Browse content similar to 26/12/2013. Check below for episodes and series from the same categories and more!
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Ah. Do you want a hanky? | 0:00:40 | 0:00:43 | |
Or would you prefer a helmet... | 0:00:43 | 0:00:45 | |
for when your mum finds out about what you've done | 0:00:45 | 0:00:48 | |
and she decides to bash your brains in? | 0:00:48 | 0:00:50 | |
What do you know about anything? | 0:00:50 | 0:00:53 | |
Baby Boy Mitchell. RIP. | 0:00:53 | 0:00:57 | |
Nice. | 0:01:02 | 0:01:03 | |
-I reckon this little baby's going to bring us luck. -Yeah. | 0:01:07 | 0:01:10 | |
I can feel it. | 0:01:10 | 0:01:13 | |
And as for Janine, well... | 0:01:13 | 0:01:15 | |
she can just rot in prison... | 0:01:15 | 0:01:17 | |
..and we can stay here. | 0:01:19 | 0:01:20 | |
-That's if the sale falls through. -It's bound to. | 0:01:24 | 0:01:27 | |
Kat, you can't run a pub from Holloway, can you? | 0:01:27 | 0:01:30 | |
I can see us being here a while now. | 0:01:30 | 0:01:32 | |
You reckon, do you? | 0:01:32 | 0:01:34 | |
All right. So, when do I get to see her, then? | 0:01:42 | 0:01:44 | |
Yeah, so get her bailed, mate. Alice is innocent. | 0:01:46 | 0:01:49 | |
Look, Mark, get her to talk to the police again, | 0:01:49 | 0:01:52 | |
redo the interview, get her to withdraw her confession | 0:01:52 | 0:01:54 | |
and get her out. | 0:01:54 | 0:01:56 | |
Yes. | 0:01:56 | 0:01:57 | |
Look, mate, I'm going to go and get the champagne in now, | 0:01:57 | 0:01:59 | |
so let's meet up once you've got things rolling, all right? | 0:01:59 | 0:02:02 | |
All right, Phil? Just the man I want to see. | 0:02:10 | 0:02:13 | |
Bit parky out here, innit? | 0:02:13 | 0:02:15 | |
I've put the kettle on. | 0:02:15 | 0:02:17 | |
Anyway, listen, I thought me and you could talk strategy. | 0:02:17 | 0:02:21 | |
Me and Kat are more than happy to stay on, you know. | 0:02:21 | 0:02:25 | |
-No hard feelings. -Sounds like a plan. | 0:02:25 | 0:02:27 | |
Thank you. Yeah, it's a good plan. | 0:02:28 | 0:02:32 | |
Listen, I know what you're really like, Phil. | 0:02:32 | 0:02:34 | |
You know, underneath, you're this big ball of soft-heartedness, | 0:02:34 | 0:02:38 | |
But not a plan I'm interested in. Now, you've already had an extra day. | 0:02:38 | 0:02:42 | |
You should've moved out yesterday. | 0:02:42 | 0:02:44 | |
You've got till 12 o'clock to move out. | 0:02:44 | 0:02:45 | |
Phil, please, listen. | 0:02:45 | 0:02:47 | |
OK. Between me and you, Kat's up the duff. | 0:02:47 | 0:02:50 | |
You can't throw a pregnant woman out onto the street. Please... | 0:02:50 | 0:02:54 | |
12 o'clock. | 0:02:54 | 0:02:55 | |
Then I'll call some friends to help you move | 0:02:55 | 0:02:58 | |
and there might well be some breakages. | 0:02:58 | 0:03:01 | |
Someone needs to tell him it's the season to be jolly! | 0:03:02 | 0:03:06 | |
You all right, darling? | 0:03:25 | 0:03:28 | |
No, 'course you're not. | 0:03:28 | 0:03:30 | |
Hey, is that nice? | 0:03:30 | 0:03:32 | |
MOBILE RINGS | 0:03:32 | 0:03:34 | |
It's Kat. | 0:03:34 | 0:03:37 | |
Oh, come here, love. | 0:03:42 | 0:03:45 | |
It's OK. | 0:03:46 | 0:03:48 | |
Yeah, 'course I'll be there, Alfie. I'll see who else I can drag along. | 0:03:50 | 0:03:53 | |
All right, mate. See you in a minute. | 0:03:53 | 0:03:56 | |
Time to put those muscles to use. We're needed. | 0:03:56 | 0:03:59 | |
-OK. I've just got to call Lola. -Why? | 0:03:59 | 0:04:03 | |
