And if you behave, I might let you ring my bell later. | 0:00:52 | 0:00:54 | |
Lucky me. | 0:00:54 | 0:00:56 | |
Come on, we've got a lot to do. | 0:00:56 | 0:00:58 | |
-I'll be down in a minute, OK. -Come on, Peroxide, chop chop, let's go. -All right! | 0:00:58 | 0:01:01 | |
What have you done with them? I left them on the side. | 0:01:18 | 0:01:20 | |
Put what on the side? | 0:01:20 | 0:01:22 | |
The keys, obviously, where are they? | 0:01:22 | 0:01:24 | |
Just as well I'm here. | 0:01:24 | 0:01:26 | |
-Are you sure there's nothing I can do? -There's nothing. | 0:01:26 | 0:01:29 | |
Sorry, Lucy. Everything's fine. | 0:01:31 | 0:01:32 | |
It's just, I'm running a little bit behind, I've got to get going. | 0:01:32 | 0:01:36 | |
OK. I'll come down when you're open. | 0:01:36 | 0:01:37 | |
There's no point. It's no big deal. | 0:01:37 | 0:01:40 | |
Look, regardless of you selling the place, | 0:01:40 | 0:01:42 | |
you still need it to be a success, even more so. | 0:01:42 | 0:01:46 | |
Look, you've got your problems, OK. You should just worry about those. | 0:01:46 | 0:01:49 | |
You helped sorted mine out. Now I'm going to help sort yours out. | 0:01:49 | 0:01:52 | |
You've got Marie and Carol running the cafe. | 0:01:52 | 0:01:54 | |
You haven't got to worry about it. You can just sit down there and have a nice quiet easy evening. OK? | 0:01:54 | 0:01:59 | |
You need to find Carl and tell him what you're doing. | 0:01:59 | 0:02:01 | |
I will. | 0:02:01 | 0:02:03 | |
Come on, Peter. I'll see you down there. | 0:02:04 | 0:02:06 | |
Dad...? | 0:02:06 | 0:02:07 | |
Thanks for being there. | 0:02:10 | 0:02:12 | |
Two coffees, please, Marie. | 0:02:20 | 0:02:22 | |
-So, you coming speed dating tonight? -I've got a night off tonight, | 0:02:22 | 0:02:26 | |
the last thing I want to do is spend it at the Vic. | 0:02:26 | 0:02:29 | |
What's the alternative, staying at the flat all alone? | 0:02:29 | 0:02:33 | |
You never know, this could be the start of something new. | 0:02:33 | 0:02:36 | |
Yeah, why not? | 0:02:36 | 0:02:37 | |
Speed dating, sounds fun. | 0:02:39 | 0:02:40 | |
That's my girl. | 0:02:40 | 0:02:42 | |
He's all over the place today. | 0:02:47 | 0:02:48 | |
He's worried about the opening - and Carl. | 0:02:50 | 0:02:52 | |
He's being a bit weird, though. | 0:02:52 | 0:02:54 | |
Was he like this before, with the breakdown? | 0:02:54 | 0:02:56 | |
No, it's nothing like that. | 0:02:56 | 0:02:58 | |
But you said it yourself yesterday, he's got a lot on his plate. | 0:02:58 | 0:03:01 | |
Stop seeing things which aren't there. | 0:03:01 | 0:03:03 | |
He's nothing like he was before. | 0:03:03 | 0:03:04 | |
As soon as he's sold up and paid off Carl, he'll be fine. | 0:03:04 | 0:03:08 | |
Back to his usual self. | 0:03:08 | 0:03:10 | |
If we can deal with him being his usual self. | 0:03:10 | 0:03:13 | |
There you go. | 0:03:17 | 0:03:18 | |
I'm not sure it sets the right tone for a church fundraiser. | 0:03:18 | 0:03:22 | |
It's all there, sweetheart. It's about love... | 0:03:22 | 0:03:25 | |
The perfect message. | 0:03:25 | 0:03:26 | |
When Jesus was telling the disciples to love one another, I don't | 0:03:26 | 0:03:29 | |
think he meant for them to pass on to the next one after three minutes. | 0:03:29 | 0:03:33 | |
Dot, I think the bottom line is it's going to pay for the roof. Right? | 0:03:33 | 0:03:36 | |
Yes. And I'm sure the big man upstairs won't mind | 0:03:36 | 0:03:38 | |
making a few quid from people enjoying themselves. Eh? | 0:03:38 | 0:03:41 | |
Well, I suppose not. | 0:03:41 | 0:03:43 | |
Me and Kat used to do themed nights like this, you know, they were always top drawer. | 0:03:43 | 0:03:47 | |
We're going to be charging on the door, we're running a raffle. | 0:03:47 | 0:03:50 | |
And if the bar does well, then there will be a donation from us on top. | 0:03:50 | 0:03:53 | |
