Browse content similar to 25/07/2013. Check below for episodes and series from the same categories and more!
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Do you know there's a weird bloke staring at our house? | 0:00:51 | 0:00:54 | |
Bet Ian Beale's paid him to spy on me. | 0:00:56 | 0:00:59 | |
Stop being so ridiculously paranoid. | 0:00:59 | 0:01:01 | |
Yes, I am paranoid. I could be going back to the nick tonight | 0:01:01 | 0:01:05 | |
and I haven't slept a wink all night. | 0:01:05 | 0:01:08 | |
-And why did you do it, huh? -You keep saying that. I don't know. | 0:01:08 | 0:01:12 | |
And you wonder where Liam gets it from. | 0:01:12 | 0:01:14 | |
Oh, please, Mother... | 0:01:14 | 0:01:16 | |
Please, Mum, what? Forgive you? Again? | 0:01:16 | 0:01:18 | |
Who's going to be left to cope? | 0:01:18 | 0:01:19 | |
Who's going to have to explain it all to the kids? | 0:01:19 | 0:01:22 | |
I'm sick of it. | 0:01:22 | 0:01:24 | |
-Right, we're off. -Sorry, where are you going? | 0:01:24 | 0:01:26 | |
Excuse me. He's taking Morgan to Ray's for the day. | 0:01:26 | 0:01:29 | |
Give us a cuddle, then. | 0:01:31 | 0:01:33 | |
What's got into you? | 0:01:37 | 0:01:38 | |
What? Can't I cuddle my own kids now, then? Morgan? | 0:01:38 | 0:01:44 | |
-Cuddles is for wusses. -Please? | 0:01:44 | 0:01:49 | |
Is Tiff not going with you? | 0:01:49 | 0:01:51 | |
Nah, she didn't want to. But I'll see you later. | 0:01:51 | 0:01:55 | |
Don't know what time but I'll give you a text. | 0:01:55 | 0:01:57 | |
Right. Someone better do something. | 0:02:00 | 0:02:04 | |
-Morning, Kim. -Hello. -Can we settle up? | 0:02:10 | 0:02:15 | |
Sam, what did I say to you last night? | 0:02:15 | 0:02:17 | |
Getting back together with an ex is never a good thing. Trust me. | 0:02:17 | 0:02:21 | |
Glad to know you've got my best concerns at heart. | 0:02:21 | 0:02:24 | |
It's going to end up in tears, you know. | 0:02:24 | 0:02:27 | |
So this is nothing to do with losing out on my rent? | 0:02:27 | 0:02:30 | |
No. | 0:02:30 | 0:02:32 | |
Make out the bill. I'll go get my stuff. | 0:02:33 | 0:02:36 | |
You hear that? Sam's deserting me. | 0:02:38 | 0:02:41 | |
Where's a girl going to find a red- blooded male to lust after now? | 0:02:41 | 0:02:45 | |
You're going to have to watch this one very closely, Poppy. | 0:02:47 | 0:02:50 | |
Turn your back for one minute, and I'll have him! | 0:02:50 | 0:02:53 | |
PHONE RINGS | 0:02:53 | 0:02:54 | |
FATBOY LAUGHS | 0:02:54 | 0:02:56 | |
-I wish she'd stop doing that. -Baby, she's only joking. | 0:02:56 | 0:02:59 | |
No. No, she does that deliberately to wind me up. | 0:02:59 | 0:03:02 | |
-Has he actually phoned the police? -No, not yet. | 0:03:02 | 0:03:04 | |
Right. Well, is he likely to? | 0:03:04 | 0:03:06 | |
He's up and down, you know. | 0:03:06 | 0:03:08 | |
Can I speak to him? | 0:03:08 | 0:03:10 | |
That's probably not such a great idea. | 0:03:10 | 0:03:12 | |
It's just Bianca's in bits back at the house. | 0:03:12 | 0:03:14 | |
I know, but she should've thought about that. | 0:03:14 | 0:03:17 | |
I know. And she's been so stupid. I'm not here to defend her. | 0:03:17 | 0:03:20 | |
And it's not really her that I'm worried about. | 0:03:20 | 0:03:22 | |
It'll kill the kids if she goes back inside. | 0:03:22 | 0:03:24 | |
IAN: Luce! | 0:03:24 | 0:03:26 | |
OK, you'd better go. Leave Ian to me. I promise. I'll try. | 0:03:26 | 0:03:29 | |
-All right. Cheers, Denise. -OK. -Thanks. | 0:03:29 | 0:03:32 | |
Who was that? | 0:03:39 | 0:03:41 | |