She's my girlfriend. It's kind of what you do. | 0:04:03 | 0:04:06 | |
Yeah, but Alfie needs us. | 0:04:06 | 0:04:08 | |
Hey, babe. What you doing? | 0:04:08 | 0:04:09 | |
OK. | 0:04:11 | 0:04:13 | |
Eurgh! | 0:04:14 | 0:04:16 | |
Was that you? | 0:04:17 | 0:04:18 | |
What do you want? | 0:04:21 | 0:04:23 | |
Charming. I come down here to save you from hypothermia | 0:04:24 | 0:04:27 | |
and that's the best you can do. | 0:04:27 | 0:04:29 | |
-It's the best that I've got right now. -It's your fault. | 0:04:29 | 0:04:32 | |
Spending all that money on just booze and turkey. | 0:04:32 | 0:04:35 | |
Well, that's what Christmas is about, | 0:04:35 | 0:04:37 | |
when you strip it all back. | 0:04:37 | 0:04:39 | |
Turkey, plus booze. | 0:04:39 | 0:04:42 | |
-SHE WHISPERS: -Looks like it's moving day. -What? | 0:04:44 | 0:04:48 | |
Oh, all right? | 0:04:50 | 0:04:53 | |
-Is that...? -No, I've got a bit of a bad head on. | 0:04:53 | 0:04:55 | |
Cup of tea, please, Marie. | 0:04:59 | 0:05:01 | |
Hiya. | 0:05:01 | 0:05:02 | |
Can't believe I made it to Boxing Day. | 0:05:02 | 0:05:05 | |
I'm making myself a promise and you can hold me to this. | 0:05:05 | 0:05:08 | |
I am never, ever, spending Christmas Day in a B&B again. | 0:05:08 | 0:05:11 | |
You should've come round to my place. It was even worse. | 0:05:11 | 0:05:14 | |
I just saw Alfie moving a load of stuff outside. | 0:05:14 | 0:05:16 | |
-Yeah, they're leaving. -I thought the sale would've fallen through. | 0:05:16 | 0:05:20 | |
-Well, it did, but someone else stepped in. -Who? | 0:05:20 | 0:05:24 | |
Oh, just this family. | 0:05:24 | 0:05:25 | |
Oh, good. For a minute, I thought you were stuck with the place. | 0:05:25 | 0:05:29 | |
It weren't all bad, I suppose. A few good memories, | 0:05:29 | 0:05:33 | |
like Mum and Dad, when they liked each other, | 0:05:33 | 0:05:35 | |
Michelle, Grant... | 0:05:35 | 0:05:37 | |
you. | 0:05:37 | 0:05:40 | |
We were bad, weren't we, eh? | 0:05:40 | 0:05:41 | |
-Terrible. -Unforgiveable, really. | 0:05:41 | 0:05:44 | |
So, tell me, then. Who's bought it? | 0:05:44 | 0:05:47 | |
Roxy, it's David Wicks. Give us a tinkle back on this number | 0:05:47 | 0:05:49 | |
when you can, please. I want to run something by you. All right, lovely. | 0:05:49 | 0:05:53 | |
Ta. Bye. | 0:05:53 | 0:05:55 | |
-Thanks. -Thank you. | 0:05:55 | 0:05:56 | |
Don't know why you're doing business on Boxing Day. | 0:05:56 | 0:05:59 | |
No, it's just a thought I had. Didn't want to forget it. | 0:05:59 | 0:06:02 | |
-Right, here you go. -Ta. | 0:06:02 | 0:06:04 | |
-Two now, and two four hours later. -Thank you, Matron. | 0:06:04 | 0:06:07 | |
Oh, don't start with that. I've done my bit. | 0:06:07 | 0:06:10 | |
As soon as Diane's collected Scarlett, I'm going round to Mas's. | 0:06:10 | 0:06:14 | |
No, stay. Please. Please. | 0:06:14 | 0:06:16 | |
And why would I want to do that? | 0:06:16 | 0:06:18 | |
I want to explain myself, Carol. | 0:06:19 | 0:06:21 | |
I know I messed up, but I was really shocked by what Janine did. | 0:06:21 | 0:06:25 | |
I mean, I was reeling, you know? Who wouldn't be? | 0:06:25 | 0:06:29 | |
Right, the sooner we get this done, the quicker we'll get in the Vic, | 0:06:33 | 0:06:37 | |
And the first drink's on us and after that it's £1 a drink. | 0:06:37 | 0:06:41 | |
It's going to be a Happy Happy Hour! | 0:06:41 | 0:06:44 | |
There you go. | 0:06:44 | 0:06:46 | |
Steady on, handsome. Bit keen, aren't you? | 0:06:46 | 0:06:49 | |