-OK? -There you go. Lovely. | 0:03:53 | 0:03:55 | |
Well, I suppose it would be ungenerous of me not to accept your kind generosity. | 0:03:55 | 0:03:59 | |
Well, it is a bit of feel-good day today. | 0:03:59 | 0:04:01 | |
-I'll see you tonight, then. -Yeah, see you, Dorothy. Take care, darling. | 0:04:05 | 0:04:08 | |
-I thought you were going to stay at home, take it easy? -We could do with the extra help. | 0:04:13 | 0:04:16 | |
Yeah, I know but you don't need to be here, love. | 0:04:16 | 0:04:20 | |
I do. I said a lot of stuff yesterday. | 0:04:20 | 0:04:22 | |
-Selling this place, all the stuff that goes with that. -Selling? | 0:04:22 | 0:04:26 | |
Yeah. Lucy reckons it'd be for the best. | 0:04:27 | 0:04:31 | |
Oh. Is that what you think? | 0:04:31 | 0:04:32 | |
Yeah. | 0:04:34 | 0:04:36 | |
And I'm going to help. OK? You're not in this alone. | 0:04:36 | 0:04:39 | |
-I know. -OK, so what can I do? | 0:04:41 | 0:04:44 | |
-Um...some veg in the kitchen needs prepping. -OK. I'll do it. | 0:04:44 | 0:04:46 | |
Are you really booked up? | 0:04:46 | 0:04:49 | |
What, a load of blokes on tap, in the Vic? | 0:04:57 | 0:04:59 | |
No, it's not like that, it's just people getting to know each other for a good cause. | 0:04:59 | 0:05:03 | |
Yeah, well, I don't mind if it's for a bad cause as long as they're all fit. | 0:05:03 | 0:05:07 | |
-You up for it? -Uh... Nah, I don't know. | 0:05:07 | 0:05:10 | |
Come on, it'll be a giggle. | 0:05:10 | 0:05:11 | |
What's the deal, how much is it? | 0:05:11 | 0:05:13 | |
It's five pounds to get in. | 0:05:13 | 0:05:14 | |
I've got to get Lexi a birthday present. | 0:05:14 | 0:05:16 | |
-You're not really going to go, are you? -Why? What's the matter? | 0:05:16 | 0:05:19 | |
What do you think I'm going to do, get drunk and start shooting my mouth off or something? | 0:05:19 | 0:05:24 | |
We need her to keep her mouth shut, | 0:05:24 | 0:05:26 | |
the last thing we need is you winding her up. | 0:05:26 | 0:05:28 | |
Don't you start worrying. She's hard work enough without you getting jittery. | 0:05:28 | 0:05:32 | |
Listen, I'll call for you. Yeah? | 0:05:32 | 0:05:34 | |
Then it's wall-to-wall blokes. My kind of night. | 0:05:34 | 0:05:37 | |
I'm here, boss! | 0:05:44 | 0:05:46 | |
Where's your uniform? | 0:05:47 | 0:05:49 | |
Oh... I wasn't given one. | 0:05:49 | 0:05:51 | |
Peter? We open in an hour and a half. | 0:05:51 | 0:05:53 | |
I cannot have any more staff not in uniform. | 0:05:53 | 0:05:55 | |
All right? And show Abi the ropes. | 0:05:55 | 0:05:56 | |
-If she makes any mistakes, it is down to you. You got that? -All right, I'll sort it. | 0:05:56 | 0:06:00 | |
No, go and sort Abi out now. | 0:06:00 | 0:06:01 | |
You asked me to do this. | 0:06:01 | 0:06:03 | |
I'll do that, come here... | 0:06:03 | 0:06:05 | |
-Careful! -Dad! | 0:06:05 | 0:06:06 | |
Can you not pass a knife properly?! | 0:06:06 | 0:06:08 | |
You snatched it. | 0:06:08 | 0:06:09 | |
You all right? | 0:06:09 | 0:06:11 | |
It's not very deep. I'll put the dressing on it. | 0:06:11 | 0:06:14 | |
I'm not a child. I can do that. | 0:06:14 | 0:06:16 | |
Where's all the fellas? | 0:06:26 | 0:06:27 | |
Well, yours are over there waiting for you. | 0:06:27 | 0:06:30 | |
You're only as old as the woman you feel, eh, boys? | 0:06:30 | 0:06:33 | |
Beats staying at home watching repeats on telly, don't it? | 0:06:35 | 0:06:38 | |
-Kat, would you like a drink on the house? -What's the catch? | 0:06:38 | 0:06:41 | |
No catch. | 0:06:41 | 0:06:43 | |
Yeah, all right. I'll be over here. | 0:06:43 | 0:06:45 | |
Here. What you up to? | 0:06:48 | 0:06:50 | |
What's the matter, can't a girl be in a good mood? | 0:06:50 | 0:06:52 | |
-Yeah? -Right, excuse me. | 0:06:52 | 0:06:54 | |
Ah, there's my little sous-chef. | 0:07:00 | 0:07:03 | |
Come on, come with me, you're in the kitchen. | 0:07:03 | 0:07:05 | |