Oh, it's a woman selling lucky heather. | 0:03:41 | 0:03:42 | |
I hope you told her where to go. You haven't seen Lucy, have you? | 0:03:42 | 0:03:45 | |
She went out first thing. | 0:03:45 | 0:03:46 | |
Oh! She's supposed to be looking after Bobby today. | 0:03:46 | 0:03:48 | |
Did she say what time she was getting back? | 0:03:48 | 0:03:51 | |
Oh, that is brilliant. I've got to be in the restaurant all day today. | 0:03:51 | 0:03:54 | |
Why is she doing this to me? | 0:03:54 | 0:03:55 | |
Well, what did you expect after conning her | 0:03:55 | 0:03:57 | |
out of the businesses like that? | 0:03:57 | 0:03:58 | |
There's going to be no businesses left at this rate. | 0:03:58 | 0:04:01 | |
You can leave me on me own if you like. I don't mind. | 0:04:01 | 0:04:03 | |
What, so you can play all day with Tiff the chav? Not a hope. | 0:04:03 | 0:04:06 | |
Ian, please don't use that word. You know that I don't like it. | 0:04:06 | 0:04:09 | |
Anyway, have you thought any more about Bianca? | 0:04:09 | 0:04:11 | |
What, as a child minder? Don't think so. | 0:04:11 | 0:04:13 | |
No, Ian, I meant the police. | 0:04:13 | 0:04:15 | |
Listen, darling, please don't do this. | 0:04:15 | 0:04:17 | |
-No-one is going to like you for it. -I need to get him sorted first. | 0:04:17 | 0:04:19 | |
-So what about Peter? -Peter's on the stall. | 0:04:19 | 0:04:22 | |
-I don't suppose you could...? -No, I'm already late for work. | 0:04:23 | 0:04:27 | |
Why is it you can never find a pen in this house when you want one?! | 0:04:27 | 0:04:30 | |
Well, go on then. Where's this big surprise? | 0:04:33 | 0:04:36 | |
Boom! | 0:04:41 | 0:04:43 | |
Eh... | 0:04:43 | 0:04:46 | |
Well? What's up? | 0:04:46 | 0:04:49 | |
-Well, you can't be serious. -Why? | 0:04:49 | 0:04:51 | |
Mum is going to go absolutely nuts when she sees that. You know that? | 0:04:51 | 0:04:54 | |
Yes, but what did Denise actually say? | 0:05:20 | 0:05:22 | |
She said she's going to see what she can do. | 0:05:22 | 0:05:24 | |
Your best bet is just to keep your head down | 0:05:24 | 0:05:26 | |
and stay well out of his way. | 0:05:26 | 0:05:28 | |
I wouldn't even go into work if I was you. | 0:05:28 | 0:05:31 | |
"12 ways to find out if your boyfriend really loves you." | 0:05:34 | 0:05:38 | |
Tiffany... | 0:05:38 | 0:05:39 | |
"One. Does he look longingly at you every time you meet?" | 0:05:39 | 0:05:43 | |
If he knows what's good for him, he does. | 0:05:43 | 0:05:46 | |
You're ten. | 0:05:46 | 0:05:48 | |
Ten-and-a-half, actually. | 0:05:48 | 0:05:50 | |
"Two. Does he want to be around you all the time?" Ditto. | 0:05:50 | 0:05:55 | |
"Three, does he give you compliments and notice what you're wearing?" | 0:05:55 | 0:05:59 | |
Double ditto. | 0:05:59 | 0:06:01 | |
This is aimed at teenagers. | 0:06:03 | 0:06:05 | |
I'm very precocious. | 0:06:05 | 0:06:06 | |
Where did you hear a word like that? | 0:06:06 | 0:06:09 | |
Mrs Watson at school. | 0:06:09 | 0:06:10 | |
She calls me a "precocious little madam" all the time. | 0:06:10 | 0:06:13 | |
So I looked it up. | 0:06:13 | 0:06:14 | |
This is Bobby Beale we're talking about, innit? | 0:06:14 | 0:06:17 | |
One thing I've learned in life - grown-ups never understand. | 0:06:17 | 0:06:20 | |
Tiff, can you have a little tidy up, please? | 0:06:20 | 0:06:22 | |
B, have you seen what she's reading? | 0:06:22 | 0:06:24 | |
Not now. Look, Whit, I'm going to pull a sickie today, yeah? | 0:06:24 | 0:06:26 | |
So I need you to go and talk to Kat and make up some excuse for me. | 0:06:26 | 0:06:29 | |