Ain't you got big! | 0:06:51 | 0:06:53 | |
When you're done, son, I'll give you a little rub down. | 0:06:53 | 0:06:56 | |
I don't think so. He's spoken for. | 0:06:56 | 0:06:58 | |
-Um, can you get a move on, please? -All right. Calm down. | 0:06:59 | 0:07:04 | |
-It's getting cold out here. -Sorry about the Vic. | 0:07:04 | 0:07:06 | |
It's all right. We were thinking of jacking it in anyway, | 0:07:06 | 0:07:09 | |
all them late nights. No, thanks. | 0:07:09 | 0:07:11 | |
-Kat, who's taking over the Vic, anyway? -I don't know | 0:07:11 | 0:07:13 | |
-and I don't care, really. -Well, Phil's sold it to someone though. | 0:07:13 | 0:07:16 | |
Probably one of his friends. The next thing you know, | 0:07:16 | 0:07:18 | |
-it'll be the Krays all over again. -Very positive, Patrick(!) | 0:07:18 | 0:07:22 | |
That's it. Come on. Keep it coming. | 0:07:26 | 0:07:28 | |
Beautiful. Lovely. Here you go, sweetheart. | 0:07:28 | 0:07:31 | |
So, B, where's Terry, then? Too many mince pies? | 0:07:31 | 0:07:33 | |
-Trying to work them off, is he? -I don't know where Terry is, actually. | 0:07:33 | 0:07:36 | |
-I'll give him a ring if you want. -No. | 0:07:36 | 0:07:39 | |
Just leave it, yeah? | 0:07:39 | 0:07:41 | |
Yeah, all right. No problem. | 0:07:42 | 0:07:44 | |
Shouldn't we be helping? | 0:07:44 | 0:07:46 | |
Nah. We'd just get in the way. | 0:07:46 | 0:07:48 | |
Working up a sweat there, ladies. | 0:07:48 | 0:07:50 | |
Oh, do you hear that, Tina? That's humour, that is. | 0:07:50 | 0:07:53 | |
Well, I guess it's times like these you work out who your friends are. | 0:07:53 | 0:07:57 | |
-We're giving them moral support. -Just as important. | 0:07:57 | 0:08:00 | |
All right, Lauren. You got a sec? | 0:08:03 | 0:08:06 | |
-What, right now? -Yeah. | 0:08:06 | 0:08:09 | |
Lauren, concentrate, will you, please? | 0:08:09 | 0:08:12 | |
-Sorry. -Mind you don't step in the glass. | 0:08:12 | 0:08:14 | |
-I'll speak to you later, yeah? -Yeah. Yeah. | 0:08:19 | 0:08:22 | |
I'd, er... | 0:08:23 | 0:08:25 | |
I'd keep an eye on him, if I were you. | 0:08:25 | 0:08:27 | |
-Peter, why don't you nip home and get a dustpan and brush? -Me? | 0:08:30 | 0:08:33 | |
-Yeah, you. -Send Cindy. -I'm asking YOU. | 0:08:33 | 0:08:37 | |
Miss you already! | 0:08:39 | 0:08:40 | |
Is it true about Auntie Janine? | 0:08:44 | 0:08:45 | |
-Is she really going to be locked up forever? -I don't know. | 0:08:45 | 0:08:48 | |
-Can we go and visit her? -Oh, kids, please. | 0:08:48 | 0:08:52 | |
-Mind if I join the chain? -Be my guest. | 0:08:52 | 0:08:56 | |
There's a spot right over there. | 0:08:56 | 0:08:57 | |
-You didn't have to come and all. -Yes, I did. | 0:09:01 | 0:09:03 | |
I had to come out and help my mate, didn't I? | 0:09:03 | 0:09:05 | |
What, and show off your lovely new coat? | 0:09:05 | 0:09:07 | |
The kids got it for me. | 0:09:07 | 0:09:09 | |
-We'll have a chat later, yeah? -Yeah. | 0:09:09 | 0:09:13 | |
-Got the photos? -Yeah. -Lovely. -Fragile, fragile, fragile. | 0:09:13 | 0:09:16 | |
There you go, sweetheart. Listen, is B all right? | 0:09:16 | 0:09:19 | |
-Yeah, she's fine. -Also, this £1 a drink - | 0:09:19 | 0:09:22 | |
why don't we just give it away? | 0:09:22 | 0:09:24 | |
-We are not leaving empty-handed. -What about Phil? | 0:09:24 | 0:09:26 | |
He can't touch us. Not any more. | 0:09:26 | 0:09:28 | |
Right! Come on, people. Keep it moving! | 0:09:31 | 0:09:33 | |
I was just coming. | 0:09:40 | 0:09:42 | |