I'm not doing just the washing up. | 0:07:05 | 0:07:06 | |
No, you're going to be washing your hands as well. Now get in there. Come on. | 0:07:06 | 0:07:09 | |
Somebody text Whitney for me, please, | 0:07:09 | 0:07:11 | |
-I need a full complement of staff for tonight. -I'm on it. | 0:07:11 | 0:07:14 | |
You know, I think he's been watching too many shouting chefs on telly. | 0:07:16 | 0:07:19 | |
Yeah. At least he's not swearing. | 0:07:19 | 0:07:21 | |
Not yet. | 0:07:21 | 0:07:23 | |
He's been a bag of nerves, you know. With all this, reopening. | 0:07:23 | 0:07:27 | |
It was such a big thing for him last time, all his important guests | 0:07:29 | 0:07:33 | |
and then - bang - within a month, he's closed up. | 0:07:33 | 0:07:36 | |
I'm not so sure that selling up is the best option. | 0:07:37 | 0:07:40 | |
Look, I know that how he goes about things is all wrong, but this place... | 0:07:43 | 0:07:49 | |
..it's never just been about Ian, it's been about you, you kids. | 0:07:51 | 0:07:55 | |
It's been something for him to be able to focus on, | 0:07:55 | 0:07:57 | |
to really look to the future... | 0:07:57 | 0:07:59 | |
Selling up, | 0:08:01 | 0:08:02 | |
losing it all, | 0:08:04 | 0:08:08 | |
I think that could be the worst thing for him. | 0:08:08 | 0:08:10 | |
-Oi! -I'll have the rent by the end of the week. | 0:08:20 | 0:08:23 | |
Make sure you do. | 0:08:23 | 0:08:24 | |
Oh, this was in with some other stuff. | 0:08:24 | 0:08:27 | |
Where you going? | 0:08:27 | 0:08:28 | |
Same as you - off to find me the best man in Walford. | 0:08:29 | 0:08:32 | |
Not if I see him first. | 0:08:32 | 0:08:33 | |
Kim! | 0:08:35 | 0:08:37 | |
KIM GIGGLES | 0:08:37 | 0:08:38 | |
Oh! What you doing? | 0:08:40 | 0:08:42 | |
Having my tea. | 0:08:43 | 0:08:45 | |
You're sitting here eating a sandwich | 0:08:45 | 0:08:47 | |
when across the road there's a sea of women waiting for us? | 0:08:47 | 0:08:50 | |
-Not going. -Whoa... | 0:08:50 | 0:08:51 | |
We've done all this. You're coming with me! | 0:08:51 | 0:08:54 | |
-I'm going to sit here, eat my sandwich and then I'm going home. -What is in this, anyway? | 0:08:54 | 0:08:58 | |
Cheese and onion. | 0:08:58 | 0:09:00 | |
You're about to sit and chat to beautiful women with onion breath? | 0:09:00 | 0:09:04 | |
What beautiful women?! | 0:09:04 | 0:09:05 | |
It'll be all the same women who are in there all the time. | 0:09:05 | 0:09:08 | |
Listen, the Vic is going to be jam-packed with women. Come on. | 0:09:08 | 0:09:12 | |
HE GROANS | 0:09:16 | 0:09:17 | |
-Shift it! -What is the point? | 0:09:17 | 0:09:19 | |
Cos I'm going to end up sat in the corner. On my own. | 0:09:19 | 0:09:22 | |
You know it, I know it. | 0:09:22 | 0:09:23 | |
Not if you take my lead, follow the master. | 0:09:23 | 0:09:26 | |
Come on, Tam, this is our night - me and you, | 0:09:29 | 0:09:32 | |
we are about to go fruit-picking in the garden of plenty. | 0:09:32 | 0:09:35 | |
Sorry. | 0:09:36 | 0:09:38 | |
And guess who's going to get the fruit with the maggot in it? | 0:09:38 | 0:09:42 | |
"Carpe De Oms." Do you know what that means? | 0:09:48 | 0:09:52 | |
If you'd said it right, I might. | 0:09:52 | 0:09:54 | |
Seize the day! | 0:09:56 | 0:09:58 | |
Seize the day, Tam... Tamwar... | 0:09:58 | 0:10:02 | |
-CHANTS: -Tamwar! Tamwar! Tamwar! | 0:10:02 | 0:10:05 | |
-OK, OK. -Yeah! Tamwar! | 0:10:05 | 0:10:07 | |
Here she is, looking gorgeous. | 0:10:12 | 0:10:13 | |
-Yeah, just some tat off the market. -Oi, you. Cheeky mare. | 0:10:13 | 0:10:16 | |
-Listen, you couldn't do an extra shift for me, could you? -Er, she's pulling something tonight | 0:10:16 | 0:10:21 | |
and it ain't going to be a pint. | 0:10:21 | 0:10:22 | |
He's not here, Kirsty. | 0:10:25 | 0:10:26 | |
Oh, don't worry, I'm just here to have fun, just checking out what's on offer. | 0:10:26 | 0:10:30 | |