How come you get to take a day off whenever you like | 0:06:29 | 0:06:32 | |
and I have to go to school every day? | 0:06:32 | 0:06:33 | |
-I asked you to clear up. -Can you talk to Kat yourself? | 0:06:33 | 0:06:36 | |
-No, she'll know that I'm lying. -Yeah, she will know. | 0:06:36 | 0:06:38 | |
That way we can both pretend that I'm not. | 0:06:38 | 0:06:40 | |
Just say I've got a temperature or something. | 0:06:40 | 0:06:42 | |
What are you two talking about? | 0:06:42 | 0:06:44 | |
Did I just say clear up? Will you please get on with it! | 0:06:44 | 0:06:47 | |
Look, Mum's told me to stay well out of Ian's way | 0:06:51 | 0:06:54 | |
-so that's what I'm going to do. -Oh, right. | 0:06:54 | 0:06:56 | |
Well, if anything does happen, you let me know straightaway, OK? | 0:06:56 | 0:06:59 | |
This is Butcher HQ, calling Beale One. Do you read me? Over. | 0:07:12 | 0:07:17 | |
BOBBY: 'Beale One receiving loud and clear. Big Bear's on the prowl. | 0:07:17 | 0:07:21 | |
'How's the Wicked Witch? Over.' | 0:07:21 | 0:07:23 | |
Really annoying. Over. | 0:07:23 | 0:07:26 | |
Is it Whitney? | 0:07:31 | 0:07:33 | |
Oh, sorry? | 0:07:33 | 0:07:35 | |
He said you were the girl with the diamond eyes, | 0:07:35 | 0:07:37 | |
and I see he was right. | 0:07:37 | 0:07:39 | |
Who did? | 0:07:39 | 0:07:40 | |
His Majesty! King Tony! Tony King! Your Tony! | 0:07:40 | 0:07:45 | |
Cos he's the king and you're the princess, am I right? | 0:07:45 | 0:07:50 | |
No. I don't know what you're talking about. | 0:07:50 | 0:07:53 | |
-I got a letter for you. Special delivery. -I'm not interested. | 0:07:53 | 0:07:57 | |
Yeah, he said you might be like that at first, | 0:07:57 | 0:08:00 | |
but you'd come round in the end. | 0:08:00 | 0:08:02 | |
So I'm just going to hang around. | 0:08:02 | 0:08:04 | |
You let me know when you're ready, yeah? | 0:08:04 | 0:08:06 | |
Oh, Whit, how's Bianca? | 0:08:16 | 0:08:19 | |
She's still in bed. Probably won't come in today. | 0:08:21 | 0:08:24 | |
Bit of a temperature. | 0:08:24 | 0:08:26 | |
Yeah, and I'm Mother Teresa. | 0:08:26 | 0:08:28 | |
Please will you tell her I'm sorry? | 0:08:28 | 0:08:30 | |
Whit? | 0:08:30 | 0:08:32 | |
Cheers, babe(!) | 0:08:34 | 0:08:36 | |
You all right for the rest of the day, Luke? | 0:08:41 | 0:08:44 | |
I'm going to go talk to Ian. | 0:08:44 | 0:08:45 | |
You'll just make it worse. | 0:08:45 | 0:08:47 | |
-Ian, about what I said before... -Not now, Jean. | 0:08:48 | 0:08:51 | |
It wasn't just Bianca. It was me and Shirley too. | 0:08:51 | 0:08:54 | |
You two aren't on probation, though, are you? | 0:08:54 | 0:08:57 | |
Moving in? | 0:08:59 | 0:09:01 | |
Why do you always react like that? | 0:09:01 | 0:09:03 | |
Last time, he walked out on you. | 0:09:03 | 0:09:05 | |
Yeah, well, he had problems back then. It's all different now. | 0:09:05 | 0:09:08 | |
What does Dexter have to say about it? | 0:09:08 | 0:09:10 | |
Dexter is fine. | 0:09:10 | 0:09:11 | |
Then why are you asking my approval? | 0:09:11 | 0:09:14 | |
I'm not. | 0:09:14 | 0:09:15 | |
Look, anyway, we're having this welcome lunch thing today | 0:09:16 | 0:09:20 | |
and Dexter wanted me to invite you. | 0:09:20 | 0:09:23 | |
So...it'd be nice. Just the four of us. | 0:09:23 | 0:09:27 | |
If you want to come, that's fine, and if you don't, | 0:09:27 | 0:09:30 | |
well...it's up to you. | 0:09:30 | 0:09:33 | |
You're not really going to call the police, are you? | 0:09:41 | 0:09:45 | |
I'm thinking about it. | 0:09:45 | 0:09:47 | |
I stayed over at Ian's, didn't I? | 0:09:50 | 0:09:51 | |