Yeah. Um... | 0:09:42 | 0:09:43 | |
Can we, um... | 0:09:43 | 0:09:46 | |
Can we have a moment? | 0:09:46 | 0:09:48 | |
Er, yeah, if you want. | 0:09:48 | 0:09:50 | |
This is... | 0:09:51 | 0:09:54 | |
It's probably going to sound odd, but... | 0:09:54 | 0:09:57 | |
I need you to stop seeing Lola. | 0:09:57 | 0:09:58 | |
-Yes! -Beat me again. You cheating or something, eh? | 0:10:01 | 0:10:05 | |
I'm beginning to wonder who you invited round - me or Denny. | 0:10:05 | 0:10:07 | |
All right. Well, you can have a game. | 0:10:07 | 0:10:09 | |
-But no girl's beating us, all right? -Oh! Well, we'll see about that, | 0:10:09 | 0:10:12 | |
thank you very much. | 0:10:12 | 0:10:14 | |
Come on, Denny. Show your mother. | 0:10:14 | 0:10:18 | |
Right. | 0:10:18 | 0:10:19 | |
I know that! | 0:10:21 | 0:10:23 | |
She's far too young to get serious about. | 0:10:23 | 0:10:25 | |
-I think you'll find that's my decision, not yours. -And she's a got a kid. -So? | 0:10:25 | 0:10:29 | |
Peter, you don't want to spend the best years of your life | 0:10:29 | 0:10:32 | |
pretending to be a daddy, do you? | 0:10:32 | 0:10:33 | |
Erm, if it means being with Lola, then, yeah. | 0:10:33 | 0:10:37 | |
I know it might not feel like it now, | 0:10:37 | 0:10:39 | |
but if you end this before it's too serious, | 0:10:39 | 0:10:42 | |
then one day, you're going to thank me. | 0:10:42 | 0:10:45 | |
I thought you liked her. | 0:10:45 | 0:10:46 | |
You're kidding? | 0:10:46 | 0:10:48 | |
Everyone else is fine about it, | 0:10:50 | 0:10:52 | |
so if you've got a problem, then tough. | 0:10:52 | 0:10:54 | |
Watching all those people working's worn me out. | 0:10:58 | 0:11:01 | |
Can I have two big coffees, please? | 0:11:01 | 0:11:04 | |
I can't believe Ian's opened up today. | 0:11:05 | 0:11:08 | |
Do anything for a bit of cash. | 0:11:08 | 0:11:09 | |
-Hello again. -All right? -You on your own? -Yeah. | 0:11:09 | 0:11:12 | |
-No, not today, Tina. -I was just being friendly! | 0:11:12 | 0:11:15 | |
Not when I've got a hangover. | 0:11:15 | 0:11:17 | |
-All right? -All right? | 0:11:17 | 0:11:19 | |
-That was productive. -What did they say? | 0:11:19 | 0:11:22 | |
Janine's not budging on her story. | 0:11:22 | 0:11:24 | |
They've charged her with murder though. | 0:11:24 | 0:11:27 | |
I know. They said that, it turned my stomach. | 0:11:27 | 0:11:30 | |
I mean, Janine's a lot of things, but that's done my head in, that has. | 0:11:30 | 0:11:33 | |
-So, she's saying she didn't do it? -Well, you would do, wouldn't you? | 0:11:33 | 0:11:36 | |
There's nothing's proven, is there? | 0:11:36 | 0:11:37 | |
They've still got Alice's confession. It's all up in the air. | 0:11:37 | 0:11:41 | |
Pity. | 0:11:41 | 0:11:42 | |
I need a drink. | 0:11:43 | 0:11:45 | |
Well, you'll have to wait | 0:11:45 | 0:11:46 | |
because, as of today, the Vic is under new management. | 0:11:46 | 0:11:50 | |
-What? -Yep. -Who's bought it now? -I don't know. | 0:11:50 | 0:11:52 | |
-It's going to be a gay bar. -Yeah, right(!) -I've seen the plans. | 0:11:53 | 0:11:57 | |
It's got all little rainbow flags outside, | 0:11:58 | 0:12:01 | |
going to paint it pink. | 0:12:01 | 0:12:03 | |
There's loads of drawings of these oiled-up men suspended in cages. | 0:12:03 | 0:12:07 | |
I like it. I like it. I might call Christian. | 0:12:07 | 0:12:09 | |
-But that's my local! -It still will be. | 0:12:09 | 0:12:11 | |
You'll just have to oil up, Billy. | 0:12:11 | 0:12:13 | |