Jean! You going to be looking for Mr Right this evening, are you? | 0:10:30 | 0:10:32 | |
-I don't think so. -Oh, come on, it could be fun. -Yes! | 0:10:32 | 0:10:35 | |
Talking to strangers? | 0:10:35 | 0:10:37 | |
Listen, tonight could be the night | 0:10:37 | 0:10:38 | |
-the man of your dreams walks through the door. -Or nightmares. | 0:10:38 | 0:10:42 | |
Right, come on then, show the dog the rabbit. | 0:10:42 | 0:10:44 | |
Speak for yourself. | 0:10:44 | 0:10:47 | |
Here, if I pay double can I get first pick? | 0:10:47 | 0:10:49 | |
Cos I am seriously looking for some hot love. | 0:10:49 | 0:10:51 | |
-Whoa. No. -I can't do this. | 0:10:56 | 0:10:59 | |
You can, and you will. | 0:10:59 | 0:11:01 | |
Look at it, it's all women. Huh? | 0:11:01 | 0:11:03 | |
Hey. All you got to do is sell yourself - three minutes. | 0:11:07 | 0:11:11 | |
That's really going to happen, ain't it? I can't even sell myself in three months. | 0:11:11 | 0:11:15 | |
Ah, look who it is! # All the single ladies | 0:11:15 | 0:11:17 | |
# All the single ladies | 0:11:17 | 0:11:18 | |
-# Oh oh oh... # -ALFIE LAUGHS | 0:11:18 | 0:11:20 | |
The Walford Posse, everybody. All right, girls? | 0:11:20 | 0:11:22 | |
-You hunting in packs now, are you? -Are there more blokes coming? | 0:11:22 | 0:11:25 | |
Trust me, there'll be loads of fellas. Don't worry about it. | 0:11:25 | 0:11:28 | |
Look at them, they don't even care. | 0:11:28 | 0:11:31 | |
Just forget about it tonight, yeah? And have some fun. | 0:11:31 | 0:11:34 | |
I hate lying. I can't stand it. | 0:11:34 | 0:11:36 | |
I know but sometimes it's for the best, Jean. | 0:11:36 | 0:11:38 | |
Secrets never lead to anything good. | 0:11:38 | 0:11:41 | |
-Honesty is supposed to be the best policy. -Evening. | 0:11:43 | 0:11:47 | |
So how does this work, then? | 0:11:52 | 0:11:53 | |
Right. Ladies stay seated, blokes move round each table | 0:11:53 | 0:11:57 | |
-so you get three minutes to suss them out. -Only three minutes? | 0:11:57 | 0:11:59 | |
I only need three seconds to find out if he's fit or not. | 0:11:59 | 0:12:02 | |
Steady on, Shirl. Don't want to peak too early. | 0:12:02 | 0:12:04 | |
Ain't we having a drink, then? | 0:12:04 | 0:12:06 | |
Ladies, ladies - if you want to get yourselves seated, ladies. | 0:12:06 | 0:12:09 | |
Right. Gentlemen, you move round each table | 0:12:09 | 0:12:11 | |
so it doesn't matter where you start. | 0:12:11 | 0:12:14 | |
Oi, Alfie, I've got Ronnie Corbett here. | 0:12:16 | 0:12:19 | |
-You got any other blokes coming? -What are you complaining about? | 0:12:19 | 0:12:21 | |
You've got the cream of the crop there, OK! | 0:12:21 | 0:12:23 | |
Yeah, but my cream's gone sour. | 0:12:23 | 0:12:25 | |
Sorry. | 0:12:29 | 0:12:31 | |
Hey, you. | 0:12:31 | 0:12:33 | |
Here y'are. Result! Go easy on him, he's mine next. | 0:12:33 | 0:12:36 | |
-Right, three minutes. -BELL RINGS | 0:12:36 | 0:12:40 | |
Right, that's it! Enjoy yourselves, everybody. | 0:12:40 | 0:12:42 | |
Ladies, go easy on 'em. All right. | 0:12:42 | 0:12:44 | |
Hello, my name's Jean Slater, I suffer from bi-polar. | 0:12:44 | 0:12:48 | |
It's not that I don't like dried fruit | 0:12:48 | 0:12:50 | |
but there's just something about sultanas. | 0:12:50 | 0:12:53 | |
If I had to describe it, | 0:12:53 | 0:12:54 | |
it's, um, like little pins jabbing in the back of my eyes. | 0:12:54 | 0:12:58 | |
The weird thing is that I... | 0:13:00 | 0:13:02 | |
..sometimes feel sorry for the women who'll never get to know me. | 0:13:04 | 0:13:08 | |
So I've got four kids and they all like eating nuggets. | 0:13:08 | 0:13:12 | |
Raisins are OK but there's something about sultanas. | 0:13:12 | 0:13:16 | |
Personally, I'm not a big fan of mechanically separated meat, | 0:13:16 | 0:13:19 | |
but I do enjoy the odd rissole. | 0:13:19 | 0:13:22 | |