Look, there's been some sort of a mix-up about who's | 0:09:51 | 0:09:54 | |
baby-sitting Bobby. | 0:09:54 | 0:09:56 | |
-I don't need anybody. I'm ten! -Yes, darling. | 0:09:56 | 0:09:58 | |
So I was just wondering if you could do my shift at the shop for me? | 0:09:58 | 0:10:02 | |
I'll owe you one. | 0:10:02 | 0:10:03 | |
Can't Shirley do it? | 0:10:03 | 0:10:05 | |
No, she says it's her day off. | 0:10:05 | 0:10:07 | |
Look, I wouldn't ask if it weren't important, would I? | 0:10:07 | 0:10:09 | |
Go on, then. You're on sheet-changing duties this week, yeah? | 0:10:09 | 0:10:13 | |
Yes. Whatever. | 0:10:13 | 0:10:14 | |
Look, I'd better go, cos he's back now. Bye. | 0:10:14 | 0:10:17 | |
DOOR CLOSES | 0:10:17 | 0:10:19 | |
I set you some sums, didn't I? | 0:10:19 | 0:10:20 | |
Go on, get upstairs and get them done. Now! | 0:10:20 | 0:10:23 | |
Listen, Ian, Kim is going to cover my shift at the shop, | 0:10:26 | 0:10:30 | |
which means that I can look after Bobby | 0:10:30 | 0:10:32 | |
and you can work at the restaurant after all. | 0:10:32 | 0:10:34 | |
Thanks. It's too late. I've already called the agency | 0:10:34 | 0:10:36 | |
and told them not to let the staff come in. | 0:10:36 | 0:10:38 | |
So, what are you doing? | 0:10:38 | 0:10:40 | |
Oh, Ian, you're not calling the police? Don't be an idiot. | 0:10:40 | 0:10:43 | |
I'm phoning my temporary sous chef, to tell him | 0:10:43 | 0:10:45 | |
not to bother coming in till tonight, OK? | 0:10:45 | 0:10:48 | |
AVA: I don't know why I even care. Idiot. | 0:10:51 | 0:10:57 | |
What did you say? | 0:11:00 | 0:11:02 | |
Oh. Sorry. I thought I was thinking that. | 0:11:02 | 0:11:06 | |
I'm going mad. Mothers. Who'd have 'em? | 0:11:06 | 0:11:10 | |
Oh, now we've run out of tea bags! | 0:11:10 | 0:11:11 | |
Are you all right, Whitney? | 0:11:16 | 0:11:18 | |
No, sorry, I had a really bad night. | 0:11:18 | 0:11:20 | |
Right, well, I won't even be able to think straight | 0:11:20 | 0:11:22 | |
until I have a cup of tea. | 0:11:22 | 0:11:23 | |
So would you mind popping across to the shop and getting some, please? | 0:11:23 | 0:11:27 | |
Can't it wait till after break? | 0:11:27 | 0:11:28 | |
It'll only take you two minutes. Use the petty cash. | 0:11:28 | 0:11:30 | |
OK. | 0:11:34 | 0:11:36 | |
Didn't think I'd see those eyes again till lunchtime. | 0:11:48 | 0:11:52 | |
You know he talks about you all the time? His Majesty. | 0:11:52 | 0:11:56 | |
When he heard I'd got a release date, first thing he says was, | 0:11:58 | 0:12:03 | |
"Pogo, I want you to go find my princess and give her this letter." | 0:12:03 | 0:12:07 | |
Never known a man more crazy about a woman. | 0:12:07 | 0:12:12 | |
Please stop following me! | 0:12:12 | 0:12:14 | |
You know, it's a funny thing to see a man change right before your eyes. | 0:12:14 | 0:12:20 | |
The Tony I first met, he was a cocky little blighter. | 0:12:20 | 0:12:25 | |
Thought he knew it all. Wouldn't even go on the rule. | 0:12:25 | 0:12:28 | |
What rule? | 0:12:29 | 0:12:31 | |
Rule forty-three. Where the nonces go. | 0:12:33 | 0:12:35 | |
Then of course the McGinty brothers got wind of it. | 0:12:37 | 0:12:40 | |
Oh, man, that wasn't nice. Not nice at all. | 0:12:40 | 0:12:43 | |
I mean, don't get me wrong. He's all right now. | 0:12:53 | 0:12:56 | |
Just a bit nasty at the time. Still wouldn't go on the rule, though. | 0:12:56 | 0:13:01 | |
Reckoned that would be betraying you. Crazy or what? | 0:13:01 | 0:13:04 | |
So he stuck it out. | 0:13:04 | 0:13:06 | |