That's it. Welcome, everybody. Come in out of the cold. | 0:12:39 | 0:12:43 | |
Welcome to Kat and Alfie's Happy Happy Hour. | 0:12:43 | 0:12:45 | |
Yeah, man. A shot of rum for my tum-tum, please. | 0:12:45 | 0:12:48 | |
-Coming up, Patrick. -Hey, hey, hey. | 0:12:48 | 0:12:50 | |
-The both of you going to be OK, though? -How can we not be? | 0:12:50 | 0:12:53 | |
We fall, we bounce. Isn't that right, Alfie? | 0:12:53 | 0:12:58 | |
Don't you worry about us, Paddy. | 0:12:58 | 0:12:59 | |
Get it down your neck, mate. That's it. Lovely. | 0:12:59 | 0:13:02 | |
The first ten are on the house for you. | 0:13:03 | 0:13:05 | |
I'm going to need a few more than that. | 0:13:05 | 0:13:07 | |
Hey, Alfie. You're sure you don't know who's taking over? | 0:13:07 | 0:13:10 | |
I haven't asked and, quite frankly, I couldn't care less. | 0:13:10 | 0:13:13 | |
-Gays are. -Gays are what? -Taking over. | 0:13:13 | 0:13:15 | |
-What, you mean like taking over the world? -No! In here. | 0:13:15 | 0:13:18 | |
The Vic. I've got it on good authority. | 0:13:18 | 0:13:21 | |
Pint, please, Alf. | 0:13:21 | 0:13:23 | |
-Blimey. -Pound a drink? How much cash you got left? | 0:13:24 | 0:13:28 | |
You know what they say, "If you can't beat 'em, join 'em." | 0:13:28 | 0:13:31 | |
-Four vodkas and four bottles of beer. -Yeah, all right. | 0:13:31 | 0:13:34 | |
Yes, yes. First drink's on the house, I know. Give us a sec. | 0:13:34 | 0:13:37 | |
So, did anyone see you? | 0:13:41 | 0:13:43 | |
No. I'm way too clever for that. | 0:13:43 | 0:13:46 | |
Oh, I know you are. | 0:13:46 | 0:13:47 | |
Hello, mate. All right? | 0:14:02 | 0:14:04 | |
Listen, don't think I don't appreciate you coming out today. | 0:14:04 | 0:14:07 | |
-That goes for me and Alice. -Joey, I'm afraid it's not good news. | 0:14:07 | 0:14:11 | |
Although Janine has been charged with murder, | 0:14:11 | 0:14:14 | |
Alice also pled guilty. | 0:14:14 | 0:14:16 | |
-Right. -It means Alice is still facing a murder charge. | 0:14:17 | 0:14:21 | |
No, no, cos I thought her confession would just be thrown out. | 0:14:22 | 0:14:25 | |
Look, we need to go to the judge and get him to accept a new plea. | 0:14:25 | 0:14:29 | |
But the prosecution will still try and prove | 0:14:29 | 0:14:33 | |
that Alice and Janine were acting together. | 0:14:33 | 0:14:36 | |
There's a long way to go yet. | 0:14:36 | 0:14:37 | |
I thought she was coming home. | 0:14:41 | 0:14:43 | |
Well, does someone want to start talking to me? | 0:14:43 | 0:14:45 | |
You, just get out of my sight. | 0:14:56 | 0:14:59 | |
Do you hear what I said, mate? What are you looking at her for? | 0:14:59 | 0:15:01 | |
-I told you, get out my sight. Out! Get lost! -Max... | 0:15:01 | 0:15:05 | |
This is my fault. It's me, not Lauren. | 0:15:05 | 0:15:07 | |
I tell you what, mate, why don't you go home, | 0:15:07 | 0:15:10 | |
-go and see your wife and your daughter? -Dad, stop! | 0:15:10 | 0:15:12 | |
Go and spend Boxing Day with your family. | 0:15:12 | 0:15:14 | |
Can I just talk to my dad, please? | 0:15:14 | 0:15:17 | |
That's great, Lauren. So, that's what you do now, | 0:15:30 | 0:15:32 | |
-you chase around after married men twice your age. -No, it's not like that. | 0:15:32 | 0:15:36 | |
I'm all sorted now, I'm loads better | 0:15:36 | 0:15:38 | |
and that's because of him, Dad. | 0:15:38 | 0:15:40 | |
Right. And what are you to him? | 0:15:42 | 0:15:44 | |
The same. | 0:15:46 | 0:15:47 | |