I think it's the fact that even when they're dry, they're squidgy. | 0:13:22 | 0:13:26 | |
What's that about? | 0:13:26 | 0:13:28 | |
Don't even think about it! | 0:13:28 | 0:13:29 | |
Abi, service. | 0:13:33 | 0:13:35 | |
-You're late. -Am I? You owe me an apology. | 0:13:37 | 0:13:40 | |
You're lucky I'm still here. | 0:13:40 | 0:13:43 | |
OK, um... I apologise. | 0:13:43 | 0:13:45 | |
What, is that it? | 0:13:47 | 0:13:48 | |
I apologise for the way I spoke to you and for the way I treated you. | 0:13:51 | 0:13:54 | |
Yeah. And the false accusations? | 0:13:54 | 0:13:56 | |
-Yes. -And you promise not to treat me like that again? | 0:13:58 | 0:14:01 | |
Yes. | 0:14:01 | 0:14:02 | |
Wasn't so hard, was it, Ian? | 0:14:04 | 0:14:05 | |
No, Abi! That table. | 0:14:10 | 0:14:12 | |
Peter... | 0:14:14 | 0:14:15 | |
You really want to take this away from him? | 0:14:18 | 0:14:21 | |
OK, all change. Move along now. Mind the gap. Thank you. | 0:14:26 | 0:14:29 | |
We should fix the sheets so they end up together. | 0:14:29 | 0:14:32 | |
He'd never get out alive, would he? Poor bloke. | 0:14:32 | 0:14:35 | |
Not exactly overflowing with decent blokes, is it? | 0:14:35 | 0:14:38 | |
Nah, either too old, too short or too much. | 0:14:38 | 0:14:42 | |
Mr Right must be out there somewhere, eh? | 0:14:42 | 0:14:44 | |
Right. I better take my seat. I don't want to miss out. | 0:14:46 | 0:14:49 | |
Well... This is fun. | 0:14:49 | 0:14:51 | |
Everyone settled? | 0:14:51 | 0:14:53 | |
OK everybody, here we go. Round two. | 0:14:53 | 0:14:57 | |
-All good? -Yeah, I'm just glad I'm not out there. | 0:14:57 | 0:15:00 | |
Don't forget you're going to be ringing my bell later on. | 0:15:00 | 0:15:03 | |
Watch yourself with her, darling, she's a man-eater. | 0:15:03 | 0:15:05 | |
Oi, get your own one, he's mine. | 0:15:05 | 0:15:07 | |
It's all under control. Doesn't mean to say I can't have fun. | 0:15:07 | 0:15:10 | |
I love fun. | 0:15:10 | 0:15:12 | |
No, the bell hasn't rung yet. Excuse me. | 0:15:12 | 0:15:14 | |
Some people like to cut them or tear them, | 0:15:17 | 0:15:19 | |
personally I like to tie them in knots. | 0:15:19 | 0:15:22 | |
-Do you like music? -No. -Eating out? -No. | 0:15:22 | 0:15:24 | |
-Me... -No. -Yeah. Unbelievable. | 0:15:24 | 0:15:26 | |
I'm up for most things, except pushy, overbearing, stalky guys. | 0:15:31 | 0:15:35 | |
Come to join in? | 0:15:36 | 0:15:38 | |
Nah, you're OK. | 0:15:38 | 0:15:39 | |
-You all right? -Yeah, I'm all right. | 0:15:39 | 0:15:41 | |
-Kim, what're you doing? You can't just leave the table. -I can when there's a better option. | 0:15:41 | 0:15:45 | |
We've got three minutes. Is that long enough for you? | 0:15:45 | 0:15:48 | |
Yeah, all right. What we doing? | 0:15:48 | 0:15:50 | |
Well, you stop pretending and we can go back to the B&B. | 0:15:50 | 0:15:55 | |
KIM LAUGHS | 0:15:55 | 0:15:56 | |
KIM GROWLS AND SQUEALS | 0:15:56 | 0:15:59 | |
Honestly, if you really enjoy it please make sure you tell | 0:15:59 | 0:16:02 | |
all your friends we've reopened. I'd be really grateful. Thank you. | 0:16:02 | 0:16:06 | |
Dad. | 0:16:06 | 0:16:08 | |
-Luce... -I know you don't want to sell up. | 0:16:08 | 0:16:10 | |
-I understand... -Table one. | 0:16:10 | 0:16:13 | |
Thank you. | 0:16:13 | 0:16:14 | |
Seeing you like this - busy, and smiling, | 0:16:14 | 0:16:17 | |
-after everything you've been through... -I've got an order. | 0:16:17 | 0:16:20 | |
This place, it's your dream and... | 0:16:20 | 0:16:23 | |
Well, I realise now how selfish I've been. | 0:16:23 | 0:16:25 | |
I'm not going to make you give it up. We'll find another way. | 0:16:25 | 0:16:29 | |
Table one. | 0:16:32 | 0:16:33 | |
Move on! | 0:16:38 | 0:16:39 | |
Never fear, the rescue party's here. | 0:16:44 | 0:16:47 | |
Or how about you jog on? | 0:16:47 | 0:16:48 | |
Could you look any more gorgeous tonight? | 0:16:53 | 0:16:55 | |