Even the McGinty brothers give him respect in the end. | 0:13:06 | 0:13:09 | |
Just give me the damned letter and go away. | 0:13:09 | 0:13:13 | |
You know, a fella can get an awful thirst | 0:13:17 | 0:13:19 | |
just hanging around here being a postman. | 0:13:19 | 0:13:22 | |
Just the one. That's all I can afford. | 0:13:30 | 0:13:32 | |
-You all right, Whitney? -Yeah, yeah, thanks. | 0:13:34 | 0:13:36 | |
Um...2.80. | 0:13:36 | 0:13:39 | |
There you go. | 0:13:42 | 0:13:43 | |
Thanks. | 0:13:43 | 0:13:45 | |
You know, I used to think he was overdoing it | 0:13:48 | 0:13:51 | |
but since I've met you, I can see what all the fuss was about. | 0:13:51 | 0:13:56 | |
You really are lovely, you know! | 0:13:56 | 0:13:59 | |
Job done! He goes in peace! | 0:14:08 | 0:14:12 | |
Whit? > | 0:14:23 | 0:14:24 | |
-Oh, Ty, not now. -Who was that geezer? | 0:14:24 | 0:14:27 | |
-Take your hands off me a second. -What's this? | 0:14:27 | 0:14:30 | |
I said, take your hands off me! | 0:14:30 | 0:14:32 | |
But what does "still thinking about it" actually mean? | 0:14:39 | 0:14:42 | |
I think it means that you can relax. | 0:14:42 | 0:14:44 | |
If he was going to really do something, he'd've done it by now. | 0:14:44 | 0:14:47 | |
This is just Ian being Ian. | 0:14:47 | 0:14:49 | |
He's just spinning it out. Making you suffer. | 0:14:49 | 0:14:51 | |
I'm really sorry about all of this, Bianca. I feel...wretched. | 0:14:51 | 0:14:57 | |
It's going to be fine, Jean, all right? | 0:14:57 | 0:14:59 | |
Thanks for letting us know. OK? | 0:14:59 | 0:15:01 | |
Thanks. | 0:15:01 | 0:15:02 | |
I think I'd better get Tiff and make her some lunch. | 0:15:07 | 0:15:10 | |
Leave her. She's upstairs playing. If she's hungry, she'll come down. | 0:15:10 | 0:15:13 | |
You go downstairs and have a lie down, | 0:15:13 | 0:15:15 | |
-catch up on some of that sleep. -(YAWNING) I will do. | 0:15:15 | 0:15:18 | |
Before you ask, no, he can't come out to play. | 0:15:24 | 0:15:26 | |
Especially with you. Go away. | 0:15:26 | 0:15:29 | |
Why did you do that? | 0:15:36 | 0:15:38 | |
Have you finished your sums? Right, upstairs - get them done. | 0:15:40 | 0:15:44 | |
Ian, why, during the summer holidays, | 0:15:48 | 0:15:52 | |
are you making a ten-year-old | 0:15:52 | 0:15:54 | |
sit inside doing his maths rather than playing outside? | 0:15:54 | 0:15:57 | |
-I've got plans for him. -What sort of plans? | 0:15:57 | 0:15:59 | |
You know, for the future. | 0:15:59 | 0:16:00 | |
Oh what, so he don't get a childhood, then? | 0:16:00 | 0:16:02 | |
No, not if it involves playing with criminal low-life like that lot. | 0:16:02 | 0:16:06 | |
So, sorry, what if these plans of yours and his plans are different? | 0:16:08 | 0:16:13 | |
He'll do what he's told. | 0:16:13 | 0:16:15 | |
Yeah, cos that's worked out really well for Lucy, hasn't it? | 0:16:15 | 0:16:18 | |
Don't bring her into this. | 0:16:18 | 0:16:20 | |
Ian, darling, I've been very supportive of you. | 0:16:20 | 0:16:24 | |
-I've been on your side through all of this... -Yeah, so? | 0:16:24 | 0:16:27 | |
But when you start talking like this, | 0:16:27 | 0:16:30 | |
it's like those conversations just never even happened. | 0:16:30 | 0:16:34 | |
What conversations? | 0:16:34 | 0:16:36 | |
SHE TUTS | 0:16:36 | 0:16:38 | |
When we first got together, I really thought that you'd turned a corner. | 0:16:38 | 0:16:44 | |
That's what I liked about you. | 0:16:44 | 0:16:45 | |
I thought that you'd had the courage to really look inside yourself | 0:16:45 | 0:16:49 | |
and make a change. | 0:16:49 | 0:16:51 | |