-He's messed up. He's not happy, and his wife... -His wife? | 0:15:48 | 0:15:53 | |
What are you going to tell me about his wife, Lauren? | 0:15:53 | 0:15:56 | |
-Is it that his wife don't understand him? -No. | 0:15:56 | 0:15:58 | |
-No, she doesn't, actually. -If he's so desperately unhappy, Lauren, why is he still with her? | 0:15:58 | 0:16:03 | |
Because... | 0:16:03 | 0:16:04 | |
Yeah, because? | 0:16:06 | 0:16:07 | |
No, go on, Lauren. I tell you what, you convince me that this is right | 0:16:09 | 0:16:12 | |
and I'll walk out that door and I won't say anything. | 0:16:12 | 0:16:15 | |
-Right. Well, there you go. Don't say I didn't give you a chance, Lauren. -Where are you going? | 0:16:22 | 0:16:26 | |
This stops, all right? One way or the other. | 0:16:26 | 0:16:28 | |
DOORBELL RINGS | 0:16:32 | 0:16:34 | |
-Oh, hiya. -David in? -Yeah, why? | 0:16:34 | 0:16:36 | |
My sister isn't getting out of prison now, Carol, | 0:16:36 | 0:16:39 | |
and it's all his fault. All right, get up. | 0:16:39 | 0:16:41 | |
-You having a laugh? With this arm? -On your feet now. Come on. | 0:16:41 | 0:16:44 | |
-Shut up. -He kept that recording to himself and I want to know why. | 0:16:44 | 0:16:47 | |
Why did you do it, eh, David? How long did you know about it? | 0:16:47 | 0:16:51 | |
-How long were you going to let my sister rot! -Calm down. | 0:16:51 | 0:16:54 | |
-How long, David?! -That's enough. He's injured! -For crying out loud. | 0:16:54 | 0:16:57 | |
-I can't believe you're defending him. -What? | 0:16:57 | 0:16:59 | |
You know what, I used to think you were smart, Carol. | 0:16:59 | 0:17:02 | |
-But you're just as stupid as he needs you to be. -Hark at him. | 0:17:02 | 0:17:05 | |
-So, you want to ask him something, ask him now. -There's no point now, is there? | 0:17:05 | 0:17:09 | |
-Let's have a little chat, Joey. -Nothing you say is true. Nothing you do is honest, is it? | 0:17:09 | 0:17:12 | |
Like father like son. He needs his head examined. | 0:17:15 | 0:17:19 | |
-No, I'm the one who needs her head examined. -Carol... | 0:17:19 | 0:17:21 | |
I should never have trusted you or let you in here. | 0:17:21 | 0:17:24 | |
What, you're going to chuck me out again? | 0:17:24 | 0:17:26 | |
No. By all means, you can stay, but... | 0:17:26 | 0:17:29 | |
know this - we're not together. | 0:17:29 | 0:17:31 | |
-Max. Hi. -Hi, you all right? | 0:17:45 | 0:17:47 | |
Yeah, good. | 0:17:47 | 0:17:48 | |
How was your Christmas? | 0:17:50 | 0:17:52 | |
Yeah, it was great, thanks. Do you want to come in? | 0:17:52 | 0:17:55 | |
No, no. No, thanks. No, just a flying visit. | 0:17:55 | 0:17:58 | |
-Is Jake in, please? -Yeah, he's just got back. | 0:17:58 | 0:18:00 | |
-Great. Could you call him for me? -Sure. -Cheers. | 0:18:00 | 0:18:04 | |
Jake! | 0:18:06 | 0:18:07 | |
-Bella wants you upstairs, love. -Sure. | 0:18:19 | 0:18:23 | |
Listen, you go near my daughter again... | 0:18:32 | 0:18:35 | |
all this, your house, your wife, your daughter... | 0:18:35 | 0:18:40 | |
it'll be gone, because I'll finish it for you. Do you understand? | 0:18:40 | 0:18:43 | |
Do you understand what I'm saying to you? | 0:18:46 | 0:18:49 | |
Good. | 0:18:51 | 0:18:53 | |
It's over, Lauren. | 0:18:57 | 0:18:59 | |
-Don't forget, my nan's going to give you that rub-down later. -Hey, hey! | 0:19:18 | 0:19:22 | |
Bianca! | 0:19:30 | 0:19:32 | |
I had to get through 100 people to get to you. | 0:19:34 | 0:19:36 | |
I think I had sexual relations with half of them. | 0:19:36 | 0:19:40 | |