What are you like?! | 0:16:55 | 0:16:56 | |
My name's Carl. I like chicken curry and women whose names begin with K. | 0:16:56 | 0:17:00 | |
How about you? | 0:17:00 | 0:17:01 | |
You free? | 0:17:03 | 0:17:04 | |
Three minutes to sell myself. | 0:17:07 | 0:17:10 | |
Well. My name's Ollie... | 0:17:10 | 0:17:13 | |
and I like gardening. | 0:17:13 | 0:17:15 | |
I'm Jean... and I like gardening, too. | 0:17:15 | 0:17:18 | |
I've got all my own teeth, and my own car and... | 0:17:19 | 0:17:24 | |
..what you see is what you get really. | 0:17:25 | 0:17:28 | |
-And you? -Me? | 0:17:28 | 0:17:30 | |
Yeah. I mean, | 0:17:30 | 0:17:32 | |
-you're not going to tell me you're secretly married or anything? -No, no, I don't have any secrets. | 0:17:32 | 0:17:38 | |
Oh, no! I want my money back. | 0:17:41 | 0:17:43 | |
-TAMWAR: -Thanks, again. -Hold on a minute, it's for charity. Just grit your teeth, Shirl. | 0:17:45 | 0:17:49 | |
Yeah, well charity begins at home. | 0:17:49 | 0:17:51 | |
I'm not here to play you. What's the point? | 0:17:54 | 0:17:57 | |
-There's nothing you don't know about me. -Ain't that the truth. | 0:17:57 | 0:18:00 | |
Oh, suddenly it was all bad, was it? | 0:18:00 | 0:18:03 | |
You had your moments. | 0:18:04 | 0:18:06 | |
Brighton beach. New Year's Eve... | 0:18:06 | 0:18:08 | |
Huddled together, bells ringing, people shouting, | 0:18:08 | 0:18:11 | |
fireworks going off. | 0:18:11 | 0:18:13 | |
But all I could see and hear was you.... | 0:18:13 | 0:18:15 | |
didn't even feel the cold. | 0:18:15 | 0:18:16 | |
Come on. You got to admit, we had some cracking times. | 0:18:18 | 0:18:22 | |
Yeah. And some horrible ones as well. | 0:18:22 | 0:18:23 | |
Hey, sit back down. | 0:18:23 | 0:18:26 | |
Or what? | 0:18:26 | 0:18:27 | |
Kirsty? | 0:18:29 | 0:18:30 | |
That is one salmon and one chicken. | 0:18:44 | 0:18:46 | |
OK. Coming up. | 0:18:46 | 0:18:47 | |
You were right, I made a mistake. | 0:18:53 | 0:18:55 | |
What? | 0:18:55 | 0:18:56 | |
This is him, you know - bossing people about, being busy, working hard. | 0:18:56 | 0:19:00 | |
That's what he does. He works hard. | 0:19:00 | 0:19:03 | |
You know what he's always taught us - | 0:19:03 | 0:19:05 | |
"you've got to earn it to deserve it". | 0:19:05 | 0:19:07 | |
Selling this place isn't the answer - me giving him the money is. | 0:19:09 | 0:19:12 | |
Can you get hold of that sort of money? | 0:19:14 | 0:19:16 | |
There's cash in the businesses. I mean, I could move money about. | 0:19:18 | 0:19:22 | |
I promise, all I've ever done is try to do what's right. | 0:19:22 | 0:19:26 | |
I know. | 0:19:26 | 0:19:27 | |
But seeing what this place means to him. | 0:19:29 | 0:19:31 | |
And this Carl bloke - he could do anything, couldn't he? | 0:19:31 | 0:19:34 | |
I know he's messed up, but the thought of him getting hurt... | 0:19:36 | 0:19:40 | |
I shouldn't have turned my back on him. | 0:19:42 | 0:19:44 | |
He's our dad, and we need to look out for him | 0:19:45 | 0:19:48 | |
like he looks out for us. | 0:19:48 | 0:19:49 | |
It's OK. | 0:19:51 | 0:19:52 | |
-Look, please... -Kirsty, there's nothing to say. | 0:19:56 | 0:19:59 | |
Well, I think there is. | 0:19:59 | 0:20:00 | |
All right, wait there. | 0:20:03 | 0:20:04 | |
Sadly, none of them were bowled over by my amazing looks. | 0:20:13 | 0:20:15 | |
Hey. How about me and you pick up where we left off? | 0:20:15 | 0:20:20 | |
What, with me thinking you're a right piece of work? | 0:20:20 | 0:20:23 | |
No, with you forgetting whatever it is Kirsty's told you about me. | 0:20:23 | 0:20:26 | |
All right, how about you telling me | 0:20:26 | 0:20:27 | |
what you said to Kirsty to make her do a runner? | 0:20:27 | 0:20:29 | |
How about we forget about her and focus on you? | 0:20:29 | 0:20:32 | |
Oh, great. Brilliant. | 0:20:37 | 0:20:38 | |