It's just hard-wired, isn't it? | 0:16:56 | 0:16:59 | |
What is? | 0:16:59 | 0:17:00 | |
-Where you going? -Oh, sorry, if you don't need a baby-sitter, | 0:17:03 | 0:17:06 | |
I'm going to go to work. | 0:17:06 | 0:17:08 | |
What is it that's hard-wired? | 0:17:09 | 0:17:11 | |
Why don't you have a little think about it, yeah? | 0:17:11 | 0:17:14 | |
See if you can work it out. | 0:17:14 | 0:17:16 | |
DOOR SLAMS | 0:17:19 | 0:17:21 | |
It's like living with a toddler. | 0:17:29 | 0:17:31 | |
What is? | 0:17:31 | 0:17:33 | |
-AJ. -Oh, right. | 0:17:33 | 0:17:35 | |
Actually, it's worse than living with a toddler. | 0:17:35 | 0:17:37 | |
Cos Kamil could be a pain sometimes, but he never used | 0:17:37 | 0:17:39 | |
to swipe 50 quid from the rent jar without asking. | 0:17:39 | 0:17:42 | |
What? Is he going to give that back? | 0:17:42 | 0:17:44 | |
Tomorrow, apparently. | 0:17:44 | 0:17:46 | |
But it's always tomorrow. What you looking for, anyway? | 0:17:46 | 0:17:49 | |
Oh, it's not for me. It's for Fats. He so needs a place of his own. | 0:17:49 | 0:17:55 | |
But there's just nothing around, you know. | 0:17:55 | 0:17:59 | |
Anyway, I'll see you later, yeah? | 0:17:59 | 0:18:00 | |
Laters. | 0:18:00 | 0:18:02 | |
The Ian that I fell for - the kind one, the sensitive one, the one that | 0:18:08 | 0:18:13 | |
had learned a thing or two about his mistakes - well, he's just gone. | 0:18:13 | 0:18:18 | |
And now I find myself waking up to this... | 0:18:18 | 0:18:21 | |
Am I allowed to say, I told you so? | 0:18:21 | 0:18:24 | |
Don't s'pose you'd be the only one. | 0:18:24 | 0:18:26 | |
Denise? | 0:18:28 | 0:18:30 | |
I've had a think. Can we talk? | 0:18:30 | 0:18:33 | |
What do you mean, take it back? That was my dad's pride and joy. | 0:18:39 | 0:18:42 | |
Yeah, but it takes up half the front room. | 0:18:42 | 0:18:44 | |
Look how big it is, man. She's going to go mental. | 0:18:44 | 0:18:47 | |
Well, we'll soon find out. Are you coming? | 0:18:47 | 0:18:53 | |
Give me two minutes. | 0:18:53 | 0:18:54 | |
What about you, Cora? Coming for lunch? | 0:19:01 | 0:19:04 | |
It's hardly worth it. Got to be back at work in a minute. | 0:19:04 | 0:19:08 | |
Would you have him back? | 0:19:11 | 0:19:13 | |
Dunno. Maybe. He's quite fit. | 0:19:13 | 0:19:16 | |
He walked out on Ava when Dexter was three months old. | 0:19:16 | 0:19:20 | |
She must be stark raving mad. | 0:19:20 | 0:19:22 | |
Nan, please? | 0:19:23 | 0:19:26 | |
I really don't want to go to this lunch thing by myself. | 0:19:26 | 0:19:29 | |
I've tried the paper, the internet, all the notice boards. Nothing. | 0:19:32 | 0:19:39 | |
Babe, you shouldn't be worried about Kim, you know. | 0:19:39 | 0:19:41 | |
No, it's not just Kim. Don't you want a place you can call your own? | 0:19:41 | 0:19:46 | |
Well, of course I do, babe. | 0:19:46 | 0:19:48 | |
But what I want and what I can get are two different things. | 0:19:48 | 0:19:51 | |
Hi. | 0:19:51 | 0:19:52 | |
Hey, man. You good? | 0:19:52 | 0:19:54 | |
Yeah. | 0:19:54 | 0:19:57 | |
Poppy mentioned that you might be looking for somewhere to live. | 0:19:57 | 0:20:00 | |
Mum's going to hate it. | 0:20:03 | 0:20:05 | |
So he's bought her a juke box. | 0:20:05 | 0:20:07 | |
What good is it going to be, my being there? | 0:20:07 | 0:20:09 | |
There's going to be an atmosphere and I can't handle it on my own. | 0:20:09 | 0:20:12 | |
Mum's not going to kick off if you're there. | 0:20:12 | 0:20:14 | |
You'll be the death of me. Go on. | 0:20:14 | 0:20:17 | |