Look, Nikki's gone back to the flat so... | 0:19:40 | 0:19:43 | |
who knows, maybe she'll stay there and not come back. | 0:19:43 | 0:19:45 | |
You should join her. | 0:19:48 | 0:19:50 | |
-Bianca, don't do this. -There's nothing for you here, Terry. | 0:19:50 | 0:19:53 | |
# Step outside | 0:19:58 | 0:20:00 | |
# The summertime's in bloom | 0:20:00 | 0:20:02 | |
# Stand up beside the fireplace | 0:20:04 | 0:20:07 | |
# Take that look from off your face... # | 0:20:07 | 0:20:09 | |
I know what you want to say, but just don't bother. | 0:20:09 | 0:20:12 | |
Peter, it isn't me. It really isn't. | 0:20:12 | 0:20:14 | |
As long as you're happy, I couldn't give a monkeys what you do, but... | 0:20:14 | 0:20:17 | |
it's someone else, someone... | 0:20:17 | 0:20:20 | |
Who? | 0:20:20 | 0:20:22 | |
Are you talking about Phil? | 0:20:22 | 0:20:24 | |
-Because he was fine about me and Lola. -No, Peter, he's not. | 0:20:24 | 0:20:27 | |
It's just an act, OK? | 0:20:27 | 0:20:28 | |
He's told me exactly how he feels about it | 0:20:28 | 0:20:31 | |
and he's told me what he wants me to do about it. | 0:20:31 | 0:20:34 | |
Peter, please. He could walk through those doors any minute and see you two together. | 0:20:34 | 0:20:37 | |
I'm not just going to walk away from her. | 0:20:39 | 0:20:41 | |
I'm begging you, OK? I'm begging you. | 0:20:41 | 0:20:44 | |
Dad? | 0:20:48 | 0:20:50 | |
He will make all our lives hell. | 0:20:50 | 0:20:54 | |
He will not stop until he has split you and Lola up. | 0:20:54 | 0:20:58 | |
I have had over 20 years of him, 20 years! | 0:20:59 | 0:21:04 | |
Look at me. Do you want to end up like this? | 0:21:06 | 0:21:08 | |
-What you going to do now? -Must have a plan, right? | 0:21:15 | 0:21:18 | |
No, nothing after tomorrow. | 0:21:18 | 0:21:19 | |
-Time's almost up, sweetheart. -Is it? | 0:21:22 | 0:21:25 | |
Yeah. | 0:21:25 | 0:21:28 | |
-The end of an era. -Yeah. | 0:21:28 | 0:21:31 | |
# So, Sally can wait | 0:21:33 | 0:21:37 | |
# But don't look back in anger | 0:21:37 | 0:21:40 | |
# I heard you say... # | 0:21:40 | 0:21:42 | |
Bill, does Phil know about this? | 0:21:46 | 0:21:49 | |
Taking a wild guess, I'd say no. | 0:21:50 | 0:21:52 | |
This is going to be fun. | 0:21:58 | 0:21:59 | |
Well, I phoned my mum. Can you believe that? | 0:22:03 | 0:22:08 | |
Told me to get Alice and come home. | 0:22:08 | 0:22:10 | |
I suppose I can still do one of them things, eh? | 0:22:12 | 0:22:15 | |
-I take it that you're leaving, then? -Yeah. | 0:22:18 | 0:22:21 | |
Yeah, well, I ain't got nothing here for me now, have I? | 0:22:22 | 0:22:25 | |
Got no mates. | 0:22:25 | 0:22:27 | |
I don't trust no-one and you've got Jake now so... | 0:22:27 | 0:22:31 | |
I saw you kissing him. | 0:22:33 | 0:22:35 | |
-He isn't the answer though, Lauren. -You don't know that. | 0:22:37 | 0:22:40 | |
Well, I know enough to know that you aren't happy. | 0:22:40 | 0:22:43 | |
I mean, how can you be? You're sharing him with his wife. | 0:22:45 | 0:22:47 | |
Yeah, well, we're not together any more anyway. | 0:22:47 | 0:22:51 | |
Sorry. | 0:22:53 | 0:22:54 | |
You deserve better anyway. | 0:22:57 | 0:22:59 | |
I never stopped loving you, Lauren. | 0:23:05 | 0:23:07 | |
Never will. | 0:23:07 | 0:23:09 | |
Come with me. | 0:23:12 | 0:23:14 | |
-What? It's too late for that. -All you've got to do, Lauren, | 0:23:15 | 0:23:19 | |
is think about how good we were together... | 0:23:19 | 0:23:23 | |
what we had. | 0:23:23 | 0:23:25 | |