I'm being stalked by one of the Krankies and she gets Mr Fit Buns. | 0:20:40 | 0:20:44 | |
Well, it's either you've got it or you ain't. | 0:20:44 | 0:20:46 | |
Oh, you've definitely got it and it's going to take antibiotics to shift it. | 0:20:46 | 0:20:50 | |
-Get us another drink, Alfie. -Think you might want to slow down now, eh? | 0:20:50 | 0:20:53 | |
-Come on, Shirl, let's call it a night. -What is this? A pub or an AA meeting? | 0:20:53 | 0:20:56 | |
What rattled her cage? | 0:20:56 | 0:20:58 | |
Kat... Do you fancy giving us a hand? | 0:20:58 | 0:21:02 | |
What, behind the bar? | 0:21:02 | 0:21:03 | |
You forgotten how to pull a pint? | 0:21:03 | 0:21:05 | |
No. | 0:21:05 | 0:21:06 | |
-See you later then. -I'll see you later. | 0:21:08 | 0:21:10 | |
Right, then, who's next? | 0:21:12 | 0:21:14 | |
Yes, darling? | 0:21:14 | 0:21:15 | |
-I don't normally go to things like this. -Me neither. | 0:21:15 | 0:21:18 | |
-It's a bit... -Yeah... | 0:21:19 | 0:21:23 | |
I'm glad I came. | 0:21:23 | 0:21:25 | |
Otherwise I'd have been worried you'd still be in the shed. | 0:21:25 | 0:21:29 | |
Oh, yeah. I'm sorry for being so rude. | 0:21:29 | 0:21:33 | |
Oh, don't worry about it. | 0:21:33 | 0:21:35 | |
I go on a bit sometimes, get a bit a nervous. | 0:21:35 | 0:21:40 | |
Look, would you think it was forward of me | 0:21:42 | 0:21:45 | |
if I suggested we don't do the second half? | 0:21:45 | 0:21:48 | |
-You're going? -No... | 0:21:49 | 0:21:51 | |
What I mean is - if you would agree to let me see you again, | 0:21:51 | 0:21:55 | |
I don't think I need to sit with anyone else. | 0:21:55 | 0:21:58 | |
-What do you reckon? -Yeah. Yes, that would be lovely. | 0:21:58 | 0:22:03 | |
Right, that's all I got. Can I have another drink? | 0:22:05 | 0:22:08 | |
-B, don't let her ruin the evening. -Sorry, Alfie. | 0:22:08 | 0:22:10 | |
Come on, Shirl, let's go. | 0:22:10 | 0:22:11 | |
Don't be such a... Oh, just shove it! | 0:22:11 | 0:22:14 | |
Shirley! Stop now. Take her home, B. | 0:22:14 | 0:22:16 | |
Thank you, Shirley. Nothing to see, everybody move on. | 0:22:16 | 0:22:18 | |
Right, darling, what can I get you? | 0:22:20 | 0:22:23 | |
-You all right with all this? -Yes, I'm fine. Why wouldn't I be? It's time to move on, isn't it? | 0:22:23 | 0:22:27 | |
After you. | 0:22:29 | 0:22:31 | |
Well, here's the lady we're all doing it for! | 0:22:33 | 0:22:37 | |
CHEERING AND APPLAUSE | 0:22:37 | 0:22:40 | |
You're doing it for the church, Alfie, it ain't for me. | 0:22:42 | 0:22:45 | |
Look, I don't want you just turning up at my house. | 0:22:50 | 0:22:52 | |
-Oh, it's your house again, is it? -Yes, it is. | 0:22:52 | 0:22:55 | |
-We're over, we're done, we don't have to keep doing this, do we - talking? -Why're you scared? | 0:22:55 | 0:22:59 | |
You terrified that I might say something that makes you want me back? | 0:22:59 | 0:23:03 | |
Look, I get it. I understand. Everything we had, what we've got... | 0:23:03 | 0:23:09 | |
I've stuffed it up. | 0:23:09 | 0:23:10 | |
You reckon, do you? | 0:23:11 | 0:23:12 | |
Look, I know I hurt you. | 0:23:15 | 0:23:16 | |
But I also know that we're meant to be together. | 0:23:18 | 0:23:22 | |
And it don't matter how much you shut me out, walk away... | 0:23:22 | 0:23:24 | |
The bottom line is you know it, too. | 0:23:24 | 0:23:26 | |
Right. I've said all I needed to say. | 0:23:29 | 0:23:32 | |
The only person now that can change it is you. | 0:23:32 | 0:23:34 | |
The fourth letter is D. Uh, that'll be number nine. | 0:23:49 | 0:23:53 | |
Yeah, I'd like to arrange a cash transfer, please... What? | 0:23:57 | 0:24:03 | |
No. You've got it wrong. Lucy Beale. | 0:24:05 | 0:24:07 | |
All I've done is a couple of extra shifts, | 0:24:13 | 0:24:15 | |
and they've slashed the money. | 0:24:15 | 0:24:18 | |
-What? Your benefits? -"Supporting working families"?! | 0:24:18 | 0:24:21 | |