MUSIC: "Dat" by Pluto Shervington | 0:20:17 | 0:20:20 | |
You going to come and join us? | 0:20:32 | 0:20:35 | |
Bobby! Wash your hands. Dinner's on the table in one minute. | 0:20:41 | 0:20:44 | |
Come on, get down here. | 0:20:44 | 0:20:46 | |
The thing is, right - whenever I do a project, I put myself into it 100% | 0:20:48 | 0:20:53 | |
because I want it to be a success, right? | 0:20:53 | 0:20:56 | |
I get tunnel vision. Nothing else matters. | 0:20:56 | 0:20:58 | |
Including me. Or Lucy. Or Bobby. | 0:20:58 | 0:21:01 | |
I've said I'm sorry. | 0:21:01 | 0:21:03 | |
You know, it scares me, Ian, when I see you get stressed out like that. | 0:21:03 | 0:21:06 | |
Look, you know how much effort I've put into getting back on my feet | 0:21:06 | 0:21:10 | |
and to have someone like Bianca DELIBERATELY screwing it up. | 0:21:10 | 0:21:14 | |
Do you know how that feels? | 0:21:14 | 0:21:16 | |
Are you sure this is really about Bianca at all? | 0:21:16 | 0:21:19 | |
Well, who else could it be about? | 0:21:19 | 0:21:21 | |
Maybe your argument with Lucy and needing to take it out on someone? | 0:21:21 | 0:21:25 | |
Bobby! Come on, what you doing? | 0:21:29 | 0:21:32 | |
I don't know what takes that boy so long. | 0:21:32 | 0:21:35 | |
Weren't his trainers there before? Cos they're not now. | 0:21:35 | 0:21:38 | |
You rang, Lady Tiffany? | 0:21:41 | 0:21:43 | |
Have you polished the silver, Beale? | 0:21:45 | 0:21:47 | |
I have, Lady Tiffany. | 0:21:47 | 0:21:49 | |
Have you laid the fire in my bedroom as I ordered? | 0:21:49 | 0:21:51 | |
Yes, Lady Tiffany. | 0:21:51 | 0:21:53 | |
So where's my gin and tonic? | 0:21:53 | 0:21:55 | |
Here, Lady Tiffany. | 0:21:55 | 0:21:56 | |
Ice and a slice? | 0:21:56 | 0:21:58 | |
If you look properly, madam, you'll see it's there. | 0:21:58 | 0:22:00 | |
Ah, so it is. All right, you may kiss my hand. | 0:22:00 | 0:22:03 | |
You know the rules of the game. | 0:22:05 | 0:22:06 | |
You have to do everything I say, when I say it. | 0:22:06 | 0:22:10 | |
So, kiss my hand! | 0:22:10 | 0:22:12 | |
What is he doing here? | 0:22:12 | 0:22:14 | |
He's come round to play. | 0:22:14 | 0:22:15 | |
What have I told you about him? | 0:22:15 | 0:22:17 | |
KNOCK ON DOOR | 0:22:17 | 0:22:19 | |
-Is he here? -Who? | 0:22:22 | 0:22:24 | |
You know who I mean. Bobby! Bobby, out here now. Come on. | 0:22:24 | 0:22:27 | |
They're only playing, Ian. | 0:22:27 | 0:22:29 | |
I will not have my son playing with chavs. | 0:22:29 | 0:22:31 | |
-Who are you calling a chav? -If the cap fits... | 0:22:31 | 0:22:33 | |
-No-one slags off my kids, Ian. -Or what, Bianca? | 0:22:33 | 0:22:35 | |
What are you going to do about it? Go on. | 0:22:35 | 0:22:37 | |
Make my day. What's stopping you? | 0:22:37 | 0:22:39 | |
Bobby thinks you're a pig and I think so too. | 0:22:39 | 0:22:41 | |
Fine. Bobby! Home! | 0:22:41 | 0:22:43 | |
Now. Come on. | 0:22:43 | 0:22:44 | |
The minute I get home, I'm making a phone call. | 0:22:49 | 0:22:51 | |
So you'd better start thinking about packing your toothbrush. Got it? | 0:22:51 | 0:22:54 | |
Come on, you. I told you not to go round there and play. | 0:22:54 | 0:22:57 | |
What did you say that for? You stupid, stupid little girl! | 0:22:58 | 0:23:02 | |
Come on, you. In. | 0:23:04 | 0:23:07 | |
Get yourself upstairs and don't come down until I tell you, OK? | 0:23:07 | 0:23:11 | |
-What are you doing? -What do you think? -Ian, you can't. | 0:23:15 | 0:23:18 | |
You didn't hear what they said to me round there, OK? | 0:23:18 | 0:23:20 | |