Please, Lauren, come with me. | 0:23:28 | 0:23:31 | |
Look, I'll be at the station in ten minutes, all right? | 0:23:37 | 0:23:40 | |
Hello, you. Come here. | 0:23:49 | 0:23:51 | |
What's the matter? | 0:23:52 | 0:23:54 | |
Look, it's been fun. But it's just not been fun enough. | 0:23:54 | 0:23:58 | |
What you talking about? | 0:23:58 | 0:24:00 | |
This. Us. | 0:24:00 | 0:24:02 | |
It was a mistake. | 0:24:04 | 0:24:05 | |
What do you mean it was a mistake? | 0:24:05 | 0:24:07 | |
-Do you want me to spell it out for you? -Yeah, yeah, I do, | 0:24:07 | 0:24:10 | |
cos five minutes ago you were fine. | 0:24:10 | 0:24:12 | |
It's just not going to work. | 0:24:12 | 0:24:14 | |
You're too young, | 0:24:14 | 0:24:15 | |
you've got a kid, | 0:24:15 | 0:24:17 | |
I'm not ready for that. | 0:24:17 | 0:24:20 | |
You said... | 0:24:20 | 0:24:22 | |
-You said that didn't matter. -Yeah, well, it does. Big time. | 0:24:22 | 0:24:26 | |
Joey! | 0:24:53 | 0:24:54 | |
Where's your bags? | 0:24:58 | 0:24:59 | |
I came to say goodbye. | 0:25:01 | 0:25:03 | |
Babe, I don't get it. | 0:25:08 | 0:25:11 | |
What's here for you, eh? | 0:25:12 | 0:25:15 | |
Right now, I don't know. | 0:25:17 | 0:25:19 | |
But...we would be together if it was right. | 0:25:21 | 0:25:25 | |
We would, wouldn't we, Joey? | 0:25:27 | 0:25:29 | |
But it isn't, is it? | 0:25:31 | 0:25:33 | |
Right. OK. | 0:25:43 | 0:25:45 | |
I suppose this is it then, yeah? | 0:25:47 | 0:25:49 | |
I'm really going to miss you. | 0:25:53 | 0:25:55 | |
Make sure it goes your way, yeah? | 0:26:11 | 0:26:14 | |
BELL RINGS | 0:26:32 | 0:26:34 | |
Can I just have your attention, please? | 0:26:34 | 0:26:36 | |
Just to let you know that | 0:26:36 | 0:26:37 | |
me and Kat are going to be slipping off into the night - | 0:26:37 | 0:26:40 | |
or day, should I say. | 0:26:40 | 0:26:41 | |
I just want to say, from the bottom of our hearts, | 0:26:41 | 0:26:43 | |
it's been something else and God bless you all. Thank you. | 0:26:43 | 0:26:46 | |
CHEERING | 0:26:46 | 0:26:49 | |
What do you think? | 0:27:24 | 0:27:27 | |
Do you like it? | 0:27:27 | 0:27:29 | |
Call yourself a Mitchell, eh? | 0:27:31 | 0:27:33 | |
It's different. | 0:27:37 | 0:27:38 | |
Come on. Out. Everyone, out. | 0:27:42 | 0:27:46 | |
You're like an angry sheepdog, rounding everyone up. | 0:27:46 | 0:27:49 | |
You, out. Come on. Out. | 0:27:49 | 0:27:51 | |
-Out. -Leave her alone! -Out. Out. -Don't worry, Shirley. | 0:27:51 | 0:27:54 | |
I'm sure you'll be next. | 0:27:54 | 0:27:55 | |
You know, Peroxide, I get it, I really do. | 0:27:55 | 0:27:59 | |
Well, up yours, Queen Vic! | 0:27:59 | 0:28:02 | |
Come on. Out! Out! | 0:28:03 | 0:28:05 | |
And you. Out. | 0:28:05 | 0:28:07 | |
-I haven't finished my drink yet. -How many times, Shirley? Get out. | 0:28:07 | 0:28:10 | |
-Come on. Out. -What is that? Where has that come from? | 0:28:10 | 0:28:12 | |
-This is no way to treat a lady. -Just get out. -How would you know, Shirley? -Is there a problem? | 0:28:12 | 0:28:17 | |
Just chucking out the rubbish. Come on. Out, Shirley. Out. | 0:28:17 | 0:28:19 | |
Wasn't talking to you. | 0:28:19 | 0:28:21 | |
You all right? | 0:28:21 | 0:28:22 | |
You know her? | 0:28:22 | 0:28:25 | |
Everybody... | 0:28:25 | 0:28:26 | |
meet the new owner of the Vic. | 0:28:28 | 0:28:30 | |
Phil... | 0:28:35 | 0:28:36 | |
meet Mick... | 0:28:36 | 0:28:39 | |
my brother. | 0:28:39 | 0:28:40 | |
DOG GROWLS | 0:28:44 | 0:28:47 |