Do me a favour, bunch of jumped-up little numpties. | 0:24:21 | 0:24:24 | |
How am I going to pay the rent? | 0:24:26 | 0:24:28 | |
Look at me - hammered after a stupid speed dating night in the Vic. | 0:24:28 | 0:24:32 | |
Come on, Shirl, let's get you home. | 0:24:32 | 0:24:35 | |
Home? This time last year I had one of them. | 0:24:35 | 0:24:39 | |
I had a family. I had Phil. | 0:24:40 | 0:24:43 | |
And I had Hev... | 0:24:45 | 0:24:46 | |
What the hell happened, eh? How did it get to this? | 0:24:48 | 0:24:52 | |
Please tell me, Bianca. How did I get like this? | 0:24:53 | 0:24:57 | |
There we go. One sea bass. | 0:25:09 | 0:25:13 | |
Yes, Chef. | 0:25:13 | 0:25:15 | |
-And one rare steak. -Chef. | 0:25:15 | 0:25:16 | |
I need two triple chocs and one cheesecake. | 0:25:16 | 0:25:19 | |
Two triple choc, one cheesecake. Coming up. Yes, Chef. | 0:25:19 | 0:25:22 | |
I know. | 0:25:24 | 0:25:25 | |
I know what you've done. | 0:25:27 | 0:25:29 | |
Right, open wide. Here you go, Dorothy. We've got that. | 0:25:31 | 0:25:34 | |
There's loads more here, look. A few more notes in there. | 0:25:34 | 0:25:38 | |
-Here you go. -Oh, I say. | 0:25:38 | 0:25:41 | |
And there's more, hold on. | 0:25:41 | 0:25:43 | |
From everybody in the Queen Vic for a top night. | 0:25:43 | 0:25:47 | |
Oh, how wonderful. Will you thank everybody on my behalf? | 0:25:47 | 0:25:52 | |
And the vicar's, of course, for their wonderful generosity. | 0:25:52 | 0:25:56 | |
Oh, thank you, Alfie. Thank you, Roxy. | 0:25:56 | 0:25:58 | |
You're welcome, sweetheart. Take care. | 0:25:58 | 0:26:00 | |
You're welcome. Bye, Dot. | 0:26:00 | 0:26:02 | |
Oh, bless her. So, what are you going to do now? | 0:26:02 | 0:26:04 | |
You going to sneak back in there and start chatting up all them blokes, are you? | 0:26:04 | 0:26:08 | |
As tempting as it sounds, I think I'm going to stick with the old codger I already have. | 0:26:08 | 0:26:13 | |
Oi, what's with the "old codger"? | 0:26:13 | 0:26:15 | |
-I think the word "experienced" is what you're looking for. -Oh, experienced? -Yes, yes. | 0:26:15 | 0:26:19 | |
-Well, maybe you can show me how experienced you are tonight. -Is that right? OK. | 0:26:19 | 0:26:24 | |
Mmm. Maybe you've got something you want to tell me? | 0:26:24 | 0:26:27 | |
Yeah. Well, the lager barrel needs changing, | 0:26:28 | 0:26:31 | |
and I think AJ needs another drink. | 0:26:31 | 0:26:33 | |
..Yes, mate, same again? | 0:26:33 | 0:26:35 | |
After everything I've done, you tricked me?! | 0:26:41 | 0:26:44 | |
The cafe, the chippy - making me sign it over. | 0:26:44 | 0:26:46 | |
No, there's got to be some sort of mistake. Go on, Dad, tell her she's got it wrong. | 0:26:46 | 0:26:50 | |
Ian? | 0:26:50 | 0:26:51 | |
What's happened? | 0:26:51 | 0:26:52 | |
All I've done is try and keep us going - me and Bobby - | 0:26:52 | 0:26:55 | |
but you - you walked out on us. | 0:26:55 | 0:26:57 | |
and I was trying to help you, I was trying to sort out the money. | 0:26:59 | 0:27:02 | |
OK. It's OK. | 0:27:02 | 0:27:03 | |
-Ian, just tell her it's OK. -Dad? | 0:27:03 | 0:27:07 | |
I just kept thinking, "Not now, don't put pressure on him." "Let him find his feet." | 0:27:07 | 0:27:11 | |
And then this place, | 0:27:13 | 0:27:14 | |
and you stealing from me but I kept thinking, | 0:27:14 | 0:27:16 | |
"You have to look after him, you have to be there for him." | 0:27:16 | 0:27:18 | |
Ian, tell her it's not true. | 0:27:20 | 0:27:21 | |
Yeah, go on, Dad, tell me. | 0:27:24 | 0:27:26 | |
Tell us all how you haven't twisted and manipulated me. | 0:27:26 | 0:27:30 | |
You stole the businesses from me. | 0:27:30 | 0:27:33 | |
All right? They are now all back in my name. | 0:27:33 | 0:27:37 | |
All I have done is take back what is actually mine. | 0:27:37 | 0:27:41 | |
Subtitles by Red Bee Media Ltd | 0:28:05 | 0:28:08 |