That girl deserves everything that's coming to her. | 0:23:20 | 0:23:23 | |
Ian, I am begging you. Do not do this. | 0:23:23 | 0:23:25 | |
It's not for Bianca's sake, it's for yours. Ian! | 0:23:25 | 0:23:28 | |
I want the old Ian back. Please. Just...look at me. | 0:23:28 | 0:23:33 | |
KNOCK ON DOOR | 0:23:33 | 0:23:35 | |
Go on, Tiff, tell him. | 0:23:43 | 0:23:44 | |
I'm sorry, Mr Beale. I didn't mean what I said. | 0:23:46 | 0:23:49 | |
Bobby never said any of those things. I was just making it up. | 0:23:49 | 0:23:53 | |
Please, Ian. | 0:23:56 | 0:23:57 | |
You owe me, all right? | 0:24:05 | 0:24:07 | |
She is never to play with my son again. Deal? | 0:24:10 | 0:24:14 | |
Deal. | 0:24:22 | 0:24:24 | |
Tell Whitney she's sacked as well. | 0:24:24 | 0:24:26 | |
Come on. | 0:24:28 | 0:24:30 | |
HE SIGHS | 0:24:32 | 0:24:33 | |
Come here. | 0:24:40 | 0:24:41 | |
TYLER SIGHS | 0:24:59 | 0:25:01 | |
So why didn't you show me it this morning when I asked you? | 0:25:16 | 0:25:19 | |
I don't know. I wanted to run away. I was freaked out. | 0:25:19 | 0:25:24 | |
Sorry. | 0:25:24 | 0:25:25 | |
Say something, then. | 0:25:28 | 0:25:30 | |
What do you want me to say? | 0:25:30 | 0:25:32 | |
I don't know. | 0:25:32 | 0:25:34 | |
Why did he need a bloke to come and give it you? | 0:25:34 | 0:25:37 | |
-Could he not just have posted it? -Well, they censor the mail. | 0:25:37 | 0:25:40 | |
-He's not allowed to write to me, is he. -So is this the first one? | 0:25:40 | 0:25:43 | |
-Yeah. -So why now? -How am I supposed to know? | 0:25:43 | 0:25:46 | |
How am I supposed to know that, Tyler?! | 0:25:46 | 0:25:48 | |
Don't jump down my throat, OK? | 0:25:48 | 0:25:49 | |
You ask me to say something and when I do, you get angry at me. | 0:25:49 | 0:25:52 | |
I don't know what I want, OK? | 0:25:52 | 0:25:54 | |
Do you need a cuddle, maybe? | 0:25:54 | 0:25:56 | |
No! | 0:25:56 | 0:25:57 | |
What, then? | 0:25:57 | 0:25:59 | |
Look, let's just ignore it, OK? I mean, what can he do? | 0:26:03 | 0:26:07 | |
He's not due out any time soon, is he? | 0:26:07 | 0:26:09 | |
Well, then! | 0:26:13 | 0:26:14 | |
Hey, hey, hey! Tamwar! Guess what? | 0:26:24 | 0:26:27 | |
That investment only came in at two-to-one! | 0:26:28 | 0:26:32 | |
Tam, that 50 quid's going straight back in the jar. | 0:26:32 | 0:26:35 | |
With interest. | 0:26:35 | 0:26:36 | |
Hey...Fats. What you doing here? | 0:26:36 | 0:26:39 | |
Meet the new lodger. | 0:26:41 | 0:26:43 | |
As of tomorrow, you're on the sofa. | 0:26:43 | 0:26:45 | |
This is Butcher HQ calling Beale One. Are you receiving? Over. | 0:26:55 | 0:27:00 | |
Beale One, are you receiving? | 0:27:01 | 0:27:03 | |
Bobby? Why aren't you there? | 0:27:05 | 0:27:06 | |
STATIC HISS | 0:27:08 | 0:27:10 | |
I am just SO relieved. | 0:27:15 | 0:27:18 | |
Yeah, told you everything would be all right. | 0:27:18 | 0:27:20 | |
How do you feel about not working at the restaurant no more? | 0:27:20 | 0:27:23 | |
-Not bothered. -Oh good, well, it's all worked out good then! | 0:27:23 | 0:27:25 | |
Listen, I'm going to make some nuggets for Tiff for lunch. | 0:27:25 | 0:27:28 | |
-You want some? -No, thanks. | 0:27:28 | 0:27:30 | |
Why are you here anyway? Shouldn't you be working? | 0:27:31 | 0:27:34 | |
I just have to check a couple of things. | 0:27:34 | 0:27:37 | |
All right. I'll leave you to it, then. | 0:27:37 | 0:27:39 | |
Hi. I was just wondering how I go about applying for | 0:27:59 | 0:28:05 | |
a prison visiting order. | 0:28:05 | 0:28:07 | |
Subtitles by Red Bee Media Ltd | 0:28:25 | 0:28:28 |